The papers of San Antonio-based educator and photographer Kathy Vargas measure 10.8 linear feet and date from circa 1965-2016. Vargas's career is documented through biographical material, correspondence, writings and notes, project and exhibition files, professional files, and printed material.
Scope and Contents:
The papers of San Antonio-based educator and photographer Kathy Vargas measure 10.8 linear feet and date from circa 1965-2016. Vargas's career is documented through biographical material, correspondence, writings and notes, project and exhibition files, professional files, and printed material.
The collection contains biographical materials, including a video recording of an interview, photographs of family and friends, and records for Vargas's studies at the University of Texas. Correspondence is with Lucy Lippard, Jim Goldberg, Jeff Perrone, colleagues, and others. Topics of professional correspondence includes exhibitions, publications, and residencies. Writings and notes that include five notebooks, manuscripts by Vargas and others, notes, and lecture and panel talks. Project and exhibition files document her work on major exhibitions of Chicano art, and include twelve sound recordings of interviews for the exhibition Hospice: A Photographic Inquiry. Other projects include the Guerrilla Girls Fotonovela and research on San Antonio shrines. Professional files document Vargas's activities on various boards and committees, employment, and for her work on selection panels. Printed material includes clippings, exhibition material, magazines, posters, and other publications.
Arrangement:
The collection is arranged as six series.
Series 1: Biographical Material, circa 1965-2014 (Boxes 1, 12; 0.4 linear feet)
Series 2: Correspondence, 1979-2014 (Boxes 1-5, 12; 4.0 linear feet)
Series 3: Writings and Notes, circa 1985-2014 (Boxes 5-6; 1.0 linear feet)
Series 4: Project and Exhibition Files, 1984-2004 (Boxes 6-8, 12; 2.0 linear feet)
Series 5: Professional Files, 1975-2016 (Boxes 8-9; 1.0 linear feet)
Series 6: Printed Material, 1974-circa 2010 (Boxes 9-12, OV 13; 2.4 linear feet)
Biographical / Historical:
Kathy Vargas (1950- ) is an educator and photographer in San Antonio, Texas.
Vargas's early influences were the stories of her elder family members, Catholicism, and her uncle Antonio Valdez, a photographer. In the early 1970s, Vargas became acquainted with rock and roll photographers who introduced her to their world of professional photography. Her interest led to taking photography classes at the Southwest Craft Center where she studied under photographer Tom Wright. She quickly became captivated with the art form and started freelancing as a rock and roll photographer. Around this time, Vargas also became familiar with Chicano art and the artist group Con Safo, co-founded by Mel Casas. Vargas and Casas maintained their friendship until his death.
In addition to attending the Southwest Craft Center, Vargas also attended San Antonio College. She went on to earn a Bachelor of Fine Art in 1981 and a Master of Fine Art in 1984 from the University of Texas in San Antonio. Vargas has exhibited her work, as well as curated numerous exhibitions in the U.S. and abroad, collaborating with colleagues such as Jim Goldberg, close friend Lucy Lippard, and others. Vargas is a professor and art department chair at the University of the Incarnate Word where she developed a Bachelor of Fine Art program for photography. Previously she was the Visual Arts Director at the Guadalupe Cultural Arts Center.
Related Materials:
Also found at the Archives of American Art is an oral history with Kathy Vargas conducted by Jacinto Quirarte, in San Antonio, Texas on November 7-25, 1997 for the Archives of American Art.
Provenance:
The Kathy Vargas papers were donated in 2016 by Vargas.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival records with audiovisual records with no duplicate copies requires advance notice.
Biographical material includes two appointment books, awards and certificates, education records for the University of Texas in San Antonio, one video recording of an interview, and written interviews. Also included is a draft of a report on the Eleanor Heard survey of Latino art in San Antonio for which Vargas was interviewed. Photographs include Vargas at exhibition and political events, and with friends; photographs of her uncle, who was also a photographer; and one photograph by Christopher Rauschenberg.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival records with audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Kathy Vargas papers, circa 1965-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival records with audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Kathy Vargas papers, circa 1965-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival records with audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Kathy Vargas papers, circa 1965-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival records with audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Kathy Vargas papers, circa 1965-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival records with audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Kathy Vargas papers, circa 1965-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival records with audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Kathy Vargas papers, circa 1965-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Includes post cards, illustrated envelopes, photographs of travel to Oaxaca in Mexico, and a photographs album of Vargas's trip to New Mexico to visit Lippard.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival records with audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Kathy Vargas papers, circa 1965-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival records with audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Kathy Vargas papers, circa 1965-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival records with audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Kathy Vargas papers, circa 1965-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival records with audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Kathy Vargas papers, circa 1965-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival records with audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Kathy Vargas papers, circa 1965-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
The series contains Kathy Vargas's correspondence with Allan D. Coleman, Jim Goldberg, Lucy Lippard, Chon A. Noriega, Jeff Perrone, May Stevens, Kay Turner, and colleagues and collectors, as well as correspondence regarding donations, exhibitions, publications, and residencies and grants.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival records with audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Kathy Vargas papers, circa 1965-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival records with audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Kathy Vargas papers, circa 1965-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival records with audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Kathy Vargas papers, circa 1965-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival records with audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Kathy Vargas papers, circa 1965-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival records with audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Kathy Vargas papers, circa 1965-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival records with audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Kathy Vargas papers, circa 1965-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival records with audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Kathy Vargas papers, circa 1965-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Includes records for exhibitions of Vargas's work organized by Juan Bruce Novoa, Con Safo, Chicano Art: Resistance and Affirmation (CARA), and other exhibitions.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival records with audiovisual records with no duplicate copies requires advance notice.
Collection Citation:
Kathy Vargas papers, circa 1965-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
