The Homer Garner Barnett papers, 1934-1973, consist of papers, photographs, slides, maps, and periodicals primarily documenting his ethnological work among American Indians, Palauans, and the people of Netherlands New Guinea (Irian Jaya).
Scope and Contents:
The Homer Garner Barnett papers, 1934-1973, contain papers, photographs, slides, maps, periodicals, field notes and copies of studies done by others. Dr. Barnett, an ethnologist, anthropologist, author and teacher spent his early professional years, 1934-1943, studying Northwest Coast Indians. After the second World War, her focused on Micronesia, especially Palau, and later Netherlands New Guinea, now known as West Irian. It was during this time that he observed at close hand and became an expert in cultural change.
Between 1947 and 1970, years of drastic change for natives of Oceania, Dr. Barnett made three long stays and many shorter ones in the islands. He used his research in writing, teaching, and consulting.
His early study of Yurok, Hupa, Karok, Nuqually, Oakville and Skopomish Indians is contained in research notebooks, field notebooks and photographs. There is an interesting section on Indian Shakerism (not related to the Shaker Movement of the East). One notebook records his experience while conducting a class at Berkeley in 1943 on inter-cultural exchange of information. The later field notebooks record his observations while on Palau and New Guinea. There are also approximately 900 slides that he used in class lectures.
Dr. Barnett amassed a large collection of scholarly papers and periodicals dealing with the South Pacific area, especially during the years 1952-1960. There are a few publications in Japanese reflecting the interests of the prior trustees of Palau. There are significant numbers of scientific papers in Dutch on natives of New Guinea. He also preserved interesting examples of literature in Palauan, pidgin English and Papuan.
There is no personal correspondence other than that pertaining to setting up a study of displaced communities in the South Pacific. This study was funded over a 5-year period by the National Science Foundation. The resulting papers are on deposit at the University of Oregon.
Dr. Barnett spent 2 years (1944-1946) as Senior Fellow in ethnogeography at the Bureau of American Ethnology (BAE). There are no papers in this collection dating from those years, but the BAE Correspondence files contain letters to and from Barnett during this period.
Arrangement note:
The Homer Garner Barnett papers are arranged in the following series:
(1) Material relating to the "Displaced Communities" Study, 1963-1970;
(2) Writings, 1938-1959;
(3) Field notebooks, 1934-circa 1955;
(4) Dissertation notebooks, undated;
(5) Linguistic material, 1941-1965;
(6) Scholarly serials and periodicals, 1950-1971;
(7) Processed and printed items, 1942-1974;
(8) Photographs, 1895-1955;
(9) Micronesian Monthly/Reporter, 1951-1963;
(10) Quarterly Bulletin of the South Pacific Commission, 1953-1963;
(11) Photographic slides, 1947-1953;
(12) Maps, 1887-1959
Biographical/Historical note:
Homer G. Barnett trained at the University of California at Berkeley and practiced as an ethnologist and archeologist. He specialized in culture change and applied anthropology.
Barnett's earliest field work was among American Indians of Oregon, Washington, and northwestern California--particularly the Yurok, Hupa, Yakima, and several small groups of the Oregon coast. Some of his research concerned diverse ethnological matters but much of it focused primarily on the Indian Shaker religion and the potlatch, the latter being the subject of his doctoral dissertation.
In 1939, while he was on the faculty of the University of New Mexico, Barnett served as field director of the Jemez Archeological Field School and was in charge of a project in the Santa Fe National Forest in New Mexico. Later in the same year, he joined the faculty of the University of Oregon and has been chiefly identified with that institution since then. In the summer of 1943, however, he participated in a World War II Far Eastern Language and Area Training Program of the University of California at Berkeley. There he helped train voluteer service men in techniques of eliciting cultural information from native informants.
In the following year, he joined the staff of the Bureau of American Ethnology and became a researcher associated with the Ethnogeographic Board, the World War II agency formed to provide scientific information about human and natural resources of the world. He served as the executive secretary of the Board's Pacific Survey Project and, later, undertook a War Document Survey concerning the Pacific to determine and advise on the disposition of documents that had been accumulated by the government.
Returning to the University of Oregon after the war, Barnett continued to work with Pacific cultures. He carried out field work in the Palau Islands under the sponsorship of the National Research Council, served as staff anthropologist for the Trust Territory of the Pacific Islands, and was a consultant for the government of Netherlands New Guinea. In the 1960s, he directed a program of research among communities of the Pacific displaced because of natural disasters and atomic bomb tests.
Related Materials:
In 1939, Dr. Barnett was the director of an archeological excavation in the Santa Fe National Forest in New Mexico. The report of this dig is NAA MS 4070. Another paper Barnett wrote, Yakima Indians in 1942 is NAA MS 4867.
Provenance:
Dr. Homer G. Barnett donated this collection to the National Anthropological Archives in 1975.
Restrictions:
The Homer Garner Barnett papers are open for research.
Access to the Homer Garner Barnett papers requires an appointment.
The papers of artist Roy De Forest measure 11.2 linear feet and 111.86 gigabytes and date from 1916 to 2015, with the bulk of the collection dating from 1948 to 2007. The collection documents De Forest's painting career and involvement in the funk art movement through biographical material, correspondence, writings, professional records, printed material, photographic material, artwork, digital audio and video recordings, and artifacts.
Scope and Contents:
The papers of artist Roy De Forest measure 11.2 linear feet and 111.86 gigabytes and date from 1916 to 2015, with the bulk of the collection dating from 1948 to 2007. The collection includes documents De Forest's painting career and involvement in the funk art movement through biographical material, correspondence, writings, professional records, printed material, photographic material, artwork, digital audio and video recordings, and artifacts.
Biographical material includes early school materials, resumes, a recording of an interview, membership materials, identification documents, certificates and awards, and family history and genealogy material. Also included in this series are obituaries, letters of condolence, and materials, including born-digital photographs and recordings, related to memorial services celebrating De Forest's life and work.
Correspondence includes letters and postcards to and from family, friends, colleagues, and arts institutions. This series also includes a few folders of greeting cards.
The writings series contains essays, lectures, exhibition texts, notes, and other materials written by Roy De Forest, including an essay, The Vision of Paolo Uccello, and his famous "dog lecture." Also included are writings by others, such as a student dissertations on Roy De Forest, essays by Bruce Nixon, and poetry and an essay by David Zack.
Professional records include materials related to a book of memories (never published) organized by Dilexi Gallery and the Loujon Press, exhibition planning documents, an exhibition recording, materials related to the James Talcott Inc. Computer Arts program, and materials related to print documentation.
Financial records contain inventory and stock files; sales and consignment records; receipts and invoices; tax, estate, and insurance paperwork; and account books and ledgers.
Printed material includes exhibition announcements, catalogs, and posters; material related to other projects; blank cards with Roy De Forest art; clippings; press releases; newsletters and journals; books; and source material.
Photographic material includes digital and print photographs, negatives, transparencies, and slides of Roy De Forest and other individuals, as well as travel photos, images of his pets (primarily dogs), and images of his studio and works of art.
Artwork includes drawings by De Forest and others, as well as four sketchbooks.
The artifacts series contains a tote bag, t-shirt, and a puzzle, all featuring Roy De Forest artwork. Also included in the series is a patterned shirt and an "art critic" baseball cap.
Arrangement:
The collection is arranged in nine series.
Series 1: Biographical Material, 1930-2008 (Boxes 1-2, OV 12, RD 17, ER01-ER03; 1.7 linear feet)
Series 2: Correspondence, circa 1948-2014 (Boxes 2-3; 1 linear foot)
Series 3: Writings, circa 1952-2005 (Box 3, OV 12, ER04; 0.3 linear feet)
Series 4: Professional Records, 1968-circa 2007, 2014 (Box 3, OV 12; 0.4 linear feet)
Series 5: Financial Records, 1963-circa 2014 (Boxes 3-5; 1.4 linear feet)
Series 6: Printed Material: 1916-1936, 1951-2007 (Boxes 5-7, OV 13-14, ER05-ER07; 2.8 linear feet)
Series 7: Photographic Material: 1926, circa 1943-2007 (Boxes 7-9, OV 15, ER08-ER12; 2 linear feet)
Series 8: Artwork, circa 1947-circa 2007 (Boxes 9-10, OV 16; 0.6 linear feet)
Series 9: Artifacts, circa 2007-circa 2009 (Box 11; 1 linear foot)
Biographical / Historical:
Roy De Forest (1930-2007) was a painter, sculptor, and educator in Port Costa, California. A notable figure in the funk art movement, he coined the term "nut art" to describe art that embraced humor and created a fantasy world.
Born in North Platte, Nebraska, Roy De Forest grew up in Yakima, Washington where he attended Yakima Junior College and graduated in 1950. He went on to study at the California School of Fine Arts (now San Francisco Art Institute) and San Francisco State College (now San Francisco State University). He taught at Yakima Junior College from 1958 to 1960 after graduating from San Francisco State College, and later taught at the University of California, Davis from 1965 until his retirement as professor emeritus in 1992.
De Forest's first solo exhibition was in 1955 at the East & West Gallery in San Francisco. From then until his death in 2007, he exhibited frequently, especially at the Allan Frumkin Gallery in New York and the Hansen Fuller Gallery in San Francisco.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Roy De Forest conducted by Lynn Robert Matteson, April 7-June 30, 2004.
Provenance:
The Roy De Forest papers were donated in several installments from 1974 to 2019. Some materials were loaned for microfilming in 1974 and subsequently donated in 1977 and 1979 by Roy De Forest. Additional materials were donated in 2009, 2016 and 2019 by Gloria Marchant, Roy De Forest's widow.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Gerald and Bente Buck. Funding for the digitization of this collection was provided by Gloria Marchant.
MS 695 Translation by George Gibbs of Indian Grammar of the Pshwan-wa-pam, Wala-Wala, Tairtla, Roil-roil-pan and Palus Languages, by Rev. C. M. Pandosy
Disarranged and incomplete. The translation of the grammar is practically verbatim as it appears in the published account but is incomplete in parts. In addition there are approximately 5 pages of "Translator's notes" which were not included in the published grammar.
Local Numbers:
NAA MS 695
Topic:
Language and languages -- Documentation Search this
By Major Lee Moorhouse, Pendleton, Oregon, copyrighted 1905. Published album of reproductions of photographs and brief commentary, relating to tribes of northwestern U. S., including Cayuse, Nez Perce, Umatilla, and Yakima. See also 2nd edition, copyright 1906, in Bureau of American Ethnology Library.
Album page # (1) Portrait of Major Moorhouse. (3) "The Lonely Outpost of a Dying Race" (tipi, with clouds). (5) "Tumwater Falls on the Columbia River". (7) "The Cayuse Twins" A-lom-pum and Tox-e-lox. (9) "The Cayuse Twins". (11-a) "Wal-lu-lah" ("dusky Indian Princess"- doubtful). (11-b) "U-ma-pine"- warrior. (13-a) "Chief Joseph of Nez Perces" (13-b) "Paul Show-a-way, Hereditary Chief of Cayuses". (15) "The Lone Tepee". (17) "Indian Mother and Babe". (19) "Sac-a-ja-wea, Lewis and Clark's Shoshone Indian Guide" (doubtful). (21) "Umatilla Reservation, July 4th, 1905." (23-a) "Tots-homi Good Man". (23-b) "Peo, Chief of Umatillas" (Similar to Bureau of American Ethnology Negative 2890-b-16.) (23-c) "Ip-na-sol-a-tok"-- elderly woman. (Bureau of American Ethnology Negative Cayuse: 3073-b-12). (23-d) "Fish Hawk, Head War Chief of Cayuses" (Bureau of American Ethnology Negative Cayuse: 3073-b-7). (25-a) "Bridge of the Gods" (View of Cascades in Columbia River). (25-b) "Indian camp on Umatilla Reservation near Pendleton, Oregon" (27) "Princess We-a-lote, Cayuse Maiden" (Posed; fake ?) (29) "Mt. Hood, from Cloud Cap Inn."
Album page # (31) "Wa-tis-te-me-ne-head, Man of the Cayuses". (33-a) "Pe-tow-ya/ Cayuse woman who remembers Lewis and Clark" (See Bureau of Anthropology Negative Cayuse: 3073-b-33). (33-b) "Sac-a-je-we-a pointing out the Westward path to Captain Clark" (Re-enacted; fake). (35-a) "Dr Whirlwind" (Umatilla)-- also known as Shap-lish. (See also Bureau of American Ethnology Negative Cayuse: 3073-b-63) (New Smithsonian Institution negative 53508). (35-b) "Princess Etna" (Bureau of American Ethnology Negative Cayuse: 3073-b-35). (35-c) "Donald McKay" (35-d) "Wap-a-ne-ta, the belle of the Umatilla". (39) "Yakima Sally" (Another pose, without hat, is Bureau of American Ethnology Negative Number Yakima: 2880-c-13). (41) "Yakima mother and babe". (43-a) "Stella Tu-slaps, Umatilla Girl". (43-b) "Princess Eat-no-meat" (Bureau of American Ethnology Negative Number Umatilla 2888-c). (43-c) "Scene on Columbia River, Umatilla Junction" (Mostly tipis). (45) "Rosa Summer Hair and papoose". (47) "Sins of the Redman" (Drinking whiskey). (49) "Wo-ho-pum and papoose". (50-a) "Chief Joseph's home at Nespelim" (Bureau of American Ethnology Negative Number 2987-b-4). (50-b) "We-mix, sister of Donald McKay, and family (Bureau of American Ethnology Negative 3073-b-79). (50-c) "Young Chief of the Umatilla".
1. Lillooet ("Lilowat") vocabulary. March 16, 1859. 8 pages in notebook. Note on page 3: "The Lilowat is spoken on the river which feeds Harrison's Lake, a branch of Fraser River. The vocabulary was obtained from the chief of a village at the mouth through Skehukl, the Soomass [Sumass: dialect of Cowichan group of Coast Salish], and may be relied on as tolerably accurate." The Lillooet River feeds into Harrison Lake. The Interior Salish dialect for west British Columbia is referred to as "Lillooet" in Handbook of American Indians, page 417.
2. "Saamena"vocabularies. 1858 and no date. 10 pages in notebook. Two vocabularies: Vocabulary of the "Saamena or as it is called by the Canadians, "Couteau," was obtained at Fort Hope, Mch. 4, 1858 from Kwee-tah-lich-kan, son of Pa-haa-luk, the Chief of the Kletch-ah-meh'h village at Forks of Fraser & Thompson's Rivers." 7 pages. Includes names for varieties of salmon in "Soomass" (Sumass) and Saamena. pages 12-19. Vocabulary obtained from Te-o-sa-luk, a Saamena of the Chileweyech [--?--]," no date. 3 pages. On page 1 note in Mooney's hand: "alias Nientemewh." Page 11 marked "copied".
3. "Yukeh" vocabulary. No place or date recorded. 3 pages in notebook. The word "Ross" follows the name "Yukeh." This refers to note on page iv: Mr Edward Ross says that the Yukehs have no numerals above five; thus they would say o'-pe mahote, twice five, for ten."
4. "Tai-eet vocabulary. Fort Hope, 1850. 10 pages in notebook. "The following vocabulary of the Tai-eet was obtained at Fort Hope, Sept. 25, 1850 from two men and a woman. It is the dialect intervening between the Kwantlen and the Saamena on Fraser River." page 25.
5. "Nevada or Yuba (Ross)" vocabulary. No date. 2 pages in notebook, pages 35-36. Possibly copied from Ross (?).
6. "Chilowhe'huk (Chilliwack) vocabulary. 4 pages in notebook, pages 36-39. No date. "Not completed as it does not differ sufficiently from the Kwantlen & neighboring dialects in Fraser River to make it an object." Chilliwack belongs to the Cowichan group of Coast dialects, Handbook of American Indians, page 417.
7. "Hailt-zuk or Belbella" vocabulary" obtained at Victoria, April 26, 1859, from Capt. Stewart." 10 pages in notebook, pages 40-42, 44, 46, 48, 50, 52, 54. Note on page 40: "...obtained at Victoria, April 26, 1859, from "Capt. Stewart" and Indian of the tribe through the medium of Frederic Minni, a Canadian, who partially spoke the language. It is generally reliable...." Page 41 marked "copied;" Another copy by Gibbs of this vocabulary in Ms. Number.
8. "Bel-le-whil-la or Bel'hoo-la" vocabulary. Victoria. 1859. 10 pages in notebook, pages 41, 43, 45, 47, 49, 51, 53, 55, 56. Note on page 56: "The vocabulary of the Belhoola was obtained from a woman of that tribe with the assistance of the Indian Stewart through the means of the Belbella vocabulary (cf. 277, part 7). With the exception of a very few words, my rendering of the latter [Belbella] was perfectly intelligible to her. The principal difficulty experienced in this was the excessively gutteral pronounciation of the language. I have classed this without hesitation among the Flathead languages from its obvious analogies. Some words, identical with those of the Belbella are marked with an asterisk. These are probably borrowed the one from the other, or perhaps were given by the woman from having mixed with the Belbellas." Page 41 marked "copied." 8-a Words obtained by Mackenzie at "Friendly Village," page 57.
9-10. Vocabularies of the "Okina'kane (O-Kin-ah-kehn[=Okinagan]) & Similkameen." 1853 & 1859. 17 pages in notebook, pages 58-74. "The incomplete vocabulary of the Okinakane was obtained in 1853. That of the Similkameen in 1859 and the latter is to be retained in place of the first as much more reliable. Given by "Sam" the guide employed by the N.W.B.S." The contents at the beginning of this volume has penciled note indicating that "Okinakane" and "Similkameen" are two dialects of one language.--page 1, note in hand of Mooney.
11. "Additional forms in Yakima," from Rev Marie Charles Pandosy, No date. 1 page in notebook, page 75.
12. "Piskwowse or Winatsha" vocabulary obtained 1853 and revised in 1860. 14 pages in notebook, pages 76-90, & 201. Note on page 76: "Revised at Ft. Colville, March 1860, by the assistance of Lahome's daughter. I have not however confidence in its being entirely correct. There may have been a difference in dialect between her and the first interpreter." Marked "copied" on page 76. Originally a Salish tribe, "Gibbs states that by 1853 they were so largely intermarried with the Yakima as to have almost lost their identity." page 264 of Handbook of American Indians. Page 201 has list of Winatsha Indians in 1853.
13. Vocabulary obtained from Spokane Gerry in 1854. 13 pages in notebook, pages 91-104. Marked "copied" on page 91.
14. Klikatat vocabulary obtained from Yahotowit in 1854. Copy by Gibbs of his original vocabulary, 15 pages in notebook, pages 105-119 and 222. Note in Gibbs' hand: "I am not certain that this is unmixed with the Yakama, as it resembles more closely two vocabularies of that dialect which I obtained then I have been led to expect. It was received from Ya-ho-tow-it." Apparently a copy by Gibbs from his original in Manuscript Number 671. Another copy by Gibbs is cataloged as Manuscript Number 693.
14. "Klikatat" vocabulary, copied from (?) "Tolmie." No date. 1 page in notebook, page 222. 15 Kalispel or Pend Oreille vocabulary, 1860. 15 pages in notebook, pages 119-133. "...vocabulary of the Kalispelm or Pend Oreille obtained from a man at Colville Depot, Jany., 1860. It is spoken by the Indians of Clarke's Fork of the Columbia River." Page 119 marked "copied."
16. "Shoos-whap or She-whap-much" vocabulary, 1860. 15 pages in notebook, pages 134-138. "Obtained at Colville Depot, Jany., 1860 from a woman by the assistance of the man from which the foregoing of the Kalispeln was derived [Manuscript Number 227, part 15], and using that in interpreting. Page 134 marked "copied."
17. "Chepewyan vocabulary" extracted from MacKenzie." No date. 7 pages in notebook, pages 149, 150, 152, 154, 156, 158, 160, 162.
18-19. "Knistinaux" (Cree) (18) and "Algonquin" (19) vocabulary "extracted from MacKenzie." 8 pages in notebook, pages 149, 151, 153, 155, 157, 161, 163.
20. "Kootenay" vocabulary. Place and date not recorded, 33 pages in notebook, pages 164-198, not including page 186 and 192. Page 164 is marked "copied." A copy by Gibbs of this vocabulary, pages 164-176 is filed Manuscript 512 with the note that this vocabulary "was taken from the son of the chief at the Chelenta Depot (Che-tam-towse)" with help of half breed interpreter; "I think the vocabulary can be relied on." Also note in Manuscript Number 512: "additional words of the Algonquin Kootenay in the book." This probably refers to pages 177-198 in Manuscript Number 227. Manuscript Number 512 contains 1 page of "Additional words in Kootenay" not found in Number 227.
21. Vocabulary of the Kalispel & Flathead including geographical names, No date. 2 pages in notebook, pages 199-200.
22. "Similkameen", dialect of the Okinagan, vocabulary, No date,. 9 pages in notebook, pages 202-210. Note in Mooney's hand on page 1 says Okinakane and Similkameen are 2 dialects of 1 language. Note on page 202: "Sam says that the Similkameen, Okin-a-kane, Sin-ke-mah-pe-luks, Skla-kum Methone; Che-lehn, Sin-pai-li-hooch; Se-leh-nich, Sins-peh-lich; Swoi-yehlp, Sche-wuch-hooch all understand one another but not the Soushwap & Couteaux." Sam was informant in 1853, cf. 227, part 10.
23. "Nooksaak" ("Nooksahk") vocabulary. June, 1859. 2 pages in notebook, pages 211 & 228. The Nooksak is a dialect of Squawmish coast group, Handbook of American Indians, page 417.
24. "Soomass" vocabulary. Place and date not recorded. 3 pages in notebook, pages 212-214. Sumass is a dialect of the Cowichan group of coast dialects, Handbook of American Indians, page 417.
25. "Simiahmoo" vocabulary: animals and proper names. 1 page in notebook, page 215. No date. The Semiahmoo is a dialect of the Songish coast group, Handbook of American Indians, page 417.
26. "Saamena" vocabulary. 1 page in notebook, page 216. No date.
27. Skagit vocabulary "(vide Dr Craig's corrections)." No date. 1 page in notebook, page 217. Skagit is a dialect of the Nisqualli group of coast dialects, Handbook of American Indians, page 417.
28. "Simiahmoo" vocabulary of 10 terms. Date and place not recorded. 1 page in notebook, page 218. The Semiahmoo is a dialect of the Songish coast group, Handbook of American Indians, page 417.
29. "Chiloweyuck" vocabulary. Date and place not recorded. 2 pages in notebook, pages 218 & 223. Chilliwack is a dialect of the Cowichan coast group, Handbook of American Indians, page 417.
30. "Nisqually" vocabulary. October, 1858. 6 pages in notebook, pages 219-221, 223 & 226. Note on page 219, "copied."
31. Chehalis vocabulary of 8 words. (Terms for salmon.) No date. page 222. Chinook vocabulary of 9 terms. (Terms for salmon.) No date. Page 224 in notebook. "Cowlitz" vocabulary of 5 terms. (Terms for salmon.) Page 224 in notebook. No date.
32. "Toanhooch" vocabulary. No date. 1 page in notebook, page 227; only 4 terms are recorded.
33. Chimakum- Not filled in; English only.
34. Kwillehyuts- Not filled in; English only.
35. Kwinaiutl- Not filled in; English only.
36. Noo-so-lupsh- Not filled in; English only.
Local Numbers:
NAA MS 227
Local Note:
Notes by Gibbs on the source of many of the Salishan vocabularies in this volume are catalogued under Numbers 735 and 742.
Topic:
Language and languages -- Documentation Search this
Manuscript 227, National Anthropological Archives, Smithsonian Institution
Sponsor:
Digitization and preparation of these materials for online access has been funded by the National Science Foundation under BCS Grant No. 1561167 and the Recovering Voices initiative at the Smithsonian's National Museum of Natural History.
This collection includes five land grants given to the Logie family on the Yakama (Yakima) reservation and signed by President McKinley in 1897.
Content Description:
This collection consists of five land grants given to the Logie family on the Yakama (Yakima) reservation and signed by President McKinley in 1897. This includes grants issued to James Logie, Mary Logie, Alvin Logie, Jessie Logie and Susan Hox-Li, all members of the Yakama (Yakima) tribe.
Biographical Note:
The Logie family (Yakama) was living on the Yakima Indian reservation in Washington State when they were allotted their land in 1897. The family consisted of James Logie, his wife Mary Logie (nee Stones), their son Alvin Logie and daughter Jessie Logie. Alvin and Jessie were young children at the time. Mary's mother Susan Hox-li also appeared to be living with the family at the time. Each member of the family was given a land grant. Alvin Logie married Hattie Logie (later Hattie Logie Duke) sometime in the early 1920's which is how she came to possess the Logie family land grants.
Historical Note:
Land grants were issued by the General Land office from the commissioner of Indian Affairs, in the department of the Interior. These land grants, or allotments, were issued as a result of the Dawes Act of 1887 also known as the "General Allotment Act" or the "Dawes Severalty Act." The Dawes act was enacted as a method to assimilate Native American individuals into what was considered mainstream American society in an effort to abolish communal rights and tribal sovereignty. Individual land allotments were granted to Native American families and held in trust by the United States government for 25 years. If the family did not succeed at farming on the allotment, the land reverted back to the federal government for sale, often to non-native settlers. Land allotment was not ended until 1934 under President Roosevelt.
Related Materials:
Copies of these land grants can be found at the U.S. Department of the Interior, Bureau of Land Management in the General Land Office Records.
Provenance:
Purchased from Hattie Logie Duke by the Museum of the American Indian, Heye Foundation in 1969.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
United States. General Allotment Act (1887) Search this
Citation:
Identification of specific item; Date (if known); Logie Family Yakama (Yakima) land grants; National Museum of the American Indian Archive Center, Smithsonian Institution.
Photographs mostly commissioned and collected by personnel in the Bureau of American Ethnology. Most of the photographs are studio portraits of American Indians made by the Bureau of American Ethnology and Smithsonian Institution, possibly for physical anthropologist Ales Hrdlicka. There are also photographs made by Truman Michelson among the Catawba Indians, copies of illustrations and drawings, and various images of archeological sites and artifacts.
Local Call Number(s):
NAA Photo Lot 87-2M, USNM ACC 42191
Location of Other Archival Materials:
Original negatives for many photographs in this collection held in the National Anthropological Archives in the BAE historical negatives.
Additional Michelson photographs held in National Anthropological Archives Photo Lot 13, Photo Lot 24, MS 2139, and MS 4365-c.
Additional Hillers photographs held in National Anthropological Archives Photo Lot 14, Photo Lot 24, Photo Lot 28, Photo Lot 40, Photo Lot 143, Photo Lot 83-18, Photo Lot 87-2N, Photo Lot 90-1, Photo Lot 92-46, and the BAE historical negatives.
Additional Jackson photographs held in National Anthropological Archives Photo Lot 24, Photo Lot 37, Photo Lot 40, Photo Lot 60, Photo Lot 93, Photo Lot 143, Photo Lot R82-10, Photo Lot 87-2P, Photo Lot 90-1, Photo Lot 92-3, the records of the Department of Anthropology, and the BAE historical negatives.
Additional Smillie photographs held in the National Museum of American History Archives Center in the Frances Benjamin Johnston and Thomas W. Smillie Glass Plate Negatives and in Smithsonian Institution Archives SIA Acc. 05-123.
Additional Gardner photographs held in National Anthropological Archives Photo Lot 24, Photo Lot 80-18, Photo Lot 87-2P, Photo Lot 90-1, and the BAE historical negatives.
Associated busts and molds held in the Department of Anthropology collections in accession 42191.
Contained in:
Smithsonian Institution Bureau of American Ethnology photograph collections, undated
This collection consists of 534 glass lantern slides depicting Indigenous groups throughout North America. It also includes a small number of publications written by Elmer E. Higley and others about Native Americans and missionary work during the early twentieth century.
Scope and Contents:
The Elmer E. Higley collection consists of both Lantern Slides and Printed Materials. Series 1: Lantern Slides, 1900-1924, includes 534 glass lantern slides, many hand-colored. The lantern slides were used by Higley in lectures to promote his missionary and reform work with the Joint Committee on Indian Work of the Methodist Episcopal Church, of which he was the Superintendent from 1919 to 1923. While Higley was the photographer of some of the lantern slide images, specifically those taken in Mesa Verde, the majority of the photographs were not taken by Higley, but rather collected by him for use in his lectures as he traveled around the country. Series 2: Printed Materials, 1914-1968, includes a small number of early twentieth-century publications written by Higley and others about Native Americans and missionary work in the United States during this time.
Arrangement:
This collection is arranged into two series. Series 1: Lantern Slides, 1900-1924 and Series 2: Printed Materials, 1914-1968.
Biographical / Historical:
Elmer Ellsworth Higley was born in Ohio in 1867. He attended high school and college in northwestern Pennsylvania before marrying Alice C. Dowler in 1892. Higley later also attended the Drew Theological Seminary and afterwards worked as a pastor in a number of Methodist churches around the country. In approximately 1919 Higley was appointed Superintendent of the Joint Committee on Indian Work of the Methodist Episcopal Church, with his office based in Chicago, Illinois. Employed in this work until 1923, Higley traveled the United States, visiting Native reservations and promoting Christian reform efforts for American Indian education. While traveling, Higley frequently presented illustrated lectures on his missionary work to audiences, using the glass lantern slides now residing in the collections of the National Museum of the American Indian Archive Center. In the years after 1923, Higley continued as a pastor in both Ames, Iowa, and Evanston, Illinois, the latter where he eventually died in 1931.
Provenance:
Gift of Mrs. R. S. Jensen and Family in 2018 and 2019.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Identification of specific item; Date (if known); Elmer E. Higley collection, NMAI.AC.228; National Museum of the American Indian Archives Center, Smithsonian Institution.
This subseries contains 7 glass lantern slides from the Great Basin / Plateau region. Communities depicted include the Kalispel (Pend d'Oreilles), Wasco, and Yakama (Yakima) peoples.
Collection Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Elmer E. Higley collection, NMAI.AC.228; National Museum of the American Indian Archives Center, Smithsonian Institution.
The Edward S. Curtis photogravure plates and proofs for The North American Indian include photogravure printing plates and associated proofs made from Curtis photographs and used in the publication of The North American Indian volumes 1-9 and 12-19. The bulk of the images are portraits, though there are also images of everyday items, ceremonial artifacts, and camps.
Scope and Contents:
The collection comprises 183 photogravure plates (101 folio and 82 octavo) and 96 associated proofs used in the printing of The North American Indian volumes 1-9 and 12-19. The original photographs used to make the photogravures were made circa 1903-1926 and the photogravure plates were made in 1907-1930. The bulk are portraits, though there are also images of everyday items, ceremonial artifacts, and camps. About half of the proofs in the collection are originals used for Curtis's publication, though the collection also includes proofs made in the process of later publication by the Classic Gravure Company (circa 1980). Vintage proofs include handwritten notes, likely made by Curtis Studio employees in Seattle and Los Angeles. Many of the photogravure plates do not have matching proofs; in particular, there are no proofs for the octavo plates.
Arrangement:
The plates and proofs are arranged by the volume of The North American Indian in which they were published. They are described in this finding aid by the caption and plate number with which they were published.
Biographical / Historical:
Edward Sheriff Curtis (1868-1952) was an American photographer best known for his monumental and now-controversial project, the twenty-volume publication The North American Indian. Here he sought to document in words and pictures the "vanishing race" of American Indians.
Born in Wisconsin in 1868, Edward Curtis grew up on his family's farm in Le Sueur County, Minnesota, from 1874 to 1887. In 1887, he and his father Johnson Curtis settled on a plot near what is now Port Orchard, Washington, and the rest of the family joined them the following year. When Johnson Curtis died within a month of the family's arrival, the burden of providing for his mother and siblings fell to 20-year-old Edward, and Edward set out to do so through his photography. In 1891, Curtis moved to the booming city of Seattle and bought into a joint photo studio with Rasmus Rothi. Less than a year later, he formed "Curtis and Guptill, Photographers and Photoengravers" with Thomas Guptill; the enterprise quickly became a premier portrait studio for Seattle's elite. In 1895, Curtis made his first "Indian photograph" depicting Princess Angeline, daughter of the chief for whom Seattle had been named. The following year he earned his first medal from the National Photographic Convention for his "genre studies."
In 1899, Edward Curtis joined the Harriman Alaska Expedition as official photographer, a position which allowed him to learn from anthropologists C. Hart Merriam and George Bird Grinnell while documenting the landscapes and peoples of the Alaskan coast. This expedition and the resulting friendship with Grinnell helped to foster Curtis's ultimate goal to "form a comprehensive and permanent record of all the important tribes of the United States and Alaska that still retain to a considerable degree their primitive customs and traditions" (General Introduction, The North American Indian). Curtis made several trips to reservations from 1900 to 1904, including a trip with Grinnell to Montana in 1900 and multiple trips to the Southwest, including the Hopi Reservation. He also hired Adolph Muhr, former assistant to Omaha photographer Frank A. Rinehart, to manage the Curtis studio in his absence, a decision which would prove more and more fruitful as Curtis spent less and less time in Seattle.
In 1906, Curtis struck a deal with financier J. P. Morgan, whereby Morgan would support a company – The North American Indian, Inc. – with $15,000 for five years, by which time the project was expected to have ended. Systematic fieldwork for the publication began in earnest that summer season, with Curtis accompanied by a team of ethnological researchers and American Indian assistants. Arguably the most important member of Curtis' field team was William Myers, a former newspaperman who collected much of the ethnological data and completed most of the writing for the project. The first volume, covering Navajo and Apache peoples, was published at the end of 1907, but already Morgan's funding was incapable of meeting Curtis's needs. Despite heaping praise from society's elite, Curtis spent much of his time struggling to find people and institutions willing to subscribe to the expensive set of volumes. After the initial five years, only eight of the proposed twenty volumes had been completed. Fieldwork and publication continued with the support of J. P. Morgan, but Curtis's home life suffered because of his prolonged absences.
In 1919, Curtis's wife Clara was awarded a divorce settlement which included the entire Curtis studio in Seattle. Exhausted and bankrupt, Edward Curtis moved with his daughter Beth Magnuson to Los Angeles, where they operated a new Curtis Studio and continued work on the volumes; volume 12 was published
in 1922. The constant financial strain forced Myers to leave the North American Indian team after volume 18 (fieldwork in 1926) and Curtis made his last trip to photograph and gather data for volume 20 in 1927. After the final volumes were published in 1930, Curtis almost completely faded from public notice until his work was "rediscovered" and popularized in the 1970s.
Curtis's "salvage ethnology," as scholar Mick Gidley describes it, was mildly controversial even during his life and has become ever more so as his legacy deepens. In his quest to photograph pre-colonial Indian life through a twentieth-century lens, he often manipulated and constructed history as much as he recorded it: he staged reenactments, added props, and removed evidence of twentieth-century influences on "primitive" life. Curtis's work continues to shape popular conceptions of American Indians and so, while problematic, his legacy--his vision of American Indian life--continues to be relevant.
Related Materials:
NMAI also holds Edward Curtis photographs documenting the Harriman Expedition (1899) as well as platinum prints and photogravures of the images published in The North American Indian.
The Smithsonian Institution, National Anthropological Archives holds Edward Curtis prints submitted for copyright (Photo Lot 59) as well as many of his original negatives, photographs, and papers.
Steve Kern donated photogravure plates to the Center for Creative Photography and the Seattle Art Museum at the same time that he donated this set to MAI.
Provenance:
This collection was donated by Steven and Arlene Kern to the Museum of the American Indian, Heye Foundation, in 1984.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Topic:
Indians of North America -- Pictorial works Search this
Genre/Form:
Photogravures
Photographs
Citation:
Identification of specific item; Date (if known); Edward S. Curtis photogravure plates and proofs for The North American Indian, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Sponsor:
This collection was processed with funding from the Smithsonian Women's Committee.
Eastern Band of Cherokee Indians of North Carolina
Date:
1932-1958
Summary:
These are the papers of Washington, D.C. attorney James E. Curry, whose legal career included work both as a government attorney and in his own private practice. The bulk of the papers reflect his private practice in the area of Indian affairs.
Scope and Contents:
The material in the collection includes documents relating to many aspects of Curry's career but most of it relates to his work with Indian tribes and the National Congress of American Indians. For the most, the collection is made up of such materials as letters exchanged with government officials, Indians, and other attorneys; copies of legal documents; published government documents; notes; and clippings and other printed materials. Of particular significance is a subject file relating to Indian affairs. It includes material concerning affairs of Alaskan natives and the Aleut (Akutan, Pribilof Islands), Apache (including Fort Sill, Jicarilla, Mescalero, San Carlos White Mountain), Arapaho (Southern), Assiniboine (Fort Belknap, Fort Peck), Bannock (including Fort Hall), Blackfeet, Caddo, Catawba, Cherokee (Eastern), Cheyenne (Northern, Southern), Chickahominy, Chickasaw, Chippewa (including Lac Courte Oreilles), Choctaw, Cochiti, Cocopa, Coeur d'Alene, Colville, Comanche, Creek, Croatan, Crow, Dakota (Big Foot, Cheyenne River, Crow Creek, Devil's Lake, Flandreau, Fort Totten, Lower Brule, Mdewakanton, Oglala, Rosebud, Santee, Sisseton-Wahpeton, Standing Rock, Yankton), Delaware, Eskimo (including Gambell, Kiana), Flathead, Fox, Haida (including Kasaan), Havasupai, Hopi, Iroquois (Caughnawaga, Seneca, St. Regis), Isleta, Jemez, Kalilspel, Kansa (Kaw), Kickapoo, Kiowa, Klamath, Kutenai, Laguna, Lummi, Maricopa (Gila River, Salt River), Menominee, Missouria, Mohave (Fort Mohave), Mohave Apache (Fort McDowell), Muckleshoot, Navaho, Nez Perce, Niska, Nooksak, Omaha, Osage, Oto, Papago, Paiute (Fallon, Fort McDermitt), Moapa, Pyramid Lake, Shivwits, Walker River, Yerington), Pima (Gila River, Salt River), Potowatomi, Quinaielt, San Felipe, San Ildefonso, San Juan, Santa Ana, Santa Clara, Sandia, Sauk, Seminole (Florida, Oklahoma), Seneca, Seri, Shawnee (Eastern), Shoshoni (including Fort Hall), Sia, Spokan, Stockbridge, Taos (Pyote clan), Tesuque, Three Affiliated Tribes (Mandan, Arikara, and Hidatsa), Tillamook, Tlingit (including Angoon, Craig, Juneau, Kake, Ketchikan, Klawak, Klukwan, Taku, Wrangell), Tsimshian (Metlakatla), Umatilla, Ute (including Uintah-Ouray), Walapai, Washo, Wesort, Winnebago, Wyandot, Yakima, Yaqui, Yavapai, Yuma, and Zuni. There are also materials relating to Curry's work with the Bureau of Indian Affairs and National Congress of American Indians, and material that reflects his interest in conditions and events in given locations (often filed by state) and in organizations with interest in Indians. The material relating to Curry's work in Puerto Rico has been deposited in the Archivo General de Puerto Rico, Instituto de Cultura Puertorriquena, in San Juan.
Arrangement note:
The James E. Curry Papershave been arranged into 6 series: (1) Daily Chronological Files, 1941-1955; (2) Subject Files Regarding Indian Affairs, bulk 1935-1955; (3) Miscellaneous Files Regarding Indian Affairs, bulk 1947-1953; (4) Non-Indian Affairs, n.d.; (5) Puerto Rico Work, 1941-1947; (6) Miscellany, undated.
Biographical/Historical note:
James E. Curry was trained in law in Chicago and practiced in that city from 1930 until 1936, serving part of that time as secretary of the local branch of the American Civil Liberties Union. From 1936 to 1938, he was an attorney with the United States Department of the Interior Bureau of Indian Affairs, being largely involved with matters of credit affecting Indians. From 1938 to 1942, he continued service with the Interior Department but worked in several capacities involving the Puerto Rico Reconstruction Administration, the department's Consumers' Counsel Division, and the Puerto Rico Water Resources Authority.
In 1945, Curry returned to Washington and set up private practice, also maintaining for a time an office in Puerto Rico. In Washington, he became the attorney for the National Congress of American Indians and from that time until the 1950s his practice increasingly involved representation of American Indian tribes, mostly in claims against the federal government. In this work, for a time, he was involved in business relations with a New York Law firm that included Henry Cohen, Felix Cohen, and Jonathan Bingham.
He also often worked closely with lawyers who lived near the tribes he represented, William L. Paul, Jr., of Alaska, for example. This aspect of his practice--representing Indian tribes--was largely broken up during the early 1950s when the Commissioner of Indian Affairs began to use his powers to disapprove contracts between Curry and the tribes. In 1952 and 1953, his official relationship with the National Congress of American Indians was also ended. After this, while Curry continued until his death to act as a consultant in Indian claims with which he had earlier been involved, his career and life developed in a different direction.
Related Materials:
Additional material relating to James E. Curry can be found in the records of the National Congress of American Indians, also located at the National Museum of the American Indian Archive Center.
Provenance:
The Curry papers were originally donated to the National Anthropological Archives by James E. Curry's daughter Mrs. Aileen Curry-Cloonan in December 1973. In 2007 The Curry papers were transferred from the National Anthropological Archives to the National Museum of the American Indian Archive Center along with several other records concerning American Indian law and political rights.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Genre/Form:
Notes
Letters
Clippings
Legal documents
Citation:
Identification of specific item; Date (if known); James E. Curry papers, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
These papers consist of research materials collected and used by Professor Carol Herselle Krinsky for her book Contemporary Native American Architecture: Cultural Regeneration and Creativity.
Scope and Contents:
These papers consist of research materials collected and used by Professor Carol Herselle Krinsky for her book Contemporary Native American Architecture: Cultural Regeneration and Creativity. This book discusses the connection between trends in modern architecture and native culture, as well as how culture has been revived through architecture, and how existing structures are altered to better reflect the native culture they serve. These materials include correspondence, newspaper clippings, interview transcripts, and photographs. News clippings in this collection include articles in German.
Arrangement:
The Carol H. Krinsky Papers are divided into two main series based on the original order established by Dr. Krinsky.
Series 1, Tribes (1964-2004) [Boxes 1-4]
Series 2, Subject Files (1967-2004)
[Boxes 5-7]
Biographical / Historical:
Carol Herselle Krinsky is a professor of Fine Arts at New York University. She received a BA from Smith College in 1957, a M.A. from the NYU Institute of Fine Arts in 1960, and a PhD from NYU in 1965. Professor Krinsky has received many honors and awards throughout her career including the Miess Publication Award from the College Art Association (1985), the National Jewish Book Award (1986), a Merit of Distinction from the International Center for Holocaust Studies (1987), a Golden Dozen Teaching Award from NYU (1990) and; the Brunner Research Award from the New York City Chapter of the American Institute of Architects. She has also been named a Senior Fulbright Scholar.
Previous publications have included Synagogues of Europe, Rockefeller Center, and Gordon Bunshaft of Skidmore, Owings & Merrill.
Provenance:
The collection was donated by Dr. Carol Herselle Krinsky on March 3, 2004.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish materials from the collection must be requested from the NMAI Archivist. The Archives has no information on the status of literary rights for the work of others found in these papers; researchers are responsible for determining any question of copyright.
Identification of specific item; Date (if known); Carol H. Krinsky Papers, Box and Folder Number; National Museum of the American Indian Archives, Smithsonian Institution.
Portraits of American Indians made by Charles Milton Bell in his Washington, DC studio. Depicted individuals include Red Cloud, Oglala; Spotted Tail, Brule; Quanah Parker, Comanche; Nawat, Arapaho; Scabby Bull, Arapaho; Wolf Robe, Cheyenne; D. W. Bushyhead, Cherokee; John Jumper, Seminole; Plenty Coups, Crow; Rushing Bear, Arikara; Gall, Hunkpapa; John Grass, Sihasapa; Lean Wolf, Hidatsa; Chief Joseph, Nez Perce; and Lone Wolf, Kiowa; as well as people associated with Pawnee Bill's Wild West Show. The collection also includes copies of some images by other photographers, including G. G. Rockwood and F. T. Cummins.
Biographical/Historical note:
Charles Milton Bell (circa 1849-1893) was the youngest member of a family of photographers that operated a studio in Washington, DC, from around 1860-1874. Charles Milton Bell established his own studio on Pennsylvania Avenue in 1873 and it rapidly became one of the leading photography studios in the city. Bell developed the patronage of Ferdinand Vandeveer Hayden, who sent American Indian visitors to the studio to have their portraits made. Bell also made photographs of Indians for the Department of the Interior and the Bureau of American Ethnology.
Local Call Number(s):
NAA Photo Lot 80, NAA MS 4661
Location of Other Archival Materials:
Copy prints previously filed in MS 4661 have been relocated and merged with Photo Lot 80. These are also copy prints of Bell negatives that were acquired from Boyce and form part of this collection.
Additional C. M. Bell photographs held in National Anthropological Archives Photo Lot 4420, Photo Lot 24, Photo Lot 60, Photo Lot 81-44, Photo lot 87-2P, and Photo Lot 90-1.
See others in:
Charles Milton Bell photographs of American Indians, circa 1874-1890
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo Lot 80, Charles Milton Bell photographs of American Indians, National Anthropological Archives, Smithsonian Institution
Photographs depicting tribal delegates, probably made by Robert M. Farring during tribal group visits to the Bureau of Indian Affairs Washington office. Many of the photographs were originally mounted in notebooks with identification of pictured individuals and their affiliations.
Biographical/Historical note:
Robert M. Farring, Jr. is an employee in the Tribal Operations office of the Bureau of Indian Affairs in Washington, DC.
Local Call Number(s):
NAA Photo Lot 85-21
Location of Other Archival Materials:
Additional photographs of American Indian delegations can be found in the National Anthropological Archives in Photo Lot 4286, MS 4638, Photo Lot 87-2P, Photo Lot 90-1, and the BAE historical negatives.
The collection consists of photographs relating to Native Americans, which were submitted to the copyright office of the Library of Congress in and around the early 20th century. Many of the photographs are studio portraits as well as photographs made as part of expeditions and railroad surveys. It includes images of people, dwellings and other structures, agriculture, arts and crafts, burials, ceremonies and dances, games, food preparation, transportation, and scenic views. Some of the photographs were posed to illustrate literary works, including Henry Wadsworth Longfellow's Hiawatha, while others depict paintings or other artwork.
The collection was formed from submissions made to the Library of Congress as part of the copyright registration process. In 1949, arrangements were made to allow the Bureau of American Ethnology to copy the collection and some negatives were made at that time, largely from the Heyn and Matzen photographs. The project was soon abandoned, however, as too large an undertaking for the facilities of the BAE. In 1957-1958, arrangements were begun by William C. Sturtevant of the BAE to transfer all of the photographs from the Library to the BAE.
Local Call Number(s):
NAA Photo Lot 59
See others in:
Library of Congress Copyright Office photograph collection of American Indians, 1860s-1930s (bulk 1890s-1920s)
Provenance:
In 1965, the Bureau merged with the Smithsonian's Department of Anthropology to form the Smithsonian Office of Anthropology, and in 1968 the Office of Anthropology Archives transformed into the National Anthropological Archives.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo Lot 59, Library of Congress Copyright Office photograph collection of American Indians, National Anthropological Archives, Smithsonian Institution
