Search Results

Creator:

Princeton University  Search this

Extent:

135 Cubic feet (10,690 posters)

Type:

Collection descriptions

Archival materials

Posters

Date:

1863-1950

Summary:

An extensive and comprehensive collection of posters from World War I and World War II.

Scope and Contents:

Primarily war-related posters.

Arrangement:

The collection is arranged into six series.

Series 1: Pre-World War One, 1863-1917

Series 2: World War One, 1911-1923

Series 3: Between Wars, 1912-1939

Series 4: World War Two, 1939-1945

Series 5: Post World War Two, 1945-1948

Series 6: Unknown, 1913-1918

Biographical / Historical:

The Princeton University Library donated this extensive collection of World War I and World War II materials to the Smithsonian Institution in 1963 and 1967. The bulk of the 1963 donation, stored in six large wooden crates, was sent to an off site storage location. Other posters donated in 1963, primarily World War II British in origin, were stored in the Division of Political History; they were later transferred to the Division of Armed Forces History. In 1967, Princeton donated an additional five albums of posters that had been overlooked in 1963; these albums were also stored in the Division of Armed Forces History.

In 1990 and again in 1991, the NMAH Division of Conservation was awarded Smithsonian Research Resources grants to conserve and catalog the collection. The posters in the crates were in extremely precarious condition, evidencing extensive tears, water damage, dirt, mold, and insect damage. Their condition was so extreme that handling, cataloging, or mere counting was not deemed possible outside of a major rehousing project. In 1992, the NMAH Archives Center assumed curatorial responsibility for the collection and took over direction of the project.

Provenance:

Collection donated by the Princeton University Library in 1963 and 1967.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

War  Search this

World War, 1914-1918 -- Posters  Search this

World War, 1939-1945 -- Posters -- United States  Search this

Genre/Form:

Posters -- 1860-1950

Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

Identifier:

NMAH.AC.0433

See more items in:

Princeton University Poster Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep87d1dd3da-2364-4f0d-928c-925c506f6ebd

EDAN-URL:

ead_collection:sova-nmah-ac-0433

Creator:

Poor, Henry Varnum, 1887-1970  Search this

Names:

Montross Gallery  Search this

Skowhegan School of Painting and Sculpture  Search this

Benton, William, 1900-1973  Search this

Biddle, George, 1885-1973  Search this

Billing, Jules  Search this

Burchfield, Charles Ephraim, 1893-1967  Search this

Caniff, Milton Arthur, 1907-1988  Search this

Ciardi, John, 1916-  Search this

Czebotar, Theodore  Search this

Deming, MacDonald  Search this

Dickson, Harold E., 1900-  Search this

Dorn, Marion, 1896-1964  Search this

Duchamp, Marcel, 1887-1968  Search this

Esherick, Wharton  Search this

Evergood, Philip, 1901-1973  Search this

Garrett, Alice Warder  Search this

Houseman, John, 1902-1988  Search this

Marston, Muktuk  Search this

Meredith, Burgess, 1907-1997  Search this

Mumford, Lewis, 1895-1990  Search this

Padro, Isabel  Search this

Poor, Anne, 1918-  Search this

Poor, Bessie Breuer  Search this

Poor, Eva  Search this

Poor, Josephine Graham  Search this

Poor, Josephine Lydia  Search this

Poor, Peter  Search this

Sargent, Elizabeth S.  Search this

Smith, David, 1906-1965  Search this

Steinbeck, John, 1902-1968  Search this

Watson, Ernest William, 1884-1969  Search this

Extent:

12.9 Linear feet

Type:

Collection descriptions

Archival materials

Motion pictures (visual works)

Diaries

Drawings

Sketchbooks

Date:

1873-2001

bulk 1904-1970

Summary:

The papers of Henry Varnum Poor measure 12.9 linear feet and date from 1873-2001, with the bulk from the period 1904-1970. Correspondence, writings, artwork, printed material and photographs document Poor's work as a painter, muralist, ceramic artist and potter, architect, designer, writer, war artist, educator and a co-founder of the Skowhegan School of Painting and Sculpture. Also found is extensive information about the design and construction of Crow House, his home in New City, New York, commissions for other architectural projects, and his personal life.

Scope and Content Note:

The papers of Henry Varnum Poor measure 12.9 linear feet and date from 1873-2001, with the bulk from the period 1904-1970. Correspondence, writings, artwork, printed material and photographs document Poor's work as a painter, muralist, ceramic artist and potter, architect, designer, writer, war artist, educator and a co-founder of the Skowhegan School of Painting and Sculpture. Also found is extensive information about the design and construction of Crow House, his home in New City, New York, commissions for other architectural projects, and his personal life.

Henry Varnum Poor's correspondence documents his personal, family, and professional life. Correspondents include family and friends, among them George Biddle, Charles Burchfield, John Ciardi, Marion V. Dorn (who became his second wife), Philip Evergood, Lewis Mumford, John Steinbeck, David Smith, and Mrs. John Work (Alice) Garrett. Among other correspondents are galleries, museums, schools, organizations, fans, former students, and acquaintances from his military service and travels. Family correspondence consists of Henry's letters to his parents, letters to his parents written by his wife, and letters among other family members.

Among the writings by Henry Varnum Poor are manuscripts of his two published books, An Artist Sees Alaska and A Book of Pottery: From Mud to Immortality. as well as the text of "Painting is Being Talked to Death," published in the first issue of Reality: A Journal of Artists' Opinions, April 1953, and manuscripts of other articles. There are also film scripts, two journals, notes and notebooks, lists, speeches, and writings by others, including M. R. ("Muktuk") Marston's account of Poor rescuing an Eskimo, and Bessie Breuer Poor's recollections of The Montross Gallery.

Subject files include those on the Advisory Committee on Art, American Designers' Gallery, Inc., William Benton, Harold Dickson, Reality: A Journal of Artists' Opinions Sales, and War Posters. There are numerous administrative files for the Skowhegan School of Painting and Sculpture.

Artwork by Henry Varnum Poor consists mainly of loose drawings and sketches and 45 sketchbooks of studies for paintings, murals, and pottery. There is work done in France, 1918-1919, and while working as a war correspondent in Alaska in 1943. There are commissioned illustrations and some intended for his monograph, A Book of Pottery: From Mud to Immortality. Also found are a small number of watercolors and prints. Work by other artists consist of Anne Poor's drawings of her father's hands used for the Lincoln figure in The Land Grant Frescoes and interior views of Crow House by Ernest Watson.

Documentation of Poor's architectural projects consists of drawings and prints relating to houses designed and built for Jules Billing, MacDonald Deming, John Houseman, Burgess Meredith, Isabel Padro, and Elizabeth S. Sargent. Also found is similar material for the new studio Poor built in 1957 on the grounds of Crow House.

Miscellaneous records include family memorabilia and two motion picture films, Painting a True Fresco, and The Land Grant Murals at Pennsylvania State College.

Printed material includes articles about or mentioning Poor, some of his pottery reference books, family history, a catalog of kilns, and the program of a 1949 Pennsylvania State College theater production titled Poor Mr. Varnum. Exhibition catalogs and announcements survive for some of Poor's shows; catalogs of other artists' shows include one for Theodore Czebotar containing an introductory statement by Henry Varnum Poor. Also found is a copy of The Army at War: A Graphic Record by American Artists, for which Poor served as an advisor. There are reproductions of illustrations for An Artist Sees Alaska and Ethan Frome, and two Associated American Artists greeting cards reproducing work by Poor.

Photographs are of Henry Varnum Poor's architectural work, artwork, people, places, and miscellaneous subjects. This series also contains negatives, slides, and transparencies. Images of architectural work include exterior and interior views of many projects; Poor's home, Crow House, predominates. Photographs of artwork by Poor are of drawings, fresco and ceramic tile murals, paintings, pottery and ceramic art. People appearing in photographs include Henry Varnum Poor, family members, friends, clients, juries, students, and various groups. Among the individuals portrayed are Milton Caniff, Marcel Duchamp, Wharton Esherick, M. R. ("Muktuk") Marston, and Burgess Meredith. Among the family members are Bessie Breuer Poor, Marion Dorn Poor, Anne Poor, Eva Poor, Josephine Graham Poor, Josephine Lydia Poor, Peter Poor, and unidentified relatives. Photographs of places include many illustrating village life in Alaska that were taken by Poor during World War II. Other places recorded are French and California landscapes, and family homes in Kansas. Miscellaneous subjects are exhibition installation views, scenes of Kentucky farms, and a photograph of Poor's notes on glazes.

Arrangement:

The collection is arranged as 9 series:

Missing Title

Series 1: Biographical Materials, 1919-1987 (0.2 linear feet; Box 1, OV 18)

Series 2: Correspondence, 1873-1985 (1.5 linear feet; Boxes 1-2)

Series 3: Writings and Notes, circa 1944-1974 (0.6 linear feet; Boxes 2-3)

Series 4: Subject Files, 1928-1975 (0.8 linear feet; Box 3, OV 23)

Series 5: Artwork, circa 1890s-circa 1961 (3.5 linear feet; Boxes 4-6, 9-10, OV 19-22)

Series 6: Architectural Projects, circa 1940-1966 (0.7 linear feet; Box 6, OV 24-26, RD 14-17)

Series 7: Miscellaneous Records, 1882-1967 (Boxes 6, 11, FC 30-31; 0.5 linear ft.)

Series 8: Printed Material, 1881-2001 (1.2 linear feet; Boxes 6-7, 11, OV 27-29)

Series 9: Photographs, 1893-1984 (2.3 linear feet; Boxes 7-8, 12-13)

Biographical Note:

Henry Varnum Poor (1888-1970), best known as a potter, ceramic artist, and a co-founder of the Skowhegan School of Painting and Sculpture, was also an architect, painter, muralist, designer, educator, and writer who lived and worked in New City, New York.

A native of Chapman, Kansas, Henry Varnum Poor moved with his family to Kansas City when his grain merchant father became a member of the Kansas Board of Trade. From a young age he showed artistic talent and spent as much time as possible - including school hours - drawing. When a school supervisor suggested that Henry leave school to study at the Art Institute of Chicago, the family disagreed. Instead, he enrolled in the Kansas City Manual Training High School where he delighted in learning skills such as carpentry, forge work, and mechanical drawing. In 1905, he moved with his older brother and sister to Palo Alto, California and completed high school there. Because Poor was expected to join the family business, he enrolled at Stanford University as an economics major, but much to his father's disappointment and displeasure, soon left the economics department and became an art major.

Immediately after graduation in 1910, Poor and his major professor at Stanford, Arthur B. Clark, took a summer bicycling tour to look at art in London, France, Italy, and Holland. As Poor had saved enough money to remain in London after the summer was over, he enrolled in the Slade School of Art and also studied under Walter Sickert at the London County Council Night School. After seeing an exhibition of Post-Impressionism at the Grafton Galleries in London, Poor was so impressed that he went to Paris and enrolled in the Académie Julian. While in Paris, Poor met Clifford Addams, a former apprentice of Whistler; soon he was working in Addams' studio learning Whistler's palette and techniques.

In the fall of 1911, Poor returned to Stanford University's art department on a one-year teaching assignment. During that academic year, his first one-man show was held at the university's Old Studio gallery. He married Lena Wiltz and moved back to Kansas to manage the family farm and prepare for another exhibition. Their daughter, Josephine Lydia Poor, was born the following year. Poor returned to Stanford in September 1913 as assistant professor of graphic arts, remaining until the department closed three years later. During this period, Poor began to exhibit more frequently in group shows in other areas of the country, and had his first solo exhibition at a commercial gallery (Helgesen Gallery, San Francisco). In 1916, Poor joined the faculty of the San Francisco Art Association. He and his wife separated in 1917 and were divorced the following year. Poor began sharing his San Francisco studio with Marion Dorn.

During World War I, Poor was drafted into the U. S. Army, and in 1918 went to France with the 115th Regiment of Engineers. He spent his spare time drawing; soon officers were commissioning portraits, and Poor was appointed the regimental artist. He also served as an interpreter for his company. Discharged from the Army in early 1919, Poor spent the spring painting in Paris. He then returned to San Francisco and married Marion Dorn.

Once Poor realized that earning a living as a painter would be extremely difficult in California, he and his new wife moved to New York in the autumn of 1919. They were looking for a place to live when influential book and art dealer Mary Mowbray-Clarke of the Sunwise Turn Bookshop in Manhattan suggested New City in Rockland County, New York as good place for artists. In January of 1920, the Poors purchased property on South Mountain Road in New City. The skills he acquired at the Kansas City Manual Training High School were of immediate use as Poor designed and constructed "Crow House" with the assistance of a local teenager. Influenced by the farmhouses he had seen in France, it was made of local sandstone and featured steep gables, rough plaster, chestnut beams and floors, and incorporated many hand-crafted details. Poor designed and built most of their furniture, too. Before the end of the year, he and Marion were able to move into the house, though it remained a work in progress for many years. Additions were constructed. Over time, gardens were designed and planted, and outbuildings - a kiln and pottery, work room, garage, and new studio - appeared on the property.

In 1925, two years after his divorce from Marion Dorn, Poor married Bessie Freedman Breuer (1893-1975), an editor, short story writer, and novelist. Soon after, he adopted her young daughter, Anne (1918-2002), an artist who served as his assistant on many important mural commissions. Their son, Peter (b. 1926) became a television producer. Crow House remained in the family until its sale in 2006. In order to prevent its demolition, Crow House was then purchased by the neighboring town of Ramapo, New York in 2007.

Between 1935 and 1966 Poor designed and oversaw construction of a number of houses, several of them situated not far from Crow House on South Mountain Road. Poor's designs, noted for their simplicity, featured modern materials and incorporated his ceramic tiles. Among his important commissions were houses for Maxwell Anderson, Jules Billig, Milton Caniff, MacDonald Deming, and John Houseman.

Poor's first exhibition of paintings in New York City was at Kevorkian Galleries in 1920, and sales were so disappointing that he turned his attention to ceramics. His first pottery show, held at Bel Maison Gallery in Wanamaker's department store in 1921, was very successful. He quickly developed a wide reputation, participated in shows throughout the country, and won awards. He was a founder of the short-lived American Designers' Gallery, and the tile bathroom he showed at the group's first exposition was critically acclaimed. Poor was represented by Montross Gallery as both a painter and potter. When Montross Gallery closed upon its owner's death in 1932, Poor moved to the Frank K. M. Rehn Gallery.

Even though Poor's pottery and ceramic work was in the forefront, he continued to paint. His work was acquired by a number of museums, and the Limited Editions Club commissioned him to illustrate their republications of Ethan Frome, The Scarlet Letter, and The Call of the Wild.

Poor's first work in true fresco was shown in a 1932 mural exhibition at the Museum of Modern Art. Between 1935 and 1949 he was commissioned to produce several murals in fresco for Section of Fine Arts projects at the Department of Justice and the Department of the Interior, The Land Grant Frescoes at Pennsylvania State College, and a mural for the Louisville Courier-Journal. Ceramic tile mural commissions included: the Klingenstein Pavilion, Mt. Sinai Hospital, New York City; Travelers Insurance Co., Boston; the Fresno Post Office, California; and Hillson Memorial Gallery, Deerfield Academy, Deerfield, Mass.

As a member of the War Artists' Unit, Poor was a "war correspondent" with the rank of major in World War II, and for several months in 1943 was stationed in Alaska. An Artist Sees Alaska, drawing on Poor's observations and experiences, was published in 1945. A Book of Pottery: From Mud to Immortality, his second book, was published in 1958. It remains a standard text on the subject. While on the faculty of Columbia University in the 1950s, Poor and other artists opposed to the growing influence of Abstract Expressionism formed the Reality Group with Poor the head of its editorial committee. Their magazine, Reality: A Journal of Artists' Opinions, first appeared in 1953 featuring "Painting is Being Talked to Death" by Poor as its lead article. Two more issues were published in 1954 and 1955.

Along with Willard Cummings, Sidney Simon, and Charles Cuttler, in 1946 Henry Varnum Poor helped to establish the Skowhegan School of Painting and Sculpture in Skowhegan, Maine. He served as its first president. Poor and his daughter, Anne, were active members of the Board of Trustees and were instructors for many years. The summer of 1961 was Henry Varnum Poor's last as a full-time teacher, though he continued to spend summers at Skowhegan.

Henry Varnum Poor exhibited widely and received many awards, among them prizes at the Carnegie Institute, Syracuse Museum of Fine Arts, Virginia Museum of Fine Arts, Pennsylvania Academy of the Fine Arts, and the Architectural League of New York. Poor was appointed to the United States Commission of Fine Arts by President Roosevelt in 1941 and served a five year term. He was elected a member of the National Institute of Arts and Letters in 1943. The National Academy of Design named him an Associate Artist in 1954 and an Academician in 1963. He became a trustee of the American Craftsman's Council in 1956. The work of Henry Vernum Poor is represented in the permanent collections of many American museums including the Cleveland Museum of Art, Metropolitan Museum of Art, Brooklyn Museum, Addison Gallery of American Art, and Syracuse Museum of Fine Arts.

Henry Varnum Poor died at home in New City, New York, December 8, 1970.

Related Material:

An oral history interview with Henry Varnum Poor was conducted by Harlan Phillips for the Archives of American Art in 1964.

Provenance:

Gift of Henry Varnum Poor's son, Peter V. Poor, in 2007. A smaller portion was loaned to the Archives in 1973 by Anne Poor for microfilming and returned to the lender; this material was included in the 2007 gift.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of audiovisual recordings with no duplicate access copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

War artists  Search this

Educators -- New York (State) -- New York  Search this

Ceramicists -- New York (State) -- New York  Search this

Muralists -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Designers -- New York (State) -- New York  Search this

Topic:

Architects -- New York (State) -- New York  Search this

World War, 1914-1918  Search this

Pottery -- New York (State) -- New York  Search this

Genre/Form:

Motion pictures (visual works)

Diaries

Drawings

Sketchbooks

Citation:

Henry Varnum Poor papers, 1873-2001, bulk 1904-1970. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.poorhenr

See more items in:

Henry Varnum Poor papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw96265d653-098f-4ccc-abed-0bc649c50516

EDAN-URL:

ead_collection:sova-aaa-poorhenr

Distributed by:

Norman Studios, American, 1920 - 1928  Search this

Subject of:

Kathryn Boyd, American, 1897 - 1965  Search this

John L. Criner, American, 1898 - 1965  Search this

Boise De Legge, American  Search this

Lions Daniels, American  Search this

George Colvin, American, born 1864  Search this

Sam Jordan  Search this

R.L. Brown  Search this

Steve Reynolds, American, 1892 - 1945  Search this

Bessie Coleman, American, 1892 - 1926  Search this

Medium:

ink on paper (fiber product)

Dimensions:

H x W (image): 21 1/2 × 13 in. (54.6 × 33 cm)

H x W (sheet): 22 1/16 × 14 in. (56 × 35.6 cm)

Type:

fliers (printed matter)

posters

Place used:

United States, North and Central America

Date:

1926

Topic:

African American  Search this

Actors  Search this

Film  Search this

Race films  Search this

U.S. History, 1919-1933  Search this

World War I  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2013.118.245

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Collection title:

A Cinema Apart: African American Film Memorabilia (Larry Richards Collection)

Classification:

Memorabilia and Ephemera-Advertisements

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd53ef41ed1-613e-4757-985f-a698a4bc2018

EDAN-URL:

edanmdm:nmaahc_2013.118.245

Subject of:

John L. Criner, American, 1898 - 1965  Search this

Kathryn Boyd, American, 1897 - 1965  Search this

Boise De Legge, American  Search this

Lions Daniels, American  Search this

George Colvin, American, born 1864  Search this

Sam Jordan  Search this

Steve Reynolds, American, 1892 - 1945  Search this

Bessie Coleman, American, 1892 - 1926  Search this

Medium:

ink on paper (fiber product)

Dimensions:

H x W (image): 38 × 24 in. (96.5 × 61 cm)

H x W (sheet): 41 × 26 15/16 in. (104.1 × 68.4 cm)

Type:

posters

Place used:

United States, North and Central America

Date:

1926

Topic:

African American  Search this

Actors  Search this

Film  Search this

Race films  Search this

U.S. History, 1919-1933  Search this

World War I  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2013.118.33

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Collection title:

A Cinema Apart: African American Film Memorabilia (Larry Richards Collection)

Classification:

Memorabilia and Ephemera-Advertisements

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd565ee460f-e186-44f6-af5d-760306667ca7

EDAN-URL:

edanmdm:nmaahc_2013.118.33

Edited by:

W.E.B. Du Bois, American, 1868 - 1963  Search this

Subject of:

The Crisis, American, founded 1910  Search this

National Association for the Advancement of Colored People, American, founded 1909  Search this

Judge Robert Herberton Terrell, American, 1857 - 1925  Search this

Gen. Charles Clarendon Ballou, American, 1862 - 1928  Search this

Attributed to:

Robert Edmond Jones, American, 1887 - 1954  Search this

Written by:

Col. Charles Young, American, 1864 - 1922  Search this

Newton D. Baker, American, 1871 - 1937  Search this

Joseph Seamon Cotter Sr., American, 1861 - 1949  Search this

Fenton Johnson, American, 1888 - 1958  Search this

Medium:

ink on paper with metal

Dimensions:

H x W: 9 5/8 × 6 7/8 in. (24.4 × 17.5 cm)

H x W (Open): 9 5/8 × 13 5/8 in. (24.4 × 34.6 cm)

Type:

magazines (periodicals)

Place printed:

New York City, New York, United States, North and Central America

Place depicted:

France, Europe

Wilson, Wilson County, North Carolina, United States, North and Central America

Date:

June 1918

Topic:

African American  Search this

Advertising  Search this

Associations and institutions  Search this

Black Press  Search this

Business  Search this

Civil Rights  Search this

Education  Search this

Law  Search this

Literature  Search this

Lynching  Search this

Mass media  Search this

Military  Search this

Poetry  Search this

Race relations  Search this

Social life and customs  Search this

Social reform  Search this

U.S. History, 1865-1921  Search this

World War I  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2015.97.15.7

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Movement:

Anti-Lynching Movement

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd594d085cb-13bb-4cb3-8d84-fd4e0fd53db0

EDAN-URL:

edanmdm:nmaahc_2015.97.15.7

Donor:

Borup, Verna  Search this

Collection Creator:

Archives Center, National Museum of American History  Search this

Extent:

1 Folder (1 item)

Container:

Map-folder 4, Item 108A

Type:

Archival materials

Posters

Date:

1917

Scope and Contents:

Text on poster: "To the miner let me say he stands where the farmer does, the work of the world waits on him. If he slacks or fails statesmen are helpless. He also is enlisted in the great service army."

Local Numbers:

2001.3021 (Nonacc. No.)

Collection Restrictions:

Unrestricted research access on site by appointment.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

World War, 1914-1918 -- Posters -- United States  Search this

Mining  Search this

Miners -- 1890-1920  Search this

Genre/Form:

Posters -- World War, 1914-1918 -- United States

Collection Citation:

Archives Center Poster Collection, Archives Center, National Museum of American History.

See more items in:

Archives Center Poster Collection

Archives Center Poster Collection / Series 1: Miscellaneous Posters

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8e4c8be5a-8fba-4823-8912-abc07da3a5ce

EDAN-URL:

ead_component:sova-nmah-ac-0751-ref516

Donor:

Marygrove College  Search this

Collection Creator:

Archives Center, National Museum of American History  Search this

Extent:

9 Folders (21 items)

Type:

Archival materials

Posters

Place:

Cincinnati (Ohio)

Date:

1917-1919

Scope and Contents:

Twenty-one World War One era posters. The posters encourage local support for the war effort. Many relate to the Cincinnati, Ohio War Chest Campaign.

Biographical / Historical:

College in Detroit, Michigan.

Local Numbers:

2001.3081 (NMAH Acc.)

Collection Restrictions:

Unrestricted research access on site by appointment.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

World War, 1914-1918 -- Posters -- United States  Search this

Genre/Form:

Posters -- World War, 1914-1918 -- United States

Collection Citation:

Archives Center Poster Collection, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0751, Series 2

See more items in:

Archives Center Poster Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep882a66793-59ee-4abb-b610-7676b78ec9a0

EDAN-URL:

ead_component:sova-nmah-ac-0751-ref523

Maker:

American Social Hygiene Association  Search this

Physical Description:

printed (overall production method/technique)

paper (overall material)

Measurements:

overall: 26.9 cm x 20.7 cm; 10 19/32 in x 8 5/32 in

Object Name:

poster, public health

Place made:

United States

Date made:

ca 1918

Subject:

World War I  Search this

Public Health  Search this

Related event:

World War I  Search this

ID Number:

2015.3115.33

Catalog number:

2015.3115.33

Nonaccession number:

2015.3115

See more items in:

Medicine and Science: Medicine

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746b2-74b5-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1760087

Issuing body:

Y.W.C.A.  Search this

Creator:

Hostess House  Search this

Briggs, Care A. (artist)  Search this

Y.W.C.A.  Search this

Collection Creator:

Princeton University  Search this

Extent:

1 Poster (1/4 size; Multi-color, 35.5 x 55.5 cm)

Container:

Box 22, Folder 3

Type:

Archival materials

Posters

Place:

United States

Image:

Main Image: Six cartoon images with captions concerning a U.S. soldier's visit to a Hostess House to see his wife and baby

Other Image(s): Y.W.C.A Blue Triangle

Local numbers:

Princeton Poster# 6363

General:

Issued by: Y.W.C.A.

Issued for: Hostess Houses

Artist(s): Briggs

Printing Info:

Other Printing Info: Main Image from the N.Y. Tribune

Related Materials:

Duplicates: 6363, 6407

Condition differs: No

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Relief and volunteer organizations  Search this

Troop morale  Search this

World War, 1914-1918  Search this

World War, 1914-1918 -- Posters -- United States  Search this

World War, 1914-1918 -- War work  Search this

Women in war  Search this

Genre/Form:

Posters

Posters -- World War, 1914-1918 -- United States

Collection Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

See more items in:

Princeton University Poster Collection

Princeton University Poster Collection / Series 2: World War One / United States

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8cbd619f8-917a-4290-a368-b86eaacca9a8

EDAN-URL:

ead_component:sova-nmah-ac-0433-ref6921

Issuing body:

Y.W.C.A.  Search this

Creator:

Briggs, Care A. (artist)  Search this

Hostess House  Search this

Y.W.C.A.  Search this

Collection Creator:

Princeton University  Search this

Extent:

1 Item

Container:

Box 23, Folder 2

Type:

Archival materials

Posters

Place:

United States

Image:

Main Image: Six cartoon images with captions concerning a U.S. soldier's visit to a Hostess House to see his wife and baby

Other Image(s): Y.W.C.A Blue Triangle

Local numbers:

Princeton Poster# 6407

General:

Issued by: Y.W.C.A.

Note:

This Poster does not have the Y.W.C.A. triangle like Poster 6363

Related Materials:

Duplicates: 6363, 6407

Condition differs: No

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

World War, 1914-1918  Search this

World War, 1914-1918 -- Posters -- United States  Search this

World War, 1914-1918 -- War work  Search this

Women in war  Search this

Troop morale  Search this

Genre/Form:

Posters -- World War, 1914-1918 -- United States

Collection Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

See more items in:

Princeton University Poster Collection

Princeton University Poster Collection / Series 2: World War One / United States

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8b45138a0-70c2-41e4-b6f6-2a151528304f

EDAN-URL:

ead_component:sova-nmah-ac-0433-ref6922

Issuing body:

Committee on Public Information. Division of Pictorial Publicity  Search this

Creator:

United States Food Administration  Search this

Artist:

Paus, Herbert Andrew (illustrator)  Search this

Sponsor:

United States Food Administration  Search this

Committee on Public Information. Division of Pictorial Publicity  Search this

Collection Creator:

Princeton University  Search this

Extent:

1 Poster (Oversize; Multi-color, 91.5 x 143 cm)

Container:

Map-folder 580

Type:

Archival materials

Posters

Place:

United States

Date:

circa 1918

Image:

Main Image: A nurse and two other women tied to an iron cross with an old man and a wounded soldier in front of them. All five are pointing towards the text.

Local numbers:

Princeton Poster# 10559

General:

Issued by: Committee on Public Information, Division of Pictorial Publicity

Issued for: U.S. Food Administration

Artist(s): Herbert Andrew Paus

Series:

No. 32

Printing Info:

Printer: Strobridge Litho. Co., Cincinnati; New York

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Conservation/Food production  Search this

Women's War Work  Search this

World War, 1914-1918  Search this

Food conservation  Search this

World War, 1914-1918 -- Posters -- United States  Search this

Genre/Form:

Posters

Posters -- World War, 1914-1918 -- United States

Collection Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

See more items in:

Princeton University Poster Collection

Princeton University Poster Collection / Series 2: World War One / United States

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep81ef5f74c-8f63-428d-a3a7-95046617f1d1

EDAN-URL:

ead_component:sova-nmah-ac-0433-ref7007

Creator:

Third Liberty Loan  Search this

Caruso, Enrico, 1873-1921 (artist)  Search this

Italian Canvass Committee. (New York.)  Search this

Names:

Metropolitan Opera  Search this

Collection Creator:

Princeton University  Search this

Extent:

1 Item (1/8 size; Monochrome, 28 x 22 cm)

Container:

Box 54, Folder 1

Type:

Archival materials

Broadsides

Posters

Place:

United States

Date:

1918 May 1

Image:

Main Image: Statue of Liberty accepting bags of money from three people

Other Image(s): Flowery border design

Local numbers:

Princeton Poster# 10022

General:

Issued by: Italian Canvass Committee

Issued for: Third Liberty Loan [4 and 1/4%]

Artist(s): Enrico Caruso

Locale:

New York

Printing Info:

Printer: The Emporium Press, New York

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Exhibitions, Films, Publications  Search this

Fund raising  Search this

World War, 1914-1918  Search this

Statue of Liberty (New York, N.Y.)  Search this

World War, 1914-1918 -- Posters -- United States  Search this

Genre/Form:

Broadsides

Posters -- World War, 1914-1918 -- United States

Collection Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

See more items in:

Princeton University Poster Collection

Princeton University Poster Collection / Series 2: World War One / United States

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep81621ff3f-3071-4fad-b3ac-39fc3e92c000

EDAN-URL:

ead_component:sova-nmah-ac-0433-ref7031

Issuing body:

National Association of Engine & Boat Manufacturers. (New York.)  Search this

Artist:

Sheridan, John E., 1877-1948 (illustrator)  Search this

Creator:

Motor Boat Show  Search this

Collection Creator:

Princeton University  Search this

Extent:

1 Poster (Full size; Multi-color, 117 x 76 cm)

Container:

Map-folder 389

Type:

Archival materials

Posters

Place:

United States

Date:

1918 Jan. 19-26

Image:

Main Image: Three U.S. sailors on a ship next to a searchlight. One sailor is using signal flags.

Local numbers:

Princeton Poster# 3080

General:

Issued by: National Association of Engine & Boat Manufacturers

Issued for: Motor Boat Show

Artist(s): John E. Sheridan

Locale:

New York

Printing Info:

Printer: George P. Thomas, New York

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Exhibitions, Films, Publications  Search this

World War, 1914-1918  Search this

World War, 1914-1918 -- Posters -- United States  Search this

Signals and signalling -- Flags  Search this

Exhibitions  Search this

Genre/Form:

Posters

Posters -- World War, 1914-1918 -- United States

Collection Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

See more items in:

Princeton University Poster Collection

Princeton University Poster Collection / Series 2: World War One / United States

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8e4fb842b-8d9d-42db-a300-0bb89f9eedf2

EDAN-URL:

ead_component:sova-nmah-ac-0433-ref7611

Issuing body:

T. W. Burgess  Search this

Creator:

Cady, Harrison, 1877-1970 (illustrator)  Search this

Collection Creator:

Princeton University  Search this

Extent:

1 Item (1/8 size; Multi-color, 28 x 17.5 cm)

Container:

Box 56, Folder 8

Type:

Archival materials

Display cards

Posters

Place:

United States

Date:

1918

Image:

Main Image: A squirrel wearing a jacket

Local numbers:

Princeton Poster# 10295

General:

Issued by: (c) T.W. Burgess [?]

Issued for: War Savings Stamp

Artist(s): Anon

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Fund raising  Search this

World War, 1914-1918  Search this

War Savings Stamps  Search this

World War, 1914-1918 -- Posters -- United States  Search this

Genre/Form:

Display cards

Posters -- World War, 1914-1918 -- United States

Collection Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

See more items in:

Princeton University Poster Collection

Princeton University Poster Collection / Series 2: World War One / United States

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep83a95c1ff-292b-4fbe-b4dd-c27d76bef497

EDAN-URL:

ead_component:sova-nmah-ac-0433-ref7623

Issuing body:

T. W. Burgess  Search this

Creator:

Cady, Harrison, 1877-1970 (illustrator)  Search this

Collection Creator:

Princeton University  Search this

Extent:

1 Item (1/8 size; Multi-color, 28 x 17.5 cm)

Container:

Box 56, Folder 8

Type:

Archival materials

Display cards

Posters

Place:

United States

Date:

1918

Image:

Main Image: A squirrel wearing a jacket

Local numbers:

Princeton Poster# 10296

General:

Issued by: c T.W. Burgess

Issued for: War Savings Stamps

Artist(s): Anon

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Fund raising  Search this

World War, 1914-1918  Search this

War Savings Stamps  Search this

World War, 1914-1918 -- Posters -- United States  Search this

Genre/Form:

Display cards

Posters -- World War, 1914-1918 -- United States

Collection Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

See more items in:

Princeton University Poster Collection

Princeton University Poster Collection / Series 2: World War One / United States

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8c25cd82c-9ae3-4822-bc85-9c9c28716bf5

EDAN-URL:

ead_component:sova-nmah-ac-0433-ref7624

Issuing body:

T. W. Burgess  Search this

Creator:

Cady, Harrison, 1877-1970 (illustrator)  Search this

Collection Creator:

Princeton University  Search this

Extent:

1 Item (1/8 size; Multi-color, 28 x 35.5 cm)

Container:

Box 37, Folder 6

Type:

Archival materials

Display cards

Posters

Place:

United States

Date:

1918

Image:

Main Image: A squirrel wearing a jacket using a cane to point at the text

Local numbers:

Princeton Poster# 7913

General:

Issued by: T.W. Burgess [?]

Issued for: War Savings Stamp

Artist(s): Harrison Cody

Printing Info:

Printing Information: 1918

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Fund raising  Search this

World War, 1914-1918  Search this

War Savings Stamps  Search this

World War, 1914-1918 -- Posters -- United States  Search this

Genre/Form:

Display cards

Posters -- World War, 1914-1918 -- United States

Collection Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

See more items in:

Princeton University Poster Collection

Princeton University Poster Collection / Series 2: World War One / United States

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8462346a0-cec0-46cd-8edb-aab721286590

EDAN-URL:

ead_component:sova-nmah-ac-0433-ref7625

Creator:

Negro Base Hospital  Search this

McHarris (artist)  Search this

Crispus Attucks Circle. (149 South Broad Street.)  Search this

Collection Creator:

Princeton University  Search this

Extent:

1 Poster (1/4 size; Monochrome, 35.5 x 56 cm)

Container:

Box 25, Folder 1

Culture:

African Americans  Search this

Type:

Archival materials

Posters

Place:

United States

Image:

Main Image: Black soldier with rifle leading a charge across a battlefield

Local numbers:

Princeton Poster# 6523

General:

Issued by: Cirspus Attucks Circle

Issued for: Negro Base Hospital

Artist(s): McHarris

Locale:

149 S. Broad Street

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Relief and volunteer organizations  Search this

Ethnic groups  Search this

World War, 1914-1918  Search this

World War, 1914-1918 -- War work  Search this

World War, 1914-1918 -- Posters -- United States  Search this

African American military personnel  Search this

Genre/Form:

Posters

Posters -- World War, 1914-1918 -- United States

Collection Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

See more items in:

Princeton University Poster Collection

Princeton University Poster Collection / Series 2: World War One / United States

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8a9f7f800-0251-41c5-93ca-5dce62e57228

EDAN-URL:

ead_component:sova-nmah-ac-0433-ref7694

Issuing body:

U.S. Navy Department  Search this

Artist:

Paus, Herbert Andrew (illustrator)  Search this

Creator:

U.S. Navy Department  Search this

Collection Creator:

Princeton University  Search this

Extent:

1 Poster (Full size; Multi-color, 110.5 x 74 cm)

Container:

Map-folder 357

Type:

Archival materials

Posters

Place:

United States

Image:

Main Image: An arm representing "LABOR" handing a sword to Columbia. Naval dockyard and factories in background

Local numbers:

Princeton Poster# 2881

General:

Issued by: Navy Department

Artist(s): Herbert Andrew Paus

Printing Info:

Printer: H. C. Miner Litho. Co., New York

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

War production  Search this

World War, 1914-1918  Search this

World War, 1914-1918 -- Posters -- United States  Search this

Symbolism in art  Search this

Genre/Form:

Posters

Posters -- World War, 1914-1918 -- United States

Collection Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

See more items in:

Princeton University Poster Collection

Princeton University Poster Collection / Series 2: World War One / United States

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8c1726a7d-2d20-456b-b224-365094cfdf5b

EDAN-URL:

ead_component:sova-nmah-ac-0433-ref7870

Creator:

United States. Agriculture Department.. Bureau of Biological Survey. (Washington, D.C.)  Search this

Collection Creator:

Princeton University  Search this

Extent:

1 Poster (1/4 size; Monochrome, 45.5 x 30.5 cm)

Container:

Box 17, Folder 8

Type:

Archival materials

Posters

Place:

United States

Image:

Main Image: A rat eating grain

Other Image(s): 18 rats along border with dollar signs on them

Local numbers:

Princeton Poster# 6112

General:

Issued by: U.S. Department of Agriculture, Bureau of Biological Survey

Artist(s): E. G. C.

Series:

S-3880

Locale:

Washington

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Conservation/Food production  Search this

Health/Industrial Safety  Search this

World War, 1914-1918  Search this

Health  Search this

Conservation of natural resources  Search this

World War, 1914-1918 -- Posters -- United States  Search this

Genre/Form:

Posters

Posters -- World War, 1914-1918 -- United States

Collection Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

See more items in:

Princeton University Poster Collection

Princeton University Poster Collection / Series 2: World War One / United States

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep883049a66-77e7-467b-b4f6-a10f0ec96ffe

EDAN-URL:

ead_component:sova-nmah-ac-0433-ref7953

Creator:

Liberty Loan  Search this

Britton, L.N.  Search this

Dewey (artist)  Search this

Gassher, William (artist)  Search this

W. G. (artist)  Search this

Kind, E. J. (artist)  Search this

Collection Creator:

Princeton University  Search this

Extent:

1 Poster (1/8 size; Multi-color, 25.5 x 38 cm)

Container:

Box 32, Folder 8

Type:

Archival materials

Posters

Place:

United States

Image:

Main Image: 8 images of Liberty Loan Window screens asking money for 1. Clothes 2. Food 3. Music 4. Drugs 5. Garages 6. Shoes 7. Furniture 8. Hardware

Local numbers:

Princeton Poster# 7598

General:

Issued for: Liberty Loan

Artist(s): 1. William Gassher, 2. L.N. Britton, 3. W.G., 4. N/A, 5. [?], 6. Dewey, 7. N/A, 8. E.J. Kind

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Fund raising  Search this

World War, 1914-1918  Search this

Liberty bonds  Search this

War posters, American -- 1914-1918.  Search this

United States -- History, 1913-1921  Search this

World War, 1914-1918 -- Posters -- United States  Search this

Genre/Form:

Posters

Posters -- World War, 1914-1918 -- United States

Collection Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

See more items in:

Princeton University Poster Collection

Princeton University Poster Collection / Series 2: World War One / United States

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep840b23bfc-ae7e-401e-8e9a-cb933268f752

EDAN-URL:

ead_component:sova-nmah-ac-0433-ref8084