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John Schuyler Crosby

Artist:
Alphonse Jongers, 17 Nov 1872 - 2 Oct 1945  Search this
Sitter:
John Schuyler Crosby, 19 Sep 1839 - 8 Aug 1914  Search this
Medium:
Oil on canvas
Dimensions:
Accurate: 152.4 x 121.9 cm (60 x 48")
Frame: 188.6 × 156.8 × 11.7 cm (74 1/4 × 61 3/4 × 4 5/8")
Type:
Painting
Topic:
Interior  Search this
Costume\Jewelry\Pin\Tie pin  Search this
Personal Attribute\Facial Hair\Mustache  Search this
Costume\Dress Accessory\Glove  Search this
Costume\Headgear\Hat\Top hat  Search this
Architecture\Column  Search this
John Schuyler Crosby: Male  Search this
John Schuyler Crosby: Military\Army\Officer\Civil War  Search this
John Schuyler Crosby: Politics and Government\Diplomat\Consul\US Consul  Search this
John Schuyler Crosby: Military\Army\Officer\Lieutenant Colonel  Search this
John Schuyler Crosby: Politics and Government\Governor\Territorial Governor\Montana  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; transfer from the National Museum of American History; gift of Mrs. S.V.R. Crosby, 1936
Object number:
S/NPG.66.63
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm44821d9bf-d316-40b1-b4f5-f9718c183f35
EDAN-URL:
edanmdm:npg_S_NPG.66.63

Pamphlet, Italian Language Guide

Materials:
Paper
Dimensions:
Overall: 5 1/4 x 4 1/4 x 3/16in. (13.34 x 10.8cm)
Type:
MEMORABILIA
Date:
1943
Credit Line:
Donated by Albert K. McCutcheon.
Inventory Number:
A20030105000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv988c0ac22-ed63-4433-b8b3-668075f2231b
EDAN-URL:
edanmdm:nasm_A20030105000

Republic P-47D-30-RA Thunderbolt

Manufacturer:
Republic Aviation Corporation  Search this
Materials:
All-metal, low-wing, monoplane of semi-monocoque construction
Dimensions:
Overall: 14ft 1 5/16in. x 40ft 5/16in., 10751.8lb., 36ft 1 1/16in. (430 x 1220cm, 4877kg, 1100cm)
Type:
CRAFT-Aircraft
Country of Origin:
United States of America
Date:
1944
Credit Line:
Transferred from the U.S. Air Force
Inventory Number:
A19600306000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv99049be38-a1fc-4587-a61e-2d187db9268e
EDAN-URL:
edanmdm:nasm_A19600306000
Online Media:

[Compton Wynyates]: gazebo and topiary work.

Collection Creator:
Garden Club of America  Search this
Extent:
1 Lantern slide (col., 3.25 x 4 in.)
Type:
Archival materials
Lantern slides
Place:
Compton Wynyates (Tysoe, Warwickshire, England)
United Kingdom -- England -- Warwickshire -- Tysoe
Date:
[between 1925 and 1935]
General:
Compton Wynyates was visited during the Garden Club of America's June 1929 tour to England. A complete copy of the GCA tour itinerary was printed in the Bulletin of the Garden Club of America (Fourth Series, No. 5), September 1929, pp. 6-25.
Historic plate number: "61."
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- England -- Warwickshire -- Tysoe  Search this
Gazebos  Search this
Topiary work  Search this
Trees  Search this
Genre/Form:
Lantern slides
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item ENG007004
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 2: International Garden Images / United Kingdom -- England / ENG007: Tysoe -- Compton Wynyates
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb68abe4f05-edcf-47e2-8921-0630587a003f
EDAN-URL:
ead_component:sova-aag-gca-ref4642

Brook Farm

Creator:
Norman, Bradford, M/Ms  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Photograph (lantern slide, hand-colored, 3.25 x 4 in.)
Type:
Archival materials
Photographs
Lantern slides
Place:
Rhode Island -- Newport
United States of America -- Rhode Island -- Newport County -- Newport
Date:
[between 1914 and 1949?]
General:
The slides were commissioned by Mrs. Hugh D. Auchincloss Sr. The house burned to the ground in 1970.
Historic plate number: "5; 23."
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gates -- Iron  Search this
Walls, stone  Search this
Orchards  Search this
Apples  Search this
Genre/Form:
Lantern slides
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item RI010001
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Rhode Island / RI010: Newport -- Brook Farm
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb65d2451de-c290-4ee1-b78d-3ba0c7d8b0f5
EDAN-URL:
ead_component:sova-aag-gca-ref10604

Forest -- Poplar Forest

Architect:
Jefferson, Thomas, 1743-1826  Search this
Landscape architect:
Jefferson, Thomas, 1743-1826  Search this
Former owner:
Jefferson, Thomas, 1743-1826  Search this
Jefferson, Martha Wayles Skelton, 1748-1782  Search this
Hutter family  Search this
Watts, James O., Jr. Mr. Mrs.  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Poplar Forest (Forest, Virginia)
United States of America -- Virginia -- Bedford County -- Forest
Scope and Contents:
The folder includes worksheets, photocopies of articles about the site, site plans, brochures, and additional information about the house and garden.
General:
Situated between Lynchburg and Bedford, Virginia, Poplar Forest was a nearly 5,000-acre plantation inherited by Thomas Jefferson and his wife Martha Wayles Skelton Jefferson from her father, John Wayles, in 1773. Martha Jefferson died in 1782, and it was only in 1806 that Thomas Jefferson began to design and build the Palladian-influenced house and gardens that still exist today. Serving as a retirement retreat during Jefferson's lifetime, the property was sold in 1828, two years after his death. It remained in private ownership until 1983, when a nonprofit corporation acquired it and began a process of archaeological and documentary research leading to its ongoing restoration. Jefferson's landscape design featured a circular road lined by paper mulberry trees, earthen mounds flanking the house, oval shrub beds, and a sunken lawn. Native trees, such as the tulip poplars from which the property takes its name (several of which survive from Jefferson's time), were planted throughout the grounds. The three images in the Archives of American Gardens' collection document the property at the time when it was still a private residence owned by the Hutter family and somewhat altered from Jefferson's original design. In addition, land sales over the years have reduced the size of the property to a mere fraction of its original size.
Persons associated with the property include Thomas Jefferson (architect, landscape architect, former owner, 1773-1826); Martha Wayles Skelton Jefferson (former owner, 1773-1782); the Hutter family (former owners, ca. 1828-1946); and Mr. and Mrs. James O. Watts, Jr. (former owners, 1946-1983).
Related Materials:
Poplar Forest related holdings consist of 1 folder (3 lantern slides)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Virginia -- Forest  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File VA068
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Virginia
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6019f343b-0ba6-49dd-8ed8-5fab1a2cc47a
EDAN-URL:
ead_component:sova-aag-gca-ref18821

Washington -- Gray Garden

Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Gray Garden (Washington, D.C.)
United States of America -- District of Columbia -- Washington
Scope and Contents:
The folders include worksheets; garden plans; photocopies of articles about the garden; photocopies of Wheeler notes, plant lists, and correspondence relating to the garden; and additional information.
General:
Situated in the Georgetown section of Washington, D.C., this garden was originally established in the 1930s or 1940s with design work by Rose Greely. In 1958, the property's new owners commissioned a design from Perry H. Wheeler. Structurally the garden has changed little in the past 50 years and still includes many of Wheeler's details: a "thimble" rotating fountain jet, a ram's head mask, a marble "reclining" figure, and four boxwood circles in beds. Wheeler installed hardscapes of different kinds throughout the site's terraces and designed the gardens with the idea of entertaining and low maintenance during the summer months. Boxwood, liriope, mondo grass, bulbs, and other all-season plants were used. The lower, formal terrace features boxwood-edged beds, a fountain and a lawn. The upper terrace includes a swimming pool, greenhouse, garden house, vegetable garden, walkways, and cutting beds. The one-acre size of the garden is unusual in this urban setting and its continuity over the years makes it a site of special interest.
Persons associated with the garden include Perry H. Wheeler (landscape architect, 1958-1980) and Rose Greely (landscape architect, 1930s-1940s).
Related Materials:
Gray Garden related holdings consist of 2 folders (61 35 mm. slides (photographs); 4 photographic prints; 5 safety film negatives)
See others in:
American Gardens Collection, ca. 1920-[ongoing]
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Washington (D.C.) -- Georgetown  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File DC040
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / District of Columbia
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6a1cd2b54-cdec-470d-942e-c2da69d18184
EDAN-URL:
ead_component:sova-aag-gca-ref5932

Others Reading Johns Statements

Collection Creator:
Wechsler, Judith  Search this
Extent:
5 Sound track film reels (5 reels in 1 film can, 16mm)
Container:
Box 10
Type:
Archival materials
Moving Images [31027000389797]
Sound track film reels
Date:
1989
Scope and Contents:
Film can numbered FC 87
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copy requires advance notice.
Collection Rights:
The Painter's World: Copyright retained by Judith Wechsler.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Judith Wechsler papers, 1940-2003, bulk 1971-1994. Archives of American Art, Smithsonian Institution.
See more items in:
Judith Wechsler papers
Judith Wechsler papers / Series 2: Jasper Johns: Take an Object Production Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw901a647a7-f321-4ae4-8a70-1a67266897a1
EDAN-URL:
ead_component:sova-aaa-wechjudi-ref655

Gilien, Theodore

Collection Creator:
O'Connor, Francis V.  Search this
Container:
Box 5, Folder 61
Type:
Archival materials
Date:
1967-1968
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.

The Artists' Questionanaires require permission from each artist before publishing, quoting, or reproducing. Contact Reference Services for more information.
Collection Rights:
Artists' questionnaires: Authorization to publish, quote, or reproduce requires written permission from the individual artist. The donor has retained all intellectual property rights, including copyright, that they may own. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Francis V. O'Connor papers, 1920-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Francis V. O'Connor papers
Francis V. O'Connor papers / Series 1: NCFA Library / 1.3: GSA Artists' Employment History Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw970cbd138-f526-42bc-a2c5-7d3b8fabc870
EDAN-URL:
ead_component:sova-aaa-oconfran-ref483

André Emmerich Gallery records

Creator:
André Emmerich Gallery  Search this
Names:
Galerie André Emmerich  Search this
Sotheby Parke Bernet & Co.  Search this
Sotheby's (Firm)  Search this
Caro, Anthony, 1924-  Search this
Emmerich, André  Search this
Francis, Sam, 1923-1994  Search this
Frankenthaler, Helen, 1928-2011  Search this
Greenberg, Clement, 1909-1994  Search this
Hockney, David  Search this
Hofmann, Hans, 1880-1966  Search this
Louis, Morris, 1912-1962  Search this
Noland, Kenneth, 1924-2010  Search this
Olitski, Jules, 1922-2007  Search this
Pepper, Beverly  Search this
Extent:
311.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Visitors' books
Sound recordings
Video recordings
Scrapbooks
Etchings
Date:
circa 1929-2009
Summary:
The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich. TheA small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.
Scope and Content Note:
The André Emmerich Gallery records and André Emmerich papers measure 311.4 linear feet and date from 1929 to 2009. The collection documents the business of the André Emmerich Gallery as well as André Emmerich's life and activities related to the business of selling art. Gallery records include correspondence; appointment books; administrative and subject files; exhibition files; artist files and accounts; inventory, sales, purchase, and consignment records; chronological files; financial and legal records; printed materials; original artwork; photographic and audiovisual materials. Also found are personal papers and records relating to André Emmerich.

The records document the gallery's daily business operations, exhibitions, and relationships with artists, dealers, clients, galleries, and museums. Artists particularly well-represented throughout the collection include Anthony Caro, Sam Francis, Helen Frankenthaler, David Hockney, Hans Hofmann, Morris Louis, Kenneth Noland, Jules Olitski, and Beverly Pepper.

Records pre-dating the gallery's establishment in 1954 are primarily newspaper and magazine clippings related to artists, personal photographs and photographs of artists, an original etching, and some of André Emmerich's personal records including biographical materials, correspondence, writings, and legal and financial records. Records post-dating the gallery's closure in 1998 are primarily residual business records related to the final disposition of artwork, clippings, photographs of André Emmerich and gallery staff, biographical materials, personal correspondence, writings, legal and financial records, and condolences received by Emmerich's wife upon his death in 2007.

Correspondence is primarily with galleries, museums and clients about business matters. Correspondence files also cover topics such as appraisals, authentications, offers of sale, artists seeking representation, image requests, job applications and recommendations. Also included are the New York gallery's copies of correspondence between the New York staff and the Zurich staff.

André Emmerich's appointment books document appointments, notes, and reminders about Emmerich's business and personal activities. Four appointment books relating to the birth of Emmerich's three sons and second marriage were kept by the family. The appointment books are access restricted and require written permission to use.

Administrative files include corporate records establishing the Andre Emmerich gallery's structure, records documenting the gallery's daily operations, advertising and publicity material, and records about the Sotheby's acquisition. There are also materials related to Top Gallant Farm, from its establishment to its closure. Travel records relate to André Emmerich's business trips and vacations along with some files on the travels of a several staff members at the gallery. Files about the operations of the Galerie André Emmerich in Zurich, Switzerland are included in the series as well.

Subject files relate to Emmerich's gallery business as well as personal and political interests, such as antiquities, art fairs and exhibitions, lecture research, art associations, and sculpture parks. There are several files on the art critic Clement Greenberg and former president of Gay Men's Health Crisis, Nathan Kolodner, who was also an art dealer and director of the Andre Emmerich Gallery.

Exhibition files contain numerous exhibition catalogs and printed materials related to exhibitions held or organized by the André Emmerich Gallery in Manhattan and Galerie André Emmerich in Zurich. The files contain materials ranging such as exhibition invitations, posters, printed materials, press releases, and guest books. Photographs of exhibitions can be found in the Photographic Materials series.

Artist files include biographical materials, clippings, correspondence, mailing lists, price lists, printed materials, and occasionally lectures, writings, and audiovisual materials for many of the artists represented or shown by André Emmerich Gallery. The General Correspondence files might contain duplicates or expanded versions of some of the correspondence. Photographs of artists can be found in the Photographic Materials series.

Artist accounts comprise account statements prepared periodically by the gallery documenting each artist's expenses and sales. Ledgers and general accounting files can be found in the Other Financial and Legal Records series.

Inventory records include inventory cards describing artwork entering and leaving the gallery and files containing various gallery inventories. Artist inventory cards, representing artists from both the New York and Zurich galleries, list the artist, title, date, media and measurements of an artwork. The cards also indicate whether the work was ultimately sold, returned to the artist, consigned, etc., and divided into categories accordingly. Inventory files show various gallery inventories.

Sales records document gallery sales and include paid invoices, records relating to Zurich sales, general sales records such as price lists and canceled sales, and Sotheby's Parke-Bernet auction reports. There are gaps in sales invoices in 1961-1964 and 1969-1971.

Purchase records include correspondence and invoices related to purchases and offers; annotated invoices for works of art bought by the gallery; André Emmerich, Inc. related purchase records; "Non-Modern" art related purchase records.

Consignment records include correspondence and consignment agreements documenting consignments to and from the André Emmerich Gallery; consignments from other galleries to André Emmerich, Inc.; and general consignment records.

Chronological files include copies of invoices or cover letters documenting the movement of artwork into and out of the gallery through sales, consignments, loans, and approvals. Records dating January through August 1968, January through March 1969, and September 1969 through July 1971 are missing.

Financial and legal records include client and partner account statements, resale and exempt organization certificates, accounting ledgers, and legal files related to disputes involving or of interest to the gallery.

Printed materials include auction catalogs and reports, books, and clippings describing André Emmerich, the galleries in New York and Zurich, Top Gallant Farm, and the art world. Also included is a large scrapbook created by the gallery containing clippings and gallery announcements dated 1955-1958. Clippings relating to particular artists can be found in the Artists Files series.

There are two pieces of original artwork in the collection. One is a 1974 print of a 1933 composite etching by Esther Dick Gottlieb, Adolphe Gottlieb, Edgar Levy, Lucille Corcos Levy, David Smith, and Dorothy Dehner Smith. The second is a 1998 lithograph by Louise Bourgeoise, called The Face of the Critic. The artist gave the lithograph as a gift in honor of Robert Hughes and the Archives of American Art and is numbered 61 out of a series of 300.

Photographic materials include prints, slides, negatives, and transparencies. Subjects include artists, André Emmerich, gallery installations, Top Gallant Farm, events, artists' studios, gallery staff, gallery space, and artwork. Photographs which show André Emmerich are indicated as such in the finding aid.

Audiovisual materials includes videocassettes and one audiocassette related to the art world. Videocassettes related to specific artists can be found in the Artists Files series. Videocassettes related to André Emmerich can be found in the André Emmerich Personal Papers and Records series. Videocassettes related to Top Gallant Farm and Sotheby's can be found in the Administrative Files series.

Personal papers and records relating to André Emmerich include biographical materials, personal correspondence, writings and lectures, and legal and financial records. The biographical materials include an address book, interviews and identifying documents. Writings include articles, edits, dissertations, lectures, etc. There are also some miscellaneous correspondence which is organized chronologically.

The small addition received in 2014 includes general correspondence, administrative files, exhibition files, artists' files, inventory records, consignment records, printed material, photographic materials, and André Emmerich personal papers and records.
Arrangement:
The collection is arranged as 19 series:

Missing Title

Series 1: General Correspondence Files, 1958-2006 (boxes 1-18, OV 314-315; 18.2 linear feet)

Series 2: André Emmerich Appointment Books, 1954-2007 (boxes 19, 325, 326; 1.7 linear feet)

Series 3: Administrative Files, 1954-2003 (boxes 20-31, 306, OV 314, OV 316-319; 11 linear feet)

Series 4: Subject Files, 1958-1967, 1971-2000 (boxes 31-32, 306, OV 318, OV 320; 2 linear feet)

Series 5: Exhibition Files, circa 1954-1998 (boxes 32-40, 306, 307, OV 318-322; 8.5 linear feet)

Series 6: Artists Files, 1929-1932, 1938-2007 (boxes 40-68, 307, 308, OV 320-323; 28 linear feet)

Series 7: Artist Accounts, 1958-1998 (boxes 68-81; 13.5 linear feet)

Series 8: Inventory Records, circa 1954-2000(boxes 82-128; 46.5 linear feet)

Series 9: Sales Records, 1959-1998 (boxes 128-168; 40 linear feet)

Series 10: Purchase Records, 1961-1966, 1972-1994 (boxes 168-170; 2 linear feet)

Series 11: Consignment Records, 1961-2002 (boxes 170-177; 7.7 linear feet)

Series 12: Chronological File of Incoming and Outgoing Artwork, 1968-1998 (boxes 178-185; 8 linear feet)

Series 13: Other Financial and Legal Records, 1956-1999 (boxes 186-202; 16.5 linear feet)

Series 14: Printed Materials, 1955-1960, 1965-2008 (boxes 202-204, 308, 309; 3 linear feet)

Series 15: Original Artwork, 1933, 1974, 1998 (box 205, 310; 0.7 linear feet (2 folders))

Series 16: Photographic Materials, circa 1930-1935, 1941-1998, circa 2005 (Boxes 205-296, 311-313, OV 324; 92.8 linear feet)

Series 17: General Audio and Video Recordings, 1985, 1990-1995 (Boxes 297-298; 1.3 linear feet)

Series 18: André Emmerich Personal Papers and Records, 1937-1940, 1946-2008 (Boxes 298-305, OV 321, OV 323; 7.7 linear feet)

Series 19: Addition to the The André Emmerich Gallery records and André Emmerich papers, 1956-2009 (Boxes 328-329, OV 330; 2.1 linear feet)
Historical Note:
André Emmerich (1924-2007) was one of America's most noted contemporary art dealers and opened the André Emmerich Gallery in New York in 1954. The gallery showcased contemporary art, particularly Color Field painting and monumental sculpture.

André Emmerich was born on October 11, 1924 in Frankfurt, Germany. From age 7 he was raised in Amsterdam before emigrating with his family to New York City in 1940. He studied at Oberlin College and developed an interest in pre-Columbian art and antiquities. After graduation, he spent ten years in Paris working as a writer and editor before returning to New York. He married Constance Emmerich and the couple had three sons, Adam, Noah, and Toby.

In 1954 Emmerich opened the André Emmerich Gallery at 18 East 77th Street and initially specialized in contemporary American and European art and pre-Columbian antiquities. In 1956, the gallery moved to 17 East 64th Street, and in 1959 to the Fuller Building at 41 East 57th Street. Emmerich wrote two books about pre-Columbian art, Art Before Columbus in 1963 and Sweat of the Sun, Tears of the Moon: Gold and Silver in Pre-Columbian Art in 1965.

In 1961, Emmerich learned that French and Company, a gallery advised by art critic Clement Greenberg, was closing its department of contemporary art. French and Company had represented Color Field painters Morris Louis, Kenneth Noland, and Jules Olitski. Emmerich immediately invited Louis and Noland to be represented by his gallery. In 1966 he extended the invitation to Olitski as well, and Helen Frankenthaler joined soon after. The gallery's reputation as one of the earliest and most important promoters of Color Field painters was launched.

In addition to Color Field painters, the gallery represented, among others, Pierre Alechinsky, Karel Appel, Milton Avery, Herbert Ferber, Sam Francis, John Graham, Al Held, David Hockney, Hans Hofmann, John Hoyland, Judy Pfaff, Miriam Schapiro, and Anne Truitt.

Until January 1983, sales of pre-Columbian art primarily went through an entity called André Emmerich Inc. (AE Inc.), while sales of contemporary went through the André Emmerich Gallery Inc. (AEG). In 1983, the two entities were merged and operated under the name André Emmerich Gallery Inc.

In 1971, Emmerich began operating a downtown gallery at 420 West Broadway, in SoHo, in space shared with Leo Castelli, Virginia Dwan, and Ileana Sonnabend. In 1972, Emmerich opened a branch of his gallery in Zurich. He incorporated the Galerie André Emmerich Gmbh primarily for the purpose of leasing gallery space in Zurich. Until February 1974, sales of Pre-Columbian art in Zurich were made by an entity called André Emmerich Gallery Inc., New York Filiale Zurich. The Galerie André Emmerich Gmbh was officially liquidated in May 1982. The Filiale was formally closed in October 1996. Galerie André Emmerich also enjoyed a short-lived joint venture with Gimpel & Hanover.

André Emmerich served as president of the Art Dealers Association of America from 1972-1974 and again from 1991-1994.

Emmerich opened a private 150 acre sculpture park, Top Gallant Farm, on his estate in Pawling, New York, in 1982, where he stored and exhibited monumental sculptures by artists his gallery represented including Anthony Caro, Beverly Pepper, Alexander Liberman, Alexander Calder, Mark di Suvero, George Rickey, and Keith Haring. David Hockney painted waves onto floor of the property's swimming pool in 1986. Emmerich operated the sculpture park until 1996.

Emmerich sold his gallery to Sotheby's in 1996. He continued to be affiliated with the gallery until Sotheby's closed the gallery in 1998. Emmerich then began work on his memoir, My Life With Art, excerpts of which have been published in Art News, the Wall Street Journal, and The New Criterion.

Andre Emmerich died in New York 2007 and is survived by his second wife, Susanne Emmerich.
Related Material:
Among the holdings of the Archives of American Art is an oral history interview with André Emmerich conducted by Mona Hadler on January 18, 1993.
Provenance:
The André Emmerich Gallery records and André Emmerich papers were donated to the Archives of American Art by André Emmerich in eight accretions between 1999 and 2002. Two additional accretions were donated by Emmerich's wife Susanne in 2008 and 2009; and by James Yohe, Emmerich's former business partner, in 2009 and 2014.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Sculpture, Abstract  Search this
Color-field painting  Search this
Art -- Economic aspects  Search this
Artists' studios -- Photographs  Search this
Function:
Art galleries, Commercial -- New York (State)
Art galleries, Commercial -- Switzerland
Genre/Form:
Photographs
Visitors' books
Sound recordings
Video recordings
Scrapbooks
Etchings
Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.andremmg
See more items in:
André Emmerich Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw995f3b4aa-1b0f-46f4-8b5d-e0bf1191a740
EDAN-URL:
ead_collection:sova-aaa-andremmg
Online Media:

Hans Hartung, 1966 December

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 32, Folder 61
Type:
Archival materials
Date:
1966
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 5: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw979c0a8f5-55eb-48fe-9457-88b328661c49
EDAN-URL:
ead_component:sova-aaa-andremmg-ref1693

Al Held, "Drawings," 1975 March 15-April 3

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 33, Folder 61
Type:
Archival materials
Date:
1975
Scope and Contents note:
Oversized item housed in OV 319
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 5: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b8da968a-8fe4-4cfe-b245-abaa738b2197
EDAN-URL:
ead_component:sova-aaa-andremmg-ref1762

John McLaughlin, "Bilder: 1950-1975," 1981 June 13-July 18 (Zurich)

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 34, Folder 61
Type:
Archival materials
Date:
1981
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 5: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw995188435-52ce-4d48-9ff5-39a1e35681d2
EDAN-URL:
ead_component:sova-aaa-andremmg-ref1867

Friedel Dzubas, "New Paintings," 1987 March 5-28

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 35, Folder 61
Type:
Archival materials
Date:
1987
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 5: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98029b5db-3c3a-4b59-8812-8dce246548c9
EDAN-URL:
ead_component:sova-aaa-andremmg-ref1960

Al Held, "The Italian Watercolors," 1991 September 10-October 12

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 36, Folder 61
Type:
Archival materials
Date:
1991
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 5: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93ab87f69-b27c-4fe1-9a7d-17d81285db70
EDAN-URL:
ead_component:sova-aaa-andremmg-ref2042

"Seeing Things: Photographs from 1984-1995," 1995 September 7-October 7

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 37, Folder 61
Type:
Archival materials
Date:
1995
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 5: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98acb6f80-ebf4-408e-8283-4921aab45a1f
EDAN-URL:
ead_component:sova-aaa-andremmg-ref2103

Jules Olitski, "New Sculpture," March 12-April 4

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 39, Folder 61
Type:
Archival materials
Date:
circa 1954-1998
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 5: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90261d4d7-bc08-4076-901b-c7dc23325985
EDAN-URL:
ead_component:sova-aaa-andremmg-ref2192

Oversize Al Held Exhibition Poster

Collection Creator:
André Emmerich Gallery  Search this
Container:
Oversize 319
Type:
Archival materials
Date:
1975
Scope and Contents note:
Oversized item from box 33, folder 61
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 5: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92d3c5f04-8d1b-4323-9ce5-e0d3152b3246
EDAN-URL:
ead_component:sova-aaa-andremmg-ref2254

Noland, Kenneth - Clippings

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 61, Folder 5
Type:
Archival materials
Date:
1975-1977
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 6: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw915c792a3-afc0-419f-b1d1-5df42339ee7f
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3024

Student Artwork

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 61, Folder 5-6
Type:
Archival materials
Date:
circa 1900-circa 1950
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 17: Photographic Material / 17.2: School
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92ac9bea5-eb89-490a-bfb1-2c1bbca666ca
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1048

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