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Curatorial Records, 2010-2013

Creator:
Smithsonian American Art Museum Curatorial Office  Search this
Subject:
Ramos, E. Carmen  Search this
Alvarz, Aida M  Search this
Einfedt, Kirsten  Search this
Goerlitz, Amelia  Search this
O'Hare, Mary Kate  Search this
Cabrera, Rosa  Search this
Callejo, Carlos  Search this
Cancel, Luis R  Search this
Díaz, V. Gina  Search this
Durón, Armando  Search this
González-González, María del Mar  Search this
Lerer, Maris  Search this
Morales, Orquidea  Search this
Moreno, Renee M  Search this
Talamantez, Josie S  Search this
Vargas, George  Search this
Vidal, Jose  Search this
Villanueva, Tino  Search this
Ybarra-Frausto, Tomás 1938-  Search this
Biczel, Dorota  Search this
Camnitzer, Luis 1937-  Search this
Cullen, Deborah  Search this
Davalos, Karen Mary 1964-  Search this
Franco, Ana M  Search this
Fraser, Valerie  Search this
Gaztambide, María C  Search this
Glassman, Elizabeth  Search this
Greet, Michele 1970-  Search this
Manthorne, Katherine  Search this
McClean-Cameron, Alison  Search this
Mishler, Max  Search this
Montross, Sarah J  Search this
Noriega, Chon A. 1961-  Search this
Roulet, Laura  Search this
Sullivan, Edward J  Search this
Tarazona, Emilio 1975-  Search this
Wellen, Michael  Search this
Aranda-Alvarado, Rocío  Search this
Aragón, Francisco  Search this
Caragol-Barreto, Taina Beatriz  Search this
Cortez, Constance 1958-  Search this
Lapin Dardashti, Abigail  Search this
Diaz, Ella Maria  Search this
Hernández, Pedro  Search this
Huacuja, Judith  Search this
Londoño, Johana 1982-  Search this
Nunn, Tey Marianna  Search this
Ramirez, Yasmin 1981-  Search this
Romo, Harriett  Search this
Romo, Ricardo  Search this
Romo, Terecita  Search this
Smithsonian American Art Museum  Search this
National Museum of the American Indian (U.S.)  Search this
Encuentros: Artistic Exchange Between the U.S. and Latin America (Symposium) (2011: Washington, D.C.)  Search this
Latino Art Now!: Nuestra América: Expanding Perspectives in American Art (Conference) (2013: Washington, D.C.)  Search this
Our America: The Latino Presence in American Art (Exhibition) (2013-2014: Washington, D.C.)  Search this
Physical description:
0.5 cu. ft. (1 document box)
Type:
Manuscripts
Collection descriptions
Brochures
Date:
2010
2010-2013
Topic:
Arts, Latin American  Search this
Congresses and conventions  Search this
Art, American  Search this
Artists  Search this
Museum exhibits  Search this
Local number:
SIA Acc. 22-125
Restrictions & Rights:
Restricted for 15 years, until Jan-01-2029; Transferring office; 12/18/2006 memorandum, Toda to Earle; Contact reference staff for details
See more items in:
Curatorial Records 1930-2020 [Smithsonian American Art Museum Curatorial Office]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_404778

Tomas Ybarra-Frausto Calendar Collection : Posters

Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Catano, Eduardo  Search this
Barr, A.  Search this
Helguera, Jesus de  Search this
Galas de Mexico.  Search this
Extent:
8 Items (1 box, 1 oversize folder)
Type:
Collection descriptions
Archival materials
Advertising
Calendars
Photomechanical reproductions
Paintings
Posters
Place:
Mexico
Date:
circa 1938-1998
Scope and Contents:
Eight poster-sized pieces of calendar art, reproductions of paintings by artists Jesus de Helguera, Eduardo Catano, and A. Barr. Several show the signature of Helguera in the painting, and the signatures of Catano and Barr are seen in two other items; no signatures can be found in others. Several include the printer or publisher credit, Galas de Mexico. Subjects are beautiful young women and handsome men. Several reference Aztec legends or themes. These reproductions do not contain actual calendars; apparently the calendar portion was trimmed off each item. They were originally framed. The largest item also contains advertising for cigarettes, including Raleigh and other brands, plus the "Villa Hermosa" Super Carniceria.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
The donor, Dr. Tomas Ybarra-Frausto, is a well-known art historian. His books include: Modern Chicano Writers: A Collection of Critical Essays (1979), and Velvet Barrios: Popular Culture and Chicana/O Sexualities (2003).The donor, Dr. Tomas Ybarra-Frausto, is a well-known art historian. His books include: Modern Chicano Writers: A Collection of Critical Essays (1979), and Velvet Barrios: Popular Culture and Chicana/O Sexualities (2003).
Related Materials:
Materials at the Smithsonian

Archives of American Art

Tomás Ybarra-Frausto research material on Chicano art, 1965-2004
Provenance:
Dr. Ybarra-Frausto donated these posters to the Archives Center on October 11, 1998.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
advertising -- Cigarettes -- 1940-1950  Search this
Calendar art  Search this
Cigarettes -- 1940-1950  Search this
Genre/Form:
Advertising
Calendars
Photomechanical reproductions
Paintings -- Reproductions
Posters -- 1940-1960
Citation:
Tomas Ybarra-Frausto Calendar Collection, undated, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0660
See more items in:
Tomas Ybarra-Frausto Calendar Collection : Posters
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep854fc2b29-cfc1-43b9-9c40-69e6c5af2bf4
EDAN-URL:
ead_collection:sova-nmah-ac-0660
Online Media:

Tomás Ybarra-Frausto research material, 1965-2004

Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Subject:
Garza, Carmen Lomas  Search this
Goldman, Shifra M.  Search this
Mesa-Bains, Amalia  Search this
Mexican Museum  Search this
Studio 24 (San Francisco, Calif.)  Search this
Royal Chicano Air Force  Search this
Type:
Photographs
Slides (photographs)
Interviews
Place:
Mexico -- Religious life and customs
Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Topic:
Santos (Art)  Search this
Household shrines -- Mexico  Search this
Chicano art  Search this
Chicano artists  Search this
Mexican American art  Search this
Mexican American artists  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)5563
(DSI-AAA_SIRISBib)216281
AAA_collcode_ybartoma
Theme:
Latino and Latin American
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216281
Online Media:

Oral history interview with Peter Rodriguez

Interviewee:
Rodriguez, Peter, 1926-  Search this
Interviewer:
Wagner, Nora  Search this
Names:
Galería de la Raza (San Francisco, Calif.)  Search this
Mexican Museum  Search this
Dickey, Terry P.  Search this
Garcia, Rupert, 1941-  Search this
Hernandez, Ester, 1944-  Search this
Reyes Ferreira, Jesus  Search this
Tamayo, Rufino, 1899-  Search this
Williams, Adriana, 1933-  Search this
Ybarra-Frausto, Tomás, 1938-  Search this
Extent:
32 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 October 23-24
Scope and Contents:
An interview of Peter Rodriguez conducted 2004 October 23-24, by Nora Wagner, for the Archives of American Art, in San Francisco, Calif.
Rodriguez speaks of his family background, early childhood and elementary art education; travels to Mexico, Alaska, Colorado, and Washington, D.C.; exhibitions he participated in as well as curated; joining Galería de la Raza; the founding of the Mexican Museum in San Francisco, grants received and support from the San Francisco community; artists Jesse Aguirre, Manuel Villamor, and Ester Hernandez; Ann Rockefeller Roberts and the Nelson A. Rockefeller Collection of Mexican Folkart, acquired by the Mexican Museum in 1985. Rodriquez also discusses the various art forms he works in, including, sculpture, tapestry, oil painting, acrylic painting, portraits of artists, and pen and ink drawings; a collection of chairs he made; his 1992 Retrospective at the Haggin Museum, in Stockton, Calif.; his creativity and color scheme for exhibitions; appointment as an Art Commissioner for the city of San Francisco, 1977-1986; the Rosa Covarrubias collection; the different locations of the Mexico Museum; current funding for a new building on Mission Street; the exhibition "Lo del Corazon"; and his own hopes for the future of the Mexican Museum. Rodriguez also recalls Rufino Tamayo, Adriana Williams, Lauro Lopez, Chucho Reyes Ferreira, Rupert Garcia, Alfredo Arreguin, Candelario Medrano, Terrey Dickey, Bea Carrillo, and Tomás Ybarra-Frausto.
Biographical / Historical:
Peter Rodriguez (1926- ) is the founder and former director of the Mexican Museum, in San Francisco, Calif. Nora Wagner (1938- ) is a program director at the Blackhawk Museum in Danville, Calif.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 14 digital wav files. Duration is 2 hr., 34 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Arts administrators -- California -- San Francisco -- Interviews  Search this
Topic:
Painters -- California -- San Francisco -- Interviews  Search this
Sculptors -- California -- San Francisco -- Interviews  Search this
Art -- Collectors and collecting -- California -- San Francisco -- Interviews  Search this
Art -- Philosophy  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rodrig04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95ed24d12-816f-44f5-b321-1c6335ad4919
EDAN-URL:
ead_collection:sova-aaa-rodrig04
Online Media:

ASCO 83 pamphlet

Creator:
Brookman, Philip, 1953-  Search this
Ybarra-Frausto, Tomás, 1938-  Search this
Subject:
Gamboa, Harry  Search this
Gronk, (Glugio Gronk Nicandro)  Search this
Herrón, Willie  Search this
Valdez, Patssi  Search this
Type:
Printed Materials
Date:
1983 May 18
Citation:
Philip Brookman and Tomás Ybarra-Frausto. ASCO 83 pamphlet, 1983 May 18. Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)15583
See more items in:
Tomás Ybarra-Frausto research material, 1965-2004
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15583
Online Media:

Carmen Lomas Garza to Tomás Ybarra-Frausto, New York, N.Y.

Creator:
Garza, Carmen Lomas, 1948-  Search this
Ybarra-Frausto, Tomás, 1938-  Search this
Type:
Correspondence
Date:
between 1985 and 1987
Citation:
Carmen Lomas Garza. Carmen Lomas Garza to Tomás Ybarra-Frausto, New York, N.Y., between 1985 and 1987. Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Topic:
Hispanic American artists  Search this
Record number:
(DSI-AAA)1737
See more items in:
Tomás Ybarra-Frausto research material, 1965-2004
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_1737
Online Media:

Carmen Lomas Garza, San Francisco, Calif. letter to Tomás Ybarra-Frausto, New York, N.Y.

Creator:
Garza, Carmen Lomas, 1948-  Search this
Ybarra-Frausto, Tomás, 1938-  Search this
Type:
Correspondence
Date:
not before 1989
Citation:
Carmen Lomas Garza. Carmen Lomas Garza, San Francisco, Calif. letter to Tomás Ybarra-Frausto, New York, N.Y., not before 1989. Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Topic:
Hispanic American art  Search this
Record number:
(DSI-AAA)1738
See more items in:
Tomás Ybarra-Frausto research material, 1965-2004
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_1738
Online Media:

Yolanda M. López to Tomás Ybarra-Frausto

Creator:
López, Yolanda M., 1942-2021  Search this
Ybarra-Frausto, Tomás, 1938-  Search this
Type:
Correspondence
Date:
1979 Mar. 14
Citation:
Yolanda M. López. Yolanda M. López to Tomás Ybarra-Frausto, 1979 Mar. 14. Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Topic:
Hispanic American artists  Search this
Record number:
(DSI-AAA)1739
See more items in:
Tomás Ybarra-Frausto research material, 1965-2004
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_1739
Online Media:

Amalia Mesa-Bains greeting card to Tomás Ybarra-Frausto

Creator:
Mesa-Bains, Amalia, 1943-  Search this
Ybarra-Frausto, Tomás, 1938-  Search this
Type:
Correspondence
Date:
1984 March 7
Citation:
Amalia Mesa-Bains. Amalia Mesa-Bains greeting card to Tomás Ybarra-Frausto, 1984 March 7. Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)20000
See more items in:
Tomás Ybarra-Frausto research material, 1965-2004
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20000
Online Media:

Amalia Mesa-Bains letter to Tomas Ybarra-Frausto

Creator:
Mesa-Bains, Amalia, 1943-  Search this
Ybarra-Frausto, Tomás, 1938-  Search this
Type:
Correspondence
Date:
19--
Citation:
Amalia Mesa-Bains. Amalia Mesa-Bains letter to Tomas Ybarra-Frausto, 19--. Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)20005
See more items in:
Tomás Ybarra-Frausto research material, 1965-2004
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20005
Online Media:

Guillermo Gomez-Pena letter to Tomás Ybarra-Frausto

Creator:
Gómez-Peña, Guillermo, 1955-  Search this
Ybarra-Frausto, Tomás, 1938-  Search this
Type:
Correspondence
Date:
ca. 1987
Citation:
Guillermo Gómez-Peña. Guillermo Gomez-Pena letter to Tomás Ybarra-Frausto, ca. 1987. Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)5618
See more items in:
Tomás Ybarra-Frausto research material, 1965-2004
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5618

Tomás Ybarra-Frausto research material

Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Names:
Mexican Museum  Search this
Royal Chicano Air Force  Search this
Studio 24 (San Francisco, Calif.)  Search this
Garza, Carmen Lomas  Search this
Goldman, Shifra M., 1926-2011  Search this
Mesa-Bains, Amalia  Search this
Extent:
33.1 Linear feet
1.27 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Slides (photographs)
Interviews
Place:
Mexico -- Religious life and customs
Date:
1965-2004
Summary:
The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.
Scope and Content Note:
The research material of Tomás Ybarra-Frausto, amassed throughout his long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States. As community leader and scholar, Ybarra-Frausto played dual roles of active participant and historian in the Chicano movement, chronicling this unique political and artistic movement from its inception in the 1960s to the present day.

Deeply rooted in American history, "El Movimiento," the Chicano movement, evolved from Mexican-Americans' struggle for self-determination during the civil rights era of the 1960s. It began as a grassroots community effort that enlisted the arts in the creation of a united political and cultural constituency. Chicano artists, intellectuals, and political activists were instrumental in mobilizing the Mexican-American community for the cause of social justice, and the movement was shaped by the affirmation of a cultural identity that embraced a shared heritage with Mexico and the United States.

Just as "El Movimiento" aimed to instruct and inspire through the recollection and conservation of culture, Ybarra-Frausto's own career as scholar and historian helped to shape the intellectual discourse of the Chicano art. As a leading historian and theoretician in the field of Chicano Studies, he has written extensively on the subject, and has been instrumental in defining the canons of Chicano art. His papers are accordingly rich and varied, and they will be of great use to future scholars.

His research material, dating from 1965 to 1996, are arranged in subject files containing original writings, notes, bibliographies compiled by Ybarra-Frausto and others, exhibition catalogues, announcements, newspaper clippings and other printed material, as well as slides and photographs. Many of these files also include interview transcripts and correspondence with prominent figures in the movement. While this research collection contextualizes Chicano art within the larger framework of Latino and Latin-American culture, the bulk of the files relates specifically to Chicano visual culture. The collection also contains pertinent documentation of the Chicano civil rights movement, material on Chicano poets and writers, and research files on the wider Hispanic community, but these also appear within the context of Chicano culture in general.

Prominent among the bibliographies are the many notes and drafts related to the publication of A Comprehensive Annotated Bibliography of Chicano Art, 1965-1981 (University of California, Berkeley, 1985), which Ybarra-Frausto co-authored with Shifra Goldman. Ybarra-Frausto's files on Goldman, like other files in the collection, document his close associations and collaborations with scholars.

Art historians have traditionally found the categorization of Chicano art a difficult task. Unsure whether to classify the work as "American" or "Latin American," critics often ignored the work altogether. An outgrowth of this dilemma was the proliferation of artists, curators, and critics within the Chicano community, and the papers contain many original writings by Chicano artists about Chicano art, found in extensive files on artists that will be of particular significance to researchers. These often contain exhibition essays, dissertation proposals, and course outlines authored by the artists, along with the standard biographies, exhibition records, and reviews. Some of the files contain rare interviews conducted and transcribed by Ybarra-Frausto. Highlights include conversations with Carmen Lomas Garza, Amalia Mesa-Bains, and members of the Royal Chicano Air Force artist cooperative.

As a member of several Chicano art organizations and institutions, Ybarra-Frausto kept active records of their operation. The extensive files on the Mexican Museum and Galerie de la Raza/Studio 24, both in San Francisco, not only chronicle the history of Chicano art through the records of exhibitions and programming, but also offer case studies on the development of non-profit art institutions. The files on artist cooperatives, organizations, and exhibition spaces cover several regions of the United States, but focus on California, Texas and New York.

Two notable events in the development of Chicano art were the 1982 Califas: Chicano Art and Culture in California seminar at the University of California at Santa Cruz, and the 1990 traveling exhibition Chicano Art: Resistance and Affirmation, 1965-1985 (CARA), of which Ybarra-Frausto served as organizer and catalogue essayist. His records document the planning and development of these seminal events. Ybarra-Frausto's files on folk art, altars, posters, murals, performance art, border art, Chicana feminist art, and Southwestern and Mexican imagery (both urban and rural expressions) mirror the diverse forms and subject matter of Chicano art.

Spanning almost four decades of American culture from a Chicano perspective, these files have a unique historical value. The legacy of Chicano art and its contribution to the cultural landscape of this country, kept alive in Ybarra-Frausto's files, attests to the richness and diversity of American art.

Henry C. Estrada

Research Fellow, 1997.
Arrangement:
The collection is arranged as a single series of subject files. The general contents of each folder have been listed. The subject files are arranged in alphabetical order. While no two files are alike, they may contain résumés, printed and digital material, letters, draft writings, and photographs. Unless otherwise noted, each listing represents one file folder. The abbreviation TYF was used to refer to the name Tomá Ybarra-Frausto throughtout the Series Description.
Autobiographical Note:
Papelitos (little bits of paper), whether rent receipts, paid bills, or piles of personal letters, can become layered bundles of personal history. I have always been a pepenador (a scavenger) and saver of paper scraps. Diary notes, scribbled annotations, and first drafts are often useful indicators of ideas and gestation. Papelitos are the fragments of every-day life that gain expanded meaning integrated into the larger historical events of a period.

In the decade of the 1960s, I started saving ephemeral material--exhibition announcements, clippings of individual artists and of organizations fomenting a Chicano art movement. The social scenarios of the period such as marches, strikes, sit-ins, and mobilizations for social justice all spawned manifestos, posters, leaflets, and other forms of printed material. I somehow managed to assemble and protect the evanescent printed information that recorded the birth and development of Chicano art.

As I started to research and write about Chicano art and artists of the period, I continued to clip, photocopy, and preserve material given me by Mexican-American artists from throughout the nation. My idea was to form an archive that would be comprehensive rather than selective. I knew that it was the offbeat, singular piece of paper with a missing link of information that would attract the scholar.

Today, several decades after the flowering of Chicano art, there is still a lamentable paucity of research and information about this significant component of American art.

It is my fervent hope that this compendium of information will function as a resonant print and image bank for investigators of Chicano culture. Perhaps contained within the archive are the facts that will inspire new visions or revisions of Chicano art and culture--this is my fondest dream.

Dr. Tomás Ybarra-Frausto

New York City, 1998
Related Materials:
Tomás Ybarra-Frausto Papers are located at University of Texas Libraries, The University of Texas at Austin.
Provenance:
The collection was donated to the Archives of American Art by Tomás Ybarra-Frausto in 1997, and in 2004.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Santos (Art)  Search this
Household shrines -- Mexico  Search this
Chicano art  Search this
Chicano artists  Search this
Mexican American art  Search this
Mexican American artists  Search this
Latino and Latin American artists  Search this
Genre/Form:
Photographs
Slides (photographs)
Interviews
Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ybartoma
See more items in:
Tomás Ybarra-Frausto research material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e4916919-f4aa-4cd9-bf03-0335539ae06d
EDAN-URL:
ead_collection:sova-aaa-ybartoma
Online Media:

Lucero, Linda

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Extent:
(polaroid photograph)
Container:
Box 16, Folder 12
Type:
Archival materials
Date:
undated
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw969a8763b-8136-49e4-ab09-b99f9161f0d0
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1032

Mesa-Bains, Amalia (see also: Altars; Cinco de Mayo; MoCHA)

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 16, Folder 42
Type:
Archival materials
Date:
circa 1982-1991
Scope and Contents note:
(catalogs; clippings; postcards to TYF from Mesa-Bains, undated; typescript of speech by Mesa-Bains given at the Dialogue of the Americas Museum of Anthropology, 1982; exhibition announcements; writings by Mesa-Bains; letters to TYF from Mesa-Bains, undated; handwritten draft of essay sent to TYF; resume; note to TYF and Dudley from Mesa-Bains, 04/28/2000; invitation; typescript of "An Affecting Presence: Chicano Altars and Altarmakers" by TYF; draft of "Galaza Stanford lecture" given by Mesa-Bains, 1995; photograph, Edward Diaz, director of Cultural Affairs, City of San Antonio, Amalia Mesa-Bains, TYF; letter to TYF from Mesa-Bains, undated, with aluminum heart)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a2d84628-4b20-4581-9d99-c1567b871e15
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1084

National Hispanic Cultural Center, Organization, Albuquerque, New Mexico (see also: Abeyta, Ray Martín; Arreguín, Alfredo; Casas, Mel; Gandert, Miguel; García, Rupert; Gronk; Mesa-Bains, Amalia; Lomas Garza, Carmen; Smithsonian Institution; Valdez, Pat...

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 21, Folder 9
Type:
Archival materials
Date:
2000-2004
Scope and Contents note:
(exhibition announcements; catalog; invitations; brochures; press releases; fresco project information; Qué Pasa! newsletter: Apr./May/June 2000; vol. 1, issue 7 Jan./Feb./Mar. Winter 2002; vol 2, no. 2 Apr./May/June 2002; vol. 2, no. 3 July/Aug./Sept. 2002; vol. 2, no. 4 Oct./Nov./Dec. 2002; vol. 3, no. 1 Jan./Feb./Mar. 2003)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99ea89121-f28d-4e12-b004-70617f836933
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1250

La Raza Graphic Arts Center, Inc., Organization, San Francisco, California (see also: Galería de la Raza/Studio 24)

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 23, Folder 45
Type:
Archival materials
Date:
1979-1987
Scope and Contents note:
(exhibition and event announcements; clippings; invitations; administrative documents including: "5 Year Plan, 1985-1989", financial statements, art advisory committee meeting minutes, proposals, meeting agendas; letters to TYF from Linda Lucer, Director La Raza Graphics, 03/16/1987, 04/01/1987)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9462dd7ec-3c17-4f68-b714-0d801b9576d1
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1432

Mesa-Bains, Amalia (see also: Altars; Cinco de Mayo; MoCHA)

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 16, Folder 43
Type:
Archival materials
Date:
1992-2003
Scope and Contents:
(catalogs; clippings; postcards to TYF from Mesa-Bains, undated; typescript of speech by Mesa-Bains given at the Dialogue of the Americas Museum of Anthropology, 1982; exhibition announcements; writings by Mesa-Bains; letters to TYF from Mesa-Bains, undated; handwritten draft of essay sent to TYF; resume; note to TYF and Dudley from Mesa-Bains, 04/28/2000; invitation; typescript of "An Affecting Presence: Chicano Altars and Altarmakers" by TYF; draft of "Galaza Stanford lecture" given by Mesa-Bains, 1995; photograph, Edward Diaz, director of Cultural Affairs, City of San Antonio, Amalia Mesa-Bains, TYF; letter to TYF from Mesa-Bains, undated, with aluminum heart)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a12adde5-d352-4a74-9ad4-2214b429e39e
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref2864

Chicana Artistas (see also: Baca, Judith; Barrazza, Santa; Carrasco, Barbara; Esperanza Peace and Justice Center; Galeria de la Raza/Studio 24; Gamboa, Diane; Goldman, Shifra; Hernandez, Ester; Lopez, Yolanda; Lucero, Linda; Mesa-Bains, Amalia; Rayas; ...

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 6, Folder 18
Type:
Archival materials
Date:
1982-1998
Scope and Contents:
(La Voz de Esperanza magazine, Esperanza Peace and Justice Center, Dec 97/Jan 98; letter to TYF from Mary Lou Nevarez Haugh, 9/12/89, re. book she wanted to write on Latina artists in California; exhibition list; catalog, signed by Shifra Goldman, guest curator; clippings; photocopy of the Bibliography from Third Woman, vol. 4, 1989, Third Woman Press, Berkeley)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw945ebcd81-df1d-4022-b165-ea60d3b77b4f
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref2876

La Raza Graphic Arts Center, Inc., Organization, San Francisco, California (see also: Galería de la Raza/Studio 24)

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 23, Folder 46
Type:
Archival materials
Date:
1988-1993
Scope and Contents:
(includes photocopy of letter to Linda Lucero from Moctesuma Esparza and Robert Redford, Milagro Productions, Inc., 01/19/1988)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw948b94f61-1842-46be-9951-68349b7cbc7b
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref2877

Casas, Mel

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 5, Folder 28
Type:
Archival materials
Date:
1965-1989, undated
Scope and Contents note:
(catalogs; exhibition announcements; clippings; artist biography; photocopy of "Art of the Southwest...Art on the Border" [booklet?])
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw950a9cdb9-528d-4fd8-af13-d3e4ffb897a7
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref345

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