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Parke, Davis Research Laboratory Records

Collector:
National Museum of American History (U.S.). Division of Medical Sciences  Search this
National Museum of American History (U.S.). Division of Medical Sciences  Search this
Author:
Parke, Davis Company  Search this
Names:
Davis, George S.  Search this
Duffield, Samuel P., Dr. (physician, pharmacist)  Search this
Parke, Harvey  Search this
Extent:
300 Cubic feet (389 boxes, 42 map folders)
Type:
Collection descriptions
Archival materials
Blueprints
Notebooks
Lantern slides
Annual reports
Newsletters
Employee records
Brochures
Date:
1867-1971
Summary:
The collection documents Parke-Davis and Company, one of the most important and oldest pharmaceutical firms in America.
Scope and Contents:
The collection documents Parke, Davis and Company, one of America's oldest and largest drug makers. Parke, Davis had the first research laboratory in the American pharmaceutical industry. The company played a major role in the development of some of the principle new drugs of the twentieth century and pioneered in the field of drug standardization. They were one of the first American firms to produce antitoxins, hormones, and other biologicals. They introduced new and important drugs such as adrenalin, dilantin, chlorenpleniol, and other antibiotics. They also did important research on vitamins, disinfectants, and pencillin.

The collection contains complete documentaion of all the research activities done, including research laboratory notes, correspondence, and published papers. The collection also contains corporate, financial, advertising and sales materials, photographs, and audiovisual materials. The collection is important for those researchers interested in the history of public health, the history of biologicals, pharmaceutical manufacturing and business history.
Arrangement:
Collection is divided into 13 series.

Series 1: Corporate Materials, 1887-1951

Series 2: Financial Materials, 1880-1970

Series 3: Employee/Personnel Materials, 1900-1989

Series 4: Advertising/Sales Materials, 1868-1980

Series 5: Photographs, 1932-1952

Series 6: Notebooks, 1908-1968

Series 7: Control Department Records, 1884-1931

Series 8: Formulas, 1882-1967

Series 9: Equipment Data Files, 1922-1978

Series 10: Publications, 1968-1988

Series 11: Research Materials, 1920-1978

Series 12: Drawings, 1911-1971

Series 13: Addenda, 1867-1970

Series 14: Audio Materials, 1956-1957
Biographical / Historical:
Parke-Davis and Company traces it's origins to Samuel Pearce Duffield (1833-1916), a physician and pharmacist. Duffield was born in Carlisle, Pennsylvania and his family moved to Detroit when he was an infant. Duffield graduated from the University of Michigan in 1854 and he attended medical school at the University of Pennsylvania, latter leaving for Germany where he studied chemistry and sought treatment for his eyesight. He subsequently earned a Doctor of Philosophy from Ludwig University at Giessen in Germany. Duffield returned to Detroit in 1858 and established a retail drugstore with a strong interest in manufacturing pharmaceuticals. Duffield sought financial partners for his retail and manufacturing venture with A.L. Patrick and Francis C. Conant. Both men retracted their investments and Duffield met Hervey Coke Parke (1927-1899), a native of Bloomfield Hills, Michigan.

Duffield and Parke formed a formal partnership in 1866. George S. Davis, a third partner and traveling salesman previously with Farrand, Sheley and Company, was added 1867. Duffield withdrew in 1869. Augustus F. Jennings joined the company as a partner to head manufacturing. The company became known as Duffield, Parke, Davis, & Jennings Company. Duffield withdrew in 1869 and the name Parke, Davis & Company was adopted in 1871. The company incorporated in 1875 and began planning world-wide scientific expeditions to discover new vegetable drugs such as Guarana, Bearsfoot, Eucalyptus Globulus, and Coca. The company first showed a profit in 1876, and the first dividend paid to shareholders in 1878 and dividends paid until mid-1960s. Research was a major activity of the company. Due to a weakening financial position, the company became susceptible to take-over, and was purchased by Warner-Lambert in 1970. Warner Lambert, was then acquired by Pfizer in 2000. In 2007, Pfizer closed its research facilities in Ann Arbor, Michigan.
Related Materials:
Materials in the Archives Center, National Museum of American History

Alka-Seltzer Documentation and Oral History Project (NMAH.AC.0184)

N W Ayer Advertising Agency Records (NMAH.AC.0059)

Cover Girl Advertising Oral History Documentation Project (NMAH.AC.0374)

Garfield and Company Records (NMAH.AC.0820)

Albert W. Hampson Commercial Artwork Collection (NMAH.AC.0561)

Ivory Soap Advertising Collection (NMAH.AC.0791)

Kiehl's Pharmacy Records (NMAH.AC.0819)

Alan and Elaine Levitt Advertisement Collection (NMAH.AC.0303)

Medical Sciences Film Collection (NMAH.AC.0222)

Norwich Eaton Pharmaceutical, Inc. Collection (NMAH.AC.0395)

Procter & Gamble Company Product Packaging Collection (NMAH.AC.0836)

Sterling Drug Company Records (NMAH.AC.772)

Syntex Collection of Pharmaceutical Advertising (NMAH.Ac.0821)

Warshaw Collection of Business Americana Subject Categories: Medicine (NMAH.AC.0060.S01.01.Medicine)

Warshaw Collection of Business Americana Subject Categories: Patent Medicines (NMAH.AC.0060.S01.01.PatentMedicines)

Materials at Other Organizations

Detroit Public Library, Special Collections

Parke, Davis & Company records, 1892-1959

Scrapbook of clippings, 1929-44; Excursions & Announcements, 1892-1902; and company newsletters.

University of California San Francisco

Drug Industry Documents was created by the University of California San Francisco Library in collaboration with faculty members C. Seth Landefeld, MD and Michael Steinman, MD. Originally established to house documents from an off-label marketing lawsuit against Parke-Davis (United States of America ex rel. David Franklin vs. Parke-Davis), the archive has grown to include documents from additional sources illustrating how the pharmaceutical industry, academic journals and institutions, continuing medical education organizations and regulatory/funding agencies operate in ways that are detrimental to public health.
Separated Materials:
Division of Medicine and Science, National Museum of American History

The division holds objects related to Parke, Davis. See accessions: 1978.0882; 1982.0043; 1982.0043; 1984.0351; 1985.0475; 1988.3152; 1991.0415; 1992.3127; 2001.3066; 2012.0165; and 2018.5001.
Provenance:
The initial collection of approximately 185 cubic feet was donated by the Warner-Lambert Company, through Jerry A. Weisbach, Vice-President and President of the Pharmaceutical Research Division, on February 3, 1982.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Pharmaceutical industry -- 1900-1950  Search this
Medical scientists -- 1900-1950  Search this
Drugs -- 1900-1950  Search this
Pharmacology -- 1900-1950  Search this
Photographs  Search this
Genre/Form:
Blueprints -- 20th century
Notebooks -- 1900-1950
Lantern slides -- 1900-1950
Annual reports -- 20th century
Newsletters -- 20th century
Employee records
Brochures -- 20th century
Citation:
Parke, Davis Research Laboratory Records, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0001
See more items in:
Parke, Davis Research Laboratory Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0001
Online Media:

Edward J. Orth Memorial Archives of the World's Fair

Collector:
Orth, Edward J.  Search this
Exhibition Collectors Historical Organization  Search this
Names:
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Extent:
130 Cubic feet (417 boxes, 25 map-folders)
Type:
Collection descriptions
Archival materials
Souvenirs
Photographs
Pamphlets
Guidebooks
Exhibition posters--1930-1940
Diaries
Ephemera
Film transparencies
Motion picture film
Posters
Place:
Flushing Meadows Park (New York, N.Y.)
New York (N.Y.)
Date:
1835-2000, undated
Summary:
Collection documents the 1939 New York World's Fair in Flushing Meadows, New York. Also includes material relating to other fairs, the Exhibition Collectors Historical Organization (ECHO), New York City tourism and The Walt Disney Company.
Scope and Contents:
Collection primarily documents the conception, planning, construction, management, and operations of the 1939 New York World's Fair located in Flushing Meadows, New York. Materials provide historical context and cultural significance as recorded in publications, artwork, photographs, ephemera, postcards, maps, plans, exhibitor's literature, souvenirs, and motion picture film. Most of the materials were primarily created for people who attended the fair. Some of the materials include scrapbooks created by fair visitors to document their experiences. There is a significant amount of material relating to other fairs, New York tourism, the Exhibition Collectors Historical Organization (ECHO) and the World's Fair Collector's Society. Other forms of entertainment such as festivals, the Olympic games, and Disney World are also found among these materials. There is little information relating to Edward Orth's personal and professional life as a city planner. The collection is arranged into eleven series.
Arrangement:
The collection is arranged into eleven series.

Series 1, Edward J. Orth Personal Papers, 1915-1989, undated

Subseries 1.1, Correspondence, 1939-1989

Subseries 1.2, Other Materials, 1915-1989, undated

Series 2, Exhibition Collectors Historical Organization (ECHO) and World's Fair Collector's Society, Incorporated Records, 1942-1990, undated

Subseries 2.1, General Information, 1960-1988, undated

Subseries 2.2, Correspondence, 1942-1990, undated

Subseries 2.3, Classified and Wanted Advertisements, 1956-1988, undated

Subseries 2.4, Financial Records, 1976-1989

Subseries 2.5, Newsletters, 1969-1988, undated

Subseries 2.6, Membership Materials, 1970s-1989, undated

Series 3, New York World's Fair, Incorporated Records, 1900-1988, undated

Subseries 3.1, Administrative Files, 1900-1977, undated

Subseries 3.2, Amusement Zone, 1937-1940, undated

Subseries 3.3, Communications and Business Systems Zone, 1939-1965, undated

Subseries 3.4, Community Interest Zone, 1939-1949, undated

Subseries 3.5, Food Zone, 1939-1975

Subseries 3.6, Government Zone, 1939-1940

Subseries 3.7, Production and Distribution Zone, 1939-1940

Subseries 3.8, Transportation Zone, 1939-1940

Subseries 3.9, Ephemera, 1938-1988, undated

Series 4, Photographic Materials, 1939-1968, undated

Subseries 4.1, General, 1939-1940, undated

Subseries 4.2, Amusement Area, 1939-1940, undated

Subseries 4.3, Business Systems Zone, 1939-1940, undated

Subseries 4.4, Communications Zone, 1939-1940, undated

Subseries 4.5, Community Interest Zone, 1939-1940, undated

Subseries 4.6, Food Zone, 1939-1940, undated

Subseries 4.7, Government Zone, 1939-1940, undated

Subseries 4.8, Production and Distribution Zone, 1939-1940, undated

Subseries 4.9, Transportation Zone, 1939-1940, undated

Subseries 4.10, Miscellaneous, 1939-1940, undated

Subseries 4.11, Oversize Photographs, 1939-1940, undated

Subseries 4.12, Color Slides, 1939-1940, undated

Subseries 4.13, Color Transparencies, 1940-1942, undated

Subseries 4.14, Edward Orth, 1967-1968

Series 5, Scrapbooks, 1938-1981

Series 6, Postcards, 1906-1985, undated

Subseries 6.1, Amusement Area, 1939-1940, undated

Subseries 6.2, Business Systems Zone, 1939-1940, undated

Subseries 6.3, Communications Zone, 1939-1940, undated

Subseries 6.4, Community Interest Zone, 1939-1940, undated

Subseries 6.5, Food Zone, 1939-1940, undated

Subseries 6.6, Government Zone, International, 1939-1940, undated

Subseries 6.7, Government Zone, Federal and States, 1939-1940, undated

Subseries 6.8, Production and Distribution Zone, 1939-1940, undated

Subseries 6.9, Transportation Zone, 1939-1940, undated

Subseries 6.10, General, 1940, undated

Subseries 6.11, By Type, 1906-1985, undated

Series 7, Publications Related to World's Fairs, 1922-1989, undated

Subseries 7.1, Magazines, 1922-1988, undated

Subseries 7.2, Newspaper Articles, 1935-1989, undated

Subseries 7.3, Other Publications, 1937-1989, undated

Subseries 7.4, Other Subjects, 1962-1989

Series 8, Materials Relating to Other Fairs, 1851-2000, undated

Subseries 8.1, Great Exhibition of the Works of Industry of All Nations or Crystal Palace Exhibition, 1851

Subseries 8.2, Exhibition of the Industry of All Nations, 1853-1853

Subseries 8.3, International Exhibition of Arts, Manufactures, and Products of the Soil and Mine or Centennial International Exhibition, 1876

Subseries 8.4, World's Columbian Exposition or Chicago World's Fair, 1893

Subseries 8.5, Exposition Internationale D'Anvers, Antwerp, Belgium

Subseries 8.6, Tennessee Centennial and International Exposition, 1897

Subseries 8.7, Trans-Mississippi and International Exposition, 1898

Subseries 8.8, Expositions, 1901

Subseries 8.9, Louisiana Purchase Exposition, 1906

Subseries 8.10, Jamestown Tercentennial Exposition, 1907

Subseries 8.11, Alaska, Yukon, Pacific Exposition, 1909

Subseries 8.12, Panama-California Exposition, 1915-1916

Subseries 8.13, Bronx International Exposition of Science, Arts, and Industries, 1918

Subseries 8.14, Sesquicentennial Exposition, 1926

Subseries 8.15, Barcelona International Exposition, 1929

Subseries 8.16, L'Exposition Coloniale, Paris, 1931

Subseries 8.17, Olympics, 1932

Subseries 8.18, A Century of Progress International Exposition, 1933

Subseries 8.19, Expositions, 1933-1935

Subseries 8.20, Expositions, 1936-1937

Subseries 8.21, Exposition Internationale des Arts et Techniques dans la Vie Moderne, 1937

Subseries 8.22, Golden Gate International Exposition, 1939

Subseries 8.23, Festival of Britain, Britain, London, United Kingdom, 1951

Subseries 8.24, Milan Fair, 1955

Subseries 8.25, Exposition Universelle et venti Internationale de Bruxelles, 1958

Subseries 8.26, American National Exhibition, 1959

Subseries 8.27, New York's World Fair, 1961-1977, undated

Subseries 8.28, Century 21 Exhibition, 1961-1962

Subseries 8.29, International and Universal Exposition or Expo 67, 1967

Subseries 8.30, Long Beach, California, 1967-1968

Subseries 8.31, HemisFair 68, 1968

Subseries 8.32, Expo 70 or Japan World Exposition, 1970

Subseries 8.33, Expo 74 or International Exposition on the Environment

Subseries 8.34, Expo 75 or International Ocean Exposition, 1975

Subseries 8.35, American Revolution Bicentennial, 1776-1976, 1976

Subseries 8.36, Queen's Bicentennial Festival, 1975-1976

Subseries 8.37, Plovdiv International Exhibition of 1981 or Expo 81

Subseries 8.38, Kobe Port Island Exposition or Portopia 81, 1981

Subseries 8.39, Knoxville International Energy Exposition or 1982 World's Fair, 1982

Subseries 8.40, Louisiana World Exposition, 1984

Subseries 8.41, Games of the XXIII Olympiad, 1984

Subseries 8.42, The International Exposition, Tsukuba, Japan or The International Science Technology Exposition, 1985

Subseries 8.43, Queen's Festival, 1985

Subseries 8.44, 1986 World Exposition on Transportation and Communication or Expo 86, 1986

Subseries 8.45, World Expo 88, 1988

Subseries 8.46, Universal Exposition of Seville or Expo 92, 1992

Subseries 8.47, Expo 2000, 2000

Subseries 8.48, Other Events and Celebrations, 1886-1989

Subseries 8.49, Combined Fairs, 1968-1994

Subseries 8.50, General information about world's fairs, 1964-1980

Series 9, Ephemera, 1892-1989, undated

Subseries 9.1, New York and New York World's Fair, 1892-1989, undated

Subseries 9.2, Other States and Countries, 1835, 1939, undated

Subseries 9.3, Motion Picture Film and Entertainment, 1937-1981, undated

Series 10, Audio Visual Materials, 1939, 1964-1965, undated

Subseries 10.1, Moving Images, 1939, 1964-1965, undated

Subseries 10.2, Sound Recordings, undated

Series 11, Oversize, 1835-1992, undated
Biographical / Historical:
Biographical / Historical

Edward Joseph Orth grew up with a strong interest in history, particularly the history of the 1939 New York World's Fair. Orth's visit to the fair as a twelve-year-old boy led to a life-long passion of collecting. At the time of his death, he had amassed enough materials to fill two homes in California. Orth also collected materials from several other fairs. In addition, he saved some of the records of the Exhibition Collectors Historical Organization (ECHO) and the World's Fair Collector's Society.

Orth was born April 19, 1927, to Andrew Joseph Orth and Florence Minnie Gordon Orth in Glendale, New York. In the 1930s, the Orth family lived in several locations in New York including Ridgewood, Brooklyn, Glendale, and Queens. The home that made the most impact in young Orth's life came in 1935 when the family moved to St. Albans, Queens seven miles from Flushing Meadow Park, the future site of the 1939 fair. Sadly in 1939 there were several deaths in the family including three grandparents. The severe loss of life limited family social activities but a drive by the future site of the fair provided Orth a glimpse of the Trylon and Perisphere. He would later remark that the sight appeared to be magic. In the summer of 1939, he went to the fair with his classmates from Public School 136. The next summer Orth and his father purchased a 10-admission ticket from an elementary school in Hollis, Queens, New York. He saved every souvenir and any information he could find about the fair. He filled scrapbooks with images from newspapers and postcards from the Curt Teich and Manhattan Postcard companies. When his family moved from an apartment to a house, he acquired a fair bench which was kept in the backyard.

In 1941, Orth attended Newton High School in Elmhurst, and Queens, New York. The high school offered a college preparatory program with heavy emphasis on mathematics, science, mechanical drawing, and workshop courses. Orth's education and training combined with the knowledge he gained from motion picture films viewed at the fair, including Thomas Edison's "The City of Light," Ford Motor Company's "Road of Tomorrow," "Democracy," and General Motors' "Futurama" provided the foundation and inspiration for a career in architecture and landscaping. He ultimately became a city planner for the state of California. By 1943, Orth was exploring used magazine and bookstores in New York City to acquire more fair materials before enlisting in the United States Army in 1945. Upon his discharge he resumed buying and trading fair postcards. From 1948-1953, Orth attended the University of California and the University of Connecticut where he studied architecture and landscape design. During these years he posted advertisements in various publications in his continued pursue for fair materials.

In March 1953, Mr. Orth moved to Los Angeles, California. There he formed lasting friendships with other collectors. By 1967, Orth and several of his closest friends including Peter Warner, Oscar Hengstler, David Oats, Larry Zim, and Ernest Weidhaas conceived the idea of a fair collector's organization. By the summer of 1968, the group had formally created the Exhibition Collectors Historical Organization (ECHO).

As time passed Orth became increasing concerned about the welfare of his collection. He wanted it to go to a museum rather than be sold in parts. In his will he stipulated that the collection would be given to the Smithsonian Institution upon his death. Jon Zackman, former Smithsonian employee, interviewed Orth's brother George and fair collector Peter Warner. Orth and Warner corresponded and traded objects over many years. Mr. Orth primarily covered the west coast area while Peter Warner was his east coast counterpart. Edward Orth died on September 6,1989 in Los Angeles, California at the age of sixty-two.
Related Materials:
Materials in the Archives Center

New York World's Fair Collection, NMAH.AC.0134

Landor Design Collection, NMAH.AC.0500

Warshaw Collection of Business Americana, Subject Category, World Expos, NMAH.AC.0060

Larry Zim World's Fair Collection, NMAH.AC.0519

Alice R. Hillis World's Fair Film, NMAH.AC.0531

Borden Company 1939 New York World's Fair Collection, NMAH.AC.1063

Memories of the New York World's Fair, NMAH.AC.0592

Archives Center World Expositions Collection, NMAH.AC.0825

Daniel H. Meyerson World's Fair Collection, NMAH.AC.0745

Division of Community Life World's Fairs Collection, NMAH.AC.1132

Princeton University Posters Collection, NMAH.AC.0433

Hills Bros. Coffee Company, Incorporated Records, NMAH.AC.0395

Smithsonian Speech Synthesis History Project, NMAH.AC.0417

Messmore and Damon Company Records, NMAH.AC.0846

Thomas Norrell Railroad Collection, NMAH.AC.1174

William L. Bird Holidays on Display Collection, NMAH.AC.1288

Wurlitzer Company Records, NMAH.AC.0469

Victor A. Blenkle Postcard Collection, NMAH.AC.0200

Materials at Other Organizations

New York Public Library The New York World's Fair 1939 and 1940 Incorporated Records, 1935-1945, MssCol 2233.

New York City 1939 World's Fair architectural drawings, circa 1935. Museum of the City of New York. Museum of the City of New York.

New York City 1939 World's Fair Collection, 1939-1940. Museum of the City of New York. New York World's Fair 1939/40 Collection. Queens Museum.

1939 New York World's Fair Postcards, Identifier: 1972-320, Audiovisual Collections Repository, Hagley Museum & Library
Separated Materials:
Materials at the National Museum of American History

Artifacts from the collection include several thousand souvenirs and examples of memorabilia commemorating the fair to include buttons and badges, ceramics, glassware, clothing, costume jewelry, coins and medals, commemorative spoons and flatware, toys and games, and philatelic material which are all part of the Division of Home and Community Life's holdings (now Division of Cultural and Community Life).
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Viewing film portion of collection requires special appointment, please inquire. Do not use when original materials are available on reference video or audio tapes. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Exhibitions -- 1930-1940 -- New York (State) -- New York  Search this
World's fairs  Search this
Amusement parks--History  Search this
Amusement parks--New York (State)--History  Search this
Architecture--Exhibitions  Search this
Architecture--New York (State)--New York  Search this
Architecture--United States--Designs and plans  Search this
Burlesque shows--New York (State)--New York--1930-1940  Search this
Business history Business enterprises--United States--History  Search this
Chicago's Century of Progress  Search this
Construction and civil engineering  Search this
Construction industry--United States--Management--History  Search this
Corporate culture--History  Search this
Corporate culture--United States  Search this
Engineering--History--20th century  Search this
Exhibition buildings – New York (State) – New York  Search this
Exhibition buildings--1920-1940  Search this
Exhibitions -- Design  Search this
Exhibitions -- 1930-1940 -- New York (State) -- New York  Search this
Fairs -- New York (State) -- New York -- History  Search this
Fashion--History--20th century  Search this
Flushing Meadows-Corona Park (New York, N.Y.)--History  Search this
Food in popular culture--New York (State)--New York  Search this
Graphic arts--United States--History--20th century  Search this
International exhibitions  Search this
International Exhibitions Bureau  Search this
Lighting, Architectural and decorative--History--20th century  Search this
Technology -- United States -- History -- 20th century  Search this
Transportation--New York Metropolitan Area--Planning  Search this
Transportation--New York (State)  Search this
United States --Foreign relations --1933-1945  Search this
Urban parks--United States--History  Search this
Urban design  Search this
World War, 1939-1945 -- Economic aspects -- United States  Search this
Consumerism  Search this
Consumers--History--20th century  Search this
General Motors Corporation  Search this
Grand Central Parkway extension  Search this
Organizational behavior--United States--History  Search this
Public relations--History  Search this
New York World's Fair Commission  Search this
Queens (New York, N.Y.) Buildings, structures, etc.  Search this
Genre/Form:
Souvenirs -- 1930-1940
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1930-1940
Pamphlets -- 1930-1940
Guidebooks -- 1930-1940
Exhibition posters--1930-1940
Diaries
Ephemera -- 20th century
Film transparencies
Motion picture film
Posters -- 1930-1940
Citation:
Edward J. Orth Memorial Archives of the New York World's Fair, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0560
See more items in:
Edward J. Orth Memorial Archives of the World's Fair
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0560
Online Media:

Rudolph Hering Collection

Engineer:
Hering, Rudolph, 1847-1923  Search this
Fuller, George W. (George Warren), 1868-1934  Search this
Source:
National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this
Former owner:
National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this
Extent:
8.1 Cubic feet (32 boxes, 1 map-folder)
Type:
Collection descriptions
Archival materials
Contracts
Photographs
Publications
Reports
Date:
1860-1923
Summary:
Collection documents, primarily through printed publications, Rudolph Hering's work on waste disposal, drainage, water flow of rivers, sanitary and hydraulic engineering, and municipal sewage systems in the United States and in other countries.
Scope and Contents note:
This collection contains pamphlets, reports, conference proceeding and jounral articles, collected by Hering, about waste disposal, municipal sewage systems in the United States and abroad, drainage, water flow of rivers, experimental sewage investigations, and sanitary and hydraulic engineering. Some of the writings were authored by Rudoplph Hering, but many were authored by other civil engineers, such as George Waring and Geroge Fuller.
Arrangement:
The collection is arranged into three series.

Series 1: United States Publications

Series 2: Foreign Publications

Series 3: General Publications
Biographical/Historical note:
Rudolf Hering (1847-1923) was born in Philadelphia and educated in Dresden, Germany. He graduated from the Royal Saxon Polytechnic Institute in 1867 with a degree in civil engineering. To prevent the spread of contagious diseases in the United States, Hering was commisioned, by the National Board of Health to investigate European sewage practcies from May 10, 1880 to May 25, 1881. Hering endorsed the water carriage system, a method for the disposal of wastes, where water carries the wastes from its point of production to the point of treatment for final disposal. Hering's work was concerned with both the design and construction of water supply and sewage works in the United States and other countries.
Related Materials:
Materials in the Archives Center

Warshaw Collection of business Americana, Series: Sanitation (NMAH.AC.0060)
Provenance:
Collection donated by Samuel A. Greely of Greely and Hansen, 1967.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Civil engineering  Search this
Drainage  Search this
Garbage  Search this
Hydraulic engineering and engineers  Search this
Public health  Search this
Refuse collection  Search this
Refuse and refuse disposal  Search this
Sanitation  Search this
Sewage disposal  Search this
Street cleaning  Search this
Water -- Filtration  Search this
Water -- Purification -- Filtration  Search this
Water-supply  Search this
Genre/Form:
Contracts
Photographs
Publications
Reports
Citation:
Rudolph Hering Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0989
See more items in:
Rudolph Hering Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0989
Online Media:

Archives Center Wild West Collection

Names:
Buffalo Bill, 1846-1917  Search this
Pawnee Bill, 1860-1942  Search this
Extent:
0.66 Cubic feet (2 boxes)
Culture:
Indians of North America  Search this
Type:
Collection descriptions
Archival materials
Comic books
Design drawings
Itineraries
Programs
Sheet music
Date:
1884-1917, undated
Summary:
The collection consists of printed materials and ephemera relating to "Wild West" shows.
Content Description:
The collection consists of printed materials and ephemera relating to "Wild West" shows. It primarily includes dime novels, programs, sheet music, advertisements, artwork, and publications.
Arrangement:
Collection arranged into one series.
Biographical / Historical:
Wild West shows were performed across the United States from circa 1870-1920. The shows introduced the American West to a wider audience and primarily featured cowboys and Native Americans, loosely based on historical events. In addition, Wild West shows offered actors opportunities to display skills of showmanship.
Related Materials:
Archives Center, National Museum of American History

Warshaw Collection of Business Americana, NMAH.AC.0060

L.F. Foster Wild West Scrapbooks, Photographs, and Copy Negatives, NMAH.AC.1289

Sonora Carver Papers, NMAH.AC.0521
Provenance:
Collection donated by Anthony Sapienza in 2018.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Cowboys -- United States  Search this
Illustrated books, Children's  Search this
Rodeos -- United States  Search this
Western shows  Search this
Wild west shows  Search this
Genre/Form:
Comic books
Design drawings
Itineraries
Programs
Sheet music -- 20th century
Citation:
Archives Center Wild West Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1466
See more items in:
Archives Center Wild West Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1466

Royce L. Beers Papers

Source:
National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this
Creator:
Beers, Royce. L., 1888-  Search this
Former owner:
National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this
Extent:
1.5 Cubic feet (4 boxes, 1 map-folder)
Type:
Collection descriptions
Archival materials
Photographs
Technical reports
Business records
Awards
Articles
Patents
Blueprints
Notebooks
Drawings
Date:
circa 1900-1969
Summary:
Collection documents stokers and fuel burners and includes patents, awards, articles, notebooks, graphs, drawings, tables, and company publications.
Scope and Contents note:
The collection consists of the personal papers of Royce L. Beers, mostly as they relate to his work in mechanical engineering. It includes trade literature, publications, articles, company records and price lists, patents, correspondence, technical reports, tables, graphs, calculations, drawings and sketches, blueprints, research notebooks, field notes, photographs, and prints. Also included are personal and biographical material, such as portraits and documents related to an awards banquet. There are several items of general interest including copies of the Ringlemann scale, a photograph of the Panama Canal Zone, reference to Nestle's Milk Products Company, and an article written by Orville Wright. In addition, there are materials relating to Mrs. Beers' hospital diet.
Arrangement:
The collection is arranged into eight series.

Series 1, Personal Materials, circa 1900-1969

Series 2, Trade Literature, 1919-1947

Series 3, Publications, 1921-1948, undated

Series 4, Reports, 1917-1946; undated

Series 5, Blueprints, Drawings, Graphs and Tables, 1914-1949,; undated

Series 6, Engineering Research Notebooks, 1913-1945

Series 7, Photographs and Prints, undated

Series 8, Miscellaneous Materials, undated
Biographical/Historical note:
Mechanical engineer.
Related Materials:
Materials in the Archives Center, National Museum of American History

Railroad Trade Literature Collection NMAH.AC.1136

Central Film Service Collection NMAH.AC.1247

Seymour McIntosh and Company NMAH.AC.0985

Warshaw Collection of Business Americana, Series: Stoves and Heating Industry NMAH.AC.0060

Warshaw Collection of Business Americana, Series: Railroads NMAH.AC.0060

Pratt, Read and Corporation Records NMAH.AC.0320

John H. White, Jr. Railroad Reference Collection NMAH.AC.0523

Parke, Davis Research Laboratory Records NMAH.AC.0001

Railroad Trade Literature Collection NMAH.AC.1136
Provenance:
Found in the collection of the Division of the History of Technology.
Restrictions:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Rights:
Collection is open for research
Topic:
Stokers, Mechanical  Search this
Power (Mechanics)  Search this
Genre/Form:
Photographs -- 20th century
Technical reports
Business records -- 20th century
Awards
Articles -- 20th century
Patents
Blueprints
Notebooks -- 1900-1950
Drawings -- 20th century
Citation:
Royce L. Beers Papers, 1900-1969, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0880
See more items in:
Royce L. Beers Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0880

Accoutrements/Archie McPhee Catalogs

Creator:
Accoutrements, Seattle, Washington  Search this
Archie McPhee Co. (Seattle, Washington)  Search this
Source:
National Museum of American History (U.S.). Division of Cultural History  Search this
Former owner:
National Museum of American History (U.S.). Division of Cultural History  Search this
Extent:
1 Cubic foot
Type:
Collection descriptions
Archival materials
Photographs
Catalogs
Legal records
Date:
1985-2008, undated
Summary:
Accoutrements and Archie McPhee product catalogs dating from 1983-2008.
Scope and Contents note:
Collection consists of almost a complete run of Accoutrements and Archie McPhee product catalogs dating from 1985-2008. It documents the advertising and promotion of the wide range of products during that period. Materials reflect the interests of the consumer market and what was paid for novelty and gift items. Collection is arranged into two series. Series 1, Catalogs, 1985-2008 and Series 2: Other Materials, undated.
Arrangement:
Collection is arranged into two series.

Series 1, Catalogs, 1985-2008

Series 2: Other Materials, undated
Biographical/Historical note:
Accoutrements began as a mail order business in Los Angles, California in the 1970s. The company's creator, Mark Pahlow, started the business from his home offering rubber lizards and other collectible items for sale. In 1983, Pahlow moved his business to Seattle, Washington and established it as the retail outlet, Archie McPhee, named after his wife's great-uncle. Pahlow hired two employees and expanded the product line to include rubber chickens and a host of other novelty items. In 2018, Archie McPhee opened the Rubber Chicken Museum inside its Seattle store. The business currently offers retail, wholesale, and online services.

Source: archiemcpheeseattle.com
Related Materials:
Materials in the Archives Center, National Museum of American History

Warshaw Collection of Business Americana NMAH.AC.0060

Gladys Reid Holton Ephemera Collection NMAH.AC.0466

Mortimer Spiller Company Records NMAH.AC.1387
Provenance:
Collection donated in 2002.
Restrictions:
Collection is open for research and access on site by appointment.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Popular culture  Search this
Toys  Search this
Toy industry  Search this
Mail-order business  Search this
Novelties  Search this
Genre/Form:
Photographs -- 2000-2010
Photographs -- 1950-2000
Catalogs
Legal records
Citation:
Accoutrements/Archie McPhee Catalogs, 1985-2003, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0837
See more items in:
Accoutrements/Archie McPhee Catalogs
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0837

Revlon, Incorporated Advertising Collection

Manufacturer:
Revlon, Inc.  Search this
Donor:
Stevens, Martin  Search this
Stevens, Martin  Search this
Extent:
2 Cubic feet (4 boxes)
Type:
Collection descriptions
Archival materials
Tear sheets
Advertisements
Commercials
Compact discs
Date:
1936-1986
Summary:
Collection consists of print and television advertisements and promotional materials created by Revlon, Incorporated, 1936-1986.
Scope and Contents:
Collection consists of print and television advertisements and promotional materials created by Revlon, Incorporated for its products dating from 1936 to 1986. Revlon experienced substantial growth using these materials and semi-annual promotions to become one of the leading brands of the cosmetics industry. The materials provide insight into the depiction and importance of beauty throughout the decades. Additionally, the names of models and photographers are identified on the materials. The collection is arranged in two series: Series 1, Revlon Advertisements, 1936-1986; and Series 2, Other Revlon Incorporated Brand Advertisements, 1965-1986.
Arrangement:
The collection is arranged in two series.

Series 1, Revlon Advertisements, 1936-1986

Series 2, Other Revlon Incorporated Brand Advertisements, 1965-1986
Historical:
Revlon began as a single product company in New York in 1932. The founders of the company American businessmen Charles Haskell Revson (October 11, 1906- August 24, 1975), Joseph Haskell Revson (October 11, 1906-August 24, 1975), and chemist Charles Lachman started the business with a desire to create a mainstream market for nail enamel. With an innovative manufacturing process and the introduction of new colors every year the company was able to build a successful brand and dedicated market. Revlon introduced lipstick in 1940 and continued to expand its product line to include skincare, cosmetics, hair color, fragrances, and beauty tools.

Source: New York Times obituary for Charles Revson, August 25, 1975.
Related Materials:
Materials in the Archives Center

Warshaw Collection of Business Americana (NMAH.AC.0060)

Albert W. Hampson Commercial Artwork (NMAH.AC.0561)

Cover Girl Advertising Oral History and Documentation Project (NMAH.AC.0374)

NW Ayer Advertising Agency Records (NMAH.AC.0059)
Provenance:
The collection was donated by Martin Stevens in 2007.
Restrictions:
The collection is open for research use and access on site by appointment.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beauty culture  Search this
Women in advertising  Search this
Cosmetics  Search this
Broadcast advertising  Search this
Television advertising  Search this
Cosmetics -- advertising  Search this
Genre/Form:
Tear sheets
Advertisements -- 20th century
Commercials
Compact discs
Citation:
Revlon, Incorporated Advertising Collection, 1936-1986, Archives Center, National Museum of American History. Gift of Martin Stevens.
Identifier:
NMAH.AC.0939
See more items in:
Revlon, Incorporated Advertising Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0939
Online Media:

Ed Jackson "Book of Radio Personalities" Scrapbook

Creator:
Jackson, H. Edwin, 1907-1989  Search this
Donor:
Smith, Annette  Search this
Smith, Annette  Search this
Names:
Mills Brothers.  Search this
Allen, Gracie  Search this
Ameche, Don  Search this
Astaire, Fred  Search this
Benny, Jack, 1894-1974  Search this
Bergen, Edgar  Search this
Brice, Fanny  Search this
Burns, George, 1896-  Search this
Cantor, Eddie, 1892-1964  Search this
Crosby, Bing, 1904-1977  Search this
Durante, Jimmy  Search this
Durbin, Deanna  Search this
Eddy, Nelson, 1901-1967  Search this
Froman, Jane, 1907-1980  Search this
Jolson, Al, d. 1950  Search this
Lillie, Beatrice  Search this
Livingston, Mary  Search this
Meredith, Burgess, 1907-1997  Search this
Nelson, Ozzie  Search this
Oakie, Jack, 1903-1978  Search this
Skinner, Cornelia Otis, 1901-  Search this
Vallée, Rudy, 1901-1986  Search this
Whiteman, Paul, 1890-1967  Search this
Woollcott, Alexander, 1887-1943  Search this
Wynn, Ed, 1886-1966  Search this
Extent:
1 Cubic foot (1 box )
Container:
Box 1
Type:
Collection descriptions
Archival materials
Photographs
Clippings
Publicity photographs
Scrapbooks
Signatures (names)
Date:
1933-1941.
Summary:
H. Edwin Jackson created this scrapbook of radio stars while living in Chicago, Illinois during the Great Depression.
Scope and Contents:
One homemade scrapbook created and compiled by H. Edwin Jackson. The book contains photographs, some autographed, news clippings, and commercially printed reproductions of photographs of numerous radio and entertainment personalities from 1933 forward. The arrangement of the book and its artwork was the creation of Jackson. Many pages have photographs and/or news items of additional personalities associated with the featured personality.

Subjects include: The Mills Brothers, Ruth Etting, Fred Allen with Portland Hoffa and Jack Smart, Lanny Ross, Phil Baker, Ireene [?] Wicker, The Pickens Sisters, Raymond, Knight, Clara (Louise Starkey), Lu (Isobel Carothers) n' Em (Helen King), Phil Harris and Leah Ray, Vera Van, George Burns and Gracie Allen, Gladys Swarthout, Jeanie Lang, Myrt and Marge, Helen Jepson, Jack Benny and Mary Livingston, Deanna Durbin, Helen Morgan, Jimmy Durante, Alexander Woolcott, The Boswell Sisters, Edwin C. Hill, Cornelia Otis Skinner, Paul Whiteman, Jessica Dragonette, Dave Rubinoff, Little Jackie Heller, Joe Penner, Mildred Bailey, Olga Albani, Vivienne Segal, Ed Wynn, Beatrice Lillie, Burgess Meredith, Dorothy Page, Bing Crosby, Rosa Ponselle, Stoopnagle and Budd, Grace Moore, Frank Crumit and Julia Sanderson, Frances Langford, Conrad Thibault, Ozzie Nelson and Harriet Hilliard, Bobby Breen, Jack Pearl, The Big Show, Olsen (Ole Olsen) and Johnson (Chick Johnson), Ramona, Rudy Vallee, The Easy Aces, Annette Hanshaw, Ben Bernie, Alice Faye, Charles Winninger, Ray Perkins, Eddie Cantor, Irene Rich, The Weiner Minstrels, Frank Parker, Jane Froman, Walter O'Keefe, James Melton, Al Jolson, Donald Novis, Morton Downey, The First Nighter (Charles P. Hughes), Lawrence Tibbett, Fred Astaire, Abe Lyman, Ethel Shutta, Fanny Brice, Joe Cook, Ken Murray, Jack Oakie, Tony Wans, Fred Waring's Pennsylvanians, Bob Burns, Don Ameche, Nelson Eddy, Ted Bergman, Edgar Bergen and Charlie McCarthy.
Arrangement:
Collection is arranged into one series.
Biographical / Historical:
H. Edwin Jackson (1907-1989) was born in Union City, Indiana, the youngest of three children. Jackson's interest in entertainment personalities began early. His father was engaged in real estate and through a land swap acquired The Star Theater in Union City, one of the town's three theaters. The Star was a mid-size theater with a screen and stage. The Jacksons ran The Star as a family business. Jackson was the assistant projectionist to his older sister Mary Elizabeth and he and his father were the janitors. The Star showed silent movies starring such personalities as William S. Hart, Douglas Fairbanks, Sr., Charlie Chaplin, and Wallace Reid. During the influenza epidemic of the teens the theater closed. The family eventually sold The Star, and Jackson went to work as an assistant projectionist at The Grand, Union City's largest and most modern movie house.

When Jackson graduated from high school, the family moved to Chicago, Illinois. The Jackson family's first radio was "The Freshman" and the family eventually owned an Atwater Kent. Jackson became an avid radio fan listening to local Chicago stations WKYW, WENR, and WBBM as well as the national radio networks. Some of Jackson's favorite shows were The Shadow, Amos n' Andy and the Lux Radio Theater. Jackson was laid off from his job in 1933 and spent a great deal of his time listening to radio. His mother gave him money to purchase materials to make a scrapbook of radio and entertainment personalities. He began his book in January 1933, entitling it "Ed Jackson's Book of Radio Personalities." Jackson wrote to many of the personalities he featured in his scrapbook asking for autographed photographs which he put into the book along with clipped photographs and other items of interest from magazines and newspapers, radio show ticket stubs, and programs. Jackson included comics, singers, commentators (both news and social), and stars of popular radio programs. He revised/repaired the book in January, 1982 but Jackson did not detail his revisions.

Jackson was employed by the Lindberg Steel Treating Co. in Melrose Park, Illinois, for thirty years. He married Louise LaJeunesse in 1935 and had two children. Louise died in 1947, and Jackson married Eugenia McDougald in 1951. At the time of his death in December 1989 he was living in Walden, New York.

Sources

Oral History by H. Edwin Jackson, Archives Center Control File

Memorial Obituary for Edwin Jackson, The Newburgh News, December 14, 1989.

Bello, Paul. "Local scrapbook to be displayed at the Smithsonian". Times Community Papers, May 17, 2006.

E-mail message from Annette Smith to Cathy Keen, June 2, 2009.
Related Materials:
Materials in the Archives Center

George H. Clark Collection Radioana Collection, 1880-1950 (NMAH.AC.0055)

Warshaw Collection of Business Americana: Radio, Motion Pictures, 1896-1963 (NMAH.AC.0060)

National Bureau of Standards Radio Collection, 1917-1933 (NMAH.AC.0217)

Jean Clairmook Radio Scrapbook, 1930-1932 (NMAH.AC.0674)
Provenance:
Donated to the National Museum of American History, Archives Center by Annette L. Smith (H. Edwin Jackson's daughter) in June, 2004.
Donated to the Archives Center by Edwin Jackson's daughter, Ms. Annette Smith.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Radio comedies  Search this
Celebrities -- 1930-1940  Search this
Radio programs  Search this
Radio -- 1930-1940  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1930-1950
Clippings -- 1930-1950
Publicity photographs
Scrapbooks -- 20th century
Signatures (names)
Citation:
Ed Jackson "Book of Radio Personalities" Scrapbook , 1933-1941, Archives Center, National Museum of American History. Gift of Annette Smith.
Identifier:
NMAH.AC.0861
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0861

Richard Becker Collection of Alex Bradford Gospel Music Materials

Creator:
Becker, Richard  Search this
Bradford, Alex  Search this
Extent:
0.66 Cubic feet (2 boxes)
Type:
Collection descriptions
Archival materials
Sheet music
Songbooks
Sound recordings
Theater programs
Parts (musical)
Playbills
Programs
Scripts (documents)
Clippings
Music
Date:
1950-1997, undated
undated
Summary:
Papers relating to Alex Bradford's career as a composer of Gospel music. Included among the materials are playbills, published sheet music, music manuscripts, gospel song books, play scripts, newspaper clippings and articles, and one LP record.
Scope and Contents:
Collection documents the career of Alex Bradford as a composer of gospel music. Most of the materials relate to the musical production Your Arms Too Short to Box with God and include playbills and an LP. There are music manuscripts, published sheet music, and three Gospel song books of Bradford's music. In addition, there are playscripts for some of Bradford's other musical productions. Newspaper clippings and magazine articles document the importance of Bradford's creative work to the African American community. Lastly, playbills from the League of New York Theatres and Producers Antoinette Perry Award (Tony Awards) ceremonies are also found among the materials. The materials are arranged in chronological order.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
Alex Bradford was a musical and theater legend who served as a bridge between the gospel and secular worlds in music and performance. Bradford was responsible for the rise and popularity of the mass gospel choir. Alex Bradford was born in Bessemer, Alabama in the late 1920s during an era of racial segregation. A racially motivated altercation eventually led his mother to send him to New York. Before he left Alabama, Bradford performed on stage and sang in various children's choirs. Bradford was a talented and influential gospel singer, performer, song writer, and stage play author. Richard Becker, an accomplished music producer, worked with the Beatles and the Rolling Stones. Becker's first collaboration with Bradford resulted in their production of Black Nativity, based on a play by Langston Hughes. Commissioned to do a second stage musical, the two created Your Arms Too Short to Box With God, based on the Biblical book of Matthew. Your Arms was the first musical production fully funded at the Ford's Theatre in Washington, DC. The musical made its debut on Broadway at the Lyceum Theatre, on December 22, 1976. The original cast included Al Green, Patti LaBelle, and newcomer Jennifer Holliday.
Related Materials:
Materials in the Archives Center, National Museum of American History

Eugene D. Smallwood Gospel Music Collection NMAH.AC.0456

Martin and Morris Company Records NMAH.AC.0492

Wade in the Water Radio Series Collection NMAH.AC.0516

Program in African American Culture NMAH.AC.0408

Sam DeVincent Collection of Illustrated American Sheet Music, Series 36: Folios and Songbooks NMAH.AC.0300

Warshaw Collection of Business Americana, Series: Music NMAH.AC.0060

Duke Ellington Collection NMAH.AC.0301
Provenance:
Richard Becker donated the materials to the Archives Center, National Museum of American History in January 2001.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Reproduction restricted due to copyright or trademark.
Topic:
Gospel music  Search this
Genre/Form:
Sheet music -- 20th century
Songbooks
Sound recordings -- 1930-1990
Theater programs -- 1970-1980
Parts (musical)
Playbills
Programs
Scripts (documents)
Clippings -- 20th century
Music -- Manuscripts
Citation:
Richard Becker Collection of Alex Bradford Gospel Music Materials, 1950-1997, undated Archives Center, National Museum of American History
Identifier:
NMAH.AC.0761
See more items in:
Richard Becker Collection of Alex Bradford Gospel Music Materials
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0761

Archives Center Advertising Hand Fan Collection

Source:
National Museum of American History (U.S.). Division of Cultural History  Search this
Creator:
Rudy, Jerome  Search this
Former owner:
National Museum of American History (U.S.). Division of Cultural History  Search this
Extent:
1 Cubic foot (5 boxes)
Type:
Collection descriptions
Archival materials
Fans (costume accessories)
Date:
20th century.
Summary:
Consists of late nineteenth century/early twentieth century advertising hand fans. Most of the fans feature a vignette on one side and an advertisement on the reverse. The fans advertise various establishments and products, including funeral parlors, patent medicines, and food products.
Scope and Contents:
The collection contains forty-seven fans, originating from a wide variety of states and dating from late nineteenth century/early twentieth century to the early twenty-first century. Many of these fans display artwork or other contemporary images related to the advertising message of the fan's producer, while the reverse side typically offers more detailed textual information about the product, service, event, or organization featured. In several instances, the collection houses multiple fans issuing from the same creator over a span of time. While the fans in the collection primarily focus on advertising, a few feature a more commemorative intent.

The fans were acquired and received from many sources, including curatorial units, the public and Smithsonian staff. The initial fans were donated, along with numerous grocery store-related objects, to the Museum's Division of Cultural History.

The collection is arranged into five series. Series one consists of fans created by funeral homes. The fans in series two are from companies providing food products and services. Series three consist of fans from beverage companies. Fans in series four were created by businesses engaged in home products and services. Series five represents cultural products, services, events, and organizations. Materials are arranged in alphabetical order.
Arrangement:
The collection is divided into five series.

Series 1: Funeral Homes, 1944-2000; undated

Series 2: Food Products and Services, undated

Series 3: Beverages, undated

Series 4: Home Products and Services, undated

Series 5: Cultural Products, Events, Services and Organizations, 1921-2002; undated
Historical:
By the twentieth century, hand fans had largely evolved from the expensive, ornamental and uniquely crafted forms which characterized them in preceding centuries. Increasingly, they became souvenirs commemorating events or journeys and vehicles for mass advertising. Experts date the large-scale emergence of such fans to Philadelphia's 1876 Centennial Exposition, when a commemorative fan was sold to exhibition visitors, and another fan appeared advertising a local merchant's store. As fans assumed advertising and commemorative functions, certain industries found them particularly appropriate and useful and adopted them widely. Beverage and food manufacturers, retailers and funeral homes and mortuaries were among the businesses that prominently embraced the advertising fan. While many people now seek to acquire such fans for personal collections, they also provide scholars a window on past products and services, and the social group to which their manufacturers marketed them.
Related Materials:
Materials in the Archives Center, National Museum of American History

Borden Company, 1939 NMAH.AC.1063

New York World's Fair Collection NMAH.AC.00134

Warshaw Collection of Business Americana NMAH.AC.0060

S. Watson Dunn Advertising Ephemera Collection NMAH.AC.0366

Lou Newman Collection of Baseball Memorabilia NMAH.AC.0696

Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection NMAH.AC.1146

Joan E. Biren Queer Film Museum Collection NMAH.AC.1216

Jane and Michael Stern Collection NMAH.AC.1392

Susie Paige Afro-American Greeting Card Collection NMAH.AC.0263
Provenance:
The initial fans were donated by Jerome Rudy to the Division of Cultural History, now known as the Division of Culture and the Arts.
Restrictions:
Unrestricted research access on site by appointment.
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
advertising -- 20th century  Search this
Funeral homes  Search this
Patent medicines  Search this
Genre/Form:
Fans (costume accessories)
Citation:
Archives Center Advertising Hand Fan Collection, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0809
See more items in:
Archives Center Advertising Hand Fan Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0809

Jean Clairmook Radio Scrapbook

Creator:
Clairmook, Jean  Search this
Extent:
0.3 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Greeting cards
Scrapbooks
Photographs
Correspondence
Clippings
Date:
1930-1932
Scope and Contents:
One homemade scrapbook documenting the radio career of young Jean Clairmook. The book contains letters, greeting cards, newspaper clippings, and photographs. The creator of the scrapbook is unknown.
Arrangement:
1 series.
Biographical / Historical:
Jean Claire Rian was born March 22, 1925 in Redwood City, California to Monte and Claire Rian. She began her musical career at an early age singing on the radio as Jean Clairmook. At the age of two and one-half years of age she sang at a Shriners' luncheon at the Palace Hotel which was broadcasted. Clairmook married William Henry Blasser and had four children. She died on December 3, 2016 at the age of ninety-one in Cupertino, California.

Source: Broadcast Weekly, March 28, 1931
Related Materials:
Materials in the Archives Center, National Museum of American History

Ed Jackson "Book of Radio Personalities" Scrapbook NMAH.AC.0861

George H. Clark Collection Radioana Collection NMAH.AC.0055

Warshaw Collection of Business Americana, Series: Radio NMAH.AC.0060

National Bureau of Standards Radio Collection NMAH.AC.0217
Provenance:
Immediate source of acquisition unknown.
Restrictions:
Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Radio programs, Musical  Search this
Singers -- 1930-1950  Search this
Radio -- 1930-1940  Search this
Genre/Form:
Greeting cards -- 1920-1940
Scrapbooks -- 20th century
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1930-1940
Correspondence -- 1920-1930
Clippings -- 1930-1950
Citation:
Jean Clairmook Radio Scrapbook, 1930-1932, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0674
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0674
Online Media:

Memories of the New York World's Fair

Topic:
World of Tomorrow
Donor:
Pezzano, John A.  Search this
Pezzano, John A.  Search this
Creator:
Pezzano, Frank J., 1908-1983  Search this
Names:
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Extent:
1 Item
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Home movies
8mm films
Place:
Queens (New York, N.Y.)
Date:
1939-1940
Summary:
The film, titled "Memories of the New York World's Fair" by filmmaker Frank J. Pezzano documents the 1939-1940 New York World's Fair. Pezzano edited the film and included hand-drawn and typed intertitles identifying the various locations and activities he filmed.
Scope and Contents:
Collection consists of one compilation reel created by the Archives Center of 8mm color amateur motion picture film of the 1939-1940 New York World's Fair. When originally acquired, the collection comprised two reels of 8mm color camera reversal motion picture film. Archives Center staff created a single compilation reel for long-term storage and handling.
Arrangement:
Collection is arranged into one series.

Series 1, Memories of the Fair, 1939-1940
Biographical / Historical:
The film, titled "Memories of the New York World's Fair" by filmmaker Frank J. Pezzano, documents the 1939-1940 New York World's Fair. Pezzano edited the film and included hand-drawn and typed intertitles identifying the various locations and activities he filmed.

The theme of this fair was "The World of Tomorrow," symbolized by the Trylon and Perisphere sculptures. It commemorated the 150th anniversary of the inauguration of George Washington as President in New York City. The Fair was held on 1216 acres in Flushing Meadows, Queens, New York, and was divided into seven geographic and thematic zones: Amusement, Communications and Business Systems, Community Interests, Food, Government, Medicine and Public Health, Production and Distribution, Science and Education, and Transportation. In expanding on the theme, the Fair tried to show that what was being built then would be the "World of Tomorrow." Sixty-two nations built exhibit halls. World War Two began September 1, 1939, as the Nazis overran countries represented at the Fair, such as France, Denmark, and Belgium.

His family believes Mr. Pezanno attended the fair alone as indicated by the fact that no family members are depicted in the film. Pezzano's film presents a comprehensive tour of the exterior elements of the fair and includes footage of many of the iconic corporate, state, and national pavillions as well as the images of the fair at night. Pezzano also filmed special attractions such as "Frank Buck's Bring 'Em Back Alive," the parachute ride, and an ice show.
Related Materials:
Materials in the Archives Center:

Sam DeVincent Collection of Illustrated American Sheet Music, 1790-1980s (AC 0300)

Warshaw Collection of Business Americana, circa 1724-1977 (AC 0060)

Larry Zim World's Fair Collection, 1841-1988 (AC 0519)

Edward J. Orth Memorial Archives of the World's Fair, 1939-1940 (AC 0560)
Provenance:
Donated by John A. Pezzano, 1996
Restrictions:
Collection is open for research.
Rights:
Collection materials available for reproduction. The Pezzano family retains interests in the film and must be contacted for permission for any third-party, commercial use. Archives Center cost-recovery and use fees may apply.
Topic:
Exhibitions  Search this
Amateur films -- 1930-1940  Search this
Genre/Form:
Motion pictures (visual works) -- 1930-1950
Home movies
8mm films
Citation:
"Memories of the New York World's Fair" Filmed by Frank J. Pezzano, 1939-1940, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0592
See more items in:
Memories of the New York World's Fair
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0592

William J. Lenz Piano Tuning Collection

Creator:
Everett Piano Company  Search this
Hammacher, Schlemmer & Company  Search this
Chickering & Sons Piano Company  Search this
Pratt, Read and Company  Search this
Wood & Brooks Company  Search this
Otto R. Trefz, Jr., & Company  Search this
Piano Parts Mfg. Co.  Search this
Lynn & Healy Company  Search this
Lang, C. H., & Company  Search this
Wurlitzer Company  Search this
Collector:
Lenz, William J. (piano technician)  Search this
Names:
American Guild of Piano Tuners  Search this
American Society of Piano Technicians  Search this
National Association of Piano Tuners  Search this
Extent:
0.25 Cubic feet (2 boxes, 1 oversized folder)
Type:
Collection descriptions
Archival materials
Catalogs
Manufacturers' catalogs
Clippings
Technical drawings
Pamphlets
Advertisements
Correspondence
Date:
ca. 1903-1955.
Summary:
Advertisements, catalogs, repair manuals, union materials, and technical drawings related to pianos and piano tuning (companies and organizations listed below). While providing a window into a profession that spans both science and music, this collection contains information concerning economic changes, advertising, trade associations, and technical advances.
Scope and Contents:
The William Lenx Piano Tuning Collection contains advertisements, catalogs, repair manuals, union materials, and technical drawings related to pianos and piano tuning. The collection is divided into five series. These series are William Lenx, Piano Tuners Societies and Associations, Piano Tuning and Playing, Manufacturers and Distributors of Parts, Supplies and Tools, and Manufacturers of Pianos.

Included in the collection are a number of manuscript technical drawings by Lenz of the mechanics of trackers organ from 1925. The piano supple catalogs date from c. 1903 to 1952 and document changing prices fro parts and the development of piano technology. The Piano Tuners Society and association publications and correspondence include materials form the American Guild of Piano Tuners, the National Association of Piano tuners, and the American Society of Piano Technicians (also known as the American Society of Piano Tuner-Technicians).

While providing a window into a profession that spanned the fields of both science and music, the William Lenx Collection contains information concerning economic changed, advertising, trade associations, and technical advancement.
Arrangement:
Divided into 5 series.

Series 1: William Lenz, 1925-1955

Series 2: Piano Tuners' Societies and Associations, ca. 1914-1954

Series 3: Piano Tuning and Playing, 1927-1953

Series 4: Manufacturers and Distributors of Parts and Tools, circa 1903-1952

Series 5: Manufacturers of Pianos, 1946-1955
Biographical / Historical:
Born sometime before 1890, Lenz spent most if not all of his life in Philadelphia, Pa., where he worked as a piano tuner and technician. Judging from materials in the collection, it is likely that he was a member of the National Association of Piano Tuners, and later the American Society of Piano Technicians. He probably died in the mid-1950s.
Related Materials:
Materials in the Archives Center

Pratt-Read Company Records, 1893-1990 (NMAH.AC.320)

Steinway Piano Company Collection, 1850-1906, 1953 (NMAH.AC.0178)

Warshaw Collection of Business Americana, Series: Pianos (NMAH.AC.0060)

Wood & Brooks Company Records, c. 1890-c. 1958 (NMAH.AC.0457)

Wurlitzer Company Records, 1864-1984(NMAH.AC.0468).
Provenance:
Collection donated by University of Pennsylvania,through The Curtis Organ Restoration Society, May 24, 1994.
Restrictions:
Unrestricted research use on site.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Trade unions -- Musicians -- 1900-1960  Search this
Trade and professional associations -- 1900-1960  Search this
Organ (Musical instrument) -- 1900-1960  Search this
Repairing  Search this
Piano -- tuning -- 1900-1960  Search this
Piano -- Maintenance and repair -- 1900-1960  Search this
Genre/Form:
Catalogs -- 1900-1960
Manufacturers' catalogs -- 1900-1960
Clippings -- 20th century
Technical drawings -- 1900-1960
Pamphlets -- 1900-1960
Advertisements -- 20th century
Correspondence -- 20th century
Citation:
William J. Lenz Piano Tuning Collection, ca. 1903-1955, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0511
See more items in:
William J. Lenz Piano Tuning Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0511

Wood and Brooks Company Records

Creator:
Wood & Brooks Company  Search this
Names:
International Association of Machinists  Search this
Pratt, Read and Company  Search this
United Furniture Workers of America  Search this
Extent:
3 Cubic feet (10 boxes)
Type:
Collection descriptions
Archival materials
Business records
Correspondence
Specifications
Date:
1889-1959
Summary:
Collection documents the activities of Wood & Brooks, a manufacturer of piano keys and actions.
Scope and Contents:
The collection conists primarily of correspondence Charles R. Wood, M.S. Brooks and Hilton C. Brooks, financal and sales records, and some photographs documenting the company's work as manufacturer's of ivory piano keys and piano actions.
Arrangement:
The collection is arranged into six series.

Series 1: Executive Records, 1889-1949 Series 2: Correspondence, 1890-1932 Series 3: Financial Records, 1891-1932

Series 4: Photographs, 1902-1959 Series 5: Piano Action and Specification Materials, 1927-1959

Series 6: Miscellaneous, 1958
Biographical / Historical:
Charles Raymond Wood founded Wood and Brooks Company in 1901, in North Tonawanda, New York with financial help from Connecticut entrepreneur, M.S. Brooks. The company manufactured piano keys and piano actions. In 1905, Wood and Brooks acquired Seavern Piano Action Company of Cambridge, Massachusettts and in 1910 purchased Kurtz Action Company of Rockford, Illinois.

Source

Dolge, Alfred. Pianos and Their Makers. Development of the piano, Volume II, 1913.
Related Materials:
Materials in the Archives Center

Pratt, Read and Corporation Records (NMAH.AC.0320)

Warshaw Colletion of Business American, Series: Ivory (NMAH.AC.0060)

Warshaw Colletion of Business American, Series: Pianos (NMAH.AC.0060)

Ernest D. Moore Papers (NMAH.AC.0321)

Otto Gerdau Collection (NMAH.AC.0363)

Sohmer & Co. Records (NMAH.AC.0349)

Steinway & Sons Records and Family Papers (NMAH.AC.0178)

Chickering & Sons Piano Company Collection (NMAH.AC.0264)
Provenance:
Collection donated by Lawrence G. Brady, 1994.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Collective labor agreements  Search this
Factory workers  Search this
Factories  Search this
Ivory  Search this
Ivory industry  Search this
Keyboard instruments  Search this
Photographs  Search this
Piano  Search this
pianos  Search this
stock certificates  Search this
Genre/Form:
Business records
Correspondence -- 19th-20th century
Specifications
Specifications
Citation:
Wood and Brooks Company Records, 1925-1966, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0457
See more items in:
Wood and Brooks Company Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0457

Hoffman/Boaz Postcard Collection

Creator:
Boaz, Joyce  Search this
Hoffman, David  Search this
Hoffman, Iris  Search this
Extent:
0.66 Cubic feet (2 boxes)
Type:
Collection descriptions
Archival materials
Postcards
Picture postcards
Date:
1898-1920
Summary:
Collection documents both negative and positive images of African Americans, primarily on postcards, as drawings, cartoons, and similar art forms collected mostly during the Civil Rights Movement in America.
Scope and Contents:
Collection consists of 932 postcards documenting African American life and culture in American society beginning in the late nineteenth century.
Arrangement:
Collection is arranged in one series.
Biographical / Historical:
Materials were collected between 1946 and 1970 by David and Iris Hoffman and Iris's sister Joyce Boaz. Most of these materials were purchased in antique shops during the early days of the Civil Rights Movement. The Civil Rights Movement was an effort led by black Americans to end institutionalized racial discrimination, disenfranchisement, racial segregation, and the negative portrayal of them in American society. It was the intention of the donors to create a collection that would visually document the historical changes in the way African Americans were treated and perceived in the United States. The Hoffmans and Boaz were able to amass 932 postcards depicting both positive and negative images of African Americans in drawings, cartoons, and similar art forms.
Related Materials:
Materials in the Archives Center, National Museum of American History

Susie Paige Afro-American Greeting Card Collection NMAH.AC.0263

Archives Center Ethnic Imagery Collection NMAH.AC.1138

Victor A. Blenkle Postcard Collection NMAH.AC.0200

Coon Chicken Inn Records and Graham Family Papers NMAH.AC.1153

Warshaw Collection of Business Americana NMAH.AC.0060
Provenance:
The collection was donated by David and Iris Hoffman in December 1987.
Restrictions:
The collection is open for research use.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Postcards -- 1900-1950
Picture postcards -- 20th century -- United States
Citation:
Hoffman/Boaz Postcard Collection, 1898-1920, Archives Center, National Museum of American History, Smithsonian Institution, box X, folder XX, digital image file XXXXXXX.
Identifier:
NMAH.AC.0281
See more items in:
Hoffman/Boaz Postcard Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0281
Online Media:

[Man does laundry while woman, wearing plaid cycling costume, prepares to go out riding on her bicycle. Active no. 70 : stereo photonegative.]

Publisher:
Underwood & Underwood  Search this
American Stereoscopic Co.  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8".)
Type:
Archival materials
Narrative cycles
Stereoscopic photographs
Photographs
Scope and Contents:
An example of a stereograph which pokes fun at the domestic upheavals caused by the ascent of the "New Woman." This emancipated woman is preparing to ride her bicycle after giving instructions on laundry and child-rearing to her confused husband, wearing an apron. The fact that this interior is part of a stage set can be seen readily at the top of the plate, which would have been cropped out for the final stereograph prints. A baby is in a cradle and two girls are playing on the floor. Cf. stereograph by Kilburn, 1897, Cat. No. 0060.St.Laundry.
Local Numbers:
RSN 9109

AC0143-0009109 (AC Scan number)
General:
Company catalog card included.
Currently stored in box 2.1.1 [62].
Company acc. no. 66772.
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Interior architecture -- Victorian.  Search this
Children  Search this
Dwellings  Search this
Laundry  Search this
Women's rights -- 1890-1900 -- United States  Search this
Bloomer costume -- 1890-1900  Search this
Wit and humor -- 1890-1900  Search this
Bicycles -- 1880-1920  Search this
Genre/Form:
Narrative cycles
Stereoscopic photographs
Photographs -- 1890-1900 -- Black-and-white negatives -- Glass
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 2: American Stereoscpopic Co. glass plates / 2.1: American Stereoscopic Negatives / RSN Numbers 9039-9109
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref18319

Warshaw Collection of Business Americana Geographical Categories: South America

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
0.7 Cubic feet (consisting of 1.5 boxes, 1 oversize folder.)
Type:
Collection descriptions
Archival materials
Business ephemera
Ephemera
Date:
undated
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: South America forms part of the Warshaw Collection of Business Americana, Subseries 1.2: Geographical Categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Warshaw Collection of Business Americana

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
South America is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Business ephemera
Ephemera
Citation:
Warshaw Collection of Business Americana Geographical Categories: South America, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.02.South
See more items in:
Warshaw Collection of Business Americana Geographical Categories: South America
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-02-south

South America [Oversize]

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Oversize 213, Folder 8
Type:
Archival materials
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Geographical Categories: South America, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Geographical Categories: South America
Warshaw Collection of Business Americana Geographical Categories: South America / 1: General
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-02-south-ref11

General

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Type:
Archival materials
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Geographical Categories: South America, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.02.South, Subseries 1
See more items in:
Warshaw Collection of Business Americana Geographical Categories: South America
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-02-south-ref513

General Images

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Geographical Categories: South America, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Geographical Categories: South America
Warshaw Collection of Business Americana Geographical Categories: South America / 1: General
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-02-south-ref514

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