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Living Earth Festival - Chiles

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2010-07-30T17:15:52.000Z
YouTube Category:
Entertainment  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_mPC0bh7Qdr4

Ezra Zubrow aerial photographs of the Rio Grande Pueblos, circa 1967

Photographer:
United States. Air Force  Search this
Creator:
Zubrow, Ezra B. W.  Search this
Extent:
64 Prints (silver gelatin, 10" x 20")
Culture:
Pueblo Indians  Search this
Nambe Pueblo  Search this
Tesque  Search this
A:shiwi (Zuni)  Search this
Zia Pueblo  Search this
Santa Ana Pueblo  Search this
Taos Pueblo  Search this
Laguna Pueblo  Search this
Isleta Pueblo  Search this
Cochiti Pueblo  Search this
Acoma Pueblo  Search this
San Ildefonso Pueblo  Search this
Picuris Pueblo  Search this
Type:
Collection descriptions
Archival materials
Prints
Aerial photographs
Place:
Rio Grande Valley (Colo.-Mexico and Tex.)
San Felipe Pueblo (N.M.)
Jemez Pueblo (N.M.)
Pojoaque pueblo (N.M.)
Sandia Pueblo (N.M.)
San Juan Pueblo (N.M.)
Date:
circa 1967
Summary:
64 aerial photographs of Rio Grande Pueblos made circa 1967 from 60,000 feet by a U2 aircraft.
Scope and Contents:
Aerial photographs of Rio Grande Pueblos made circa 1967 from 60,000 feet by a U2 aircraft, commissioned by Ezra Zubrow. Pueblos photographed include Acoma, Cochiti, Ildefonso, Isleta, Jemez, Laguna, Nambe, Picuris, Pojoaque, Sandia, San Felipe, San Juan, Santa Ana, Santa Clara, Taos, Tesuque, Zia, and Zuni.
Arrangement:
The photographs are arranged alphabetically by Pueblo.
Historical Note:
Ezra Zubrow provides the following background:

"Here is a quick version of the story of the photographs. . . I was a graduate student at the University of Arizona and during the summer of 1967 or 1968. I was working at the Southwestern Archaeological Expedition run by Paul S. Martin of the Field Museum of Chicago at the Hay Hollow Valley. I was a field foreman.

One day a group of B52's came over the nearby mesas very very low. This was the time of Vietnam. The sound was deafening and it seemed as if the earth shook and that they were only a few hundred feet above us. I remember looking up and I would swear that the bomb doors were open and that I saw a light inside. It was clear that they were doing some kind of low level practice and I thought it was a practice bombing run. When my ears stopped ringing, I thought to myself those planes must have cameras to record the dropping of the bombs and if they happen to come by again maybe I could ask them to take pictures of our excavations. So I wrote a letter to the "commanding general of the air force". I did not have a name or an address so I just sent it to the Commanding General US Air Force, Pentagon, Washington DC. I explained how useful photographs from the air were for doing archaeology in my letter and drove some 20 miles to Showlow Arizona to send the letter. When I did not hear anything I promptly forgot about it realizing that it was a "silly thing to have done." Two and half months went by and just before I left Vernon I received a package from the US Air Force from a colonel who was with a "reconnaissance" wing. In it was a letter saying that my letter had been received at the pentagon and had wended its way through various offices with a request that if it was possible to help us please do and here were a set of pictures of your excavations and the nearby area. To say the least I was thunderstruck. I had no idea how they had done the photographs but there were a set of 9x18 negatives and prints.

When I returned to Tucson for the fall semester a few days later, I started to look at the photographs. I realized that I wanted to say thank you and sent a letter saying thank you to the air force. It then occurred to me that it would be a nice thing to do to call and say thank you in person. I called the Pentagon and after several calls they provided me a number to call. It had the same area code as Tucson and I realized that the colonel was probably stationed at Davis Monthan Air Force Base. So I called the base and asked if I could make an appointment to meet him and personally say thank you. I got an appointment the following week and went out to the base. At the guard house I told them I had an appointment with the colonel and they told me to wait at the gate house which I did. After about 15 minutes a soldier came out with a car and asked me to leave my car at the gatehouse and he would drive me into the base. The car actually had blacked out side and rear windows.

We went into a low lying building and there were several people there including Colonel Y and a Lieutenant X. I told them how appreciative I was and that all the other archaeologists at the Southwestern Archaeological Expedition appreciated their help as well.

I had no idea with whom I was dealing. They showed me around various rooms and laboratories for photography and finally came to a room with a large chalkboard in it. On the chalkboard was a listing of missions, plane numbers, and pilots. There were a range of missions scheduled for several weeks and when I realized that several of them were over Vietnam, Cambodia, China, and Russia I stopped in my tracks. I looked at my hosts and said what kind of planes were they flying. I still thought it was something like a B52. They said it was the U2. I was speechless and as I later learned my mouth dropped so wide that all the men in the room started laughing. They said that if I wanted to watch one land it was going to land in a few minutes and as I was leaving I could watch. Of course I wanted to.

So as I left, I said thank you again and the Colonel and the Lieutenant said if they could help more, they would be willing to do so.

It turned out that Lieutenant X and I were about the same age and that we each had just been married a short time. We both were in a "foreign town," Tucson. So the two couples began t to meet for dinner and joined some other young couples who were in Tucson for the first time. The following semester, I had the idea of photographing the Pueblos. I asked Lieutenant X and Colonel Y if it might be possible and they said yes. I went back to the base and we sat with maps and plotted out the exact flight plan.

And that's more or less how it happened. The Colonel, the Lieutenant, and I continued to be friends for many years."[1]

[1] Email from Ezra Zubrow to archivist Gina Rappaport, April 22, 2010.
Biographical Note:
Ezra Zubrow is an anthropologist who has served on the faculty of the University at Buffalo since 1977. His broad interests include archaeological and anthropological theory and method, social policy of heritage and disability, Nordic archaeology, and ecology.
Provenance:
The collection was donated by Ezra Zubrow in 2010.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Pueblos  Search this
Genre/Form:
Aerial Photographs
Citation:
Photo Lot 2010-13, Ezra Zubrow aerial photographs of the Rio Grande Pueblos, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.2010-13
See more items in:
Ezra Zubrow aerial photographs of the Rio Grande Pueblos, circa 1967
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-2010-13

Victor and Christine Romero film of Allan Houser

Film producer:
Romero, Victor  Search this
Film director:
Romero, Christine Solinski  Search this
Names:
United States. Department of the Interior  Search this
Houser, Allan, 1914-1994  Search this
Extent:
6 Film reels (16mm)
3 Sound tape reels (1/4 inch)
5 Videocassettes (Betacam)
0.25 Linear feet
Culture:
Warm Springs Chiricahua Apache (New Mexico)  Search this
Zia Pueblo  Search this
Diné (Navajo)  Search this
Potawatomi  Search this
Type:
Collection descriptions
Archival materials
Film reels
Sound tape reels
Videocassettes (betacam)
Date:
May 12, 1992
Summary:
This collection contains an unpublished documentary film shot on May 12, 1992 that depicts an interview with artist Allan Houser [Warm Springs Chiricahua Apache (New Mexico)] discussing his remembrances of painting murals at the U.S. Department of the Interior headquarters in Washington, DC in 1939-1940. The film was shot by Victor Romero (Isleta Pueblo) and Christine Romero.
Scope and Contents:
This collection contains an unpublished documentary film that was shot by filmmakers Victor Romero (Isleta Pueblo) and Christine Romero, which depicts an interview with artist Allan Houser [Warm Springs Chiricahua Apache (New Mexico)]. The footage was shot on May 12, 1992 in the Department of the Interior penthouse in Washington, DC with Houser providing remembrances of his life and his perspective of painting murals there in 1939-1940 as part of the Treasury Department's Section of Painting and Sculpture public art program. In the documentary, Houser views the murals for the first time since he painted them 50 years before and recalls his experiences with fellow artists- Velino Shije Herrera (Zia Pueblo), Gerald Nailor [Diné (Navajo)], and Woody Crumbo (Potawatomi)- who were painting their own murals in the penthouse at the same time. At the time of filming, the penthouse was closed and off-limits and the murals were about to undergo restoration.

The materials in this collection include six 16mm processed film reels; three 1/4" sound reels; three BetacamSP transfers of reels 1 through 6; a BetacamSP master of a 2:30 promo edit; a BetacamSP transfer of music by David Spotted Eagle licensed for the promo; an interview transcript; a log of avid bins; a disc of avid bins; and other textual documents.

Victor E. Romero served as the Producer, Christine Solinski Romero as Director, Gary Geboy as Cinematographer, and Haven McKinney as the Audio Recordist. Unfortunately, the Kodak film stock they used was defective and the footage turned out grainy, while the audio of the interview turned out clear. Subsequently, the intended documentary about the restoration of the murals was not completed other than a short demo reel.
Arrangement:
Materials are arranged by media.
Allan Houser and the Department of the Interior Murals:
Allan Houser is considered one of the most renown Native American painters and sculptors of the 20th century. Born Allan Capron Houser (originally Haozous) on June 30, 1914 near Apache, Oklahoma, Houser was a member of the Warm Springs Chiricahua Apache tribe.

He left Oklahoma in 1934 to study painting with Dorothy Dunn at her Santa Fe Indian School and remained a student there until 1938. In addition to painting murals at the Department of the Interior in Washington, D.C. in 1939, he also painted murals for the Golden Gate Exposition in San Francisco and the New York World's Fair.

In 1940, Houser studied with Swedish artist Olle Nordmark at the Fort Sill Indian School art program and was encouraged to take up sculpture. Eight years later, the Haskell Institute in Lawrence, Kansas commissioned his first sculpture, Comrades in the Mourning. Houser taught art at Intermountain Indian School in Brigham City, Utah beginning in 1952 and left in 1962 to teach sculpture at the Institute of American Indian Arts in Santa Fe, New Mexico. He retired from academic life in 1975. Allan Houser died in Santa Fe in 1994.

The murals that are depicted in this documentary were commissioned by the Treasury Department's Section of Painting and Sculpture public art program, which was often referred to as the "Section." Created in 1934 during the Great Depression by President Franklin D. Roosevelt's administration, the program was designed to increase employment for artists. The Section artists were commissioned to create art to decorate public buildings often in the form of murals or reliefs. At the Department of the Interior headquarters in Washington, DC, six artists were commissioned from five tribes including artists Velino Shije Herrera (Ma Pe Wi [Red Bird]), Zia Pueblo, 1902-1973; Gerald Nailor (To Yah), Diné (Navajo), 1917-1952; and Woody Crumbo (Woodrow Wilson Crumbo), Potawatomi [Oklahoma], 1912-1989. The Section program was discontinued in 1943.
Victor and Christine Romero:
Victor Eugene Romero (Pueblo of Isleta) is a graduate of New Mexico State University (BA, Journalism and Mass Communications, 1976). Following a stint as an independent video producer, Victor transitioned to a career at the U.S. Census Bureau, including varied service as manager of video/photo/radio production, and team leader for promotions and branding initiatives. His high-level contributions feature extensive work on Census 1990, 2000, 2010, 2020.

Christine Solinski Romero is a graduate of the University of Texas at Austin (BS, Radio-TV-Film, 1976). Her extensive documentary production credits as Producer, Director, Editor include programs for PBS, National Geographic Television, Discovery Channel, Smithsonian Channel, and an award-winning independent documentary feature, Besa: The Promise, the story of Albanians Muslims who protected refugee Jews during the Holocaust. In 2012, Christine transitioned to a career as a Yoga Instructor and Therapist.
Provenance:
Gift of Victor and Christine Romero, 2019.
Restrictions:
Access to the media materials in this collection are closed until the materials have been digitized. Textual materials are available to view for reference purposes only. Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu.
Topic:
American Indian art and culture  Search this
Mural painting and decoration  Search this
Citation:
Identification of specific item; Date (if known); Victor and Christine Romero film of Allan Houser, box # and folder #, NMAI.AC.401; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.401
See more items in:
Victor and Christine Romero film of Allan Houser
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-401

Odd Halseth collection of negatives and photograph

Creator:
Halseth, Odd S.  Search this
Extent:
158 Negatives (photographic) (black and white)
4 Photographic prints (black and white)
Culture:
Puye Pueblo  Search this
K'apovi (Santa Clara Pueblo)  Search this
Diné (Navajo)  Search this
Kewa (Santo Domingo Pueblo)  Search this
Akimel O'odham (Pima)  Search this
San Ildefonso Pueblo  Search this
Piipaash (Maricopa)  Search this
Jemez Pueblo  Search this
Zia Pueblo  Search this
Yoeme (Yaqui) [Pascua Yaqui]  Search this
Tesuque Pueblo  Search this
Cochiti Pueblo  Search this
Type:
Collection descriptions
Archival materials
Negatives (photographic)
Photographic prints
Photographs
Black-and-white negatives
Date:
1920-1925
Summary:
The collection consists of negatives and photographs made by Halseth from 1920 to 1925 in Arizona and New Mexico.
Scope and Contents:
The collection consists of negatives and photographs made by Halseth from 1920 to 1925 in Arizona and New Mexico. The materials are primarily informal, outdoor group and individual portraits of Akimel O'odham (Pima), Diné (Navajo), Yoeme (Yaqui) [Pascua Yaqui], Piipaash (Maricopa), K'apovi (Santa Clara Pueblo), Zia Pueblo, San Ildefonso Pueblo, Jemez Pueblo, Cochiti Pueblo, Kewa (Santo Domingo Pueblo), and Tesuque Pueblo men, women, and children. In addition among the Akimel O'odham photographs are depictions of dwellings, potters, ladle makers, baskets, the construction of an oven, food preparation, dwellings, and mattress factory wokers; among the K'apovi ceremonials and village views; among the Zia pottery and portraits of and paintings by Velino Shije Herrera; among the Jemez ceremonials and village views; among Kewa ovens; and among San Ildefonso village views and paintings by Awa Tsireh. The collection also includes photogrpahs depicting the pictographs at Puye.
Arrangement note:
Negatives Arranged by negative number (N32893-N33051)

Prints Arranged by print number (P19345-P19346, P19630-P19631)
Biographical/Historical note:
Born in 1893 in Moss, Norway, Halseth was an anthropologist, museum director, educator, author, art critic, and lecturer. As a young man he studied electrical engineering and anthropology in Germany and served both Norway and the United States during World War I. While in San Diego for military training, he met archaeologist Edgar L. Hewett and after the war accepted a position with Hewett as the curator of art at the San Diego Museum. In 1923, he moved to Santa Fe, where he was on both the staff of the School of American Research and the Museum of New Mexico. After four years, Halseth was appointed director of the newly established Arizona Museum in Phoenix and in 1929 initiated the excavation of the Pueblo Grande Indian ruins and founded the Pueblo Grande Museum. Halseth was also Phoenix's head archaeologist and superintendent of the city's Division of Archaeology. Active in his field, Halseth was a fellow of the American Anthropological Association, a member of the Society of American Archaeology, and the author of numerous publications on Arizona archaeology and indigenous arts and crafts. He retired in 1960.
Provenance:
Historically, the Museum of the American Indian, Heye Foundation managed all photographic materials separately. This collection description represents current management practices of organizing and contextualizing related archival materials.
Restrictions:
Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
Rights:
Restricted: Cultural Sensitivity
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Topic:
Indians of North America -- Arizona -- Photographs  Search this
Indians of North America -- New Mexico -- Photographs  Search this
Genre/Form:
Photographs
Photographic prints
Black-and-white negatives
Citation:
Odd Halseth collection of negatives and photographs, 1920-1925, National Museum of the American Indian Archives, Smithsonian Institution
Identifier:
NMAI.AC.038
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-038

Anne Forbes collection

Creator:
Forbes, Anne, 1919-  Search this
Source:
United States. Indian Arts and Crafts Board  Search this
Names:
Indian Arts Fund (Santa Fe, N.M.)  Search this
Herrera, Joe, 1923-2001  Search this
Herrera, Velino  Search this
Martinez, Julian, -1943  Search this
Martínez, María Montoya  Search this
Toledo, José Rey, 1915-1994  Search this
Former owner:
United States. Indian Arts and Crafts Board  Search this
Extent:
472 Photographic prints
1 Linear foot
Culture:
Cochiti Pueblo  Search this
Ohkay Owingeh (San Juan Pueblo)  Search this
Taos Pueblo  Search this
Tesuque Pueblo  Search this
Picuris Pueblo  Search this
K'apovi (Santa Clara Pueblo)  Search this
Laguna Pueblo  Search this
Jemez Pueblo  Search this
Nambe Pueblo  Search this
Isleta Pueblo  Search this
San Ildefonso Pueblo  Search this
Santo Domingo Pueblo  Search this
Zia Pueblo  Search this
Diné (Navajo)  Search this
Acoma Pueblo  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Notes
Reports
Date:
1948-1977
Summary:
The Anne Forbes collection includes documents and photographs pertaining to her research on Indian arts in the Southwest, United States conducted during 1948-1948 and revisited in 1958. The work culminated in the dissemination of a survey titled "Survey of American Indian Arts and Crafts, Southwest and Northern Plains." Forbes focused mostly on Pueblo paintings having developed personal relationships with several Pueblo painters including Joe Herrera (Cochiti Pueblo), Velino Herrera (Zia Pueblo) and Jose Rey Toledo (Jemez Pueblo).
Scope and Contents:
The bulk of the Anne Forbes collection consists of documentation concerning her survey on American Indian arts and crafts in the Southwest and Northern Plains conducted in 1948-1949 and then revisited in 1958. This includes biographical notes on individual Native artists from New Mexico, Arizona, Montana, Colorado, South Dakota and California as well as notes on museum collections and art dealers whose collections and purchases included Indian art from the Southwest. Forbes also visited Pueblo schools during the 1948-1948 trip in order to examine the status of arts education and collected drawings from students as well as took careful notes on each school. Also included in the Forbes papers are the draft and final reports of Forbes' survey as well as responses to the report from prominent institutions and individuals in the Indian art world such as friend and artist Joe H. Herrera. Supporting materials to Forbes' research includes a collection of Smoke Signals newsletters from 1951 to 1965, which was published by the Indian Arts and Crafts Board, brochures and pamphlets from the Bureau of Indian Affairs concerning education and the arts, and exhibition documents and catalogs from museums featuring Native artists' works from the Southwest and Northern Plains.

The photo albums titled "Indian Paintings, Pottery, Pictographs, Prehistoric Murals, Dances, Artists" and "Pueblo Indian Paintings" hold photographs collected and taken by Forbes during her research. The bulk of the photographs are of works of art and are arranged by culture group and artist. There are also a small amount of photographs of the artists themselves and their families.
Arrangement:
The Anne Forbes collection is arranged into two series. Series 1: Indian Arts Research and Supporting Documentation is arranged alphabetically by folder. Series 2: Photo Albums contains two photo albums that have been left in their original orders.
Biographical Note:
Miss Anne Forbes originated from Cambridge Massachusetts. After majoring in art from Bennington College in Vermont, Forbes pursued a Master's degree in social anthropology from Harvard University's Radcliffe College. Taking an interest in Southwest Indian Art, Forbes applied for a fellowship through the Indian Arts Fund for the summer of 1948 to study painting and other techniques used in Pueblo art. Although the fellowship lasted only a summer, Forbes spent the following year visiting various pueblos meeting native artists and purchasing original art works from them. It was at this time that Forbes befriended artists Joe Herrera (Cochiti Pueblo), Velino Herrera (Zia Pueblo) and Jose Rey Toledo (Jemez Pueblo). Forbes also spent time visiting Pueblo schools examining the state of arts education for native children as well as acquiring paintings and drawings made by the Pueblo schoolchildren. In 1958, Forbes sent out a first draft of her "Survey of American Indian Arts and Crafts, Southwest and Northern Plains" which was the culmination of her research on the state of native art at the time with a particular focus on Pueblo artists. Following the release of her report, Forbes did not continue professionally in the world of art instead moving into human relations. Forbes held onto the bulk of her art collection, exhibiting pieces here and there, until donating a large portion of the collection to the National Museum of the American Indian in 2003. A longtime member of the Self-Realization Fellowship, Forbes also donated some of her pieces to that organization.
Separated Materials:
This collection was part of a donation made by Anne Forbes that included 143 paintings and other works of art on paper that are now a part of the NMAI Modern and Contemporary Arts Collection with object numbers 26/3091 to 26/3227 and 26/3854, 26/3855. Artists include Harrison Begay, Theodore Edaaki, Luis Gonzales (Wo Peen), Joe Herrera, Velino Herrera, James Humetewa, Michael Kabotie, Richard Martinez, Theodore Suina, Beatien Yazz and others. For more information on these paintings please contact NMAI Collections at NMAICollections@si.edu.
Provenance:
This collection was donated by Anne Forbes in November of 2003.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Topic:
Indians of North America -- Education -- Southwest, New  Search this
Pueblo Artists -- Directories  Search this
Pueblo Artists -- Exhibitions  Search this
Pueblo Artists -- Photographs  Search this
Indian artists -- New Mexico -- Research  Search this
Indian artists -- Arizona -- Research  Search this
Genre/Form:
Notes
Reports
Citation:
Identification of specific item; Date (if known); Anne Forbes Collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.060
See more items in:
Anne Forbes collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-060

James E. Curry papers

Correspondent:
Paul, William L. Jr  Search this
Creator:
Curry, James E., 1907-1972  Search this
Names:
Rosebud Sioux Tribe  Search this
Three Affiliated Tribes  Search this
United States. Bureau of Indian Affairs  Search this
Bingham, Jonathan  Search this
Cohen, Felix  Search this
Cohen, Henry  Search this
Extent:
121.7 Linear feet
Culture:
Potawatomi  Search this
Muckleshoot  Search this
Nooksack  Search this
Missouria (Missouri)  Search this
Kalispel (Pend d'Oreilles)  Search this
Coeur d'Alene  Search this
Sac and Fox (Sauk & Fox)  Search this
Haida [Kasaan]  Search this
Salish (Flathead)  Search this
Kiowa  Search this
Yuit (Siberian Yup'ik) [Gambell, St. Lawrence Island]  Search this
Hunkpapa Lakota [Standing Rock]  Search this
Sicangu Lakota (Brulé Sioux)  Search this
Wahpetonwan Dakota [Sisseton-Wahpeton Sioux Tribe]  Search this
Mdewakantonwan Dakota [Flandreau]  Search this
Diné (Navajo)  Search this
Yavapai [Fort McDowell]  Search this
Mojave (Mohave)  Search this
Piipaash (Maricopa)  Search this
Iroquois  Search this
Wendat (Huron)  Search this
Hopi Pueblo  Search this
Santa Ana Pueblo  Search this
Cocopa  Search this
San Ildefonso Pueblo  Search this
Akimel O'odham (Pima)  Search this
San Felipe Pueblo  Search this
Tohono O'odham (Papago)  Search this
Paiute  Search this
Wesort  Search this
Tillamook  Search this
Nisga'a (Niska)  Search this
Stockbridge Mahican  Search this
Quinault  Search this
Lummi  Search this
Hualapai (Walapai)  Search this
Taos Pueblo  Search this
Tesuque Pueblo  Search this
Eastern Shawnee [Quapaw Agency, Oklahoma]  Search this
Shoshone  Search this
Sandia Pueblo  Search this
Seminole  Search this
Cheyenne River Lakota Sioux  Search this
Coeur d'Alene  Search this
Croatan  Search this
Choctaw  Search this
Cocopa  Search this
Chickahominy  Search this
Lake Superior Chippewa [Lac Courte Oreilles, Wisconsin]  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
K'apovi (Santa Clara Pueblo)  Search this
Alaskan Eskimo  Search this
Unangan (Aleut)  Search this
Chiricahua Apache [Fort Sill, Oklahoma]  Search this
San Carlos Apache  Search this
Inunaina (Arapaho)  Search this
Sioux [Crow Creek]  Search this
Quechan (Yuma/Cuchan)  Search this
Isleta Pueblo  Search this
Caddo  Search this
Ho-Chunk (Winnebago)  Search this
Yavapai  Search this
Sauk  Search this
Washoe (Washo)  Search this
Niimíipuu (Nez Perce)  Search this
Seneca  Search this
Omaha  Search this
Menominee (Menomini)  Search this
Niuam (Comanche)  Search this
Seri  Search this
Zia Pueblo  Search this
Yoeme (Yaqui)  Search this
Apsáalooke (Crow/Absaroke)  Search this
Catawba  Search this
Muskogee (Creek)  Search this
Numakiki (Mandan)  Search this
Minitari (Hidatsa)  Search this
Sahnish (Arikara)  Search this
Osage  Search this
Chickasaw  Search this
Umatilla  Search this
Kaw (Kansa)  Search this
Tsimshian [Metlakatla]  Search this
Tlingit  Search this
Ute  Search this
Laguna Pueblo  Search this
Jemez Pueblo  Search this
Havasupai (Coconino)  Search this
Kootenai (Kutenai) [Idaho]  Search this
Klamath  Search this
Kickapoo [Oklahoma]  Search this
Oto  Search this
Spokan  Search this
Yakama (Yakima)  Search this
A:shiwi (Zuni)  Search this
Ohkay Owingeh (San Juan Pueblo)  Search this
Cochiti Pueblo  Search this
Type:
Collection descriptions
Archival materials
Notes
Letters
Clippings
Legal documents
Place:
Eastern Band of Cherokee Indians of North Carolina
Date:
1932-1958
Summary:
These are the papers of Washington, D.C. attorney James E. Curry, whose legal career included work both as a government attorney and in his own private practice. The bulk of the papers reflect his private practice in the area of Indian affairs.
Scope and Contents:
The material in the collection includes documents relating to many aspects of Curry's career but most of it relates to his work with Indian tribes and the National Congress of American Indians. For the most, the collection is made up of such materials as letters exchanged with government officials, Indians, and other attorneys; copies of legal documents; published government documents; notes; and clippings and other printed materials. Of particular significance is a subject file relating to Indian affairs. It includes material concerning affairs of Alaskan natives and the Aleut (Akutan, Pribilof Islands), Apache (including Fort Sill, Jicarilla, Mescalero, San Carlos White Mountain), Arapaho (Southern), Assiniboine (Fort Belknap, Fort Peck), Bannock (including Fort Hall), Blackfeet, Caddo, Catawba, Cherokee (Eastern), Cheyenne (Northern, Southern), Chickahominy, Chickasaw, Chippewa (including Lac Courte Oreilles), Choctaw, Cochiti, Cocopa, Coeur d'Alene, Colville, Comanche, Creek, Croatan, Crow, Dakota (Big Foot, Cheyenne River, Crow Creek, Devil's Lake, Flandreau, Fort Totten, Lower Brule, Mdewakanton, Oglala, Rosebud, Santee, Sisseton-Wahpeton, Standing Rock, Yankton), Delaware, Eskimo (including Gambell, Kiana), Flathead, Fox, Haida (including Kasaan), Havasupai, Hopi, Iroquois (Caughnawaga, Seneca, St. Regis), Isleta, Jemez, Kalilspel, Kansa (Kaw), Kickapoo, Kiowa, Klamath, Kutenai, Laguna, Lummi, Maricopa (Gila River, Salt River), Menominee, Missouria, Mohave (Fort Mohave), Mohave Apache (Fort McDowell), Muckleshoot, Navaho, Nez Perce, Niska, Nooksak, Omaha, Osage, Oto, Papago, Paiute (Fallon, Fort McDermitt), Moapa, Pyramid Lake, Shivwits, Walker River, Yerington), Pima (Gila River, Salt River), Potowatomi, Quinaielt, San Felipe, San Ildefonso, San Juan, Santa Ana, Santa Clara, Sandia, Sauk, Seminole (Florida, Oklahoma), Seneca, Seri, Shawnee (Eastern), Shoshoni (including Fort Hall), Sia, Spokan, Stockbridge, Taos (Pyote clan), Tesuque, Three Affiliated Tribes (Mandan, Arikara, and Hidatsa), Tillamook, Tlingit (including Angoon, Craig, Juneau, Kake, Ketchikan, Klawak, Klukwan, Taku, Wrangell), Tsimshian (Metlakatla), Umatilla, Ute (including Uintah-Ouray), Walapai, Washo, Wesort, Winnebago, Wyandot, Yakima, Yaqui, Yavapai, Yuma, and Zuni. There are also materials relating to Curry's work with the Bureau of Indian Affairs and National Congress of American Indians, and material that reflects his interest in conditions and events in given locations (often filed by state) and in organizations with interest in Indians. The material relating to Curry's work in Puerto Rico has been deposited in the Archivo General de Puerto Rico, Instituto de Cultura Puertorriquena, in San Juan.
Arrangement note:
The James E. Curry Papershave been arranged into 6 series: (1) Daily Chronological Files, 1941-1955; (2) Subject Files Regarding Indian Affairs, bulk 1935-1955; (3) Miscellaneous Files Regarding Indian Affairs, bulk 1947-1953; (4) Non-Indian Affairs, n.d.; (5) Puerto Rico Work, 1941-1947; (6) Miscellany, undated.
Biographical/Historical note:
James E. Curry was trained in law in Chicago and practiced in that city from 1930 until 1936, serving part of that time as secretary of the local branch of the American Civil Liberties Union. From 1936 to 1938, he was an attorney with the United States Department of the Interior Bureau of Indian Affairs, being largely involved with matters of credit affecting Indians. From 1938 to 1942, he continued service with the Interior Department but worked in several capacities involving the Puerto Rico Reconstruction Administration, the department's Consumers' Counsel Division, and the Puerto Rico Water Resources Authority.

In 1945, Curry returned to Washington and set up private practice, also maintaining for a time an office in Puerto Rico. In Washington, he became the attorney for the National Congress of American Indians and from that time until the 1950s his practice increasingly involved representation of American Indian tribes, mostly in claims against the federal government. In this work, for a time, he was involved in business relations with a New York Law firm that included Henry Cohen, Felix Cohen, and Jonathan Bingham.

He also often worked closely with lawyers who lived near the tribes he represented, William L. Paul, Jr., of Alaska, for example. This aspect of his practice--representing Indian tribes--was largely broken up during the early 1950s when the Commissioner of Indian Affairs began to use his powers to disapprove contracts between Curry and the tribes. In 1952 and 1953, his official relationship with the National Congress of American Indians was also ended. After this, while Curry continued until his death to act as a consultant in Indian claims with which he had earlier been involved, his career and life developed in a different direction.
Related Materials:
Additional material relating to James E. Curry can be found in the records of the National Congress of American Indians, also located at the National Museum of the American Indian Archive Center.
Provenance:
The Curry papers were originally donated to the National Anthropological Archives by James E. Curry's daughter Mrs. Aileen Curry-Cloonan in December 1973. In 2007 The Curry papers were transferred from the National Anthropological Archives to the National Museum of the American Indian Archive Center along with several other records concerning American Indian law and political rights.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Genre/Form:
Notes
Letters
Clippings
Legal documents
Citation:
Identification of specific item; Date (if known); James E. Curry papers, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.015
See more items in:
James E. Curry papers
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-015

MS 503 Sia vocabulary

Creator:
Stevenson, Matilda Coxe, 1850-1915  Search this
Extent:
9 Items (galley proof sheets )
Culture:
Zia Pueblo  Search this
Indians of North America -- Southwest, New  Search this
Zia Indians  Search this
Type:
Collection descriptions
Archival materials
Date:
undated
Scope and Contents:
Contains 930 terms.
Local Numbers:
NAA MS 503
Local Note:
Prepared for, but not used in the 11th Annual Report of the Bureau of American Ethnology for 1889-90, published 1894.
Topic:
Language and languages -- Documentation  Search this
Citation:
Manuscript 503, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS503
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms503

MS 507-b Vocabulary collected among the Santa Aña and Silla Indians of New Mexico ... transliterated into the Bureau of Ethnology linguistics alphabet by Albert S. Gatschet

Creator:
Stevenson, James, 1840-1888  Search this
Extent:
8 Pages
Culture:
Santa Ana Pueblo  Search this
Zia Pueblo  Search this
Indians of North America -- Southwest, New  Search this
Zia Indians  Search this
Type:
Collection descriptions
Archival materials
Pages
Date:
undated
Scope and Contents:
Similar to Gatschet's copy, Number 507-a, which see. This is not in Stevenson's hand (cf. autograph letter signed, Stevenson to Powell, June 4, 1883, incoming letter number 226, Bureau of American Ethnology correspondence files), and is clearly a clerk's copy from Number 507-a, as witness the many uncertainties and erasures, as well as the substitution of the word "general" for Gatschet's "generic," page 8. It is clearly not the original, although it has erroneously been marked, "Original" in J. N. B. Hewitt's hand. --MC Blaker, 6/61.
Local Numbers:
NAA MS 507-b
General:
Previously titled "Another copy of Stevenson's manuscript."
Citation:
Manuscript 507-b, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS507B
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms507b

MS 499 Collection of words, phrases and sentences from the Kera dialects of New Mexico

Creator:
Gatschet, Albert S. (Albert Samuel), 1832-1907  Search this
Zepherino, Jose  Search this
Menaul, John  Search this
Names:
Bandelier, Adolphe Francis Alphonse  Search this
Stevenson, James, 1840-1888  Search this
Extent:
82 Items (ca. 82 pages)
1 Volume
Culture:
Santo Domingo Pueblo  Search this
San Felipe Pueblo  Search this
Santa Ana Pueblo  Search this
Zia Pueblo  Search this
Laguna Indians  Search this
Keresan Pueblos  Search this
Indians of North America -- Southwest, New  Search this
Zia Indians  Search this
Pueblo Indians  Search this
Type:
Collection descriptions
Archival materials
Volumes
Maps
Date:
part dated 1890
Scope and Contents:
Contents: Frontispiece, sketch map; pages 1-12, San Felipe vocabulary from Jose Zepherino of Carlisle, Pennsylvania, and Laguna vocabulary, source not given, interpaged or on same pages; pages 13-22, Laguna vocabulary from John Menaul; 24-32, copy of Whipple's Kiwomi or Santo Domingo vocabulary from Pacific Railroad Survey Report III, pages 86-90; pages 45-62, copy of Col. James Stevenson's Santa Ana and Silla vocabulary; pages 63-82, vocabulary extracted from Die Koshare (later published as The Delight Makers) by A. F. Bandelier.
Local Numbers:
NAA MS 499
Topic:
Language and languages -- Documentation  Search this
Santo Domingo (Kewa)  Search this
Genre/Form:
Maps
Citation:
Manuscript 499, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS499
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms499
Online Media:

MS 1983-a Names of the Jemez and Zia Indians in 1899

Creator:
Reagan, Albert B., 1871-1936  Search this
Extent:
4 Pages
Culture:
Zia Pueblo  Search this
Jemez Pueblo  Search this
Indians of North America -- Southwest, New  Search this
Zia Indians  Search this
Type:
Collection descriptions
Archival materials
Pages
Date:
undated
Scope and Contents:
Only the names on page 4 have English equivalents. There are few Sia names--a short group at the bottom of page 3 only.
Local Numbers:
NAA MS 1983-a
Topic:
Names -- Jemez  Search this
Names -- Sia  Search this
Citation:
Manuscript 1983-a, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS1983A
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms1983a

George Hubbard Pepper photograph collection

Creator:
Pepper, George H. (George Hubbard), 1873-1924  Search this
Extent:
1292 Negatives (photographic)
23 Photographic prints (black & white)
Culture:
Diné (Navajo)  Search this
Hopi Pueblo  Search this
Purepecha (Tarasco)  Search this
Acoma Pueblo  Search this
Cochiti Pueblo  Search this
Isleta Pueblo  Search this
Jemez Pueblo  Search this
K'apovi (Santa Clara Pueblo)  Search this
Laguna Pueblo  Search this
Nambe Pueblo  Search this
Picuris Pueblo  Search this
Pojoaque Pueblo  Search this
Puye Pueblo  Search this
San Felipe Pueblo  Search this
San Ildefonso Pueblo  Search this
Ohkay Owingeh (San Juan Pueblo)  Search this
Sandia Pueblo  Search this
Santa Ana Pueblo  Search this
Taos Pueblo  Search this
Tesuque Pueblo  Search this
Zia Pueblo  Search this
Hopi [Hano]  Search this
Pikuni (Piegan) [Blackfeet Nation, Browning, Montana]  Search this
San Carlos Apache  Search this
A:shiwi (Zuni)  Search this
Mexica (Aztec) (archaeological culture)  Search this
Pueblo (Anasazi) (archaeological)  Search this
Type:
Collection descriptions
Archival materials
Negatives (photographic)
Photographic prints
Negatives
Place:
New Mexico
Texas
New York
Montana
Arizona
Basin
Illinois
Mexico
Southwest
Guatemala
Ecuador
Utah
Plains
Date:
1895-1918
Summary:
George Hubbard Pepper specialized in the study of cultures of the American Southwest and Ecuador. Tribes which he studied are Acoma, Aztec, Blackfeet, Cochiti, Hopi, Isleta, Jemez, Laguna, Nambe, Navajo, Picuris, Pojuaque, Puye, San Carlos Apache, San Felipe, San Ildefonso, San Juan, Sandia, Santa Ana, Santa Clara, Taos, Tarascan, Tesuque, Ute, Zia, and Zuni. Photographs in the collection are of an excavation in Tottenville, New York, 1895; Pueblo Bonito in Chaco Cañon, New Mexico: Hyde Expedition, 1896-1900; and expeditions to the occupied Pueblos of the Southwest, 1904; Mexico, 1904, 1906; Guatemala; and Ecuador, 1907. There are also photos which complement a study Pepper did of the technique of Navajo weaving, and miscellaneous scenic and personal photos.
Arrangement note:
Collection arranged by item number.
Biographical/Historical note:
George Hubbard Pepper was born on February 2, 1873 in Tottenville, Staten Island, New York. As a young boy he exhibited a strong interest in archaeology and after his graduating from high school followed encouragement from Prof. Fredric W. Putnam to study at the Peabody Museum of Harvard University, where Pepper stayed from 1895-96. In 1896 he was appointed assistant curator of the Department of the Southwest in the American Museum of Natural History in New York City. From 1896 to 1900, Pepper was a member of the Hyde Exploring Expedition, which conducted excavations at Pueblo Bonito in Chaco Canyon, New Mexico. In 1904, he conducted an ethnological survey of the occupied pueblos of the Southwest and at the same time continued his study of the weaving techniques of the Navajo. Pepper also participated in excavations in the yacatas of the Tierra Caliente of Michoacan in Mexico sponsored by George Gustav Heye, and in 1907 he went with Marshall Saville on an expedition to the Province of Manabi in Ecuador, also for Heye. In 1909 Pepper was appointed assistant curator in the Department of American Archaeology at the University Museum of Philadelphia, but after only a year there he joined the Museum of the American Indian, Heye Foundation in New York City, where he stayed until his death. In 1914 he excavated a Munsee cemetery of the historic period near Montague, New Jersey and in the following year he went on the exploration of the Nacoochee mound in the old Cherokee region in Georgia. In 1918 he joined the Hawikku explorations of the Hendricks-Hodge Expedition in New Mexico. Pepper died on May 13, 1924, in New York City. George H. Pepper was a co-founder of the American Anthropological Association, a fellow of the American Association for the Advancement of Science and of the American Ethnological Society of New York, a member of the American Folklore Society, and a corresponding member of the Academia Nacional de Historia of Ecuador. A complete bibliography of his works can be found in Indian Notes, v. 1, no. 3, July 1924, pp. 108-110. The George Hubbard Pepper Papers are in the Latin American Library, Tulane University Library, New Orleans, Louisiana.
Provenance:
According to Frederick Dockstader, director of MAI from 1960 to 1975, in a letter dated March 26, 1968, the collection was given to MAI by Pepper. However, the 1965 Annual Report (p. 26) states that the Photographic Department acquired through the donation of Mrs. Jeannette Cameron approximately 500 new negatives pertaining to field work done by her father from 1900-1910; and the 1966 Annual Report (p. 9) states that many papers of Dr. George H. Pepper were acquired through the courtesy of his daughter, Mrs. Jeanette Cameron.
Restrictions:
Access restricted. Researchers should contact the staff of the NMAI Archives for an appointment to access the collection.
Genre/Form:
Negatives
Photographic prints
Identifier:
NMAI.AC.001.034
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-001-034

[Zia Pueblo ceremonial snake bowl]

Collection Creator:
Sturtevant, William C.  Search this
Container:
Box 401
Type:
Archival materials
Date:
undated
Collection Restrictions:
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
See more items in:
William C. Sturtevant papers
William C. Sturtevant papers / Series 5: Smithsonian / 5.1: Accessions
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-2008-24-ref10792

Constitutions, By-laws, Organization

Collection Creator:
National Congress of American Indians  Search this
Container:
Box 1, Folder 4
Type:
Archival materials
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
National Congress of American Indians records
National Congress of American Indians records / Series 1: NCAI Conventions and Mid-year Conferences
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-010-ref32
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Jar/Olla

Culture/People:
Zia Pueblo  Search this
Artist/Maker:
Rosalia Medina Toribio, Zia Pueblo, 1858-1950  Search this
Collector:
John Louw Nelson (John L. Nelson), Non-Indian, 1895-1963  Search this
Seller:
John Louw Nelson (John L. Nelson), Non-Indian, 1895-1963  Search this
Object Name:
Jar/Olla
Media/Materials:
Pottery, paint
Techniques:
Coiled/hand built, painted
Dimensions:
58 x 45 cm
Object Type:
Containers and Vessels
Place:
Zia Pueblo, Zia Reservation; Sandoval County; New Mexico; USA
Date created:
circa 1925
Catalog Number:
16/5780
Barcode:
165780.000
See related items:
Zia Pueblo
Containers and Vessels
On View:
NMAI, New York, NY: Infinity of Nations, Southwest
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws686ced615-1a01-4165-8ebc-3b2d431d05c2
EDAN-URL:
edanmdm:NMAI_177617
Online Media:

13c Zia Pot single

Title:
Scott Catalogue USA 1706
Medium:
paper; ink (multicolored) / photogravure
Type:
Postage Stamps
Place:
United States of America
Date:
April 13, 1977
Topic:
Art & Photography  Search this
American Indian Heritage  Search this
The Cold War (1945-1990)  Search this
U.S. Stamps  Search this
Object number:
1985.0482.20119
See more items in:
National Postal Museum Collection
Data Source:
National Postal Museum
GUID:
http://n2t.net/ark:/65665/hm81f5d7313-a9f7-4e1c-bc7e-89c41c78540c
EDAN-URL:
edanmdm:npm_1985.0482.20119

13c San Ildefonso Pot single

Title:
Scott Catalogue USA 1707
Medium:
paper; ink (multicolored) / photogravure
Type:
Postage Stamps
Place:
United States of America
Date:
April 13, 1977
Topic:
Art & Photography  Search this
American Indian Heritage  Search this
The Cold War (1945-1990)  Search this
U.S. Stamps  Search this
Object number:
1985.0482.20120
See more items in:
National Postal Museum Collection
Data Source:
National Postal Museum
GUID:
http://n2t.net/ark:/65665/hm894e635ba-b98b-4f0b-90e5-f4a3607575b0
EDAN-URL:
edanmdm:npm_1985.0482.20120

13c Hopi Pot single

Title:
Scott Catalogue USA 1708
Medium:
paper; ink (multicolored) / photogravure
Type:
Postage Stamps
Place:
United States of America
Date:
April 13, 1977
Topic:
Art & Photography  Search this
American Indian Heritage  Search this
The Cold War (1945-1990)  Search this
U.S. Stamps  Search this
Object number:
1985.0482.20121
See more items in:
National Postal Museum Collection
Data Source:
National Postal Museum
GUID:
http://n2t.net/ark:/65665/hm83cbd1efb-5e87-49ed-b822-0d91a2002e60
EDAN-URL:
edanmdm:npm_1985.0482.20121

13c Acoma Pot single

Title:
Scott Catalogue USA 1709
Medium:
paper; ink (multicolored) / photogravure
Type:
Postage Stamps
Place:
United States of America
Date:
April 13, 1977
Topic:
Art & Photography  Search this
American Indian Heritage  Search this
The Cold War (1945-1990)  Search this
U.S. Stamps  Search this
Object number:
1985.0482.20123
See more items in:
National Postal Museum Collection
Data Source:
National Postal Museum
GUID:
http://n2t.net/ark:/65665/hm8b8b14af1-ba70-48d2-813c-dc5116328698
EDAN-URL:
edanmdm:npm_1985.0482.20123

13c Pueblo Art Pottery block of four

Title:
Scott Catalogue USA 1709a
Medium:
paper; ink (multicolored) / photogravure; tagged
Type:
Postage Stamps
Place:
United States of America
Date:
April 13, 1977
Topic:
The Cold War (1945-1990)  Search this
Art & Photography  Search this
U.S. Stamps  Search this
Object number:
1980.2493.6198.1-4
See more items in:
National Postal Museum Collection
Data Source:
National Postal Museum
GUID:
http://n2t.net/ark:/65665/hm8e119e2f3-cfc1-443f-a485-11cb6dbdfb62
EDAN-URL:
edanmdm:npm_1980.2493.6198.1-4

Olive Rush papers, 1879-1967

Creator:
Rush, Olive, 1873-1966  Search this
Subject:
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Type:
Sketches
Diaries
Photographs
Topic:
Women painters -- New Mexico -- Santa Fe  Search this
Painters -- New Mexico -- Santa Fe  Search this
American Indians in art  Search this
Art and state  Search this
Mural painting and decoration -- 20th century -- New Mexico -- Santa Fe  Search this
Muralists -- New Mexico -- Santa Fe  Search this
Illustrators -- New Mexico -- Santa Fe  Search this
Record number:
(DSI-AAA_CollID)9223
(DSI-AAA_SIRISBib)211418
AAA_collcode_rusholiv
Theme:
Diaries
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211418
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  • View Olive Rush papers, 1879-1967 digital asset number 1
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