Access to the Aleš Hrdlička papers requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Aleš Hrdlička papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
The Repatriation Office, Department of Anthropology, National Museum of Natural History, provided funds for the arrangement and description of the Aleš Hrdlička papers
Access to the Aleš Hrdlička papers requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Aleš Hrdlička papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
The Repatriation Office, Department of Anthropology, National Museum of Natural History, provided funds for the arrangement and description of the Aleš Hrdlička papers
Festival Recordings: México's La Cocina Stage: Tortilla Making (Elsa María Dzul Cahuich, Alejandra Vera Uc); Textile Dying, Zapotec (María Sosa Luís, Marcela Vicente Sosa, Joel Vicente Contreras); Xochimilco-Style Cooking: Pizza (Amalia Salas Casales)
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2010 July 2
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2010 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Enlargements of photographs made by Donald Bush Cordry during his time in Mexico. These were mounted for a 1970s Bellas Artes-sponsored traveling exhibit based on Cordry's collection of Mexican Indian costumes. Included are images of Indigenous peoples of Mexico, fiestas and dances, pottery, boats, weaving, spinning, masks, vendors and markets, churches, and shrines. Depicted groups include the Huichol, Mestizo, Tarascan, Seri, Mayo, Tepehua, Totonac, Nahua, Mazatec, Cuicatec, Chinantec, Zapotec, Mixe, Amusgo, Huave, Mixtec, Chapanec, Zoque, Tzotzil, and Maya. Additionally, there are some self portraits of Donald Cordry and his wife Dorothy.
Biographical/Historical note:
Donald Bush Cordry (1907-1978) was an artist and photographer who studied the art of Indigenous peoples of Mexico. In 1931, Cordry made his first trip to Guerrero, Mexico, where he became interested in contemporary mask making. In 1934, Cordry moved to New York to work as a marionette designer for puppeteer Tony Sarg. While there, he contacted George G. Heye to learn more about Indigenous Mexican art. This led to a series of collecting expeditions from 1935 to 1938, during which Cordry collected Mexican masks and other artifacts for the Museum of the American Indian, Heye Foundation.
Local Call Number(s):
NAA Photo Lot 87-38, USNM ACC 361232
Location of Other Archival Materials:
Additional photographs made by Cordry can be found in the National Anthropological Archives in Photo Lot 82-14.
Donald Cordry and his wife, Dorothy Mann Cordry, also donated clothing and musical instruments from Mexico to the Department of Anthropology in accessions 361232 and 355866.
The National Museum of the American Indian Archives holds the Donald Bush Cordry collection of photographs and negatives, 1933-1940, as well as artifacts collected by Cordry.
Photographs of the Donald Cordry Mexican mask exhibit can be found in the National Anthropological Archives in Photo Lot 80-3.
The Donald Cordry Mexican mask collection can be found in the Department of Anthropology in accession 355867.
Photographs relating to a Mexican natural history collection, including archeological, ethnographic, physical, entomological, ornithological, conchological, and paleontological collections. The photographs are mounted in an album entitled "Collections de Auguste Genin," where they are divided according to discipline and have accompanying typewritten descriptions by Genin. There are images of Huichol peoples; a diorite yoke from Jalapa; Aztec, Zapotec, Matlatlzinca, Huichol, and Tarahumara arms, tools, urns, vases, and idols; statuettes from Nayarit and statuettes of musicians and musical instruments; a wooden instrument from Hidalgo; ancient and modern musical instruments; terra cotta Spanish objects; coins and medals; skulls from Guerrero and the Valley of Mexico; a shell collection; and mastodon bones.
Biographical/Historical note:
Auguste Genin (1862-1931) was a a Franco-Mexican writer, poet, photographer, ethnologist. He was a resident of Mexico and director of the Mexican National Company of Dynamite and Explosives.
Local Call Number(s):
NAA Photo Lot 86-25B
Location of Other Archival Materials:
Digital surrogates for most of the photographs can be found in the National Anthropological Archives in MS 4523, a duplicate album sent to the Bureau of American Ethnology.
Photographs documenting archeological sites in Mexico, including Chichen Itza, Mitla, Palenque, Texcotzingo, Uxmal, Xochicalco, Quirigua, and Copan. Some of the prints were originally framed and captioned; these may have formed an exhibit or display, possibly in Holmesʹs office. Photographers include Allison V. Armour, Alfred Percival Maudsley, and E. H. Thompson.
Biographical/Historical note:
William Henry Holmes (1846-1933) was an artist, geologist, and archeologist who spent most of his career with the United States Geological Survey of the Territories, United States Geological Survey, Bureau of American Ethnology, and Department of Anthropology of the Smithsonian. From 1894-1897, he was the head of anthropology at the Field Columbian Museum (Field Museum of Natural History) and on the staff of the University of Chicago. During this time, he carried out investigations of ancient ruins in the Yucatan and other areas of Mesoamerica as a member of an expedition of Allison V. Armour. Many of the prints in this collection seem to relate to that expedition, and similar images were published in Holmesʹs reports in the Field Columbian Museum Anthropological Series, volume 1, number 1, 1895. Holmes served as head curator for the US National Museum Department of Anthropology from 1897-1902 and head of the BAE from 1902-1909.
Local Call Number(s):
NAA Photo Lot 73-44, NAA Photo Lot 66B, USNM ACC 89688
Location of Other Archival Materials:
Photo Lot 66B has been relocated and merged with Photo Lot 73-44. These photographs were also collected by William Henry Holmes and form part of this collection.
Correspondence by Holmes can be found throughout the National Anthropological Archives in MS 7206, the records of the Bureau of American Ethnology, and the records of the Department of Anthropology.
Manuscripts and notes by Holmes can be found throughout the National Anthropological Archives in MS 4698, MS 2125, MS 7112, and MS 7570.
The William Henry Holmes Papers, 1870-1931 (SIA RU007084), are held by the Smithsonian Institution Archives.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 73-44, William Henry Holmes photograph collection relating to archeological sites in Mexico and Mesoamerica, National Anthropological Archives, Smithsonian Institution
Photographs and copies of drawings documenting the structures at Mitla archeological site, including the Columns Group and palace building and associated sculptures. There is also a photograph of the Beau Relief at Palenque, published in the Field Columbian Museum's journal "Anthropology." Some of the copy photographs were probably made by De Lancey Gill.
Biographical/Historical note:
Edgar Lee Hewett (1865-1946) was an archeologist and anthropologist known for his work in the American Southwest and his role in the passage of the Antiquities Act. Born in Illinois, Hewett taught at several country schools before becoming Superintendent of Schools in Missouri and Colorado (1889-1898) It was during his superintendency in Colorado that he conducted his first archeological field work on the Pajarito Plateau and at Pecos. He continued in education administration and served as president (1898-1903) of the Normal University at Las Vegas, New Mexico, where he organized archeology courses and led field expeditions. In 1906, Hewett left education to work as Director of American Research for the Archaeological Institute of America, a position he held until his death. Over three seasons (1910-1912), Hewett excavated the Maya site of Quiringua and explored Maya sites in Guatemala. His Maya studies were exhibited at the San Diego Museum, which he founded and directed (1917-1929), and published in his second major book, Ancient Life in Mexico and Central America (1935).
Local Call Number(s):
NAA Photo Lot 172
Location of Other Archival Materials:
This collection has been relocated from Photo Lot 123.
Additional Hewett photographs are held in National Anthropological Archives Photo Lot 78 and Photo Lot 14.
Correspondence from Hewett is held in the National Anthropological Archives in the Ales Hrdlicka papers, John Peabody Harrington papers, Neil Merton Judd papers, records of the Bureau of American Ethnology, MS 4558, and MS 4372(8).
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo Lot 172, Edgar L. Hewett photograph collection relating to Mitla, National Anthropological Archives, Smithsonian Institution.
Front and profile studio portraits of Indigenous peoples of Mexico, representing Aztec, Chinantec, Chocho, Chol, Chontal, Cuicatec, Huastec, Huave, Maya, Mazatec, Mixe, Mixtec, Otomi, Tarascan, Tepehua, Tlaxcalan, Totonac, Trique, Tzental, Tzotzil, Zapotec, Zapotec Tehuartepec, and Zoque tribes. The photographs were made by William L. Koehne of Chicago for publication in Frederick Starr's book, Physical Characters of Indians of Southern Mexico.
Biographical/Historical note:
Frederick Starr (1858-1933) was an anthropologist and academic who worked as curator at the American Museum of Natural History and professor of anthropology at the University of Chicago. During his professiorship, Starr hired professional photographer and studio owner William L. Koehne to make the studio portraits for his 1902 book, Physical Characters of Indians of Southern Mexico. Additionally, Starr made several field studies in Mexico and commissioned field photographs and plaster busts.
Local Call Number(s):
NAA Photo Lot 123
Location of Other Archival Materials:
Photographs collected by Cyrus Thomas, Robert T. Hill, Edward W. Nelson, and Edgar L. Hewitt have been relocated to Photo Lot 169, Photo Lot 170, Photo Lot 171, and Photo Lot 172, respectively.
The Smithsonian Institution National Museum of the American Indian Archives holds the Frederick Starr negatives and lanterns slides, 1894-1910.
Correspondence from Starr held in the National Anthropological Archives is in MS 4558, MS 4821, and the Bureau of American Ethnology records.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 123, Frederick Starr collection of William L. Koehne photographs of Indigenous peoples of Mexico, National Anthropological Archives, Smithsonian Institution
