50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave mounds and excavations. The collection also includes images of prisoners at Fort Marion in 1875, Sioux Indians involved in the Great Sioux Uprising in Minnesota, the Fort Laramie Peace Commission of 1868, Sitting Bull and his followers after the Battle of the Little Bighorn, and the aftermath of the Wounded Knee Massacre in 1890.
There are studio portraits of well-known Native Americans, including American Horse, Big Bow, Four Bears, Iron Bull, Ouray, Red Cloud, Red Dog, Red Shirt, Sitting Bull, Spotted Tail, Three Bears, and Two Guns White Calf. Depicted delegations include a Sauk and Fox meeting in Washington, DC, with Lewis V. Bogy and Charles E. Mix in 1867; Kiowas and Cheyennes at the White House in 1863; and Dakotas and Crows who visited President Warren G. Harding in 1921. Images of schools show Worcester Academy in Vinita, Oklahoma; Chilocco Indian School; Carlisle Indian Industrial School; Haskell Instittue, and Albuquerque Indian School.
Some photographs relate to the Centennial Exposition in Philadelphia, 1876; World's Columbian Exposition in Chicago, 1893; Louisiana Purchase Exposition in St. Louis, 1903; and Centennial Exposition of the Baltimore and Ohio Railraod, 1876. Expedition photographs show the Crook expedition of 1876, the Sanderson expedition to the Custer Battlefield in 1877, the Wheeler Survey of the 1870s, Powell's surveys of the Rocky Mountain region during the 1860s and 1870s, and the Hayden Surveys.
Outstanding single views include the party of Zuni group led to the sea by Frank Hamilton Cushing; Episcopal Church Rectory and School Building, Yankton Agency; Matilda Coxe Stevenson and a companion taking a photographs of a Zuni ceremony; John Moran sketching at Acoma; Ben H. Gurnsey's studio with Indian patrons; Quapaw Mission; baptism of a group of Paiutes at Coeur d'Alene Mission; court-martial commission involved in the trial of Colonel Joseph J. Reynolds, 1877; President Harding at Sitka, Alaska; Walter Hough at Hopi in 1902; and Mrs. Jesse Walter Fewkes at Hopi in 1897.
Biographical/Historical note:
George V. Allen was an attorney in Lawrence, Kansas and an early member of the National Stereoscope Association. Between the 1950s and 1980s, Allen made an extensive collection of photographs of the American West, mostly in stereographs, but also including cartes-de-visite and other styles of mounted prints, photogravures, lantern slides, autochromes, and glass negatives.
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
Indians of North America -- Great Plains Search this
Type:
Collection descriptions
Archival materials
Stereographs
Photographs
Date:
1862
Scope and Contents note:
Stereoview of Dakota women and children with a canopy in corn fields, guarding corn from birds. The photograph was made by Adrian John Ebell, shortly before the Sioux uprising in Minnesota, 1862.
Biographical/Historical note:
Adrian John Ebell (1840-1877) immigrated to the United States from Ceylon as a youth and entered Yale University in 1859. In 1862, he hired University of Chicago student Edwin R. Lawton as his assistant on a trip to photograph Native Americans in Minnesota. They rented camera equipment from St. Paul photographer and gallery operator Joel E. Whitney, who would later publish many of Ebell's photographs. On August 17, Ebell and Lawton stayed at Dr. Thomas S. Williamson's mission near the Upper Sioux Agency and fled with the other refugees when news of the revolt reached the mission the next day. Ebell created his most widely published photograph of the refugees resting on the prairie during this flight. After the group stopped in Henderson, Ebell and Lawton continued on to St. Paul, where Ebell gave his exposed glass plates to Whitney for publication and wrote articles about the experience for the St. Paul Daily Press. Ebell then briefly joined Colonel Henry Hastings Sibley's expedition, photographing the Dakota captives at Camp Release, before returning to his studies at Yale. In June 1863, his account of the uprising, entitled "The Indian Massacres and War of 1862," was published in Harpers New Monthly Magazine.
Local Call Number(s):
NAA Photo Lot 2000-15
Location of Other Archival Materials:
Additional Ebell photographs held in National Anthropological Archives Photo Lot 90-1.
The Minnesota Historical Society also holds Ebell photographs from 1862.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Stereographs
Citation:
Photo Lot 2000-15, Adrian John Ebell photograph of women and children guarding corn, National Anthropological Archives, Smithsonian Institution.
Indians of North America -- Great Basin Search this
Type:
Collection descriptions
Archival materials
Negatives
Copy prints
Place:
Yosemite National Park (Calif.)
Washington (D.C.)
Florida
Yellowstone National Park
Colorado
Date:
mid-19th - early 20th century
Scope and Contents note:
Copies of photogaphs selected from the George Eastman House collection by Bureau of American Ethnology archivist Margaret Blaker in 1962. Many of the photographs are individual or group portraits of American Indians and some highlight pottery, baskets, and cradleboards. There are also images of American Indian dwellings, including tipis and hogans; pueblos; dances; and an encampment during the Modoc War and Plains Indian prisoners at Fort Marion, Florida (1870s).
Expedition photos in the collection were made on T. O. Selfridgeʹs Darien Expedition (1870-1871), the Wheeler surveys (1871-1874), and the Hayden Geological Survey (1871). The collection also includes portraits of Frederick Douglass, Sitting Bull, and John A. Logan; and images from Buffalo Bill's Wild West Show; Company F of New York's 140th Volunteer Infantry; and the Smithsonian in Washington, DC.
Local Call Number(s):
NAA Photo Lot R79
Reproduction Note:
Copy negatives made by George Eastman House, 1962.
Copy prints made by the Smithsonian, 1962-1963.
Location of Other Archival Materials:
The National Anthropological Archives holds vintage prints for many of the photographs copied in this collection, including in Photo lot 4501, Photo Lot 4605, and Photo Lot 90-1.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
The images were acquired for reference purposes and cannot be reproduced. Copies may be obtained from George Eastman House, International Museum of Photography and Film.
This collection consists of four cartes-de-visite portraits of Native American men involved in the Dakota War of 1862. Individuals were photographed by Joel Emmons Whitney between approximately 1864 and 1865. Reprints of these cartes-de-visite were later sold by Whitney and Charles Alfred Zimmerman in their St. Paul, Minnesota studio throughout the following decade. The individuals portrayed include: Hole in the Day (also known as Pogonaykeshick; Ojibwe), John Otherday (also known as Anpetutokeca; Dakota), Thomas Wakeman (also known as Wowinape; Dakota), and Shakopee (also known as Little Six; Dakota).
Arrangement:
The materials in this collection were organized into 1 folder.
Biographical / Historical:
Joel Emmons Whitney (1822-1886) is considered the most influential pioneer photographer in Minnesota spanning the years 1851 to 1871. Whitney was born in Phillips, Maine in 1822, later moving to the St. Paul, Minnesota area in 1850, and establishing several successful photography studios there. His most common photographic works were cartes-de-visite depicting local landscapes, as well as portraits of Civil War soldiers and Native Americans in the Minnesota area. Whitney later partnered with Charles Alfred Zimmerman (1844-1909) and the two opened the Whitney and Zimmerman Studio shortly before Whitney ended his photography career in the early 1870s. He died in St. Paul, Minnesota in 1886, at age 63.
Related Materials:
The Minnesota Historical Society holds a large collection of Joel E. Whitney cartes-de-visite, including the four included here. Further, the Minnesota Historical Photo Collectors Group published a 2001 catalog of Whitney's cartes-de-visite, titled Joel E. Whitney: Minnesota's Leading Pioneer Photographer.
Provenance:
This collection was donated by Bridget Bly in 2015.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Identification of specific item; Date (if known); Dakota War cartes-de-visite, Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Four Chippewa (?) men and a young boy are pictured. The item is number 743 of the series Lake Superior Scenery, North Shore.
Local Numbers:
NAA INV.09895600
OPPS NEG.91-15715
Other Title:
Lake Superior Scenery, North Shore
"Scene at Indian payment, Odanah, Wisconsin"
Collection Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
The item is number 495 of an unidentified series. The item is identical to number 1100 of Photo Lot 90-1.
Local Numbers:
NAA INV.09896500
OPPS NEG.94-9244
Other Title:
"Chippewa Indian deer hunt, on snow shoes"
Collection Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
The number 640 is etched into the negative, but no series is identified. The item is identical to number 327 of Photo Lot 90-1.
Local Numbers:
NAA INV.09896400
Other Title:
"Domestic scene, Chippewa Indians"
Collection Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
Studio portrait. The number 815 is etched into the negative, but no series is identified.
Local Numbers:
NAA INV.09852900
Other Title:
"Ha-za-e-yon-ke-win (Old Bets), One who gather berries running, 120 years old"
Collection Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
Pictured is a woman carrying a baby standing next to a canoe and a wigwam. In the background, four other women stand next to a wigwam. The number 737 is etched into the negative, but no series is identified.
Local Numbers:
NAA INV.09853000
Collection Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
Studio portrait. The number 416 is etched into the negative, but no series is identified.
Local Numbers:
NAA INV.09853200
Collection Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
Studio portrait. The number 439 is etched into the negative, but no series is identified.
Local Numbers:
NAA INV.09853400
Other Title:
"Ne-bah-quah-om, Big Dog, a Chippewa chief who offered himself and his band of warriors to the government to fight the Sioux in their raid in Minnesota in 1862."
Collection Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
The people are outside a wigwam. The number 738 is etched into the negative, but no series is identified.
Local Numbers:
NAA INV.09853500
Other Title:
"Domestic scene, Chippewa Indians"
Collection Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
The number 640 is etched into the negative, but no series is identified. The item is identical to number 756 of Photo Lot 90-1.
Local Numbers:
NAA INV.09853600
Other Title:
"Domestic life, Chippewa Indians"
Collection Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
Studio portrait. The stereograph is hand-tinted. The number 109 is etched into the negative, but no series is identified.
Local Numbers:
NAA INV.09853700
Other Title:
"Opposed Hole-in-the-day in his designs of making war upon the whites."
Collection Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
Carte-de-visite printed description reads as follows: Little Crow's Son. Wo-wi-na-pe. (One Who Comes In Sight). Taken prisoner by the Military Expedition, under command of Brig. Gen. Sibley, 1863. Photographed by J.E. Whitney, at Fort Snelling, February 24, 1864
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Collection Citation:
Identification of specific item; Date (if known); Dakota War cartes-de-visite, Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Carte-de-visite printed description reads as follows: Po-go-nay-ke-shick / Hole in the day / the Celebreated Chippewa Chief. Charles A. Zimmerman, Photographer, St. Paul, Minn
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Collection Citation:
Identification of specific item; Date (if known); Dakota War cartes-de-visite, Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Carte-de-visite printed description reads as follows: Anpetu-tokeca (Other Day), who rescued sixty-two persons from the Indian Massacre of 1862, in Minnesota. Whitney & Zimmerman, Photographers, St. Paul, Minn
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Collection Citation:
Identification of specific item; Date (if known); Dakota War cartes-de-visite, Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
