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Portsmouth, New Hampshire

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2011-08-15T16:58:50.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_8z5A2Xw_YgU

Philip G. Freelon Architectural Archive

Creator:
Freelon, Philip G., 1953-2019  Search this
Names:
American Institute of Architects  Search this
Freelon Adjaye Bond/SmithGroup  Search this
Freelon Bond Architects  Search this
Freelon Group  Search this
Hampton University (Va.)  Search this
Harvard University  Search this
Massachusetts Institute of Technology  Search this
Massachusetts Institute of Technology. School of Architecture  Search this
National Museum of African American History and Culture  Search this
National Organization of Minority Architects (U.S.)  Search this
North Carolina Board of Architecture  Search this
NorthStar Church of the Arts  Search this
PPG Industries, Inc.  Search this
Perkins & Will  Search this
Adjaye, David, 1966-  Search this
Bond, J. Max, Jr.  Search this
Freelon, Allan Randall, 1895-1960  Search this
Extent:
5.1 Cubic feet
Type:
Collection descriptions
Archival materials
Correspondence
Place:
North Carolina -- United States
United States of America -- North Carolina -- Durham County -- Durham
United States of America -- Massachusetts -- Suffolk County -- Boston
United States of America -- Pennsylvania -- Philadelphia County -- Philadelphia
United States of America -- New York -- New York
Date:
bulk 1939-2017
Scope and Contents:
The Philip G. Freelon Architectural Archival Collection documents the life and career of architect, educator, cultural heritage preservation advocate and artist Philip G. Freelon. The collection highlights his distinguished career from its inception to his role as the "architect of record" for the National Museum of African American History and Culture. Freelon was one of the leading African American architects of his generation and he created a focus designing and constructing buildings that paid reverence to African Americans and other underrepresented communities. This collection is comprised of business records, photographic materials, ephemera, correspondence, architectural drawings, and clippings.
Arrangement:
The materials in this collection have been separated into seven series. The materials have been ordered and organized based on the content and chronology. Within each series and sub-series, the folders are organized as close to the collection's original order as when it was acquired.
Biographical / Historical:
Philip Goodwin Freelon was born March 26, 1953, in Philadelphia, Pennsylvania to Allan Freelon, Jr. and Elizabeth Neal Freelon. Freelon was greatly influenced by his grandfather, Allan Freelon Sr., a notable Harlem Renaissance visual artist, educator, and civil rights activist. His grandfather's values and artistry inspired him to create a career that focused on creating historical and cultural spaces in African American communities. Freelon attended high school at the former predominantly white elite all-boys school, Central High School located in upper North Philadelphia from 1967 to 1971. His attendance at this school during of the Civil Rights Movement afforded him the unique experience that inspired him to attend a historically Black college (HBCU). Freelon selected Hampton Institute (Hampton University) to develop his veneration of the composition and design of the buildings that held cultural and artistic treasures. Located in the Tidewater area of Virginia, Hampton was renowned among HBCUs for its architecture program. His professor and mentor at Hampton, John Spencer, pushed Freelon academically as he moved easily through the school's curriculum. After two years at Hampton, Spencer helped Freelon transition to a more challenging program at North Carolina State University (NCSU) in Raleigh, North Carolina. Freelon graduated in 1975 with a bachelor's in environmental design in architecture.

Later in the fall of 1975, Freelon enrolled at Massachusetts Institute of Technology (MIT) to pursue a master's in architecture. During the summers, Freelon worked with one of former his NC State professors at the architectural firm of John D. Latimer and Associates. After graduating from MIT in 1977, Freelon returned to North Carolina to take his Architecture Registration Examination (ARE), becoming the firm's youngest person to receive licensure. He also began teaching classes at his alma mater, NC State. It was there that Freelon met his future wife, Nnenna Pierce. Pierce, a Massachusetts native was attending Simmons College in Boston at the time. The connection was immediate, and the pair was married in 1979 and welcomed their first son, Deen in 1980. After a brief employment for a large Texas firm 3/D International, Freelon returned to Durham to join O'Brien Atkins Associates. He was the firm's youngest partner, eventually serving as principal and vice president of architecture. Freelon worked on a wide variety of projects throughout the state including learning centers, university buildings, churches, and parking garages. Along with Freelon's budding career, his family was expanding as well. Phil and Nnenna welcomed their daughter Maya in 1982 and their son, Pierce in 1983. During this time, Freelon was being highly recognized for his work. The American of Institute of Architects (AIA) awarded him the Honor Award for his design of Terminal 2 of the Raleigh-Durham International Airport, which has since been rebuilt.

By the end of the decade, Freelon and his wife Nnenna needed a change of pace. Nnenna pursued a professional career in music while Phil took a break from his career to expand his skillset and reinforce his intellectual approach to design. In 1989, Freelon was granted the Loeb Fellowship for one year of independent study at the Harvard University Graduate School of Design. He also pursued a longtime hobby of furniture design, calling the practice "small architecture". He received industry awards like first prize in the PPG Industries, Inc. Furniture Design Competition as well as AIA Honor Award for conference table designs. With a year away from the field to clarify his vision, Freelon opened his own firm, simply titled, the Freelon Group in 1990. Beginning as a one-man operation, the Freelon Group grew to become one of the largest African American owned architectural firms in the country with over 50 employees, forty percent of which were women, and thirty percent were people of color. With freedom within his own firm, Freelon focused on designing learning centers, libraries and museums and vowed to never build anything that did not bring cultural and intellectual value to a community.

Over the next twenty years, Freelon would assert himself as a force in designing notable cultural institutions and community-driven projects in and around the country including the Sonja Haynes Stone Center at University of North Carolina Chapel Hill (Chapel Hill, NC), Reginald F. Lewis Museum of Maryland African American History & Culture (Baltimore, MD), Museum of African Diaspora (San Francisco, CA), Harvey B. Gantt for African American Arts and Culture (Charlotte, NC), the Anacostia and Tenley-Friendship branches of the District of Columbia Public Library , National Center for Civil Rights and Human Rights (Atlanta, GA), Mississippi Civil Rights Museum (Jackson, MS) and Emancipation Park (Houston, TX). Alongside his architectural career, Freelon served as a lecturer and adjunct professor at several colleges and universities including North Carolina State University, Harvard University, Massachusetts Institute of Technology (MIT), University of Maryland College Park, New Jersey Institute of Technology, Syracuse University, and the Florence, Italy program at Kent State University. Freelon was awarded a full-time appointment as professor of Professional Practice at MIT in 2008. The Professional Practice (4.222) course was a requirement for the master's in architecture and he used examples from his extensive career and personal experience to illustrate legal, ethical, and management concepts. Nnenna's music career was also thriving. She would go on to record twelve albums and be nominated for six Grammys. This fusion of education, the arts, and music inspired another generation of Freelons: their son, Pierce Freelon is a hip-hop artist, educator, and political activist; daughter Maya Freelon is a visual artist; and son Deen Freelon is a professor.

In 2001, George W. Bush established a commission to create a new museum on the National Mall. Freelon wanted to enter his firm to participate in the international design competition. Freelon would partner with famed African American New York City architect, J. Max Bond, Jr. and by 2006 the two officially formed the Freelon Bond Architects.The Freelon Bond group submitted their proposal and soon after were elected to create programming and pre-design work for the museum. When the official design competition for the museum was announced in 2008, UK-based architect David Adjaye joined the team as the lead designer, and along with the partnering firm SmithGroup, the new architectural team became Freelon Adjaye Bond/SmithGroup. The three black architects combined a variety of distinctive elements from Africa and the Americas to create the building's unique, historically significant design. The Freelon Group served as the "architect of record" and were responsible for ensuring that key design ideas were upheld. Freelon and key firm members such as Zena Howard were active as on-site project managers during the museum's construction process to certify that the building would be developed according to plan. Freelon, Adjaye, and Bond were tasked with taking the collective history of the African American experience-- generations of pain, triumph, and perseverance-- and forming it into a structure. The team looked to African sources, such as Yoruban architecture, for inspiration. They sought to connect the building's design to the geographic and cultural roots of African Americans. Their design choices also reference the contributions of enslaved and free black metalworkers made to the landscape of the American South. Their goal was to make the museum an extension of its contents, and an expression of the stories told inside. By the groundbreaking for NMAAHC in 2012, Freelon had been appointed to the U.S. Commission of the Fine Arts by President Barack Obama. In an effort to broaden his resources and expand his firm, The Freelon Group merged with Perkins & Will, a firm originating in Chicago that grew to have offices across the United States. Freelon was appointed the managing director and later lead design director at the firm's North Carolina offices in Charlotte and Durham in 2014. By the next year, Freelon understood that his work in architecture and education was a necessary voice to preserve, which he did through donation of the bulk of his personal papers to his alma mater, NC State University. The year 2016 proved to be a year of triumph for Freelon as NMAAHC opened its doors on September 24th to much jubilation and celebration. That same year, Freelon's legacy was further cemented as the Phil Freelon Fellowship Fund was established at Harvard University Graduate School of Design, a fellowship designed to broaden opportunities for African Americans and other underrepresented communities in architecture and design.

Unfortunately, this triumphant year was met with difficulty as Freelon was diagnosed with amyotrophic lateral sclerosis (ALS), a progressive disease that affects the nervous system. He would continue to work and lecture for the next two years until it became too challenging. One of those projects was the renovation and opening of The NorthStar Church of the Arts in early 2019. A passion project with his wife and son, Pierce, a former church was renovated and repurposed as an arts and cultural space for all. This space was created in an effort to support the Durham cultural community as it began to feel the effects of gentrification. When Freelon lost his battle with ALS on July 9, 2019, in his home in Durham, North Carolina, the family requested that in lieu of flowers that donations be sent to the NorthStar Church to continue the center's mission and Phil's dream to give back to the Durham community.

Historical Timeline

1953 -- Philip Goodwin Freelon was born in Philadelphia, Pennsylvania to Allan Freelon Jr. and Elizabeth Neal Freelon.

1971 -- Freelon graduated from Central High School in Philadelphia, Pennsylvania and entered School of Architecture, Hampton University in Hampton, Virginia as a design student.

1973 -- Freelon transferred to College of Design at the North Carolina State University in Raleigh.

1975 -- Graduated with a Bachelor's in Environmental Design in Architecture from NC State University. He received the American Institute of Architects (AIA) Book Award for Outstanding Work in Architectural Design. In the fall, he began his master's program in architecture at MIT.

1976 -- Began working as aide for architectural firm, John D. Latimer and Associates.

1977 -- Graduated with a Master's in Architecture and Design from Massachusetts Institute of Technology (MIT.)

1978 -- Freelon became youngest architect to pass the North Carolina Architecture Registration Exam. Freelon started teaching at North Carolina State University.

1979 -- Married Chinyere "Nnenna" Pierce. Freelon began working for, 3/D International in Houston, Texas.

1980 -- Son Deen Freelon was born.

1981 -- Freelon returned to Durham, NC to join O'Brien Atkins Associates as the firm's youngest partner.

1982 -- Daughter Maya Freelon was born.

1983 -- Son Pierce Freelon was born.

1989-1990 -- Received Loeb Fellowship for independent study at Harvard University. Freelon received AIA Honor Award for American Airlines Terminal 2 at Raleigh-Durham Airport, NC (RDU).

1990 -- Freelon left O'Brien Atkins Associates to open his own firm The Freelon Group.

1991 -- Won first prize in the PPG Furniture Design Competition.

1992 -- Won the AIA Honor Award for Conference Table Designs.

2001 -- Won the AIA Firm Award for The Freelon Group and the AIA Design Award for Parking Structure, RDU Airport. Began attending meetings of President George W. Bush's commission on new National Mall museum dedicated to African American history and culture.

2003 -- Freelon merged his firm with New York architect Max Bond to create Freelon Bond Architects.

2004 -- Sonja Haynes Stone Center at University of North Carolina Chapel Hill (Chapel Hill, NC) was completed.

2005 -- Reginald F. Lewis Museum of Maryland African American History & Culture (Baltimore, MD) and Museum of African Diaspora (San Francisco, CA) were both completed.

2008 -- UK-based architect David Adjaye and Washington, DC based architecture firm, Smithgroup joined the team, creating the Freelon Adjaye Bond Group/SmithGroup Freelon began teaching at MIT's school of Architecture and Design.

2009 -- Freelon Adjaye Bond/Smithgroup won the official design for the Smithsonian National Museum of African American History and Culture (NMAAHC). Harvey B. Gantt for African American Arts and Culture (Charlotte, NC) was completed.

2010 -- Anacostia branch of the District of Columbia Public Library (Washington, DC) was completed.

2011 -- Tenley-Friendship branch of the District of Columbia Public Library (Washington, DC) was completed.

2012 -- Construction began on NMAAHC.

2014 -- The Freelon Group merged with Perkins & Will, a much larger architectural firm. Freelon became managing director and lead design director of the North Carolina branches in Durham and Charlotte. National Center for Civil Rights and Human Rights (Atlanta, GA) was completed.

2016 -- Freelon was diagnosed with amyotrophic lateral sclerosis (ALS).

2017 -- Mississippi Civil Rights Museum (Jackson, MS) and Emancipation Park (Houston, TX) were completed.

2019 -- Freelon died in his home in Durham, North Carolina at age 66 on July 9.
Related Materials:
Phil Freelon Papers, 1975-2019 at North Carolina State University Libraries.
Provenance:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Philip G. Freelon.
Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Rights:
The NMAAHC Archives can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes.
Topic:
Architecture  Search this
Business  Search this
Construction  Search this
Entrepreneurship  Search this
Local and Regional  Search this
Design  Search this
Education  Search this
Photographs  Search this
Museums  Search this
Genre/Form:
Correspondence
Citation:
Philip G. Freelon Archival Collection, 1939-2017. National Museum of African American History and Culture, Smithsonian Institution.
Identifier:
NMAAHC.A2017.51
See more items in:
Philip G. Freelon Architectural Archive
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io3ba3ca2a2-5495-45cf-801c-f3d66a7002fd
EDAN-URL:
ead_collection:sova-nmaahc-a2017-51

Diary

Collection Collector:
Robinson, Franklin A., Jr., 1959- (actor)  Search this
Container:
Box 39, Folder 11
Type:
Archival materials
Date:
1950
Collection Restrictions:
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History
See more items in:
Robinson and Via Family Papers
Robinson and Via Family Papers / Series 2: Robinson Family / 2.6: Robinson, Franklin A. / 2.6.1: Correspondence, diaries, personal ephemera
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8c69fd212-5fa6-426e-8f82-ac71a4266346
EDAN-URL:
ead_component:sova-nmah-ac-0475-ref167
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Diary digital asset number 1

Selected Poems

Author:
Longfellow, Henry Wadsworth, 1807-1882  Search this
Performer:
University Players  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Sound recording (sound-tape reel, analog, 7 in.)
Type:
Archival materials
Sound recordings
Contents:
Village blacksmith--Arrow and the song--Paul Revere's ride--Song- Stay t home--Wreck of the Hesperus--It's not always May--Maidenood--Skeleton in armor--The children's hour--The day is done--Travels by the fireside--Psalm of life
Local Numbers:
FW-ASCH-7RR-5032
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Spoken word  Search this
Poetry  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-7RR-5032
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / CD / CDR copy
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5e522fbc5-1546-40d8-8b14-efabb8913178
EDAN-URL:
ead_component:sova-cfch-asch-ref26716

Samuel Adams

Artist:
Paul Revere, 1 Jan 1735 - 10 May 1818  Search this
Copy after:
John Singleton Copley, 3 Jul 1738 - 9 Sep 1815  Search this
Sitter:
Samuel Adams, 27 Sep 1722 - 2 Oct 1803  Search this
Medium:
Engraving on paper
Dimensions:
Image: 10.5 × 9.5 cm (4 1/8 × 3 3/4")
Sheet: 22 × 13.8 cm (8 11/16 × 5 7/16")
Type:
Print
Date:
1774
Topic:
Weapon\Spear  Search this
Equipment\Shield  Search this
Decorative  Search this
Religious\Angel  Search this
Samuel Adams: Male  Search this
Samuel Adams: Politics and Government\Congressman\Continental congressman  Search this
Samuel Adams: Politics and Government\Statesman\Colonial statesman\Signer of Declaration  Search this
Samuel Adams: Politics and Government\Governor\Massachusetts  Search this
Samuel Adams: Politics and Government\Lieutenant Governor\Massachusetts  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.80.108
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4abfd609b-eaf7-45b4-b721-4a3d31253fc8
EDAN-URL:
edanmdm:npg_NPG.80.108

George Washington

Artist:
Unidentified Artist  Search this
Copy after:
Paul Revere, 1 Jan 1735 - 10 May 1818  Search this
Charles Willson Peale, 15 Apr 1741 - 22 Feb 1827  Search this
Sitter:
George Washington, 22 Feb 1732 - 14 Dec 1799  Search this
Medium:
Relief cut
Dimensions:
Image: 7 × 6.2 cm (2 3/4 × 2 7/16")
Book closed: 18.5 × 10.1 cm (7 5/16 × 4")
Book open: 18.5 × 20.2 cm (7 5/16 × 7 15/16")
Type:
Print
Date:
1797
Topic:
Symbols & Motifs\Flag\National\United States  Search this
Print  Search this
Weapon\Cannon  Search this
Illustration  Search this
George Washington: Male  Search this
George Washington: Military and Intelligence\Army\Officer\Revolutionary War Army officer  Search this
George Washington: Politics and Government\Statesman\Colonial statesman  Search this
George Washington: Natural Resource Occupations\Agriculturist\Farmer  Search this
George Washington: Military and Intelligence\Army\Officer\General  Search this
George Washington: Politics and Government\President of US  Search this
George Washington: Science and Technology\Surveyor  Search this
George Washington: Congressional Gold Medal  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
S/NPG.79.6
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm43b9ad41d-a45a-440e-87db-e30002185004
EDAN-URL:
edanmdm:npg_S_NPG.79.6

First Day Domestic Card

Title:
Scott Catalogue USA UX58
Printer:
Government Printing Office  Search this
Depicts:
Paul Revere, American, 1735 - 1818  Search this
Medium:
paper; ink (brown)
Dimensions:
8.2 x 14 cm (3 1/4 x 5 1/2 in.)
Type:
Postal Stationery
Place:
United States of America
Date:
Canceled: May 15, 1971 (FDI)
Object number:
2001.2001.39
See more items in:
National Postal Museum Collection
Data Source:
National Postal Museum
GUID:
http://n2t.net/ark:/65665/hm8ccd82918-d3cf-4623-97ed-6e3eb7923869
EDAN-URL:
edanmdm:npm_2001.2001.39
Online Media:

Reverse 42 Shillings, Massachusetts, 1776

Maker:
Revere, Paul  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 12.1 cm x 7.8 cm x .01 cm; 4 3/4 in x 3 1/16 in x in
Object Name:
note
Place made:
United States: Massachusetts
Date made:
1776
Date on object:
1776-11-17
Credit Line:
Joseph B. Stack
ID Number:
NU.NU63645
Accession number:
233842
Catalog number:
NU63645
See more items in:
Work and Industry: National Numismatic Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49aadd353-3fe9-4c81-af85-1db11363fadb
EDAN-URL:
edanmdm:nmah_2018150
Online Media:

Warshaw Collection of Business Americana Subject Categories: Whiskey, Liquor, and Spirits

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
7.38 Cubic feet (consisting of 12 boxes, 2 folders, 11 oversize folders, 1 map case folder, 3 boxes (1 full, 2 partial), plus digital images of some collection material.)
Type:
Collection descriptions
Archival materials
Advertising
Advertising fliers
Advertising cards
Advertising mail
Advertisements
Beverage labels
Business cards
Business letters
Business ephemera
Business records
Caricatures
Catalogues
Commercial catalogs
Commercial correspondence
Correspondence
Ephemera
Invoices
Illustrations
Labels
Instructional materials
Legal documents
Legislation (legal concepts)
Letterheads
Mail order catalogs
Manuals
Manufacturers' catalogs
Menus
Periodicals
Printed ephemera
Print advertising
Publications
Recipes
Receipts
Sales catalogs
Sales letters
Sales records
Signs (declaratory or advertising artifacts)
Trade catalogs
Trade cards
Trade literature
Date:
1743-1963
bulk 1846-1962
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents note:
In 1953, Warshaw launched a year-long collecting campaign, soliciting material on whiskey and wine. He expanded this effort to also include items related to the drinking habit of notable persons. This category was originally labeled "whiskey" but has been retitled as the content covers a wide variety of distilled beverages, spirits, liquors, liqueurs, and hard alcohol.

The bulk of the content is print material in the form of advertising, circulars, price lists, marketing and promotional items with also a sampling of business records consisting of transactional documents such as receipts, invoices, correspondence, and import/export paperwork. Some bottle labels and a couple of packaging examples are present, as are drink recipe booklets and entertainment/pairing guides. Only a small portion of this series covers regulatory aspects such as licensing and taxation, including a Prohibitionists' Text-Book from 1880. The rich volume of advertising provides much in the way of visuals regarding the culture of drinking and entertainment through several 19th and 20th Century eras.

The Warshaw Survey Campaign Records series provides insight to his collection building strategy. Samples of his outbound solicitations exist and to a greater extent, the inbound replies help demonstrate his process and some of the relationships he had with institutions, businesses, and individuals. Of particular note are some of the anecdotal responses, plus several essays and memoir pieces related to the effects of alcohol consumption; not always positive, not always negative.

See also Warshaw Collection of Business Americana, Series 2: Other Collection Divisions, Liquor & Wine Labels and Advertisements, 1893-1905, which contains two additional boxes of scrapbooks filled with printed advertisements, dealers' receipts, labels and drink recipe books.
Arrangement note:
Whiskey, Liquor, and Spirits is arranged in five subseries.

Business Records and Marketing Material

Genre

Subject

Warshaw's Whiskey and Wine Survey and Collecting Campaign Records

Oversize Material
Brand Name Index:
The following is a list of brand names for various alcoholic beverages and related names that appear on this list is a compilation of those found on materials in the vertical document boxes. It is not a complete list of all the brand names for whiskey.

Brand Name Index

Brand Name -- Manufacturer

Adam Schneider's Dutch -- Seagram Distillery

Alleghany -- Phoenix Mills Dist.Co.

Ambassador -- Taylor & Ferguson

Ancestor -- John Dewar & Sons

Anderson Co. Club -- Phoenix Mills Dist. Co.

Angostura Bitters -- Philip Goldberg

Antiquary -- Jas. Hardie

Apry -- Schieffein & Co.

Arkansas Traveler -- Seagram Distillers

B & B -- Wright & Taylor

Bailey' s -- Huey & Christ

Banquet -- Ginter Co.

Barton -- Revere Distilling Co.

Bay State -- Revere Distilling Co.

Beechwood -- Applegate & Sons

Beefeater -- Kobrand Corp.

Big Cat -- General Distillers Corp.

Black & White -- Fleischmann Dist.

Black Warrior, The -- Seagram Distillers

Blue Blood Club -- Kentucky Liquor Co.

Blue Ribbon -- Altschul Distilling Co.

Bombay -- A. M. Penrose

Bond & Lillard -- W.H. McBrayer

Bonnie Brae -- Cobb Hersey Co.

Bos -- Pease Son & Co.

Bottoms Up -- Brown-Forman Distillery Co.

Briar Mint -- Cincinnati Distillers

Briar Mint -- General Distillers Corp.

Brunswick Club -- H.& H.W. Catherwood

Buckingham -- Venable & Heyman

Burks Spring -- Thos. L. Smith & Sons

Cabinet -- Woodrow & George

Canadian Club -- Hiram Walker & Son

Cap'n Jack -- Cincinnati Distillers

Carioca -- Schenley Co.

Carstairs -- Stewart Distilling Co.

Cedar Brook -- Wm.H. McBrayer

Cedar Valley -- Weideman, Holmes & Co.

Cee Bee Sloe Gin -- Cook & Bernheimer Co.

Celery -- Cook & Bernheimer Co.

Charteuse -- Shieffein & Co.

Cherry Heering -- Schenley Import Co.

Chivas Regal -- General Wine & Spirits Co.

Churchill 88 -- Fleischmann Distilling Corp.

Clover Club -- Boyle & McGlinn

Club, The -- G.F. Heublein & Bros.

Club House -- M. Shaughnessy & Co.

Cold Spring Jockey Club -- John Kissel & Son

Commodore -- J. Brown & Co.

Commonwealth Club -- Cobb Hersey Co.

Corby's -- Jas. Barclay & Co.

Cordon Bleu -- Martell

Coates Plymouth -- Schiefflin & Co.

County Chairman -- General Distillers Corp.

Courvoisier -- W.A. Taylor & Co.

Crcaker Jack -- General Distillers Corp.

Creme Yvette -- Sheffield Co.

Cuckoo -- Rex Distilling Co.

Cutty Shark -- Berry Bros . & Rudd Ltd.

Dekuyper -- National Distillers Products

Dewey's Victory -- A.B. Sheaffer

Dews of Erin -- Cobb Hersey Co.

D.J.A. -- David & John Anderson Ltd.

D.O.M. Benedictine -- Julius Wile Sons

Drambuie -- W.A.Taylor & Co.

Drip Rock -- Cold Spring Distilling

Duff Gordon -- Munson G. Shaw Co.

Eagle Liqueur -- Rheinstrom Bros .

Early Times -- Brown-Forman Distillery

Gold Dust -- A.R. Champney Co.

El Bart -- Camberwell Distillery

Embassy Club -- Continental Distilling

Empire Club -- G.F. Coshland & Co.

Everett Spring -- Cobb Hersey Co.

Fairfax County -- Austin, Nichols & Co.

Fairview -- Schmidt & Ziegler, Ltd.

Fellsglen -- John E. Fells

Fenbrook -- Charles S. Gove Co.

Fig Rye -- F. Madlener

Four Roses -- Frankfort Distilleries

Fulton -- Myers & Co.

Fundador -- Canada Dry Import Co.

Gair Loch -- Stromness Dist. Co.

Galliano -- McKesson & Robbins

Gaston Fontaine's -- Cobb Hersey Co.

Geneva -- United Dist. Co.

George Mills -- Woodrow & George

Geyser -- Peoples Distilling Co.

Gilbey' s Gin -- National Distillers Prod.ucts

Gold Fax -- Clune & Torpy

Golden Seal -- W. Scott Gillespie

Golden Truth -- Despres Distilling Co.

Grand Marnier -- Carillon Importers Ltd.

Grant 63 -- Revere Distilling Co.

Grandpa' s Delight -- Pembrook Distilling Co.

Grant's Stand Fast -- Austin, Nichols & Co.

Green River -- McCulloch

Greensboro -- Cobb Hersey Co.

Grouse -- Seggerman Slocum

Harrisville -- Cobb Hersey Co.

Harvest Home -- Seagram Distillers

Hazel Dell -- Rheinstrom Bros.

Heather Blossom -- B.H.R. Distilling Co.

Hennessy -- Schieffein & Co.

Hillside -- Steinhardt Bros. & Co.

Hine Cognac -- 21 Brands Inc.

Hoffman House -- P.H. Hamburger

Holland Process -- Rosenberger Bros.

Home Comfort -- Max Stiner & Co.

House of Lords -- Wm.Whitely & Co.

House of Lords -- W.A. Taylor & Co.

Hunter -- Wm. Lanaham & Sons

Imperial -- Hiram Walker & Sons

Inverness Club -- J.W. Cheesman Co.

Irish Mist -- Munson G. Shaw Co.

Jackson Club -- O'Bryan Bros.

Jefferson -- Seagram Distillers

Jessie Moore -- General Distillers Corp

Joel Hill -- Woodrow & George

Jockey Club -- Excelsior Distilling Co.

J.& F. Martell's Brandy -- G.S.Nicholas & Co.

Kenton Belle -- Simon Kenton Co.

Kentucky Favorite -- United Dist. Co.

Kentucky Gentleman -- Barton Distilling Co.

Kentucky Nectar -- General Distillers Corp

Kentucky Tavern -- Glenmore Distillers

Keuka Club -- O'Dea Home Supply Co.

Keystone -- Wm.H.Graham & Co.

Kilty -- R.Thorne & Sons, Ltd.

King -- Brown-Forman Distillery

King's Ransom -- Edradour Distillery

King's Ransom -- Wm. Whitely & Co.

Kuban -- General Distillers Corp

Laganda Club -- Altschul Distilling Co

Lamplighter -- J.& w . Nicholson Co.

Latonia Club -- Sheldon Co.

La Rojena (Jose Cuervo) -- Young' s Market

Lechmere -- Doyle, F.M. & Co.

Lemon Hart -- Julios Wile Sons

Lick Run -- General Distillers Co.

Lindenwood -- Spiess & Bachenheimer

London Dry -- Sir Robert Burnett & Co

London Gin -- Wm. Reed

Lorraine Club -- Felix Coblentz & Co.

MacNaughton -- Schenley Co.

Maker' s Mark -- Star Hill Distilling Co

Mammoth Cave Springs -- Seagram Distillers

Manhattan Club -- Mac Stiner & Co.

Maryland Club -- John Belt & Co.

Mentor -- Ginter Co.

Monitor -- J.C. Childs & Co.

Mosaic -- People's Distilling Co.

Mount Vernon -- Cook & Bernheimer

Mount Vernon -- Mannis Distilling

Mouquin -- Austin, Nichols & Co.

Myers -- General Wine & Spirits Co. Thos. Smith Co.

M & Z -- Thos. Smith Co.

Nectar -- Woodrow & George

Nelson County -- Wm.S.Turner Dist.Co.

Novena -- Rheinstrom Bros.

Number 30 -- General Distillers Corp.

O.F.C. -- Geo. T. Stagg Co.

O.F.C. -- Schenley Co.

Old Amor Rye -- H.W .Huguley Co.

Old Angus -- Train & Mcintrye, Ltd.

Old Anvil -- General Distilleries Corp.

Old Benton -- Excelsior Distilling C

Old Boone -- Wm.S.Turner Dist.Co.

Old Charter -- Wright & Taylor

Old Chuck -- General Distilleries Corp.

Old Crow -- Hermitage Distillery

Old Crow -- H.B.Kirk & Co.

Old Elk -- Stoll, Vanatta & Co.

Old Fitzgerald -- Stitzel-Wellwe Distillery

Old Forester -- Brown-Forman Distillery Co.

Old Goodenough -- United Distributing Co.

Old Grain Belt -- Pure Food Dist. Co.

Old Grist Mill -- John F.Gillespie

Old Hickory Hollow -- Wm. S.Turner Dist.Co.

Old Homestead -- Seagram Distillers

Old Home Still -- Sheldon co. Cocktail

Old Hundred -- Wm.S.Turner Dist.Co.

Old Judge -- Altschul Distilling Co.

Old Lanark -- York Distilling

Old Maid -- Irene Parker Co.

Old Maysville -- Manufacturer Unknown

Old Minden -- Revere Distilling

Old Pilgrim -- Revere Distilling Co.

Old Prentice -- J.T.S.Brown & Sons

Old Pugh -- R.S.Strader & Son

Old Rampart -- General Distillers Corp.

Old Richmond -- Thos. L. Smith Co

Old Rip -- J.C. Childs & Co

Old Saratoga -- Rosskam, Gerstley & Co.

Old '67 Rye -- Wm.S.Turner Dist. Co

Old Star -- A & G J.Caldwell

Old Talent -- Cobb Hersey Co

Old Time -- John N.Thomas & Co.

Old Tom -- Wm.Reed

Old Tom Gin -- DuVivier & Co.

Old Underoof -- Chas.Dennehy & Co

Old Valley -- Woodrow & George

Owl Club -- Wm.S.Turner

Oxford -- Simon Kenton Co.

Paddy -- Cork Distributer

Paddy -- York Distilleries

Paddy -- Austin, Nichols & Co

Paul Jones -- Frankfort Distilleries

Perfection -- D.& J. Mc Callum's

Pernod -- Julius Wile Sons

Pilgrimage -- W.H.McBrayer

Pioneer, The -- Seagram Distillers

Pimm's Cup -- Julius Wile Sons

Pointer -- Gottschalk Co.

Pot Still Gin -- Milshire

Prince Hurbert Polignac -- Dennis & Hippert

Private Stock -- Cincinnati Distillers

Queen Louise -- Rose City Importing Co

Ramshead -- Hannah & Hogg

Red Top Rye -- Ferdinand Westheimer & Sons

Remy Martin -- Renfield Importers Ltd

Richwood -- W.H. McBrayer

Robin Olg -- Geo. Beer & Son

Rock Hill -- Wm.S.Turner

Rock Spring -- Dudley P.Ely

Rock & Rye -- Sheldon co.

Rogers -- United Distributing Co

Ronrico -- General Wine & Spirits Co

Rose Annoo -- Henry Hollander

Rosebud -- Applegate & Sons

Rose Wood -- General Distillers Corp.

Royal Club -- John N.Thomas & Co.

Secrestat Bitters -- G.S.Nicholas & Co.

Sheridan Club -- Despres Distilling Co

Silver Lake -- Seagram Distillers

Silver Thistle -- Hannah & Hogg

Stag -- A.M. Bininger & Co

Stand Fast -- Grant's

Standard -- Steinhardt Bros. & Co.

Sterling -- Steinhardt Bros, & Co.

Storm King -- J.C. Childs & Co.

Strega -- Canada Dry Imprt Co.

Summerfield -- Cobb Hersey Co.

Sunbeam -- Cobb Hersey Co

Sunny Valley -- Revere Distilling Co.

Susquehanna -- W.H. McBrayer

Swan Gin -- Ferd.Ruttman & Son

Sweet Home -- Altschul Distilling Co

Tea Kettle -- W.H.McBrayer

Tia Maria -- W.A.Taylor & Co.

Trimble -- White, Hentz & Co.

Tullamore Dew -- Munson G.Shaw Co.

Upper Ten -- H.& H.W Catherwood

Usher's Whiskey -- G.S.Nicholas & Co.

Virginia Gentleman -- Austin, Nichols & co.

Waterfill & Frazier -- W.H. McBrayer

Whipple Creek -- General Distillers Corp

White Dove -- Revere Distilliing Co.

White Label -- John Krissel & Son

White Label -- John Dewar & Sons

White Lily -- Cobb Hersey Co.

White Horse -- Mackie & Coy

White Seal -- Carstairs

Wild Cat -- Seagram Distillers

Wolf Creek -- Frankfort Distilleries

Woodland -- Crigler and Crigler

w.w.w -- Angela Myers
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Whiskey, Liquor, and Spirits is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
advertising -- Alcoholic beverages  Search this
advertising -- Beverages  Search this
Alcohol  Search this
Alcoholism  Search this
Bars (Drinking establishments)  Search this
Beverages  Search this
Beverages -- 20th century  Search this
Beverages -- advertising -- 1940-1990  Search this
Consumer goods -- Catalogs  Search this
Dining  Search this
Distilleries  Search this
Drinking of alcoholic beverages -- Law and legislation  Search this
Drinking behavior  Search this
Food  Search this
Labels -- Alcoholic beverages  Search this
Labels -- Design  Search this
Medicine  Search this
Restaurants  Search this
Retail trade  Search this
Restaurants -- United States  Search this
Taverns (Inns)  Search this
Trade associations  Search this
Genre/Form:
Advertising
Advertising fliers
Advertising cards
Advertising mail
Advertisements
Beverage labels
Business cards
Business letters
Business ephemera
Business records
Caricatures
Catalogues
Commercial catalogs
Commercial correspondence
Correspondence
Ephemera
Invoices
Illustrations
Labels
Instructional materials
Legal documents
Legislation (legal concepts)
Letterheads
Mail order catalogs
Manuals
Manufacturers' catalogs
Menus
Menus -- 20th century
Menus -- 21st century
Menus -- 1940-1950
Periodicals
Printed ephemera
Print advertising
Publications
Publications -- Business
Recipes
Receipts
Sales catalogs
Sales letters
Sales records
Signs (declaratory or advertising artifacts)
Trade catalogs
Trade cards
Trade literature
Citation:
Warshaw Collection of Business Americana Subject Categories: Whiskey, Liquor, and Spirits, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Whiskey
See more items in:
Warshaw Collection of Business Americana Subject Categories: Whiskey, Liquor, and Spirits
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8e3a61e9c-8ebe-475e-bb04-45112af54ceb
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-whiskey
Online Media:

Henry Wadsworth Longfellow

Artist:
Thomas Buchanan Read, 12 Mar 1822 - 11 May 1872  Search this
Sitter:
Henry Wadsworth Longfellow, 27 Feb 1807 - 24 Mar 1882  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher: 84.1 x 71.1 x 2.5cm (33 1/8 x 28 x 1")
Frame: 97.8 x 83.8 x 8.3cm (38 1/2 x 33 x 3 1/4")
Type:
Painting
Place:
Italia\Lazio\Roma\Roma
Date:
1869
Topic:
Personal Attribute\Facial Hair\Mustache  Search this
Personal Attribute\Facial Hair\Beard  Search this
Henry Wadsworth Longfellow: Male  Search this
Henry Wadsworth Longfellow: Literature\Writer  Search this
Henry Wadsworth Longfellow: Literature\Writer\Poet  Search this
Henry Wadsworth Longfellow: Education and Scholarship\Educator\Professor\College  Search this
Henry Wadsworth Longfellow: Education and Scholarship\Scholar\Translator  Search this
Henry Wadsworth Longfellow: Society and Social Change\Reformer\Abolitionist  Search this
Henry Wadsworth Longfellow: Literature\Writer\Playwright  Search this
Henry Wadsworth Longfellow: Education and Scholarship\Scholar\Linguist  Search this
Henry Wadsworth Longfellow: Education and Scholarship\Educator\Librarian  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; Gift of Thomas P. Curtis and Elizabeth Longfellow Kohler in memory of Elizabeth Longfellow Curtis
Object number:
NPG.2017.20
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Exhibition:
2022 Rehang of Out of Many: Portraits from 1600 to 1900
On View:
NPG, East Gallery 120
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm44bd6bf3e-ea67-49ff-9de8-baaf9c9e2047
EDAN-URL:
edanmdm:npg_NPG.2017.20

2 Shilling, Massachusetts, 1778

Maker:
Revere, Paul  Search this
Fleet, Thomas  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 6.8 cm x 7.6 cm x .01 cm; 2 11/16 in x 3 in x in
Object Name:
note
Place made:
United States: Massachusetts
Date made:
1778
Date on object:
1778-10-16
Credit Line:
B.M. Douglas
ID Number:
NU.68.135.23
Catalog number:
68.135.23
Accession number:
279615
Serial number:
1348
See more items in:
Work and Industry: National Numismatic Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng4b3366ec5-703c-4fb6-e053-15f76fa08e83
EDAN-URL:
edanmdm:nmah_1987908
Online Media:

4 Shillings, Massachusetts, 1779

Maker:
Revere, Paul  Search this
Fleet, Thomas  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 7.6 cm x 7.5 cm x .01 cm; 3 in x 2 15/16 in x in
Object Name:
note
Place made:
United States: Massachusetts
Date made:
1779
Date on object:
1789-12-01
Credit Line:
Robert Townsend
ID Number:
NU.38558
Catalog number:
38558
Accession number:
126238
Serial number:
2296
See more items in:
Work and Industry: National Numismatic Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng4b829bb94-ebb3-6cc2-e053-15f76fa0d986
EDAN-URL:
edanmdm:nmah_1992848
Online Media:

10 Shillings

Maker:
Revere, Paul  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 8.3 cm x 16.6 cm x .01 cm; 3 9/32 in x 6 17/32 in x in
Object Name:
note
Place made:
United States: Massachusetts
Delete:
United States: Massachusetts, Boston
Date made:
1775
Date on object:
1775-05-25
Credit Line:
Ben M. Douglas
ID Number:
NU.66.11136
Serial number:
1288
Catalog number:
66.11136
Accession number:
266701
See more items in:
Work and Industry: National Numismatic Collection
NNC Colonial Currency
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng4b9e62948-47fa-17ab-e053-15f76fa0fecb
EDAN-URL:
edanmdm:nmah_1995280
Online Media:

9 Pence, Massachusetts, 1778

Maker:
Revere, Paul  Search this
Fleet, Thomas  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 6.5 cm x 7.3 cm x .01 cm; 2 9/16 in x 2 7/8 in x in
Object Name:
note
Place made:
United States: Massachusetts
Date made:
1778
Date on object:
1778-10-16
Credit Line:
Ben M. Douglas
ID Number:
NU.66.11138
Serial number:
5782
Catalog number:
66.11138
Accession number:
266701
See more items in:
Work and Industry: National Numismatic Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng4b9e62948-47fb-17ab-e053-15f76fa0fecb
EDAN-URL:
edanmdm:nmah_1995281
Online Media:

30 Shillings, Massachusetts, 1775

Maker:
Revere, Paul  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 10 cm x 7.6 cm x .01 cm; 3 15/16 in x 3 in x in
Object Name:
note
Place made:
United States: Massachusetts
Province:
United States: Massachusetts
Political area:
United States
Date on object:
1775-08-18
Date made:
1775
Credit Line:
Mr. Stanley Apfelbaum
ID Number:
NU.74.33.1
Serial number:
1993
Catalog number:
74.33.1
Accession number:
313375
See more items in:
Work and Industry: National Numismatic Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a6-5aa9-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_835195
Online Media:

3 Shillings, Massachusetts, 1779

Issuing authority:
Commonwealth of Massachusetts  Search this
Maker:
Revere, Paul  Search this
Fleet, Thomas  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 7.6 cm x 6.6 cm x .01 cm; 3 in x 2 19/32 in x in
Object Name:
note
Place made:
United States: Massachusetts
City:
United States: Massachusetts, Boston
Province:
United States: Massachusetts
City and province:
United States: Massachusetts, Boston
Political area:
United States
Date made:
1779
Date on object:
1782-12-01
ID Number:
NU.79.112.CC123
Serial number:
2011
Catalog number:
79.112.CC123
Collector/donor number:
CC123
Accession number:
1979.1263
See more items in:
Work and Industry: National Numismatic Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a6-5aac-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_835199
Online Media:

12 Shillings, Massachusetts, 1775

Maker:
Revere, Paul  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 8.6 cm x 17 cm x .01 cm; 3 3/8 in x 6 11/16 in x in
Object Name:
bank note
note
Other Terms:
Bank Note; 1775 05 25
Place made:
United States: Massachusetts
Associated place:
United States: Massachusetts
United States
Date made:
1775
Date on object:
1775-05-25
Credit Line:
Chase Manhattan
ID Number:
NU.79.112.CC106
Catalog number:
79.112.CC106
Accession number:
1979.1263
Serial number:
461
Collector/donor number:
CC106
See more items in:
Work and Industry: National Numismatic Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a8-70b2-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_988324
Online Media:

14 Shillings, Massachusetts, 1775

Maker:
Revere, Paul  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 7.4 cm x 15.4 cm x .01 cm; 2 29/32 in x 6 1/16 in x in
Object Name:
bank note
note
Other Terms:
Bank Note; 1775 05 25
Place made:
United States: Massachusetts
Associated place:
United States: Massachusetts
United States
Date made:
1775
Date on object:
1775-05-25
Credit Line:
Chase Manhattan
ID Number:
NU.79.112.CC107
Serial number:
2644
Catalog number:
79.112.CC107
Accession number:
1979.1263
Collector/donor number:
CC107
See more items in:
Work and Industry: National Numismatic Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a8-70b3-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_988325
Online Media:

8 Pence, Massachusetts, 1775

Maker:
Revere, Paul  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 9.3 cm x 7.3 cm x .01 cm; 3 21/32 in x 2 7/8 in x in
Object Name:
bank note
note
Other Terms:
Bank Note; 1775 12 07
Place made:
United States: Massachusetts
Associated place:
United States: Massachusetts
United States
Date made:
1775
Date on object:
1775-12-07
Credit Line:
Chase Manhattan
ID Number:
NU.79.112.CC108
Catalog number:
79.112.CC108
Accession number:
1979.1263
Serial number:
3307
Collector/donor number:
CC108
See more items in:
Work and Industry: National Numismatic Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a8-5cf1-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_988327
Online Media:

3 Pence, Massachusetts, 1778

Maker:
Revere, Paul  Search this
Fleet, Thomas  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 7.5 cm x 7.5 cm x .01 cm; 2 15/16 in x 2 15/16 in x in
Object Name:
bank note
note
Other Terms:
Bank Note; 1776 10 18
Place made:
United States: Massachusetts
Associated place:
United States: Massachusetts
United States
Date made:
1778
Date on object:
1778-10-16
Credit Line:
Chase Manhattan
ID Number:
NU.79.112.CC111
Catalog number:
79.112.CC111
Accession number:
1979.1263
Collector/donor number:
CC111
Serial number:
7210
See more items in:
Work and Industry: National Numismatic Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a8-439a-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_988330
Online Media:

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