Audiotapes, CDs and digital files: an ongoing project to interview and preserve the memories of people important in the jazz world, including jazz musicians, singers, dancers, producers, arrangers, and others. A list of interviewees and interviewers follows.
The following is a list of the individuals who conducted the interviews.
1. Brown, Anthony
2. Baker, Lida
3. Burstein, Julie
Interviewer
2. Bluiett, Hamiet
Arrangement:
This collection is arranged into six series.
Series 1, DAT and CD Original Interview Recordings, 1992-2012
Series 2, Cassette Reference and Master Interview Tapes, 1992-2012
Series 3, Audio CD Reference Copies, 2000-2012
Series 4, Video/CD, 1994-2012
Series 5, Transcripts and Abstracts, 1992-2014
Series 6, Supplemental Documentation, 1992-2012
Biographical / Historical:
The Smithsonian Jazz Oral History Program, a project of "America's Jazz Heritage, A Partnership of the Lila Wallace-Reader's Digest Fund and the Smithsonian Institution" initiative was created in 1992. More than 150 in-depth oral history interviews were conducted from 1992 through 2002. The collection was transferred to the Archives Center of the National Museum of American History in 2000. Now part of the National Museum of American History's American Music History Initiatives, the Smithsonian Jazz Oral History Program continues to conduct interviews as funding is available.
The Smithsonian Jazz Oral History Program was established to document significant jazz musicians, performers, producers, and business associates in their own words and voices. Program staff contacted and worked with potential interviewees to arrange for interviews. Each interview was conducted by a jazz authority and was recorded on digital audiotape by a professional audio engineer. The interviews averaged 6 hours in length and covered a wide range of topics including early years, initial involvement in music, generally, and jazz specifically, as well as experiences in the jazz music world, including relationships to musicians. The original DAT interview tapes were then dubbed to audiocassettes and CD to create protection and access copies. More recent interviews have been recorded using fully digital technology and the interviews are preserved and made availbel as digital files.
A number of the interviews were conducted as part of the Ella Fitzgerald Oral History Project of the Jazz Oral History Program. Funded by the Ella Fitzgerald Charitable Foundation, these interviews focus on the life and work of Ella Fitzgerald. The National Endowments for the Arts Jazz Masters Oral Histories Program continues to support new interviews with NEA Jazz Masters.
For more information about jazz concerts, education, collections, Jazz Appreciation Month, and the Jazz Master orchestra, visit Smithsonian Jazz.
Provenance:
The interviews were made for the Smithsonian Institution under the auspices of the Smithsonian Jazz Oral History Program supported by America's Jazz Heritage, funded by the Lila Wallace-Reader's Digest Fund, the Smithsonian Institution, and the National Endowment for the Arts Jazz Masters Oral Histories Program. Additional interviews were conducted with support from the Ella Fitzgerald Charitable Foundation.
Restrictions:
Collection is open for research. Researchers must use reference copies.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions. Release forms exist for most interviews.
[Interviewee name] Interview, Smithsonian Jazz Oral History Program Collection, 1992-2014, Archives Center, National Museum of American History.
Sponsor:
The interviews were made for the Smithsonian Institution under the auspices of the Smithsonian Jazz Oral History Program and supported by America's Jazz Heritage, funded by the Lila Wallace-Reader's Digest Fund, the Smithsonian Institution, and the National Endowment for the Arts Jazz Masters Oral Histories Program. Additional interviews were conducted with support from the Ella Fitzgerald Charitable Foundation.
(clippings; list of murals in San Francisco, Berkeley and Texas; color photocopies of murals, labeled on back; TYF's notes, "Mujeres Muralistas"; article by Eva Cockroft)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Social and Public Art Resource Center (SPARC), Organization, Venice, California (see also: ADOBE LA; Altars; Baca, Judith; California Chicano Mural Primer Project; Cockroft, Eva, Gamboa, Harry, Jr.; Lopez, Yolanda; Murals; Valadez, John)
(1985 and 1987 California Chicano Murals calendars; brochures; event and exhibition announcements; Saludos advertising supplement to the Miami Herald, July 22-29 1984; invitations; letter to TYF from Holly Barnet-Sanchez and Marcos Sanchez-Tranquilino, 06/03/1984, re. California Chicano Mural Primer project; press releases; letter to TYF from Sandra Macphee, intern, California Chicano Mural Project, 08/16/1984; clippings; Calfornia Chicano Mural Primer project prospectus; TYF's notes on SPARC (1/2 p.); clippings, blank postcards and brochures re. Judy Baca's Great Wall of Los Angeles; two walking tour/guide booklets to the Great Wall of Los Angeles; SPARC's California Chicano Mural Documentation Project essay; photocopy of letter to Judith Baca from TYF, 09/09/1986; letters to TYF from Judith Baca, 07/02/1986 and 08/12/1986; publication announcement for Signs From the Heart: California Chicano Murals; lecture series schedule; letter to TYF from Holly [Barnet-Sanchez], 02/02/1987; letter to TYF from Judith Baca, 07/07/1988; photocopy of draft of TYF's "Art Chicano: Images of a Community"; letter to TYF from Eva Cockroft, 07/22/1989; Cultural Explainers; Portals, Bridges and Gateways exhibition announcement and project explanation; color photographs of murals; informational pages on SPARC; form letters re. membership; catalogs; "Great Walls Unlimited: Neighborhood Pride" information packet with program overview, participating artists, mural locations, staff biographies, and clippings; clippings of essays by Judy Baca; SPARC Education Mural Resource and Materials Catalog, Summer 1995; clipping of essay by Eva Cockroft, "Resisting the Whitewash: the Socially Active Art of 'el Maestro,' Chicanos and the Walls"; SPARCPLUG newsletter: vol. 1, no. 2 May/June 1991; vol. 2, nos. 1-3 October-May 1991)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
(drafts of essays, handwritten and typed; notes; blank contract; photocopy of memo to Concilio de Arte Popular from Shifra Goldman and TYF, 11/1/1978, re. Contemporary Chican Popular Art: Antecedents and Actuality ; photograph of TYF; photocopy of letter to Eva Wisbar, Visual Resources, Inc., from Shifra Goldman, 10/20/1978; clippings; photocopy of letter to Jacinto Quirarte from Shifra Goldman, 03/23/1981; essay by Goldman, "The State of Chicano Art Criticism"; course notes)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
(photograph - group photo of participants?, duplicate; poster for exhibition; pages from the catalog; "Califas: 'Chicano Art and Culture in California' 4 Essays [authors: Montoya, Malaquias and Lezlie Salkowitz; Goldman, Shifra M.; Montoya, Jose; Cockcroft, Eva and Centro Cultural de la Raza]; clippings; general correspondence and other documents related to CALIFAS)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
(film; clippings; essay, "The Story of Chicano Park" by Eva Cockroft)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
(letter to TYF from Eva, Social and Public Art Resource Center (SPARC), 11/17/1989, re. Community Murals; Spring 1984; Winter 1985, vol. 10, no. 1; Spring 1987, vol. 12, no. 1; Summer 1987, vol. 12, no. 2; Fall 1987, vol. 12, no. 3; Winter 1987, vol. 12, no. 4)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
In 2004, Hispanics were the largest minority group and the fastest-growing segment of the U.S. population, having more than doubled since 1980 and accounting for half the total population growth since 2001. In the preceding decade, the highest rates of Hispanic growth had been not in California, Texas, New York, Miami, Chicago, and other long-time Latino strongholds, but in states such as Arkansas, Indiana, Michigan, North Carolina, Virginia, and Wisconsin. Hand in hand with the burgeoning Latino population came an infusion of Latino music, usually called música latina in the windows and bins of record stores or entertainment venues.
In the United States, a "parallel universe" of Latino performance exists alongside the English-dominant mainstream. The Latin music and media industries are a powerful presence in American life, and their influence is increasing. The sounds of música latina and the voices of musicians themselves help us understand the struggles, aspirations, and joys of Latinos in the process of making the United States their home.
As with other cultural minority groups in the multicultural United States, Latino communities have often used music to express themselves in the public commons - civic celebrations, ethnic festivals, cultural education programs, and political events, for example. Many kinds of music that were historically intended for private occasions - such as for social dancing or for religious devotion - take on new meaning as they are moved into the public realm in order to send a message of identity: "We are Dominican" (or Mexican, or Cuban, or Puerto Rican, and so forth). Some musical styles, forms, and repertoires have deep, "core-culture" associations and/or "stage performance value" to please broad audiences with a strong stamp of cultural identity. These become symbols, aimed either at a new, broader audience or at the same community audience but with the new purpose of defining group identity.
At the same time that forms of music (and dance) have become vehicles for creating social identity, they have also become means for creating a new sense of community. Music in any society is a social magnet, a way of bringing people together, the major attraction at a myriad of social events. But among Latinos in the United States, this role has been expanded and its importance heightened. Music has become a primary vehicle for reuniting people who share a similar background and recreating their lost sense of community - especially for a dispersed immigrant Latino community, or for a Latino minority culture living among people of other cultural backgrounds who speak languages other than Spanish.
The 2004 Festival program was a signature component of a larger Latino Music Project conceived by the Smithsonian's Center for Folklife and Cultural Heritage. In 2001, the non-profit record label, Smithsonian Folkways Recordings, a division of the Center, launched its Latino Music Recording Initiative, entitled Tradiciones/Traditions, to expand Latino music holdings, to publish and disseminate new recordings, and to create a Web site offering bilingual educational materials. It was planned that the Festival component of the Latino Music Project would be sustained over an unprecedented four consecutive years, with each year's program shaped by a special theme highlighting a coherent constellation of issues in Latino music and culture. The program aimed to explore the historical roots and development of Latino cultures in the United States, contemporary social issues articulated in music and dance, and the role the music industry plays in the continuity and transformation of Latino musical tradition. The 2004 program laid out those themes and previewed what would follow in subsequent years (see also the 2005 2006 and 2009 programs).
Olivia Cadaval and Daniel Sheehy were Curators, with Russell Rodríguez as Guest Co-Curator; Nilda Villalta was Program Coordinator. An Advisory Committee included: Norma E. Cantú, G. Adriana Cruz Manjarrez García, Enrique Lamadrid, Steven J. Loza, Ana María Ochoa, Olga Nájera-Ramírez, and Carolina Santamaría.
This program was generously funded by the Smithsonian Latino Initiatives Fund and the National Endowment for the Arts. Additional funding came through Anheuser-Busch, Inc., with in-kind support through Delta Air Lines. Cooperating organizations included Arts of the Americas Institute - University of New Mexico, Radio Bilingüe, Univisión, and the Smithsonian Center for Latino Initiatives.
Presenters:
Enrique "Quique" Avilés, Geaner "DJ" Bruno, David Champion, Juan Dies, James Early, Joanne Flores, José Quetzal Flores, Martha González, Nancy Groce, Scout Mahler, Michael Mason, Olga Nájera-Ramírez, Danny Román, Eileen Torres, Cynthia Vidaurri
Participants:
Performance Traditions
Music
Chanchona San Simonense -- Chanchona San SimonenseWilmer Bladimir Díaz Hernández, 1987-, tumba, San Simon, El SalvadorLuciano "Chanita" Hernández, 1972-, violin, San Simon, El SalvadorEmilio Antonio Monteagudo Luna, 1980-, vihuela guitar, San Simon, El SalvadorHernán Moreno, 1954-, bass, San Simon, El SalvadorHector Antonio Moreno Hernán, 1963-, violin, San Simon, El SalvadorJosé Lucidio Sol Hernández, 1965-, guiro, tumba, San Simon, El Salvador
Emikeké -- EmikekéFelipe García Villamil, 1931-, batá, shékere, bells, güiro, conga, lead vocals, Los Angeles, CaliforniaValeria Esteba-García, shékere, bells, clave, chorus, dance, Los Angeles, CaliforniaTomasa Esteba-García, shékere, bells, clave, chorus, danceAtoyebi Esteba-García, 1985-, batá, shékere, conga, bells, chorus, Los Angeles, CaliforniaMiguel Esteba-García, 1984-, batá, shékere, bells, dance, Los Angeles, CaliforniaAjamu Smith-García, 1978-, batá, shékere, bells, clave, chorus, Los Angeles, California
Eva Ybarra y su Conjunto -- Eva Ybarra y su ConjuntoEva Ybarra, 1945-, accordion, San Antonio, TexasMax Baca, 1967-, bajo sexto, San Antonio, TexasGloria García, 1947-, vocals, San Antonio, TexasOscar García, bass, San Antonio, TexasAaron Holler, 1985-, drums, Pontiac, Michigan
Franklyn Hernández y sus Tipican Brothers -- Franklyn Hernández y sus Tipican BrothersFranklyn Hernández, 1959-, leader, lead vocals, accordion, Philadelphia, PennsylvaniaJesús Bonilla, güiro, Philadelphia, PennsylvaniaMiguel Gelmán, saxophone, Philadelphia, PennsylvaniaNino Hernández, electric bass, Philadelphia, PennsylvaniaRafael Tineo, tambora, Philadelphia, Pennsylvania
José Gutiérrez y Los Hermanos Ochoa -- José Gutiérrez y Los Hermanos OchoaJosé Gutiérrez, 1942-, requinto, Veracruz, MexicoMarcos Ochoa, 1944-, jarana, Veracruz, MexicoFelipe Ochoa, 1950-, harp, Veracruz, Mexico
Lorenzo Martínez y Reflexiones -- Lorenzo Martínez y ReflexionesLorenzo Martínez, Sr., 1954-, violin, Albuquerque, New MexicoRamona Martínez, danceRoberto Martínez, Sr., 1929-, vihuela, Albuquerque, New MexicoRoberto Martínez, Jr., 1963-, guitar, Albuquerque, New MexicoRoberto "Robby" Martínez, 1945-, bass, Albuquerque, New Mexico
Mariachi Los Camperos de Nati Cano -- Mariachi Los Camperos de Nati CanoNatividad "Nati" Cano, 1933-, director, vihuela, Fillmore, CaliforniaSergio Alonso, 1975-, harp, Sylmar, CaliforniaJesús Guzmán, 1964-, violin, Pico Rivera, CaliforniaIsmael Hernández, 1969-, violin, Whittier, CaliforniaPedro Hernández, 1976-, guitarrón, La Puente, CaliforniaMartín C. Padilla, 1979-, violin, San Fernando, CaliforniaArturo Palacios, 1941-, guitar, Whittier, CaliforniaJavier Rodríguez, 1969-, trumpet, Los Angeles, CaliforniaJosé M. Ramirez, West Covina, CaliforniaJimmy Kyle Cuellar, Bakersfield, California
Viento de Agua -- Viento de AguaHector "Tito" Matos, 1968-, director, lead singer, requinto, tumbandero, barriles de bomba,Santruce, Puerto RicoJuan Gutiérrez, 1951-, seguidor, barriles de bomba, chorus, Bronx, New YorkRoberto Cepeda, 1954-, seguidor, punteador, singer, dance, Bronx, New YorkSammy Tanco, 1941-, maracas, güiro, singer, New York, New YorkJoksan Ramos, 1970-, cuá, punteador, requinto, singer, Astoria, New York
SPECIAL CONCERT
Son de Aquí, Washington, D.C. metropolitan area -- Son de Aquí, Washington, D.C. metropolitan areaMarco Antonio Alzamora, 1970-Jhonny Miguel Ayquipa Caycho, 1981-Andy Javier Caceda Angulo, 1976-Wilfred O. Garcia Gallardo, 1967-Christian Gonzales, 1979-Marciano Gonzalez, 1953-Gustavo Joel Hurtado Hernandez, 1969-Yuan Loyola, 1979-Adrian Reyes, leader, Chantilly, VirginiaCarlos Rubio, 1974-, bongosAlberto Tirado, 1970-Julio Cesar Torrejon, 1976-
DANCE ENSEMBLES
Fraternidad Sangre Boliviana, Arlington, Virginia -- Fraternidad Sangre Boliviana, Arlington, VirginiaMelissa Almaraz, Jancaria Alvarez, Andrea Ampuero, Erick Bacarreza, Sergio Canelas, Isabel Cardenas, Adriana Carrillo, Letcia Carrillo, Ronald Choque, Vivian Gillen, Gonzalo Gutiérrez, Aurora Gutlerrez, Daniela Lameles, Nelson Lameles, Pablo Lijeron, Ariel Lisarazu, Diego Lopez, Jasmin Mendoza, Maribel Meruvia, Marcelo Molina, Marvin Monterosa, Alex Navia, Gabriela Peredo, Juan Carlos Peredo, Mauricio Peredo, Michelle Peredo, Ximena Peredo, Rosas Roger, Claudia Siles, Dante Suarez, Maria Tapia, Hector Tolentino, Ricardo Tolentino, Tatiana Tolentino, Lizeth Torrico, Mauricio Torrico, Raul Torrico, Roxana Torrico, Claudia Urrutla, Leo Vallejos, Kattya Via, Ivan Villanueva, Edward Viscarra, Enrique Viscarra
Los Tecuanes, Manassas, Virginia -- Los Tecuanes, Manassas, VirginiaAdriana Burgoa, Iliana Burgoa, Masiel Burgoa, Carlos Cordero, Julio Cordero, Sadie Cordero, Halmar Guerrero, Isaac Guerrero, Vicente Guerrero, Guadalupe Muñiz, Blanca Navarro, Luis Ramírez, Ana Reyes, Armando Reyes, Jose Luis Reyes, Lorena Reyes, Luis Reyes, Luz Rodríguez, Nil Vargas, Inés Velasco
Felipe García Villamil, 1931-, sacred drums and ritual objects, Los Angeles, California
Francisco González, 1953-, strings, Goleta, California
José Gutiérrez, 1942-, -- jarocho -- instruments, Veracruz, Mexico
Carlos Molina Saénz, 1961-, -- llanero -- traditional instruments, Meta, Colombia
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2004 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Festival Recordings: Fandango Sin Fronteras; Eva Ybarra y su Conjunto
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2004 July 1
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2004 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Festival Recordings: Plena y Bomba: Viento de Agua (Dan Sheehy); Conjunto Tejano: Eva Ybarra y su Conjunto (David Champion); Traditional Meringue: Franklyn Hernandez y sus Tipican Brothers
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2004 July 2
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2004 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Festival Recordings: Women in Music (Eva Ybarra, Gloria García, Valeria García, Beverly Giron, Jennifer Giron, Anna Verdobez) (Martha Gonzalez); Music and Community (Ramona Martinez, Juan Gutiérrez, Tito Matos, Lorenzo Martínez, Roberto Martínez Sr.)(N...
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2004 July 2
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2004 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Festival Recordings: Eva Ybarra y su Conjunto; Franklyn Hernandez y sus Tipican Brothers
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2004 July 2
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2004 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Festival Recordings: Conjunto Tejano: Eva Ybarra y su Conjunto; Trio Romantico: Los Primos
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2004 July 3
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2004 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Plena y Bomba: Viento de Agua (Jose Quetzal Flores); Guatemalan Marimba: Marimba Linda Xelajú (Joanne Flores); Conjunto Tejano: Eva Ybarra y su Conjunto (Joanne Flores/David Champion)
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2004 July 4
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2004 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Festival Recordings: Conjunto Tejano: Eva Ybarra y su Conjunto ctd; Trio Romantico: Los Primos (David Champion and Marisol Berrios Miranda); Son Jarocho: José Gutiérrez y Los Hermanos Ochoa (Quique Aviles)
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2004 July 4
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2004 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Festival Recordings: Trio Los Primos (Salvador Castillo, Juan Castillo, Guillermo Martinez, Rafael Castillo)(Juan Dies); Conjunto Tejano: Eva Ybarra y su Conjunto (Eva Ybarra, Max Baca, Gloria Garcia, Oscar Garcia, Aaron Holler)(Joanne Flores) ; Mariac...
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2004 June 23
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2004 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Festival Recordings: Los Primos (Trio Romantico)(Juan Dies); New Mexican Traditions (Lorenzo and Roberto Martínez); Music and Resistance, Valería Garcia, Eva Ybarra)
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2004 June 23
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2004 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Festival Recordings: Conjunto Tejano: Eva Ybarra y su Conjunto (Jose Quetzal Flores); Music of New Mexico: Lorenzo Martinez y Reflexiones (Lorenzo Martínez, Ramona Martínez, Roberto Martínez Sr., Roberto Martínez Jr., Roberto "Robby" Martínez)(Olga Náj...
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2004 June 24
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2004 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Festival Recordings: Martha Gonzalez, Jose Quetzal Flores; Eva Ybarra y su Conjunto (Donna Paroons)
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2004 June 24
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2004 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
