Harrington was a Bureau of American Ethnology ethnologist involved in the study of over one hundred American tribes. His speciality was linguistics. Most of the material concerns California, southwestern, northwestern tribes and includes ethnological, archeological, historical notes; writings, correspondence, photographs, sound recordings, biological specimens, and other types of documents. Also of concern are general linguistics, sign language, writing systems, writing machines, and sound recordings machines. There is also some material on New World Spanish, Old World languages. In addition, there are many manuscripts of writings that Harrington sketched, partially completed, or even completed but never published. The latter group includes not only writings about anthropological subjects but also histories, ranging from a biography of Geronimo to material on the history of the typewriter. The collection incorporates material of Richard Lynch Garner, Matilda Coxe Stevenson, and others. In his field work, Harrington seems sometimes to have worked within fairly firm formats, this especially being true when he was "rehearing" material, that is in using an informant to verify and correct the work of other researchers. Often, however, the interviews with informants (and this seems to have been the case even with some "rehearings") seem to have been rather free form, for there is a considerable intertwining of subjects. Nevertheless, certain themes frequently appear in his work, including annotated vocabularies concerning flora and fauna and their use, topography, history and biography, kinship, cosmology (including tribal astronomy), religion and philosophy, names and observations concerning neighboring tribes, sex and age division, material culture, legends, and songs. The fullness of such materials seems to have been limited only by the time Harrington had to spend with a goup and the knowledge of his informants.
Arrangement:
(Some of the titles are tentative). Papers relating to Alaska/Northwest Coast, including (1) Aleut; (2) Tlingit/Eyak; (3) Northern Athapascan (Beaver, Carrier, Chipewyan, Sarsi, Sekani, Cree); (4) Nicola/Thompson; (5) Lummi/Nespelem; (6) Duwamish; (7) Chimakum/Clallam; (8) Makah/Quileute; (9) Quinault/Chehalis/Cowlit; (10) Chinook/Chinook Jargon; (11) "Kwalhioqua-Tlatskanai"; (12) Tillamook, (13) Alsea/Siuslaw/Coos; (14) Southwest Oregon Athapascan (Chasta Costa, Chetco, Upper Coquille, "Gold Beach", Smith River, Tolowa, Tutini, Upper Umpqua), (14) Galice/Applegate; (15) Takelma, general and miscellaneous;
(16) Klamath; (17) Wiyot/Yurok/Mattole; (18) Coast Yuki/Northern and Central Pomo/Kato; (19) Coast Miwok; (20) Lake and Coast Miwok/Southeastern Pomo/Wappo; (21) Nisenan/Northern Sierra Miwok; (22) Southern Pomo/Central Sierra Miwok; (23) Karok/Shasta/Konomihu; (24) Chimariko/Hupo; (25) Achomawi/Atsugewi/Wintu/Yana; (26) Chamariko/Achomawi/Atsugewi/Wintu/Yana; (27) Costanoan (Chocheno, Mutsun, Tumsen); (28) Salinan (Antoinano, Migueleno); (29) Yokuts (Chunut, Tachi, Wikchamni, Yawdanchi, Yawelmani, Koyeti); (30) general and miscellaneous; papers relating to southern California and the Basin area,
including (31) Chumash (Barbareno, Cruzeno, Ineseno, Obispeno, Purisimeno, Ventureno); (32) Chauilla; (33) Chemehuevi; (34) Gabrielino; (35) Juaneno; (36) Kitanemuk; (37) Luiseno; (38) Serrano; (39) Tubatulabal; (40) Diegueno; (41) Mohave/Yuma; (42) general and miscellaneous; papers relating to the Southwest, including (43) Apache; (44) Hopi; (45) Jemez; (46) Acoma/Laguna; (47) Cochiti; (48) Navaho; (49) Pima/Papago; (50) Illeta; (51) Taos; (52) Picuris; (53) Tewa; (54) Zuni; (55) general and miscellaneous; papers relating to the Plains, including (56) Comanche; (57) Caddo/Pawnee/Wichita; (58) Dakota/Lakota; (59) Hidatso/Mandan/Crow;
(92) general and miscellaneous; notes and writings on special linguistic studies, including (93) correspondence; (94) financial records; (95) personal records; (96) poetry; (97) newspaper clippings; (98) printed material/reprints/photostats/microfilm; (99) maps; (100) photographs (101) sound recordings; (102) botanical specimens
Joseph S. Danner, Edward S. Davis, Ella C. Deloria, Frances Densmore, Paul Desiardins, Lydia Dornherr, Harry W. Dorsey, Frederick Huntington Douglas, David C. Dozi, Edward P. Dozi, Robert Drak Aitken), Rose S. Gaffney, David E. Gales, S. H. Gapp, Clark M. Garber, Lucrlson Fenton, Jesse Walter Fewkes, Reginald G. Fisher, Barbara Freire-Marreco (see also Barbara Aitken), Rose S. Gaffney, David E. Gales, S. H. Gapp, Clark M. Garber, Lucretia Garcia, Maria Garcia, Paul Garcia, Walter C. Garwick, William Gates, Ja Gapp, Clark M. Garber, Lucretia Garcia, Maria Garcia, Paul Garcia, Walter C. Garwick, William Gates, James A Geary, Otto William Geist,
Richard H. Geoghegan, Harold S. Gladwin, Pliny Earle Goddard, T. R. Goodwin, Howard W. Gorman, Blanche C. Grant, George Grasty, Louis H. Gray, Alexander Grigolia, Alexandra Gromoff, F. A. Gross, Ruther Gruber, Erwin G. Gudde, Grace Guest, Ralph Gustafson, Berard Haile, Alfred Irving Hallowell, Howard M. Hamblin, Lucile Hamner, Adelaide Harrington, Arthur Harrington, Awona Harrington, Edmund Ross Harrington, Elliot Harrington, Mark Raymond Harrington, Robert Fleming Heizer, Marta Herrera (Orozoco), Melville Jean Herskovits, Edgar Lee Hewett, George Gustave Heye,
Thomas Willing Hicks, Willard Williams Hill, William B. Hill, Philip K. Hitti, Hulda R. Hobbs (Heidel), Frederick Webb Hodge, Robert Hofsinde, W. C. Holden, Nils Homer, R. B. Horsefield, James Hovey, Grace Hudson, John W. Hudson, William Hughes, Edward P. Hunt, George Hunt, Wayne Henry (Wolf Robe) Hunt, Arnold J. Jacobins, Jean Allard Jge, George M. Lamsa, William T. Linkins, Ralph Linton, Alan Lomax, Theodore R. Lonewolf, uis Kroeber, Benjamin T. Kurtz, Walter and Hilda Kurze, Oliver LaFarge, George M. Lamsa, William T. Linkins, Ralph Linton, Alan Lomax, Theodore R. Lonewolf,
Boas Long, Ivan Alexis Lopatin, Robert Harry Lowie, Charles F. Lummis, Phoebe Maddux, Frank Marashulo, Frank Marr, John Marr, Edna P. Marsh, Gordon H. Marsh, William B. Marye, Elizabeth Mason, John Alden Mason, Anna P. Mattinger, Wayne L. Mauzy, William Ralph Maxon, Parker McKenzie, F. Romero Mendez, Clinton Hart Merriam, E. Vigo Mestres, Truman Michelson, Harry E. Miller, Ralph L. Milliken, William S. Mills, Willie Miranda, Albert Mohr, Dionisia Mondragon, Manuel Mondragon, Lucy Montgomery, Harriet Moore, Mildred C. Moore, R. E. Moore, Rosalind Moore, Carlos Morales, Marion Moreno, Sylvanus Griswold Morley, Philip A. Munz, O. J. Murie,
Roy Nash, Mrs. W. J. Nichols, Eugene A. Nida, Frans M. Olbrechts, Cornelius Osgood, Asbjorn P. Ousdal, Charles F. Outland, Henry E. Parmenter, Elsie Clews Parsons, A. W. Payne, Ellen Peace, Elizabeth Wells Pearce, Arthur B. Perkins, Mrs. Rodolphe Petter, Kenneth L. Pike, Arnold R. Pilling, Nellie B. Pipes, I. J. Pitman, J. O. Prescott, Erik Kellerman Reed, Nathaniel Julius Reich, Jane Richardson, Arthur Stanley Riggs, Frank Harold Hanna Roberts, Jr., Helen H. Roberts, Clarence M. Ruth, Everett Sanders, Edward Sapir, Charles F. Saunders, F. H. Saville, Paul Schumacher, Donald Scott, Blanche Seeley, Ettie Seeley, Elizabeth Shepley Sergeant,
A. W. Setychell, Jessie Shaw, Anna O. Shepard, Frank T. Siebert, Rita Siedenberg, Albion M. Sitton, Nich Sivonen, H. D. Skinner, Mrs. N. P. Sloan, Clement Smith, Stella Smith, Jack Snow, Maria Soto, Frank Gouldsmith Speck, Robert F. Spencer, Marjorie Spinks, Waldo C. Spraque, Winifred Stamm, Moses Steinberg Marian Stirling, Matthew Williams Stirling, William Duncan Strong, Edgar Howard Sturtevant, Georgianna Barbara Such, John R. Swanton, Turkey Tayac, Douglass Taylor, Lincoln Thompson, Morjorie L. Tichy, Janet Tietjins, Bennie Tilden, J. R. R. Tolkien, W. Cameron Townsend, George L. Trager, Lovell B. Triggs, Edwin H. Tuttle,
Ruth Underhill, Richard Fowler Van Valkenburgh, Rosendo Vargas, Charles Frederick Voegelin, Paul Vogenitz, James W. Waldo, Paul A. F. Walter, Althea Warren, Fred Washington, Thomas Talbot Waterman, Edith White, Joseph J. White, Leslie A. White, Grace T. Whiting, Robert B. Whitsett, Benjamin Lee Whorf, H. E. Williams, William L. Wonderly, Arthur Woodward, Robert W. Young, and Father Zephyrin of the Santa Barbara Mission.
Restrictions:
The John Peabody Harrington papers are open for research
Access to the John Peabody Harrington papers requires an appointment.
Language and languages -- Documentation Search this
Genre/Form:
Sound recordings
Maps
Stats (copies)
Newspaper clippings
Printed material
Photographs
Botanical specimens
Field notes
Correspondence -- 1930-1950
Financial records
Personal records
Poetry
Writings
Citation:
John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.
However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
The photograph depicts public performance of masked performers, including Sirige, Kanaga, and Pulo Yana (Fulani woman) masks. During his trip to Mali, Elisofon visited the Dogon people in Sanga (Sangha), a group of thirteen villages lying east of Bandiagara at the top of an escarpment. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 DGN 6.0.2 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 55
Frame value is 11.
Slide No. E 1 DGN 6.0.2 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The Kanaga and Pulo Yana (Fulani woman) masks are part of costumes traditionally worn for the dances of the Dama funerary ceremonies. During his trip to Mali, Elisofon visited the Dogon people in Sanga (Sangha), a group of thirteen villages lying east of Bandiagara at the top of an escarpment. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 DGN 14.3 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 55
Frame value is 3.
Slide No. E 1 DGN 14.3 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts procession of masked performers, including Sirige, Kanaga, and Pulo Yana (Fulani woman) masks. During his trip to Mali, Elisofon visited the Dogon people in Sanga (Sangha), a group of thirteen villages lying east of Bandiagara at the top of an escarpment. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 DGN 18.1 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 53
Frame value is 31.
Slide No. E 1 DGN 18.1 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts procession of masked performers, including Sirige, Kanaga, and Pulo Yana (Fulani woman) masks. During his trip to Mali, Elisofon visited the Dogon people in Sanga (Sangha), a group of thirteen villages lying east of Bandiagara at the top of an escarpment. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 DGN 18.2 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 53
Frame value is 30.
Slide No. E 1 DGN 18.2 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts procession of masked performers, including Sirige, Kanaga, and Pulo Yana (Fulani woman) masks. During his trip to Mali, Elisofon visited the Dogon people in Sanga (Sangha), a group of thirteen villages lying east of Bandiagara at the top of an escarpment. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 DGN 18.3 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 53
Frame value is 29.
Slide No. E 1 DGN 18.3 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts procession of masked performers, including Sirige, Kanaga, and Pulo Yana (Fulani woman) masks. During his trip to Mali, Elisofon visited the Dogon people in Sanga (Sangha), a group of thirteen villages lying east of Bandiagara at the top of an escarpment. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 DGN 18.4 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 53
Frame value is 32.
Slide No. E 1 DGN 18.4 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts procession of masked performers, including Sirige, Kanaga, and Pulo Yana (Fulani woman) masks. During his trip to Mali, Elisofon visited the Dogon people in Sanga (Sangha), a group of thirteen villages lying east of Bandiagara at the top of an escarpment. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 DGN 18.4.1 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 53
Frame value is 33.
Slide No. E 1 DGN 18.4.1 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts procession of masked performers, including Sirige, Kanaga, and Pulo Yana (Fulani woman) masks. During his trip to Mali, Elisofon visited the Dogon people in Sanga (Sangha), a group of thirteen villages lying east of Bandiagara at the top of an escarpment. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 DGN 18.4.2 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 54
Frame value is 9.
Slide No. E 1 DGN 18.4.2 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts procession of masked performers, including Sirige, Kanaga, and Pulo Yana (Fulani woman) masks. During his trip to Mali, Elisofon visited the Dogon people in Sanga (Sangha), a group of thirteen villages lying east of Bandiagara at the top of an escarpment. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 DGN 18.5 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 53
Frame value is 28.
Slide No. E 1 DGN 18.5 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts procession of masked performers, including Sirige, Kanaga, and Pulo Yana (Fulani woman) masks. During his trip to Mali, Elisofon visited the Dogon people in Sanga (Sangha), a group of thirteen villages lying east of Bandiagara at the top of an escarpment. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 DGN 19.1 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 54
Frame value is 24.
Slide No. E 1 DGN 19.1 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts procession of masked performers, including Sirige, Kanaga, and Pulo Yana (Fulani woman) masks. During his trip to Mali, Elisofon visited the Dogon people in Sanga (Sangha), a group of thirteen villages lying east of Bandiagara at the top of an escarpment. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 DGN 19.2 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 54
Frame value is 23.
Slide No. E 1 DGN 19.2 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts procession of masked performers, including Sirige, Kanaga, and Pulo Yana (Fulani woman) masks. During his trip to Mali, Elisofon visited the Dogon people in Sanga (Sangha), a group of thirteen villages lying east of Bandiagara at the top of an escarpment. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 DGN 19.3 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 54
Frame value is 21.
Slide No. E 1 DGN 19.3 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts procession of masked performers, including Sirige, Kanaga, and Pulo Yana (Fulani woman) masks. During his trip to Mali, Elisofon visited the Dogon people in Sanga (Sangha), a group of thirteen villages lying east of Bandiagara at the top of an escarpment. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 DGN 20 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 55
Frame value is 23.
Slide No. E 1 DGN 20 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"For the Dogon, the èmma consists of a person dancing in a costume that includes a headpiece but is not limited to it. Masks are not worn; masks are men who dance, perform, and shout. The total outfit consists of a kind of skirt and arm adornments fashioned from red and black fibers, a pair of very wide Dogon trousers, a headpiece with cotton bands for attachment, and various handheld objects relating to a particular mask, such as a dancing stick, a rattle, or a dancing ax. The headpiece defines the type of mask, but the fibers define the outfit as a mask." [Hollyman S. and Van Beek W., 2001: Dogon, Africa's People of the Cliffs. Harry N Abrams, Inc.]. During his trip to Mali, Elisofon visited the Dogon people in Sanga (Sangha), a group of thirteen villages lying east of Bandiagara at the top of an escarpment. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 DGN 62 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 55
Frame value is 14.
Slide No. E 1 DGN 62 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"For the Dogon, the èmma consists of a person dancing in a costume that includes a headpiece but is not limited to it. Masks are not worn; masks are men who dance, perform, and shout. The total outfit consists of a kind of skirt and arm adornments fashioned from red and black fibers, a pair of very wide Dogon trousers, a headpiece with cotton bands for attachment, and various handheld objects relating to a particular mask, such as a dancing stick, a rattle, or a dancing ax. The headpiece defines the type of mask, but the fibers define the outfit as a mask." [Hollyman S. and Van Beek W., 2001: Dogon, Africa's People of the Cliffs. Harry N Abrams, Inc.]. During his trip to Mali, Elisofon visited the Dogon people in Sanga (Sangha), a group of thirteen villages lying east of Bandiagara at the top of an escarpment. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 DGN 62.1 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 55
Frame value is 13.
Slide No. E 1 DGN 62.1 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"For the Dogon, the èmma consists of a person dancing in a costume that includes a headpiece but is not limited to it. Masks are not worn; masks are men who dance, perform, and shout. The total outfit consists of a kind of skirt and arm adornments fashioned from red and black fibers, a pair of very wide Dogon trousers, a headpiece with cotton bands for attachment, and various handheld objects relating to a particular mask, such as a dancing stick, a rattle, or a dancing ax. The headpiece defines the type of mask, but the fibers define the outfit as a mask." [Hollyman S. and Van Beek W., 2001: Dogon, Africa's People of the Cliffs. Harry N Abrams, Inc.]. During his trip to Mali, Elisofon visited the Dogon people in Sanga (Sangha), a group of thirteen villages lying east of Bandiagara at the top of an escarpment. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 DGN 63 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 55
Frame value is 17.
Slide No. E 1 DGN 63 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The Pulo Yana (Fulani woman) mask is part of a costume traditionally worn for the dances of the Dama funerary ceremonies. During his trip to Mali, Elisofon visited the Dogon people in Sanga (Sangha), a group of thirteen villages lying east of Bandiagara at the top of an escarpment. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 DGN 63.1 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 56
Frame value is 4.
Slide No. E 1 DGN 63.1 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The Pulo Yana (Fulani woman) mask is part of a costume traditionally worn for the dances of the Dama funerary ceremonies. During his trip to Mali, Elisofon visited the Dogon people in Sanga (Sangha), a group of thirteen villages lying east of Bandiagara at the top of an escarpment. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
E 1 DGN 63.1.1 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
57938 1 55
Frame value is 10.
Slide No. E 1 DGN 63.1.1 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
