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Persepolis (Iran): Apadana, North Side, West Wing of Ceremonial Stairway with Reliefs Depicting Tribute Procession

Topic:
Early Photography of Iran
Creator:
Sevruguin, Antoin, 1851-1933  Search this
Names:
Islamic Archives  Search this
Sevruguin, Antoin, 1851-1933  Search this
Smith, Myron Bement, 1897-1970  Search this
Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Extent:
1 Glass negative (b&w, 23.8 cm. x 17,7 cm.)
Type:
Archival materials
Glass negatives
Place:
Asia
Iran
Persepolis (Iran)
Date:
1902-1905
Scope and Contents:
- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "The top is very uneven. Brown paper on the back and black and red ink on the front flicking the area between the paper and the horizon. Copy print."
- Handwritten number (inked, probably by Antoin Sevruguin) reads, "806."
- Scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "781."
- Myron Bement Smith handwritten caption in English reads, "47.P; Box 42.7: (P) [black-and-white print on hand]. Fars. Persepolis. Takht-i Jamshid. Carvings, columns." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]
Arrangement:
According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 42."
Biographical / Historical:
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.
Local Numbers:
FSA A.4 2.12.GN.42.07
General:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Ancient Near Eastern Art  Search this
Animals in art  Search this
Architecture  Search this
Relief (Sculpture)  Search this
Genre/Form:
Glass negatives
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
Identifier:
FSA.A.04, Item FSA A.4 2.12.GN.42.07
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc37baa35d3-35b3-4ae4-a968-f96c47e3cb99
EDAN-URL:
ead_component:sova-fsa-a-04-ref10384

Persepolis (Iran): Apadana, North Side, West Wing of Ceremonial Stairway with Reliefs Depicting Tribute Procession

Topic:
Early Photography of Iran
Creator:
Sevruguin, Antoin, 1851-1933  Search this
Names:
Islamic Archives  Search this
Sevruguin, Antoin, 1851-1933  Search this
Smith, Myron Bement, 1897-1970  Search this
Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Extent:
1 Item (photographic print, b&w, 24 cm. x 18 cm.)
Type:
Archival materials
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Persepolis (Iran)
Date:
1902-1905
Scope and Contents:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "806."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "---(?)."
- On verso of the print, handwritten number (penciled) reads, "42.7."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Persepolis (Takht-I Djamshīd; Relief of Tribute Procession."
Arrangement:
Gelatin silver prints organized by Myron B. Smith into subject categories (People; Architecture - Pre-Islamic; Royalty - Residences - Gulistan Palace (Tehran; Architecture; Landscapes). This print is in the following subject category: Architecture - Pre-Islamic.
Biographical / Historical:
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Local Numbers:
[18(D1)]

FSA A.4 2.12.Sm.29
General:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Ancient Near Eastern Art  Search this
Animals in art  Search this
Architecture  Search this
Relief (Sculpture)  Search this
Genre/Form:
Gelatin silver prints
Photographic prints
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
Identifier:
FSA.A.04, Item FSA A.4 2.12.Sm.29
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.02: Sevruguin Smith Prints / Architecture: Pre-islamic
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc31f1d0810-d2dd-4fbd-893c-b8d58efb5ef8
EDAN-URL:
ead_component:sova-fsa-a-04-ref9844

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