President's Committees and Commissions, 1961-1963: Presidents Advisory Council on the Arts; Commission on Status of Women; Employment of Physically Handicapped; Immigration and Naturalization; Government Employment Policy; Retirement Policy; Water Reso...
Collection Creator::
Smithsonian Institution. Office of the Secretary Search this
Container:
Box 286 of 321
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 50, Smithsonian Institution, Office of the Secretary, Records
The bulk of this collection was processed by Jane Livermore, a devoted and tireless volunteer in the Smithsonian Institution Archives between 1995 and 2004. Livermore
is a former Science Service employee. She worked in the organization's library, oversaw the educational project "THINGS of Science," and served as Assistant to the Director.
The Archives wishes to thank Ms. Livermore for her excellent work on this collection.
Many others have assisted on this project. SIA also thanks Helen Shade, Program Assistant in the Archives Division, who helped create folder listings for many of the later
series in this record unit. SIA is especially indebted to historian Marcel C. LaFollette, who has conducted extensive research in this collection, written a historical summary
for this guide, and whose findings in these records have generated excitement both within the Archives and among professional colleagues. SIA could not have created this finding
aid without Dr. LaFollette's contributions, annotations, and insights.
Descriptive Entry:
Record Unit 7091 contains: correspondence and telegrams; drafts and final versions of articles, books, and radio scripts; staff notes and interoffice correspondence;
published material such as pamphlets and news clippings; photographs and drawings; advertisements and trade literature; and other ephemera related to science news coverage
and publishing.
This record unit is one of the largest single collections in the Smithsonian Institution Archives (SIA). There are several related collections in SIA (see Accessions 01-122,
01-243, 04-042, 90-068, 90-105, 93-019, and 97-020 (see also the National Air and Space Museum; the National Museum of American History, including the Archives Center and
collections in agriculture and mining, chemistry, costume, engineering, electricity, medical sciences, military history, modern physics, and photographic history; the National
Museum of Natural History; and the National Portrait Gallery).
The arrangement of RU 7091 reflects the eclectic nature of an active news organization that was reactive to current events and discoveries, in touch with a worldwide network
of researchers, and concerned about accuracy. In 1960, the organization's educational director described their records in this way: "... Science Service has been distributing
science news for 40 years. During that time we have been in touch with practically all the major scientists and the developments which were taking place. Since all of our
material has to have full authentification, we have built up a mass of files" (Letter from Frederick A. Indorf to Joseph C. Shipman, October 24, 1960, Box 350, Folder 13).
This "mass of files" also included two extensive "morgues" that contained back-up material, information, and photographs that could be used in future stories. The informational
"morgue" files were organized according to the Library of Congress classification scheme. A few of these files are in RU 7091 (see Series 7); more extensive collections are
located in SIA Accessions 01-122, 01-243, 90-068, 90-105, and 93-019 and in curatorial collections in Smithsonian Institution museums. A major portion of the biographical
"morgue," containing photographs and information about scientists, engineers, and other public figures, is in SIA Accession 90-105.
Editorial correspondence with news sources was usually filed in the general correspondence files of Series 1 - 5. Some was also filed with the resulting story for the Daily
Mail Report (see Series 8) or with other back-up in a morgue file. Correspondence with scientists and engineers who appeared on the Science Service radio programs may
also be found in the radio program files (see Series 10). Audiotapes of some broadcasts are in Series 20, SIA Accession 04-042, and in the NMAH Archives Center collection
(Call # ACNNMAH0223).
Most folders in RU 7091 retain the original folder's title. This finding aid uses edited descriptions and additional notes to assist researchers in navigating through the
record unit. Most correspondence was filed by the date and the last name of correspondent, but documents were sometimes filed alphabetically according to a topic or by the
name of an individual's affiliation.
The topics covered in RU 7091 include all fields of science and engineering, theoretical physics to bridge construction techniques, wildlife conservation to plastics and
paints. There is considerable attention to social and economic issues and to military research and censorship during World War II. The staff visited museums, observatories,
industrial test facilities, and military installations; they reported on most of the major scientific events of the time, including the Scopes trial. During the 1930s and
1940s, Science Service purchased news and photographs from official U.S.S.R. news offices and also supported efforts to interact with Soviet scientists. There were attempts
to establish branch operations in England and France and to encourage science popularization and education in Mexico.
Correspondents include trustees, news sources, publishers, writers, and business clients. Most inquiries from readers or listeners were answered and filed with regular
editorial correspondence. "Taffy" is the term Science Service used for complimentary correspondence; it is often filed separately. Series 5 also contains manuscripts and letters
from scientists and non-scientists who were convinced they had discovered, proved, or understood a new scientific principle or insight - or else could save humanity from foreseeable
destruction.
Frequent correspondents among the trustees included: C. G. Abbot, Edward U. Condon, Rene J. Dubos, Frank R. Ford, George Ellery Hale, Ross G. Harrison, Harrison E. Howe,
W. H. Howell, Vernon Kellogg, Karl Lark-Horovitz, D. T. MacDougal, Kirtley F. Mather, John C. Merriam, Robert A. Millikan, Raymond Pearl, Marlen E. Pew, Michael I. Pupin, I. I.
Rabi, Charles Edward Scripps, Robert P. Scripps, Paul B. Sears, Thomas L. Sidlo, Harry L. Smithton, Mark Sullivan, Warren S. Thompson, Henry B. Ward, Alexander Wetmore, David
White, William Allen White, and Robert M. Yerkes.
Other notable writers, scientists, and public figures include: William Beebe, Hans A. Bethe, Charles Bittinger, Howard W. Blakeslee, Edwin G. Boring, Bart J. Bok, Gregory
and Marjorie Breit, P. W. Bridgman, Wilfred Swancourt Bronson, Rachel Carson, George Washington Carver, Morris L. Cooke, Clarence Darrow, Frances Densmore, Thomas A. Edison,
Enrico Fermi, Henry Field, George Gamow, Eugene Garfield, Robert H. Goddard, Peter C. Goldmark, Hamilton Holt, J. Edgar Hoover, Julian S. Huxley, Louis M. Lyons, Margaret
Mead, Merrill Moore, Edward R. Murrow, H. H. Nininger, Henry Fairfield Osborn, Gifford Pinchot, James A. Reyniers, J. B. Rhine, Walter Orr Roberts, M. Lincoln Schuster, John
T. Scopes, Glenn T. Seaborg, Gilbert Seldes, Elizabeth Sidney Semmens, Upton Sinclair, Otto Struve, Elihu Thomson, Harold C. Urey, Mark Van Doren, Selman A. Waksman, Henry
A. Wallace, Warren Weaver, H. G. Wells, and Gaylord Wilshire.
RU 7091 contains extensive records of the transactions with temporary correspondents and photographers, notes on the article titles and amounts paid, as well as correspondence
discussing particular scientific events and, during the 1930s and 1940s, the situation in Europe. Among the active European correspondents were Maxim Bing in Switzerland,
Victor Cofman in England, and Theodor G. Ahrens, Hans F. Kutschbach, and Gabrielle Rabel in Germany.
Researchers interested in the history of American publishing, journalism, advertising, and public relations will find extensive correspondence with professionals in those
fields. Newspaper Enterprise Association, or "NEA Service," was a news syndicate established by the Scripps organization in 1909, to which Science Service sold articles and
feature series. They also marketed articles and photographs to publications like Life and Reader's Digest. There is considerable correspondence with the editors
about topic selection and why particular stories were rejected.
Science Service staff used special abbreviations in their interoffice correspondence. Starting in the 1930s, small name and date stamps were also used to record or acknowledge
all correspondence and notes. Abbreviations were written in all capital letters as well as in initial cap form (e.g., Watson Davis was "WD" as well as Wd"). Here is a partial
list of abbreviations that appear frequently in RU 7091:
ACM = A. C. Monahan
An = Anne Shiveley, secretary to Watson Davis
Ba = Howard Bandy, treasurer
Be = Miriam Bender, office staff
DGL = Donald G. Loomis, assistant treasurer
Do = Dorothy Reynolds, secretary to Watson Davis
Ed = Emily C. Davis (sometimes written as "ECD")
En = Leonard Engel
Ew = Ann Ewing
Fa = Bob Farr
FD = Fremont Davis
Fl = Margaret Fleming
Fr = Violet Frye
Gi = Minna Gill, librarian
Hd = Helen Miles Davis
Hj = Hallie Jenkins, sales manager
Ho = Janet Howard
HW = Howard Wheeler, business manager
JWY = J. W. Young
Js = James Stokley
Kl = Fred Kline, list room
Kr = Joseph Kraus, science youth programs
Md = Marjorie MacDill (Breit); in 1928, Jane Stafford became the medical editor and used these initials from 1928-1936
Mg = Mary McGrath, secretary to Watson Davis
Ml = Bernice Maldondo
Mm = Martha G. Morrow
Mn = Minna Hewes
Mo = Morton Mott-Smith
Ot = Frances Ottemiller
Pd = Phillippa Duckworth, secretary to E. E. Slosson
Ps = Page Secrest
Pt = Robert Potter
Ri = William E. Ritter
RLI = Ronald L. Ives, photograph editor
RNF = Robert N. Farr
Ro = Ron Ross
Sl = E. E. Slosson
St = Jane Stafford, after 1936
Th = Frank Thone
Vn = Marjorie Van de Water
Wd = Watson Davis
We = Margaret Weil
Wi = Austin Winant
Interoffice correspondence in the 1920s also used these abbreviations: Bk = bookkeeper; Cr = circulation; Fl = File; Lb = library or library files; Mr = mailroom; Rt =
retail files; Sa = sales department; Tp = typing department; Wb = wastebasket.
Historical Note:
Science Service, a not-for-profit institution founded to increase and improve the public dissemination of scientific and technical information, began its work in 1921.
Although initially intended as a news service, Science Service produced an extensive array of news features, radio programs, motion pictures, phonograph records, and demonstration
kits and it also engaged in various educational, translation, and research activities. It later became Science Service, Inc., an organization that publishes Science News
and promotes science education. On January 10, 2008 Science Service was renamed Society for Science & the Public (SSP).
Record Unit 7091 contains correspondence and other material related to Science Service, from just before its establishment through 1963, including the editorial correspondence
of the first two directors and senior staff.
The inspiration for such an organization developed during conversations between newspaper publisher E.W. Scripps (1854-1926) and zoologist William E. Ritter (1856-1944),
who headed the Scripps-funded oceanographic institute in California. "Document A - The American Society for the Dissemination of Science," dictated by E. W. Scripps on March
5, 1919 (see Box 1, Folder 1), declared that the "first aim of this [proposed] institution should be just the reverse of what is called propaganda." Scripps believed that
it should not support partisan causes, including those of any particular scientific group or discipline, but should instead develop ways to "present facts in readable and
interesting form..." (p. 3). Scripps and Ritter held meetings throughout the United States to solicit ideas and support from scientists. By 1920, they had concluded that the
best way to improve the popularization of science would be to create an independent, non-commercial news service with close ties to, but not operated by, the scientific community.
The scientists would lend credibility to the organization's work, help to ensure accuracy, and project an image of authority.
Scripps supplied an initial donation of $30,000 per year from 1921 until his death in 1926. His will placed $500,000 in trust for Science Service and provided a continuing
endowment until the trust was dissolved in 1956.
Science Service did not provide all its services for free. Scripps believed that the news service would be more valued by its clients - and would better reflect their needs
and professional standards - if it charged a fair price for its products. As a result, the history of the organization is one of continual innovation, as the staff developed
and marketed new syndicated features, wrote articles and books for other publishers on commission, and re-wrote each basic news story for multiple markets.
From the beginning, Science Service was guided by a 15-member board of trustees composed of two groups: prominent scientists nominated by the National Academy of Sciences,
American Association for the Advancement of Science, and Smithsonian Institution, and newspaper editors or executives nominated by the Scripps-Howard organization or the Scripps
family trust. William E. Ritter served as the first president of the board of trustees. Such scientists as J. McKeen Cattell, Edwin G. Conklin, Harlow Shapley, and Leonard
Carmichael (the seventh Secretary of the Smithsonian Institution) succeeded him over the next four decades.
During the summer of 1920, Ritter began negotiations with Edwin E. Slosson (1865-1929), a well-known chemist and popularizer. Slosson had taught at the University of Wyoming
for thirteen years until moving to New York to become the literary editor of The Independent. He began work as the head of Science Service in January 1921.
The first public announcement of the creation of Science Service appeared in Science, April 8, 1921, pp. 321-323. The first meeting of the trustees was held on May
20, 1921; the Science Service trust was set up July 22, 1921; and the not-for-profit organization was incorporated in the state of Delaware on November 1, 1921.
In 1921, Howard Wheeler, former editor of the San Francisco Daily News, was hired as the business manager. Watson Davis (1896-1967), a civil engineer who had been
working at the National Bureau of Standards and writing science features for a Washington, D.C., newspaper, was hired as principal writer. In 1923, Wheeler was fired; Slosson
(whose title had been "Editor") was named Director; and Davis was promoted to managing editor.
Throughout the 1920s, Davis built the news service through the "Daily Science News Bulletin," which later became the syndicated "Daily Mail Report" sold to newspapers around
the country. He developed a local radio program and script service ("Science News of the Week"), coordinated a project to produce phonograph records, and assembled a skilled
staff to handle reporting, circulation, production, sales, advertising, and accounting. Davis also edited the organization's most successful product, Science News Letter
(titled Science News Bulletin, April 2, 1921-March 1922, and Science News-Letter, March 1922-October 1930).
After Slosson's death on October 15, 1929, the trustees favored replacing him with another scientist. Davis lobbied for the position but remained as managing editor until
he was finally appointed director in 1933. He guided the organization until his retirement in 1966.
From 1921-1924, the editorial offices were located in offices rented by the National Academy of Sciences (NAS) in Washington. When the NAS moved to its own building at
2101 Constitution Avenue, N.W., in April 1924, Science Service acquired space there. As World War II began, space became precious at the NAS headquarters. In spring 1941,
Science Service purchased its own building at 1719 N Street, N.W., to house its expanding operations and staff.
Between 1921-1963, Davis and senior writers such as Frank Thone, James Stokley, Jane Stafford, and Marjorie Van de Water interviewed hundreds of scientists and engineers,
and wrote thousands of articles, often maintaining a lively correspondence with their sources. Thone, a botanist with a Ph.D. from the University of Chicago, worked for the
organization from 1924 until his death in 1949, covering both the Scopes trial and the atomic tests at Bikini Atoll; astronomer Stokley joined the group in 1925 and continued
to write the "Star Map" feature even after he went to work for the Franklin Institute and for General Electric. Stafford, one of the founding members of the National Association
of Science Writers, covered medicine and biology for Science Service from 1928 to 1956. Van de Water covered psychology and related topics from 1929 through the 1960s. Other
members of the Davis family also assisted in the operations, including Watson's wife, the chemist Helen Miles Davis (1896-1957), who edited Chemistry from 1944, when
it was acquired by Science Service, until shortly before her death. Watson's brother Fremont Davis served as the organization's photographer.
Science Service also depended on an extensive network of part-time correspondents, or "stringers," in the United States, Europe, and Asia, to provide information and photographs.
Most of these contributors were graduate students, young professors, or schoolteachers. By the mid-1930s, Science Service was dispensing small fees (under $10.00) for over
500 short news items and illustrations annually. The staff was also answering hundreds of letters each year from readers of all age who were curious about science in general
or had specific questions about a subject mentioned in the news. The correspondence with these people afford a rich resource for social and cultural historians.
In addition to sending its writers to participate in expeditions, Science Service established projects to collect scientific data, such as seismological information and
ursigrams, and to compile weekly astronomical and meteorological charts. They also initiated a "Scientific Minute Men" project in which a network of archeologists and other
scientists were authorized to wire Science Service at no charge.
The activities of the staff and organization were wide-ranging and reflect the breadth of science and scientific concerns during the twentieth century. Slosson and Davis
were involved extensively with groups like the American Association for the Advancement of Science, British Association for the Advancement of Science, Sigma Xi, and American
Eugenics Society, and the staff writers covered dozens of scientific meetings every year, sometimes serving as officers of those associations. Davis was a major participant
in the National Inventors Council and served on dozens of advisory committees for scientific laboratories and universities, and national and international government agencies.
With Alexander Gode, Davis worked to promote acceptance of Interlingua, an international scientific language. One of the organization's most lasting contributions was to science
education, through its sponsorship of Science Clubs of America, National Science Fairs, the Science Talent Search, and informal teaching units called "THINGS of Science."
Science Service also sponsored early innovation in microphotography, established a Documentation Division and a Bibliofilm Service, and helped to found the American Documentation
Institute.
For the first four decades of its existence, however, the central mission remained science journalism. As Davis wrote in 1960, Science Service strived from the beginning
to convince both publishers and scientists that "science is news, good news, news that can compete, from a circulation standpoint, with crime, politics, human comedy and pathos,
and the conventional array of news and features" and that science "could be written popularly so as to be accurate in fact and implication and yet be good reading in newspaper
columns" (Watson Davis, "The Rise of Science Understanding," 1960, Box 368, Folder 2). These records will help historians to understand better the processes of negotiation,
adjustment, and innovation which created that news. - Marcel C. LaFollette
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women’s Committee.
Descriptive Entry:
The Doris Holmes Blake papers consist of correspondence, diaries, photographs and related materials documenting in great detail Blake's personal life and, to a lesser
degree, her professional career.
The heavy correspondence she maintained with her mother and daughter, her essays and children's books, and the 70 years' worth of daily journals all attest to her infatuation
with the written word and preoccupation with her inner life. Blake's diaries and family papers stunningly illuminate the contrasts in the daily lives of herself, her mother,
and her daughter.
The papers relating to her professional life are less complete. Although she spent almost 60 years (1919-1978) in association with the entomological staffs of the U. S.
Department of Agriculture and the Smithsonian Institution, published numerous professional papers, produced all of her own illustrations, and illustrated many of her husband's
botanical works as well, this collection contains only a very limited amount of material documenting those activities. The papers do, however, include her extensive correspondence
with fellow entomologists, both in the United States and abroad.
In the course of transferring her husband's papers to the University of Texas, some of Blake's own papers were included as well. They are presently in the collection of
the Humanities Research Center of the University of Texas at Austin and include letters to her parents, 1906-1950; school and college notebooks, papers, essays and drawings;
and clippings, genealogical notes, and miscellaneous family letters and papers.
Historical Note:
Doris Holmes (1892-1978) was born in Stoughton, Massachusetts, to a middle-class grocer and his wife. Essentially an only child (two siblings died in early childhood
and infancy), her natural intelligence, stubbornness, and extremely competitive nature were well fostered by her parents, who steadily encouraged and supported her determination
to excel.
Holmes left Stoughton for Boston University's College of Liberal Arts and Sciences in 1909, where she pursued studies in business and the classics, earning her A.B. in
1913. Her business skills led to her association with the Boston Psychopathic Hospital in 1913, initially as a clerk, and later as aide to Dr. Herman Adler. Her interests
in science and psychology led her to an A.M. from Radcliffe College in zoology and psychology in 1917.
After a short time as a researcher at Bedford Hills Reformatory for Women, Holmes married her childhood sweetheart, botanist Sidney Fay Blake. Early in 1919, Doris Blake
found work as a clerk for the Department of Agriculture's Bureau of Entomology under Frank H. Chittenden, and began the entomological studies that would continue for the rest
of her life.
Blake worked her way up to junior entomologist and, when Chittenden retired, continued her work under Eugene A. Schwarz at the United States National Museum. The birth
in 1928 of daughter Doris Sidney (an infant son had died shortly after birth in 1927) was not a sign for her to slow down -- Blake hired a nurse to watch the baby while she
continued to watch beetles. In 1933 her official employment came to an end with the institution of regulations prohibiting more than one member of a family from holding a
government position (Sidney Blake was then working for the Department of Agriculture).
Although no longer on the payroll, Blake continued her taxonomic work on the family Chrysomelides for almost 45 more years, first as a collaborator and then as a research
associate of the Smithsonian Institution. Shortly after her husband's death, Blake traveled to Europe in 1960 on a National Science Foundation grant to revise the genus Neobrotica
Jacoby. She ultimately published 97 papers in various journals (see "Doris Holmes Blake," Froeschner, Froeschner and Cartwright, Proc. Entomol. Soc. Wash., 83(3), 1981, for
a complete bibliography) and continued her active research until shortly before her death on December 3, 1978.
These records are the official minutes of the Board. They are compiled at the direction of the Secretary of the Smithsonian, who is also secretary to the Board, after
approval by the Regents' Executive Committee and by the Regents themselves. The minutes are edited, not a verbatim account of proceedings. For reasons unknown, there are no
manuscript minutes for the period from 1857 through 1890; and researchers must rely on printed minutes published in the Annual Report of the Smithsonian Institution instead.
Minutes are transferred regularly from the Secretary's Office to the Archives. Minutes less than 15 years old are closed to researchers. Indexes exist for the period from
1907 to 1946 and can be useful.
Historical Note:
The Smithsonian Institution was created by authority of an Act of Congress approved August 10, 1846. The Act entrusted direction of the Smithsonian to a body called
the Establishment, composed of the President; the Vice President; the Chief Justice of the United States; the secretaries of State, War, Navy, Interior, and Agriculture; the
Attorney General; and the Postmaster General. In fact, however, the Establishment last met in 1877, and control of the Smithsonian has always been exercised by its Board of
Regents. The membership of the Regents consists of the Vice President and the Chief Justice of the United States; three members each of the Senate and House of Representatives;
two citizens of the District of Columbia; and seven citizens of the several states, no two from the same state. (Prior to 1970 the category of Citizen Regents not residents
of Washington consisted of four members). By custom the Chief Justice is Chancellor. The office was at first held by the Vice President. However, when Millard Fillmore succeeded
to the presidency on the death of Zachary Taylor in 1851, Chief Justice Roger Brooke Taney was chosen in his stead. The office has always been filled by the Chief Justice
since that time.
The Regents of the Smithsonian have included distinguished Americans from many walks of life. Ex officio members (Vice President) have been: Spiro T. Agnew, Chester A.
Arthur, Allen W. Barkley, John C. Breckenridge, George Bush, Schuyler Colfax, Calvin Coolidge, Charles Curtis, George M. Dallas, Charles G. Dawes, Charles W. Fairbanks, Millard
Fillmore, Gerald R. Ford, John N. Garner, Hannibal Hamlin, Thomas A. Hendricks, Garret A. Hobart, Hubert H. Humphrey, Andrew Johnson, Lyndon B. Johnson, William R. King, Thomas
R. Marshall, Walter F. Mondale, Levi P. Morton, Richard M. Nixon, Nelson A. Rockefeller, Theodore Roosevelt, James S. Sherman, Adlai E. Stevenson, Harry S. Truman, Henry A.
Wallace, William A. Wheeler, Henry Wilson.
Ex officio members (Chief Justice) have been: Roger B. Taney, Salmon P. Chase, Nathan Clifford, Morrison R. Waite, Samuel F. Miller, Melville W. Fuller, Edward D. White,
William Howard Taft, Charles Evans Hughes, Harlan F. Stone, Fred M. Vinson, Earl Warren, Warren E. Burger.
Regents on the part of the Senate have been: Clinton P. Anderson, Newton Booth, Sidney Breese, Lewis Cass, Robert Milledge Charlton, Bennet Champ Clark, Francis M. Cockrell,
Shelby Moore Cullom, Garrett Davis, Jefferson Davis, George Franklin Edmunds, George Evans, Edwin J. Garn, Walter F. George, Barry Goldwater, George Gray, Hannibal Hamlin,
Nathaniel Peter Hill, George Frisbie Hoar, Henry French Hollis, Henry M. Jackson, William Lindsay, Henry Cabot Lodge, Medill McCormick, James Murray Mason, Samuel Bell Maxey,
Robert B. Morgan, Frank E. Moss, Claiborne Pell, George Wharton Pepper, David A. Reed, Leverett Saltonstall, Hugh Scott, Alexander H. Smith, Robert A. Taft, Lyman Trumbull,
Wallace H. White, Jr., Robert Enoch Withers.
Regents on the part of the House of Representatives have included: Edward P. Boland, Frank T. Bow, William Campbell Breckenridge, Overton Brooks, Benjamin Butterworth,
Clarence Cannon, Lucius Cartrell, Hiester Clymer, William Colcock, William P. Cole, Jr., Maurice Connolly, Silvio O. Conte, Edward E. Cox, Edward H. Crump, John Dalzell, Nathaniel
Deering, Hugh A. Dinsmore, William English, John Farnsworth, Scott Ferris, Graham Fitch, James Garfield, Charles L. Gifford, T. Alan Goldsborough, Frank L. Greene, Gerry Hazleton,
Benjamin Hill, Henry Hilliard, Ebenezer Hoar, William Hough, William M. Howard, Albert Johnson, Leroy Johnson, Joseph Johnston, Michael Kirwan, James T. Lloyd, Robert Luce,
Robert McClelland, Samuel K. McConnell, Jr., George H. Mahon, George McCrary, Edward McPherson, James R. Mann, George Perkins Marsh, Norman Y. Mineta, A. J. Monteague, R.
Walton Moore, Walter H. Newton, Robert Dale Owen, James Patterson, William Phelps, Luke Poland, John Van Schaick Lansing Pruyn, B. Carroll Reece, Ernest W. Roberts, Otho Robards
Singleton, Frank Thompson, Jr., John M. Vorys, Hiram Warner, Joseph Wheeler.
Citizen Regents have been: David C. Acheson, Louis Agassiz, James B. Angell, Anne L. Armstrong, William Backhouse Astor, J. Paul Austin, Alexander Dallas Bache, George
Edmund Badger, George Bancroft, Alexander Graham Bell, James Gabriel Berrett, John McPherson Berrien, Robert W. Bingham, Sayles Jenks Bowen, William G. Bowen, Robert S. Brookings,
John Nicholas Brown, William A. M. Burden, Vannevar Bush, Charles F. Choate, Jr., Rufus Choate, Arthur H. Compton, Henry David Cooke, Henry Coppee, Samuel Sullivan Cox, Edward
H. Crump, James Dwight Dana, Harvey N. Davis, William Lewis Dayton, Everette Lee Degolyer, Richard Delafield, Frederic A. Delano, Charles Devens, Matthew Gault Emery, Cornelius
Conway Felton, Robert V. Fleming, Murray Gell-Mann, Robert F. Goheen, Asa Gray, George Gray, Crawford Hallock Greenwalt, Nancy Hanks, Caryl Parker Haskins, Gideon Hawley,
John B. Henderson, John B. Henderson, Jr., A. Leon Higginbotham, Jr., Gardner Greene Hubbard, Charles Evans Hughes, Carlisle H. Humelsine, Jerome C. Hunsaker, William Preston
Johnston, Irwin B. Laughlin, Walter Lenox, Augustus P. Loring, John Maclean, William Beans Magruder, John Walker Maury, Montgomery Cunningham Meigs, John C. Merriam, R. Walton
Moore, Roland S. Morris, Dwight W. Morrow, Richard Olney, Peter Parker, Noah Porter, William Campbell Preston, Owen Josephus Roberts, Richard Rush, William Winston Seaton,
Alexander Roby Shepherd, William Tecumseh Sherman, Otho Robards Singleton, Joseph Gilbert Totten, John Thomas Towers, Frederic C. Walcott, Richard Wallach, Thomas J. Watson,
Jr., James E. Webb, James Clarke Welling, Andrew Dickson White, Henry White, Theodore Dwight Woolsey.
1 Cubic foot (consisting of 2 boxes, 1 folder, 2 oversize folders, 2 map case folders, plus digital images of some collection material. )
Type:
Collection descriptions
Archival materials
Ephemera
Business ephemera
Date:
undated
1880-1903
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Chairs forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
This material consists primarily of scattered correspondence on letterhead stationery, bills/receipts, postcards, illustrated catalogs, price lists, printed advertisements, images, patents and trademarks, freight line papers, circulars and testimonials from manufacturers and dealers of chairs.
There is also some materials from cabinet makers and upholsterers. The chairs are manufactured for a variety of buildings including homes, churches, schools, halls, opera, auditorium, bank, office, library, cottage, lawn, hotels and porches. The companies also tended to manufacture a number of other products including bureaus, sofa, book cases, bank and office furniture, cradles, cribs, carriage chairs, folding beds, surgical tables, church pews, lumber dry kilns, piano stools, bedroom suites, side-boards, armoire, hamper chairs, hamper stools walkers and wash stands. The different types of chairs include lounges, reception, folding, rockers, ottomans, invalid, physicians, wheelchairs, settees, camp chairs, pushover car seats, dining chairs, sewing chairs, Grecian, puritan, and coach.
Chairs are made of cane, wood, metal, rattan and steel. There are some business cards from companies that repaired items: re-caned chairs, umbrellas mended, keys fitted and clocks cleaned.
The material is organized alphabetically by name of company.
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.
Series 1: Business Ephemera
Series 2: Other Collection Divisions
Series 3: Isadore Warshaw Personal Papers
Series 4: Photographic Reference Material
Provenance:
Chairs is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Ephemera
Business ephemera
Citation:
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Made for the Smithsonian Institution by Mark Mullen, contractor, NMAH Division of Work and Industry, supervised by Roger White, curator, NMAH Division of Work and Industry. Transferred to the Archives Center, June 2015,
Restrictions:
Collection is open for research. Researchers must use reference copies available in the Smithsonian Institution Digital Asset Management System (DAMS). Archives Center reference staff will assist.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees apply when requesting reproductions.
Caption: "Ivory Soap's Soothing Qualities Help To Shorten...". Nurse pushing male patient in wheelchair outside.
Published Dec. 1939. Glue stains.
Local Numbers:
244880
Ivorydata4 737
0207910741 (Scan No.)
Restrictions:
Unrestricted research use on site by appointment. Reproduction restrictions due to copyright.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., [11" x 20"].)
Container:
Box 14, Folder 30
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Banquet camera photographs
Panoramas
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- 1930-1950 -- Photographs
Date:
circa 1930-1940
Scope and Contents:
Scan Number: AC0618.004.0001330.tif
The large piece of set consists of four columns with three arches joining them with a pediment at the top of the central arch. The first column is marked "1877", the last, "1935". At the base of each column is a plinth labelled from left to right, "Law", "Religion", "Grief" and "Justice". On each plinth stands an actor dressed in personification of each word. Winged angels stand on the top of each column and on the central pediment. Inside the three archways are a series of posed scenes. From left to right they depict: an artist and model, musicians, people looking at a globe, a person in a wheelchair and a nurse, two people filling a jar, a person typing and a person reading, a man in military uniform and a woman standing over a pram. No ink on negative. "DEFENDER SAFETY BASE" edge imprint.
Subseries Restrictions:
Collection is open for research.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Theater -- 1930-1940 -- Washington (D.C.) Search this
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Banquet camera photographs -- 1930-1940
Panoramas
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
1 Item (Silver gelatin on cellulose acetate film sheet, 4" x 5".)
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
undated
Scope and Contents:
Woman in dressing gown seated in a wheelchair. No ink on negative. "AGFA 4" edge imprint.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation. Search this
Container:
Box 1, Video 859.4
Type:
Archival materials
Moving Images
Date:
2004 February 27
Scope and Contents:
Total Running Time: 27:30
Phillips discusses the differences between amputees and wheelchair bound individuals; his feelings about his disability; life before his waterskiing accident; the future of prosthetic technology; powered prosthetic feet; the C-leg; osseo-integration; and gives advice to new amputees.
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions
Collection Citation:
Van Phillips Oral History and Papers, Archives Center, National Museum of American History.
The collection is divided into four series. Series 1: Oral History Transcripts, 1982-1991 are transcribed versions of the oral interviews. Correspondence and/or notes pertaining to the interviewed individual collected or written by the interviewer are filed in this series following the transcription. The majority of the oral histories were done by Lu Ann Jones between1985-1991. There are a few interviews done by Pete Daniel in the early 1980s and some reference copies of oral histories done elsewhere.
This series is divided into eight sub-series: Sub-series 1.1: Arkansas, Sub-series 1.2: Georgia, Sub-series 1.3: Louisiana, Sub-series 1.4: Mississippi, Sub-series 1.5: North Carolina (including transcripts of the Mexican Workers Project in English and Spanish), Sub-series 1.6: South Carolina, Sub-series 1.7: Tennessee, and Sub-series 1.8: Virginia. Files are arranged alphabetically by state and there under by name; within the file materials are arranged chronologically. Interview files may contain transcribed copies of the oral history interviews and subsequent draft copies with corrections by the interviewer or subject. The file also may contain distillations or edited versions of the interview done by the researcher for possible publication. Correspondence and notes files may include Life History Forms, correspondence, newspaper articles, interviewer's notes, business cards, and paper copies of photographs. Signed releases are on file in the registrar's office, NMAH, with copies in the control file of the Archives Center.
Series 2: Project Files and Reference Materials, 1928-2004 contain notes and correspondence kept by Jones in support of the oral history project. This series is divided into four sub-series: Sub-series 2.1: State Files, Sub-series 2.2: Project and Reference Files, 1985-1991, Sub-series 2.3: Reference Publications, Pamphlets and Articles, 1928-2004 and Sub-series 2d: Computer Floppy Disks, 1985 and undated. This series include bills, receipts, photo orders, travel brochures, reference materials, articles, correspondence, fundraising proposals and materials, USDA Extension Service bulletins, product cookbooks, and ephemera. These materials are valuable in documenting the methodology of the oral history project. They are also valuable in detailing the funding and maintenance of the project over its five-year lifespan. There is also a great deal of information on black farmers. This series is arranged alphabetically by state and county or by article/publication title and within the file chronologically.
Series 3: Photographic Prints and Slides, 1987-1991 documenting the individuals interviewed, their homes and businesses, and geographic locations that were studied as part of the oral history project. The series is arranged numerically then chronologically by year. This series is followed by detailed photographic descriptions arranged alphabetically by state then subject. Photograph files contain photographs taken by a Smithsonian photographer or Jones and any copies of photographs supplied by the subject. Most of the photographs are black and white.
Series 4: Original Interview Tapes and Reference Compact Discs (CD), 1986-1991 are the original tapes of the individual interviews conducted by Jones. This series is divided into eight sub-series. Reference numbers for CDs matching the original tapes are noted after the tapes. CDs 495-497 are for the Smithsonian Photographer's Show: Sub-series 4.1: Arkansas, Sub-series 4.2: Georgia, Sub-series 4.3: Louisiana, Sub-series 4.4: Mississippi, Sub-series 4.5: North Carolina (within this sub-series are the transcripts of the Mexican Workers Project there may be an English language transcription as well as one in Spanish), Sub-series 4.6: South Carolina, Sub-series 4.7: Tennessee and Sub-series 4.8: Virginia and Sub-series 4.9: Miscellaneous and Duplicates, within the sub-series tapes are arranged alphabetically by subject.
Arrangement:
The collection is divided into four series:
Series 1, Oral History Transcript
Series 2, Project Files
Series 3, Photographic Prints and Slides
Series 4, Original Oral History Interview Tapes and Reference Compact Discs (CDs) are the original interview tapes and the accompanying reference copy cds.
History:
The history of the American South is intricately entwined with the history of agriculture in North America. Until very recently, post 1950, the South was predominately rural and agricultural in both its production and culture. By the 1980s American agriculture, and particularly agriculture in the south, was under attack on various fronts especially cultural, financial, and technological. This assault threatened the very existence of the small and family farm. Many small farming operations went bankrupt and the face of American agriculture was becoming more corporate. It was amidst these troubling times that the Agricultural Division of the Smithsonian's National Museum of American History undertook a massive project to document southern agriculture through oral history.
Through the efforts of NMAH staff, Pete Daniel, curator and project director, LuAnn Jones, researcher, and with countless support from staff photographers and personnel, Jones conducted approximately 159 interviews of individual persons, couples and sometimes small groups, in eight southern states over a five year period, 1986-1991. The project was funded by a series of grants from various sources. Not only were oral histories taken but also substantial documentary photographs and slides of the many interviewees. The interviews ranged from individual farmers to individuals at companies and corporations involved with agriculture. The range of crops discussed included tobacco, cotton and rice. The project interviewed a wide range of subjects: male, female, black, white, and Mexican. The project has contributed to at least two books, Mama Learned Us to Work: Farm Women in the New South by LuAnn Jones and Like a Family: The Making of a Southern Cotton Mill World by Jacquelyn Dowd Hall and others of which Jones was a contributing author.
Related Collections:
#60 Warshaw Collection
#149 Kulp Collection of Account Books, 1755-1904
#475 Robinson and Via Family Papers
#481 William C. Kost Farm Records
#767 Timothy B. Bladen, Southern Maryland Photoprints
Provenance:
A transfer from the Division of History of Technology (Agriculture), NMAH, July 2001
Restrictions:
Collection is open for research. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
The collection contains approximately 2,500 costume designs in colored pencil and pastels, on tissue paper mounted on mat boards. The designs were created for entertainers such as Liberace, Diana Ross and the Supremes, Dionne Warwick, the Fifth Dimension, Nancy Sinatra, and others. Some were created for the television show Rowan and Martin's Laugh-In.
Scope and Contents:
This collection consists of the sketches and finished renderings of costumes created over approximately thirty years by Michael Travis. Many are signed by the artist; most are not, which may indicate that Travis collected renderings done by other designers to save them from destruction. They are done in a variety of media and many pencil "roughs" are present as well as the finished art presented to clients. The earlier works are relatively small in size and are believed to have been created in the late 1950s and 1960s for New York costume houses and theatrical productions. The larger format works are primarily designs for the musical performers and television productions that comprised Travis's clients in Los Angeles in the 1970s and 1980s.
During his career his style of illustration evolved and he may also have used several different styles to suit the subject. It is likely that he used assistants for some of the drawings, especially for large productions. In any case, the liveliness of the drawings, the brilliance of their color, the sheer panache they posess is the essence of the drama and excitement that is the lifeblood of the entertainment industry. Many of the illustrations have one (or many) fabric swatches attached to them; a group of large fabric samples is included as well.
Other materials include ephemera, a few publications, and photographs. There is also a small group of artworks by other artists, particularly Waldo Angelo, a long-time friend and colleague.
Arrangement:
The collection is arranged into five series.
Series 1: Costume Designs for Individual Performers and Performing Groups, 1961-1986, undated
Series 2: Costume Designs for Theatrical and Television Productions, 1958-1978, undated
Series 3: Ephemera, Publications, and Photographs, 1977-1985, undated
Series 4: Fabric Samples, undated
Series 5: Artworks by Others, 1947-1968, undated
Biographical / Historical:
Costume designer Michael Travis was born Louis Torakis to a Detroit Greek-American family in 1928. While serving in the postwar United States Army he was stationed in Paris. Upon his discharge in1949 he remained in the city to study at the Ecole des Beaux-Arts and the Sorbonne on the GI Bill. Also studying haute couture, he met the designers Jacques Fath and Pierre Balmain and occasionally provided sketches for their collections.
Travis left Paris to seek work in New York and was hired at Eaves Costume Company. The company had been founded in 1863 and was the premier costumer for Broadway productions. He was hired as a secretary (his army employment) but became an assistant to the designers. With the owner's encouragement, he passed the exam for the costumers union and became a member of the Designers Guild. This made him eligible to design for Broadway shows and union films.
Travis became an assistant at Brooks Costume Company where he worked with famous Broadway and Hollywood designers such as Raul Pene du Bois and Irene Sharaff. This would lead to his designing the costumes for Ionesco's play Rhinosceros, starring Zero Mostel. The director of the play then hired Travis for a series of Public Television theater productions. Following these, he became the designer for two television programs featuring operatic and theatrical stars, The Voice of Firestone and The Bell Telephone Hour.
Beginning in 1958, Travis worked on the Motion Picture Acadmey of Arts and Sciences (MPAAS) Academy Awards, the Oscars, for eight years as assistant to well-known costume designer Edith Head. She persuaded him to move from New York to Los Angeles in the mid 1960s and he was hired to design for The Steve Lawrence Show, produced by George Schlatter. Travis and Schlatter became close friends and when Schlatter produced the ground-breaking comedy-variety show Laugh-In, Travis was hired as costume designer. The show ran for six seasons, 1968-1973, and required as many as 300 costumes per episode for a large cast, numerous guest stars, and the corps of dancers. He was nominated for an Academy of Television Arts and Sciences (ATAS) award, the Emmy, and more importantly, met and worked with a great many of the musical, film, and theatrical stars of the time. When the show ended in 1973 he was himself a star in his field.
Travis was now able to concentrate on his clientele of musical performers and groups. These included The Supremes, The Temptations, The 5th Dimension, Tony Orlando and Dawn, and solo artists Dionne Warwick, Connie Stevens, Nancy Sinatra, John Denver, Wayne Newton and many others. He also acquired his most extravagant client, Liberace, when the flamboyant pianist's designer retired in 1973.
Frank Ortiz had designed an elaborately beaded and decorated jacket for Liberace as early as 1959 and, with other designers, continued to design elaborate costumes for him throughout the 1960s and early 1970s. Following this tradition, Travis was encouraged by Liberace to create the most fabulous, beautiful, and exquisitely crafted suits, vests, boots, and capes possible. The costumes were made using the finest fabrics, embroideries, crystals, sequins, feathers and furs—even lights! Anna Nateece, Liberace's longtime furrier, continued to supply his furs. One of these ensembles was valued at $300,000 dollars and they could weigh over 100 pounds. They were objects of awe for his audiences and made a spectacular appearance with the pianos and automobiles in his stage show. One of Liberace's favorite sayings was "Too much of a good thing is wonderful!" Travis was able to demonstrate how right he was and continued as his designer and friend until the pianist died in 1987.
When Travis was in his forties he had been diagnosed with multiple sclerosis. The disease gradually disabled him to the point that walking was extremely difficult and eventually he became wheelchair-bound. After Liberace's death, he retired from his work but continued an active social life and traveled with his care-givers both within the United States and to European countries. In 2010 he received The Career Achievement in Television Award at the 12th Annual Costume Designers Guild Awards in Beverly Hills. His friends, George Schlatter and Nancy Sinatra, were with him at the ceremony. He died on May 1, 2014 at the age of 86.
Source
Liberace Extravaganza! by Connie Furr Soloman and Jan Jewett, HarperCollins 2013
Provenance:
Donated to the Archives Center in 2015 by George Lavdas.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Mike Augspurger was born in 1956 in Fort Wayne, Indiana. Working with steel land titanium, he invented an all terrain rear wheel drive handcycle. Collection contains approximately eight hours of video footage documenting Augspurger discussing his life and work and a promotional video titled One-Off Handcycle.
Scope and Contents:
This collection contains seven (7) hours of original (BetaCam SP) recordings and eight (8) hours of reference (viewing) copies documenting the life and work of Mike Augspurger, inventor of the One-Off All Terrain Handcycle. The recordings include a presentation by Augspurger for the Lemelson Center's Innovative Lives Program. Audience participants are students from Jefferson Junior High School (Washington, D.C.), Nysmith School (Herndon, Virginia), Nicholas Orem Middle School (Hyattsville, Maryland), and Rosa Parks Middle School (Olney, Maryland). The collection also contains interviews with Leni Fried, Augspurger's wife, and Provi Morillo, an owner of a One-Off Handcycle.
Arrangement:
The collection is organized into three series.
Series 1, Original Videos, 2000
Series 2, Reference Videos (viewing copies), 1998; 2000
Series 3, Supplemental Documentation, 2001
Biographical / Historical:
Mike Augspurger (1956-) was born and raised in Fort Wayne, Indiana, where he built, modified, and raced bicycles, motorcycles, and go-karts from a young age. He attended motorcycle mechanic school at the Indiana Institute of Technology and received his B.A. from Hampshire College in 1981. Augspurger founded Merlin Metalworks in 1987 with business partners and began using titanium to manufacture bicycle frames because of its flexibility, corrosion resistance, and lightweight nature. It was his friendship with neighbor Bob Hall, a wheelchair racing athlete, which prompted him to create an all terrain arm-powered cycle. He founded One-Off Titanium, Inc., to design, manufacture, and custom-build handcycles in 1989.
The Jermone and Dorothy Lemelson Center for the Study of Invention and Innovation was founded in 1995 at the Smithsonian Institution's National Museum of American History through a generous gift from the Lemelson Foundation. The Center's mission is: to document, interpret, and disseminate information about invention and innovation; to encourage inventive creativity in young people; and to foster an appreciation for the central role invention and innovation play in the history of the United States. The Innovative Lives series brings together museum visitors and, especially, school-aged children and American inventors to discuss inventions and the creative process and to experiment and play with hands-on activities related to each inventor's product. This collection was recorded by the Innovative Lives Program of the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.
Provenance:
This collection was recorded by the Innovative Lives Program of the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation on May 5, 2000. The Innovative Lives series brings Museum visitors and American inventors together to discuss inventions and the creative process and to experiment and play with hands-on activities related to each inventor's product.
Restrictions:
The collection is open for research use. Series 1, Original Videos, 2000, is stored off-site and may not be used by researchers. Gloves must be worn when handling unprotected photographs and negatives.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. The Archives Center does not own rights to the promotional video One-Off Handcycle. Reproduction permission and fees from the Archives Center may apply. Copies of releases on file.
