The Matthew Williams Stirling and Marion Stirling Pugh papers, 1876-2004 (bulk 1921-1975), document the professional and personal lives of Matthew Stirling, Smithsonian archaeologist and Chief of the Bureau of American Ethnology (1928-1957), and his wife and constant collaborator, Marion Stirling Pugh. The bulk of the material is professional in nature and includes material from Matthew's early career in the 1920s, the careers of Matthew and Marion together from when they married in 1933 to Matthew's death in 1975, and Marion's life and work from 1975 until her death in 2001.
The majority of the documentation relates to the investigation of the Olmec culture in Mexico by the Stirlings, including the discoveries of eight colossal Olmec heads. In addition, the collection documents their work in Panama, Ecuador, and Costa Rica, looking for connections between Mesoamerica and South America. Materials include field notes, journals, correspondence, photographs, writings, clippings, ephemera, articles, and scrapbooks.
Scope and Contents:
The Matthew Williams Stirling and Marion Stirling Pugh papers, 1876-2004 (bulk 1921-1975), document the professional and personal lives of Matthew Stirling, Smithsonian archaeologist, and Chief of the Bureau of American Ethnology (1928-1957), and his wife and constant collaborator, Marion Stirling Pugh. The bulk of the material is professional in nature and includes material from Matthew's early career in the 1920s, the careers of Matthew and Marion together from when they married in 1933 to Matthew's death in 1975, and Marion's life and work from 1975 until her death in 2001.
The majority of the documentation relates to the investigation of the Olmec culture in Mexico by the Stirlings, including the discoveries of eight colossal Olmec heads. In addition, the collection documents their work in Panama, Ecuador, and Costa Rica, looking for connections between Mesoamerica and South America. Materials include field notes, journals, correspondence, photographs, writings, clippings, ephemera, articles, and scrapbooks.
Series 1. Field work, 1921-1998 (bulk 1921-1975) and undated, documents the archaeological expeditions undertaken by Matthew and Marion Stirling over a span of 40 years. This includes expeditions Matthew undertook prior to his marriage and collaboration with Marion to Papua New Guinea, Ecuador, and Florida, and extensive documentation of expeditions they embarked on together to Mexico, Panama, Ecuador, and Costa Rica.
Series 2. Other travels, 1946-1972 is comprised of materials documenting trips the Stirlings took that, for the most part, did not include field work. This includes trips for both business and personal travel, however it was common for the two to overlap.
Series 3. Administrative files, 1924-1980 and undated is partly comprised of materials the Stirlings compiled and organized into an alphabetical filing structure and also of materials that are administrative in nature and did not directly relate to other categories outlined in this finding aid.
Series 4 Writings and lectures, 1925-1990 and undated, consists of articles, papers, drafts, and notes primarily written by Matthew Stirling, with some materials co-written by Marion, and documentation relating to presentations the Stirlings gave regarding their field work and other professional matters. Also included is material relating to films that were made about the Stirling's work.
Series 5. Personal and family materials, 1880-1996 and undated, consists of documents, photographs, and ephemera that are personal in nature. This includes items relating to Matthew Stirling's young life and family history, photographs, correspondence, and clippings relating to his extended family, and photographs of and correspondence from Matt and Marion's children.
Series 6. Anthropological journals, 1876-1959, consists of collections of anthropological journals collected and categorized for reference and research purposes.
Series 7. Marion Stirling Pugh, 1924-2004 (bulk 1948-2002) and undated, consists of materials relating to endeavors Marion undertook without Matthew, primarily relating to her participation in the Society of Women Geographers from 1948-2000 and her life after Matthew died in 1975 until her death in 2001.
Arrangement:
This collection is arranged in 7 series: 1) Field work, 1921-1998 (bulk 1921-1975), undated; 2) Other travels, 1946-1972; 3) Administrative files, 1924-1980, undated; 4) Writings and lectures, 1925-1990, undated; 5) Personal and family materials, 1880-1996, undated; 6) Anthropological journals, 1876-1959; 7) Marion Stirling Pugh, 1924-2004 (bulk 1948-2002), undated.
Biographical note:
MATTHEW WILLIAMS STIRLING:
Matthew Williams Stirling, archaeologist and Director of the Bureau of American Ethnology (1928-1957), was born on August 28, 1896 in Salinas, California. After serving as an Ensign in the Navy from 1917-1919, he graduated with a B.A. in Anthropology in 1920 from the University of California, Berkeley studying under T.T. Waterman, Alfred L. Kroeber, and E.W. Gifford. From 1920-1921 he worked as a teaching fellow at the university, where he taught William Duncan Strong. Stirling's first tenure at the Smithsonian (then the U.S. National Museum (USNM)) was from 1921-1924, first as a museum aide, then as an Assistant Curator of Ethnology. While in the position he took night classes at George Washington University and received his M.A. in 1922. He received an honorary Sc.D. from Tampa University in 1943. In 1924, Stirling resigned his position at the museum and embarked on a journey to South American with his friend Perry Patton. From 1925-1927 he embarked on the Smithsonian sponsored American-Dutch Expedition to Papua New Guinea to explore the previously unknown interior region of Dutch New Guinea. Stirling was appointed Chief of the Bureau of American Ethnology at the Smithsonian Institution in 1928 and married Marion Illig in 1933. They worked together for the next 40 years studying Olmec culture and the connection to greater Mesoamerica and South America. They had two children (Matthew W. Stirling Jr. in 1938 and Ariana Stirling in 1942). Stirling retired as Director of the B.A.E. on December 31, 1957. He died January 23, 1975 in Washington, D.C.
Sources consulted:
Collins, Henry B. "Matthew Williams Stirling, 1896-1975." American Anthropologist, New Series, 78, no. 4 (1976): 886-88.
Coe, Michael D. "Matthew Williams Stirling, 1896-1975." American Antiquity 41, no. 1 (1976): 67-73.
MARION STIRLING PUGH:
Marion Stirling Pugh (nee Illig) was born in Middletown, New York on May 12, 1911. She graduated from Rider College in 1930 and came to Washington D.C. in 1931 where she took a job as a secretary to the Chief of the Bureau of American Ethnology, Matthew Stirling. She attended night school at George Washington University from 1931-1933 where she studied anthropology, geology, and Russian. Marion and Matthew were married on December 11, 1933 and promptly embarked on a honeymoon expedition to Florida where Matthew was in charge of Works Progress Administration (WPA) projects. They worked together for the next 40 years studying Olmec culture and the connection to greater Mesoamerica and South America. They had two children (Matthew W. Stirling Jr. in 1938 and Ariana Stirling in 1942).
Marion was an active member of the Society of Women Geographers and was elected to the executive board in 1954. She served as president of the society from 1960-1963 and 1969-1972. She had a long-time association with the Textile Museum in Washington D.C. and in the 1970s established what would become the Latin American Research Fund to secure Latin American ethnographic textiles for the museum.
After Matthew's death in 1975, Marion married General John Ramsey Pugh in 1977. Pugh died in 1994. Marion continued to travel the world, including making a trip to Antarctica in her 80s, until her death on April 24, 2001 in Tucson, Arizona.
Sources consulted:
"Marion Stirling Pugh, 89." The Washington Post. May 11, 2001. https://www.washingtonpost.com/archive/local/2001/05/11/marion-stirling-pugh-89/01329ba8-f32b-4d66-83fb-9f3c311aaefb/?utm_term=.ab20f25e060b (accessed May 16, 2019).
Conroy, Sarah Booth. "Archaeologist Marion Pugh, Digging Up Memories." The Washington Post. July 8, 1996. https://www.washingtonpost.com/archive/lifestyle/1996/07/08/archaeologist-marion-pugh-digging-up-memories/09f465e7-5900-455e-bcd5-b81828a502d5/?utm_term=.703ff0e84313 (accessed May 16, 2019).
Matthew Williams Stirling and Marion Stirling Pugh Chronology
1896 August 28 -- Matthew Williams Stirling born in Salinas, California to Ariana and John Williams Stirling
1911 May 12 -- Marion Illig born in Middletown, New York
1914-1920 -- Matthew Stirling attended the University of California, Berkeley, receiving his B.A. in Anthropology in 1920. He studied under A.L. Kroeber, T.T. Waterman, and E.W. Gifford.
1917-1919 -- Matthew Stirling served as an ensign in the U.S. Navy during World War I
1920 -- Matthew Stirling's travels to Europe with his parents
1920-1921 -- Matthew Stirling worked as teaching fellow at the University of California, Berkeley and taught William Duncan Strong
1921-1924 -- Matthew Stirling worked at the United States National Museum (USNM), first as a Museum Aide and then as an Assistant Curator of Ethnology
1922 -- Matthew Stirling received Master of Arts degree from George Washington University, studying under Truman Michelson Matthew Stirling went on a trip to the cave country of France and Spain with friend Perry J. Patton
1923 Winter -- Matthew Stirling sent by J. Walter Fewkes to excavate at Weedon (or Weeden) Island, Florida
1924 Spring -- Matthew Stirling resigned from his Smithsonian USNM post
1924 Summer -- Matthew Stirling conducted excavations in Mobridge, South Dakota
1924 July -- Matthew Stirling went on a trip to South America with friend, Perry J. Patton
1924 Winter -- Matthew Stirling continued excavations in Weedon Island, FL
1924-1925 -- Matthew Stirling sold real estate on Weedon Island, Florida to fund the expedition to Papua New Guinea in the winters of 1924 and 1925
1925-1927 -- Matthew Stirling organized and led the American-Dutch Expedition (or Smithsonian Institution-Dutch Colonial Government expedition) to Papua New Guinea
1928 -- Matthew Stirling named Chief of the Bureau of American Ethnology (BAE) at the Smithsonian Institution
1929 March-April -- Matthew Stirling surveyed mounds in Tampa Bay and Calusa areas of Florida
1930s -- Matthew Stirling conducted various archaeological excavations in Georgia and Florida under the Works Progress Administration (WPA)
1930 -- Marion Illig received a Bachelor of Science degree from Rider College From February through April, Mathew Stirling conducted more work on Tampa Bay mounds in Florida In July, Matthew Stirling went to Marfa, Texas to examine pictographs in caves and also went to Deeth, Nevada
1931 September-1932 March -- Matthew Stirling a member of the Latin American Expedition to South and Central America. He studied the Tule/Kuna Indians in Panama and the Jivaro in Ecuador
1931-1933 -- Marion Illig moved to Washington D.C. to attend George Washington University and worked at the BAE as a secretary for Matthew Stirling
1933 December 11 -- Matthew and Marion Stirling married
1933 December-1934 May 5 -- Matthew Stirling supervised Federal Civil Works Administration (or Federal Emergency Relief Administration) projects in Florida, also called Florida Federal Relief (Bradenton, Perico Island, Canaveral Island, and Belle Glade) and BAE excavations in Macon, Georgia
1934 October -- Conducted archaeological work in King, Queen, and Halifax counties in Virginia and Granville City, North Carolina
1935 -- Matthew Stirling acted as the president of the Anthropological Society of Washington Expedition to Guatemala, Honduras, and Yucatan Peninsula to study the Maya and the Quché (or Quiche) Indians from January to February 15, 1935
1935-1936 -- Matthew Stirling acted as the vice president of the American Anthropological Association
1936 -- Matthew Stirling and WPA workers conducted archaeological surveys in southern Florida in July 1936 Matthew and Marion Stirling visited an excavation in Macon, Georgia in Fall 1936 Matthew Stirling supervised archaeological projects in Hillsborough and Dade Counties in Florida
1938 January-March -- Matthew and Marion Stirling take first field trip to Mexico, visiting Tres Zapotes
1938 December 24-1939 April 15 -- First Smithsonian Institution/National Geographic Society Expedition to Mexico with C.W. Weiant. Excavated Tres Zapotes and discovered lower portion of Stela C
1939 -- Matthew Stirling received his first Franklyn L. Burr Award from the National Geographic Society
1939 December 26-1940 April 20 -- Second Smithsonian Institution/National Geographic Society Expedition to Mexico with Dr. Philip Drucker. Excavated Cerro de las Mesas and La Venta
1940 December 29-1941 April 30 -- Third Smithsonian Institution/National Geographic Society Expedition to Mexico with Dr. Philip Drucker. Excavated Cerro de las Mesas and Izapa
1941 -- Matthew and Marion Stirling received the Franklyn L. Burr Award from the National Geographic Society (shared with Richard Hewitt Stewart)
1942 April -- Matthew Stirling visited Dr. Philip Drucker at La Venta
1942 April-June -- Fourth Smithsonian Institution/National Geographic Society Expedition to Mexico. Visited Tuxtla Gutierrez, Zoque, Tzotzil and Chamula Indians, and Palenque
1943 -- Fifth Smithsonian Institution/National Geographic Society Expedition to Mexico with Dr. Waldo R. Wedel. Excavated La Venta Matthew Stirling awarded honorary Doctor of Science from Tampa University
1944 January 28-May -- Sixth Smithsonian Institution/National Geographic Society Expedition to Mexico. Visited Michoacán, Jalisco, Uruapan, Tlaquepaque, and Tarascan Indians from Lake Pátzcuaro and conducted archaeological surveys in Southern Veracruz, Tabasco, and Campeche
1945 January 22-May 31 -- Seventh Smithsonian Institution/National Geographic Society Expedition to Mexico. Excavated La Venta, San Lorenzo, Piedra Parada, and Tapachula
1946 January 26-April -- Eighth Smithsonian Institution/National Geographic Society Expedition to Mexico with Dr. Philip Drucker. Excavated San Lorenzo
1947 -- Matthew Stirling becomes Director of the Bureau of American Ethnology (title changed from "Chief")
1947 December-1948 -- First Smithsonian Institution/ National Geographic Society Expeditions to Panama including Cocle, Balboa, Chitre, Parita (Sixto Pinilla Place), Monagrillo, and El Hatillo
1949 -- Second Smithsonian Institution/ National Geographic Society Expedition to Panama
1951 -- Third Smithsonian Institution/ National Geographic Society Expedition to Panama
1953 -- Fourth Smithsonian Institution/ National Geographic Society Expedition to Panama
1954 -- Marion Stirling elected to the executive board of the Society of Women Geographers
1956-1957 -- Smithsonian Institution/ National Geographic Society Expedition to Ecuador. Excavated in the ManabÍ Province
1957 December 31 -- Matthew Stirling retired as Director of the Bureau of American Ethnology
1958 -- Matthew Stirling received his third Franklyn L. Burr Award from the National Geographic Society
1960-1963 -- Marion Stirling acted as president for the Society of Women Geographers for the first time
1960-1975 -- Matthew Stirling's membership in the National Geographic Society Committee on Research and Exploration
1961 -- Trip to Mexico Marion Stirling's trip to Peru Matthew Stirling collaborated with Dr. L.S.B. Leakey through the NGS Committee on Research and Exploration
1963 -- Trip to Nicaragua
1964 -- Expedition to Costa Rica Trip to Asia
1967 -- International Tuna Match, Bahamas
1968 -- Trip to New Guinea Attended the Cultural Olympics in Mexico City
1969 -- Trip to Turkey, Bali, Etc.
1969-1972 -- Marion Stirling acted as president for the Society of Women Geographers for the second time
1972 -- Trip to Peru, Ecuador, Galapagos Islands Farmer finds upper portion of Stela C, confirming Matthew Stirling's original date as 31 B.C.
1972-1973 -- Trip to Yucatan Peninsula, Mexico
1974 -- Marion Stirling established the Mexican Research Fund (now the Latin American Research fund) for the Textile Museum
1975 January 23 -- Matthew Williams Stirling died in Washington D.C.
1977 -- Marion Stirling married Major General John Ramsey Pugh
1985 -- Marion Stirling Pugh received the Distinguished Service Medal from the Peruvian Embassy
1994 -- Death of Major General John Ramsey Pugh Marion Stirling Pugh's trip to Spain, Portugal, and Morocco
1995 -- Marion Stirling Pugh's trip to Antarctica and the Falkland Islands
1996 -- Marion Stirling Pugh's trip to China, and separately to Belize and Honduras
2001 April 24 -- Marion Stirling Pugh died in Tucson, Arizona
Separated Materials:
Film materials were transferred to the Human Studies Film Archive (HSFA).
Provenance:
The bulk of these papers were donated to the National Anthropological Archives in 2016 by Matthew and Marion Stirling's grandchildren, Jessica Gronberg and Jeremy Withers.
Restrictions:
The Matthew Williams Stirling and Marion Stirling Pugh papers are open for research.
The scrapbooks listed in Series 1.7 are restricted due to preservation concerns. Please contact the reference archivist for more information.
Access to the Matthew Williams Stirling and Marion Stirling Pugh papers requires an appointment.
Enlargements of photographs made by Donald Bush Cordry during his time in Mexico. These were mounted for a 1970s Bellas Artes-sponsored traveling exhibit based on Cordry's collection of Mexican Indian costumes. Included are images of Indigenous peoples of Mexico, fiestas and dances, pottery, boats, weaving, spinning, masks, vendors and markets, churches, and shrines. Depicted groups include the Huichol, Mestizo, Tarascan, Seri, Mayo, Tepehua, Totonac, Nahua, Mazatec, Cuicatec, Chinantec, Zapotec, Mixe, Amusgo, Huave, Mixtec, Chapanec, Zoque, Tzotzil, and Maya. Additionally, there are some self portraits of Donald Cordry and his wife Dorothy.
Biographical/Historical note:
Donald Bush Cordry (1907-1978) was an artist and photographer who studied the art of Indigenous peoples of Mexico. In 1931, Cordry made his first trip to Guerrero, Mexico, where he became interested in contemporary mask making. In 1934, Cordry moved to New York to work as a marionette designer for puppeteer Tony Sarg. While there, he contacted George G. Heye to learn more about Indigenous Mexican art. This led to a series of collecting expeditions from 1935 to 1938, during which Cordry collected Mexican masks and other artifacts for the Museum of the American Indian, Heye Foundation.
Local Call Number(s):
NAA Photo Lot 87-38, USNM ACC 361232
Location of Other Archival Materials:
Additional photographs made by Cordry can be found in the National Anthropological Archives in Photo Lot 82-14.
Donald Cordry and his wife, Dorothy Mann Cordry, also donated clothing and musical instruments from Mexico to the Department of Anthropology in accessions 361232 and 355866.
The National Museum of the American Indian Archives holds the Donald Bush Cordry collection of photographs and negatives, 1933-1940, as well as artifacts collected by Cordry.
Photographs of the Donald Cordry Mexican mask exhibit can be found in the National Anthropological Archives in Photo Lot 80-3.
The Donald Cordry Mexican mask collection can be found in the Department of Anthropology in accession 355867.
Front and profile studio portraits of Indigenous peoples of Mexico, representing Aztec, Chinantec, Chocho, Chol, Chontal, Cuicatec, Huastec, Huave, Maya, Mazatec, Mixe, Mixtec, Otomi, Tarascan, Tepehua, Tlaxcalan, Totonac, Trique, Tzental, Tzotzil, Zapotec, Zapotec Tehuartepec, and Zoque tribes. The photographs were made by William L. Koehne of Chicago for publication in Frederick Starr's book, Physical Characters of Indians of Southern Mexico.
Biographical/Historical note:
Frederick Starr (1858-1933) was an anthropologist and academic who worked as curator at the American Museum of Natural History and professor of anthropology at the University of Chicago. During his professiorship, Starr hired professional photographer and studio owner William L. Koehne to make the studio portraits for his 1902 book, Physical Characters of Indians of Southern Mexico. Additionally, Starr made several field studies in Mexico and commissioned field photographs and plaster busts.
Local Call Number(s):
NAA Photo Lot 123
Location of Other Archival Materials:
Photographs collected by Cyrus Thomas, Robert T. Hill, Edward W. Nelson, and Edgar L. Hewitt have been relocated to Photo Lot 169, Photo Lot 170, Photo Lot 171, and Photo Lot 172, respectively.
The Smithsonian Institution National Museum of the American Indian Archives holds the Frederick Starr negatives and lanterns slides, 1894-1910.
Correspondence from Starr held in the National Anthropological Archives is in MS 4558, MS 4821, and the Bureau of American Ethnology records.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 123, Frederick Starr collection of William L. Koehne photographs of Indigenous peoples of Mexico, National Anthropological Archives, Smithsonian Institution
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
From the time he was in high school, Donald B. Cordry (1907-1978) was deeply interested in set design and puppetry. He attended the Minneapolis Institute of Art and started carving wooden marionettes and hand puppets in his early twenties. In 1934 Cordry moved to New York and landed work as a marionette designer for the well-known and highly-respected puppeteer, Tony Sarg. By this time, Cordry had already made his first trip to Mexico, in 1931, where he had become fascinated by contemporary Mexican Indian art, especially mask making. In New York, Cordry sought out George G. Heye and collected for Heye from 1935 until 1938. On his first collecting trip for Heye, in 1935, Cordry traveled throughout the states of Michoacan and Guerrero collecting carved and painted dance masks.
Cordry married fellow artist, Dorothy Mann, in 1936 and traveled for six months through Nayarit, Jalisco and southern Sonora, photographing the Huichol, Cora and Mayo Indians, in addition to collecting extensively. The Cordries moved to Mexico in 1938 and Cordry established his own design business and produced Mexican folk art-style crafts for home decoration. Cordry also assembled an extensive library dealing with pre- and post-conquest Mexico and had become something of a self-styled ethnographer. Together with his wife, Cordry published Costumes and Textiles of the Aztec Indians of the Cuetzalan Region, Puebla, Mexico (1940); The Costumes and Weaving of the Zoque Indians of Chiapas, Mexico (1941); and, most importantly, Mexican Indian Costumes (1968). Cordry's monumental, Mexican Masks (1980), was published shortly after his death. Cordry died in Cuernavaca, Mexico at the age of 71.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
The collection includes materials from cultures in the United States, Mexico, Brazil, Guatemala, Colombia, Ecuador, and Guiana: Acoma Pueblo, Apache, Arapaho, Arikara, Assiniboine, Caddo, Cahuilla, Cherokee, Cheyenne, Chibcha, Chinantec, Chippewa (Ojibwa), Choco, Chol, Chontal, Cochiti Pueblo, Crow, Cuicatec, Eskimo, Flathead, Haida, Hopi, Huastec, Huave, Iowa, Iroquois, Isleta, Karaja, Kwakiutl, Laguna Pueblo, Macusi, Mandan, Maya, Mazahua, Mazatec, Mehinaku, Menomini, Mixe, Mixtec, Navajo, Nez Perce, Osage, Otomi, Ottawa, Pawnee, Pima, Ponca, Potawatomi, Salish, San Blas, San Felipe Pueblo, Sauk & Fox, Shuar, Sioux, Taos Pueblo, Tarasco, Teotihuacan, Tepehua, Tlaxcala, Tlingit, Tonkawa, Totonac, Triqui, Tzental, Tzotzil, Ute, Wampanoag, Zapotec, Zoque, Zuni.
Arrangement note:
Collection arranged by item number.
Biographical/Historical note:
Frederick Starr was born in Auburn, New York, on September 2, 1858. He received a Ph.D. in biology in 1884 at Coe College, where he was later appointed professor of biology. Starr did postgraduate work in anthropology at Yale. In 1889 he was appointed head of Ethnology at the American Museum of Natural History, and in 1892 he was chosen by William Harper to organize the Anthropology Department at the new University of Chicago. Starr remained at the University until his retirement in 1923. Besides his field studies with various Indian tribes in the United States, Starr traveled to Mexico, Brazil, Colombia, Guatemala, Ecuador, Guiana, Japan, the Philippines, and Africa. He died in Tokyo, Japan, on August 14, 1933. Starr was the author of several books and scholarly articles.
General note:
Starr hired professional photographers Charles B. Lang and Louis Grabic to accompany him on his field trips. One lantern slide of Moses Ladd (Menomini) was taken by William H. Jackson.
Provenance:
Dr. Frederick Starr, Purchased, circa 1929
Restrictions:
Access restricted. Researchers should contact the staff of the NMAI Archives for an appointment to access the collection.
Images consist mostly of portraits of the indigenous people in the Mexican states of Michoacán, Guerrero, Nayarit, Sinaloa, Oaxaca, Chiapas and Veracruz. The collection primarily contains images of Wikarika (Huichol) people, but includes images of the Purepecha (Tarasco), Guerrero Nahua, Chinantec [Chinantla], Zoque, Otomí (Otomi), Tzotzil Maya, Yoreme (Mayo) and Zapotec peoples.
Scope and Contents:
The Donald Bush Cordry collection primarily contains photographic prints and negatives made by Cordry while he collected objects from 1935 to 1938 on behalf of the Museum of the American Indian, Heye Foundation. Photographic materials from his private 1933 trip to Guerreo and a few taken around 1940 are also housed in the collection. The photographs depict the native peoples of the Mexican states of Chiapas, Guerrero, Michoacán, Nayarit, Oaxaca, Sinaloa, and Veracruz and represent people preparing food, making masks, pottery and textiles, and dressing for and participating in ceremonies. In addition there are village scenes and informal portraits of individuals. Series 1: Michoacán and Guererro States, includes images shot within the Purepecha (Tarasco) and Guererro Nahua communities between 1935 and 1936. (Negatives: N21118-N21126; Prints: P11986- P12008; Copy Negatives: N36725-N36731) Series 2: Nayarit and Sinaloa States, is the largest series and includes images shot in various Wixarika (Huichol) villages in 1937 and depicts many ceremonial functions. (Prints: P12659-P12672, P12880-P12887, P13273-P13275, P13386-P13414; Copy Negatives: N36855-N36863, N41431-N41432) Series 3: Oaxaca, Chiapas, Sonora and Mexico States, includes images from various culture groups from around 1940. These include Chinantec [Chinantla], Zoque, Otomí (Otomi), Tzotzil Maya, Yoreme (Mayo) and Zapotec. (Prints: P15052-P15053, P15202-P15203, P15347-P15348, P16553-P16562; Copy Negatives: N37306-N37307, N37335-N37336, N37506-N37507)
The photographic prints are all silver gelatin (DOP) and are a range of sizes. The majority of the negatives are copy negatives made by the Museum of the American Indian, Heye Foundation during a photo conservation project in the 1960s.
Arrangement note:
Arranged into three series by date and geographical location. Series 1: Michoacán and Guererro States: Purepecha (Tarasco), Guererro Nahua, 1933, 1935-1936; Series 2: Nayarit and Sinaloa States: Wixarika (Huichol), 1937; Series 3: Oaxaca, Chiapas, Sonora States: Various communities, circa 1940. Within each series the prints and negatives are physically arranged by catalog number.
Biographical/Historical note:
Starting in high school, Donald Bush Cordry was deeply committed to theatrical set design and puppetry and while attending the Minneapolis Institute of Art began to carve his own wooden marionettes and hand puppets. In 1931, Cordry made his first trip to Mexico (Guerrero) and become fascinated by contemporary Mexican Indian art, especially mask making. In 1934, Cordry moved to New York to work as a marionette designer for puppeteer Tony Sarg and soon contacted George G. Heye to learn more about Mexican Indian art. From 1935 to 1938, Cordry collected Mexican masks and other art forms on behalf of the Museum of the American Indian, Heye Foundation. On his first 1935 collecting trip for Heye, Cordry traveled throughout the states of Michoacán and Guerrero and collected carved and painted dance masks.
In 1936, Cordry married fellow artist Dorothy Mann. Shortly after their wedding, the newlyweds traveled by horseback for six months through Nayarit, Jalisco, and southern Sonora and extensively collected among and photographed the Huichol, Cora and Mayo Indians. The couple moved to Mexico in 1938, first settling in Oaxaca; in the mid-1940s, no longer working for Heye, they relocated to Mexico City. There Cordry established his own design business and produced decorative Mexican folk art-style crafts. His business was highly successful and his work was featured in House and Garden magazine. The couple moved to Cuernavaca, where in 1953 Cordry suffered a stroke and was forced to close his workshop. His stroke also put an end to his traveling and collecting activities. Deeply interested in the history and traditions of Mexican Indians, Cordry assembled an extensive reading library of pre- and post-conquest Mexico materials and together with his wife published "Costumes and Textiles of the Aztec Indians of the Cuetzalan Region, Puebla, Mexico" (1940); "The Costumes and Weaving of the Zoque Indians of Chiapas, Mexico" (1941); and, most importantly, "Mexican Indian Costumes" (1968). Cordry's monumental "Mexican Masks" (1980) was published shortly after his death. Cordry died in Cuernavaca, Mexico, at the age of 71.
Related Materials:
There are around 900 ethnographic items collected by Donald Cordry in Mexico in the National Museum of American Indian's ethnology collections. For more information about these materials contact NMAI Collections.
The National Anthropological Archives (National Museum of Natural History) holds several collections of Donald B. Cordry photographs. See: NAA Photo Lot 87-38, NAA Photo Lot 82-14, and NAA Photo Lot 80-3. The Donald Cordry Mexican mask collection at Natural History can be found in the Department of Anthropology in accession 355867.
Provenance:
The majority of the Donald Cordry photographs came to the Museum of the American Indian, Heye Foundation along with field collections in 1936 and 1938. There were additional donations of photographs made by Cordry in 1937, 1940, 1941 and 1943.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Identification of specific item; Date (if known); Donald B. Cordry photographs from Mexico, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
This series includes photographic prints and copy negatives made across Mexico sometime around 1940, after Cordry was no longer working for the Museum of the American Indian, Heye Foundation. The photographs were included with additional gifts and exchanges with the MAI in 1940, 1941 and 1943. The prints include portraits of Tzotzil Maya women in San Bartolomé de los Llanos, Chiapas; Chinantec [Chinantla] women in Choapam, Oaxaca; Zoque men and women in Copainala and Tuxtla Gutiérrez, Chiapas; an Otomi fiesta in Chalma, Mexico; Yoreme (Mayo) man and woman in Huatabampo, Sonora; and a Zapotec woman in Villa Hidalgo (Yalálag), Oaxaca. There are also several images of Zoque masks Cordry collected and two photographs of watercolor paintings made by Cordry.
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Donald B. Cordry photographs from Mexico, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Image of a Zoque Mask from Tuxtla Gutiérrez, Chiapas State, Mexico. The mask is used in the dance of San Roque etze.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Donald B. Cordry photographs from Mexico, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Image of a Zoque Mask from Tuxtla Gutiérrez, Chiapas State, Mexico. The mask is used in the dance of San Roque etze.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Donald B. Cordry photographs from Mexico, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Outdoor portrait of a Zoque man in Tuxtla Gutiérrez, Chiapas State, Mexico.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Donald B. Cordry photographs from Mexico, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Portrait of an elderly Zoque woman sitting against a stone wall in Tuxtla Gutiérrez, Chiapas State, Mexico.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Donald B. Cordry photographs from Mexico, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Portrait of three Zoque woman, two standing, one sitting in Copainalá, Chiapas State, Mexico. They wear traditional woven skirts and headscarves.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Donald B. Cordry photographs from Mexico, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Incompletely identified, relating to various Mexican tribes. No date. (20th Century).
Catalog 4601: (1) Tribe: Tarahumare Description: "Altamano." Two men, standing. (2) Tarahumare ? "Altamano." White woman showing chart to Indian boy. (3) Tarahumare "Tarahumara ploughman." Two men and two oxen. (4) Men and boys sitting in circle. "Tseltal." (5) Zoque "Zoque village." (6) "Adobe making. Ta ta angel." (7) Woman making tortillas ? (8) Man reaping wheat. (9) Men along street, with sheaves of wheat. (10) Mexico ? Men selling woven mats at side of street. (11) Boy in classroom. (12) "Lacandon." Man in front of straw thatched shelter. (13) Two men working in printer's office. (14) Men, some in fishing boat, holding net. (15) "Jungle camp." White woman cooking.
1081-a: "Mexican Indian Languages" by E. A. Fuertes. In five columns: English, Chimalapa or Zoque, Guichicovian or Mije, Zapoteco, and Maya; with notes on phonology and grammar, appearance of the natives, religion, traditions, etc., and a few words of the Huave language. Dated at Stamford, Connecticut, April 9, 1872. Handwritten.
Also separate clerk's copies of the Zoque, Mije, and Huave vocabularies, under Numbers 1081-b, -c, -d.
Local Numbers:
NAA MS 1081
Topic:
Language and languages -- Documentation Search this
Chimalapa. Mpio. Sta. María Chimalapa: Arroyo Cuuseu [interpreted] (en zoque), región del Río Verde en área de explotación forestal, ca. 8-10 km. en línea recta al N. de Sta. María, al N. del Río Verde y al S. del arroyo Hamaca., Oaxaca, Mexico, North America - Neotropics
