Wyeth, N. C. (Newell Convers), 1882-1945 Search this
Extent:
0.2 Linear feet ((141 items on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1939-1979
Scope and Contents:
12 letters (2 are illustrated) from Andrew Wyeth to William E. Phelps; 6 letters from Wyeth's wife Betsy to Phelps and his wife Mary, 1939-1969; 8 letters to Andrew Wyeth and Phelps from friends and colleagues. Wyeth's letters were written from Chadds Ford, Pa. and Port Clyde, Cushing, and Thomaston, Me. and concern the business of borrowing paintings for exhibitions but also contain family news and some personal insights.
Also contains letters from Wyeth's dealer, E. Coe Kerr of M. Knoedler and Co., Inc. to Wyeth and receipts from sales of his paintings; 91 photographs of Andrew, Betsy, Henriette, N.C. Wyeth, Peter Hurd, and others at the Wyeths' house in Maine and the Hurds' house in New Mexico. Included are photographs of the Wyeths painting in their studios, an exhibition of the Phelps' collection; and clippings.
Biographical / Historical:
Collector, art patron; Montchanin, Delaware. Resided in the Brandywine Valley between Wilmington, De. and Chadds Ford, Pa. where he and his wife, Mary, became friends with many local artists. He was an early patron of Andrew Wyeth and a close friend of the Wyeth family.
Provenance:
The donor, Mary C. Parrish, is the niece of William E. Phelps. She found these papers in the furniture she inherited from the estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Wyeth, N. C. (Newell Convers), 1882-1945 Search this
Extent:
5.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Drawings
Date:
1917-1993
Summary:
The papers of painters Peter Hurd and Henriette Wyeth Hurd measure 5.2 linear feet, date from 1917 to 1993, and present an overview of their careers and their lives together through correspondence, notes, writings, artwork, printed material, and photographs.
Scope and Content Note:
The papers of painters Peter Hurd and Henriette Wyeth Hurd measure 5.2 linear feet, date from 1917 to 1993, and present an overview of their careers and their lives together through correspondence, notes, writings, artwork, printed material, and photographs.
Writer and longtime family friend Paul Horgan, author of Peter Hurd: A Portrait Sketch from Life (Austin: University of Texas Press, 1965), also figures prominently in the collection. Correspondence forms the bulk of the collection and includes letters to family members, letters to and from Paul Horgan, and Peter Hurd's business correspondence. The collection also includes biographical material such as sketches of family members and genealogy information; miscellaneous notes; scattered writings by Paul Horgan; three drawings by Peter Hurd and a drawing by Paul Horgan; printed material including exhibition catalogs, press releases, and brochures; and two photographs of Paul Horgan.
In 1999 the Archives of American Art received an addition to the Peter Hurd and Henriette Wyeth Hurd papers consisting of material concerning Henriette Wyeth Hurd, including an address book; letters regarding portrait commissions, exhibitions, the film The Wyeths: A Father and His Family (Smithsonian World, 1986), and honors and awards; correspondence with Portraits, Inc., 1946-1949, regarding sales and inquiries; letters from Paul Horgan (signed "Plito"); letters from Henriette's father, N.C. Wyeth, and sister, Carolyn Wyeth; more than thirty letters to Andrew Wyeth and his sister Betsy; and several letters from Andrew Wyeth.
Arrangement:
The collection is arranged into eight series. Material in each series is arranged chronologically, unless otherwise noted.
Missing Title
Series 1: Biographical Material, 1980-1984, undated (box 1, 1 folder)
Series 2: Correspondence, 1917-1989 (boxes 1-4, 3.5 linear ft.)
Series 3: Notes, undated (box 4, 1 folder)
Series 4: Writings, 1980-1985 (box 4, 12 folders)
Series 5: Artwork, 1940, undated (box 4, 2 folders)
Series 6: Printed Material, 1928-1929 (box 4, 14 folders)
Series 7: Photographs, 1977, undated (box 4, 1 folder)
Series 8: Unprocessed Addition to the Peter Hurd and Henriette Wyeth Hurd Papers, 1939-1993 (boxes 5-6, 1.2 linear ft.)
Biographical Note:
Peter Hurd was born in 1904 in Roswell, New Mexico, after his parents' move there from the East Coast. He was appointed to the U. S. Military Academy at West Point in 1921, but left two years later to begin an artistic career. After attending Haverford College, he studied under N. C. Wyeth and at the Pennsylvania Academy of the Fine Arts from 1924 to 1926. In 1929, he married Wyeth's eldest child, Henriette, who was also a painter.
Henriette Wyeth was born in 1907 in Chadds Ford, Pennsylvania, and studied at the Normal Art School in Boston in 1920, and later at the Pennsylvania Academy of the Fine Arts.
During the mid-1930s they settled permanently in San Patricio, New Mexico. Hurd printed lithographs and painted portraits and landscapes in addition to federally-sponsored murals in post offices. Henriette was primarily known as a portrait painter.
Peter Hurd died in 1984.
Related Material:
Related material in the Archives of American Art includes Peter Hurd papers relating to the Section of Fine Arts, 1936-1951. These papers contain correspondence concerning Treasury Department art programs, including miscellaneous papers and printed material concerning Hurd's murals for the Section of Fine Arts in Texas and New Mexico.
Also found in the Archives of American Art is 1 sound tape reel of a transcribed interview with Peter Hurd conducted by Sylvia Loomis, March 28, 1964.
Provenance:
The Peter Hurd and Henriette Wyeth Hurd papers were donated to the Archives of American Art in 1991 and 1994 by Michael Hurd and Henriette Wyeth Hurd, the son and widow of Peter Hurd. In 1999, an addition of 1.2 linear feet was donated by the Henriette Wyeth Hurd estate.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Wyeth, N. C. (Newell Convers), 1882-1945 Search this
Extent:
1 Linear foot ((on 5 microfilm reels))
Type:
Collection descriptions
Archival materials
Place:
Massachusetts -- New Bedford -- Description and Travel
Date:
1903-1964
Scope and Contents:
Correspondence (ca. 900 letters), sketches, photographs, two exhibition catalogs, the manuscript of The Ashley Book of Knots, and miscellany. Much of the correspondence deals with Ashley's research for and the publication of his Yankee Clipper (1926). Among the correspondents are Henriette Wyeth, N.C. Wyeth (a 7 p. letter), Irving R. Wiles, Oliver LaFarge, Maxfield Parrish, Franklin D. Roosevelt, and Booth Tarkington. One charcoal and three pencil sketches (34.8 x 24 cm. or smaller) are of a three mast sailing ship and pedestal for the Delano family cemetery monument designed by Ashley.
A pencil sketch and mechanical reproduction of an ink drawing (28 x 21.5 cm.) are of a map to Ashley's home near New Bedford used as an invitation to a party, 1936. Photographs are of Ashley, Ashley painting, works of art, artists' models, travels, and of a portrait of Ashley by Irving R. Wiles, 1926. Among the photos of Ashley are one taken by Robert H. Davis, ca. 1920's, and one by Sanborn Studio, Delaware, undated.
Biographical / Historical:
Marine painter, writer, illustrator. Dedicated most of his artistic and literary work to the subject of whaling.
Provenance:
Donated by Ashely's widow, Mrs. Stephen Delano, 1972.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- Massachusetts -- New Bedford Search this
Marine painters -- Massachusetts -- New Bedford Search this
