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York, Richard; Slides by Paul Hyman

Collection Creator:
Richard York Gallery  Search this
Container:
Box 79, Folder 25
Type:
Archival materials
Date:
circa 2000-2003
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard York Gallery records, circa 1865-2005, bulk 1981-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Richard York Gallery records
Richard York Gallery records / Series 9: Photographic Materials
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-richyorg-ref7020

York, Richard; Personal

Collection Creator:
Richard York Gallery  Search this
Container:
Box 6, Folder 3
Type:
Archival materials
Date:
1996-2000
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard York Gallery records, circa 1865-2005, bulk 1981-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Richard York Gallery records
Richard York Gallery records / Series 1: Correspondence / 1.1: Alphabetical
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-richyorg-ref71

York, Richard; Personal

Collection Creator:
Richard York Gallery  Search this
Container:
Box 6, Folder 4
Type:
Archival materials
Date:
1999-2000
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard York Gallery records, circa 1865-2005, bulk 1981-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Richard York Gallery records
Richard York Gallery records / Series 1: Correspondence / 1.1: Alphabetical
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-richyorg-ref72

Technology Review

Collection Creator:
Brooks, Arthur Raymond, 1895-1991  Search this
Container:
Box 10, Folder 17
Type:
Archival materials
Date:
November 1961
1961-05
1930-07
Scope and Contents:
Massachusetts Institute of Technology, vol. 32, no. 8, July 1930; vol. 63, no. 7, May 1961; and vol. 64, no. 1, November 1961.
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Arthur Raymond Brooks Collection, NASM.1989.0104, National Air and Space Museum, Smithsonian Institution.
See more items in:
Arthur Raymond Brooks Collection
Arthur Raymond Brooks Collection / Series 1: Professional Materials / 1.8: Magazines
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1989-0104-ref314
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Richard York Gallery records

Creator:
Richard York Gallery  Search this
Names:
Art Dealers Association of America  Search this
De Forest, Lockwood, 1850-1932  Search this
Goldyne, Joseph R.  Search this
Hale, Ellen Day, 1855-1940  Search this
Hill, J. W. (John William), 1812-1879  Search this
Hill, John Henry, 1839-1922  Search this
Hornby, Lester George, 1882-1956  Search this
Lozowick, Louis, 1892-1973  Search this
Lucioni, Luigi, 1900-1988  Search this
MacRae, Emma Fordyce, 1887-1974  Search this
Mapplethorpe, Robert  Search this
Marin, John, 1870-1953  Search this
Marin, John, Jr., 1915?-1988  Search this
Smith, Houghton Cranford, 1887-1983  Search this
Stella, Joseph, 1877-1946  Search this
Stevens, Will Henry, 1881-1949  Search this
Wheeler, Steve, 1912-1992  Search this
York, Richard  Search this
Extent:
89.5 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Date:
circa 1865-2005
bulk 1981-2004
Summary:
The records of the Richard York Gallery, a New York gallery specializing in American art from early 1800s to 1950, measure 79.3 linear feet and date from circa 1865-2005, with the bulk of the material dating from 1981 to 2004. Three-fourths of the records are artists' artwork files, documenting the sale and consignment of nearly 6,500 works of art. The gallery's activities are also recorded through correspondence, client files, gallery invoices, inventories, business and financial records, printed materials, scrapbooks, photographic materials of artwork, and estate records for the John Marin estate and Sergio Stella estate (Joseph Stella). An addition of 10.2 linear feet, dated circa 1865 to 2005, includes artists' files arranged alphabetically containing printed material, clippings, exhibition announcements, and scattered correspondence and financial documents.
Scope and Content Note:
The records of the Richard York Gallery, a New York gallery specializing in American art from early 1800s to 1950, measure 79.3 linear feet and date from circa 1865-2005, with the bulk of the material dating from 1981 to 2004. Three-fourths of the records are artists' artwork files, documenting the sale and consignment of nearly 6,500 works of art. The gallery's activities are also recorded through correspondence, client files, gallery invoices, inventories, business and financial records, printed materials, scrapbooks, photographic materials of artwork, and estate records for the John Marin estate and Sergio Stella estate (Joseph Stella). An addition of 10.2 linear feet, dated circa 1865 to 2005, includes artists' files arranged alphabetically containing printed material, clippings, exhibition announcements, and scattered correspondence and financial documents.

Correspondence includes both incoming and outgoing correspondence with collectors, clients, galleries and museums, primarily regarding appraisals, consignments, exhibitions, general inquiries, loans, and sales. Also found are scattered transactional records, information sheets for artwork, and photographic materials. Correspondence from the mid-late 1980s is poorly represented.

The sale and consignment of nearly 6,500 pieces of artwork at the Richard York Gallery are documented through transactional records, photographic materials, correspondence, and scattered printed materials found in the Artists' Artwork Files. Artists for which there are significant quantities of materials (over 50 folders) include Joseph Goldyne, Ellen Day Hale, John Henry Hill, John William Hill, Lester George Hornby, Louis Lozowick, Luigi Lucioni, Emma Fordyce MacRae, John Marin, Joseph Stella, William Henry Stevens, and Steve Wheeler. Also included are the files of the Richard York photography collection, which contained works by Robert Mapplethorpe.

Similar to the Artists' Artwork Files, Client Files document the sale and consignment of artwork, but are arranged by artist's and client's name. Materials found are primarily from the early 1990s and include correspondence, notes, photographic materials, photocopied client information cards, and printed materials.

The Richard York Gallery represented the John Marin estate and the Sergio Stella estate (Joseph Stella). The records of the John Marin estate are primarily artwork in-take sheets from 1998 and inventory lists from 2001. The Sergio Stella Estate records include correspondence, inventories of artwork by Joseph Stella, and some photographic materials.

Sales and inventory records contain a nearly complete set of gallery invoices from 1995-2000, and 2004. Inventories includes gallery inventory lists, and inventory cards of sold artwork from 1981-1997 (bulk 1981-1991).

The business and financial records include accounting records, bank deposit records, corporate records, index cards for contacts, invoices for gallery expenses, materials related to Richard York's involvement in the ADAA, mailing lists, records of payments to consignors, receipts, shipping records, and tax records. The gallery migrated from paper records to Artbase, an artwork management system, around 2000-2002. Included are two CDs of database data and digital images from Artbase, as well as inventories of the digital file names.

Printed materials contain advertising tear sheets from 1998-2002, exhibition catalogs, magazine and newspaper clippings of reviews and announcements, and other miscellaneous printed materials. Printed materials are also found in eight scrapbooks which document the activities of the Richard York Gallery, Richard York, and the gallery's exhibitions from 1981-2002. Materials in the scrapbooks include clippings, correspondence, photographs, exhibition catalogs, announcements, and invitations.

Photographic materials includes color photographs, transparencies, digital prints, and scattered printed materials, as well as over 600 slides of artwork, primarily works of art which were sold or consigned by the gallery. Artists for which there is significant volume of transparencies include Houghton Cranford Smith and Lockwood de Forest, Sr.

Materials with dates prior to 1981 in this collection are primarily research materials for works of art, such as printed materials, correspondence, and transparencies, as well as some artwork artifacts, such as back labels.
Arrangement:
The collection is arranged as 9 series:

Series 1: Correspondence, 1975-2005 (Boxes 1-7; 6.4 linear feet)

Series 2: Artists' Artwork Files, circa 1865-2004 (Boxes 7-64; 56.85 linear feet)

Series 3: Client Files, 1965, circa 1981-circa 2004 (Box 64; 0.5 linear feet)

Series 4: Estate Records, 1983-circa 2004 (Boxes 64-65; 1.0 linear feet)

Series 5: Sales and Inventory Records, 1977-2004 (Boxes 65-70; 5.0 linear feet)

Series 6: Business and Financial Records, 1974-2005 (Boxes 70-77; 6.25 linear feet)

Series 7: Printed Materials, 1980-2004 (Boxes 77-78; 1.1 linear feet)

Series 8: Scrapbooks, 1981-2002 (Boxes 78, 80; 1.0 linear feet)

Series 9: Photographic Materials, 1977-2004 (Boxes 78-79; 1.2 linear feet)

Series 10: Unprocessed Addition, circa 1865-2005 (Boxes 81-91; 10.2 linear feet)
Historical Note:
Richard T. York (circa 1950-2003) opened his eponymous gallery in the spring of 1981 on East 65th Street in New York City. Specializing in American painting and sculpture from early 1800s to 1950, the Richard York Gallery dealt in the artwork of hundreds of artists including Albert Bierstadt, Charles Demuth, Arthur Dove, Lockwood de Forest, John Graham, Georgia O'Keeffe, John Singer Sargent, Charles Sheeler, and Steve Wheeler. It also represented the estates of artists John Marin and Joseph Stella.

Richard York passed away in April 2003, and the gallery closed in May 2004.
Provenance:
The Richard York Gallery records were donated to the Archives of American Art in 2006 by Kevin Scott, the executor of Richard York's estate; and in 2015 by Lisa Bush Hankin, former gallery director.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, American  Search this
Art -- Economic aspects  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Photographs
Citation:
Richard York Gallery records, circa 1865-2005, bulk 1981-2004. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.richyorg
See more items in:
Richard York Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-richyorg
Online Media:

Oral history interview with Nancy Holt

Interviewee:
Holt, Nancy, 1938-  Search this
Interviewer:
Gutterman, Scott  Search this
Extent:
1 Sound cassette (Sound recording)
24 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1992 July 6
Scope and Contents:
An interview of Nancy Holt conducted 1992 July 6, by Scott Gutterman, for the Archives of American Art. Interview of Nancy Holt conducted by Scott Gutterman for the Archives of American Art, at Nancy Holt's home or studio on July 6, 1992. Holt speaks of growing up and living in Massachusetts and New Jersey; attending school at Tufts and Jackson; spending time in New York; her early artist training and exposure to museums; the New jersey landscape; Dark Star Park; Sky Land; her first trip out West; Robert Smithson; her family life and relationship with her parents; studying biology; lectures at MIT; moving to New York; Richard Serra; perceptual art; becoming friends with Robert Smithson; peyote; quiet inner-transformation; locator pieces; creating artwork; Hampton Air; Rock Rings; focus on place; feminism; land art; Buried Poems; documenting work; working for Harper's Bazaar; Westbeth; living in New York; video art; Points of View; working in a gallery format; writing; Sky Mound; working with landfills and alternate energy; creating public art; working with space; plumbing systems; learning by doing; working with artisans; Sun Tunnels; resonance; catalogs; Holt also talks a bit about Alan Ginsberg, Fred Mcdarrah, Dan Flavin, Mark di Suvero, Joan Joas, Peter Campas, David Hammond, and Rupert Sheldrake.
Biographical / Historical:
Nancy Holt (1938- ) was a sculptor and filmmaker from N.M.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview was provided by the Horace W. Goldsmith Foundation.
Restrictions:
For information on how to access this interview contact Reference Services.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Women sculptors -- Interviews  Search this
Filmmakers -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.holt92
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-holt92

Oral history interview with Joshua Binion Cahn, Richard A. Florsheim, and John Kearney

Interviewee:
Cahn, Joshua Binion, 1915-  Search this
Interviewer:
Brown, Robert F.  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Extent:
1 Sound tape reel (5 in.)
26 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1971 July 20
Scope and Contents:
An interview of Joshua Binion Cahn, Richard A. Florsheim, and John Kearney conducted 1971 July 20, by Robert Brown and Hudson Walker, for the Archives of American Art.
Biographical / Historical:
Joshua Binion Cahn (1915-1995) was a lawyer from New York, New York. Richard A. Florsheim (1916-1979) was a painter and printmaker from Chicago, Illinois. John Kearney (1924-) is a sculptor active in Chicago, Illinois.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 1 hr., 1 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Lawyers -- New York (State) -- New York -- Interviews  Search this
Topic:
Art, American  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cahn71
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cahn71

Jamaican Research in New York: Richard Hoyen

Creator:
Smith, Winston (field worker)  Search this
Performer:
Hoyem, Richard, 1949-  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
Afro-Caribbean  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
New York
Jamaica
Date:
1988 August 12
Contents:
RICHARD HOYEN- CHINESE/JAMAICAN WORKED IN COMMUNITY FOR MANY YEARS; CONROY ALLISON- ADVERTISING SALES REPRESENTATIVE FOR JAMAICAN STATION TAPE 4 OF 10
Local Numbers:
FP-1988-CT-0682
Date/Time and Place of an Event Note:
Recorded in: New York, United States, August 12, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1988, Item FP-1988-CT-0682
See more items in:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife
Smithsonian Folklife Festival records: 1988 Festival of American Folklife / Series 5: Migration to Metropolitan Washington: Making a New Place Home / Fieldwork
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1988-ref1892

York, Richard, 1988-1989

Collection Creator::
National Museum of American Art. Curatorial Office  Search this
Container:
Box 4 of 4
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 97-035, National Museum of American Art. Curatorial Office, Exhibition Records
See more items in:
Exhibition Records
Exhibition Records / Box 4
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa97-035-refidd1e2838

Rhythm and Blues: Tell It Like It Is

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
The 2011 Rhythm and Blues program was an exploration of the rich historical, cultural, and musical matrix of R&B. Through music and dance performances, workshops, and narrative discussions, the program considered R&B as a collaborative art form shaped by composers, performers, producers, and communities of listeners. Most importantly, it highlighted how music provides a dynamic lens to explore the relationship of African American history and experiences to American popular culture.

The history of R&B and the breadth of what it encompasses - socially, commercially, and artistically - suggests that it is not monolithic. It tells a complex story of many strands and experiences. A distinctly African American music drawing from the deep tributaries of African American expressive culture, it is an amalgam of jump blues, big band swing, gospel, boogie, and blues that was initially developed during a thirty-year period that bridges the era of legally sanctioned racial segregation, international conflicts, and the struggle for civil rights. Its formal qualities, stylistic range, marketing and consumption trends, and worldwide currency thus reflect not only the changing social and political landscapes of American race relations, but also urban life, culture, and popular entertainment in mainstream America.

This music that speaks about a history of marginalization and exclusion also tells a story about resilience and resistance. The 2011 Festival program underlined these latter qualities. It celebrated pioneers and iconoclasts, soloists and studio musicians, and relationships and collaborations through which a younger generation was taking ownership of the music. This was perhaps most dynamically revealed in the participation of the Stax Music Academy, a group of Memphis high school musicians who are learning leadership and teamwork skills through music that (in their own words) "embodies the spirit of harmony, respect and cooperation that defined Memphis' legendary Stax Records." These students not only learn the historic importance of the music, but also experience R&B through collaboration and practice as a living art form - an art form that Festival visitors in Washington could also experience vividly and directly on the National Mall.

Mark Puryear was Curator and Arlene Reiniger was Program Coordinator. Portia Maultsby, Bob Santelli, and Michael White constituted the Curatorial Advisory Committee. For the National Museum of African American History and Culture, Project Staff included: Lonnie G. Bunch, Director; Kinshasha Holman Conwill, Deputy Director; Timothy Anne Burnside, Research Assistant; Dorey Butter, Project Manager; Deirdre Cross, Public Programs Coordinator; Delphia York Duckens, Associate Director for External Affairs; Rex Ellis, Associate Director for Curatorial Affairs; Cheryl Johnson, Government Relations Officer; LaFleur Paysour, Media Relations and Public Affairs; Dwandalyn Reece, Curator of Music and Performing Arts; and Kevin Strait, Project Historian.

The program was produced in partnership with the Smithsonian National Museum of African American History and Culture.
Presenters:
Lawrence Bradford, Timothy Anne Burnside, Rex Ellis, Tuliza Fleming, John Franklin, Charles Hughes, Beverly Lindsay-Johnson, Kip Lornell, Barry Lee Pearson, Jeff Place, Dwandalyn Reece, Tulani Salahu-Din, Randy Short, Kevin Strait
Participants:
WILLIAM BELL

William Bell, 1939-, singer, Atlanta, Georgia

Performing with the Stax Music Academy

THE DIXIE CUPS®

Barbara A. Hawkins, 1942-, vocals, Tampa, Florida

Rosa L. Hawkins, 1945-, vocals, Tampa, Florida

Athelgra Neville, 1944-, vocals, New Orleans, Louisiana

Marc Adams, 1952-, keyboards, vocals, New Orleans, Louisiana

Anthony Brown, 1960-, guitar, New Orleans, Louisiana

Gerald French, 1970-, drums, vocals, New Orleans, Louisiana

James Markway, 1952-, bass, Covington, Louisiana

Joseph Saulsbury, 1951-, saxophone, New Orleans, Louisiana

NAT DOVE

Nat Dove, 1939-, keyboards, vocals, Bakersfield, California

David Cole, 1957-, guitar, Berwyn Heights, Maryland

Emory Diggs, 1958-, bass, Oxon Hill, Maryland

DeAndrey Howard, 1954-, drums, Washington, D.C.

THE FUNK BROTHERS

Bob Babbitt, bass, Nashville, Tennessee

Donna Curtin, 1959-, vocals, Detroit, Michigan

Rob Jones, 1952-, keyboards, Detroit, Michigan

Ray Monette, 1946-, guitar, Livonia, Michigan

Delbert Nelson, 1954-, vocals, Farmington, Michigan

Kenneth "Spider Webb" Rice, 1944-, drums, Detroit, Michigan

Eddie Willis, Jr., 1936-, guitar, Gore Springs, Mississippi

Treaty Womack, 1953-, percussion, Detroit, Michigan

George McGregor, 1940-, drums, Detroit, Michigan

Wondel E. Brown, 1950-, trombone, Prince Frederick, Maryland

Clarence Knight, Jr., 1936-, tenor saxophone, Bowie, Maryland

Keith A. Mathis, 1958-, horn section coordinator, trumpet, flugelhorn, Washington, D.C.

GLOBE POSTER PRINTING

Bob Cicero, 1947-, owner, Pasadena, Maryland

THE JEWELS

Sandra Bears, 1943-, vocals, Washington, D.C.

Marjorie Clarke, 1945-, vocals, Washington, D.C.

Grace Ruffin, 1944-, vocals, District Heights, Maryland

Ronald Campbell, 1951-, bass, Washington, D.C.

Ronald Ford, 1951-, drums, Washington, D.C.

Joe Phillips, 1951-, guitar, Suitland, Maryland

Ron Reace, 1956-, keyboards, Hyattsville, Maryland

DR. MABLE JOHN

Mable John, 1930-, musician, Los Angeles California

Performing with the Stax Music Academy Accompanists -- Performing with the Stax Music Academy AccompanistsMildred Spikes, 1942-, vocals, East Orange, New JerseyNorma Jenkins Williams, 1948-, vocals, Gaithersburg, Maryland

FERNANDO JONES

Fernando Jones, 1964-, guitar, Chicago, Illinois

Roy Boyd, 1955-, drums, vocals, Chicago, Illinois

Chip Ratliff, 1965-, bass, vocals, Morton Grove, Illinois

SHIRLEY JONES OF THE JONES GIRLS

Shirley Jones, 1953-, vocals, McDonough, Georgia

Farnetta L. Baker, 1967-, vocals, Bryans Road, Maryland

Anissa Hargrove, 1969-, vocals, Waldorf, Maryland

Lorree K. Slye, 1962-, vocals, Washington, D.C.

Keith D. Busey, 1960-, bass, Silver Spring, Maryland

Charles Jerome Deas, 1964-, percussion, Upper Marlboro, Maryland

Jeno Marcus Meyer, 1972-, keyboards, Oxon Hill, Maryland

Derrick Tobias Northan, guitar, Baltimore, Maryland

Arthur Scribner, Jr., 1955-, keyboards, Baltimore, Maryland

Kevin "Bam-Bam" Sykes, 1968-, drums, Upper Marlboro, Maryland

Michael "Airplay" Austin, 1958-, manager, Atlanta, Georgia

HAROLD MELVIN'S BLUENOTES

Latrice Barnwell, bass

Anthony Brooks, vocals

Angela Caldwell

John Gillespie, vocals

Calvin Harrisson, guitar

Ovelia Melvin

Trudy Melvin, manager

John Morris, vocals

Harvey Perry, keyboards

George Prettyman, sound technician

John Thompson, drums

Rufus Thorne, Jr., vocals

THE MONITORS

Bill Myers, 1932-, keyboards, Wilson, North Carolina

Willie Dupree, 1950-, saxophone, Wilson, North Carolina

Gerald Hunter, 1945-, guitar, vocals, Wilson, North Carolina

Mollie Hunter, 1958-, vocals, Wilson, North Carolina

Dick Knight, 1943-, trumpet, vocals, Kinston, North Carolina

Sam Lathan, 1929-, drums, vocals, Wilson, North Carolina

Jerome Morgan, 1968-, bass, Wilson, North Carolina

THE NATIONAL HAND DANCE ASSOCIATION

Beverly Lindsay-Johnson, 1953-, president, Fort Washington, Maryland -- Beverly Lindsay-Johnson, 1953-, president, Fort Washington, MarylandLawrence Bradford, Willie-Mae Brown, Levet Brown, Jr., Earl Calloway, Jr., Melvin Copeland, Patricia Duncan-Clark, Kim Frazier, Nathan Giles, Maxine Grant, James Green, Leroy J. Green, Farnese Hicks, Alwanda Higgins, Dominic A. Johnson, Megan Johnson, William Johnson, Nadene Jones, Dyone Mitchell, Patricia Mitchell, Myra Morgan-Martin, Adrienne Poteat, Addie Robinson, Markus Lamont Smith, Greg Steele, Mary Thomas, Ronald Van Doorn, Melvin Walker, Darlene Wallace

SONNY TIL'S ORIOLES

Diz Russell, 1933-, vocals, Capitol Heights, Maryland

Ray Apollo Allen, 1941-, vocals, Fort Washington, Maryland

Clark Walker, 1948-, vocals, guitar, Largo, Maryland

David Warren, 1945-, vocals, Arlington, Virginia

Sam Paladino, 1941-, keyboards, La Plata, Maryland

Gary Smith, bass, Capitol Heights, Maryland

James Thomas, 1943-, drums, Hyattsville, Maryland

Millie Russell, 1938-, manager, Capitol Heights, Maryland

PHILADELPHIA INTERNATIONAL RECORDS, GAMBLE-HUFF MUSIC

Kenneth Gamble, founder

Leon Huff, founder

Charles Gamble

Kenneth Gamble

Grace Warner ("Amazing Grace Little")

RADIO DJs

Robert "Captain Fly" Frye, 1949-, WPFW, Washington, D.C.

Carroll Hynson, 1936-, WHUR, Washington, D.C.

Herb Kent, 1928-, WVAZ, Chicago, Illinois

Bob Porter, 1940-, WBGO, Newark, New Jersey

MISS MARTHA REEVES

Martha Reeves, 1941-, singer, Detroit, Michigan

Christopher Beck, 1982, drums, Jersey City, New Jersey

Isaac Daniel, guitar

Dupor Georges, trombone

Bryan Dundee Holt, 1956-, New York, New York

Richard Kessler, trumpet

Alonzo McKenzie, keyboards, Southfield, Michigan

Darrell Smith, 1962-, bass, Detroit, Michigan

Lorenzo Wheatley, baritone sax

Davey Yarborough, tenor sax

SMOOTH & EZ HAND DANCE INSTITUTE

Lawrence Bradford, 1944-, director, Washington, D.C. -- Lawrence Bradford, 1944-, director, Washington, D.C.William Coleman, Milton English, Francina R. Ferguson, Victor Howard, Lisa Lawson, Gregory Meads, Jonathan V. Newton, Nilajah Nyasuma, Gregory L. Owens, Sr., Betty Parker, Kirby Parker, James Portis, Tia Quander, Renee Reed, Carolyn Rhone, Patricia Russo, Helen Victoria Swann, Angela Tindle, Cynthia Trueheart, Gerald Woodford, Gloria Woodfork, Alexis Wright-Portis

SOUL SURVIVORS

Michael DiMatrinis, 1956-, guitar, vocals, Sicklerville, New Jersey

Charles Ingui, vocals, Ridgely, Maryland

Richard Ingui, 1946-, vocals, Shamong, New Jersey

Kevin Irvine, 1954-, keyboard, vocals, New Hope, Pennsylvania

Jay MacLean, 1956-, drums, Williamstown, New Jersey

Frank Pagliante, 1956-, bass, Mt. Laurel, New Jersey

SOUL TRAIN

Kenard Gibbs, 1964-, CEO, Soul Train Holdings, Chappaqua, New York

Tony Cornelius, President/CEO, Akabueze Productions Inc.

Tyrone Proctor, 1953-, original Soul Train dancer, New York, New York

Nicholas "NickFRESH" Puzo, 1983-, DJ, founder, SoulTrainFans, Orange Park, Florida

Questlove, 1971-, DJ, producer, drummer for the Roots, Philadelphia, Pennsylvania

Urban Artistry, dancers -- Urban Artistry, dancersTasha Barnes, 1980-, dancer, Arlington, VirginiaJunious "HOUSE" Brickhouse, 1974-, dancer, Bethesda, MarylandRashaad Pearson, 1983-, dancer, Rockville, MarylandToyin Sogunro, 1987-, dancer, New Carrollton, MarylandRyan Webb, 1986-, dancer, Springfield, VirginiaBaronhawk Williams, 1988-, dancer, Beltsville, Maryland

STAX MUSIC ACADEMY

Paul B. McKinney, 1969-, music director, Memphis, Tennessee

Justin Merrick, 1987-, vocal instructor, Memphis, Tennessee

Leona Johnson, 1961-, program assistant, Memphis, Tennessee

Tasmine Ballentine, vocals

Stephanie Brownlee, 1995-, keyboards, Memphis, Tennessee

Brandon Chornes, 1994-, drums, vocals, Memphis, Tennessee

Preston Edward Clark, 1994-, bass, Memphis, Tennessee

Justin Hicks, 1995-, vocals, Cordova, Tennessee

Clifton A. Jackson, 1994-, trombone, Memphis, Tennessee

Tangela Mathis, 1994-, vocals, Memphis, Tennessee

Amber Robinson, 1992-, vocals, Memphis, Tennessee

Andrew Saino, 1993-, electric guitar, Collierville, Tennessee

Baye Slappy, 1993-, vocals, Memphis, Tennessee

Kelvin Walters, 1994-, alto saxophone, Memphis, Tennessee

Deanie Parker, 1945-, former administrator and composer for Stax Records, Memphis, Tennessee

THE SWALLOWS

William "Til" George, 1935-, vocals, Pikesville, Maryland

Leroy Miller, 1946-, vocals, Baltimore, Maryland

Eddie Rich, 1931-, vocals, Baltimore, Maryland

Clarence O. Robinson, 1956-, vocals, Baltimore, Maryland

Johnny Styl, 1952-, vocals, Randallstown, Maryland

Backing Band -- Backing BandJohnnel Gray, 1948-, keyboards, Washington, D.C.Lenny Harris, 1955-, saxophone, White Plains, MarylandEddie Jones, 1953-, band leader, guitar, Washington, D.C.Antonio Robinson, 1961-, drums, Hyattsville, MarylandJerry Wilder, bass

SWAMP DOGG

Jerry "Swamp Dogg" Williams, 1942-, keyboards, vocals, Canoga Park, California

Billy Haynes, 1949-, bass, vocals, Bakersfield, California

Craig Kimbrough, 1956-, drums, Los Angeles, California

Vera Lee, 1921-, vocals, Las Vegas, Nevada

Lucky Lloyd, 1955-, guitar, Sylmar, California

MoogStar, 1965-, keyboards, Northridge, California

Michael Murphy, 1948-, keyboards, Sherman Oaks, California

Horn Section -- Horn SectionVaughn Ambrose, 1975-, tenor saxophone, Alexandria, VirginiaDoug Gilchrist, 1970-, trombone, Silver Spring, MarylandGilbert E. Pryor, Jr., 1950-, trumpet, flugelhorn, Landover, Maryland

FRED WESLEY AND THE NEW JBs

Fred Wesley, 1943-, trombone, Manning, South Carolina

Bruce Cox, 1959-, drums, Brooklyn, New York

Dwayne Dolphin, 1963-, bass, Sewickley, Pennsylvania

Ernie Fields, Jr., 1934-, saxophone, flute, bagpipes, Los Angeles, California

Freddie Hendrix, 1976-, trumpet, Teaneck, New Jersey

Barney McAll, 1966-, keyboards, Brooklyn, New York

Reggie Ward, 1949-, guitar, Lawrenceville, Georgia

Joya Wesley, 1966-, group manager, Greensboro, North Carolina

KIM WESTON

Kim Weston, 1939-, singer, Detroit, Michigan

Performing with the Funk Brothers
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2011 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2011, Series 4
See more items in:
Smithsonian Folklife Festival records: 2011 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-2011-ref36

Rathbun, L. V. Rochester, New York Richards, A. and Company New London, Connecticut Reakirt and Taylor, Philadelphia, PA Rath Mfg. Co. Philadelphia, PA

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Box 1, Folder 41
Type:
Archival materials
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Adhesives, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Adhesives
Warshaw Collection of Business Americana Subject Categories: Adhesives / Business Records, Marketing Material, and Other
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-adhesives-ref48

Minutes

Creator::
Smithsonian Institution. Board of Regents  Search this
Extent:
8.70 cu. ft. (9 document boxes) (7 12x17 boxes) (1 16x20 box)
Type:
Collection descriptions
Archival materials
Manuscripts
Date:
1846-1995
Descriptive Entry:
These records are the official minutes of the Board. They are compiled at the direction of the Secretary of the Smithsonian, who is also secretary to the Board, after approval by the Regents' Executive Committee and by the Regents themselves. The minutes are edited, not a verbatim account of proceedings. For reasons unknown, there are no manuscript minutes for the period from 1857 through 1890; and researchers must rely on printed minutes published in the Annual Report of the Smithsonian Institution instead. Minutes are transferred regularly from the Secretary's Office to the Archives. Minutes less than 15 years old are closed to researchers. Indexes exist for the period from 1907 to 1946 and can be useful.
Historical Note:
The Smithsonian Institution was created by authority of an Act of Congress approved August 10, 1846. The Act entrusted direction of the Smithsonian to a body called the Establishment, composed of the President; the Vice President; the Chief Justice of the United States; the secretaries of State, War, Navy, Interior, and Agriculture; the Attorney General; and the Postmaster General. In fact, however, the Establishment last met in 1877, and control of the Smithsonian has always been exercised by its Board of Regents. The membership of the Regents consists of the Vice President and the Chief Justice of the United States; three members each of the Senate and House of Representatives; two citizens of the District of Columbia; and seven citizens of the several states, no two from the same state. (Prior to 1970 the category of Citizen Regents not residents of Washington consisted of four members). By custom the Chief Justice is Chancellor. The office was at first held by the Vice President. However, when Millard Fillmore succeeded to the presidency on the death of Zachary Taylor in 1851, Chief Justice Roger Brooke Taney was chosen in his stead. The office has always been filled by the Chief Justice since that time.

The Regents of the Smithsonian have included distinguished Americans from many walks of life. Ex officio members (Vice President) have been: Spiro T. Agnew, Chester A. Arthur, Allen W. Barkley, John C. Breckenridge, George Bush, Schuyler Colfax, Calvin Coolidge, Charles Curtis, George M. Dallas, Charles G. Dawes, Charles W. Fairbanks, Millard Fillmore, Gerald R. Ford, John N. Garner, Hannibal Hamlin, Thomas A. Hendricks, Garret A. Hobart, Hubert H. Humphrey, Andrew Johnson, Lyndon B. Johnson, William R. King, Thomas R. Marshall, Walter F. Mondale, Levi P. Morton, Richard M. Nixon, Nelson A. Rockefeller, Theodore Roosevelt, James S. Sherman, Adlai E. Stevenson, Harry S. Truman, Henry A. Wallace, William A. Wheeler, Henry Wilson.

Ex officio members (Chief Justice) have been: Roger B. Taney, Salmon P. Chase, Nathan Clifford, Morrison R. Waite, Samuel F. Miller, Melville W. Fuller, Edward D. White, William Howard Taft, Charles Evans Hughes, Harlan F. Stone, Fred M. Vinson, Earl Warren, Warren E. Burger.

Regents on the part of the Senate have been: Clinton P. Anderson, Newton Booth, Sidney Breese, Lewis Cass, Robert Milledge Charlton, Bennet Champ Clark, Francis M. Cockrell, Shelby Moore Cullom, Garrett Davis, Jefferson Davis, George Franklin Edmunds, George Evans, Edwin J. Garn, Walter F. George, Barry Goldwater, George Gray, Hannibal Hamlin, Nathaniel Peter Hill, George Frisbie Hoar, Henry French Hollis, Henry M. Jackson, William Lindsay, Henry Cabot Lodge, Medill McCormick, James Murray Mason, Samuel Bell Maxey, Robert B. Morgan, Frank E. Moss, Claiborne Pell, George Wharton Pepper, David A. Reed, Leverett Saltonstall, Hugh Scott, Alexander H. Smith, Robert A. Taft, Lyman Trumbull, Wallace H. White, Jr., Robert Enoch Withers.

Regents on the part of the House of Representatives have included: Edward P. Boland, Frank T. Bow, William Campbell Breckenridge, Overton Brooks, Benjamin Butterworth, Clarence Cannon, Lucius Cartrell, Hiester Clymer, William Colcock, William P. Cole, Jr., Maurice Connolly, Silvio O. Conte, Edward E. Cox, Edward H. Crump, John Dalzell, Nathaniel Deering, Hugh A. Dinsmore, William English, John Farnsworth, Scott Ferris, Graham Fitch, James Garfield, Charles L. Gifford, T. Alan Goldsborough, Frank L. Greene, Gerry Hazleton, Benjamin Hill, Henry Hilliard, Ebenezer Hoar, William Hough, William M. Howard, Albert Johnson, Leroy Johnson, Joseph Johnston, Michael Kirwan, James T. Lloyd, Robert Luce, Robert McClelland, Samuel K. McConnell, Jr., George H. Mahon, George McCrary, Edward McPherson, James R. Mann, George Perkins Marsh, Norman Y. Mineta, A. J. Monteague, R. Walton Moore, Walter H. Newton, Robert Dale Owen, James Patterson, William Phelps, Luke Poland, John Van Schaick Lansing Pruyn, B. Carroll Reece, Ernest W. Roberts, Otho Robards Singleton, Frank Thompson, Jr., John M. Vorys, Hiram Warner, Joseph Wheeler.

Citizen Regents have been: David C. Acheson, Louis Agassiz, James B. Angell, Anne L. Armstrong, William Backhouse Astor, J. Paul Austin, Alexander Dallas Bache, George Edmund Badger, George Bancroft, Alexander Graham Bell, James Gabriel Berrett, John McPherson Berrien, Robert W. Bingham, Sayles Jenks Bowen, William G. Bowen, Robert S. Brookings, John Nicholas Brown, William A. M. Burden, Vannevar Bush, Charles F. Choate, Jr., Rufus Choate, Arthur H. Compton, Henry David Cooke, Henry Coppee, Samuel Sullivan Cox, Edward H. Crump, James Dwight Dana, Harvey N. Davis, William Lewis Dayton, Everette Lee Degolyer, Richard Delafield, Frederic A. Delano, Charles Devens, Matthew Gault Emery, Cornelius Conway Felton, Robert V. Fleming, Murray Gell-Mann, Robert F. Goheen, Asa Gray, George Gray, Crawford Hallock Greenwalt, Nancy Hanks, Caryl Parker Haskins, Gideon Hawley, John B. Henderson, John B. Henderson, Jr., A. Leon Higginbotham, Jr., Gardner Greene Hubbard, Charles Evans Hughes, Carlisle H. Humelsine, Jerome C. Hunsaker, William Preston Johnston, Irwin B. Laughlin, Walter Lenox, Augustus P. Loring, John Maclean, William Beans Magruder, John Walker Maury, Montgomery Cunningham Meigs, John C. Merriam, R. Walton Moore, Roland S. Morris, Dwight W. Morrow, Richard Olney, Peter Parker, Noah Porter, William Campbell Preston, Owen Josephus Roberts, Richard Rush, William Winston Seaton, Alexander Roby Shepherd, William Tecumseh Sherman, Otho Robards Singleton, Joseph Gilbert Totten, John Thomas Towers, Frederic C. Walcott, Richard Wallach, Thomas J. Watson, Jr., James E. Webb, James Clarke Welling, Andrew Dickson White, Henry White, Theodore Dwight Woolsey.
Topic:
Museums -- Administration  Search this
Museum trustees  Search this
Genre/Form:
Manuscripts
Citation:
Smithsonian Institution Archives, Record Unit 1, Smithsonian Institution. Board of Regents, Minutes
Identifier:
Record Unit 1
See more items in:
Minutes
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-faru0001
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Online Media:

A – W

Type:
Archival materials
Date:
July–Dec. 1865
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M843, Item 4.5.1.1
See more items in:
Records of the Assistant Commissioner for the State of North Carolina Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1870
Records of the Assistant Commissioner for the State of North Carolina Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1870 / Series 4: Letters Received / 4.5: Unregistered / 4.5.1: Name Index
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m843-ref44
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Online Media:

Volume 1 (39)

Type:
Archival materials
Date:
Jan. 1868–Dec. 1869
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commerical use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org .
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1056, Subseries 4.1
See more items in:
Records of the Superintendent of Education for the District of Columbia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Superintendent of Education for the District of Columbia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 4: Registers of Letters Received
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1056-ref12
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C – F

Type:
Archival materials
Date:
Jan. 1868–Dec. 1869
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commerical use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org .
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1056, File 5.1.2
See more items in:
Records of the Superintendent of Education for the District of Columbia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Superintendent of Education for the District of Columbia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 5: Registered Letters Received / 5.1: (Entered in Register 1)
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1056-ref17
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Online Media:

Volume 2 (42)

Type:
Archival materials
Date:
Aug. 2, 1869–Apr. 4, 1870
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commerical use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org .
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1056, Subseries 1.2
See more items in:
Records of the Superintendent of Education for the District of Columbia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Superintendent of Education for the District of Columbia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 1: Fair Copies of Letters Sent
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1056-ref4
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Oral history interview with Joshua Binion Cahn, Richard A. Florsheim, and John Kearney, 1971 July 20

Interviewee:
Cahn, Joshua Binion, 1915-1995  Search this
Interviewer:
Brown, Robert F  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Record number:
(DSI-AAA_CollID)13305
(DSI-AAA_SIRISBib)212574
AAA_collcode_cahn71
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212574

Oral history interview with Nancy Holt, 1992 July 6

Interviewee:
Holt, Nancy, 1938-  Search this
Interviewer:
Gutterman, Scott  Search this
Type:
Sound recordings
Interviews
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Women sculptors -- Interviews  Search this
Filmmakers -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12482
(DSI-AAA_SIRISBib)214837
AAA_collcode_holt92
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214837

Richard York Gallery records, circa 1865-2005, bulk 1981-2004

Creator:
Richard York Gallery  Search this
Subject:
Hornby, Lester George  Search this
Lozowick, Louis  Search this
Hill, J. W. (John William)  Search this
Hill, John Henry  Search this
Goldyne, Joseph R.  Search this
Hale, Ellen Day  Search this
De Forest, Lockwood  Search this
Wheeler, Steve  Search this
Stevens, Will Henry  Search this
MacRae, Emma Fordyce  Search this
York, Richard  Search this
Lucioni, Luigi  Search this
Marin, John  Search this
Mapplethorpe, Robert  Search this
Marin, John, Jr.  Search this
Stella, Joseph  Search this
Smith, Houghton Cranford  Search this
Art Dealers Association of America  Search this
Type:
Scrapbooks
Photographs
Topic:
Art, American  Search this
Art -- Economic aspects  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)13607
(DSI-AAA_SIRISBib)270662
AAA_collcode_richyorg
Theme:
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_270662
Online Media:

37c Madonna and Child booklet single

Title:
Scott Catalogue USA 3879
Medium:
paper; ink (multicolored)/ lithographed
Type:
Postage Stamps
Place:
United States of America
Date:
October 14, 2004
Topic:
Holidays & Celebrations  Search this
Contemporary (1990-present)  Search this
Art & Photography  Search this
U.S. Stamps  Search this
Credit line:
Copyright United States Postal Service. All rights reserved.
Object number:
2005.2003.192
See more items in:
National Postal Museum Collection
Data Source:
National Postal Museum
GUID:
http://n2t.net/ark:/65665/hm8f1279c00-17ce-4ba6-ae98-d2ce66af3ef4
EDAN-URL:
edanmdm:npm_2005.2003.192

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