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The Swoose: Odyssey of a B-17 Collection

Topic:
The Swoose: Odyssey of a B-17
Creator:
Brownstein, Herb  Search this
Names:
United States. Army Air Forces  Search this
United States. Army Air Forces. 19th Bombardment Group  Search this
United States. Army Air Forces. 19th Bombardment Group. 14th Bombardment Squadron  Search this
United States. Army. Air Corps  Search this
Kurtz, Frank  Search this
Smith, Weldon H.  Search this
Extent:
1 Cubic foot (3 boxes)
Container:
Box 4
Box 5
Box 6
Type:
Collection descriptions
Archival materials
Diaries
Photographs
Maps
Reports
Manuscripts
Publications
Interviews
Correspondence
Date:
1939-1943
Summary:
The Swoose: Odyssey of a B-17 Collection consists of materials collected during research by Herbert Brownstein, the author.
Scope and Content:
This collection consists of materials collected by author Herbert Brownstein during his research for the book The Swoose: Odyssey of a B-17. Fifty-four of the images collected were used in the book. These images feature the aircraft, its crew, its insignia, air fields where it was stationed and maps of the flights of The Swoose. Mr. Brownstein collected approximately six hundred additional photographs from former crew members and other sources which were not used in the book. Included among these are images of air bases including Milne Bay, New Guinea; Marreba, Australia; Clark Field, Philippine Islands; Port Moresby, New Guinea; Del Monte, Philippine Islands; Randolph, Texas; Wheeler, Hawaii; Brooks, Texas; and Kelly, Texas. Aircraft featured include the Bell P-39, Douglas C-47, Boeing B-17B, Boeing B-17G, North American B-25B, Curtiss P-40, North American N4J Pensacola Trainer, and Boeing B-17 Suzy-Q. Aviation field maps include those for Northeast Australia, Malaya, Sumatra, Java, Borneo, and the Philippine Islands. Individuals represented include Henry Godman, Weldon S. Smith, Lyndon B. Johnson, Frank Kurtz, Sir Charles Burnett, Brigadier General George Acheson and several group shots of crew. There are also histories of the 14th and 19th Bombardment Groups, operations, battle honor lists, damage reports, debriefing reports, and crew lists as well as periodical articles about the aircraft and its crew.
Arrangement:
The collection has been organized into three series:

SERIES 1: Photographs Used in The Swoose: Odyssey of a B-17 SERIES 2: Photographs Collected but not Used in The Swoose: Odyssey of a B-17 SERIES 3: Official Government Documents, Periodical Articles, Miscellaneous Material
Biographical/Historical note:
The Swoose was the name given to Boeing B-17D Flying Fortress serial number 40-3097 by Weldon H. Smith, one of its crew members. The aircraft flew four historic trans-Pacific flights: California to Hawaii, May 13-14, 1941; Sydney, Australia to Hawaii and back, May 17-30, 1942; and Brisbane to Washington, DC, August 4-12, 1942. It was stationed in the Pacific theater during the first two years of World War II (1941-1943) and was assigned to both the 14th and 19th Bombardment Groups. In the Pacific, The Swoose carried out bombing and transport operations in the Philippines, Java, and Australia. In 1943, the aircraft was stationed in Panama. The aircraft remained in service until 1953, when it was transferred to the National Air and Space Museum. In 2008, The Swoose was transferred to the National Museum of the United States Air Force.
Provenance:
Herb Brownstein, gift, 1994, 1996, 2000, 1994-0024
Restrictions:
No restrictions on access
Rights:
Permissions Requests
Topic:
Aeronautics  Search this
Aeronautics, Military  Search this
Boeing B-17D Flying Fortress "Swoose"  Search this
Genre/Form:
Diaries
Photographs
Maps
Reports
Manuscripts
Publications
Interviews
Correspondence
Citation:
The Swoose: Odyssey of a B-17 Collection, Acc. 1994-0024, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.1994.0024
See more items in:
The Swoose: Odyssey of a B-17 Collection
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2d84f0417-6719-4ce0-9507-a4a71424b725
EDAN-URL:
ead_collection:sova-nasm-1994-0024
Online Media:

Fruit fly fauna (diptera : tephritidae : dacinae) of Papua New Guinea and associated territories

Author:
Drew, R. A. I.,  Search this
Romig, Meredith C.,  Search this
Physical description:
vii, 124 pages illustrations 29 cm
Type:
Books
Place:
Papua New Guinea
Papouasie-Nouvelle-Guinée
Date:
2022
Topic:
Fruit-flies--Classification  Search this
Fruit-flies--Identification  Search this
Fruit-flies--Environmental aspects  Search this
Diseases and pests  Search this
Mouches des fruits--Classification  Search this
Mouches des fruits--Identification  Search this
Mouches des fruits--Aspect de l'environnement  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1162310

Boating Across Traditions: Marshallese Canoes and Fishing Gigs in the Ozarks

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Wed, 04 Oct 2023 00:02:00 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_24bc130215ecd243986c26da7987c270

The Writing on the Wall: Visitor-Centered Labels in Art Museums

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2023-12-01T14:05:44.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_PUuxpEvQ6dU

15 Deadly African Predators in Action 🦁 Smithsonian Channel

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2021-07-02T21:11:57.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_-rzD1bXX8xk

Frank and Lillian Gilbreth Collection

Creator:
Perkins, James Secor  Search this
Gilbreth, Frank Bunker, 1868-1924  Search this
Gilbreth, Lillian Moller, 1878-1972  Search this
Extent:
5 Cubic feet (19 boxes)
5 Cubic feet (19 boxes)
Type:
Collection descriptions
Archival materials
Videotapes
Betacam sp (videotape format)
Motion pictures (visual works)
Date:
1907-2000
bulk 1911-1924
Summary:
The collection consists primarily of glass plate slides (negative and positive), photo prints, and stereographs documenting the work undertaken by Frank and Lillian Gilbreth from 1910 to 1924 in the fields of motion study, shop efficiency, and factory organization. Also included are slides dcoumenting the Gilbreth Family, their travels, residences, and friends. The collection also contains the film "The Original Films of Gilbreth The Quest for the One Best Way," 1968 by James S. Perkins.
Scope and Contents:
The collection consists primarily of glass plate slides (negative and positive), photo prints, and stereographs documenting the work undertaken by Frank and Lillian Gilbreth from 1910 to 1924 in the fields of motion study, shop efficiency, and factory organization. As scientific managers, the Gilbreth's introduced new techniques to analyze work, the workplace, and work practices with the goal of eliminating waste to maximize productivity. The collection illustrates these new techniques and their application to a wide variety of studies. The collection is diverse and provides insight into understanding how Gilbreth approached his studies. Also included are slides documenting the Gilbreth Family, their travels, residences, and friends. The collection also contains the film "The Original Films of Gilbreth The Quest for the One Best Way," 1968 by James S. Perkins.

Series 1, Background Information, 1892-1997, includes biographical materials about Frank B. Gilbreth; copies of some of Frank Gilbreth's patents, 1892-1916; and printed materials, 1907-1997, that contain articles, newspaper and magazine clippings about Frank and Lillian Gilbreth and time and motion study generally. Black-and-white photo prints of Gilbreth or work Gilbreth documented from collections held at Purdue University and Ohio State University are included.

Series 2, Glass plate stereo slides, 1910-1924, consists of approximately 2,250 glass stereo slides photographed by Frank B. Gilbreth and others and intended for viewing through an optical viewing machine. Some are positive black and white, positive color, and negative black and white. The subject matter of the slides covers the work undertaken by Frank Gilbreth from 1910 to 1924 in the fields of motion study, shop efficiency, and factory organization. Many of the images serve as documentation for the studies the couple performed as they were hired by firms in an attempt to provide solutions to the problems of inefficiency. Also included are the Gilbreth Family, their travels, residences, and friends.

The slides are numbered sequentially. For example, a glass plate slide numbered 318949.001 will have a corresponding photoprint 318949.001 in Series 3, Photoprints of glass plate slides. Note: not all glass plate slides have corresponding photoprints. Additionally, there are Office of Photographics Services, Smithsonian Institution negative numbers assigned to many of the photo prints.

Some subject categories include:

Frank B. Gilbreth: working in motion laboratories, on factory inspections, seated in offices, with family and friends, in World War I uniform, watching and monitoring shop operations.

Lillian M. Gilbreth: with family, during university graduation ceremonies, traveling and working with Frank and observing office workers.

Gilbreth Family: family on the road in an automobile, at home seated around the dinner table, in the parlor, in the garden, and with friends and relatives.

Gilbreth ship travel: contains views on steamer voyages to Europe, deck scenes, arrivals, departures, ship officers and crew, and other passengers.

Automobile assembly study: internal and external views of a warehouse/factory, including large piles or rows of metal car frames and other parts.

Benchwork study: images of a male worker standing or sitting in a chair while filing an object secured in a vice at a workbench.

Betterment: images of efforts whcih contributed to industrial betterment (the Gilbreth chair, employee library, and the home reading box).

Bricklaying study: view of men wearing overalls and caps, shoveling, and men laying bicks.

Business and apparatus of motion study: views of lectures, meetings, film showings, demonstrations, charts, drawings, motion models, charts amd some equipment.

Disabled study: views of partially blind World War I veterans, amputees using special tytpewriter, assembling machinery, use of cructhes, and a one armed dentist.

Factory bench work: table-top machines assembly operations, hand tools, orderly arrangement of parts prior to and during assembly and a variety of bench vises.

Factory documentation: various images of the interior and edterior of factories including heavy machinery.

Golfing study: various cyclegraphs of a man swinging a golf club.

Grid boards: back drops used by Gikbreth to isolate and measure worker motions. This includes walls, floors, desktops, and drop cloths divided into grids of various densities and scales.

Handwriting and cyclegraphs: finger lights moving in patterns of script.

Ladders: include step ladders and painters' ladders shown in use near shelving.

Light assembly study: wide variety of images ranging from cyclegraphs of women working, to the factory floor as well as tools and machinery.

Materials handling study: different angles of an empty cart, a cart oiled high with boxes, and a man pushing a cart illustrating different body positions.

Military study: illustrate work on the Army foot meausring machine, gun parts, men holding a rifle.

Motion models: images of simple wire motionmodels.

Needle trade study: views of textile machinery and workers.

Office study: various shots inside of an office with tables, desks, drawers, files, and typewriters. Some of the images are cyclegraphs of femal and male workers performing tasks, such as writing, both tin the context of an office as well as in front of a grdidded background. There are several close-ups of an organizer containing penciles, paperclips, pins and rubberbands.

Packing: methods of placing and arranging goods in boxes, such as soap packing.

Panama-Pacific Exposition 1915: contains views of statuary, fountains, and architecture of the exposition held in San Francisco.

Pure light cyclegraphs: no workers or grids visible only finger lights in motion.

Rubber stamping study: hand movements and access to ink pads and stamps.

Scenic views: views of buildings, landscapes, street scenes, and fountains from around the world documenting Gilbreth's travels.

Shoe making study: laboratory studies of shoe assembly operations with an emphasis on workers access to component pieces.

Shop machinery: various shots of machines and workers working with machines.

Signage: include organizational flow charts, shop floor plans, route maps, office layouts, numbering systems, exhibit display boards illustrating Frank Gilbreth's efficiency studies and techniques.

Stacking: views of the art and science of stacking boxes, clothing, equipment, containers, and vertical storage without shelves.

Stock bins: consists of storage pips, paper, other raw materials, shelves, and corridoe shots.

Storage: images illustrate contrast between old techniques and new.

Surgical and dental studies: thester views of surgeons, assistants, nurses, hand motions in grasping, placing surgical instruments, dental work and self inspection of teeth.

Tool cribs: storage of hand tools in shops with an emphasis on easy access and easy inventorying.

Typing study: various views of femaile s under observation using Remington typewriters.

Series 3, Photoprints of glass plate slides, 1910-1924, consist of black and white photoprints of the glass plate slides depicting the fields of motion study, shop efficiency, and factory organization. Also included are the Gilbreth Family, their travels, residences, and friends.

Series 5, Stereographs,1911-1914,

Series 6, Audio Visual Materials, 1968, 2000, and undated, is divided into three subseries: Subseries 1, Audio visual documentation, 1968 and undated; Subseries 2, Moving Images, 1968 and undated; and Subseries 3, Audio Recordings, 1980, 1990,. 2000 and undated. The series contains several formats: 7" open reel-to-reel audio tape, 1/2" VHS, Beta Cam SP, DVD, audio cassette, one inch audio tape, and 16 mm film.

Subseries 1, Audio visual documentation, 1967-1968 and undated, consists of supplemental documentation for the film, "The Original Films of Gilbreth The Quest for the One Best Way." Specifically, there are brochures and other printed materials detailing what the film is about and how copies may be obtained. This subseries also contains a copy of the book Cheaper by the Dozen, 1948. The book was written by Frank Bunker Gilbreth, Jr. and Ernestine Gilbreth Carey and tells the biographical story of Frank Bunker Gilbreth and Lillian Moller Gilbreth, and their twelve children. The book was adapted to film by Twentieth Century Fox in 1950.

Subseries 2, Moving Images, 1967, consists of one title, "The Original Films of Gilbreth The Quest for the One Best Way." The film materials consist of the film's production elements: 16 mm black and white negative A-roll; 16mm black-and-white negative B-roll; and the optical track negative. Each is 800 feet in length.

The film presents a summary of work analysis films which were taken by Frank B. Gilbreth between 1919 and 1924 showing a number of industrial operations from which the motion study was developed. Demonstrates motion and fatigue study, skill study, plant layout and material handling, inventory control, production control, business procedures, safety methods, developing occupations for the handicapped, athletic training and skills, military training, and surgical operations as researched and developed by Gilbreth. Points out that Gilbreth created entirely new techniques on how to improve industrial efficiency, while at the same time significantly improving conditions for the workers. The film was produced by James S. Perkins in collaboration with Dr. Ralph M. Barnes and with commentary by Liilian M. Gilbreth and James S. Perkins. The film was presented on December 3, 1968 at the American Society of Mechanical Engineers Annual Meeting in New York. The formats for this title include: 16 mm, Beta Cam SP, and DVD. Additionally, there is a one inch audio tape recording for the film.

Subseries 3, Audio Recordings, 1980, 1990, 2000 and undated consist of a Smithsonian radio program titled "Inside the Smithsonian, Cheaper by The Dozen," from 1980 and an recording of Ernestine Gilbreth Casey discussing Gilbreth Family photographs from 2000. Hosted by [Ann Carroll?], "Inside the Smithsonian, Cheaper by The Dozen," featured Fred and Bill Gilbreth discussing their parents Frank and Lillian, Gilbreth, and the book Cheaper by the Dozen. The radio program coincided with the 100th Anniversary of the American Society of Mechancial Engineers (founded 1880)of which Lillian Gilbreth was the Society's first female member and showcased a single case exhibition at the Museum of History and Technology (now the National Museum of American History) titled "Frank and Lillian Gilbreth: Motion Engineers." Inside Smithosnian Radio was a weekly program produced by the Office of Telecommunications. The recording of Ernestine Gilbreth Carey was recorded on July 9, 2000 and documents Ms. Carey's identification and discussion of Gilbreth Family photographs. David Ferguson assisted in the discussion. A hard copy index to the photographs Ms. Carey discusses is available.
Arrangement:
The collection is arranged into six series.

Series 1: Background Materials, 1892-1997

Subseries 1.1: Frank B. Gilbreth, undated

Subseries 1.2: Frank B. Gilbreth patents, 1892-1916

Subseries 1.3: Printed Materials, 1907-1997

Series 2: Glass Stereo Slides (Positive), 1910-1924 and undated

Series 3: Photo prints of glass stereo slides, 1910-1924 and undated

Subseries 3.1: Photo Print Books, 1-9, undated

Subseries 3.2: Photo prints (duplicates), undated

Series 4: Stereo Autochromes, undated

Series 5: Stereograph Cards, 1911-1914

Series 6: Audio Visual Materials, 1968, 1990, 2000 and undated

Subseries 6.1, Audio visual documentation, 1968 and undated

Subseries 6.2: Moving images, 1968 and undated

Subseries 6.3: Audio recordings, 1980, 1990, 2000, and undated
Biographical / Historical:
Frank Gilbreth is best known for his work on the efficiency of motion. Working with his wife and professional partner Lillian Moller Gilbreth, he applied modern psychology to his work with management. His innovative motion studies were used on factory workers, typists and people with disabilities. Gilbreth established the link between psychology and education to be succesful management.

Frank Gilbreth was born in Fairfield, Maine on July 7, 1868. His parents, John and Martha Bunker Gilbreth were New Englanders. John Gilbreth ran a hardware business, but died when Frank was only three. Bearing the responsibilty of raising her children alone, Martha moved the family twice in search of quality education for her children. Ultimately she decided to school the children herself. In 1885, Frank graduated from English High School in Boston. Despite gaining admission into the Massachusetts Institute of Technology, Frank opted to enter the work world immediately as a bricklayer's apprentice with Whidden and Company, building contractors in Boston.

Smart and skilled, Gilbreth worked his way up in the company. He learned the trade quickly and soon was promoted to supervisor, foreman, and finally to the position of superintendent. To further his edcuation, he went to night school to study mechanical drawing.

At the age of 27, Gilbreth embarked upon his first business venture. He started his own contracting firm. His firm developed a fine reputation for quality work at a very rapid pace. He invented tools, scaffolding, and other contraptions to make the job easier. His company goals included the elimination of waste, the conservation of energy, and the reduction of cost. His work included canals, factories, houses, and dams. His clients came from all parts of the United States, and he performed some work in England.

In 1903, Frank Gilbreth met Lillian Moller (1903-1972) and married her on October 19, 1904. Lillian graduated from the University of California, Berkeley with a BA (1900) and MA (1902). She later earned a Ph.D from Brown University (1915), earning a dissertation titled The Psychology of Management. Lillian's academic work, large family and integral role in Frank's consulting business kept her busy. Her contributions to the business led to a greater understanding of an individual's welfare in the work world. This becamme a key idea to increasing productivity through scientific management techniques.

Working together, the couple became leaders in the new field of scientific management. They published books, gave lectures, and raised tweleve children together: Anne, Mary (1906--912), Ernestine, Martha, Frank Jr., William, Lillian, Frederick, Daniel, John, Robert and Jane. Some of Gilbreth's books include Fields System (1908); Concrete System (1908); Bricklaying System (1909; Motion Study (1911); and Primer of Scientific Management (1911). Gilbreth co-authored with Lillian: Time Study (1916); Fatigue Study (1916); Applied Motion Study (1917); and Motion Study for the Handicapped (1919).

It wasn't long before Gilbreth moved away from construction. Together with his wife, they focused on the link between psychology and motion. With her strong psychological background, and his interest in efficiency, the Gilbreth's opened the School of Scientific Management in 1913. The school was in session for four years. Numerous professional attended the school, and soon the Gilbreth's had established a reputation as consultant's to the new field of scientific management.

In 1912, Frank won a contract with the New England Butt Company in Providence, Rhode Island. There he installed his system of scientific management in a factory setting for the first time. Contracts with the Hermann-Aukam handkerchief manufacturing company in New Jersey and the Auergessellschaft Company in Germany followed. Using motion study, Gilbreth studied and reoganized the factories, attempting to find "the one best way" to do work.

Gilbreth traveled to Germany to continue his work was a scientific manager. He visited factories and hospitals, working to improve procedures and eliminate waste. Using micro-motion study and the chronocyclegraph procedure, he analyzed and dissected motion, discovering therblings, the seventeen fundamental units of any motion. World War I slowed Gilbreth's progress abroad, so he focused his consulting business on firms n the United States.

After World War I, Gilbreth's business thrived. in 1920, the American Society of Mechanical Engineers instituted its Management Division, something Gilbreth had been demanding for years. He was now a famous American engineer, gaining financial rewards as as professional honors.

Frank Gilbreth died suddenly of a heart attack on June 14, 1924, still in the middle of three contracts. He was honored after his death in 1944 by the American Society of Engineers and the American Management Association with the Gant Gold Medal. After Frank's death, Lillian moved the family to California where she continued to work on efficiency and health in industry issues. She was a respected buiness woman and was hired by several companies to train employees, study working conditions, and reduce fatigue. She lectured at several universities (Newark College of Engineering and the University of Wisconsin), and joined the faculty at Purdue University in 1935 as the first woman professor in the engineering school.

Frank and Lillian Gilbreth often used their large family (and Frank himself) as guinea pigs in experiments. Their family exploits are lovingly detailed in the 1948 book Cheaper by the Dozen, written by Frank Jr. and Ernestine Gilbreth Carey.
Related Materials:
Material in Other Institutions

Purdue University, Archives and Special Collections

Frank and Lillian Gilbreth papers, 1869-2000

The Gilbreth Papers documents the professional and personal lives of Frank Gilbreth and Lillian Gilbreth. The collection consists of personal papers, letters, correspondence, photographs, and other memorabilia that Lillian Gilbreth collected during her life regarding her youth, marriage, family, and career.

Collection of materials related to Lillian Gilbreth, 1964-2006

One folder of items relating to the life of Lillian Gilbreth, and her family, collected by her granddaughter, Lillian (Jill) Barley and Nancy Weston. Materials include clippings relating to the Lillian Gilbreth postage stamp (1984); obituaries and memorial programs for Peter Barney, Ernestine Carey, Lillian Gilbreth, Anne Gilbreth Barney, Charles Carey, and Frank Gilbreth Jr.; programs and photographs relating to Lillian Gilbreth's visit to Athens in 1964; and biographical information on Lillian Gilbreth.

Cornell University, Kheel Center for Labor-Management Documentation and Archives

Frank Gilbreth Papers on Microfilm, Collection Number: 5424 mf

Selected papers pertaining to industrial engineering. Original materials are held by Purdue University. Microfilm copied purchased from Purdue University in April 1968.
Provenance:
The collection materials were donated by several individuals: New Jersey Institute of Technology (1975); Frank B. Gilbreth, Jr., (1980); Ernestine Gilbreth Carey (1995); Daniel B. Gilbreth (1998); and James Secor Perkins in 2001.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Series 2: Glass Stereo Slides are restricted. Boxes 3-9 were digitized in 2021. Researchers must use digital copies. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Motion study  Search this
Machinery industry  Search this
Machine shops  Search this
Industrial management  Search this
Industrial films  Search this
Industrial engineering  Search this
Genre/Form:
Videotapes
BetaCam SP (videotape format)
Motion pictures (visual works) -- 1930-1950
Citation:
Frank and Lillian Gilbreth Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0803
See more items in:
Frank and Lillian Gilbreth Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8a48e652d-6387-4a23-98c0-299772c454d5
EDAN-URL:
ead_collection:sova-nmah-ac-0803
Online Media:

Diary

Collection Creator:
Craton, Forman H., 1902-1983  Search this
Container:
Box 3, Folder 2-3
Type:
Archival materials
Date:
1942
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Forman H. Craton Collection, 1902-1983, Archives Center, National Museum of American History.
See more items in:
Forman H. Craton Papers
Forman H. Craton Papers / Series 1: Memoirs
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8f67a0106-2e16-47e0-b7d2-02f28e1e9a67
EDAN-URL:
ead_component:sova-nmah-ac-0454-ref269
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Vessel

Object Name:
randa
Maker:
Gbagyi artist  Search this
Asibi Ido, Nigerian, died 1984  Search this
Medium:
Ceramic
Dimensions:
H x W x D: 22.5 x 24 x 24 cm (8 7/8 x 9 7/16 x 9 7/16 in.)
Type:
Ceramics
Geography:
Suleja, Nigeria
Date:
1960s
Topic:
fish  Search this
Household  Search this
scorpion  Search this
snake  Search this
lizard  Search this
millipede  Search this
Credit Line:
Bequest of Charlton E. Williams
Object number:
2002-14-12
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Exhibition:
Currents: Water in African Art
On View:
NMAfA, Third Level Corridor
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7a15622ce-6e55-4073-9c77-f4af5cef1fc9
EDAN-URL:
edanmdm:nmafa_2002-14-12

Shrine figure

Object Name:
a-Tshol
elek
Maker:
Baga artist  Search this
Medium:
Wood, pigment, brass tacks
Dimensions:
H x W x D: 51 x 22.2 x 67.5 cm (20 1/16 x 8 3/4 x 26 9/16 in.)
Type:
Figure
Geography:
Guinea
Date:
Early to mid-20th century
Topic:
bird  Search this
Shrine/Altar  Search this
male  Search this
Credit Line:
Gift of Walt Disney World Co., a subsidiary of The Walt Disney Company
Object number:
2005-6-161
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7d39499ad-b92a-4a83-a091-d1e027299775
EDAN-URL:
edanmdm:nmafa_2005-6-161

Face mask

Maker:
Kono artist  Search this
Medium:
Wood, paint, colubus money fur, wool, teeth
Dimensions:
H x W x D: 36.2 x 14 x 5.1 cm (14 1/4 x 5 1/2 x 2 in.)
Type:
Mask
Geography:
Guinea
Topic:
Male use  Search this
male  Search this
Credit Line:
Gift of Walt Disney World Co., a subsidiary of The Walt Disney Company
Object number:
2005-6-169
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys763a758b9-6f72-43df-87f5-c5104604cfc0
EDAN-URL:
edanmdm:nmafa_2005-6-169

Shrine figure

Object Name:
a-Tshol
anok
elek
Maker:
Baga artist  Search this
Medium:
Wood
Dimensions:
H x W x D: 61.6 x 21.6 x 66 cm (24 1/4 x 8 1/2 x 26 in.)
Type:
Figure
Geography:
Guinea
Date:
Early to mid-20th century
Topic:
bird  Search this
Shrine/Altar  Search this
Human  Search this
male  Search this
Credit Line:
Gift of Walt Disney World Co., a subsidiary of The Walt Disney Company
Object number:
2005-6-288
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7ecdf4573-1d49-4594-bd57-78adc2b7997f
EDAN-URL:
edanmdm:nmafa_2005-6-288

Mask

Medium:
Wood, fur
Dimensions:
H x W x D: 22.3 x 15 x 9.5 cm (8 3/4 x 5 7/8 x 3 3/4 in.)
Type:
Mask
Geography:
Sepik River region, New Guinea
Topic:
male  Search this
Credit Line:
Gift of Walt Disney World Co., a subsidiary of The Walt Disney Company
Object number:
2005-6-399
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys79e25d4e7-0d7f-4c05-8148-7367fa5c6612
EDAN-URL:
edanmdm:nmafa_2005-6-399

Head

Maker:
Sepik River artist  Search this
Medium:
Wood
Dimensions:
H x W x D: 37 x 18 x 15.4 cm (14 9/16 x 7 1/16 x 6 1/16 in.)
Type:
Sculpture
Geography:
New Guinea
Topic:
male  Search this
Credit Line:
Gift of Walt Disney World Co., a subsidiary of The Walt Disney Company
Object number:
2005-6-469
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7e3b5c8cd-8fb1-48c4-ad96-1dc38a315818
EDAN-URL:
edanmdm:nmafa_2005-6-469

Yam mask

Maker:
Oceanic artist  Search this
Medium:
Fiber
Dimensions:
Not verified
Type:
Mask
Geography:
New Guinea
Topic:
male  Search this
Credit Line:
Gift of Walt Disney World Co., a subsidiary of The Walt Disney Company
Object number:
2005-6-498
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7f8e6fee8-62e3-47cf-9678-eb25f77c3877
EDAN-URL:
edanmdm:nmafa_2005-6-498

Yam mask

Maker:
Oceanic artist  Search this
Medium:
Plant fiber, pigment
Dimensions:
Not verified
Type:
Mask
Geography:
New Guinea
Topic:
male  Search this
Credit Line:
Gift of Walt Disney World Co., a subsidiary of The Walt Disney Company
Object number:
2005-6-499
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7d82892b2-804e-40f6-9821-98879d6e7ed5
EDAN-URL:
edanmdm:nmafa_2005-6-499

Yam mask

Medium:
plant fiber
Dimensions:
Not verified
Type:
Mask
Geography:
New Guinea
Topic:
male  Search this
Credit Line:
Gift of Walt Disney World Co., a subsidiary of The Walt Disney Company
Object number:
2005-6-500
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7c4af6ecc-de9b-4938-ad55-e8d8b7a0cb17
EDAN-URL:
edanmdm:nmafa_2005-6-500

Club

Medium:
Wood
Dimensions:
Not verified
Type:
Sculpture
Geography:
New Guinea
Topic:
male  Search this
Credit Line:
Gift of Walt Disney World Co., a subsidiary of The Walt Disney Company
Object number:
2005-6-510
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7bcc0ddb5-cbbf-4925-b3ae-c5f76fb99748
EDAN-URL:
edanmdm:nmafa_2005-6-510

Yam mask

Maker:
Sepik River artist  Search this
Medium:
Plant fiber, pigment
Dimensions:
Not verified
Type:
Mask
Geography:
New Guinea
Topic:
male  Search this
Credit Line:
Gift of Walt Disney World Co., a subsidiary of The Walt Disney Company
Object number:
2005-6-512
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7f9b050bb-f57d-4bbd-98b3-8c98fd02dafd
EDAN-URL:
edanmdm:nmafa_2005-6-512

Mask

Object Name:
dugn'be
Maker:
Bijogo artist  Search this
Medium:
Wood, cow horns, glass, plant fiber, paint
Dimensions:
H x W x D: 27 x 50 x 30 cm (10 5/8 x 19 11/16 x 11 13/16 in.)
Type:
Mask
Geography:
Bolama Region, Guinea-Bissau
Date:
Late 19th to mid-20th century
Topic:
Male use  Search this
male  Search this
bull  Search this
Credit Line:
Gift of Walt Disney World Co., a subsidiary of The Walt Disney Company
Object number:
2005-6-53
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
On View:
NMAfA, Pavilion Gallery
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7cd131316-df40-4e60-808f-13da1ab36767
EDAN-URL:
edanmdm:nmafa_2005-6-53
Online Media:

Male figure

Maker:
Kissi artist  Search this
Medium:
Stone, pigment
Dimensions:
H x W x D: 18.8 x 6 x 6.3 cm (7 3/8 x 2 3/8 x 2 1/2 in.)
Type:
Figure
Geography:
Guinea
Date:
Possibly 16th-17th century
Topic:
Shrine/Altar  Search this
male  Search this
Credit Line:
Gift of Walt Disney World Co., a subsidiary of The Walt Disney Company
Object number:
2005-6-55
Restrictions & Rights:
CC0
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys78ccba99f-0c75-42d9-9c7a-4d3086701b1d
EDAN-URL:
edanmdm:nmafa_2005-6-55
Online Media:

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