Search Results

Creator:

Princeton University  Search this

Extent:

135 Cubic feet (10,690 posters)

Type:

Collection descriptions

Archival materials

Posters

Date:

1863-1950

Summary:

An extensive and comprehensive collection of posters from World War I and World War II.

Scope and Contents:

Primarily war-related posters.

Arrangement:

The collection is arranged into six series.

Series 1: Pre-World War One, 1863-1917

Series 2: World War One, 1911-1923

Series 3: Between Wars, 1912-1939

Series 4: World War Two, 1939-1945

Series 5: Post World War Two, 1945-1948

Series 6: Unknown, 1913-1918

Biographical / Historical:

The Princeton University Library donated this extensive collection of World War I and World War II materials to the Smithsonian Institution in 1963 and 1967. The bulk of the 1963 donation, stored in six large wooden crates, was sent to an off site storage location. Other posters donated in 1963, primarily World War II British in origin, were stored in the Division of Political History; they were later transferred to the Division of Armed Forces History. In 1967, Princeton donated an additional five albums of posters that had been overlooked in 1963; these albums were also stored in the Division of Armed Forces History.

In 1990 and again in 1991, the NMAH Division of Conservation was awarded Smithsonian Research Resources grants to conserve and catalog the collection. The posters in the crates were in extremely precarious condition, evidencing extensive tears, water damage, dirt, mold, and insect damage. Their condition was so extreme that handling, cataloging, or mere counting was not deemed possible outside of a major rehousing project. In 1992, the NMAH Archives Center assumed curatorial responsibility for the collection and took over direction of the project.

Provenance:

Collection donated by the Princeton University Library in 1963 and 1967.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

War  Search this

World War, 1914-1918 -- Posters  Search this

World War, 1939-1945 -- Posters -- United States  Search this

Genre/Form:

Posters -- 1860-1950

Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

Identifier:

NMAH.AC.0433

See more items in:

Princeton University Poster Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep87d1dd3da-2364-4f0d-928c-925c506f6ebd

EDAN-URL:

ead_collection:sova-nmah-ac-0433

Measurements:

overall: 30 in x 22 in; 76.2 cm x 55.88 cm

Object Name:

Poster

Associated Place:

Brazil

Subject:

South America  Search this

Latin America  Search this

Related event:

World War I  Search this

ID Number:

ZZ.RSN82631Y62

See more items in:

Political and Military History: Political History, General History Collection

Princeton Posters

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a3-999a-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_540572

Creator:

Boyd, Walter Willard, Dr.  Search this

Boyd, John C.  Search this

Carpenter, Josephine  Search this

Names:

Peter Bent Brigham Hospital.  Search this

Cushing, Harvey, Dr., 1869-1939  Search this

Pavlov, Ivan Petrovich, 1849-1936  Search this

Ruth, Babe, 1895-1948  Search this

Willard, Walter Jones  Search this

Extent:

6 Cubic feet (7 boxes)

2 Motion picture films

Type:

Collection descriptions

Archival materials

Motion picture films

Letterpress copybooks

Greeting cards

Sympathy cards

Scrapbooks

Posters

Correspondence

Date:

1874-1945

Summary:

Papers related to Dr. John C. Boyd's career as a U.S. Navy surgeon, including his commission, names recommended for awards, his casebook for 1874-1877, his correspondence, including two letterpress books, 1895-1902; photographs. Also photographs, especially those by his son, Dr. Walter Willard Boyd, of Dr. Harvey Cushing performing neurosurgical and other operations; two films (1931) of an operation; two scrapbooks, including one outlining an accident and eventual amputation of the leg of Walter Jones Willard (includes letters and sympathy cards).

Scope and Contents note:

This collection is divided into six series.

Series 1: Awards and Commissions, 1917-1920

Series 2: Casebook, 1874-1877

Series 3: CORRESPONDENCE, January 1895-February 1902

Series 4: PHOTOGRAPHS,1928 - 1939

Series 5: POSTERS, early 1900's- mid 1940's

Series 6: SCRAPBOOKS, 1888-1945

Series 7: FILM, 1931

Arrangement:

Divided into 7 series.

Biographical / Historical:

The Boyd Family Collection consists primarily of correspondence, recruitment and other posters, personal papers, and photographs of a naval surgeon, John C. Boyd, and his son Walter Willard Boyd.

Dr. John C. Boyd was a surgeon and medical inspector for the United States Navy. Included in the collection is Boyd's Naval Commission, December 19, 1873, his Patient Case Book 1874-1877, and a Letterpress book of his correspondence with other professionals and military officials. As a naval inspector, he not only examined patients' conditions, but he also inspected the sanitation of the soldier's quarters and other areas aboard naval ships.

His son, Dr. Walter Willard Boyd, was a photographer of medical surgeries performed by Dr. Harvey Cushing (1869 1939). Cushing was widely known as the greatest neurosurgeon of the 20th century and his school of neuro surgery was world famous. His contributions to neuroscience were numerous and he was also known as a medical historian. Cushing's biography of Sir William Osler won a Pulitzer Prize in 1926. Boyd interned under Cushing and put together an exhibit at the Bent Brigham Hospital's 30th Anniversary Celebration in honor of Dr. Harvey Cushing's contributions to neuroscience. This collection contains photographs taken by Walter Boyd that were displayed at this exhibit. Dr. Richard U. Light (one of Cushing's last residents and also an avid photographer) and Dr. Boyd filmed Dr. Cushing's 2000th verified brain tumor operation on April 15th, 1931. Two films of this operation are included in the collection. In addition, Scrapbook #3 contains photographs of Dr. Cushing performing operations.

Also contained in this collection is a scrapbook outlining the details of a leg accident of Walter Jones Willard. Walter Jones Willard is the son of C.C. Willard, former owner and proprietor of the Ebbitt Hotel and the Willard Hotel, both in Washington, D.C. Walter Jones Willard and his brother Edward were both graduates of Yale University class of 1892 and were members of the prominent Willard family of D.C.

Related Materials:

Some materials from the donor were distributed to other NMAH divisions or to other archival repositories.

Princeton University Posters Collection. The Princeton University Library donated this extensive collection of WWI, and WWII materials to the Smithsonian in 1963 and 1967.

Photographic scrapbook #4 of Dr. Cushing's operations can be found at the Cyber Museum of Neurosurgery. It was donated to the American Association of Neurosurgery Archives by Dr. Richard U. Light. http://www.neurosurgery.org/cybermuseum/journal/

Provenance:

Donated by Ms. Josephine Carpenter, daughter of Dr. Walter Willard Boyd, Nov. 19, 1999.

Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Occupation:

Surgeons  Search this

Topic:

Neurosurgeons  Search this

Nervous system -- Surgery  Search this

Museum curators  Search this

Medicine  Search this

Amputation  Search this

United States Navy -- 20th century  Search this

World War, 1939-1945 -- Posters -- United States  Search this

World War, 1914-1918 -- Posters -- United States  Search this

War posters  Search this

Genre/Form:

Letterpress copybooks

Greeting cards

Sympathy cards

Scrapbooks -- 1880-1910

Posters -- World War, 1914-1918 -- United States

Correspondence -- 1900-1950

Citation:

Boyd Family Papers, 1874-1945, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0707

See more items in:

Boyd Family Papers

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep81aa6aadc-9ed5-4c8c-b148-e3220cf367f1

EDAN-URL:

ead_collection:sova-nmah-ac-0707

Issuing body:

American Committee for Armenian and Syrian Relief (New York)  Search this

Sponsor:

American Committee for Armenian and Syrian Relief (New York)  Search this

Collection Creator:

Princeton University  Search this

Extent:

1 Poster (Full size; Multi-color, 116 x 76 cm)

Container:

Map-folder 353

Culture:

Syrians  Search this

Armenians  Search this

Type:

Archival materials

Posters

Photomechanical prints

Place:

United States

Image:

Main Image: Photograph of two young boys

Local numbers:

Princeton Poster# 2841

General:

Issued by: American Committee for Armenian and Syrian Relief

Artist(s): Anon

Locale:

New York

Printing Info:

Printer: Carey Show Print, New York

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

International relief  Search this

World War, 1914-1918  Search this

Charities  Search this

Orphans -- 1910-1920  Search this

Children -- 1910-1920  Search this

Starvation  Search this

Fund raising  Search this

World War, 1914-1918 -- Posters -- United States  Search this

Genre/Form:

Posters

Photomechanical prints -- 1900-1950

Posters -- World War, 1914-1918 -- United States

Collection Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

See more items in:

Princeton University Poster Collection

Princeton University Poster Collection / Series 2: World War One / United States

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8b631bf33-b342-4744-b92b-1dc9472885c8

EDAN-URL:

ead_component:sova-nmah-ac-0433-ref8236

Creator:

Ladd, Anna Coleman, 1878-1939 (sculptor)  Search this

Names:

American Red Cross. Studio for Portrait Masks (Paris, France)  Search this

Aldrich, William  Search this

Fabbricotti, Gabriella  Search this

Gardner, Isabella Stewart, 1840-1924  Search this

Hammond, Natalie Hays, 1905-  Search this

Southwick, Jessie Eldridge  Search this

Extent:

4.26 Linear feet

Type:

Collection descriptions

Archival materials

Diaries

Drawings

Sketchbooks

Photographs

Sketches

Scrapbooks

Date:

1881-1950

Summary:

The papers of sculptor Anna Coleman Ladd measure 4.26 linear feet, date from 1881-1950, and document the career of sculptor Anna Coleman Ladd. Found within the papers are biographical material, letters, diaries, financial material, notes and writings, art work, a file concerning the American Red Cross Studio for Portrait-Masks, scrapbooks, printed material, and photographs.

Scope and Contents note:

The papers of sculptor Anna Coleman Ladd measure 4.26 linear feet, date from 1881-1950, and document the career of sculptor Anna Coleman Ladd. Found within the papers are biographical material, letters, diaries, financial material, notes and writings, art work, a file concerning the American Red Cross Studio for Portrait-Masks, scrapbooks, printed material, and photographs.

Biographical materials are scattered and include calling cards, biographical sketches notes, and certificates.

Correspondence includes letters written to Anna Coleman Ladd from various family members, friends, and colleagues. Notable correspodents include William Aldrich, Gabriella Fabbricotti, Isabella Stewart Gardner, Natalie Hays Hammond, and Jessie Eldridge Southwick.

Diaries are daily diaries dating from 1903-1905 and from 1911-1912. Each diary includes short descriptions of Ladd's days.

Financial materials include receipts, stock certificates, travel materials, lists, and an account book for Dr. Maynard Ladd.

Writings and notes consists of notebooks, lists of works of art, inventories, manuscripts by Ladd and by others.

Artworks include two sketchbooks, loose drawings, and a plaster relief by Ladd as well as several sketches by others.

American Red Cross Studio for Portrait-Masks files include correspondence, writings, a scrapbook, printed materials, and photographs. Materials concern portrait masks used to disguise the disfigured faces of World War I veterans.

Scrapbooks consists of three scrapbooks containing photographs, printed materials, and writings.

Printed materials include clippings, exhibition announcements and catalogs for Ladd's works, books and booklets, and posters, some of which are French World War I propaganda.

Photographs include photographs of Anna Coleman Ladd with her works of art and in the studio, Dr. Maynard Ladd, friends, family, colleagues, and works of sculpture.

Arrangement note:

The collection is arranged as 10 series. Glass plate negatives are housed separately and closed to researchers.

Missing Title

Series 1: Biographical Material, 1910-1950 (Box 1; 4 folders)

Series 2: Correspondence, 1895-1937 (Box 1-2; 1.1 linear feet)

Series 3: Diaries, 1903-1912 (Box 2; 2 folders)

Series 4: Financial Material, 1899-1934 (Box 2; 6 folders)

Series 5: Writings and Notes, 1888-1949 (Box 2, 6, OV 7; 0.6 linear feet)

Series 6: Artwork, 1901-1928 (Box 2, 6, OV 7; 0.2 linear feet)

Series 7: American Red Cross Studio for Portrait-Masks File, 1914-1925 (Box 2-3, 6; 0.4 linear feet)

Series 8: Scrapbooks, 1900-1940 (Box 3; 0.3 linear feet)

Series 9: Printed Material, 1889-1942 (Box 3, 6, OV 7; 0.5 linear feet)

Series 10: Photographs, 1881-1932 (Box 4-6, MGP 1; 0.8 linear feet)

Biographical/Historical note:

Born in 1878 in Philadelphia to John and Mary Watts, Anna Coleman Ladd (née Watts) was educated in private schools and Europe. She also studied in America under Charles Grafly.

She moved to Boston in 1905 and married Boston pediatrician Maynard Ladd with whom she had two daughters, Gabriella May Ladd and Vernon Abbott Ladd . Working in her studio on Clarendon Street, Ladd became one of the city's most prolific sculptors, creating fountain pieces, portrait busts, memorials, and reliefs in addition to authoring two novels, Hieronymus Rides in 1912, and The Candid Adventurer in 1913.

Between 1907 and 1915, Ladd had solo exhibitions at the Gorham Gallery in New York, the Corcoran Gallery in Washington, D.C., and the Pennsylvania Academy in Philadelphia. She was also invited to exhibit her bronzes at the Panama Pacific Exposition in San Francisco. In 1914 she executed a bronze statuette of Eleanora Duse for which the actress posed, and later completed portrait busts of Anna Pavlova and Ethel Barrimore.

In late 1917 in Paris, Ladd founded the American Red Cross Studio for Portrait-Masks to provide cosmetic masks to be worn by men who had been badly disfigured in World War I. Her services earned her the Légion d'Honneur Crois de Chevalier and the Serbian Order of Saint Sava.

For many years, Ladd maintained a summer studio "Arden" at Beverly Farms in Manchester, Massachusetts. In 1923, she received an honorary degree of Master of Arts from Tufts College.

Anna Coleman Ladd died June 3, 1939 in Santa Barbara, California.

Provenance:

The Anna Coleman Ladd papers were donated in 1991 by William Terry on behalf of Robert Edwards, a friend of Anna Coleman Ladd.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Authors -- Massachusetts -- Boston  Search this

Sculptors -- Massachusetts -- Boston  Search this

Topic:

Women artists  Search this

Women sculptors  Search this

Women authors  Search this

Works of art  Search this

Portrait sculpture  Search this

Architectural sculpture  Search this

Artists' studios -- Photographs  Search this

World War, 1914-1918  Search this

Genre/Form:

Diaries

Drawings

Sketchbooks

Photographs

Sketches

Scrapbooks

Citation:

Anna Coleman Ladd papers, 1881-1950. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for processing in preparation for digitization, and for the digitization of this collection, was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

Identifier:

AAA.laddanna

See more items in:

Anna Coleman Ladd papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw91cb4fc5e-c01f-43e3-908b-b202a008717e

EDAN-URL:

ead_collection:sova-aaa-laddanna

Measurements:

overall: 30 in x 44 in; 76.2 cm x 111.76 cm

Object Name:

Poster

Associated place:

Germany

Associated date:

1915 05

Subject:

South America  Search this

Latin America  Search this

Related event:

World War I  Search this

ID Number:

ZZ.RSN82631Y53

See more items in:

Political and Military History: Political History, General History Collection

Princeton Posters

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a3-8d28-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_540563

Creator:

Poor, Henry Varnum, 1887-1970  Search this

Names:

Montross Gallery  Search this

Skowhegan School of Painting and Sculpture  Search this

Benton, William, 1900-1973  Search this

Biddle, George, 1885-1973  Search this

Billing, Jules  Search this

Burchfield, Charles Ephraim, 1893-1967  Search this

Caniff, Milton Arthur, 1907-1988  Search this

Ciardi, John, 1916-  Search this

Czebotar, Theodore  Search this

Deming, MacDonald  Search this

Dickson, Harold E., 1900-  Search this

Dorn, Marion, 1896-1964  Search this

Duchamp, Marcel, 1887-1968  Search this

Esherick, Wharton  Search this

Evergood, Philip, 1901-1973  Search this

Garrett, Alice Warder  Search this

Houseman, John, 1902-1988  Search this

Marston, Muktuk  Search this

Meredith, Burgess, 1907-1997  Search this

Mumford, Lewis, 1895-1990  Search this

Padro, Isabel  Search this

Poor, Anne, 1918-  Search this

Poor, Bessie Breuer  Search this

Poor, Eva  Search this

Poor, Josephine Graham  Search this

Poor, Josephine Lydia  Search this

Poor, Peter  Search this

Sargent, Elizabeth S.  Search this

Smith, David, 1906-1965  Search this

Steinbeck, John, 1902-1968  Search this

Watson, Ernest William, 1884-1969  Search this

Extent:

12.9 Linear feet

Type:

Collection descriptions

Archival materials

Motion pictures (visual works)

Diaries

Drawings

Sketchbooks

Date:

1873-2001

bulk 1904-1970

Summary:

The papers of Henry Varnum Poor measure 12.9 linear feet and date from 1873-2001, with the bulk from the period 1904-1970. Correspondence, writings, artwork, printed material and photographs document Poor's work as a painter, muralist, ceramic artist and potter, architect, designer, writer, war artist, educator and a co-founder of the Skowhegan School of Painting and Sculpture. Also found is extensive information about the design and construction of Crow House, his home in New City, New York, commissions for other architectural projects, and his personal life.

Scope and Content Note:

The papers of Henry Varnum Poor measure 12.9 linear feet and date from 1873-2001, with the bulk from the period 1904-1970. Correspondence, writings, artwork, printed material and photographs document Poor's work as a painter, muralist, ceramic artist and potter, architect, designer, writer, war artist, educator and a co-founder of the Skowhegan School of Painting and Sculpture. Also found is extensive information about the design and construction of Crow House, his home in New City, New York, commissions for other architectural projects, and his personal life.

Henry Varnum Poor's correspondence documents his personal, family, and professional life. Correspondents include family and friends, among them George Biddle, Charles Burchfield, John Ciardi, Marion V. Dorn (who became his second wife), Philip Evergood, Lewis Mumford, John Steinbeck, David Smith, and Mrs. John Work (Alice) Garrett. Among other correspondents are galleries, museums, schools, organizations, fans, former students, and acquaintances from his military service and travels. Family correspondence consists of Henry's letters to his parents, letters to his parents written by his wife, and letters among other family members.

Among the writings by Henry Varnum Poor are manuscripts of his two published books, An Artist Sees Alaska and A Book of Pottery: From Mud to Immortality. as well as the text of "Painting is Being Talked to Death," published in the first issue of Reality: A Journal of Artists' Opinions, April 1953, and manuscripts of other articles. There are also film scripts, two journals, notes and notebooks, lists, speeches, and writings by others, including M. R. ("Muktuk") Marston's account of Poor rescuing an Eskimo, and Bessie Breuer Poor's recollections of The Montross Gallery.

Subject files include those on the Advisory Committee on Art, American Designers' Gallery, Inc., William Benton, Harold Dickson, Reality: A Journal of Artists' Opinions Sales, and War Posters. There are numerous administrative files for the Skowhegan School of Painting and Sculpture.

Artwork by Henry Varnum Poor consists mainly of loose drawings and sketches and 45 sketchbooks of studies for paintings, murals, and pottery. There is work done in France, 1918-1919, and while working as a war correspondent in Alaska in 1943. There are commissioned illustrations and some intended for his monograph, A Book of Pottery: From Mud to Immortality. Also found are a small number of watercolors and prints. Work by other artists consist of Anne Poor's drawings of her father's hands used for the Lincoln figure in The Land Grant Frescoes and interior views of Crow House by Ernest Watson.

Documentation of Poor's architectural projects consists of drawings and prints relating to houses designed and built for Jules Billing, MacDonald Deming, John Houseman, Burgess Meredith, Isabel Padro, and Elizabeth S. Sargent. Also found is similar material for the new studio Poor built in 1957 on the grounds of Crow House.

Miscellaneous records include family memorabilia and two motion picture films, Painting a True Fresco, and The Land Grant Murals at Pennsylvania State College.

Printed material includes articles about or mentioning Poor, some of his pottery reference books, family history, a catalog of kilns, and the program of a 1949 Pennsylvania State College theater production titled Poor Mr. Varnum. Exhibition catalogs and announcements survive for some of Poor's shows; catalogs of other artists' shows include one for Theodore Czebotar containing an introductory statement by Henry Varnum Poor. Also found is a copy of The Army at War: A Graphic Record by American Artists, for which Poor served as an advisor. There are reproductions of illustrations for An Artist Sees Alaska and Ethan Frome, and two Associated American Artists greeting cards reproducing work by Poor.

Photographs are of Henry Varnum Poor's architectural work, artwork, people, places, and miscellaneous subjects. This series also contains negatives, slides, and transparencies. Images of architectural work include exterior and interior views of many projects; Poor's home, Crow House, predominates. Photographs of artwork by Poor are of drawings, fresco and ceramic tile murals, paintings, pottery and ceramic art. People appearing in photographs include Henry Varnum Poor, family members, friends, clients, juries, students, and various groups. Among the individuals portrayed are Milton Caniff, Marcel Duchamp, Wharton Esherick, M. R. ("Muktuk") Marston, and Burgess Meredith. Among the family members are Bessie Breuer Poor, Marion Dorn Poor, Anne Poor, Eva Poor, Josephine Graham Poor, Josephine Lydia Poor, Peter Poor, and unidentified relatives. Photographs of places include many illustrating village life in Alaska that were taken by Poor during World War II. Other places recorded are French and California landscapes, and family homes in Kansas. Miscellaneous subjects are exhibition installation views, scenes of Kentucky farms, and a photograph of Poor's notes on glazes.

Arrangement:

The collection is arranged as 9 series:

Missing Title

Series 1: Biographical Materials, 1919-1987 (0.2 linear feet; Box 1, OV 18)

Series 2: Correspondence, 1873-1985 (1.5 linear feet; Boxes 1-2)

Series 3: Writings and Notes, circa 1944-1974 (0.6 linear feet; Boxes 2-3)

Series 4: Subject Files, 1928-1975 (0.8 linear feet; Box 3, OV 23)

Series 5: Artwork, circa 1890s-circa 1961 (3.5 linear feet; Boxes 4-6, 9-10, OV 19-22)

Series 6: Architectural Projects, circa 1940-1966 (0.7 linear feet; Box 6, OV 24-26, RD 14-17)

Series 7: Miscellaneous Records, 1882-1967 (Boxes 6, 11, FC 30-31; 0.5 linear ft.)

Series 8: Printed Material, 1881-2001 (1.2 linear feet; Boxes 6-7, 11, OV 27-29)

Series 9: Photographs, 1893-1984 (2.3 linear feet; Boxes 7-8, 12-13)

Biographical Note:

Henry Varnum Poor (1888-1970), best known as a potter, ceramic artist, and a co-founder of the Skowhegan School of Painting and Sculpture, was also an architect, painter, muralist, designer, educator, and writer who lived and worked in New City, New York.

A native of Chapman, Kansas, Henry Varnum Poor moved with his family to Kansas City when his grain merchant father became a member of the Kansas Board of Trade. From a young age he showed artistic talent and spent as much time as possible - including school hours - drawing. When a school supervisor suggested that Henry leave school to study at the Art Institute of Chicago, the family disagreed. Instead, he enrolled in the Kansas City Manual Training High School where he delighted in learning skills such as carpentry, forge work, and mechanical drawing. In 1905, he moved with his older brother and sister to Palo Alto, California and completed high school there. Because Poor was expected to join the family business, he enrolled at Stanford University as an economics major, but much to his father's disappointment and displeasure, soon left the economics department and became an art major.

Immediately after graduation in 1910, Poor and his major professor at Stanford, Arthur B. Clark, took a summer bicycling tour to look at art in London, France, Italy, and Holland. As Poor had saved enough money to remain in London after the summer was over, he enrolled in the Slade School of Art and also studied under Walter Sickert at the London County Council Night School. After seeing an exhibition of Post-Impressionism at the Grafton Galleries in London, Poor was so impressed that he went to Paris and enrolled in the Académie Julian. While in Paris, Poor met Clifford Addams, a former apprentice of Whistler; soon he was working in Addams' studio learning Whistler's palette and techniques.

In the fall of 1911, Poor returned to Stanford University's art department on a one-year teaching assignment. During that academic year, his first one-man show was held at the university's Old Studio gallery. He married Lena Wiltz and moved back to Kansas to manage the family farm and prepare for another exhibition. Their daughter, Josephine Lydia Poor, was born the following year. Poor returned to Stanford in September 1913 as assistant professor of graphic arts, remaining until the department closed three years later. During this period, Poor began to exhibit more frequently in group shows in other areas of the country, and had his first solo exhibition at a commercial gallery (Helgesen Gallery, San Francisco). In 1916, Poor joined the faculty of the San Francisco Art Association. He and his wife separated in 1917 and were divorced the following year. Poor began sharing his San Francisco studio with Marion Dorn.

During World War I, Poor was drafted into the U. S. Army, and in 1918 went to France with the 115th Regiment of Engineers. He spent his spare time drawing; soon officers were commissioning portraits, and Poor was appointed the regimental artist. He also served as an interpreter for his company. Discharged from the Army in early 1919, Poor spent the spring painting in Paris. He then returned to San Francisco and married Marion Dorn.

Once Poor realized that earning a living as a painter would be extremely difficult in California, he and his new wife moved to New York in the autumn of 1919. They were looking for a place to live when influential book and art dealer Mary Mowbray-Clarke of the Sunwise Turn Bookshop in Manhattan suggested New City in Rockland County, New York as good place for artists. In January of 1920, the Poors purchased property on South Mountain Road in New City. The skills he acquired at the Kansas City Manual Training High School were of immediate use as Poor designed and constructed "Crow House" with the assistance of a local teenager. Influenced by the farmhouses he had seen in France, it was made of local sandstone and featured steep gables, rough plaster, chestnut beams and floors, and incorporated many hand-crafted details. Poor designed and built most of their furniture, too. Before the end of the year, he and Marion were able to move into the house, though it remained a work in progress for many years. Additions were constructed. Over time, gardens were designed and planted, and outbuildings - a kiln and pottery, work room, garage, and new studio - appeared on the property.

In 1925, two years after his divorce from Marion Dorn, Poor married Bessie Freedman Breuer (1893-1975), an editor, short story writer, and novelist. Soon after, he adopted her young daughter, Anne (1918-2002), an artist who served as his assistant on many important mural commissions. Their son, Peter (b. 1926) became a television producer. Crow House remained in the family until its sale in 2006. In order to prevent its demolition, Crow House was then purchased by the neighboring town of Ramapo, New York in 2007.

Between 1935 and 1966 Poor designed and oversaw construction of a number of houses, several of them situated not far from Crow House on South Mountain Road. Poor's designs, noted for their simplicity, featured modern materials and incorporated his ceramic tiles. Among his important commissions were houses for Maxwell Anderson, Jules Billig, Milton Caniff, MacDonald Deming, and John Houseman.

Poor's first exhibition of paintings in New York City was at Kevorkian Galleries in 1920, and sales were so disappointing that he turned his attention to ceramics. His first pottery show, held at Bel Maison Gallery in Wanamaker's department store in 1921, was very successful. He quickly developed a wide reputation, participated in shows throughout the country, and won awards. He was a founder of the short-lived American Designers' Gallery, and the tile bathroom he showed at the group's first exposition was critically acclaimed. Poor was represented by Montross Gallery as both a painter and potter. When Montross Gallery closed upon its owner's death in 1932, Poor moved to the Frank K. M. Rehn Gallery.

Even though Poor's pottery and ceramic work was in the forefront, he continued to paint. His work was acquired by a number of museums, and the Limited Editions Club commissioned him to illustrate their republications of Ethan Frome, The Scarlet Letter, and The Call of the Wild.

Poor's first work in true fresco was shown in a 1932 mural exhibition at the Museum of Modern Art. Between 1935 and 1949 he was commissioned to produce several murals in fresco for Section of Fine Arts projects at the Department of Justice and the Department of the Interior, The Land Grant Frescoes at Pennsylvania State College, and a mural for the Louisville Courier-Journal. Ceramic tile mural commissions included: the Klingenstein Pavilion, Mt. Sinai Hospital, New York City; Travelers Insurance Co., Boston; the Fresno Post Office, California; and Hillson Memorial Gallery, Deerfield Academy, Deerfield, Mass.

As a member of the War Artists' Unit, Poor was a "war correspondent" with the rank of major in World War II, and for several months in 1943 was stationed in Alaska. An Artist Sees Alaska, drawing on Poor's observations and experiences, was published in 1945. A Book of Pottery: From Mud to Immortality, his second book, was published in 1958. It remains a standard text on the subject. While on the faculty of Columbia University in the 1950s, Poor and other artists opposed to the growing influence of Abstract Expressionism formed the Reality Group with Poor the head of its editorial committee. Their magazine, Reality: A Journal of Artists' Opinions, first appeared in 1953 featuring "Painting is Being Talked to Death" by Poor as its lead article. Two more issues were published in 1954 and 1955.

Along with Willard Cummings, Sidney Simon, and Charles Cuttler, in 1946 Henry Varnum Poor helped to establish the Skowhegan School of Painting and Sculpture in Skowhegan, Maine. He served as its first president. Poor and his daughter, Anne, were active members of the Board of Trustees and were instructors for many years. The summer of 1961 was Henry Varnum Poor's last as a full-time teacher, though he continued to spend summers at Skowhegan.

Henry Varnum Poor exhibited widely and received many awards, among them prizes at the Carnegie Institute, Syracuse Museum of Fine Arts, Virginia Museum of Fine Arts, Pennsylvania Academy of the Fine Arts, and the Architectural League of New York. Poor was appointed to the United States Commission of Fine Arts by President Roosevelt in 1941 and served a five year term. He was elected a member of the National Institute of Arts and Letters in 1943. The National Academy of Design named him an Associate Artist in 1954 and an Academician in 1963. He became a trustee of the American Craftsman's Council in 1956. The work of Henry Vernum Poor is represented in the permanent collections of many American museums including the Cleveland Museum of Art, Metropolitan Museum of Art, Brooklyn Museum, Addison Gallery of American Art, and Syracuse Museum of Fine Arts.

Henry Varnum Poor died at home in New City, New York, December 8, 1970.

Related Material:

An oral history interview with Henry Varnum Poor was conducted by Harlan Phillips for the Archives of American Art in 1964.

Provenance:

Gift of Henry Varnum Poor's son, Peter V. Poor, in 2007. A smaller portion was loaned to the Archives in 1973 by Anne Poor for microfilming and returned to the lender; this material was included in the 2007 gift.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of audiovisual recordings with no duplicate access copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

War artists  Search this

Educators -- New York (State) -- New York  Search this

Ceramicists -- New York (State) -- New York  Search this

Muralists -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Designers -- New York (State) -- New York  Search this

Topic:

Architects -- New York (State) -- New York  Search this

World War, 1914-1918  Search this

Pottery -- New York (State) -- New York  Search this

Genre/Form:

Motion pictures (visual works)

Diaries

Drawings

Sketchbooks

Citation:

Henry Varnum Poor papers, 1873-2001, bulk 1904-1970. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.poorhenr

See more items in:

Henry Varnum Poor papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw96265d653-098f-4ccc-abed-0bc649c50516

EDAN-URL:

ead_collection:sova-aaa-poorhenr

Creator:

National Air and Space Museum (U.S.)  Search this

Names:

National Air and Space Museum (U.S.)  Search this

Extent:

2.7 Cubic feet ((6 legal document boxes) (1 oversized box))

Type:

Collection descriptions

Archival materials

Color transparencies

Glass negatives

Negatives

Photographs

Date:

1914-[ca. 1980s]

bulk 1914-1918

Summary:

This collection is a product of the material gathered for the exhibit, book, brochure and poster. It includes a large amount of additional information gathered for research but not used. The Collection is divided into six series: I. Exhibit Catalog Images; II. Exhibit Only Images; III. Brochure Images; IV. Poster Images; V. Original Photography; VI. Research Collection. Different sized black and white and color photographs, mostly 8 x 10s, are included in most of the series, although captions are not always provided. Other types of materials are corresponding negatives, photocopies, glass plate negatives and color transparencies.

Scope and Contents:

This collection is a product of the material gathered for the exhibit, book, brochure and poster. It includes a large amount of additional information gathered for research but not used. The Collection is divided into six series: I. Exhibit Catalog Images; II. Exhibit Only Images; III. Brochure Images; IV. Poster Images; V. Original Photography; VI. Research Collection. Different sized black and white and color photographs, mostly 8 x 10s, are included in most of the series, although captions are not always provided. Other types of materials are corresponding negatives, photocopies, glass plate negatives and color transparencies.

The following was added to this collection on July 28, 2006: photographs, notes, correspondence, photography requests and receipts, and research articles. This material was separated into two series: 7: General research information, including approved scripts, photographs, information gathered in the making of a brochure for this exhibit, and information on World War I aircraft engines; 8: Photographic request correspondence, receipts, and transparencies, separated by specific organizations and individuals.

The ninth series was added in April of 2019: original archival materials that had been displayed in this exhibit, including record albums, manuals and dictionaries/glossaries, C & A Wittemann Aeronautical Supplies catalog, photographs (including Sanke Cards), a 1918 Experimental Scout Plan (SE-5) Model drawing, military correspondence and logbook belonging to Lancelot Bellinger, Royal Marines.

Note: The digital images in this finding aid were repurposed from scans made by an outside contractor for a commercial product and may show irregular cropping and orientation in addition to color variations resulting from damage to and deterioration of the original objects.

Arrangement:

The World War I Exhibit Collection is arranged in series as organized by the exhibit curators.

Biographical / Historical:

In 1991, the National Air and Space Museum created an exhibit with a correlating text called 'Legend, Memory, and the Great War in the Air'. The Great War, as World War I was originally called, was one of the bloodiest wars known to man, with over 11 million soldiers killed on the battle field and in the air. The collection is mostly dedicated to the war in the air and encompasses the harsh reality as well as the not so realistic images of World War I.

General:

NASMrev

Provenance:

Various, Transfer, 1993, 1993-0063, see Donor Correspondence

Restrictions:

No restrictions on access.

Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

Topic:

Aeronautics, Military  Search this

Airplanes  Search this

Aeronautics  Search this

World War, 1914-1918 -- Aircraft  Search this

World War, 1914-1918 -- Aerial operations  Search this

World War, 1914-1918  Search this

Genre/Form:

Color transparencies

Glass negatives

Negatives

Photographs

Citation:

World War I Exhibit Collection, Acc. NASM.1993.0063, National Air and Space Museum, Smithsonian Institution.

Identifier:

NASM.1993.0063

See more items in:

World War I Exhibit Collection

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2d4f1deda-04b2-4fe1-ae0e-c9c4ad53ee31

EDAN-URL:

ead_collection:sova-nasm-1993-0063

Printed by:

E.G. Renesch, American  Search this

Medium:

lithographic ink on paper

Dimensions:

H x W: 19 11/16 x 15 13/16 in. (50 x 40.2 cm)

Type:

chromolithographs

Date:

1918

Topic:

African American  Search this

Art  Search this

Military  Search this

Segregation  Search this

U.S. History, 1865-1921  Search this

World War I  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2008.2.3

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Memorabilia and Ephemera-Political and Activist Ephemera

Exhibition:

Double Victory: The African American Military Experience

On View:

NMAAHC (1400 Constitution Ave NW), National Mall Location, Community/Third Floor, 3 053

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd55143ff30-f35d-47cf-8404-8a0053c47256

EDAN-URL:

edanmdm:nmaahc_2008.2.3

Distributed by:

Norman Studios, American, 1920 - 1928  Search this

Subject of:

Kathryn Boyd, American, 1897 - 1965  Search this

John L. Criner, American, 1898 - 1965  Search this

Boise De Legge, American  Search this

Lions Daniels, American  Search this

George Colvin, American, born 1864  Search this

Sam Jordan  Search this

R.L. Brown  Search this

Steve Reynolds, American, 1892 - 1945  Search this

Bessie Coleman, American, 1892 - 1926  Search this

Medium:

ink on paper (fiber product)

Dimensions:

H x W (image): 21 1/2 × 13 in. (54.6 × 33 cm)

H x W (sheet): 22 1/16 × 14 in. (56 × 35.6 cm)

Type:

fliers (printed matter)

posters

Place used:

United States, North and Central America

Date:

1926

Topic:

African American  Search this

Actors  Search this

Film  Search this

Race films  Search this

U.S. History, 1919-1933  Search this

World War I  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2013.118.245

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Collection title:

A Cinema Apart: African American Film Memorabilia (Larry Richards Collection)

Classification:

Memorabilia and Ephemera-Advertisements

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd53ef41ed1-613e-4757-985f-a698a4bc2018

EDAN-URL:

edanmdm:nmaahc_2013.118.245

Subject of:

John L. Criner, American, 1898 - 1965  Search this

Kathryn Boyd, American, 1897 - 1965  Search this

Boise De Legge, American  Search this

Lions Daniels, American  Search this

George Colvin, American, born 1864  Search this

Sam Jordan  Search this

Steve Reynolds, American, 1892 - 1945  Search this

Bessie Coleman, American, 1892 - 1926  Search this

Medium:

ink on paper (fiber product)

Dimensions:

H x W (image): 38 × 24 in. (96.5 × 61 cm)

H x W (sheet): 41 × 26 15/16 in. (104.1 × 68.4 cm)

Type:

posters

Place used:

United States, North and Central America

Date:

1926

Topic:

African American  Search this

Actors  Search this

Film  Search this

Race films  Search this

U.S. History, 1919-1933  Search this

World War I  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2013.118.33

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Collection title:

A Cinema Apart: African American Film Memorabilia (Larry Richards Collection)

Classification:

Memorabilia and Ephemera-Advertisements

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd565ee460f-e186-44f6-af5d-760306667ca7

EDAN-URL:

edanmdm:nmaahc_2013.118.33

Edited by:

W.E.B. Du Bois, American, 1868 - 1963  Search this

Subject of:

The Crisis, American, founded 1910  Search this

National Association for the Advancement of Colored People, American, founded 1909  Search this

Judge Robert Herberton Terrell, American, 1857 - 1925  Search this

Gen. Charles Clarendon Ballou, American, 1862 - 1928  Search this

Attributed to:

Robert Edmond Jones, American, 1887 - 1954  Search this

Written by:

Col. Charles Young, American, 1864 - 1922  Search this

Newton D. Baker, American, 1871 - 1937  Search this

Joseph Seamon Cotter Sr., American, 1861 - 1949  Search this

Fenton Johnson, American, 1888 - 1958  Search this

Medium:

ink on paper with metal

Dimensions:

H x W: 9 5/8 × 6 7/8 in. (24.4 × 17.5 cm)

H x W (Open): 9 5/8 × 13 5/8 in. (24.4 × 34.6 cm)

Type:

magazines (periodicals)

Place printed:

New York City, New York, United States, North and Central America

Place depicted:

France, Europe

Wilson, Wilson County, North Carolina, United States, North and Central America

Date:

June 1918

Topic:

African American  Search this

Advertising  Search this

Associations and institutions  Search this

Black Press  Search this

Business  Search this

Civil Rights  Search this

Education  Search this

Law  Search this

Literature  Search this

Lynching  Search this

Mass media  Search this

Military  Search this

Poetry  Search this

Race relations  Search this

Social life and customs  Search this

Social reform  Search this

U.S. History, 1865-1921  Search this

World War I  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2015.97.15.7

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Movement:

Anti-Lynching Movement

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd594d085cb-13bb-4cb3-8d84-fd4e0fd53db0

EDAN-URL:

edanmdm:nmaahc_2015.97.15.7

Physical Description:

paper (overall material)

ink (overall material)

Measurements:

overall: 22 in x 14 in; 55.88 cm x 35.56 cm

Object Name:

Poster

Subject:

World War I  Search this

Related event:

World War I  Search this

ID Number:

AF.59545-N(2)

Accession number:

279555

Catalog number:

59545-N(2)

See more items in:

Political and Military History: Armed Forces History, Naval

Princeton Posters

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a2-90ab-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_450693

Creator:

United Cigars  Search this

Collection Creator:

Princeton University  Search this

Extent:

1 Poster (Full size; Multi-color, 96 x 66 cm)

Container:

Map-folder 70

Type:

Archival materials

Posters

Place:

United States

Date:

1918 Apr. 21- 1919 May 10

Image:

Main Image: Worker

Local numbers:

Princeton Poster# 651

General:

Issued for: Victory Liberty Loan [4 3/4%]

Artist(s): Gerrit A. Benecker

Series:

1-C

Printing Info:

Printer: Edwards & Deutsch Litho. Co., Chicago

Related Materials:

Duplicates: 10011, 2808, 651

Condition differs: No

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Fund raising  Search this

Reconstruction  Search this

World War, 1914-1918  Search this

Conservation of natural resources  Search this

Daylight saving  Search this

Genre/Form:

Posters

Collection Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

See more items in:

Princeton University Poster Collection

Princeton University Poster Collection / Series 3: Between Wars / United States

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8166ecb83-fa9e-4e71-9049-6f69d21118c9

EDAN-URL:

ead_component:sova-nmah-ac-0433-ref10415

Creator:

American Red Cross. (Washington, D.C.)  Search this

U.S. Army and Navy Nurse Corps  Search this

Collection Creator:

Princeton University  Search this

Extent:

1 Item (1/8 size; Multi-color, 29.5 x 21.5 cm)

Container:

Box 39, Folder 1

Type:

Archival materials

Leaflets

Posters

Place:

United States

Date:

1943 Jun

Image:

Main Image: Two Army and Navy Nurses, both in uniform

Other Image(s): 14 photographs: (1) Nurses waiting for ship assignments (2) Nurses on Hospital Ship [etc]

Local numbers:

Princeton Poster# 8031

General:

Issued by: American National Red Cross

Issued for: Army & Navy Nurse Corps

Artist(s): Anon

Series:

ARC 1612

Locale:

Washington (D.C.)

Printing Info:

Printing Information: New York Other Printing Info: LIP & BA Union Label S.A. No.1 Registered 34

Property of Princeton [...] Received JUN 19, 1943

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Relief and volunteer organizations  Search this

World War, 1939-1945  Search this

World War, 1939-1945 -- Posters -- United States  Search this

World War, 1914-1918 -- War work  Search this

Women in war  Search this

Genre/Form:

Leaflets

Posters -- World War, 1939-1945 -- United States

Collection Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

See more items in:

Princeton University Poster Collection

Princeton University Poster Collection / Series 4: World War Two / United States

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8f1bc3876-c679-48bb-8477-d1361e47a361

EDAN-URL:

ead_component:sova-nmah-ac-0433-ref14770

Creator:

Blood Donor Service  Search this

American Red Cross.. New York Chapter. (New York.)  Search this

Artist:

Batchelp, C.S.E.  Search this

Collection Creator:

Princeton University  Search this

Extent:

1 Poster (Full size; Multi-color, 91.5 x 61 cm)

Container:

Map-folder 456

Type:

Archival materials

Posters

Place:

United States

Image:

Main Image: Shadowy image of a man holding a pint of blood next to a wounded U.S. soldier with Red Cross ambulance in background

Local numbers:

Princeton Poster# 3548

General:

Issued by: American Red Cross, New York Chapter

Issued for: Blood Donor Service

Artist(s): [C.S.E. Batchelp?]

Locale:

New York

Note:

Main Image is courtesy of THE NEWS - New York's Picture Newspaper

Printing Info:

Printing Information: New York Other Printing Info: LIP & BA Union Label S.A. No.1

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Relief and volunteer organizations  Search this

World War, 1939-1945  Search this

World War, 1939-1945 -- Posters -- United States  Search this

World War, 1914-1918 -- War work  Search this

Genre/Form:

Posters

Posters -- World War, 1939-1945 -- United States

Collection Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

See more items in:

Princeton University Poster Collection

Princeton University Poster Collection / Series 4: World War Two / United States

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep80624ae69-0ad4-40da-94a0-7349756d6747

EDAN-URL:

ead_component:sova-nmah-ac-0433-ref14937

Issuing body:

United Cigars  Search this

Creator:

United Cigars  Search this

Collection Creator:

Princeton University  Search this

Extent:

1 Poster (Full size; Multi-color, 101.5 x 51 cm)

Container:

Map-folder 390

Type:

Archival materials

Posters

Place:

United States

Image:

Main Image: Columbia shaking hands with female "Belgium"

Local numbers:

Princeton Poster# 3087

General:

Issued by: [DJP 9/16/93] [United Cigars] - [Princeton Card Catalog]

Artist(s): [Symbol of N and B in circle tangential to a cross]

Related Materials:

Duplicates: 1205, 3087

Condition differs: No

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Tribute to Allies  Search this

World War, 1914-1918  Search this

Genre/Form:

Posters

Collection Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

See more items in:

Princeton University Poster Collection

Princeton University Poster Collection / Series 6: Unknown / United States

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep83cfbd60d-1ce9-4846-b3ea-981d1cf6dfb8

EDAN-URL:

ead_component:sova-nmah-ac-0433-ref15225

Sponsor:

Fourth Liberty Loan  Search this

Collection Creator:

Princeton University  Search this

Extent:

1 Item (Multicolor, Ink on paper., 35.5 cm x 28.5 cm.)

Type:

Archival materials

Display cards

Date:

September 28-October 19, 1918

Scope and Contents:

Main image: A flag with four vertical blue lines on a white field, with a red border.

Series Statement:

13BB.

General:

Princeton donor information: 82623 W45.

There is duplicate image and text on the reverse side of the display card.

Printing Info:

Akron, The Commercial Printing and Lithograph Company

Related Materials:

See also #'s 0433.09900, and 0433.02241.

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Fund raising  Search this

Liberty bonds  Search this

United States -- History, 1913-1921  Search this

World War, 1914-1918 -- United States  Search this

Genre/Form:

Display cards -- World War, 1914-1918 -- United States.

Collection Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

See more items in:

Princeton University Poster Collection

Princeton University Poster Collection / Series 2: World War One / United States

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8b0a93462-77db-42a8-825b-64c417633a9b

EDAN-URL:

ead_component:sova-nmah-ac-0433-ref3949

Sponsor:

American Committee for Armenian and Syrian Relief (New York)  Search this

Creator:

Liberty Loan  Search this

Collection Creator:

Princeton University  Search this

Extent:

1 Item (monochrome, text only, 3 x 4-1/2")

Culture:

Syrians  Search this

Armenians  Search this

Type:

Archival materials

Posters

Scope and Contents:

Cream-colored card. Second column: "Philanthropy / Give Liberty Bonds..."

Local Numbers:

AC0433-0010334-02.tif (AC Scan No.)

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Endowments  Search this

International relief  Search this

Fund raising  Search this

Starvation  Search this

World War, 1914-1918 -- Posters -- United States  Search this

Charities  Search this

Genre/Form:

Posters -- World War, 1914-1918 -- United States

Collection Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

See more items in:

Princeton University Poster Collection

Princeton University Poster Collection / Series 2: World War One / United States / Buy Liberty Bonds / Give Them for / 2 1/2 Million / Starving / Armenians. Syrians. Greeks ...

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8d94a8974-5140-4b80-930e-0e7372ca2361

EDAN-URL:

ead_component:sova-nmah-ac-0433-ref4439

Issuing body:

Liberty Loan Publicity Committee  Search this

Creator:

United States Government Gold Bonds  Search this

Collection Creator:

Princeton University  Search this

Extent:

1 Poster (1/4 size; Monochrome, Text Only, 51 x 35.5 cm)

Container:

Box 19, Folder 9

Type:

Archival materials

Posters

Place:

United States

Date:

1917

Local numbers:

Princeton Poster# 6186

General:

Issued by: Liberty Loan Publicity Committee

Issued for: U.S. Government Gold Bonds, [Liberty Bonds]

Locale:

New York

Printing Info:

Printer: B. Rankovick, New York

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Fund raising  Search this

Ethnic groups  Search this

United States -- History, 1913-1921  Search this

World War, 1914-1918 -- Posters -- United States  Search this

War posters, American -- 1914-1918.  Search this

Genre/Form:

Posters

Posters -- World War, 1914-1918 -- United States

Collection Citation:

Princeton University Posters Collection, Archives Center, National Museum of American History.

Sponsor:

Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.

See more items in:

Princeton University Poster Collection

Princeton University Poster Collection / Series 1: Pre-World War One / United States

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep80dbf4aee-99ff-4a19-a877-c3698149ad9d

EDAN-URL:

ead_component:sova-nmah-ac-0433-ref4554