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Creative Writing by Others

Collection Creator:
Dean, Peter, 1934-1993  Search this
Container:
Box 2, Folder 17
Type:
Archival materials
Date:
circa 1966-1987
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Peter Dean papers, circa 1941-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Peter Dean papers
Peter Dean papers / Series 4: Writing
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw910b2f683-15f4-406d-94bb-001edd747d93
EDAN-URL:
ead_component:sova-aaa-deanpete-ref75

Writing

Collection Creator:
Dean, Peter, 1934-1993  Search this
Extent:
0.25 Linear feet (Box 2)
Type:
Archival materials
Date:
circa 1966-1993
Scope and Contents:
The Writing series is comprised of writings by Peter Dean and writings by others about Dean's career and artwork. Writings by Dean include detailed descriptions of titled paintings, exhibition checklists, lists of publications and catalogs Dean was featured in and lists of art collectors. Writings by others are comprised of essay manuscripts and a thesis on Dean's artwork. Also found are creative writing projects from friends and other artists including a poetry manuscript by writer Steve Katz.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Peter Dean papers, circa 1941-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.deanpete, Series 4
See more items in:
Peter Dean papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a2ebdc5b-aaa7-4fbc-a1c4-fd1f7ea6a228
EDAN-URL:
ead_component:sova-aaa-deanpete-ref9

Clarice Smith Distinguished Lectures with Meryle Secrest

Creator:
Smithsonian American Art Museum  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2011-11-03T22:24:40.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_WAllVAmVd4A

Future Conversations

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2021-10-25T16:16:51.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_QOmBUnUJu6w

Native Knowledge 360˚ Teacher Workshop Series ǀ Indigenous Women: Artists and Activists (Session 4)

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2022-08-30T20:55:00.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_STgGMhSGH88

Session 3—Living Cultures: Genízaro Traditions Today—Panel

Creator:
National Museum of the American Indian  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2021-10-25T16:17:50.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_WoygcZ97Gmc

Session 4—Indo-Hispanos: Contemporary Indigenous and Hispanic Intersections

Creator:
National Museum of the American Indian  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2021-10-25T16:17:29.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_p6swvl1xPMA

Making Middle Eastern Cuisine

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2019-06-08T20:40:47.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_rWrGnW2gdeo

Norma Elia Cantú on Preserving Culture in Creative Writing

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2019-10-21T20:56:15.000Z
YouTube Category:
People & Blogs  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt_QVmmXfPic5Q

Joyce Carol Oates

Artist:
Dan Winters, born 21 Oct 1962  Search this
Sitter:
Joyce Carol Oates, born 16 Jun 1938  Search this
Medium:
Inkjet print
Dimensions:
Image: 45 x 34.9 cm (17 11/16 x 13 3/4")
Sheet: 50.9 x 40.7 cm (20 1/16 x 16")
Mat: 71.1 x 55.9 cm (28 x 22")
Type:
Photograph
Date:
2007 (printed 2010)
Topic:
Costume\Jewelry\Earring  Search this
Home Furnishings\Furniture\Seating\Chair  Search this
Printed Material\Book  Search this
Costume\Jewelry\Ring  Search this
Artwork  Search this
Costume\Jewelry\Watch  Search this
Home Furnishings\Furniture\Bookcase  Search this
Home Furnishings\Furniture\Desk  Search this
Home Furnishings\Lighting Devices\Lamp  Search this
Architecture\Door  Search this
Interior\Domestic\Study  Search this
Joyce Carol Oates: Female  Search this
Joyce Carol Oates: Education and Scholarship\Educator\Professor  Search this
Joyce Carol Oates: Literature\Writer\Poet  Search this
Joyce Carol Oates: Literature\Writer\Novelist  Search this
Joyce Carol Oates: Literature\Writer\Playwright  Search this
Joyce Carol Oates: Literature\Writer\Essayist  Search this
Joyce Carol Oates: Literature\Literary critic  Search this
Joyce Carol Oates: National Humanities Medal  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Bill and Sally Wittliff
Object number:
NPG.2010.42
Restrictions & Rights:
Usage conditions apply
Copyright:
© Dan Winters Photography
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm417412245-7a60-42f9-9975-52972161f65a
EDAN-URL:
edanmdm:npg_NPG.2010.42
Online Media:

Flannery O'Connor

Artist:
Joseph Reshower, 6 Jul 1921 - 1 Jan 2006  Search this
Sitter:
Flannery O'Connor, 25 Mar 1925 - 3 Aug 1964  Search this
Medium:
Gelatin silver print
Dimensions:
Image/Sheet: 17.8 x 18.5 cm (7 x 7 5/16")
Mount: 30.2 x 26.6 cm (11 7/8 x 10 1/2")
Type:
Photograph
Date:
1961
Topic:
Costume\Dress Accessory\Eyeglasses  Search this
Flannery O'Connor: Female  Search this
Flannery O'Connor: Literature\Writer  Search this
Flannery O'Connor: National Book Award  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; acquired through a partial gift by John Daniel Reaves
Object number:
NPG.2012.41
Restrictions & Rights:
Usage conditions apply
Copyright:
© Estate of Joseph Reshower De Casseres/PCAphoto.com.
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4b778f603-cd70-473d-85b9-aecf4ac593b6
EDAN-URL:
edanmdm:npg_NPG.2012.41
Online Media:

Scrapbook: Return Surplus Lands to Indian People

Collection Creator:
Thorpe, Grace F.  Search this
Extent:
38 Photographic prints
Container:
Box 12
Box 2, Folder 1
Type:
Archival materials
Photographic prints
Date:
1971
Scope and Contents:
This scrapbook includes articles, newspaper clippings, letters and photographs from various events and marches Grace participated in regarding the fight for returning surplus lands to Native peoples. These events and materials include--Fishing Rights March (1970) in Yelm, Washington with the McCloud family; Fort Lawton "Surplus" March (1970) in Seattle, Washington; Pit River versus P.G..E. (1970) in Big Bend, California; DQU, Deganawidah Quetzalcoatl University founding (1971) in Davis, California; and documentation as National Commitee Director for the "Return Surplus Lands to Indian People".
Separated Materials:
The cover and back of the scrapbook binder are in Box 12 since they are oversized.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Collection Citation:
Identification of specific item; Date (if known); Grace F. Thorpe Collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
Grace F. Thorpe Collection
Grace F. Thorpe Collection / Series 4: Working on Behalf of Native Americans and Activism
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv488f38056-777d-4178-98b4-90af44699a74
EDAN-URL:
ead_component:sova-nmai-ac-085-ref108
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Biographical Data and Chronologies

Collection Creator:
Pollock, Jackson, 1912-1956  Search this
Krasner, Lee, 1908-1984  Search this
Container:
Box 7, Folder 14
Type:
Archival materials
Date:
1964-1983, undated
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jackson Pollock and Lee Krasner papers, circa 1914-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Jackson Pollock and Lee Krasner papers
Jackson Pollock and Lee Krasner papers / Series 2: Lee Krasner Papers / 2.1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94b0d8ec7-f1fe-4d08-b41c-2ba3d8d636e1
EDAN-URL:
ead_component:sova-aaa-polljack-ref235
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  • View Biographical Data and Chronologies digital asset number 2
  • View Biographical Data and Chronologies digital asset number 3

How Spoken Word Helps Maitha Al Suwaidi Grow, Heal, and Flourish

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Wed, 30 Nov 2022 01:11:26 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_e9b1a29241471fa89543731f2d046c9a

Oral history interview with Rosanne Somerson, 2006 August 7 and 2007 June 22

Interviewee:
Somerson, Rosanne, 1954-  Search this
Interviewer:
Michie, Thomas S.  Search this
Subject:
Abramson, Ron  Search this
Callahan, Harry M.  Search this
Capanigro, Paul  Search this
Cooke, Ned  Search this
Dunnigan, John  Search this
Fairbanks, Jonathan L.  Search this
Follen, Eck  Search this
Frid, Tage  Search this
Jackson, Dan  Search this
Joseph, Peter T. (Peter Thomas)  Search this
Kagan, Richard  Search this
Keck, Hardu  Search this
Kranov, James  Search this
Maruyama, Wendy  Search this
Mattia, Alphonse  Search this
Melanson, Gracie  Search this
Osgood, Jere  Search this
Sfirri, Mark  Search this
Siskind, Aaron  Search this
Swanson, Charlie  Search this
Szasz, Merlin  Search this
White, Leroy  Search this
Wolf, Hans  Search this
Haystack Mountain School of Crafts  Search this
Peters Valley (Craft center)  Search this
Rhode Island School of Design  Search this
Richard Kagan Gallery  Search this
Snyderman Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Rosanne Somerson, 2006 August 7 and 2007 June 22. Archives of American Art, Smithsonian Institution.
Topic:
Fine woodworking  Search this
Decorative arts  Search this
Educators -- Rhode Island -- Interviews  Search this
Photography  Search this
Women artists  Search this
Women designers  Search this
Women educators  Search this
Furniture design  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13618
(DSI-AAA_SIRISBib)271125
AAA_collcode_somers06
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_271125
Online Media:

Oral history interview with Rosanne Somerson

Topic:
Fine woodworking
Interviewee:
Somerson, Rosanne, 1954-  Search this
Interviewer:
Michie, Thomas S.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Haystack Mountain School of Crafts  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Peters Valley (Craft center)  Search this
Rhode Island School of Design -- Faculty  Search this
Rhode Island School of Design -- Students  Search this
Richard Kagan Gallery  Search this
Snyderman Gallery  Search this
Abramson, Ron  Search this
Callahan, Harry M.  Search this
Capanigro, Paul  Search this
Cooke, Ned  Search this
Dunnigan, John, 1950-  Search this
Fairbanks, Jonathan L.  Search this
Follen, Eck  Search this
Frid, Tage  Search this
Jackson, Dan  Search this
Joseph, Peter T. (Peter Thomas), 1950-1998  Search this
Kagan, Richard  Search this
Keck, Hardu  Search this
Kranov, James  Search this
Maruyama, Wendy, 1952-  Search this
Mattia, Alphonse  Search this
Melanson, Gracie  Search this
Osgood, Jere, 1936-  Search this
Sfirri, Mark  Search this
Siskind, Aaron  Search this
Swanson, Charlie  Search this
Szasz, Merlin  Search this
White, Leroy  Search this
Wolf, Hans  Search this
Extent:
61 Pages (Transcripts)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2006 August 7 and 2007 June 22
Scope and Contents:
An interview of Rosanne Somerson conducted 2006 August 7-2007 June 22, by Thomas Michie, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the Rhode Island School of Design, in Providence, Rhode Island. In part one of this interview, Somerson speaks of growing up outside of Philadelphia, Pennsylvania; attending RISD beginning in 1971; being asked to teach there nine years later; creating a new department of furniture design; tailoring that furniture design program to encompass the development from design to manufacture; introducing materials other than wood into the program; garnering international attention through worldwide exhibits; her first show at the Richard Kagan Gallery in Philadelphia; participating in a group show in New York City for female woodworkers; making connections through the Snyderman Gallery and Pritam and Eames Gallery; working directly with clients on commissioned pieces; the financial stability of teaching; designing a piece for the headquarters of Khon, Peterson Fox, and Conway in New York; the sculptural elements present in many of her works; moving from a small studio in Boston, Massachusetts, to a larger studio in Westport, Connecticut, and finally to a shared studio in Fall River, Massachusetts; the supportive and proud reaction of her children to her work; creating a production company with colleagues and designing furniture for the RISD dormitories; attempting to make these designs both flexible and environmentally-friendly; putting aside teaching for an administrative position in the department; recent travel to Japan, Australia, England, Israel, and France; enrolling in summer programs with art schools like Haystack Mountain School of Craft in Maine and others; and excitement for her upcoming sabbatical.
In the second portion of the interview, she discusses living in a house built by her father in Wyncote, Pennsylvania; enjoying the location of the house on a former cherry orchard and consequently being drawn cherry wood as a medium; the feeling of her parents that anything could be accomplished with a certain amount of study; her mother's interest in weaving and spinning later in life; the creative pursuits of her older brothers, including creative writing and photography; verbally communicating the outside world to her blind grandfather and gaining an aptitude for interpreting visual imagery; being more academically than artistically focused in her youth; visiting art museums and having other cultural experiences with her family; being fascinated with photography by seeing her brother's work; deciding to put off college in order to spend a year in Denmark studying photography; enrolling in RISD and feeling overwhelmed at first by her inexperience; taking a winter course in wood-working and preferring it to photography; being advised by her teacher Tage Frid to gain a wood-working education by pursuing sculpture at RISD; transferring into industrial design later; learning a great deal from and being extraordinarily influenced by Tage Frid as a furniture designer and teacher; taking a semester off to attend Peters Valley Craftsmen in New Jersey; spending a few years after graduation assisting Frid with the writing and publication of his articles; working as an assistant editor for Fine Woodworking magazine; being offered a job at RISD in the furniture department; creating the furniture design program; using RISD's collection as inspiration for her work and as a teaching tool; moving towards using more local woods in her designs; her recent lecture and travel in China; and looking forward to focusing on her work in the new studio.
Somerson recalls John Dunnigan, Dick Kagan, Ned Cooke, Jonathan Fairbanks, Wendy Maruyama, James Krenov, Dan Jackson, Jere Osgood, Alphonse Mattia, Peter Joseph, Ron Abramson, Charlie Swanson, Eck Follen, Peter Walker, and others. In the second part, Somerson recalls Merlin Szasz, LeRoy White, Hardu Keck, Gracia Melanson, Harry Callahan, Aaron Siskind, Paul Crot, Paul Capanigro, Tage Frid, Hans Wolfe, Mark Sfirri, and others.
Biographical / Historical:
Rosanne Somerson (1954- ) is a professor of furniture design and furniture designer and maker in Westport, Massachusetts. Thomas Michie is a curator of decorative arts, Los Angeles County Museum of Art, Los Angeles, California.
General:
Originally recorded on 5 sound discs. Reformatted in 2010 as 2 digital wav files. Duration is 3 hr., 3 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Furniture designers -- Rhode Island  Search this
Topic:
Decorative arts  Search this
Educators -- Rhode Island -- Interviews  Search this
Photography  Search this
Women artists  Search this
Women designers  Search this
Women educators  Search this
Furniture design  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.somers06
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9db2e506b-fd9b-42d1-b6a2-f24d806027dc
EDAN-URL:
ead_collection:sova-aaa-somers06
Online Media:

Michele M. Serros Papers

Creator:
Serros, Michele M.  Search this
Former owner:
Magana, Antonio  Search this
Extent:
4 Cubic feet (4 boxes, 3 map-folders)
4 Cubic feet (4 boxes, 3 map-folders)
Culture:
Latinos -- California  Search this
Type:
Collection descriptions
Archival materials
Business records
Creative writing
Essays
Letters (correspondence)
Newsletters
Notebooks
Notes
Posters
Syllabi
Television scripts
Writings
Place:
Ventura County (Calif.)
Date:
1968-2012
1968-2012
Summary:
Michele M. Serros was a Chicana writer who grew up in Oxnard, California. She is best known for Chicana Falsa: And Other Stories of Death, Identity, and Oxnard, Chicana, and How to be a Chicana Role Model. The papers cover her childhood, high school work, undergraduate courses, published works, and speaking and workshop engagements. The collection also includes photographs, drawings, and her high school yearbook.
Scope and Contents:
The Michelle M. Serros Papers include materials from her childhood, undergraduate education, and musical interests. The majority of the collection documents her work as a poet, speaker, and author. Some of the materials in Series 5 (Nope! Magazine) feature racially insensitive content.
Arrangement:
The collection is arranged into five series.

Series 1: Published Works, 1991-2012, undated Series 2: Writing Projects, 1987-2005, undated Series 3: Writing Programs, 1987-2009, undated Series 4: Undergraduate Materials, 1985-1995, undated Series 5: Ephemera, 1938-2015, undated
Provenance:
Collection donated to the Archives Center in 2019 by Antonio Magaña.
Restrictions:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Rights:
Collection is open for research.
Topic:
California literature  Search this
Chicanas  Search this
Fan mail  Search this
Hispanic American college students  Search this
Latinos in American society and culture  Search this
Poetry  Search this
Poets  Search this
Valentines  Search this
Women authors  Search this
Zines  Search this
Genre/Form:
Business records -- 1950-2000
creative writing
Essays
Letters (correspondence) -- 20th century.
Newsletters -- 1950-2000
Notebooks
Notes
Posters -- 1950-2000
Syllabi
Television scripts
Writings -- 20th century
Citation:
Michele M. Serros Papers, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1481
See more items in:
Michele M. Serros Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep844337082-8a71-4374-a114-6197bddee8b2
EDAN-URL:
ead_collection:sova-nmah-ac-1481

Byrd, Charlene Hodges

Collection Creator:
Byrd, Charlene Hodges, 1929-2009  Search this
Container:
Box 7, Folder 8-9
Type:
Archival materials
Text
Date:
1959
Subseries Restrictions:
Please seek assistance with the following letters: Charlene Hodges Byrd, 1949 November 10, 1950 July 9, 1951 December 3.
Collection Rights:
This collection is subject to all copyright laws.
Collection Citation:
Charlene Hodges Byrd collection, circa 1750-2009. National Museum of African American History and Culture, Smithsonian Institution.
See more items in:
Charlene Hodges Byrd collection
Charlene Hodges Byrd collection / Series 2: Correspondence / 2.5: Joyce Ethel Cummings Hodges
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io303987b4c-2d06-44b3-ae48-8956dbe6aa74
EDAN-URL:
ead_component:sova-nmaahc-a2010-26-ref353
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Creative Writings

Collection Creator:
Bulliet, C. J. (Clarence Joseph), 1883-1952  Search this
Container:
Box 4
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The C. J. Bulliet papers, circa 1888-1959. Archives of American Art, Smithsonian Institution.
See more items in:
C. J. (Clarence Joseph) Bulliet papers
C. J. (Clarence Joseph) Bulliet papers / Series 3: Writings / 3.1: Writings by Bulliet
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b548d93f-d56a-4702-96db-5df5cdec1b19
EDAN-URL:
ead_component:sova-aaa-bullclar-ref179

Fragments (unidentified)

Collection Creator:
Bulliet, C. J. (Clarence Joseph), 1883-1952  Search this
Container:
Box 4, Folder 18
Type:
Archival materials
Date:
circa 1888-1959
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The C. J. Bulliet papers, circa 1888-1959. Archives of American Art, Smithsonian Institution.
See more items in:
C. J. (Clarence Joseph) Bulliet papers
C. J. (Clarence Joseph) Bulliet papers / Series 3: Writings / 3.1: Writings by Bulliet / Creative Writings
Archival Repository:
Archives of American Art
GUID:
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