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Fred S. Rosenau Papers

Creator:
Rosenau, Fred Simon  Search this
Former owner:
National Museum of American History (U.S.). Division of Armed Forces  Search this
Names:
United States. Office of War Information  Search this
Extent:
1 Cubic foot (3 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Leaflets
Correspondence
Newspapers
Booklets
Maps
Matchcovers
Newsletters
Clippings
Menus
Place:
Calcutta (India) -- 1940-1950
India -- 1940-1950
Thailand -- 1940-1950
Burma -- 1940-1950
China -- 1940-1950
India -- Description and Travel -- 1901-1946
Date:
1944-1945
Scope and Contents:
This collection contains both the personal papers of Fred Rosenau and examples of air-dropped psychological warfare literature created by the O.W.I. Amongst his personal papers, which constitute the first series, there are information guidebooks and language aids for India and Burma, a large number of Indian newspaper articles, and photographs taken by Rosenau in Calcutta. However, letters to his family in New York City compose the bulk of the personal series. Along with detailing the experience of a young American living in India and his reactions to a distinctly different culture, the letters document the organization of his O.W.I. office and the duties of its workers. In one particular letter, dated January 7, 1945, (which was hand-delivered to his family and thus avoided censorship) Rosenau was able to write freely about his work, colleagues, and responsibilities in Calcutta. In addition, there are letters from the O.W.I. headquarters in New Delhi to Rosenau, including one in which the proposed post-war job was offered.

The second series contains general information about the O.W.I. and its aims. It mainly consists of documents and photographs relating to Rosenau's office. The series includes many examples of propaganda leaflets directed towards the Burmese and Thai peoples (with attached translations) which were produced by the Calcutta team. The representative works include news bulletins on the war's progress, warnings about future Allied bombings, and a variety of anti-Japanese and morale-boosting literature. It also includes examples of leaflets dropped over Japan, which were directed at soldiers rather than civilians in an attempt to undermine their faith in the military leaders.
Arrangement:
The collection is divided into two series.

Series 1: Personal Experience of Fred S. Rosenau

Series 2: Psychological Warfare
Biographical / Historical:
Fred Simon Rosenau was a student at Swarthmore College, Pennsylvania, when he joined the Overseas Branch of the Office of War Information (O.W.I.) in May 1944. After completing training at an unidentified military base camp, Rosenau traveled to Calcutta, India, where he served as Assistant Representative under the directorship of Mr. Teg Grondahl. The Calcutta office was part of the China-Burma-India (CBI) theater and as such its psychological warfare activities were directed towards Burma and Thailand. Initially Rosenau was responsible for leaflet production, including supervising their printing and delivery to air crews, as well as serving as an assistant to Grondahl. By the spring of 1945, however, Rosenau's role had been expanded and he was given new charges in the intelligence field, becoming more directly involved in the development and editing of "strategic" literature.

While in Calcutta, Rosenau lived in a series of different boarding houses. When he was not working (by the summer of 1945, his work load had been substantially reduced), he devoted his spare time to writing letters home, sightseeing around the city and neighboring areas of Bengal, and attending local cultural events. However, the heat and lack of proper sanitary conditions continued to frustrate Rosenau as he attempted to adjust to an Asian lifestyle.

Once the Japanese had surrendered in September 1945 and World War II had officially ended, Rosenau was offered a position by the Director of Psychological Warfare in India--William Carter--to join a new O.W.I news operation in Bangkok, Thailand. Its intent, as explained to Rosenau, was to fulfill the "need for American news" in Asia. Rosenau declined the offer since he was dissatisfied with the proposed salary and wanted to complete his college education. He left for the United States on the S.S. Muir in late September. Later, he attended the University of Chicago and received his bachelor of arts degree in 1947. His subsequent career is unknown. Rosenau died in 1985.
Related Materials:
Materials in the Archives Center

The Warshaw Collection of Business Americana (AC060) contains some three hundred posters from World War I and II.

Princeton University Poster Collection (AC0433) has over 10,600 World War I and II posters.
Provenance:
The collection was donated to the Armed Forces History Division of the NMAH in January 1986, by Lucy W. Rosenau, daughter of Fred Rosenau. It was transferred to the Archives Center in January 1993.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
"Yank"  Search this
World War, 1939-1945 -- Propaganda  Search this
Chinese language -- 1940-1950  Search this
Japanese language -- 1940-1950  Search this
World War, 1939-1945 -- Personal narratives  Search this
Burmese language -- 1940-1950  Search this
Propaganda, Anti-Japanese -- 1940-1950  Search this
Psychological warfare -- 1940-1950  Search this
Leaflets dropped from aircraft -- 1940-1950  Search this
Propaganda, American -- 1940-1950  Search this
World War, 1939-1945 -- Burma  Search this
World War, 1939-1945 -- China  Search this
Thai language -- 1940-1950  Search this
World War, 1939-1945  Search this
World War, 1939-1945 -- Pamphlets  Search this
World War, 1939-1945 -- India  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1940-1950
Leaflets -- 1940-1950
Correspondence -- 1940-1950
Newspapers -- 1940-1950
Booklets -- 1940-1950
Maps -- 1940-1950
Matchcovers -- 1940-1950
Newsletters -- 1940-1950
Clippings -- 1940-1950
Menus -- 1940-1950
Citation:
Fred S. Rosenau Papers, 1944-1945, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0478
See more items in:
Fred S. Rosenau Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8010dda24-ad1c-4b5b-b333-bb17ad2190ea
EDAN-URL:
ead_collection:sova-nmah-ac-0478

Food Preservation and Home Canning Literature

Creator:
Green, Mary E.  Search this
Former owner:
National Museum of American History (U.S.). Division of Extractive Industries  Search this
National Museum of American History (U.S.). Division of Work and Industry  Search this
Extent:
2.5 Cubic feet (6 boxes and 1 map-folder )
Type:
Collection descriptions
Archival materials
Manuals
Brochures
Posters
Pamphlets
Newsletters
Date:
1883-1980
Summary:
Over a period of approximately 25 years, Dr. Mary Eloise Green of Ohio State University collected a wide variety of materials pertaining to food preservation and home canning techniques. She acquired associated pamphlets, manuals, and recipe booklets from companies as well as governmental agencies.
Scope and Contents:
This collection contains printed materials on various aspects of food preservation, which includes canning, pickling, freezing, and other methods. Recipe books, instruction manuals, posters, brochures and pamphlets issued by the U.S. Department of Agriculture, by manufacturers of food products, and by manufacturers of canning and preserving products and devices; also newsletters published by bottle and jar collecting hobby groups. A large percentage of the publications in the collection were published during World War II, and relate to preserving food to ensure an adequate food supply during the war years.
Arrangement:
The collection is arranged into four series.

Series 1, Product Literature, 1880s-1970s

Series 2, Price Guides, 1970-1977

Series 3, General Publications, 1934-1980

Series 4, Posters, undated
Biographical / Historical:
Dr. Mary E. Green, a professor in the Food and Nutrition Division of the School of Economics at Ohio State University, studied and collected documentation and artifacts pertaining to the home preservation of food.
Related Materials:
Researchers should also consult the Louisan E. Mamer Rural Electrification Administration Papers, 1927-2002 (AC #862).
Separated Materials:
The Division of Work and Industry holds artifacts related to this collection (Accession #322793) including canning jars and food preservation devices.
Provenance:
This collection was donated by Mary E. Green on October 1, 1976.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Cookery, American  Search this
Frozen foods  Search this
Canning and preserving  Search this
Food industry and trade  Search this
Food conservation  Search this
World War, 1939-1945 -- Food supply  Search this
advertising  Search this
Genre/Form:
Manuals
Brochures
Posters
Pamphlets
Newsletters
Citation:
Food Preservation and Home Canning Literature Collection, 1883-1980, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1061
See more items in:
Food Preservation and Home Canning Literature
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8ca0a037c-1e5b-4cab-9919-08704687dfe0
EDAN-URL:
ead_collection:sova-nmah-ac-1061
Online Media:

Thomas Carr Howe papers

Creator:
Howe, Thomas Carr, 1904-1994  Search this
Names:
Allied Forces. Supreme Headquarters. Monuments, Fine Arts and Archives Section  Search this
Bohemian Club (San Francisco, Calif.)  Search this
California Palace of the Legion of Honor  Search this
M.H. de Young Memorial Museum  Search this
United States. Army. Monuments, Fine Arts and Archives Section  Search this
Berenson, Bernard, 1865-1959  Search this
Cronyn, Hume  Search this
Faison, S. Lane (Samson Lane), 1907-2006  Search this
Göring, Hermann, 1893-1946  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Kelleher, Patrick J. (Patrick Joseph), 1917-  Search this
Mallory, Margaret, 1911-1998  Search this
Mills, Paul Chadbourne, 1924-  Search this
Moore, Lamont  Search this
Ritchie, Andrew Carnduff  Search this
Rorimer, James J. (James Joseph), 1905-1966  Search this
Standen, Edith Appleton  Search this
Stout, George L. (George Leslie)  Search this
Valland, Rose  Search this
Wittmann, Otto, 1911-2001  Search this
Extent:
4.4 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sound recordings
Photographs
Date:
1932-1984
Summary:
The Thomas Carr Howe papers measure 4.4 linear feet and date from 1932 to 1984. Howe was director of the California Palace of the Legion of Honor in San Francisco for nearly 40 years, and he served as one of the Monuments Men in the Monuments, Fine Art and Archives (MFAA) Section of the U.S. Army during World War II. The collection documents Howe's MFAA work in Germany and Austria locating and recovering cultural artifacts and artwork stolen by the Nazis. There is significant correspondence with friends and colleagues, as well as fellow Monuments Men such as Samson Lane Faison, Edith Standen, and George Stout. The papers also includes reports, inventories of stolen artwork, maps, annotated photographs, a scrapbook, and photographs. The papers also document Howe's later work at the California Palace of the Legion of Honor.
Scope and Content Note:
The Thomas Carr Howe papers measure 4.4 linear feet and date from 1932 to 1984. Howe was director of the California Palace of the Legion of Honor in San Francisco for nearly 40 years, and he served as one of the Monuments Men in the Monuments, Fine Art and Archives (MFAA) Section of the U.S. Army during World War II. The collection documents Howe's MFAA work in Germany and Austria locating and recovering cultural artifacts and artwork stolen by the Nazis. There is significant correspondence with friends and colleagues, as well as fellow Monuments Men such as Samson Lane Faison, Edith Standen, and George Stout. The papers also includes reports, inventories of stolen artwork, maps, annotated photographs, a scrapbook, and photographs. The papers also document Howe's later work at the California Palace of the Legion of Honor.

Biographical materials include articles and memorial tributes for Howe's father and grandfather, a short autobiography and resume, and the certificate for the copyright to his book.

The bulk of the collection consists of correspondence, the most voluminous of which are letters from Monuments Men S. Lane Faison, Patrick J. Kelleher, Andrew C. Ritchie, Edith Standen, George Stout, Marcelle Minet, Rose Valland, James Rorimer, and others. Additional correspondents include friends and colleagues such as Bernard Berenson, Hume Cronyn, Paul Mills, Christopher Forbes, Margaret Mallory, William A. McGonagle, and Otto Wittman, among many others

Writings include a brief summary of Howe's book Salt Mines and Castles and a sound cassette of his lecture about the book. Project, membership and travel files are primarily associated with his professional work at the California Palace of the Legion of Honor and include documentation of member art trips, a feasibility study for merging the California Palace of the Legion of Honor with the M. H. de Young Memorial Museum, and a membership list of the Bohemian Club.

The Monuments, Fine Arts and Archives (MFAA) Records and Looted Inventories series contain many records relating to Howe's military service as a Monuments Man. There are several inventory records which contain lists of the contents of Hermann Göring's collection of looted artwork, artwork destroyed in the Flak towers fire in Berlin, and artwork held at several of the central collecting points, though mostly at Weisbaden. There is also a small fold out map of the Altausse salt mines; a U.S. government issued manual of maps marking important cultural monuments and artwork in Germany; a book of U.S. government regulations pertaining to the MFAA section; a government information bulletin; and several official status reports and published U.S. government reports about art looting investigations and safeguarding cultural property.

Professional files consist of papers relating to Howe's job as the director of the California Palace of the Legion of Honor and art trips he organized. Documents include a survey of Los Angeles museum curator salaries, a questionnaire about Howe's work as a museum director, and a membership list of Bohemian Club artists. The bulk of the travel papers are itineraries.

The photographs are divided into two subseries: MFAA Section images and personal photographs. The Monuments Men subseries includes photographs documenting bomb damage to cultural monuments in various countries, though mainly Germany; U.S. soldiers transporting recovered artwork such as Michelangelo's Madonna and Child from the Altaussee salt mines in Austria, and other looted art repositories such as Neuschwanstein Castle and Berchtesgaden in Germany; Weisbaden and Munich collecting points; and art recovery of The Adoration of the Mystic Lamb by Hubert and Jan van Eyck. There are many photographs of the Monuments Men including Thomas Carr Howe, George Stout, Stephen Kovalyak, Lamont Moore, Patrick J. Kelleher, Edith Standen, and Rose Valland. Personal photographs consists of portraits of Howe and photographs of events, mostly formal dinners and parties.

Printed materials are clippings, postcards, fundraising pamphlets, essays, and memorial tributes for colleagues.
Arrangement:
The collection is arranged as 10 series:

Missing Title

Series 1: Biographical Materials, 1934-1955, 1974 (Box 1; 6 folders)

Series 2: Correspondence, 1932-1984 (Box 1-3; 2.1 linear feet)

Series 3: Writings, circa 1946 (Box 3; 2 folders)

Series 4: Professional Files, circa 1945-1975 (Box 3, 5; 0.3 linear feet folders)

Series 5: Monuments, Fine Arts and Archives Records and Looted Inventories, circa 1942-1950 (Box 3, 5, OV 6; 0.3 linear feet)

Series 6: Photographs, 1938-1970 (Box 3-5; 1.2 linear feet)

Series 7: Scrapbook, 1936-1948 (Box 4; 0.1 linear feet)

Series 8: Printed Materials, 1934-1980 (Box 4; 0.4 linear feet)
Biographical Note:
Thomas Carr Howe, Jr. (1904-1994) served as the director of the California Palace of the Legion of Honor in San Francisco for nearly four decades and, during World War II, as an officer in the U.S. Army's Monuments, Fine Arts and Archives unit assisting with locating, recovering, and restituting cultural objects and artwork stolen by the Nazis.

Howe was born in Kokomo, Indiana in 1904. He studied at Harvard University where he received his bachelor's and master's degrees. Howe was the assistant director of the California Palace of the Legion of Honor in San Francisco from 1931-1939 and director from 1939-1968. Howe was also the art commissioner for the San Francisco Golden Gate International Exposition (1939-1940) for which he organized an exhibition showcasing Mexican muralists.

During World War II, Howe joined the U.S. army and served from 1945 to 1946 in Germany and Austria. He began as a naval lieutenant but was soon assigned to serve in the Monuments, Fine Arts and Archives (MFAA) section. Howe reported to Lieutenant Commander George Stout at Wiesbaden, and was later promoted to Lieutenant Commander and Deputy Chief of the MFAA at Frankfurt. During his service as one of the "Monuments Men" Howe located hidden and recovered large repositories of cultural objects and works of art stolen by the Nazis. He also helped with the restitution effort. At the Altaussee salt mines in Austria, Howe helped salvage a large cache of stolen artwork that included Michelangelo's Madonna and Child and the Ghent Altarpiece or The Adoration of the Mystic Lamb by Hubert and Jan van Eyck, Vermeer's The Artists Studio, and the Rothschild family jewels. Howe later described his wartime work in his book Salt Mines and Castles: The Discovery and Restitution of Looted European Art (1946).

Howe resumed his position as the director of the California Palace of the Legion on Honor after the war, a position he held until his retirement in 1968. Through his career as a prominent art director, Howe was close with many American and international museum professionals, collectors and socialites. Friends and colleagues include Agnes Mongan and Paul Sachs (both former directors of Harvard's Fogg Museum), Whitney Warren, and Gerda and Hans-Erich Von Schmidt auf Altenstadt.

For his wartime service as a Monuments Men, Howe was honored with the Chevalier of the French Legion of Honor and the Officier of the Dutch Order of Orange-Nassau in 1946. At the request of the federal government, Howe also later served as the Cultural Affairs Advisor to the High Commissioner of Germany from 1950-1951, during which time he returned to Germany with S. Lane Faison, another MFAA official, to assist with closing the central collecting points where the recovered artworks has been held for restitution. From 1960-1968, Howe was a member of the Fine Arts Committee for The White House and he continued to serve on numerous panels and commissions as an art advisor.

Howe married Francesca Deering. Together they had one daughter Francesca.
Related Material:
Among the holdings of the Archives of American are the papers of several additional members of the U. S. Army MFAA section. There is an oral history interview with Thomas Carr Howe and Robert Neuhaus conducted by Paul Karlstrom and Peter Fairbanks on September 26, 1987 and another with Howe conducted by Paul Karlstrom on June 2-3, 1976.
Provenance:
Thomas Carr Howe donated his papers to the Archives of American Art in multiple installments from 1979 to 1982.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators -- California -- San Francisco  Search this
Topic:
Cultural property -- Protection -- Europe -- History -- 20th century  Search this
Art thefts -- Germany -- History -- 20th century  Search this
Museum directors -- California -- San Francisco  Search this
Art treasures in war -- Germany  Search this
World War, 1939-1945 -- Art and the war  Search this
Art treasures in war -- France  Search this
Genre/Form:
Scrapbooks
Sound recordings
Photographs
Citation:
Thomas Carr Howe papers, 1932-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.howethom
See more items in:
Thomas Carr Howe papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw994ab802b-473d-4480-ad1e-12e76c5babda
EDAN-URL:
ead_collection:sova-aaa-howethom
Online Media:

Urgent Memo Plans For Winter 1941-42

Physical Description:
paper (overall material)
white (overall color)
Measurements:
overall: 11 in x 8 1/2 in; 27.94 cm x 21.59 cm
Object Name:
Pamphlet
Date made:
1941
Subject:
Homefront, World War II  Search this
Related event:
World War II  Search this
Battle of Britain  Search this
ID Number:
2005.0079.070
Accession number:
2005.0079
Catalog number:
2005.0079.070
See more items in:
Political and Military History: Political History, Home Front Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-b304-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1290154

Guy Longshore World War II Photography Collection

Creator:
Longshore, Guy.  Search this
Extent:
0.05 Cubic feet (1 folder)
Type:
Collection descriptions
Archival materials
Color slides
Photographic prints
Pamphlets
Date:
1945, 2010
Summary:
Guy Longshore served in the U. S. Army Air Corps as a command gunner on a Boeing B-29 Superfortress in the Pacific theater during World War II. This collection consists of photographic material made from images taken by Guy Longshore during World War II, as well as a news clipping about the collection and a small pamphlet written by Longshore that includes a story about his service in World War II.
Scope and Contents:
This collection consists of photographic material made from images taken by Guy Longshore during World War II. Four of the images are printed as color slides and nine are black and white prints of various sizes, one of which is laminated. There are also copy prints of almost every image and one image is seen only as a copy print. There is some caption information for most of the images. The images in the collection include an aerial view of bombing damage to Tokyo taken shortly after Japan's surrender; views of Boeing B-29 Superfortresses and North American P-51 Mustangs on the ground and in flight; a view of the Base Operations building at Isley Field (the sign on the building has the base's name misspelled); and a view of Mount Fuji taken from a Boeing B-29 Superfortress in which the wing of the aircraft is partially visible. Four of the images of Boeing B-29 Superfortresses in flight are in color. In addition to the photographic material, this collection contains a news clipping about the collection and a small pamphlet written by Longshore that includes a story about his service in World War II.
Arrangement:
Collection is in original order.
Biographical / Historical:
Guy Longshore served in the U. S. Army Air Corps as a command gunner on a Boeing B-29 Superfortress in the Pacific theater during World War II. During his time in service, Longshore took photographs on the ground and from the air using his personal Argus camera. Shortly after the surrender of Japan, Longshore took an aerial view showing the bombing damage to Tokyo, Japan from the bombardier's seat of a Boeing B-29 Superfortress using U. S. Army camera equipment.
Provenance:
Guy Longshore, Gift, 2010, NASM.2010.0025.
Restrictions:
No restrictions on access.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Topic:
Aeronautics, Military  Search this
Boeing B-29 Superfortress  Search this
North American P-51 Mustang Family  Search this
World War, 1939-1945 -- Aerial operations  Search this
World War, 1939-1945 -- Campaigns -- Pacific Ocean  Search this
Genre/Form:
Color slides
Photographic prints
Pamphlets
Citation:
Guy Longshore World War II Photography Collection, NASM.2010.0025, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.2010.0025
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg21a02ef38-6fec-464b-85e7-be8a5a1de07f
EDAN-URL:
ead_collection:sova-nasm-2010-0025
Online Media:

Edward J. Orth Memorial Archives of the New York World's Fair

Collector:
Orth, Edward J.  Search this
Exhibition Collectors Historical Organization  Search this
Names:
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Extent:
130 Cubic feet (417 boxes, 25 map-folders)
Type:
Collection descriptions
Archival materials
Souvenirs
Photographs
Pamphlets
Guidebooks
Exhibition posters--1930-1940
Diaries
Ephemera
Film transparencies
Motion picture film
Posters
Place:
Flushing Meadows Park (New York, N.Y.)
New York (N.Y.)
Date:
1835-2000, undated
Summary:
Collection documents the 1939 New York World's Fair in Flushing Meadows, New York. Also includes material relating to other fairs, the Exhibition Collectors Historical Organization (ECHO), New York City tourism and The Walt Disney Company.
Scope and Contents:
Collection primarily documents the conception, planning, construction, management, and operations of the 1939 New York World's Fair located in Flushing Meadows, New York. Materials provide historical context and cultural significance as recorded in publications, artwork, photographs, ephemera, postcards, maps, plans, exhibitor's literature, souvenirs, and motion picture film. Most of the materials were primarily created for people who attended the fair. Some of the materials include scrapbooks created by fair visitors to document their experiences. There is a significant amount of material relating to other fairs, New York tourism, the Exhibition Collectors Historical Organization (ECHO) and the World's Fair Collector's Society. Other forms of entertainment such as festivals, the Olympic games, and Disney World are also found among these materials. There is little information relating to Edward Orth's personal and professional life as a city planner. The collection is arranged into eleven series.
Arrangement:
The collection is arranged into eleven series.

Series 1, Edward J. Orth Personal Papers, 1915-1989, undated

Subseries 1.1, Correspondence, 1939-1989

Subseries 1.2, Other Materials, 1915-1989, undated

Series 2, Exhibition Collectors Historical Organization (ECHO) and World's Fair Collector's Society, Incorporated Records, 1942-1990, undated

Subseries 2.1, General Information, 1960-1988, undated

Subseries 2.2, Correspondence, 1942-1990, undated

Subseries 2.3, Classified and Wanted Advertisements, 1956-1988, undated

Subseries 2.4, Financial Records, 1976-1989

Subseries 2.5, Newsletters, 1969-1988, undated

Subseries 2.6, Membership Materials, 1970s-1989, undated

Series 3, New York World's Fair, Incorporated Records, 1900-1988, undated

Subseries 3.1, Administrative Files, 1900-1977, undated

Subseries 3.2, Amusement Zone, 1937-1940, undated

Subseries 3.3, Communications and Business Systems Zone, 1939-1965, undated

Subseries 3.4, Community Interest Zone, 1939-1949, undated

Subseries 3.5, Food Zone, 1939-1975

Subseries 3.6, Government Zone, 1939-1940

Subseries 3.7, Production and Distribution Zone, 1939-1940

Subseries 3.8, Transportation Zone, 1939-1940

Subseries 3.9, Ephemera, 1938-1988, undated

Series 4, Photographic Materials, 1939-1968, undated

Subseries 4.1, General, 1939-1940, undated

Subseries 4.2, Amusement Area, 1939-1940, undated

Subseries 4.3, Business Systems Zone, 1939-1940, undated

Subseries 4.4, Communications Zone, 1939-1940, undated

Subseries 4.5, Community Interest Zone, 1939-1940, undated

Subseries 4.6, Food Zone, 1939-1940, undated

Subseries 4.7, Government Zone, 1939-1940, undated

Subseries 4.8, Production and Distribution Zone, 1939-1940, undated

Subseries 4.9, Transportation Zone, 1939-1940, undated

Subseries 4.10, Miscellaneous, 1939-1940, undated

Subseries 4.11, Oversize Photographs, 1939-1940, undated

Subseries 4.12, Color Slides, 1939-1940, undated

Subseries 4.13, Color Transparencies, 1940-1942, undated

Subseries 4.14, Edward Orth, 1967-1968

Series 5, Scrapbooks, 1938-1981

Series 6, Postcards, 1906-1985, undated

Subseries 6.1, Amusement Area, 1939-1940, undated

Subseries 6.2, Business Systems Zone, 1939-1940, undated

Subseries 6.3, Communications Zone, 1939-1940, undated

Subseries 6.4, Community Interest Zone, 1939-1940, undated

Subseries 6.5, Food Zone, 1939-1940, undated

Subseries 6.6, Government Zone, International, 1939-1940, undated

Subseries 6.7, Government Zone, Federal and States, 1939-1940, undated

Subseries 6.8, Production and Distribution Zone, 1939-1940, undated

Subseries 6.9, Transportation Zone, 1939-1940, undated

Subseries 6.10, General, 1940, undated

Subseries 6.11, By Type, 1906-1985, undated

Series 7, Publications Related to World's Fairs, 1922-1989, undated

Subseries 7.1, Magazines, 1922-1988, undated

Subseries 7.2, Newspaper Articles, 1935-1989, undated

Subseries 7.3, Other Publications, 1937-1989, undated

Subseries 7.4, Other Subjects, 1962-1989

Series 8, Materials Relating to Other Fairs, 1851-2000, undated

Subseries 8.1, Great Exhibition of the Works of Industry of All Nations or Crystal Palace Exhibition, 1851

Subseries 8.2, Exhibition of the Industry of All Nations, 1853-1853

Subseries 8.3, International Exhibition of Arts, Manufactures, and Products of the Soil and Mine or Centennial International Exhibition, 1876

Subseries 8.4, World's Columbian Exposition or Chicago World's Fair, 1893

Subseries 8.5, Exposition Internationale D'Anvers, Antwerp, Belgium

Subseries 8.6, Tennessee Centennial and International Exposition, 1897

Subseries 8.7, Trans-Mississippi and International Exposition, 1898

Subseries 8.8, Expositions, 1901

Subseries 8.9, Louisiana Purchase Exposition, 1906

Subseries 8.10, Jamestown Tercentennial Exposition, 1907

Subseries 8.11, Alaska, Yukon, Pacific Exposition, 1909

Subseries 8.12, Panama-California Exposition, 1915-1916

Subseries 8.13, Bronx International Exposition of Science, Arts, and Industries, 1918

Subseries 8.14, Sesquicentennial Exposition, 1926

Subseries 8.15, Barcelona International Exposition, 1929

Subseries 8.16, L'Exposition Coloniale, Paris, 1931

Subseries 8.17, Olympics, 1932

Subseries 8.18, A Century of Progress International Exposition, 1933

Subseries 8.19, Expositions, 1933-1935

Subseries 8.20, Expositions, 1936-1937

Subseries 8.21, Exposition Internationale des Arts et Techniques dans la Vie Moderne, 1937

Subseries 8.22, Golden Gate International Exposition, 1939

Subseries 8.23, Festival of Britain, Britain, London, United Kingdom, 1951

Subseries 8.24, Milan Fair, 1955

Subseries 8.25, Exposition Universelle et venti Internationale de Bruxelles, 1958

Subseries 8.26, American National Exhibition, 1959

Subseries 8.27, New York's World Fair, 1961-1977, undated

Subseries 8.28, Century 21 Exhibition, 1961-1962

Subseries 8.29, International and Universal Exposition or Expo 67, 1967

Subseries 8.30, Long Beach, California, 1967-1968

Subseries 8.31, HemisFair 68, 1968

Subseries 8.32, Expo 70 or Japan World Exposition, 1970

Subseries 8.33, Expo 74 or International Exposition on the Environment

Subseries 8.34, Expo 75 or International Ocean Exposition, 1975

Subseries 8.35, American Revolution Bicentennial, 1776-1976, 1976

Subseries 8.36, Queen's Bicentennial Festival, 1975-1976

Subseries 8.37, Plovdiv International Exhibition of 1981 or Expo 81

Subseries 8.38, Kobe Port Island Exposition or Portopia 81, 1981

Subseries 8.39, Knoxville International Energy Exposition or 1982 World's Fair, 1982

Subseries 8.40, Louisiana World Exposition, 1984

Subseries 8.41, Games of the XXIII Olympiad, 1984

Subseries 8.42, The International Exposition, Tsukuba, Japan or The International Science Technology Exposition, 1985

Subseries 8.43, Queen's Festival, 1985

Subseries 8.44, 1986 World Exposition on Transportation and Communication or Expo 86, 1986

Subseries 8.45, World Expo 88, 1988

Subseries 8.46, Universal Exposition of Seville or Expo 92, 1992

Subseries 8.47, Expo 2000, 2000

Subseries 8.48, Other Events and Celebrations, 1886-1989

Subseries 8.49, Combined Fairs, 1968-1994

Subseries 8.50, General information about world's fairs, 1964-1980

Series 9, Ephemera, 1892-1989, undated

Subseries 9.1, New York and New York World's Fair, 1892-1989, undated

Subseries 9.2, Other States and Countries, 1835, 1939, undated

Subseries 9.3, Motion Picture Film and Entertainment, 1937-1981, undated

Series 10, Audio Visual Materials, 1939, 1964-1965, undated

Subseries 10.1, Moving Images, 1939, 1964-1965, undated

Subseries 10.2, Sound Recordings, undated

Series 11, Oversize, 1835-1992, undated
Biographical / Historical:
Biographical / Historical

Edward Joseph Orth grew up with a strong interest in history, particularly the history of the 1939 New York World's Fair. Orth's visit to the fair as a twelve-year-old boy led to a life-long passion of collecting. At the time of his death, he had amassed enough materials to fill two homes in California. Orth also collected materials from several other fairs. In addition, he saved some of the records of the Exhibition Collectors Historical Organization (ECHO) and the World's Fair Collector's Society.

Orth was born April 19, 1927, to Andrew Joseph Orth and Florence Minnie Gordon Orth in Glendale, New York. In the 1930s, the Orth family lived in several locations in New York including Ridgewood, Brooklyn, Glendale, and Queens. The home that made the most impact in young Orth's life came in 1935 when the family moved to St. Albans, Queens seven miles from Flushing Meadow Park, the future site of the 1939 fair. Sadly in 1939 there were several deaths in the family including three grandparents. The severe loss of life limited family social activities but a drive by the future site of the fair provided Orth a glimpse of the Trylon and Perisphere. He would later remark that the sight appeared to be magic. In the summer of 1939, he went to the fair with his classmates from Public School 136. The next summer Orth and his father purchased a 10-admission ticket from an elementary school in Hollis, Queens, New York. He saved every souvenir and any information he could find about the fair. He filled scrapbooks with images from newspapers and postcards from the Curt Teich and Manhattan Postcard companies. When his family moved from an apartment to a house, he acquired a fair bench which was kept in the backyard.

In 1941, Orth attended Newton High School in Elmhurst, and Queens, New York. The high school offered a college preparatory program with heavy emphasis on mathematics, science, mechanical drawing, and workshop courses. Orth's education and training combined with the knowledge he gained from motion picture films viewed at the fair, including Thomas Edison's "The City of Light," Ford Motor Company's "Road of Tomorrow," "Democracy," and General Motors' "Futurama" provided the foundation and inspiration for a career in architecture and landscaping. He ultimately became a city planner for the state of California. By 1943, Orth was exploring used magazine and bookstores in New York City to acquire more fair materials before enlisting in the United States Army in 1945. Upon his discharge he resumed buying and trading fair postcards. From 1948-1953, Orth attended the University of California and the University of Connecticut where he studied architecture and landscape design. During these years he posted advertisements in various publications in his continued pursue for fair materials.

In March 1953, Mr. Orth moved to Los Angeles, California. There he formed lasting friendships with other collectors. By 1967, Orth and several of his closest friends including Peter Warner, Oscar Hengstler, David Oats, Larry Zim, and Ernest Weidhaas conceived the idea of a fair collector's organization. By the summer of 1968, the group had formally created the Exhibition Collectors Historical Organization (ECHO).

As time passed Orth became increasing concerned about the welfare of his collection. He wanted it to go to a museum rather than be sold in parts. In his will he stipulated that the collection would be given to the Smithsonian Institution upon his death. Jon Zackman, former Smithsonian employee, interviewed Orth's brother George and fair collector Peter Warner. Orth and Warner corresponded and traded objects over many years. Mr. Orth primarily covered the west coast area while Peter Warner was his east coast counterpart. Edward Orth died on September 6,1989 in Los Angeles, California at the age of sixty-two.
Related Materials:
Materials in the Archives Center

New York World's Fair Collection, NMAH.AC.0134

Landor Design Collection, NMAH.AC.0500

Warshaw Collection of Business Americana, Subject Category, World Expos, NMAH.AC.0060

Larry Zim World's Fair Collection, NMAH.AC.0519

Alice R. Hillis World's Fair Film, NMAH.AC.0531

Borden Company 1939 New York World's Fair Collection, NMAH.AC.1063

Memories of the New York World's Fair, NMAH.AC.0592

Archives Center World Expositions Collection, NMAH.AC.0825

Daniel H. Meyerson World's Fair Collection, NMAH.AC.0745

Division of Community Life World's Fairs Collection, NMAH.AC.1132

Princeton University Posters Collection, NMAH.AC.0433

Hills Bros. Coffee Company, Incorporated Records, NMAH.AC.0395

Smithsonian Speech Synthesis History Project, NMAH.AC.0417

Messmore and Damon Company Records, NMAH.AC.0846

Thomas Norrell Railroad Collection, NMAH.AC.1174

William L. Bird Holidays on Display Collection, NMAH.AC.1288

Wurlitzer Company Records, NMAH.AC.0469

Victor A. Blenkle Postcard Collection, NMAH.AC.0200

Materials at Other Organizations

New York Public Library The New York World's Fair 1939 and 1940 Incorporated Records, 1935-1945, MssCol 2233.

New York City 1939 World's Fair architectural drawings, circa 1935. Museum of the City of New York. Museum of the City of New York.

New York City 1939 World's Fair Collection, 1939-1940. Museum of the City of New York. New York World's Fair 1939/40 Collection. Queens Museum.

1939 New York World's Fair Postcards, Identifier: 1972-320, Audiovisual Collections Repository, Hagley Museum & Library
Separated Materials:
Materials at the National Museum of American History

Artifacts from the collection include several thousand souvenirs and examples of memorabilia commemorating the fair to include buttons and badges, ceramics, glassware, clothing, costume jewelry, coins and medals, commemorative spoons and flatware, toys and games, and philatelic material which are all part of the Division of Home and Community Life's holdings (now Division of Cultural and Community Life).
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Viewing film portion of collection requires special appointment, please inquire. Do not use when original materials are available on reference video or audio tapes. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Exhibitions -- 1930-1940 -- New York (State) -- New York  Search this
World's fairs  Search this
Amusement parks--History  Search this
Amusement parks--New York (State)--History  Search this
Architecture--Exhibitions  Search this
Architecture--New York (State)--New York  Search this
Architecture--United States--Designs and plans  Search this
Burlesque shows--New York (State)--New York--1930-1940  Search this
Business history Business enterprises--United States--History  Search this
Chicago's Century of Progress  Search this
Construction and civil engineering  Search this
Construction industry--United States--Management--History  Search this
Corporate culture--History  Search this
Corporate culture--United States  Search this
Engineering--History--20th century  Search this
Exhibition buildings – New York (State) – New York  Search this
Exhibition buildings--1920-1940  Search this
Exhibitions -- Design  Search this
Fairs -- New York (State) -- New York -- History  Search this
Fashion--History--20th century  Search this
Flushing Meadows-Corona Park (New York, N.Y.)--History  Search this
Food in popular culture--New York (State)--New York  Search this
Graphic arts--United States--History--20th century  Search this
International exhibitions  Search this
International Exhibitions Bureau  Search this
Lighting, Architectural and decorative--History--20th century  Search this
Technology -- United States -- History -- 20th century  Search this
Transportation--New York Metropolitan Area--Planning  Search this
Transportation--New York (State)  Search this
United States --Foreign relations --1933-1945  Search this
Urban parks--United States--History  Search this
Urban design  Search this
World War 1939-1945 -- Economic aspects -- United States  Search this
Consumerism  Search this
Consumers--History--20th century  Search this
General Motors Corporation  Search this
Grand Central Parkway extension  Search this
Organizational behavior--United States--History  Search this
Public relations--History  Search this
New York World's Fair Commission  Search this
Queens (New York, N.Y.) Buildings, structures, etc.  Search this
Genre/Form:
Souvenirs -- 1930-1940
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1930-1940
Pamphlets -- 1930-1940
Guidebooks -- 1930-1940
Exhibition posters--1930-1940
Diaries
Ephemera -- 20th century
Film transparencies
Motion picture film
Posters -- 1930-1940
Citation:
Edward J. Orth Memorial Archives of the New York World's Fair, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0560
See more items in:
Edward J. Orth Memorial Archives of the New York World's Fair
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep808504c62-92bb-48b1-8a76-f9d279516c33
EDAN-URL:
ead_collection:sova-nmah-ac-0560
Online Media:

DuPont Nylon Collection

Creator:
E.I. du Pont de Nemours & Company  Search this
Names:
DuPont, Eleuthere Irenee  Search this
Extent:
1 Cubic foot (4 boxes)
Type:
Collection descriptions
Archival materials
Clippings
Memorandums
Photographs
Bulletins
Date:
1939-1977
Summary:
Promotional booklets and pamphlets, 1940-1963, regarding nylon; catalogues on the industrial use of nylon; 25th anniversary book on nylon; photographs, and a variety of other documents. Includes memo to DuPont employees concerning the company's wartime involvement in the development of the atomic bomb.
Scope and Contents:
The collection consists of promotional booklets and pamphlets, 1940-1963, regarding nylon; catalogues on the industrial use of nylon; a 25th anniversary book on nylon; World War II Christmas card of the Nylon Division of Dupont; pamphlets describing the wartime uses of nylon; technical reprints, a cartoon and a plant magazine about the Martinsville, Virginia nylon plant, 1941-1946; an employee handbook, Dupont Nylon Division, circa 1940; newsclippings and historical material for the Chattanooga plant, 1948; news clippings, initial production orders for nylon and typescript on uses and manufacture of nylon at Seaford plant, 1939-1947; publications concerning Delrin Acetal Resins; and photographs of machines for making nylon plastics of the Washington Works, 1947, with a letter from 1977 explaining this material.
Arrangement:
Collection materials are divided into three series.

Series 1: Nylon Production, 1939-1948

Subseries 1.1:Seaford, Delaware Plant, 1939-1940

Subseries 1.2: Martinsville, Virginia, 1941-1946

Subseries 1.3: Chattanooga, Tennessee Plant, 1948

Subseries 1.4: Nylon in War, circa 1942-1945

Subseries 1.5: Photographs, 1940-1977

Series 2: Publications, 1940-1963

Subseries 2.1: Dupont Public Relations Department, 1940-1963

Subseries 2.2:Technical Reprints, News clippings and Magazine Articles About Nylon, 1940-1945

Series 3: "Delrin" Acetal Resin, 1957-1962
Biographical / Historical:
The E.I. DuPont De Nemours and Company was founded on July 19, 1802, by Eleuthere Irenee DuPont on Brandywine Creek for the purpose of manufacturing gunpowder. In 1804 the first DuPont powder went on public sale. In 1902 a new corporation was formed by three great grandsons of the founder, to more effectively compete with the changing technical field and the expanding scale and complexity of business.

During the twentieth century the corporation moved into the research and manufacture of thousands of products and processes, and consequently developed and expanded within many markets. Synthetic fibers is one of a family of products of the Dupont Corporation. In 1930, Dr. Wallace H. Carothers, working with Dr. J.W. Hill in DuPont's Fundamental Research Laboratory at Wilmington, produced the first synthetic fiber forming "superpolymer." This was the forerunner of nylon.

In 1938, the development of nylon was announced. It's first use was in brush bristles. Hosiery filaments were developed in 1939, and offered commercially in 1940. In 1941, nylon was applied to the molding industry. From l942 to 1944, nylon production was allocated completely to war uses. The best known outgrowth of the company's resarch progress, nylon is one of the most important developments in Dupont's long history. It was the result of the chemical industry's first large scale fundamental research program. And it proved to be the first of a whole family of synthetics for consumer consumption. The product was bought into commercial production at a new plant in Seaford, Delaware.

No other major chemical development had the spontaneous reception accorded to nylon. It not only changed the hosiery market but was soon developed into a multiplicity of textile applications including: tooth brushes, hair brushes, household brushes, tennis racquet strings, catheters, surgical sutures, fishing leader material, musical strings, wire insulation, self lubricating bearings for machinery, umbrellas, undergarments, shower curtains, parachutes, and rope.
Provenance:
Immediate source of acquisition unknown.
Restrictions:
The collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Electric insulators and insulation -- Nylon  Search this
Gunpowder  Search this
Nylon  Search this
Textile fibers, Synthetic  Search this
Chemistry  Search this
World War, 1939-1945 -- Economic & industrial aspects -- United States  Search this
Genre/Form:
Clippings -- 20th century
Memorandums
Photographs -- 20th century
Bulletins
Citation:
DuPont Nylon Collection, 1939-1977, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0007
See more items in:
DuPont Nylon Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8a0dac461-8ef1-4e86-96dc-d40c43007dab
EDAN-URL:
ead_collection:sova-nmah-ac-0007
Online Media:

Vernon Torrence Collection

Creator:
Donnald, Morrill  Search this
Torrence, Vernon Keith, 1921-1946  Search this
Kansas Wesleyan University  Search this
United States. Federal Bureau of Investigation  Search this
Extent:
0.8 Cubic feet (1 flat box)
Type:
Collection descriptions
Archival materials
Programs
Pamphlets
Travelers' checks
Photographs
School yearbooks
Diplomas
Contracts
Commemoratives
Memorial service booklets
Diaries
Correspondence
Date:
1940-1942
Summary:
Photographs, a Kansas Wesleyan University yearbook (with personal messages and inscriptions), diplomas, correspondence regarding Torrence's disappearance, newspaper clippings, his memorial service booklet or program, and a diary which he kept during a week-long adventure as a "hobo" in Kansas.
Scope and Contents:
This small collection is comprised of several types of material including Vernon's high school and college diplomas, college yearbook with handwritten notes from classmates, photographs, correspondence, newspaper clippings about the discovery of his remains, and his memorial service booklet. Of special interest is a 1940 pocket diary containing Vernon's account of a week long adventure as a "hobo" in rural Kansas when he and a friend hopped freight trains, slept in boxcars and a hay stack, washed up in a "jungle," and met other men traveling the rails. In 2000 an attempt was made by the author of this finding aid to obtain additional information about Vernon from the FBI under the Freedom of Information and Privacy Acts (FOIA). The material obtained focused on the finding of his body and the process of identifying his remains; little information about his days as a conscientious objector was provided. The FOIA material is in this collection's control file.
Arrangement:
1 series.
Biographical / Historical:
Vernon Keith Torrence was born in McCune, Kansas, on November 18, 1921. After graduating from high school in Solomon, Kansas, Vernon entered Kansas Wesleyan University from which he graduated with honors in history in 1942. During his senior year he was the editor of the University's 1942 yearbook, the "Coyote." His pacifist beliefs were in place at least by his senior year as evidenced by the comments fellow students wrote in Vernon's copy of the yearbook. Vernon's father was a Methodist minister who also held anti war sentiments.

In September 1942 Vernon was drafted and joined the Civilian Public Service as a conscientious objector. His alternative service took him to Buck Creek, North Carolina, Gatlinburg, Tennessee, and Markleeville, California, under the auspices of the National Park and Forestry Service. In December 1943 he began work with the U.S. Coast and Geodetic Survey, serving in Texas, New Mexico, and Arizona. In March 1945 he walked out of Conscientious Objector's Camp # 98 in Arizona; two months later he was picked up, arraigned, and released on bond by the U.S. District Court. That fall Vernon received a notice of dismissal of his court case, and he took this to mean that his alternative service was now complete and began working for a construction company in Los Angeles. The government felt otherwise and declared him absent without leave.

In the summer of 1946 Vernon put his savings into American Express Travelers Checks and began hitchhiking to Kansas to visit his family. He never arrived. On August 27, 1956 a ranger found his body in rugged terrain in Sequoia Kings Canyon National Park, California, where Vernon had apparently fallen while hiking alone. The FBI, which had continued to search for Vernon until 1951, identified the body from the travelers checks. Vernon was buried in Minneapolis, Kansas, on October 13, 1956.
Provenance:
The material in this collection was maintained by Vernon's parents, Ira and Madge Torrence, and his younger sister, Lois Torrence, a fellow student at Kansas Wesleyan University who was devoted to her older brother. Upon their deaths the material was obtained by the remaining sister, Margaret Torrence Donnald, whose husband, Morrill Donnald, donated the material to the Archives Center, NMAH, in January 2000.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Conscientious objectors -- World War, 1939-1945  Search this
Tramps -- 1940-1990  Search this
Public service employment  Search this
Genre/Form:
Programs -- Memorial services
Pamphlets
Travelers' checks
Photographs -- 1900-1950
School yearbooks
Diplomas
Contracts
Commemoratives
Memorial service booklets
Diaries -- 20th century
Correspondence -- 1930-1950
Citation:
Vernon Torrence Collection, 1930-1957, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0717
See more items in:
Vernon Torrence Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep829a1d615-029a-4c05-83af-da9bb929a3fd
EDAN-URL:
ead_collection:sova-nmah-ac-0717
Online Media:

Sheldon-Claire Company Records

Donor:
Shalett, Lew  Search this
Photographer:
Lee, Russell, 1903-1986  Search this
Creator:
Sheldon-Claire Company  Search this
Extent:
10 Cubic feet (11 boxes, 21 map-folders, 2 films, 1 videocassette)
Type:
Collection descriptions
Archival materials
Posters
Date:
1926-1968
Summary:
Employee motivational materials, circa 1926-1968, produced by the Sheldon-Claire Company.
Scope and Contents:
Employee motivational materials, circa 1926-1968, produced by the Sheldon-Claire Company. Materials include posters, pamphlets, manuals and other materials, in addition to the papers documenting the development and promotion of these products. Many are reproductions of work by famous photographers, such as Russell Lee. Some reflect World War II themes or constitute wartime propaganda.
Arrangement:
The collections is arranged into 14 series.

Series 1: Poster Campaigns, 1943-1964

Series 2: Bulletins, 1949-1963

Series 3: Supervisors Manuals, undated

Series 4: Small versions of Posters by Topics, undated

Series 5: Mail-O-Grams, undated

Series 6: Meet Bill Jones Service, 1926-1927

Series 7: Endorsements and Acknowledgments, undated

Series 8: The Greenly Plan, undated

Series 9: Scrapbook, undated

Series 10: Papers on Client Relations

Series 11: Background and Historical Materials, undated

Series 12: Copyright Papers, 1936-1968

Series 13: Posters, 1927-1962

Series 14: Miscellaneous, undated
Biographical / Historical:
In 1981, Mr. Lew Shallet sold his employee motivation program to Pratt, Whitney. However, that firm found that there was no market for it and it was discontinued. Mr. And Mrs. Lew Shalett moved to Florida in 1981. Mr. Shalett passed away on January 29, 1994.
Materials at Other Organizations:
Franklin D. Roosevelt Presidential Library and Museum

In 1943, Mr. Shalett donated a set of his "This is America" posters to President Franklin D. Roosevelt; they were placed into the collection at Roosevelt's Hyde Park Library, where they joined previous poster series that Shalett had donated. In 1980, Mr. Shalett donated to the Chicago Historical Society his "valuable personal and private organized collection of graphic arts and related material consisting of original lithographed posters produced in the 20's [sic], 30's [sic], and during World War II."
Provenance:
Donated to the Archives Center by Mrs. Wanda Shalett in December 2001.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
World War, 1939-1945 -- Art and the war  Search this
Industrial relations  Search this
World War, 1939-1945 -- Posters -- United States  Search this
Propaganda  Search this
Genre/Form:
Posters -- 20th century
Citation:
Sheldon-Claire Company Records, 1926-1980, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0768
See more items in:
Sheldon-Claire Company Records
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8458da57e-ddf0-4157-bfa7-2336461062f2
EDAN-URL:
ead_collection:sova-nmah-ac-0768
Online Media:

Russian Aeronautical Collection

Creator:
Hardesty, Von, 1939-  Search this
Names:
Sikorsky, Igor Ivan, 1889-1972  Search this
Extent:
26 Linear feet
30.81 Cubic feet (53 legal-size document boxes, 1 slim legal-size document box, 1 flat box )
Type:
Collection descriptions
Archival materials
Newspapers
Reports
Articles
Place:
Soviet Union
Date:
1876-2006
Summary:
The Russian Aeronautical Collection is a mix of technical, historical, and cultural reference materials, including originals or copies of articles, documents and other historical materials relating to Russian and Soviet aviation from the Tsarist period through the Soviet era. The collection focuses on key events, personalities and aircraft designs, and certain subject areas are covered in depth, including the life and career of Igor Sikorsky, the transpolar flights of the 1930s, Soviet aviation in the Spanish Civil War, and the operational history of the Soviet Air Force in World War II.
Scope and Contents:
This collection contains newspaper clippings, articles, pamphlets/booklets, magazines/journals, reports, monographs, manuscripts, bibliographies and a few photographs.

Note: The digital images in this finding aid were repurposed from scans made by an outside contractor for a commercial product and may show irregular cropping and orientation in addition to color variations resulting from damage to and deterioration of the original objects.
Arrangement:
This collection was arranged by the creator first by what chronological era the subject matter dealt with, then alphabetically within each era by file unit title. Von Hardesty also created a grouping of materials that deals with aircraft design and designers and another grouping that contains reference material. Groupings and materials are in the order that the processing archivist received them which also correspondes to the guide that Von Hardesty created.

The processing archivist added the last 2 series which covers materials that were not listed in the original guide to the collection.

There are 8 series:

Series I: 1885-1917

Series II: 1918-1940

Series III: 1941-1945

Series IV: 1946-Onwards

Series V: Design

Series VI: Reference

Series VII: Loose Materials

Series VIII: Administrative Material
Biographical / Historical:
The Russian Aeronautical Collection (RAC) was assembled over the course of two decades by Von Hardesty, curator in the Aeronautics Division of the National Air and Space Museum. The RAC developed as a research project linked to the publication of Hardesty's book Red Phoenix: The Rise of Soviet Air Power, 1941 -1945 (first published in 1982.)
Provenance:
Aeronautics Division / Von Hardesty, Transfer, 2006
Restrictions:
No restrictions on access.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Aeronautics -- Russia  Search this
Endurance flights  Search this
World War, 1939-1945 -- Aerial operations  Search this
Air pilots  Search this
Genre/Form:
Newspapers
Reports
Articles
Citation:
Russian Aeronautical Collection, ACC. 2006-0034, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.2006.0034
See more items in:
Russian Aeronautical Collection
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg29c0aca61-392f-462a-a4c9-802610155e12
EDAN-URL:
ead_collection:sova-nasm-2006-0034
Online Media:

Program for The Negro Soldier

Distributed by:
United States Department of War, American, 1789 - 1947  Search this
Produced by:
Frank Capra, American, 1897 - 1991  Search this
Subject of:
Unidentified Man or Men  Search this
Medium:
ink on paper (fiber product)
Dimensions:
H x W: 13 5/8 × 10 1/2 in. (34.6 × 26.7 cm)
Type:
programs
Place used:
United States, North and Central America
Date:
1944
Topic:
African American  Search this
Film  Search this
Military  Search this
Race films  Search this
Segregation  Search this
World War II  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2013.118.266
Restrictions & Rights:
Public domain
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera-Advertisements
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5650d3c92-e427-42c7-935d-dd263b9069c8
EDAN-URL:
edanmdm:nmaahc_2013.118.266
Online Media:

United States Navy World War II Aircraft Recognition Model Plans

Creator:
United States. Navy  Search this
Names:
United States. Dept. of Health, Education, and Welfare  Search this
United States. Navy  Search this
United States. Navy. Bureau of Aeronautics [BuAer]  Search this
Extent:
0.45 Cubic feet ((1 legal document box))
Type:
Collection descriptions
Archival materials
Pamphlets
Drawings
Date:
1942
Scope and Contents:
This collection consisits of the complete set of the Navy WWII model drawings and a booklet explaining the project.
Biographical / Historical:
Accurate scale model aircraft have often been helpful in training recognition of aircraft, range estimation and determination of cones of fire. In December 1941, the Secretary of the Navy asked the US Commissioner of Education for the schools to make 500,000 scale model airplanes. This alliance resulted in a joint project between the US Navy, Bureau of Aeronautics, who supplied the authoritative drawings and plans, and the US Office of Education, who perepared educational and informational material.
General:
NASMrev
Provenance:
Paul E. Garber, Gift, unknown, XXXX-0438, Public Domain
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Topic:
Airplanes -- Recognition  Search this
Airplanes -- Models  Search this
Airplanes  Search this
Naval aviation  Search this
Aeronautics, Military  Search this
Aeronautics and state -- United States  Search this
Aeronautics -- History  Search this
Aeronautics  Search this
World War, 1939-1945 -- Aerial operations  Search this
World War, 1939-1945  Search this
Genre/Form:
Pamphlets
Drawings
Identifier:
NASM.XXXX.0438
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg27c459942-b65f-4d61-9c6e-9ffd0a9c28b0
EDAN-URL:
ead_collection:sova-nasm-xxxx-0438

Pamphlet, "Your Job in the WRA", unknown place, unknown date

Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 1/8 in x 5 in x 8 in; .3175 cm x 12.7 cm x 20.32 cm
Object Name:
pamphlet
Associated Place:
United States: Washington, King
Japan: Nagasaki, Nagasaki
Subject:
World War II  Search this
Japanese Americans  Search this
Related event:
World War II  Search this
Japanese American Internment  Search this
Credit Line:
Gift of Roger Shimomura
ID Number:
2016.3086.124
Nonaccession number:
2016.3086
Catalog number:
2016.3086.124
See more items in:
Political and Military History: Armed Forces History, Japanese American
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b2-a77b-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1811851

Jobs for Issei Pamphlet

Maker:
War Relocation Authority  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 10 1/2 in x 8 in; 26.67 cm x 20.32 cm
Object Name:
pamphlet
Place made:
United States: District of Columbia
Associated Place:
United States: Washington, King
Japan: Nagasaki, Nagasaki
Date made:
July, 1945
Subject:
World War II  Search this
Japanese Americans  Search this
Related event:
World War II  Search this
Japanese American Internment  Search this
Credit Line:
Gift of Roger Shimomura
ID Number:
2016.3086.258
Nonaccession number:
2016.3086
Catalog number:
2016.3086.258
See more items in:
Political and Military History: Armed Forces History, Japanese American
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b4-d21c-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1812524
Online Media:

Belgian Congo at War as Seen by Andre Cauvin

Creator:
LaTouche, John Treville  Search this
Names:
Belgian Information Center  Search this
Smithsonian Institution. United States National Museum. Department of Anthropology -- Exhibitions  Search this
Cauvin, André, 1907-2004  Search this
Collection Creator:
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Smithsonian Institution. Department of Anthropology  Search this
Smithsonian Institution. United States National Museum. Department of Anthropology  Search this
Extent:
8 Pages
Container:
Box 1, Folder 3
Type:
Archival materials
Pages
Place:
Belgian Congo -- World War, 1939-1945
Date:
1944
Biographical / Historical:
The exhibit was in the Natural History Building foyer and was presented under the auspices of the Belgian Information Center.
Collection Restrictions:
Some materials are restricted.

Access to the Department of Anthropology records requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Topic:
World War, 1939-1945 -- Belgian Congo  Search this
Collection Citation:
Department of Anthropology Records, National Anthropological Archives, Smithsonian Institution
See more items in:
Department of Anthropology records
Department of Anthropology records / Series 17: Division of Ethnology / 17.1: Manuscript and Pamphlet File / Africa
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw317618865-5eb3-4aae-88e7-c9b84283a224
EDAN-URL:
ead_component:sova-naa-xxxx-0311-ref15503

Jim Crow in Uniform

Published by:
New Age Publishers, American  Search this
Written by:
Claudia Jones, Trinidadian, 1915 - 1964  Search this
Medium:
ink on paper
Dimensions:
H x W: 7 11/16 x 5 1/8 in. (19.5 x 13 cm)
Type:
pamphlets
Date:
1940
Topic:
African American  Search this
Civil Rights  Search this
Mass media  Search this
Military  Search this
Politics  Search this
World War II  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of the family of Dr. Maurice Jackson and Laura Ginsburg
Object number:
2010.55.1
Restrictions & Rights:
No Known Copyright Restrictions
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera-Political and Activist Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5ec63a6f7-526f-4009-bc90-78f104ab2720
EDAN-URL:
edanmdm:nmaahc_2010.55.1

The War and the Negro People

Published by:
Workers Library Publishers, Inc., American, founded 1930  Search this
Written by:
James W. Ford, American, 1893 - 1957  Search this
Medium:
ink on paper
Dimensions:
H x W: 7 7/8 x 5 1/8 in. (20 x 13 cm)
Type:
pamphlets
Date:
1942
Topic:
African American  Search this
International affairs  Search this
Mass media  Search this
Politics  Search this
World War II  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of the family of Dr. Maurice Jackson and Laura Ginsburg
Object number:
2010.55.15
Restrictions & Rights:
No Known Copyright Restrictions
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Memorabilia and Ephemera-Political and Activist Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd578746410-b864-47a6-9a01-6239440f9399
EDAN-URL:
edanmdm:nmaahc_2010.55.15
Online Media:

A Negro Looks at War

Published by:
Workers Library Publishers, Inc., American, founded 1930  Search this
Written by:
John Henry Williams  Search this
Medium:
ink on paper
Dimensions:
H x W: 7 7/8 x 5 1/8 in. (20 x 13 cm)
Type:
pamphlets
Date:
1940
Topic:
African American  Search this
International affairs  Search this
Mass media  Search this
Politics  Search this
World War II  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of the family of Dr. Maurice Jackson and Laura Ginsburg
Object number:
2010.55.16
Restrictions & Rights:
No Known Copyright Restrictions
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Memorabilia and Ephemera-Political and Activist Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd56b3d5597-635c-4d77-ac8b-cd32f3ebc0c3
EDAN-URL:
edanmdm:nmaahc_2010.55.16

Wives or Widows?

Published by:
American Peace Mobilization, American, founded 1940  Search this
Written by:
Katherine Beecher, American  Search this
Subject of:
American Peace Mobilization, American, founded 1940  Search this
Medium:
ink on paper
Dimensions:
H x W: 7 1/2 x 5 1/2 in. (19 x 14 cm)
Type:
pamphlets
Date:
1940s
Topic:
African American  Search this
Families  Search this
International affairs  Search this
Mass media  Search this
Political organizations  Search this
Politics  Search this
Women  Search this
World War II  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of the family of Dr. Maurice Jackson and Laura Ginsburg
Object number:
2010.55.40
Restrictions & Rights:
No Known Copyright Restrictions
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Memorabilia and Ephemera-Political and Activist Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5e97afcc6-cea8-497d-bc87-24d55f22bed8
EDAN-URL:
edanmdm:nmaahc_2010.55.40

Lift Every Voice For Victory

Published by:
New Age Publishers, American  Search this
Written by:
Claudia Jones, Trinidadian, 1915 - 1964  Search this
Subject of:
Joe Louis, American, 1914 - 1981  Search this
Medium:
ink on paper
Dimensions:
H x W: 7 11/16 x 5 5/16 in. (19.5 x 13.5 cm)
Type:
pamphlets
Date:
1942
Topic:
African American  Search this
Mass media  Search this
Military  Search this
Politics  Search this
Race relations  Search this
U.S. History, 1933-1945  Search this
World War II  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of the family of Dr. Maurice Jackson and Laura Ginsburg
Object number:
2010.55.7
Restrictions & Rights:
No Known Copyright Restrictions
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera-Political and Activist Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5b64ccab3-0a90-4ab3-8679-6e9fb151a251
EDAN-URL:
edanmdm:nmaahc_2010.55.7
Online Media:

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