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Frederick William MacMonnies papers

Creator:
MacMonnies, Frederick William, 1863-1937  Search this
Names:
Ecole nationale supérieure des beaux-arts (France) -- Students  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Barnard, George Grey, 1863-1938  Search this
Bion, Paul  Search this
Booth, Edwin, 1833-1893  Search this
Flanagan, John F., 1865-1952  Search this
MacMonnies, Alice  Search this
MacMonnies, Berthe  Search this
MacMonnies, Betty  Search this
MacMonnies, Marjorie  Search this
MacMonnies, Mary Fairchild, 1858-1946  Search this
McClellan, George Brinton, 1826-1885  Search this
Smart, Mary, 1915-  Search this
White, Stanford, 1853-1906  Search this
Extent:
7 Linear feet
Type:
Collection descriptions
Archival materials
Memoirs
Manuscripts
Photographs
Sketches
Typescripts
Diaries
Sketchbooks
Date:
1874-1997
Summary:
The papers of sculptor Frederick William MacMonnies date from 1874 to 1997 and measure 7.0 linear feet. Found within the papers are biographical material, a diary, correspondence, personal business records, project files, two sketchbooks and sketches, writings, printed material, and photographs. Well over one-half of the collection consists of Mary Smart's research files for her biography of MacMonnies, A Flight with Fame, as well as clippings regarding her research and a copy of the book.
Scope and Content Note:
The papers of sculptor Frederick William MacMonnies date from 1874 to 1997 and measure 7.0 linear feet. Found within the papers are biographical material, a diary, correspondence, personal business records, project files, two sketchbooks and sketches, writings, printed material, and photographs. Well over one-half of the collection consists of Mary Smart's research files for her biography of MacMonnies, A Flight with Fame, as well as clippings regarding her research and a copy of the book.

Biographical material consists of a student card to the École des Beaux-Arts, a certificate of registration as an American Citizen, the wills of MacMonnies and his second wife, Alice, and a biographical note by Alice MacMonnies.

The most significant item in the collection is MacMonnies' diary that documents his first voyage to Europe where he was anxious to pursue his studies in sculpture. His well-described activities during his first year of study in Paris, Munich, and in Italy illustrate the excitement and challenges faced by serious art students in the mid-1880s.

Correspondence includes letters exchanged between MacMonnies and colleagues including George Grey Barnard, Paul Bion, and John Flanagan. There are also letters from MacMonnies to his second wife Alice and to his daughters, Berthe Helene (Betty) and Marjorie MacMonnies.

Personal business records include deeds for land in Long Island, New York, certificates of copyright for MacMonnies' art work, and a rental agreement for and inventory of MacMonnies' studio in Giverny, France.

Project files are found for the Fountain Barge of State at World's Columbian Exposition in Chicago and other sculpture pieces. There is also a sheet of preliminary sketches for the statue General George B. McClellan.

Art work consists of two sketchbooks, drawings, and plaster casts of sketches for planned sculpture projects for the New York Public Library, a memorial statue for Edwin Booth, and a drinking fountain.

Writings include a manuscript by MacMonnies concerning the adverse effects modernity was having on beauty in art, a typescript concerning George Grey Barnard's statue of Lincoln, and memoirs by Mary Fairchild MacMonnies Low in which she describes her early life, her first encounter with MacMonnies, and their life together in Paris and Giverny, including a visit from Stanford White and his wife.

Well over one-half of the collection consists of Mary Smart's research files for her biography of MacMonnies, A Flight with Fame. Printed material includes clippings and a copy of Mary Smart's book.

Photographs are of Frederick MacMonnies, family members, his studio, a horse used as a model for The Horse Tamers, and art work.
Arrangement:
The collection is arranged as 10 series:

Missing Title

Series 1: Biographical Material, 1884-1921 (Box 1; 5 folders)

Series 2: Diary, 1884-1885 (Box 9; 1 folder)

Series 3: Correspondence, 1880-1971 (Box 1; 0.6 linear feet)

Series 4: Personal Business Records, 1874-1931 (Box 1; 6 folders)

Series 5: Project Files, 1891-1935 (Box 1, 9-10; 27 folders)

Series 6: Art Work, 1910-1914 (Box 1, 8-9; 1.1 linear feet)

Series 7: Writings, 1912-1917 (Box 2; 12 folders)

Series 8: Mary Smart's Research Files, 1908-1997 (Box 2-6, 9; 4.2 linear feet)

Series 9: Printed Material, 1896-1996 (Box 6-7; 13 folders)

Series 10: Photographs, 1889-1911 (Box 7, 9; 8 folders)
Biographical Note:
Frederick William MacMonnies (1863-1937) of New York City, was a well known sculptor of the Beaux-Arts School, equally successful in France as in the United States. He was also a highly accomplished painter and portraitist.

Frederick William MacMonnies was born on September 28, 1863 in Brooklyn Heights, New York, the son of Juliana Eudora West and William MacMonnies. From an early age, MacMonnies showed skill in fashioning figures from wax. Because the Civil War put an end to his father's prosperous importing business, MacMonnies had to leave school at a young age in order to earn money to support the family.

With the help of a stone carver friend of his father, MacMonnies became a studio assistant to Augustus Stint-Gaudens in 1880. MacMonnies also studied at night at Cooper Union. In 1882 Saint-Gaudens promoted MacMonnies to apprentice and encouraged his development as an artist. MacMonnies began studying drawing at the National Academy of Design and occasionally attended classes at the Art Students League. It was during this time that he became better acquainted with Saint-Gaudens' important patrons and colleagues including John LaFarge, Charles F. McKim, Stanford White.

In 1884 MacMonnies left for Paris to study first at the Académie Colarossi and later at the École des Beaux-Arts under Jean Alexandre Falguière. In 1888 he opened a studio in Paris where he mentored artists including Janet Scudder and Mary Foote. He married a fellow artist, Mary Louise Fairchild in 1888. They had two daughters, Berthe Hélène and Marjorie. They were divorced in 1909, and Mary married painter Will Hicok Low later that year. MacMonnies married his former student Alice Jones in 1910.

MacMonnies executed commissions for Stanford White and John La Farge. In 1889, he won a competition to complete a statue of Nathan Hale for City Hall Park. He won a medal in the Paris Salon for his statue of Hale and a second medal for his statue of James T. Stranahan, earning status as a master artist. In 1891, he was commissioned to produce the central fountain for the World's Columbian Exposition in Chicago.

Even though MacMonnies travelled annually to the United States, he maintained his primary residences and studios in Paris and Giverny, France. He was also an occasional painter and had a solo exhibition at the Durand-Ruel Galleries in the United States in 1903. In 1905 his Bacchante and Infant Faun statue became the center of controversy when it was rejected by conservative groups in Boston. It was later acquired by the Metropolitan Museum in New York City. In 1915 he returned permanently to the United States.

MacMonnies was an Academician of the National Academy of Design, Chevalier of the Legion of Honor of France and hors concours at the Paris Salon allowing him to submit works directly to the Salon without initial scrutiny by judges.

Frederick William MacMonnies died of pneumonia on March 22, 1937 in New York City.
Related Material:
Also found in the Archives of American Art are four letters from MacMonnies to Allan Marquand cataloged separately, and a typescript "The Form of the Princeton Monument" lent by Elric Endersby in 1976 and microfilmed on reel 1094.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reels D245 and 3042) including five scrapbooks and letters from Augustus Saint-Gaudens to MacMonnies. Lent materials were returned to the lenders and are not described in the collection container inventory.
Provenance:
The bulk of Frederick William MacMonnies papers were donated by the artist's granddaughters Louise Wysong Rice and Marjorie Vander Velde in 1988 and 1998. Some, but not all, of the papers were originally loaned for microfilming and were later included in the donations. A small addition to the papers was transferred from the Smithsonian's Museum of American Art Library in 1981.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Genre/Form:
Memoirs
Manuscripts
Photographs
Sketches
Typescripts
Diaries
Sketchbooks
Citation:
Frederick William MacMonnies papers, 1874-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.macmfred
See more items in:
Frederick William MacMonnies papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d2bebb53-2d94-42a0-86a5-2ece04bf3710
EDAN-URL:
ead_collection:sova-aaa-macmfred
Online Media:

Charles M. Kurtz papers

Creator:
Kurtz, Charles M. (Charles McMeen), 1855-1909  Search this
Names:
Albright Art Gallery (Buffalo, N.Y.)  Search this
American Art Association  Search this
Buffalo Fine Arts Academy  Search this
Exposition universelle internationale de 1900 (Paris, France)  Search this
Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this
National Academy of Design (U.S.)  Search this
Pennsylvania Academy of the Fine Arts  Search this
Saint Louis Exposition and Music Hall Association (1883-1902 : Saint Louis, Mo.)  Search this
Southern Exposition (1885 : Louisville, Ky.)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Starkweather family  Search this
Abbey, Edwin Austin, 1852-1911  Search this
Avery, Samuel Putnam, 1822-1904  Search this
Cesnola, Luigi Palma di, 1832-1904  Search this
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Hallowell, Sara  Search this
Hambidge, Jay, 1867-1924  Search this
Hasbrouck, Du Bois Fenelon, b.1860  Search this
Irwin, Benoni, 1840-1896  Search this
Ives, Halsey Cooley, 1847-1911  Search this
Kurtz, Davis Brook Kurtz, 1826-1906  Search this
Kurtz, Julia Stephenson  Search this
Reid, Alexander  Search this
Rhodes, Charles Ward, d. 1905  Search this
Richardson, Mary Curtis, 1848-1931  Search this
Sedelmeyer, Charles  Search this
Thum, Patty P., 1853-1926  Search this
Wanamaker, John, 1838-1922  Search this
Wickenden, Robert J.  Search this
Photographer:
Pluschow, Guglielmo  Search this
Extent:
27.74 Linear feet
Type:
Collection descriptions
Archival materials
Menus
Photographs
Lithographs
Etchings
Address books
Engravings
Visiting cards
Diaries
Photogravures
Tempera paintings
Oil paintings
Sketches
Date:
1843-1990
bulk 1884-1909
Summary:
The papers of arts administrator, museum director, collector, dealer, and editor Charles M. Kurtz (1855-1909), measure 27.74 linear feet and date from 1843-1990 (bulk dates 1884-1909). The bulk of the collection consists of detailed chronological correspondence between Kurtz and his wife and family, friends, colleagues, and business associates that documents many notable exhibitions, galleries, museums, private collections, as well as cities, people, and events of the period. Also found in the collection are Kurtz's diaries, scrapbooks, printed materials, and photographs.
Scope and Content Note:
The Charles M. Kurtz papers measure 27.74 linear feet and date from 1843 to 1990 with the bulk of the material dating from 1884 to 1909. The bulk of the collection consists of chronological correspondence between Kurtz and his family, most notably his wife, friends, colleagues, and business associates. Kurtz's letters are amazingly detailed and document many notable exhibitions, galleries, museums, private collections, as well as cities, people, and events of the period. The letters between Kurtz and his wife are most interesting for their descriptive commentary on late 19th century life and offer a complete picture of Kurtz's activities. Many of Kurtz's letters to Halsey C. Ives can be found in the Halsey C. Ives Papers. Some of the letters in the collection are illustrated. Also found in the collection are Kurtz's diaries, scrapbooks, printed materials, and photographs.
Arrangement:
The collection is organized into twelve series.

Missing Title

Series 1: Biographical Information, 1885-1931, undated

Series 2: Correspondence, 1843-1940, undated

Series 3: Circulars/Requests for Submissions of Works of Art, 1886-1905

Series 4: Legal Records, 1881-1928

Series 5: Financial Records, 1870-1989, undated

Series 6: Diaries, 1894-1901

Series 7: Notes and Writings, 1872-1980, undated

Series 8: Scrapbooks, 1878-1909

Series 9: Printed Material, 1873-1990, undated

Series 10: Photographs, 1898-1990

Series 11: Photographs of Works of Art, undated

Series 12: Miscellany, undated
Biographical Note:
Charles M. Kurtz's name is known to many scholars and students of American art history. To some he is important for his critical writings, others are interested in his management of exhibitions for the Art Union and the American Art Association. Many are aware of him because of his publication of National Academy Notes, which continued for nine years. Still others are familiar with Kurtz in his role as an art administrator for late 19th century art exhibitions like those at the 1893 Columbian Exposition in Chicago and the St. Louis Fair, or for his accomplishments as the first director of the Albright Gallery in Buffalo, New York. Sometimes researchers have become familiar with his name through the sale catalogue for his considerable collection, which was sold at auction after his death in 1909. His career, which encompassed the last quarter of the nineteenth century and the first decade of the twentieth century, touched on virtually every aspect of art in America during that period.

Born in 1853 to Davis Brook Kurtz (1826-1906), an attorney, and Julia Wilder, Charles Kurtz enjoyed a genteel upbringing. The Kurtz family originated in Darmstadt, Germany, and migrated to America in the eighteenth century. D.B. Kurtz, a leading member of the Lawrence County bar, was also a vice-president of the National Bank of Lawrence County, Pennsylvania. As a local representative of many important railroad and business interests, he accumulated assets estimated at one million dollars by the time of his death, just three years before that of his son, Charles, the eldest of his five children. Unlike his brothers Louis, who also became an attorney, and Edward, a professor at Columbia University, Charles eschewed a professional career to enter the art world, as did his sisters Emily, an artist, and Catherine, a musician.

After his graduation from Washington and Jefferson College in Washington, Pennsylvania, Kurtz visited the Centennial Exposition, held in 1876 in Philadelphia, before coming to New York to study art at the National Academy of Design. These two activities foreshadowed the direction that his career would eventually take. As the chronology indicates, his early efforts revolve around writing for a variety of publications, most notably, his own National Academy Notes. In 1881 he took what was to be the first of many trips abroad to survey the art scene in Europe. Later in his career, his fascination with foreign art and his own entrepeneurial interests led him to become an outspoken opponent of tariffs on imported art.

Kurtz's personal life changed significantly in 1884 when he met Julia Stephenson, a physician's daughter and fledging art student from Harrodsburg, Kentucky. Throughout their courtship and after their marriage the couple was frequently separated. Consequently, they wrote lengthy letters which document not only their personal relationship but also Kurtz's aspirations and activities in the art world.

With his appointment as one of Halsey C. Ives's (1847-1911) chief assistants of the Fine Arts Department of the World's Columbian Exposition in 1891, Charles Kurtz's career achieved international stature. Among the most notable European artists he introduced into this country through circulating exhibitions were the Glasgow School, the Danish School, the Hungarian artist, Mihaly Munkacsy, and the subject of his final exhibition, the Spanish artist, Sorolla.

Throughout his life, Kurtz was plagued by health problems and, in 1899, illness forced him to resign as Assistant Director of Fine Arts for the United States for the Paris Exposition of 1900. Throughout the following decade, his work was increasingly interrupted by ill health. His death in 1909 at the age of 54, while sudden, was not entirely unexpected. However it most certainly cut short a cosmopolitan career that encompassed virtually every aspect of the art world and the pertinent issues of the day.

Kurtz is remembered for his editorial work with the National Academy of Design; as Art Director for the Southern Exposition, 1883-1886, and the St. Louis Exposition, 1894-1899 (where he introduced the Glasgow School of Painting); and as Assistant Chief/Director for the World's Columbian Exposition, the 1900 Paris Exposition, and the 1904 Louisiana Purchase Exposition. He was also director of the Buffalo Fine Arts Academy.

Missing Title

1855 -- Charles McMeen Kurtz born

1876 -- receives B.S. degree from Washington and Jefferson College, Washington, Pennsylvania

1876-78 -- studies at the National Academy of Design, N.Y. with Lemuel Wilmarth and William Morgan; writes a column, "New York Letters," for The Courant published in New Castle, Pennsylvania

1878 -- edits a small daily paper published during a "National Camp Meeting for the promotion of Holiness" held that summer in New Castle, Pa.; its critical stance resulted in his public denouncement and earned him a reputation as a journalist in western Pennsylvania; receives M.A. from Washington and Jefferson College

1878-79 -- becomes the local editor of The Guardian of New Castle

1879 -- publishes The Daily Reporter, a financial success

1881 -- publishes the first issue of National Academy Notes; travels in Europe, spending time in England, Holland, Belgium, Germany, Switzerland, Italy and France (Paris)

1881-82 -- prepares Illustrated Notes for Metropolitan Museum of Art exhibition

1882 -- writes "Art Notes" in The New York Tribune and resigns Dec. 23rd

1882-83 -- accepts position to write for Music and Drama, a new daily paper

1883 -- becomes the general manager of the American Art Union; exhibits a large collection of Art Union paintings in Buffalo, N.Y. and Louisville, Ky., where they became part of the Southern Exposition's first great art display

1883-86 -- accepts offer to become Director of the Art Department, Southern Exposition, Louisville, Kentucky

1884 -- edits Art Union magazine until December; applies for position to head the Art Department of the New Orleans World's Fair in September

1884-86 -- accepts a position offered by the American Art Association; terminates uncongenial relationship in March, 1886

1885 -- writes catalogues for the sale of the George Seney Collection and for the Watts exhibition at the Metropolitan Museum of Art, New York; October 1, marries Julia Stephenson (1861-1931), daughter of Dr. A. T. Stephenson of Harrodsburg, Kentucky; they had two daughters who survived them: Julia Wilder Kurtz (1889-1977), and Isabella Starkweather Kurtz (1901-1991); another daughter, Elizabeth Stephenson Kurtz (1886-1897), predeceased them

1886 -- terminates employment with the Art Association; daughter, Elizabeth Stephenson Kurtz, born

1886-87 -- manages the circulation of Mihaly Munkacsy's Christ Before Pilot for Charles Sedelmeyer to American venues: New York, Boston, St. Louis, Cincinnati, Kansas City, Minneapolis, Saint Paul, Nashville, Phildelphia, Indianapolis; tour generates $90,000 in ticket receipts

1889-91 -- February 24, appointed art critic ("Art Notes") and book reviewer for New York Daily Star; later literary and art editor of the Sunday Star

1890 -- writes for the Sunday edition The Press, a New York paper

1891 -- writes for The World; art editor for The New York Recorder; contributes to the New York Truth

1891-93 -- contributes to Chicago Evening Post ; writes artist biographies for The Chicago Graphic, a regional magazine; appointed Assistant Chief of the Department of Fine Arts of the World's Columbian Exposition

1894 -- contributes column, "Art at the Exposition" to St. Louis Life

1895 -- tours Denmark, Scotland, and France during the summer on behalf of the St. Louis Exposition

1894-99 -- appointed Director of the Art Department of the St. Louis Annual Exposition

1896 -- elected member of The Japan Society, London

1897 -- daughter, Elizabeth (Daisy), dies

1898 -- receives a diploma and medal "in recognition of valuable services in connection with the Fine Arts Exhibit" from the directors of the Trans-Mississippi International Exposition, Omaha

1899 -- appointed Assistant Director of Fine Arts for the United States Commission to the Paris Exposition of 1900; resigned in July due to ill health

1901-04 -- appointed Assistant Chief of the Department of Art of the Louisiana Purchase Exposition, August

1901 -- daughter, Isabella Starkweather Kurtz, born

1902 -- receives honorary Ph.D from Washington and Jefferson College "in recognition of distinguished ability and services as an art critic and writer"

1905 -- receives the cross of the Order of Merit from Prince Ferdinand of Bulgaria; appointed Director, Buffalo Fine Arts Academy and Albright Art Gallery, Buffalo, New York, in January; exhibits Glasgow paintings at Albright Art Gallery from November until the following April

1906 -- writes Academy Notes, a bulletin pubished by the Buffalo Fine Arts Academy and the Albright Art Gallery; father, D.B. Kurtz, dies in Newcastle, Pennsylvania

1907 -- accused of importing German pictures free of duty for exhibition purposes and then selling some for profit

1908 -- Honorary Doctor of Philosophy degree conferred by Washington and Jefferson College

1909 -- Charles M. Kurtz dies in Buffalo, New York on March 21

1910 -- Sale of the private collection of Charles M. Kurtz at auction, Fifth Avenue Art Galleries, February 24-25

1931 -- Widow, Julia Stephenson Kurtz dies October 30

1977 -- Daughter, Julia Wilder Kurtz, dies

1991 -- Daughter, Isabel Starkweather Kurtz, dies in Buffalo, N.Y.; remaining Charles M. Kurtz Papers bequeathed to the Archives of American Art and the National Academy of Design, New York
Related Material:
The St. Louis Exposition/Halsey C. Ives papers in the Archives of American Art contain material relating to Charles M. Kurtz.

Additional Charles Kurtz papers, 1870-1910, including 340 letters which discuss exhibitions, sales of art, patronage, atelier visits, and submissions to publications, and letters to his parents in which he discsses the art market and art world new; as well as manuscripts, notebooks, a diary, and printed ephemera relating to exhibitions and publications, are available at the Getty Research Institute, Research Library, Los Angeles, California.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reel 4912) including Charles Kurtz's Glasgow painting diary. The loaned diary was returned to the lender and can now be found at the Yale Center for British Art in New Haven, Connecticut. This material is not described in the collection container inventory.
Provenance:
For many years, the Kurtz Papers were thought to have been destroyed in a fire. Isabel Kurtz, a school teacher who lived with her older sister in Buffalo, New York, was vague when initially approached about her father's papers by Archives Regional Director, Robert Brown in the mid-1980s. However upon her death in 1991, her will revealed that the papers were indeed in her house in Buffalo and the bulk of them were bequeathed to the Archives of American Art. Paintings and a diary relating to the Glasgow School were given to the Yale Center for British Art. That diary has subsequently been duplicated on microfilm and is now also available in the Archives. Scorch marks on some of the papers and also on the paintings given to Yale suggest that there was indeed a fire. The material that was not bequeathed to the Archives included duplicates of printed documents along with books from the Kurtz library and a coin collection, all of which were dispersed in an estate auction that was held in Buffalo in 1991.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
Glasgow painting diary, Microfilm reel 4912: Authorization to publish, quote, or reproduce requires written permission from Yale Center for British Art. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Editors -- United States  Search this
Art critics -- United States  Search this
Arts administrators -- United States  Search this
Topic:
Works of art  Search this
Glasgow school of painting  Search this
Exhibitions -- United States  Search this
Art, Scottish  Search this
Art -- Private collections  Search this
Art criticism  Search this
Art -- Collectors and collecting  Search this
Museum directors -- New York (State) -- Buffalo  Search this
Function:
Art museums -- New York (State)
Genre/Form:
Menus
Photographs
Lithographs
Etchings
Address books
Engravings
Visiting cards
Diaries
Photogravures
Tempera paintings
Oil paintings
Sketches
Citation:
Charles M. Kurtz papers, 1843-1990 (bulk 1884-1909). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kurtchar
See more items in:
Charles M. Kurtz papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b7ebdf20-07b7-468c-96e8-53e65d6c18a2
EDAN-URL:
ead_collection:sova-aaa-kurtchar
Online Media:

Emmet family papers

Creator:
Emmet family  Search this
Names:
Berkshire Museum  Search this
Danforth Museum  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Beaux, Cecilia, 1855-1942  Search this
Casals, Pablo, 1876-1973  Search this
De Glehn, Jane Erin Emmet, 1873-1961  Search this
De Glehn, Wilfrid-Gabriel, 1870-1951  Search this
Doyle, Nancy  Search this
Emmet, Julia Colt Pierson, 1829-1908  Search this
Emmet, Lydia Field, 1866-1952  Search this
Emmet, Robert, 1778-1803  Search this
Fontanne, Lynn  Search this
James, Henry, 1843-1916  Search this
La Farge, Bancel, 1865-1938  Search this
Lunt, Alfred  Search this
MacMonnies, Frederick William, 1863-1937  Search this
Metcalfe, Susy  Search this
Millay, Edna St. Vincent, 1892-1950  Search this
Monod, Lucien  Search this
Morgan, Elizabeth Emmet, d. 1934  Search this
Ormond, Violet Sargent  Search this
Quilter, Roger, 1877-1953  Search this
Rand, Ellen Emmet, 1875-1941  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Sargent, Emily, 1857-  Search this
Sargent, John Singer, 1856-1925  Search this
Sherwood, Robert E. (Robert Emmet), 1896-1955  Search this
Sherwood, Rosamond, 1899-  Search this
Sherwood, Rosina Emmet, 1854-1948  Search this
White, Stanford, 1853-1906  Search this
Extent:
9.1 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Photographs
Video recordings
Drawings
Diaries
Sound recordings
Date:
1792-1989
bulk 1851-1989
Summary:
The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts, whose artistic talents flourished during the later 19th through the mid-20th centuries. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators.
Scope and Content Note:
The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators, whose artistic talents flourished during the late nineteenth through the mid-twentieth centuries.

Biographical material consists of family trees and family histories; individual biographical accounts, award certificates, and documentation for Julia Colt Pierson Emmet, Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn, and Wilfrid de Glehn; a diary titled "Sedgemere Diary" containing drawings and entries primarily by Rosina Emmet Sherwood, and a smaller diary which mentions Rosina's son, future playwright Robert Sherwood; a documentary by Nancy B. Doyle on two VHS videocassettes, entitled The Emmets: Portrait of a Family; and artifacts comprising a rear-view optical device and locks of hair from an early nineteenth century generation of the Emmet family.

Correspondence forms the bulk of the collection and illustrates the interaction between members of this large and influential family and their colleagues and friends, offering a wide-ranging view of life in the late nineteenth through the mid-twentieth centuries, and through two World Wars. The series consists of letters between family members, primarily Julia Colt Pierson Emmet and her daughters, as well as cousins Henry James, Ellen "Bay" Emmet Rand, and Rosamond Sherwood, and friends Cecilia Beaux, Louis Bancel LaFarge, Frederick MacMonnies, Lucien Monod, Roger Quilter, Augustus Saint-Gaudens, Emily and John Singer-Sargent, Violet Sargent Ormond, and Stanford White. Topics include experiences of the Emmets while studying art in Paris, Rosina's presentation at Queen Victoria's court, Lydia's work at the Columbia Exposition, Jane's marriage to Wilfrid de Glehn and her friendship with John Singer Sargent, portrait painting activities, the troubles of their friend Susy Metcalfe in her marriage to Pablo Casals, and the activities of Rosina's son, playwright Robert Emmet Sherwood, and friends Alfred Lund and Lynn Fontanne.

Writings and notes consist of scattered manuscripts and poems by family members, two notebooks, one identified as belonging to Jane Erin Emmet de Glehn, and typescripts about Wilfrid de Glehn following his death. Also found is a book, Out of Town, written and illustrated by Rosina Emmet Sherwood, and Edna St Vincent Millay's poem "Autum Daybreak" written in Millay's handwriting.

Exhibition files document an exhibition held at the Berkshire Museum/Danforth Museum in Pittsfield/Farmingham, Massachusetts in 1982 entitled The Emmets: A Family of Women Painters, and include two audio cassettes of recordings from the "Art for Lunch" series at the Berkshire Museum discussing the exhibition.

Business records include account books belonging to Lydia Field Emmet and Rosina Emmet Sherwood, both of which document income from artwork and other sources, and expenses; a contract for the reproduction of Lydia Field Emmet's artwork; and a document concerning ownership of property, possibly of Emmet family ancestors.

Printed Material consists of clippings, exhibition announcements and catalogs, and reproductions of artwork by Emmet family members and others.

Two scrapbooks contain a combination of drawings, primarily by Rosina Emmet Sherwood, reproductions of artwork, and photographs.

Artwork includes drawings and sketchbooks by Julia Colt Pierson Emmet, Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn Ellen Emmet Rand, and other Emmet relatives, illustrating the early development of their talent.

Photographs are of family members, including Julia Colt Pierson Emmet and William Jenkins Emmet, their daughters Lydia Field Emmet, Jane Erin Emmet de Glehn and husband Wilfrid de Glehn, Rosina Emmet Sherwood and husband Arthur Murray Sherwood, and Robert Emmet Sherwood as a young man. Also found are photos of friends Richard Harding Davis, Frederick MacMonnies, and Augustus Saint-Gaudens; a series of photographs of the installation at Arden Galleries, New York (1936) for the exhibition Paintings, Drawings and Sculptures by Five Generations of the Emmet Family; and photographs of artwork by Emmet family members.
Arrangement:
The Emmet family papers are arranged as nine series.

Missing Title

Series 1: Biographical Material, circa 1855-1988 (0.6 linear feet; Boxes 1, 10, OV 12)

Series 2: Correspondence, 1792-1985 (6.2 linear feet; Boxes 1-7)

Series 3: Writings and Notes, circa 1870s-1981 (11 folders; Box 7)

Series 4: Exhibition Files, 1947-1983 (0.3 linear feet; Boxes 7-8)

Series 5: Business Records, circa 1799-1945 (7 folders; Box 8)

Series 6: Printed Material, 1872-1989 (0.35 linear feet; Boxes 8, 10)

Series 7: Scrapbooks, 1870-1890 (0.2 linear feet; Boxes 8, 10)

Series 8: Artwork, circa 1850-circa 1920 (0.35 linear feet; Boxes 8, 10)

Series 9: Photographs, circa 1870s-circa 1950s (1 linear foot; Boxes 8-9, 11)
Biographical Note:
The Emmet family, descended from patriot Thomas Addis Emmet, brother of Irish martyr Robert Emmet, counts many physicians, lawyers, and writers (including cousin Henry James) among its ranks. Although evidence of artistic talent existed in several previous generations, it flourished during the later 19th through the mid-20th centuries in the professional portraiture of sisters Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn, and their cousin Ellen "Bay" Emmet Rand.

The eldest daughter of Julia Colt Pierson Emmet (1829-1908), herself a talented illustrator who had studied under Daniel Huntington, Rosina "Posie" Emmet (1854-1948) studied under William Merritt Chase at his Tenth Street Studio in New York and under Robert-Fleury at the Academie Julian in Paris. Before her marriage to Arthur Murray Sherwood in 1887, Rosina established a studio in New York and continued to submit illustrations to various publications. During her marriage, she slowed her creative activities, until financial reverses dictated her return to her career around the turn of the 20th century. Her daughter Rosamond Sherwood (1899-1990) was also a portrait painter. Her son, Robert Emmet Sherwood (1896-1955) became a four-time Pulitzer Prize-winning playwright.

Lydia Field Emmet (1866-1952) studied under Collin, Bouguereau, MacMonnies, and Robert-Fleury at the Academie Julian. Upon her return to New York, Lydia continued her studies under Chase, Kenyon Cox, H. Siddons Mowbray, and Robert Reid at the Art Students League, as well as at Chase's Shinnecock Summer School of Art. She established her portrait studio in New York City and began spending summers at Stockbridge, Massachusetts, where she built her home, "Strawberry Hill," in 1905. Best known for her portraits of children, Lydia's subjects were members of the socially prominent families of New York, Boston, and Philadelphia.

The youngest sister, Jane Erin Emmet (1873-1961), also studied with Chase in New York, and in Paris. In 1904, she married British landscape painter Wilfrid Von Glehn, who had visited the United States with his friend John Singer Sargent. (The Von Glehns' surname was changed to De Glehn, in 1919.) Settling in London, Jane continued her painting, befriended many artists and composers, and accompanied her husband and Sargent on several art-related journeys through Europe.

The Emmet sisters' cousin, Ellen Gertrude "Bay" Emmet (1875-1941), studied in New York at the Art Students League and under Frederick MacMonnies in Paris, becoming a National Academician in 1934. She married William Blanchard Rand in 1911 and settled in Salisbury, Connecticut. After the stock market crash of 1929, Bay's portraits of prominent society figures provided most of her family's income.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 4544) including one scrapbook, compiled by Rosina Emmet Sherwood, consisting of portrait sketches, drawings of her dogs, genre scenes, travel views, and photographs of travels, friends, actors, and the ship "Scythia,". Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
In 1988-1991, the bulk of the Emmet family papers were donated by Rosamond Sherwood, daughter of Rosina Emmet Sherwood (via Katharine Emmet Bramwell of New York), by Rosamond Sherwood's estate (via F. Douglas Cochrane, executor, from Boston), and by Rosamond's nieces, Virginia Sherwood and Julia Shipway. Additionally, one scrapbook was lent for microfilming in 1990 and subsequently donated by Mrs. Earl Maize. Douglas Cochrane then loaned another scrapbook for microfilming (reel 4344) in 1991 which was returned to Mrs. Earl Maize.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- England -- London  Search this
Topic:
Art -- Study and teaching -- France -- Paris  Search this
Works of art  Search this
Painting, American -- New York (State)  Search this
Illustrators -- New York (State)  Search this
Playwrights  Search this
Portrait painters -- New York (State) -- New York  Search this
Singers  Search this
World War, 1914-1918  Search this
World War, 1939-1945  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Photographs
Video recordings
Drawings
Diaries
Sound recordings
Citation:
Emmet family papers, 1792-1989 (bulk 1851-1989). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.emmefami
See more items in:
Emmet family papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d9921791-cc0b-425c-810b-1da218cafcec
EDAN-URL:
ead_collection:sova-aaa-emmefami
Online Media:

Man in Costume and with Ornaments Near Round Pole and Thatch House with Woven Mat Blinds at Midway Plaisance

Creator:
Snow, B. L.  Search this
Names:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Collection Creator:
Smithsonian Institution. United States National Museum. Department of Anthropology. Division of Ethnology  Search this
Extent:
1 Photomechanical print (005 in x 008 in)
Culture:
Samoan  Search this
Samoans  Search this
Type:
Archival materials
Photomechanical prints
Photographs
Date:
1894
Local Numbers:
NAA INV.05266901
Local Note:
Copyright: Snow, B. L.;1894
Black and white photomechanical print
Place:
Illinois -- Chicago
Genre/Form:
Photographs
Citation:
Photo Lot 97 DOE Oceania: West Polynesia: Samoan: Misc 05266901, National Anthropological Archives, Smithsonian Institution
See more items in:
Division of Ethnology photograph collection 1
Division of Ethnology photograph collection 1 / Oceania / W Polynesia / Samoa
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3027ebb07-7bcd-4e7e-9a5c-4581d7be8936
EDAN-URL:
ead_component:sova-naa-photolot-97-ref13606

Portrait of Man from Samoa in Costume and with Ornaments and In Midway Plaisance

Creator:
Snow, B. L.  Search this
Names:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Collection Creator:
Smithsonian Institution. United States National Museum. Department of Anthropology. Division of Ethnology  Search this
Extent:
1 Photomechanical print (005 in x 008 in)
Culture:
Samoan  Search this
Samoans  Search this
Type:
Archival materials
Photomechanical prints
Photographs
Date:
1894
Local Numbers:
NAA INV.05266902
Local Note:
Copyright: Snow, B. L.;1894
Black and white photomechanical print
Place:
Illinois -- Chicago
Genre/Form:
Photographs
Citation:
Photo Lot 97 DOE Oceania: West Polynesia: Samoan: Misc 05266902, National Anthropological Archives, Smithsonian Institution
See more items in:
Division of Ethnology photograph collection 1
Division of Ethnology photograph collection 1 / Oceania / W Polynesia / Samoa
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw397048bae-ee22-4197-8793-c783961fd29f
EDAN-URL:
ead_component:sova-naa-photolot-97-ref13607

Man and Woman from Java in Costume and with Ornaments And Umbrellas

Creator:
Snow, B. L.  Search this
Names:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Collection Creator:
Smithsonian Institution. United States National Museum. Department of Anthropology. Division of Ethnology  Search this
Extent:
1 Photomechanical print (008 in x 010 in)
Culture:
Javanese (Indonesian people)  Search this
Type:
Archival materials
Photomechanical prints
Photographs
Date:
1894
Local Numbers:
NAA INV.05266903
Local Note:
Copyright: Snow, B. L.;1894
Black and white photomechanical print
Place:
Illinois -- Chicago
Genre/Form:
Photographs
Citation:
Photo Lot 97 DOE Oceania: West Polynesia: Samoan: Misc 05266903, National Anthropological Archives, Smithsonian Institution
See more items in:
Division of Ethnology photograph collection 1
Division of Ethnology photograph collection 1 / Oceania / W Polynesia / Samoa
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw397255103-337b-4e5d-886f-6d3d2c071fc4
EDAN-URL:
ead_component:sova-naa-photolot-97-ref13608

Portrait of Mele (Woman) in Costume and with Neck and Head Ornaments

Creator:
Coover, Place B.?  Search this
Names:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Collection Creator:
Smithsonian Institution. United States National Museum. Department of Anthropology. Division of Ethnology  Search this
Extent:
1 Photomechanical print (009 in x 012 in)
Culture:
Javanese (Indonesian people)  Search this
Type:
Archival materials
Photomechanical prints
Photographs
Date:
1893
Local Numbers:
NAA INV.05267000
Local Note:
Copyright: Coover, Place B.; 1893
Black and white photomechanical print
Place:
Illinois -- Chicago
Genre/Form:
Photographs
Citation:
Photo Lot 97 DOE Oceania: West Polynesia: Samoan: Misc 05267000, National Anthropological Archives, Smithsonian Institution
See more items in:
Division of Ethnology photograph collection 1
Division of Ethnology photograph collection 1 / Oceania / W Polynesia / Samoa
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw35b992328-5a66-4620-9311-276ff83c477e
EDAN-URL:
ead_component:sova-naa-photolot-97-ref13609

Portrait of Ghoms Mariame (Woman) in Costume and with Ornaments at Midway Plaisance

Names:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Collection Creator:
Smithsonian Institution. United States National Museum. Department of Anthropology. Division of Ethnology  Search this
Extent:
1 Photomechanical print (005 in x 008 in)
Culture:
Sinhalese  Search this
Type:
Archival materials
Photomechanical prints
Photographs
Date:
1893
Local Numbers:
NAA INV.05267501
Local Note:
Black and white photomechanical print
Place:
Illinois -- Chicago
Genre/Form:
Photographs
Citation:
Photo Lot 97 DOE Oceania: West Polynesia: Samoan: Misc 05267501, National Anthropological Archives, Smithsonian Institution
See more items in:
Division of Ethnology photograph collection 1
Division of Ethnology photograph collection 1 / Oceania / W Polynesia / Samoa
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3cb638f16-cc82-4a04-b7be-fb9b0c33ebf2
EDAN-URL:
ead_component:sova-naa-photolot-97-ref13617

Lola and Feteioa in Costume and with Ornaments Near Round Pole and Thatch House with Woven Mat Blinds

Creator:
Werner Co ?  Search this
Names:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Collection Creator:
Smithsonian Institution. United States National Museum. Department of Anthropology. Division of Ethnology  Search this
Extent:
1 Photomechanical print (005 in x 008 in)
Culture:
Samoan  Search this
Samoans  Search this
Type:
Archival materials
Photomechanical prints
Photographs
Date:
1893
Local Numbers:
NAA INV.05267502
Local Note:
Black and white photomechanical print
Place:
Illinois -- Chicago
Genre/Form:
Photographs
Citation:
Photo Lot 97 DOE Oceania: West Polynesia: Samoan: Misc 05267502, National Anthropological Archives, Smithsonian Institution
See more items in:
Division of Ethnology photograph collection 1
Division of Ethnology photograph collection 1 / Oceania / W Polynesia / Samoa
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw369628afd-f150-44f0-bf77-335478daa41c
EDAN-URL:
ead_component:sova-naa-photolot-97-ref13618

Two Men and Two Women in Partial Costume and with Ornaments, Some with Headgear, at Midway Plaisance

Names:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Collection Creator:
Smithsonian Institution. United States National Museum. Department of Anthropology. Division of Ethnology  Search this
Extent:
1 Photomechanical print (008 in x 006 in)
Culture:
Afghan  Search this
Type:
Archival materials
Photomechanical prints
Photographs
Date:
1893
Local Numbers:
NAA INV.05267601
Local Note:
Black and white photomechanical print
Place:
Illinois -- Chicago
Genre/Form:
Photographs
Citation:
Photo Lot 97 DOE Oceania: West Polynesia: Samoan: Misc 05267601, National Anthropological Archives, Smithsonian Institution
See more items in:
Division of Ethnology photograph collection 1
Division of Ethnology photograph collection 1 / Oceania / W Polynesia / Samoa
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw335f1354f-e529-4800-be5c-458baf903d08
EDAN-URL:
ead_component:sova-naa-photolot-97-ref13619

Man and Boy in Costume and with Fezzes

Creator:
Werner Co ?  Search this
Names:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Collection Creator:
Smithsonian Institution. United States National Museum. Department of Anthropology. Division of Ethnology  Search this
Extent:
1 Photomechanical print (004 in x 008 in)
Culture:
Arabs  Search this
Type:
Archival materials
Photomechanical prints
Photographs
Date:
1893
Local Numbers:
NAA INV.05267602
Local Note:
Black and white photomechanical print
Place:
Illinois -- Chicago
Genre/Form:
Photographs
Citation:
Photo Lot 97 DOE Oceania: West Polynesia: Samoan: Misc 05267602, National Anthropological Archives, Smithsonian Institution
See more items in:
Division of Ethnology photograph collection 1
Division of Ethnology photograph collection 1 / Oceania / W Polynesia / Samoa
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw352bce42c-7ecb-4ac6-ab05-6944ac245f30
EDAN-URL:
ead_component:sova-naa-photolot-97-ref13620

King Bull, Patriarch, and Great Grandchildren in Costume in Sled Pulled by Reindeer Outside Sod Houses; Woman, Man, and Two Dogs Nearby

Creator:
Snow, B. L.  Search this
Werher Co. ?  Search this
Attributed name:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Collection Creator:
Smithsonian Institution. United States National Museum. Department of Anthropology. Division of Ethnology  Search this
Extent:
1 Photomechanical print (010 in x 008 in)
Culture:
Lapps  Search this
Type:
Archival materials
Photomechanical prints
Photographs
Date:
1893
Local Numbers:
NAA INV.04111401
Local Note:
Copyright: Snow, B. L.; 1893
Black and white photomechanical print
Place:
Illinois -- Chicago
Genre/Form:
Photographs
Citation:
Photo Lot 97 DOE Europe: Norway: Lapps: NM Unlisted 04111401, National Anthropological Archives, Smithsonian Institution
See more items in:
Division of Ethnology photograph collection 1
Division of Ethnology photograph collection 1 / Europe / Norway / Lapps
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3d0764ca7-d3f1-49e0-be54-3d68fbbb62c2
EDAN-URL:
ead_component:sova-naa-photolot-97-ref2128

Man Leading Camel with Woman Riding on Top; Both in Costume

Creator:
Snow, B. L.  Search this
Werher Co. ?  Search this
Attributed name:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Collection Creator:
Smithsonian Institution. United States National Museum. Department of Anthropology. Division of Ethnology  Search this
Extent:
1 Photomechanical print (010 in x 008 in)
Culture:
Bedouin  Search this
Type:
Archival materials
Photomechanical prints
Photographs
Date:
1893
Local Numbers:
NAA INV.04111402
Local Note:
Copyright: Snow, B. L.; 1893
Black and white photomechanical print
Place:
Illinois -- Chicago
Genre/Form:
Photographs
Citation:
Photo Lot 97 DOE Europe: Norway: Lapps: NM Unlisted 04111402, National Anthropological Archives, Smithsonian Institution
See more items in:
Division of Ethnology photograph collection 1
Division of Ethnology photograph collection 1 / Europe / Norway / Lapps
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3df159173-769f-4d31-8157-eb8a91f922c7
EDAN-URL:
ead_component:sova-naa-photolot-97-ref2129
Online Media:

Larry Zim World's Fair Collection

Collector:
Cooper-Hewitt Museum  Search this
Zim, Larry (Larry Zimmerman), 1931-1987  Search this
National Museum of American History (U.S.). Division of Cultural History  Search this
Names:
Alaska-Yukon-Pacific Exposition (1909 : Seattle, Wash.)  Search this
Appalachian Exposition. (Knoxville, Tennessee: 1911)  Search this
Art and Techniques Exposition (Paris, France: 1937)  Search this
British Empire Exhibition (Wembley, London, England: 1924-1925)  Search this
British Empire Exposition (Glasgow, Scotland: 1938)  Search this
Bronx International Exposition (New York, New York: 1917-1918)  Search this
Brussels International (1910 )  Search this
California Midwinter International Exposition (1894 : San Francisco, Calif.)  Search this
California-Pacific International Exposition (San Diego, California: 1935-1936)  Search this
Canadian National Exposition (1937)  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Centennial Exposition of the Ohio Valley and Central States (1888 : Cincinnati, Ohio)  Search this
Century of Progress International Exposition (1933-1934 : Chicago, Ill.)  Search this
Chicago Autumn Festival (1899)  Search this
Cincinnati Industrial Exposition (1882 : Cincinnati, Ohio)  Search this
Cotton States Exposition (1895 : Atlanta, Ga)  Search this
Esposizione Internationale (1911 : Turin, Italy)  Search this
Esposizione Internationale D'Arte (Venice, Italy: 1910)  Search this
Esposizione Internazionale d'Arte (1895 : Venice, Italy)  Search this
Exhibition of Art Treasures (1857 : Manchester, England)  Search this
Exhibition, Massachusetts Charitable Mechanic Association (1878 : Boston, Massachusetts)  Search this
Expo 67 (Montréal, Québec)  Search this
Exposicion Centro-Americana (1897 : Guatemala City, Guatemala)  Search this
Exposition International (1894 : Lyons, France)  Search this
Exposition International Coloniale Maritime et d'Art Flammand (Antwerp, Belgium: 1930)  Search this
Exposition International de Liege (1930)  Search this
Exposition Internationale Maritime (1887 : Le Havre, France)  Search this
Exposition Nationale Belge (1880 : Belgium)  Search this
Exposition Universelle (1885 : Antwerp, Belgium)  Search this
Exposition Universelle de Paris (1855 : Paris, France)  Search this
Exposition Universelle de Paris (1878 : Paris, France)  Search this
Exposition coloniale internationale de Paris (1931)  Search this
Exposition universelle de 1867 à Paris  Search this
Exposition universelle de 1889 (Paris, France)  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Exposition universelle internationale de 1900 (Paris, France)  Search this
Fiera di Milano (1939)  Search this
Foreign Exhibition (1883 : Boston, Massachusetts)  Search this
Franco-British Exhibition (London, England: 1908)  Search this
Franklin Institute Exhibition (1874 : Philadelphia, Pennsylvania)  Search this
Gewerbe Austellung (1896 : Berlin, Germany)  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Great Exhibition of 1851 (London, England)  Search this
Great Industrial Exhibition (1853 : Dublin, Ireland)  Search this
Great Lakes Exposition (Cleveland, Ohio: 1936-1937)  Search this
Hemisfair '68 (San Antonio, Texas: 1968)  Search this
Hudson-Fulton Celebration (1909)  Search this
Imperial International Exhibition (London, England: 1909)  Search this
International Exhibition (1897 : Brussels, Belgium)  Search this
International Exhibition of 1862 (London, England)  Search this
International Exhibition of 1871 (London, England)  Search this
International Exhibition of 1872 (London, England)  Search this
International Exhibition of Arts and Manufactures (1865: Dublin, Ireland)  Search this
International Exposition (Barcelona, Spain: 1929-1930)  Search this
International Exposition (Brussels, Belgium: 1935)  Search this
International Exposition of Decorative Arts and Modern Industries (1925 : Paris, France)  Search this
International Exposition on the Environment (Spokane, Washington: 1974)  Search this
International Fire Exhibition 1903 : London, England)  Search this
International Marine Exhibition of Marine Hygiene and Exhibition of the Italian Glories (Genoa, Italy: 1914)  Search this
International Ocean Exposition (Okinawa, Japan: 1975)  Search this
Interstate and West Indian Exposition (Charleston, South Carolina: 1901-1902)  Search this
Italian Exposition (1904 : London, England)  Search this
Jamestown Tercentennial Exposition (Hampton Roads, Virginia: 1907)  Search this
Japan World Exposition (Osaka, Japan: 1970)  Search this
Japan-British Exhibition (London, England: 1910)  Search this
Knoxville International Energy Exposition (1982)  Search this
Lewis and Clark Centennial Exposition (1905 : Portland, Or.)  Search this
Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this
National Ecuadorian Exposition (Quito, Ecuador: 1909)  Search this
National Export Exposition (1899 : Philadelphia, Pennsylvania)  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
New York World's Fair (1964-1965)  Search this
Pan-American Exposition (1901: Buffalo, N.Y.)  Search this
Panama-California Exposition (1915 : San Diego, Calif.)  Search this
Panama-Pacific International Exposition (1915 : San Francisco, Calif.)  Search this
Scottish National Exposition (Edinburgh, Scotland: 1908)  Search this
Sesqui-Centennial International Exposition (1926 : Philadelphia, Pa.)  Search this
Sydney International Exhibition (Sydney, Australia: 1879)  Search this
Texas Centennial Central Exposition (Dallas, Texas: 1936)  Search this
Universal Exhibition (1873 : Vienna, Austria)  Search this
Western Pennsylvania Exposition (1915 : Pittsburgh, Pennsylvania)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
World's Industrial and Cotton Centennial Exposition (1884-1885 : New Orleans, La.)  Search this
Extent:
46 Cubic feet (123 boxes and 150 map-folders)
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Postcards
Greeting cards
Stationery
Panoramas
Sheet music
Posters
Shopping bags
Photographs
Stereographs
Menus
Place:
Disneyland (California)
Date:
1841-1988
Scope and Contents:
Memorabilia of fairs and World's Fairs throughout history, both in the United States and abroad, including photographs, stereographs, panoramas and slides; printed materials; postcards; sheet music; philatelic material; stationery and greeting cards; menus and food service items; posters; shopping bags; motion picture films; and other items.
Arrangement:
The collection is divided into three series.

Series 1: World's Fair Materials, 1841-1988

Series 2: Reference and Miscellaneous Materials

Series 3: Larry Zim Materials

Series 4: Oversize Materials, 1909-1968
Biographical / Historical:
Larry Zim, whose actual name was Larry Zimmerman, was an industrial designer, a historian of World's Fairs who wrote extensively on the subject, and a collector of World's Fair memorabilia.
Provenance:
Collection by bequest of Larry Zim.
Restrictions:
Collection is open for research but two oversize folders are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Crystal Palace -- (New York, New York)  Search this
Exhibitions  Search this
Genre/Form:
Motion pictures (visual works)
Postcards
Greeting cards
Stationery
Panoramas
Sheet music -- 20th century
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Photographs -- 19th century
Sheet music -- 19th century
Stereographs
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Citation:
Larry Zim World's Fair Collection, 1841-1988, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0519
See more items in:
Larry Zim World's Fair Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8523c6615-9c45-41fc-86c2-ca7717969437
EDAN-URL:
ead_collection:sova-nmah-ac-0519
Online Media:

Interior of the Liberal Arts Building, From the top of Elevator, World's Columbian Exposition [black-and-white photoprint, stereograph]

Publisher:
B.W. Kilburn Company  Search this
Collector:
Zim, Larry (Larry Zimmerman), 1931-1987  Search this
Names:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Collection Collector:
Cooper-Hewitt Museum  Search this
Zim, Larry (Larry Zimmerman), 1931-1987  Search this
Extent:
1 Item (3.6" x 7".)
Type:
Archival materials
Stereographs
Place:
Chicago Ill. -- 1890-1900
Date:
1894
Scope and Contents:
Image includes exhibits and a large American flag hanging from the ceiling.
Local Numbers:
AC0519-0000112.tif (AC Scan)
Restrictions:
Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Interior architecture -- World's fairs  Search this
Buildings -- World's fairs  Search this
Flags -- United States  Search this
Exhibitions  Search this
Genre/Form:
Stereographs -- 1890-1910
Collection Citation:
Larry Zim World's Fair Collection, 1841-1988, Archives Center, National Museum of American History.
See more items in:
Larry Zim World's Fair Collection
Larry Zim World's Fair Collection / Series 1: World 's Fairs Materials / Chicago Columbian, stereographs
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8f03d6f4c-0c7c-4996-9760-3971942801cc
EDAN-URL:
ead_component:sova-nmah-ac-0519-ref983

Looking, Moving, Heavenward, World's Columbian Expoisiton Ferris Wheel [black-and-white photoprint; stereograph]

Publisher:
B.W. Kilburn Company  Search this
Collector:
Zim, Larry (Larry Zimmerman), 1931-1987  Search this
Donor:
Zim, Larry (Larry Zimmerman), 1931-1987  Search this
Names:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Collection Collector:
Cooper-Hewitt Museum  Search this
Zim, Larry (Larry Zimmerman), 1931-1987  Search this
Extent:
1 Item (3.6" x 7".)
Type:
Archival materials
Stereographs
Place:
Chicago Ill. -- 1890-1900
Date:
1894
Scope and Contents:
Stereograph of the first Ferris Wheel, which made its debut at the 1893 Columbian Exposition in Chicago.
Local Numbers:
AC0519-0000113.tif (AC Scan)
Restrictions:
Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Amusements  Search this
Exhibitions -- 1890-1900  Search this
Ferris wheels  Search this
Rides  Search this
World's fairs  Search this
Genre/Form:
Stereographs -- 1890-1910
Collection Citation:
Larry Zim World's Fair Collection, 1841-1988, Archives Center, National Museum of American History.
See more items in:
Larry Zim World's Fair Collection
Larry Zim World's Fair Collection / Series 1: World 's Fairs Materials / Chicago Columbian, stereographs
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8cb83b44d-84ea-45e4-b3f4-8492e1382924
EDAN-URL:
ead_component:sova-nmah-ac-0519-ref984

Division of Community Life World's Fairs Collection

Collector:
National Museum of American History (U.S.). Division of Community Life  Search this
National Museum of American History (U.S.). Division of Political History  Search this
Vogel, Robert M.  Search this
Names:
Ameriflora '92 (Columbus, Ohio)  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Century of Progress International Exposition (1933-1934 : Chicago, Ill.)  Search this
Christopher Columbus Quincentenary Jubilee (Genova, Italy: 1992)  Search this
Expo '93 (Stuttgart, Germany)  Search this
Expo '93 (Taejŏn-si, Korea)  Search this
Exposición Universal de 1992 (Seville, Spain)  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Floriade Zoetermeer (The Hague, Netherlands: 1992)  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
New York World's Fair (1964-1965)  Search this
Salon International de l'Aeronautique et de l'Espace (Paris, France: 1991)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Donor:
Annis, Esther Pauline  Search this
Carmody, Stella  Search this
Coppola, John  Search this
Frick, Margaret  Search this
Grossman, Walter  Search this
Hallwig, Elizabeth Ann  Search this
Hallwig, O.Morton  Search this
Holt, C.W.  Search this
Krause, Roy  Search this
Landor, Josephine  Search this
Landor, Walter  Search this
Lindsay, Elizabeth R.  Search this
Meggars, Edith R.  Search this
Shafer, Mary C.  Search this
Sheppard, Stephen  Search this
Willcutts, Viola E.  Search this
Former owner:
Warner, Peter M.  Search this
Extent:
3.3 Cubic feet (11 boxes, 12 map-folders)
Type:
Collection descriptions
Archival materials
Photographs
Programs
Clippings
Leaflets
Stickers
Guidebooks
Brochures
Commemoratives
Schedules
Stationery
Fans
Calendars
Postcards
Shopping bags
Press releases
Tickets
Certificates
Bumper stickers
Pamphlets
Maps
Catalogs
Date:
1876-1993
Summary:
Collection documents World's Fairs from 1876 to 1993.
Scope and Contents:
The collection is a compilation of gifts from numerous donors, of printed materials and ephemera relating to World's Fairs.
Arrangement:
The collection is arranged into one series chronologically by fair.
Provenance:
Collected from numerous donors by the Division of Community Life (now called the Division of Home and Community Life.) A number of items in the collection were also collected for the National Museum of American History by the Division. Donors include Viola E. Willcuts, Peter M. Warner, Edith B. Meggars, Elizabeth R. Lindsay, C.W. Holt, Walter Grossman, Margaret Frick, Peter M. Warner, Esther Pauline Annis, Roy Krause, Ameriflora, Expo '92, Expo '93, Colombo, O. Morton Hallwig and Elizabeth Ann Hallwig, Mary C. Shafer, Robert Vogel, John Coppola, Stella M. Carmody, Walter and Josephine Landor, and Stephen Sheppard.
Restrictions:
The collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Exhibitions  Search this
World's fairs  Search this
Genre/Form:
Photographs -- Color transparencies -- 1950-2000
Programs
Clippings
Leaflets
Stickers
Guidebooks
Brochures
Commemoratives
Schedules
Stationery
Fans
Calendars
Postcards
Shopping bags
Press releases
Tickets
Certificates
Bumper stickers
Pamphlets
Maps
Catalogs
Citation:
Division of Community Life World's Fairs Collection, 1876-1993, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1132
See more items in:
Division of Community Life World's Fairs Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep82197e99b-7898-4422-9249-ca8c9abf0798
EDAN-URL:
ead_collection:sova-nmah-ac-1132

Great Exhibit of Seeds, Agricultural Building, World's Columbian Exposition

Publisher:
Kilburn, B. W. (Benjamin West), 1827-1909  Search this
Photographer:
Kilburn, B. W. (Benjamin West), 1827-1909  Search this
Names:
Henderson, Peter, 1822-1890  Search this
Extent:
1 Stereograph (b/w)
Container:
Box 4
Type:
Archival materials
Stereographs
Date:
1894
General:
Historic Image #: 8718
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Exhibitions  Search this
Public buildings  Search this
Interior views  Search this
Flags  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Historic Gardens Stereograph Collection.
Identifier:
AAG.STR, Item STR053001
See more items in:
Historic gardens Stereograph collection
Historic gardens Stereograph collection / World's Fairs and Expositions / World's Columbian Exposition (1893, Chicago, Illinois) / IL159: Illinois -- Chicago -- World's Columbian Exposition
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb652decc59-4c76-42f0-b350-d8c193c0b6a0
EDAN-URL:
ead_component:sova-aag-str-ref3583

The Three Fountains, Columbian Exposition

Publisher:
Kilburn, B. W. (Benjamin West), 1827-1909  Search this
Photographer:
Kilburn, B. W. (Benjamin West), 1827-1909  Search this
Extent:
1 Stereograph (b/w)
Container:
Box 4
Type:
Archival materials
Stereographs
Date:
1893
Scope and Contents:
front: James M. Davis, New York, St. Louis, Liverpool, Toronto, Sydney
General:
Historic Image #: 8437
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Exhibitions  Search this
Fountains  Search this
Public buildings  Search this
Sculptures  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Historic Gardens Stereograph Collection.
Identifier:
AAG.STR, Item STR053002
See more items in:
Historic gardens Stereograph collection
Historic gardens Stereograph collection / World's Fairs and Expositions / World's Columbian Exposition (1893, Chicago, Illinois) / IL159: Illinois -- Chicago -- World's Columbian Exposition
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6d51ae443-202c-438c-a3da-4ad82c2d309a
EDAN-URL:
ead_component:sova-aag-str-ref3584

California Liberty Bell, Horticultural Hall, Columbian Exposition

Publisher:
Kilburn, B. W. (Benjamin West), 1827-1909  Search this
Photographer:
Kilburn, B. W. (Benjamin West), 1827-1909  Search this
Extent:
1 Stereograph (b/w)
Container:
Box 4
Type:
Archival materials
Stereographs
Date:
1893
Scope and Contents:
front: James M. Davis, New York, St. Louis, Liverpool, Toronto, Sydney
General:
Historic Image #: 7979
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Exhibitions  Search this
Bells  Search this
Fruit  Search this
Floral decorations  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Historic Gardens Stereograph Collection.
Identifier:
AAG.STR, Item STR053003
See more items in:
Historic gardens Stereograph collection
Historic gardens Stereograph collection / World's Fairs and Expositions / World's Columbian Exposition (1893, Chicago, Illinois) / IL159: Illinois -- Chicago -- World's Columbian Exposition
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb65aac2c29-b954-4b58-8da0-aaf0de156fe1
EDAN-URL:
ead_component:sova-aag-str-ref3585

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