The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1988 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 6 series.
Missing Title
Series 1: Program Books, Festival Publications, and Ephemera
Series 2: American Folklore Society Centennial
Series 3: Festival Music Stage
Series 4: Ingenuity and Tradition: The Common Wealth of Massachusetts
Series 5: Migration to Metropolitan Washington: Making a New Place Home
Series 6: Music from the Peoples of the Soviet Union
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.
The 1988 Festival of American Folklife was produced by the Smithsonian Office of Folklife Programs and cosponsored by the National Park Service.
For more information, see Smithsonian Folklife Festival records.
Introduction:
The 1988 Festival celebrated the centennial of the American Folklore Society, founded one hundred years earlier because of the need to document and study cultures that were seen as disappearing. Much of the Society's attention today, however, is engaged in the documentation and interpretation of emerging traditions and cultural expressions. Folklorists work in inner cities, conduct research on occupational groups, analyze processes of traditionalization and cooperate with other professionals in devising natural conservation and historical preservation strategies, which also promote cultural continuity, equity and integrity. Visitors to the 1988 Festival could learn about what it is that folklorists do and what impacts they have on the communities with which they work.
The other living exhibitions that made up this year's Festival also provided ample illustrations of this same view of the traditional. The Massachusetts program told a paradigmatic American story. Gay Head Wampanoag, Yankee settlers, Afro American migrants, and immigrants from Italy, Greece, Poland, the Cape Verde Islands, Puerto Rico, and Southeast Asia have not only preserved their traditions; through ingenious acts of individual and community creativity they have adapted them and endowed them with new meanings, as circumstances have changed. The Metropolitan Washington program pointed to the heightened consciousness of cultural issues associated with the migration experience. The program asked how immigrants from El Salvador, Ethiopia, China, Trinidad and Tobago, as well as domestic Anglo and Afro American groups historically migrating from nearby states, discard, reinvent, and reconstitute their traditions as they actively make a new place home. A varied contingent of musicians and performers from several republics of the Soviet Union demonstrated how truly ancient traditions nurtured in various pastoral, tribal, and religious environments have not merely survived but actually flourished in contemporary Soviet life. Also at the Festival were American musicians who, as part of a groundbreaking cultural exchange with the Soviet Union, would later travel to Moscow to participate in the International Folklore Festival in August 1988 and be reunited with the Soviet musicians participating in the Smithsonian's Festival.
The 1988 Festival took place for two five-day weeks (June 23-27 and June 30-July 4) between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan).
The 1988 Program Book included schedules and participant lists for each program; the Program Book essays provided a larger context for the Festival presentations, extending beyond the traditions actually presented at the 1988 Festival.
The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Office of Folklife Programs.
Office of Folklife Programs
Richard Kurin, Acting Director; Diana Parker, Festival Director; Anthony Seeger, Curator, Folkways Records; Thomas Vennum, Jr., Senior Ethnomusicologist; Peter Seitel, Senior Folklorist; Marjorie Hunt, Phyllis M. May-Machunda, Heliana Portes de Roux, Frank Proschan, Nicholas R. Spitzer, Folklorists; Jeffrey Place, Assistant Archivist
National Park Service
William Penn Mott, Jr., Director; Manus J. Fish, Jr., Regional Director, National Capital Region
Forms Part Of:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .
Smithsonian Folklife Festival records
Smithsonian Folklife Festival records: Papers
1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
ARTIE BARSAMIAN ORCHESTRA: LIVE AT BISHOPS. TAPE FROM ARMENIAN TAPES, BOX 363, LEXINGTON, MA 02173 COMMERCIAL CASSETTE
Local Numbers:
FP-1988-CT-0060
Date/Time and Place of an Event Note:
Recorded in: Massachusetts, United States, 1987.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
ARTIE BARSAMIAN ORCHESTRA: ALL ABOARD THE M.S. CARIBE TAPE FROM ARMENIAN TAPES, BOX 363, LEXINGTON, MA 02173
Local Numbers:
FP-1988-CT-0061
Date/Time and Place of an Event Note:
Recorded in: Massachusetts, United States, 1987.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
101 Southern Mountain Music / Dudley Connell, Hazel Dickens, Tom Adams. Guitar,Banjo,Mandolin. English language.
102 Estonian Instrumental Music / Ants Taul, Johannes Taul. Bagpipe.
103 Puerto Rican Music and Dance / Pleneros de la 21 (Musical group). Pandereta (Drum),Bomba (Drum),Cuatro,Guiro. Spanish language.
Local Numbers:
FP-1988-7RR-0025
General:
Los Pleneros De La 21, A.Cepeda, J.Guitierrez, E. Miranda, P. Ortiz, E.Ramos, F.Rivera, J.Rivera, N.Tanco, S.Tanco; Hazel Dickens Group, D.Connell, T.Adams, M.Willborn, B.Mitterhoff; Estonian Duo, Ants Taul, Johannes Taul Reel 3 Of 5
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 24, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Los Pleneros De La 21, A.Cepeda, J.Gutierrez, E.Miranda, P.Ortiz, E.Ramos, F.Rivera, J.Rivera, N.Tanco, S.Tanco; Eddie Lejeune, L.Leleux, Ray Junior Thibodeaux, Contemporary Greek Ensemble, J.Bogis, G. Grianoukow, K.Satiros, K.Vrouvlianis, Poserdenee Reel 3 Of 5
Track Information:
101 Puerto Rican Music and Dance / Pleneros de la 21 (Musical group). Pandereta (Drum),Bomba (Drum),Cuatro,Guiro. Spanish language.
102 Cajun Music / Eddie LeJeune. Accordion,Fiddle,Guitar. French language.
103 Greek Music / Contemporary Greek Ensemble. Guitar,Bouzouki,Baglama. Greek language.
104 Southern Russian Song and Dance / Podserednee (Musical group). Russian language.
Local Numbers:
FP-1988-7RR-0030
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Piedmont Blues / John Cephas, Phil Wiggins. Guitar,Harmonica.
102 Yakut Jew's Harp / Ivan Alexeev. Jew's harp.
Local Numbers:
FP-1988-7RR-0058
General:
REEL 5 OF 7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 1, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Hazel Dickens; Bernice Johnson Reagon; Uliana Kot; Veronika Povilioniene (Continues From Cassette Si-Fp-1988-Ct-386) R 1 Of 1
Local Numbers:
FP-1988-7RR-0073
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Restrictions on access. No duplication allowed listening and viewing for research purposes only;.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Item (videocassette (U-matic))
Type:
Archival materials
Place:
Estonia
Soviet Union
Local Numbers:
FP-1988-3/4UMA-0113
General:
DVD copy
Restrictions:
Restrictions on access. All Restrictions Apply.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Recorded in: United States, Washington (D.C.), 1988.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Item (videocassette (U-matic))
Type:
Archival materials
Place:
Estonia
Soviet Union
Local Numbers:
FP-1988-3/4UMA-0121
General:
DVD copy
Restrictions:
Restrictions on access. All Restrictions Apply.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Material World: Preserving, Presenting, And Pretending; Barry Jean Ancelet, Ants Taul, Stuard Detmer, Ramiz Eyiub Kuliev, Anatoli Kargan Reel 6 0f 9
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Material World: Preserving, Presenting, And Pretending; Barry Jean Ancelet, Ants Taul, Stuard Detmer, Ramiz Eyiub Kuliev, Anatoli Kargan; Conservation: Natural And Cultural; Charlie Camp, Carolyn Wang, Pualani Kanahele Reel 7 0f 9
Track Information:
101 Material World: Preserving, Presenting and Pretending / Ants Taul, Ramiz Eyiub Kuliev, L. Stuard Detmer. Bagpipe.
102 Conservation: Natural and Cultural / Carolyn Wang, Pua Kanaka'ole Kanahele.
Local Numbers:
FP-1988-7RR-0155
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Cape Verdean Music / Toi Grace and the Verdatones.
102 Boston Blues / Silas Hubbard. Harmonica.
103 Greek Music / Contemporary Greek Ensemble. Bouzouki,Baglama.
Local Numbers:
FP-1988-CT-0295
General:
TOI GRACE AND THE VERDATONES, JEAN ANDRATE, CHARLIE GOMES, FRANK PENHA, FRED SILVA; SILAS HUBBARD JR. AND THE HOT RIBS, THOMAS MCMULLEN, ED WILLIAMS, CHARLES ROBINSON; CONTEMPORARY GREEK ENSEMBLE, J.BOGIS, G.GIANOUKOW, K.SATIRIOS, K.VROUVLIANIS CAPE VERDEAN MUSIC, BOSTON BLUES AND JAZZ, GREEK MUSIC; TAPE 3 OF 4
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 23, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
CONTEMPORARY GREEK ENSEMBLE, JOHN BOGIS, GARY GIANOUKOW, KLOTSONIS SATIRIOS, KOSMAS VROUVLIANIS GREEK MUSIC; TAPE 4 OF 4
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 23, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
TOI GRACE AND THE VERDATONES, JEAN ANDRADE, CHARLIE GOMES, ANTONE GRACE, FRANK PENHA, FRED SILVA; CONTEMPORARY GREEK ENSEMBLE, JOHN BOGIS, GARY GIANOUKOW, KLOTSONIS VROUVLIANIS CAPE VERDEAN MUSIC; GREEK MUSIC; TAPE 2 OF 5
Track Information:
101 Cape Verdean Music / Toi Grace and the Verdatones.
102 Greek Music / Contemporary Greek Ensemble. Bouzouki,Baglama.
Local Numbers:
FP-1988-CT-0298
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 24, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
TOI GRACE AND THE VERDATONES, JEAN ANDREDE, CHARLIE GOMES, ANTONE GRACE, FRANK PENHA, FRED SILVA; CONTEMPORARY GREEK ENSEMBLE, JOHN BOGIS, GARY GIANOUKOW, KLOTSONIS SATIRIOS, KOSMAS VROUVLIANIS CAPE VERDEAN MUSIC; GREEK MUSIC; TAPE 1 OF 5
Track Information:
101 Cape Verdean Music / Toi Grace and the Verdatones.
102 Greek Music / Contemporary Greek Ensemble. Bouzouki,Baglama.
Local Numbers:
FP-1988-CT-0302
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
CONTEMPORARY GREEK ENSEMBLE, JOHN BOGIS, GARY GIANOUKOW, KLOTSONIS SATIRIOS, KOSMAS VROUVLIANIS; TOI GRACE AND THE VERDATONES, FRANK PENHA, JEAN ANDRADE, CHARLES GOMES, FRED SILVA GREEK MUSIC; CAPE VERDEAN MUSIC; TAPE 3 OF 4
Track Information:
101 Greek Music / Contemporary Greek Ensemble. Bouzouki,Baglama.
102 Cape Verdean Music / Toi Grace and the Verdatones.
Local Numbers:
FP-1988-CT-0309
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
