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The Zorach Family papers

Creator:
Zorach Family  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Brooklyn Museum  Search this
Adams, Ansel, 1902-1984  Search this
Cunningham, Imogen, 1883-1976  Search this
Ipcar, Dahlov Zorach, 1917-  Search this
Newman, Arnold, 1918-2006  Search this
Partridge, Roi, 1888-1984  Search this
Zorach, Marguerite, 1887-1968  Search this
Zorach, Tessim  Search this
Zorach, William, 1887-1966  Search this
Extent:
4.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Prints
Articles
Sketchbooks
Photographs
Drawings
Scrapbooks
Notes
Writings
Date:
1900-1987
Summary:
The Zorach Family papers measure 4.4 linear feet and consist of materials relating to the lives and careers of sculptor and painter William Zorach, his wife painter and weaver Marguerite, and their children, painter and multi-media artist Dahlov Ipcar and collector and art dealer Tessim Zorach. The bulk of the papers consists of letters to Tessim regarding his parent's artwork. Additional materials include scattered letters to William Zorach; writings and notes by William, Marguerite, and Tessim; a sketchbook and drawings by William; prints by Marguerite; Marguerite's scrapbook; printed materials; and photographs of the Zorach family and of William Zorach in his studio and at work.
Scope and Content Note:
The Zorach Family papers measure 4.4 linear feet and consist of materials relating to the lives and careers of sculptor and painter William Zorach, his wife painter and weaver Marguerite, and their children, painter and multi-media artist Dahlov Ipcar and collector and art dealer Tessim Zorach. The bulk of the papers consists of letters to Tessim regarding his parent's artwork. Additional materials include scattered letters to William Zorach; writings and notes by William, Marguerite, and Tessim; a sketchbook and drawings by William; prints by Marguerite; Marguerite's scrapbook; printed materials; and photographs of the Zorach family and of William Zorach in his studio and at work.

The majority of correspondence is between Tessim Zorach and various museums and galleries concerning exhibitions and donations of his parents' works of art. There are scattered letters to William Zorach among the correspondence. Business records consist of materials relating to the Collection of the Zorach Children, including lists of works of art by the Zorach's, a file relating to an exhibition of Zorach artwork at the Brooklyn Museum, and photographs of works of art considered for donation.

Writings and Notes include a typescript of an article written by Marguerite Zorach, writings by William Zorach, a typescript of Young Poems by William and Marguerite, as well as articles written by others about the Zorachs. Artwork by Marguerite Zorach includes two prints and a tracing. Also found is one sketchbook, and additional drawings by William Zorach. There is one unsigned lithograph.

The majority of exhibition announcements, catalogs, and clippings concern William and Marguerite Zorach although there are two announcements for Dahlov Ipcar. There is one scrapbook of clippings about Marguerite.

The papers include photographs of Marguerite and William Zorach, their parents, baby photos of Tessim and Dahlov, family pictures of the Zorachs, and of Marguerite and William in their studios. There are several folders of William Zorach working in his studios and additional photos of him carving a relief sculpture and a sculpture for the Southwest Bank. Most of these photographs contain detailed annotations written by William Zorach about the work. There is one folder of photographs of William in France in 1910-1911, including one of Zorach in Roi Partridge's studio. There is one photograph of Zorach taken by Ansel Adams in Yosemite, a photo of Zorach working by Arnold Newman, and several taken by Imogen Cunnigham.

Other photographs are of works of art, most of which depict William's works.

Artifacts include Marguerite's batik tools and approximately fifty commercially made printing blocks.
Arrangement:
The collection is arranged into 9 series:

Series 1: Biographical Information, circa 1907-1969 (Box 1, 6; 3 folders)

Series 2: Correspondence, 1922-1982 (Box 1-2; 1.75 linear feet)

Series 3: Business Records, 1967-1971, circa 1960s-1970s (Box 2-3; 0.3 linear feet)

Series 4: Writings and Notes, circa 1930s-1973, 1987 (Box 3; 8 folders)

Series 5: Artworks, 1900-circa 1920s (Box 3, 6; 12 folders)

Series 6: Scrapbooks, 1922-1953 (Box 3; 1 folder)

Series 7: Printed Material, 1912-1982 (Box 3; 0.25 linear feet)

Series 8: Photographs, 1908-1966 (Box 3-5; 1.0 linear feet)

Series 9: Artifacts, circa 1910s, circa 1950s (Box 4; 0.5 linear feet)
Biographical Note:
William Zorach (1887-1966) was a modernist painter and sculptor working primarily in New York city, along with his wife Marguerite (1887-1968) who worked as a fauvist painter, printmaker, and textile artist. Their children were painter Dahlov Ipcar (1917-) and art collector Tessim Zorach (1915-1995.)

Born in Lithuania, William Zorach immigrated to the United States where his family settled in Cleveland, Ohio. An early interest in art led to a printmaking apprenticeship. He then moved to New York City and enrolled in the National Academy of Design where he studied painting and drawing. In 1910, Zorach traveled to Paris to study and where he met his wife Marguerite Thompson at the La Palette art school. Marguerite grew up in Fresno, California and studied art at Stanford University. Both artists were heavily influenced by the fauvist and cubist art movements.

Returning to America, Marguerite and William married and both continued to create and experiment with varied media. Their paintings were featured in the 1913 New York City Armory Show and they are credited with being among the first artists to introduce European modernist styles to American modernism. The Zorachs were very close both as a couple and as working active artists.

In the 1920s, Marguerite began to experiment with textiles and created large, fine art tapestries and hooked rugs. Also, she used batik dying techniques on fabrics. William also expanded his genre by creating direct sculpture in 1918, which would become his primary medium.

In 1915, William and Marguerite started a family with their son, Tessim. Two years later, their daughter Dahlov was born. The Zorachs divided the year and lived in New York City, New Hampshire, and Massachusetts. In 1923, the family bought a farm on Georgetown Island, Maine where they lived, worked, and entertained friends.

Dahlov and Tessim were exposed to art from an early age. Dahlov showed artistic promise as a child and her parents supported her creativity by allowing her to express herself without formal training. Dahlov pursued painting and later became an illustrator for children's books. Additionally, she wrote fantasy novels and short stories. Dahlov married Adolf Ipcar in 1936. Like the rest of his family, Tessim Zorach developed an interest of art and along with his wife Peggy, he amassed a large private collection of ancient to modern art.

William and Marguerite continued to sculpt and paint until their deaths in 1966 and 1968, respectively.

Together, Dahlov and Tessim established the Collection of the Zorach Children which coordinated donations of their parents' art to many museums throughout the United States and the world. The artwork of both artists is found in the collections of the Metropolitan Museum of Art, Brooklyn Museum, Whitney Museum of American Art, Delaware Art Museum, Museum of Fine Arts, Boston, Farnsworth Art Museum, Portland Museum of Art, National Gallery of Art, National Portrait Gallery and the Smithsonian American Art Museum, The Philips Collection, and educational institutions such as Colby College, University of Vermont, Williams College, Bowdoin College, and the University of Virginia. In addition William has works associated with many public buildings, among them: Radio City Music Hall, New York City Municipal Court, the U.S. Post Office in Washington D.C. as well as Farleigh Dickinson University.
Related Material:
The Archives of American Art holds the Dahlov Ipcar papers, 1906-1997. Also found is one oral history interview with William Zorach conducted by by John D. Morse on April 2, 1959 and an oral history interview with Dahlov Ipcar conducted by Robert F. Brown on November 13, 1979.

The bulk of William Zorach's papers are held by the Library of Congress.
Separated Material:
The Archives of American Art also holds material lent for microfilming on reels NY59-1-NY59-4 and NY59-19. Loaned materials were returned to the lender and are now held by the Library of Congress, Manuscript Division. This material is not described in the collection container inventory or finding aid.
Provenance:
William Zorach lent papers for microfilming to the Archives of American Art in 1959. Tessim Zorach donated materials between 1976-1987.
Restrictions:
Use of originals requires an appointment.
Rights:
The Zorach Family papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Weavers  Search this
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Art, American  Search this
Art dealers -- New York (State) -- New York  Search this
Artist couples  Search this
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Women painters -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Works of art  Search this
Genre/Form:
Interviews
Prints
Articles
Sketchbooks
Photographs
Drawings
Scrapbooks
Notes
Writings
Citation:
The Zorach Family papers, 1900-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.zorazora
See more items in:
The Zorach Family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-zorazora

John Weichsel papers concerning the People's Art Guild

Creator:
Weichsel, John, 1870-1946  Search this
Names:
People's Art Guild  Search this
Beal, Gifford, 1879-1956  Search this
Bellows, George, 1882-1925  Search this
Bluemner, Oscar, 1867-1938  Search this
Davis, Stuart, 1892-1964  Search this
Delaunay, Robert, 1885-1941  Search this
Kroll, Leon, 1884-1974  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Pascin, Jules, 1885-1930  Search this
Sloan, John, 1871-1951  Search this
Van Dine, S. S.  Search this
Weichsel, John, 1938?-  Search this
Zorach, Marguerite, 1887-1968  Search this
Zorach, William, 1887-1966  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Date:
1905-1965, bulk 1905-1929
bulk 1905-1929
Summary:
The John Weichsel papers concerning the People's Art Guild measure 0.6 linear feet and date from 1905-1965 with the bulk of the material dating from 1905-1929. The papers consist almost entirely of the records of the People's Art Guild, founded by Weichsel, and include administrative records, correspondence, writings and notes, business and financial records, printed material, and artwork.
Scope and Contents:
The John Weichsel papers concerning the People's Art Guild measure 0.6 linear feet and date from 1905-1965 with the bulk of the material dating from 1905-1929. The papers consist almost entirely of the records of the People's Art Guild, founded by Weichsel, and include administrative records, correspondence, writings and notes, business and financial records, printed material, and artwork.

People's Art Guild records include the constitution, membership lists, and correspondence with Gifford Beal, George Bellows, Oscar Bluemner, Stuart Davis, Robert Delaunay, Leon Kroll, Standon Macdonald-Wright, Jules Pascin, John Sloan, Willard Wright and Marguerite and William Zorach, among others. Writings about the Peoples Art Guild are by Weichsel and his grandson John Weichsel. There are also lists of artists and works of art. Also found are very scattered business and financial records, printed materials, and artwork in the form of sketches for exhibition announcements.
Arrangement:
The collection is arranged as 6 series.

Series 1: Administrative Records, 1915-1917 (2 folders; Box 1)

Series 2: Correspondence, 1905-1922 (0.3 linear feet; Box 1)

Series 3: Writings and Notes, 1915-circa 1919, 1965 (4 folders; Box 1)

Series 4: Business and Financial Records, 1915-1917 (0.1 linear feet; Box 1-2)

Series 5: Printed Material, 1915-circa 1948 (0.2 linear feet; Box 2)

Series 6: Artwork, 1915-1916 (1 folder; Box 2)
Biographical / Historical:
John Weichsel (1870-1946) was an arts administrator and founded the artists' cooperative People's Art Guild of New York City in 1915.

John Weichsel was born in Poland and ultimately settled in New York City. The People's Art Guild was founded by Weichsel as an artist's cooperative focused on improving and expanding knowledge of art and the art world among the general public, believing this would increase art appreciation and patronage.
Provenance:
The collection was donated in 1960 and 1963 by Dr. H. S. Weichsel and John Weichsel, the son and grandson of Dr. John Weichsel. At an unknown later date, grandson John Weichsel donated his 1965 thesis on the Peoples Art Guild.
Restrictions:
Use of original papers requires an appointment.
Rights:
The John Weichsel papers concerning the People's Art Guild are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Arts administrators -- New York (State) -- New York  Search this
Topic:
Art -- Societies, etc. -- New York (State) -- New York  Search this
Genre/Form:
Sketches
Citation:
John Weichsel papers concerning the People's Art Guild, 1905-1965, bulk 1905-1929. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.weicjohn
See more items in:
John Weichsel papers concerning the People's Art Guild
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-weicjohn

Oral history interview with Dahlov Ipcar

Interviewee:
Ipcar, Dahlov Zorach, 1917-  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Zorach, Marguerite, 1887-1968  Search this
Zorach, William, 1887-1966  Search this
Extent:
1 Sound tape reel (Sound recording, 5 in.)
46 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1979 Nov. 13
Scope and Contents:
An interview of Dahlov Ipcar conducted 1979 Nov. 13, by Robert F. Brown, for the Archives of American Art.
Mrs. Ipcar reflects on life in New York and Maine and her preference for the country life in Maine. She talks of the influence of her mother and her art. She recalls life during the Depression and the very minimal way of life she and her husband Adolph Ipcar had. She also talks about the changes in her life and becoming first an illustrator of children's books and eventually an author and illustrator of books for children and adults.
Biographical / Historical:
Dahlov Zorach Ipcar (1917- ) is a painter and illustrator from Bath, Me. Ipcar's parents are Marguerite and William Zorach.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Interviews  Search this
Topic:
Women artists -- United States -- Interviews  Search this
Illustrators -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ipcar79
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ipcar79

Dahlov Ipcar papers

Creator:
Ipcar, Dahlov Zorach, 1917-  Search this
Names:
Skowhegan School of Painting and Sculpture  Search this
Coffin, Robert Peter Tristram, 1892-1955  Search this
Ipcar, Adolph  Search this
Zorach, Marguerite, 1887-1968  Search this
Zorach, William, 1887-1966  Search this
Extent:
2 Linear feet ((partially microfilmed on 2 reels))
3 Items (rolled docs)
9.3 Linear feet (Addition)
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1906-1997
Scope and Contents:
The collection includes correspondence, photographs, scrapbooks, exhibition catalogs, sketches, drawings, business records and miscellaneous printed material.
REEL 1519: Correspondence, 1930-1979, including letters from William Zorach and Robert Tristam Coffin; and three scrapbooks, 1936-1979, containing clippings, exhibiton catalogs and announcements.
REEL 5136: Letters from Ipcar's parents to her and her husband, Adolph Ipcar, ca. 1939 and 1951-1968, concerning family affairs with some references to art; two scrapbooks, 1979-1990, containing portions of Ipcar's autobiography, exhibition announcements, clippings and other printed material on Ipcar's work and her community service [note: the first half of the first scrapbook was previously filmed on reel 1519, fr. 336-446, and has not been refilmed]; and Robinhood Snooper, writings referred to as "wall newspapers," written by Dahlov and Adolph Ipcar, 1934-1938 and undated, pertaining to family and local "gossip." Also present are photocopies of works of art by other artists, 1942 and 1965, including a sketch of Marguerite Zorach.
UNMICROFILMED: Business and personal correspondence; letters from Ipcar's parents, Marguerite and William Zorach; photographs of her family and slides of her work; writings and notes; sketches and studies for paintings; blueprints for tapestries and relief sculptures; price lists, contracts and other business records; printed material, including exhibition announcements, catalogs and clippings; and miscellany.
ADDITION (9.3 ft.): Personal and professional correspondence and related printed material, some relating to the Zorachs, 1940s-1997; and files pertaining to a scholarship in sculpture given by Dahlov and Adolph Ipcar to the Skowhegan School of Painting and Sculpture in memory of William and Marguerite Zorach.
Biographical / Historical:
Painter and illustrator; Robinhood, Maine. Ipcar primarily painted animal scenes and illustrated several children's books. She was the daughter of artists Marguerite and William Zorach.
Provenance:
Material on reel 1519 lent for microfilming 1979, and unmicrofilmed material donated 1979-1997 by Dahlov Ipcar. Material on reel 5136 was lent for microfilming 1996.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Illustrators -- Maine  Search this
Painters -- Maine  Search this
Topic:
Women artists -- Maine  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.ipcadahl
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ipcadahl

Peace on Earth, Good Will toward Men, (painting)

Painter:
Zorach, Marguerite 1887-1968  Search this
Medium:
Conte crayon, pen and ink, and pencil on tracing paper
Type:
Paintings
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1968.154.17
Date:
Ca. 1920s-1930s
Topic:
Religion--New Testament--Christ  Search this
Allegory--Civic--Peace  Search this
Control number:
IAP 08585564
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_475302

(Untitled) (Study for Textile), (painting)

Painter:
Zorach, Marguerite 1887-1968  Search this
Medium:
Crayon and pencil on tracing paper
Type:
Paintings
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1968.154.21
Date:
Ca. 1920-1930
Topic:
Abstract  Search this
Control number:
IAP 08585565
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_475303

(Design for Poster - Outdoor Sculpture Exhibition), (painting)

Painter:
Zorach, Marguerite 1887-1968  Search this
Medium:
Gouache and pencil on paper
Type:
Paintings
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1968.154.197
Topic:
Object--Art Object--Sculpture  Search this
Control number:
IAP 08585574
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_475312

Drawing for Girl and Cat, (painting)

Painter:
Zorach, Marguerite 1887-1968  Search this
Medium:
Conte crayon on paper
Type:
Paintings
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1970.65.131
Topic:
Figure female--Child  Search this
Animal--Cat  Search this
Study  Search this
Control number:
IAP 08585602
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_476024

Drawing for Grapefruit, (painting)

Painter:
Zorach, Marguerite 1887-1968  Search this
Medium:
Conte crayon on paper
Type:
Paintings
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1970.65.133
Topic:
Architecture interior--Domestic--Kitchen  Search this
Figure group--Female & Child  Search this
Object--Fruit--Grapefruit  Search this
Recreation--Leisure--Eating & Drinking  Search this
Control number:
IAP 08585603
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_476025

Drawing for Lithograph, (painting)

Painter:
Zorach, Marguerite 1887-1968  Search this
Medium:
Conte crayon on paper
Type:
Paintings
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1970.65.134
Topic:
Figure female--Nude  Search this
Control number:
IAP 08585604
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_476026

Moritz and Sophie Jagendorf letters from artists

Creator:
Jagendorf, M. A. (Moritz Adolph), 1888-1981  Search this
Jagendorf, Sophie  Search this
Names:
Becker, M. L.  Search this
Benton, Rita P.  Search this
Benton, Thomas Hart, 1889-1975  Search this
Boggs, Ralph Steele, 1901-1994  Search this
Fornaro, Carlo de, 1871-  Search this
Hartman, C. Bertram, 1882-1960  Search this
Ipcar, Dahlov Zorach, 1917-  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Seeger, Pete, 1919-2014  Search this
Starkie, Walter, 1894-1976  Search this
Stella, Joseph, 1877-1946  Search this
Tolgian, Manuel  Search this
Weber, Max, 1881-1961  Search this
Wright, Willard  Search this
Zorach, Marguerite, 1887-1968  Search this
Zorach, William, 1887-1966  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1917-1969
Scope and Contents:
Letters to Moritz and Sophie Jagendorf from artists including 111 letters from Stanton MacDonald-Wright, 1917-1969; four letters from Carlo De Fornaro, 1937-1938; three letters each from Joseph Stella, 1934-1938, Manuel Tolgian, 1935-1938; two letters each from Rita Benton, 1960-1963, Walter Starkie, 1968, Max Weber, 1930-1932 and Willard Wright (Stanton's brother), 1917; one letter each from M. L. Becker, (possibly May Lamberton Becker), undated, Thomas Hart Benton, 1933, Ralph Steele Boggs, 1966, Bertram Hartman, 1930, Pete Seeger, 1967. Also included are photocopies of several letters from William and Marguerite Zorach and their daughter Dahlov Ipcar, 1965-1967. The letters concern exhibitions, museums, galleries, works of art and other artists.
Biographical / Historical:
Moritz Jagendorf (1888-1981) was a dentist who treated artists in New York, New York. Clients included Joseph Stella, Stanton MacDonald-Wright, William and Marguerite Zorach, Thomas Hart Benton, among others. Jagendorf became friendly with the artists and bought their artwork or received it in lieu of dental bills.
Provenance:
Donated 2016 by Andre Jagendorf, Moritz and Sophie Jagendorf's son.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Artists -- New York (State) -- New York  Search this
Dentists -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Identifier:
AAA.jagemori
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jagemori

Marguerite Zorach: artist file, [photographs]

Artist:
Zorach, Marguerite 1887-1968  Search this
Physical description:
1 folder
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF003289
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_142076

Brown Bedspread [art work] / (photographed by Peter A. Juley & Son)

Artist:
Zorach, Marguerite 1887-1968  Search this
Type:
Photograph
Image number:
JUL J0033844
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_33845

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
Zorach, Marguerite 1887-1968  Search this
Type:
Photograph
Image number:
JUL J0033845
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_33846

Wertheim Bedspread [art work] / (photographed by Peter A. Juley & Son)

Artist:
Zorach, Marguerite 1887-1968  Search this
Type:
Photograph
Image number:
JUL J0033846
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_33847

Jonas Tapestry [art work] / (photographed by Peter A. Juley & Son)

Artist:
Zorach, Marguerite 1887-1968  Search this
Type:
Photograph
Image number:
JUL J0033847
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_33848

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
Zorach, Marguerite 1887-1968  Search this
Type:
Photograph
Image number:
JUL J0033848
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_33849

Rockefeller Family at Seal Harbor (detail) [decorative arts] / (photographed by Peter A. Juley & Son)

Artist:
Zorach, Marguerite 1887-1968  Search this
Subject:
Rockefeller  Search this
Type:
Photograph
Date:
1932
Topic:
Portrait male  Search this
Portrait female  Search this
Landscape--Maine--Seal Harbor  Search this
Recreation--Sport & Play--Tennis  Search this
Recreation--Sport & Play--Golf  Search this
Architecture--Domestic--House  Search this
Travel--Land--Automobile  Search this
Image number:
JUL J0029473
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_29474

Rockefeller Family at Seal Harbor (detail) [decorative arts] / (photographed by Peter A. Juley & Son)

Artist:
Zorach, Marguerite 1887-1968  Search this
Subject:
Rockefeller, John D., Jr  Search this
Rockefeller, John D., Jr., Mrs  Search this
Type:
Photograph
Date:
1932
Topic:
Portrait male--Full length  Search this
Portrait female--Full length  Search this
Landscape--Maine--Seal Harbor  Search this
Architecture--Domestic--House  Search this
Image number:
JUL J0029474
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_29475

Good Will Toward Men [decorative arts] / (photographed by Peter A. Juley & Son)

Artist:
Zorach, Marguerite 1887-1968  Search this
Type:
Photograph
Date:
Ca. 1926
Topic:
Figure group  Search this
Allegory--Civic--Peace  Search this
Animal--Lion  Search this
Landscape--Farm  Search this
Architecture exterior--Industry  Search this
Image number:
JUL J0029475
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_29476

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