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Printed material on the World's Columbian Exposition of 1893, 1890-1893

Creator:
World's Columbian Exposition  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Subject:
World's Columbian Exposition  Search this
Topic:
Art -- Exhibitions  Search this
Record number:
(DSI-AAA_CollID)8633
(DSI-AAA_SIRISBib)210813
AAA_collcode_worlcolu
Theme:
The Art Market
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210813

Invitation to the Ceremonies Dedicating the Buildings of the World's Columbian Exposition

Subject:
Martiny, Philip  Search this
World's fairs  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Type:
Printed Materials
Date:
1892 October 11-13
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)7659
See more items in:
Philip Martiny papers, 1858-1973
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7659
Online Media:

World's Columbian Exposition participant list

Creator:
Kurtz, Charles M. (Charles McMeen), 1855-1909  Search this
Subject:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Type:
Writings
Place:
Chicago, Ill.
Date:
circa 1893
Record number:
(DSI-AAA)22324
See more items in:
Charles M. Kurtz papers, 1843-1990, bulk 1884-1909
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_22324
Online Media:

World's Columbian Exposition participant list

Creator:
Kurtz, Charles M. (Charles McMeen), 1855-1909  Search this
Subject:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Type:
Writings
Place:
Chicago, Ill.
Date:
ca. 1893
Record number:
(DSI-AAA)9967
See more items in:
Charles M. Kurtz papers, 1843-1990, bulk 1884-1909
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9967

World's Columbian Exposition participant list

Creator:
Kurtz, Charles M. (Charles McMeen), 1855-1909  Search this
Subject:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Type:
Writings
Place:
Chicago, Ill.
Date:
ca. 1893
Record number:
(DSI-AAA)9968
See more items in:
Charles M. Kurtz papers, 1843-1990, bulk 1884-1909
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9968

Larry Zim World's Fair Collection

Collector:
Cultural History, Division of (NMAH, SI).  Search this
Cooper-Hewitt Museum.  Search this
Zim, Larry (Larry Zimmerman), 1931-1987  Search this
Cultural History, Division of (NMAH, SI).  Search this
Names:
Alaska-Yukon-Pacific Exposition (1909 : Seattle, Wash.)  Search this
Appalachian Exposition. (Knoxville, Tennessee: 1911)  Search this
Art and Techniques Exposition (Paris, France: 1937)  Search this
British Empire Exhibition (London, England : 1924-1925)  Search this
British Empire Exposition (Glasgow, Scotland: 1938)  Search this
Bronx International Exposition (New York, New York: 1917-1918)  Search this
Brussels International (1910 )  Search this
California Midwinter International Exposition (1894 : San Francisco, Calif.)  Search this
California-Pacific International Exposition (San Diego, California: 1935-1936)  Search this
Canadian National Exposition (1937)  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Centennial Exposition of the Ohio Valley and Central States (1888 : Cincinnati, Ohio)  Search this
Century of Progress International Exposition (1933-1934 : Chicago, Ill.)  Search this
Chicago Autumn Festival (1899)  Search this
Cincinnati Industrial Exposition (1882 : Cincinnati, Ohio)  Search this
Cotton States Exposition (1895 : Atlanta, Ga)  Search this
Esposizione Internationale (1911 : Turin, Italy)  Search this
Esposizione Internationale D'Arte (Venice, Italy: 1910)  Search this
Esposizione Internazionale d'Arte (1895 : Venice, Italy)  Search this
Exhibition of Art Treasures (1857 : Manchester, England)  Search this
Exhibition, Massachusetts Charitable Mechanic Association (1878 : Boston, Massachusetts)  Search this
Expo 67 (Montréal, Québec)  Search this
Exposicion Centro-Americana (1897 : Guatemala City, Guatemala)  Search this
Exposition Coloniale Internationale (Paris, France: 1931)  Search this
Exposition International (1894 : Lyons, France)  Search this
Exposition International Coloniale Maritime et d'Art Flammand (Antwerp, Belgium: 1930)  Search this
Exposition International de Liege (1930)  Search this
Exposition Internationale Maritime (1887 : Le Havre, France)  Search this
Exposition Nationale Belge (1880 : Belgium)  Search this
Exposition Universelle (1885 : Antwerp, Belgium)  Search this
Exposition Universelle de Paris (1855 : Paris, France)  Search this
Exposition Universelle de Paris (1878 : Paris, France)  Search this
Exposition universelle de 1867 (Paris, France)  Search this
Exposition universelle de 1889 (Paris, France)  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Exposition universelle internationale de 1900 (Paris, France)  Search this
Fiera di Milano (1939)  Search this
Foreign Exhibition (1883 : Boston, Massachusetts)  Search this
Franco-British Exhibition (London, England: 1908)  Search this
Franklin Institute Exhibition (1874 : Philadelphia, Pennsylvania)  Search this
Gewerbe Austellung (1896 : Berlin, Germany)  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Great Exhibition of 1851 (London, England)  Search this
Great Industrial Exhibition (1853 : Dublin, Ireland)  Search this
Great Lakes Exposition (Cleveland, Ohio: 1936-1937)  Search this
Hemisfair '68 (San Antonio, Texas: 1968)  Search this
Hudson-Fulton Celebration (1909)  Search this
Imperial International Exhibition (London, England: 1909)  Search this
International Exhibition (1897 : Brussels, Belgium)  Search this
International Exhibition of 1862 (London, England)  Search this
International Exhibition of 1871 (London, England)  Search this
International Exhibition of 1872 (London, England)  Search this
International Exhibition of Arts and Manufactures (1865: Dublin, Ireland)  Search this
International Exposition (Barcelona, Spain: 1929-1930)  Search this
International Exposition (Brussels, Belgium: 1935)  Search this
International Exposition of Decorative Arts and Modern Industries (1925 : Paris, France)  Search this
International Exposition on the Environment (Spokane, Washington: 1974)  Search this
International Fire Exhibition 1903 : London, England)  Search this
International Marine Exhibition of Marine Hygiene and Exhibition of the Italian Glories (Genoa, Italy: 1914)  Search this
International Ocean Exposition (Okinawa, Japan: 1975)  Search this
Interstate and West Indian Exposition (Charleston, South Carolina: 1901-1902)  Search this
Italian Exposition (1904 : London, England)  Search this
Jamestown Tercentennial Exposition (Hampton Roads, Virginia: 1907)  Search this
Japan World Exposition (Osaka, Japan: 1970)  Search this
Japan-British Exhibition (London, England: 1910)  Search this
Knoxville International Energy Exposition (1982)  Search this
Lewis and Clark Centennial Exposition (1905 : Portland, Or.)  Search this
Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this
National Ecuadorian Exposition (Quito, Ecuador: 1909)  Search this
National Export Exposition (1899 : Philadelphia, Pennsylvania)  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
New York World's Fair (1964-1965)  Search this
Pan-American Exposition (1901: Buffalo, N.Y.)  Search this
Panama-California Exposition (1915 : San Diego, Calif.)  Search this
Panama-Pacific International Exposition (1915: San Francisco, Calif.)  Search this
Scottish National Exposition (Edinburgh, Scotland: 1908)  Search this
Sesqui-Centennial International Exposition (1926 : Philadelphia, Pa.)  Search this
Sydney International Exhibition (Sydney, Australia: 1879)  Search this
Texas Centennial Central Exposition (Dallas, Texas: 1936)  Search this
Universal Exhibition (1873 : Vienna, Austria)  Search this
Western Pennsylvania Exposition (1915 : Pittsburgh, Pennsylvania)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
World's Industrial and Cotton Centennial Exposition (1884-1885 : New Orleans, La.)  Search this
Extent:
46 Cubic feet (123 boxes and 148 map-folders)
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Postcards
Greeting cards
Stationery
Panoramas
Sheet music
Posters
Shopping bags
Photographs
Stereographs
Menus
Place:
Disneyland (California)
Date:
1841-1988
Scope and Contents:
Memorabilia of fairs and World's Fairs throughout history, both in the United States and abroad, including photographs, stereographs, panoramas and slides; printed materials; postcards; sheet music; philatelic material; stationery and greeting cards; menus and food service items; posters; shopping bags; motion picture films; and other items.
Arrangement:
The collection is divided into three series.

Series 1: World's Fair Materials, 1841-1988

Series 2: Reference and Miscellaneous Materials

Series 3: Larry Zim Materials

Series 4: Oversize Materials, 1909-1968
Biographical / Historical:
Larry Zim, whose actual name was Larry Zimmerman, was an industrial designer, a historian of World's Fairs who wrote extensively on the subject, and a collector of World's Fair memorabilia.
Provenance:
Collection by bequest of Larry Zim.
Restrictions:
Collection is open for research but two oversize folders are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Crystal Palace -- (New York, New York)  Search this
Exhibitions  Search this
Genre/Form:
Motion pictures (visual works)
Postcards
Greeting cards
Stationery
Panoramas
Sheet music -- 20th century
Posters
Shopping bags
Photographs -- 19th century
Sheet music -- 19th century
Stereographs
Menus
Citation:
Larry Zim World's Fair Collection, 1841-1988, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0519
See more items in:
Larry Zim World's Fair Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0519
Online Media:

Frances Benjamin Johnston and Thomas W. Smillie Glass Plate Negatives

Printer:
MacCormack, Forrest (intern)  Search this
Talman, Hugh (photographer)  Search this
Photographer:
Smillie, T. W. (Thomas William), 1843-1917  Search this
Johnston, Frances Benjamin, 1864-1952  Search this
Collector:
Domestic Life, Division of (NMAH, SI).  Search this
Domestic Life, Division of (NMAH, SI).  Search this
Names:
World's Columbian Exposition (1893 : Chicago, Ill.) -- Photographs  Search this
Extent:
2 Cubic feet (7 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Contact prints
Place:
White House (Washington, D.C.)
Washington (D.C.) -- 1890-1900
Chicago Ill. -- 1890-1900
Date:
1993 - 1993
circa 1888-1899, 1906
Summary:
Twenty glass plate negatives and reference copy prints of the images taken between the late 1880s and the early 1900s by Frances Benjamin Johnston and Thomas W. Smillie. The images depict the skyline of Washington D.C., views from the 1893 World's Fair: Columbian Exposition, blueprints for the Smithsonian Arts and Industries Building, and an unidentified orchestra.
Scope and Contents:
The collection consists of twenty glass plate negatives and associated reference copy prints depicting scenes from the 1893 World's Fair: Columbian Exposition in Chicago, Illinois as well as images of the Washington D.C. skyline dating from between 1888 and 1899. The glass plate negatives range in size from 17" x 20" to 20" x 24" while the silver gelatin, resin-coated paper prints are all 20" x 24". All the images are black and white.

Series 1, Glass Plate Negatives, 1893, 1906, circa 1888-1899, is arranged by a numbering system, possibly assigned by the Smithsonian Office of Printing and Photographic Services (OPPS). The numbers were etched or written on the negatives, for example 3107. The series begins with the numbered images from Washington DC (#3101-#3107), followed by images without identifying numbers. The numbered images from the 1893 Columbian Exposition (non-inclusive #11302-11359) come next, followed by the images without identifying numbers.

The images of Washington D.C., when arranged in the following sequence, form a panorama of the Washington D.C. city: #3103, #3107, #3104, #3101, #3106, #3105, #3102. The images were taken from the tower of the Smithsonian Castle facing north, beginning with a view of the United States Capitol Building in the east (#3102) and ending with a view of the incomplete Washington Monument in the west (#3103). An unnumbered image of the United States Capitol taken after 1899 from the tower of the Old Post Office and Clock Tower looking down Pennsylvania Avenue is included. Two unnumbered blueprints dated July 19, 1906 show the second and third floor layouts of the Smithsonian Arts and Industries Building.

The images of the 1893 World's Fair: Columbian Exposition show various buildings built for the event as well as a replica of the Battleship Illinois which was constructed to illustrate advances in naval technology. Exterior views of the Administration Building, Government Building, Palace of Fine Arts, Manufactures and Liberal Arts Building as well as an interior view of the World's Fair Post Office in the Government Building are found among the negatives. A number of the images appear to have been taken from atop some of the buildings looking down.

One unnumbered and unidentified picture of a musical orchestra sitting on stage is included at the end of the series.

Series 2, Copy prints, 1993, include duplicate or, in some instances triplicate, photographic copy prints of the images from the glass plate negatives. In the case of #11311 and #11359, no copy prints exist. The silver gelatin prints on resin-coated paper were created in the fall of 1993.
Arrangement:
The collection is arranged in two series.

Series 1: Glass Plate Negatives, 1893, 1906, circa 1888-1899

Series 2: Copy prints (reference copies), 1993
Biographical / Historical:
While the origin and provenance of some of the glass plate negatives is uncertain, it is likely that the images were created by Smithsonian photographer and curator Thomas W. Smillie and by Frances Benjamin Johnston, a prominent female photographer who was a protege of Smillie's.

Thomas W. Smillie was born in Edinburgh, Scotland in 1843 and emigrated to the United States when he was five years old. He attended Georgetown University, where he studied medicine and chemistry. Shortly thereafter he became a photographer for the Smithsonian and remained with the institution until his death in 1917. In 1896 he was named "custodian" of photography for the Institution, in essence becoming its first photography curator. He staged photographic exhibits and actively collected both images and equipment related to photography.

Frances Benjamin Johnston was an early pioneer for women in the field of photography and photojournalism. Born in 1864 in Grafton, West Virginia, Johnston studied art in Maryland and later at the Académie Julien in Paris. Her high-profile family connection with the Eastman family as well as her insatiable appetite for knowledge about photographic processes quickly propelled her to a formidable professional career. Her work appeared in publications such as The Ladies' Home Journal, Harper's Weekly, and Cosmopolitan, among others. As an apprentice to Thomas W. Smillie, Johnston was engaged to photograph the 1893 World's Fair: Columbian Exposition in Chicago. She made Washington D.C. her home and had the opportunity to photograph a large number of high profile individuals and government officials, including five United States presidents. Her photography often documented mundane and commonplace aspects of life rather than spectacular or prominent ones. Later in her career she focused her photography on colonial architecture, with images of houses, barns, and other buildings that intentionally showed everyday life in the United States South rather than high profile structures which had already been well-documented. She moved to New Orleans in 1940 and died in 1952.
Related Materials:
Materials at the Smithsonian Institution

Smithsonian Institution Archives

Records, circa 1883-1984 (SIA RU000529)

Field Research Photographs, circa 1909-1924 (SIA Acc. 02-086)

Personnel Records, 1892-1952 (SIA Acc. 05-123)

Collected Registers, 1908-1912 and undated (SIA Acc. 06-138)

National Anthropological Archives

Glass Negatives of Indians (Collected by Bureau of American Ethnology)
Provenance:
Immediate source of acquisition unknown.
Restrictions:
The collection is open for research. Reference photograph copies should be used where possible. Gloves must be worn when handling unprotected photographs and negatives. Special care is required when handling the glass plate negatives both because of their large size and because some of the negatives are broken.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Washington Monument (Washington, D.C.)  Search this
Genre/Form:
Photographs -- Black-and-white negatives -- Glass -- 1890-1900
Contact prints -- 1950-2000
Citation:
Frances Benjamin Johnston and Thomas W. Smillie Glass Plate Negatives, 1888-1906, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0416
See more items in:
Frances Benjamin Johnston and Thomas W. Smillie Glass Plate Negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0416

Domestic Life Stereograph and Photograph Collection

Creator:
Centennial Photographic Co.  Search this
Roth, Rodris  Search this
Myers, Susan H.  Search this
Source:
Cultural History, Division of (NMAH, SI).  Search this
Names:
Appalachian Exposition. (Knoxville, Tennessee: 1911)  Search this
California-Pacific International Exposition (San Diego, California: 1935-1936)  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Exposition universelle de 1867 (Paris, France)  Search this
International Exhibition of 1862 (London, England)  Search this
Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Former owner:
Cultural History, Division of (NMAH, SI).  Search this
Extent:
2 Cubic feet (9 boxes)
Type:
Collection descriptions
Archival materials
Stereographs
Place:
Sturbridge (Mass.)
Date:
circa 1862-1920
Summary:
Hundreds of stereographs and other photographic imagery, especially a large number of the 1876 Centennial Exhibition in Philadelphia; other subjects include: the World's Columbian Exhibition (1893); the Louisiana Purchase Exposition, the Great Sanitary Fair; a large number on Massachusetts, including a set of images from Old Sturbridge; buildings and scenery; miscellaneous other subjects.
Scope and Contents note:
The collection is composed largely of photographs related to world's fairs, especially the Philadelphia Centennial Exposition, particularly in the form of stereographs. Other photographs document Williamsburg, Old Sturbridge, Mass., and other locations.
Arrangement:
Collection is arranged into one series. Arranged geographically and topically.
Historical:
Stereographs were employed to document and popularize the great world's fairs of the second half of the nineteenth century and the early years of the twentieth century in the United States and Europe. The Centennial Photographic Company, in particular, was formed essentially to disseminate information about the 1876 fair and to profit from its "educational" products. More generally, the three-dimensional photographic medium was considered an ideal way to provide views of regional attractions in the United States. This collection contains both subjects.
Provenance:
Collection donated by Susan Myers.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Rights situation uncertain. Probably in public domain, applicable copyrights expired.
Topic:
Exhibitions  Search this
Exhibitions -- Missouri  Search this
World's fairs  Search this
Genre/Form:
Stereographs
Citation:
Domestic Life Stereograph and Photograph Collection, circa 1862-1920, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0725
See more items in:
Domestic Life Stereograph and Photograph Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0725
Online Media:

Division of Community Life World's Fairs Collection

Donor:
Shafer, Mary C.  Search this
Sheppard, Stephen  Search this
Landor, Josephine  Search this
Landor, Walter  Search this
Lindsay, Elizabeth R.  Search this
Meggars, Edith R.  Search this
Hallwig, Elizabeth Ann  Search this
Hallwig, O.Morton  Search this
Holt, C.W.  Search this
Krause, Roy  Search this
Willcutts, Viola E.  Search this
Carmody, Stella  Search this
Annis, Esther Pauline  Search this
Coppola, John  Search this
Grossman, Walter  Search this
Frick, Margaret  Search this
Annis, Esther Pauline  Search this
Carmody, Stella  Search this
Coppola, John  Search this
Frick, Margaret  Search this
Grossman, Walter  Search this
Hallwig, Elizabeth Ann  Search this
Hallwig, O.Morton  Search this
Holt, C.W.  Search this
Krause, Roy  Search this
Landor, Josephine  Search this
Landor, Walter  Search this
Lindsay, Elizabeth R.  Search this
Meggars, Edith R.  Search this
Shafer, Mary C.  Search this
Sheppard, Stephen  Search this
Willcutts, Viola E.  Search this
Collector:
Vogel, Robert M.  Search this
Political History, Division of (NMAH)  Search this
Community Life, Div. of (NMAH, SI)  Search this
Political History, Division of (NMAH)  Search this
Vogel, Robert M.  Search this
Source:
Warner, Peter M.  Search this
Names:
Ameriflora '92 (Columbus, Ohio)  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Century of Progress International Exposition (1933-1934 : Chicago, Ill.)  Search this
Christopher Columbus Quincentenary Jubilee (Genova, Italy: 1992)  Search this
Expo '93 (Stuttgart, Germany)  Search this
Expo '93 (Taejŏn-si, Korea)  Search this
Exposición Universal de 1992 (Seville, Spain)  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Floriade Zoetermeer (The Hague, Netherlands: 1992)  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
New York World's Fair (1964-1965)  Search this
Salon International de l'Aeronautique et de l'Espace (Paris, France: 1991)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Former owner:
Warner, Peter M.  Search this
Extent:
3.3 Cubic feet (10 boxes, 12 map-folders)
Type:
Collection descriptions
Archival materials
Photographs
Programs
Clippings
Leaflets
Stickers
Guidebooks
Brochures
Commemoratives
Schedules
Stationery
Fans
Calendars
Postcards
Shopping bags
Press releases
Tickets
Certificates
Bumper stickers
Pamphlets
Maps
Catalogs
Date:
1876-1993
Summary:
Collection documents World's Fairs from 1876 to 1993.
Scope and Contents:
The collection is a compilation of gifts from numerous donors, of printed materials and ephemera relating to World's Fairs.
Arrangement:
The collection is arranged into one series chronologically by fair.
Provenance:
Collected from numerous donors by the Division of Community Life (now called the Division of Home and Community Life.) A number of items in the collection were also collected for the National Museum of American History by the Division. Donors include Viola E. Willcuts, Peter M. Warner, Edith B. Meggars, Elizabeth R. Lindsay, C.W. Holt, Walter Grossman, Margaret Frick, Peter M. Warner, Esther Pauline Annis, Roy Krause, Ameriflora, Expo '92, Expo '93, Colombo, O. Morton Hallwig and Elizabeth Ann Hallwig, Mary C. Shafer, Robert Vogel, John Coppola, Stella M. Carmody, Walter and Josephine Landor, and Stephen Sheppard.
Restrictions:
The collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Exhibitions  Search this
World's fairs  Search this
Genre/Form:
Photographs -- Color transparencies -- 1950-2000
Programs
Clippings
Leaflets
Stickers
Guidebooks
Brochures
Commemoratives
Schedules
Stationery
Fans
Calendars
Postcards
Shopping bags
Press releases
Tickets
Certificates
Bumper stickers
Pamphlets
Maps
Catalogs
Citation:
Division of Community Life World's Fairs Collection, 1876-1993, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1132
See more items in:
Division of Community Life World's Fairs Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1132

Interior of the Liberal Arts Building, From the top of Elevator, World's Columbian Exposition [black-and-white photoprint, stereograph]

Publisher:
B.W. Kilburn Company  Search this
Collector:
Zim, Larry (Larry Zimmerman), 1931-1987  Search this
Names:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Collection Collector:
Cultural History, Division of (NMAH, SI).  Search this
Cooper-Hewitt Museum.  Search this
Zim, Larry (Larry Zimmerman), 1931-1987  Search this
Extent:
1 Item (3.6" x 7".)
Type:
Archival materials
Stereographs
Place:
Chicago Ill. -- 1890-1900
Date:
1894
Scope and Contents:
Image includes exhibits and a large American flag hanging from the ceiling.
Local Numbers:
AC0519-0000112.tif (AC Scan)
Restrictions:
Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Interior architecture -- World's fairs  Search this
Buildings -- World's fairs  Search this
Flags -- United States  Search this
Exhibitions  Search this
Genre/Form:
Stereographs -- 1890-1910
Collection Citation:
Larry Zim World's Fair Collection, 1841-1988, Archives Center, National Museum of American History.
See more items in:
Larry Zim World's Fair Collection
Larry Zim World's Fair Collection / Series 1: World 's Fairs Materials / Chicago Columbian, stereographs
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0519-ref983

Looking, Moving, Heavenward, World's Columbian Expoisiton Ferris Wheel [black-and-white photoprint; stereograph]

Publisher:
B.W. Kilburn Company  Search this
Collector:
Zim, Larry (Larry Zimmerman), 1931-1987  Search this
Donor:
Zim, Larry (Larry Zimmerman), 1931-1987  Search this
Names:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Collection Collector:
Cultural History, Division of (NMAH, SI).  Search this
Cooper-Hewitt Museum.  Search this
Zim, Larry (Larry Zimmerman), 1931-1987  Search this
Extent:
1 Item (3.6" x 7".)
Type:
Archival materials
Stereographs
Place:
Chicago Ill. -- 1890-1900
Date:
1894
Scope and Contents:
Stereograph of the first Ferris Wheel, which made its debut at the 1893 Columbian Exposition in Chicago.
Local Numbers:
AC0519-0000113.tif (AC Scan)
Restrictions:
Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Amusements  Search this
Exhibitions -- 1890-1900  Search this
Ferris wheels  Search this
Rides  Search this
World's fairs  Search this
Genre/Form:
Stereographs -- 1890-1910
Collection Citation:
Larry Zim World's Fair Collection, 1841-1988, Archives Center, National Museum of American History.
See more items in:
Larry Zim World's Fair Collection
Larry Zim World's Fair Collection / Series 1: World 's Fairs Materials / Chicago Columbian, stereographs
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0519-ref984

The Commercial Cable System in operation at Chicago / World's Columbian Exposition / Compliments of the Commercial Cable Co. / Mackay-Bennett System [pamphlet]

Collector:
Western Union Telegraph Company  Search this
Author:
Commercial Cable Company  Search this
Names:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Collection Creator:
United Telegraph Workers.  Search this
Western Union Telegraph Company  Search this
Extent:
1 Item (Ink on paper., 5.4" x 7.8")
Type:
Archival materials
Pamphlets
Date:
1893
Scope and Contents:
Concise History / of the / Atlantic Cable / and the / Commercial Cable Company; contains many images related to the company history.
Arrangement:
In series 2, box 32, folder ?
Local Numbers:
AC0205-0000102-01 (AC Scan)

AC0205-0000102-02 (AC Scan)

AC0205-0000102-03 (AC Scan)

AC0205-0000102-04 (AC Scan)

AC0205-0000102-05 (AC Scan)

AC0205-0000102-06 (AC Scan)

AC0205-0000102-07 (AC Scan)

AC0205-0000102-08 (AC Scan)

AC0205-0000102-09 (AC Scan)

AC0205-0000102-10 (AC Scan)

AC0205-0000102-11 (AC Scan)

AC0205-0000102-12 (AC Scan)

AC0205-0000102-13 (AC Scan)

AC0205-0000102-14 (AC Scan)

AC0205-0000102-15 (AC Scan)

AC0205-0000102-16 (AC Scan)

AC0205-0000102-17 (AC Scan)

AC0205-0000102-18 (AC Scan)
Collection Restrictions:
Collection is open for research but Series 11 and films are stored off-site. Special arrangements must be made to view some of the audiovisual materials. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Cable  Search this
Telegraph, Wireless  Search this
Ships  Search this
Genre/Form:
Pamphlets -- 1900-1910
Pamphlets -- 1900-1930
Collection Citation:
Western Union Telegraph Company Records, Archives Center, National Museum of American History
See more items in:
Western Union Telegraph Company Records
Western Union Telegraph Company Records / Series 2: Subsidiaries / Commercial Cable Co., (World's Columbian Exposition pamphlet)
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0205-ref11317
Online Media:

Columbian Exposition wrapper with complete set

Title:
Scott Catalogue USA 230--245
Printer:
American Bank Note Company  Search this
Depicts:
Christopher Columbus, Italian, 1451 - 1506  Search this
Medium:
paper; ink (multiple colors)
Dimensions:
Height x Width: 8 7/8 x 12 1/8 in. (22.54 x 30.8 cm)
Type:
Covers & Associated Letters
Place:
Minnesota
Date:
May 18, 1893
Associated Event:
Columbian Exposition Issues (1893 ABNCo)  Search this
Topic:
National Stamp Collection  Search this
Covers & Letters  Search this
Object number:
1992.2012.1
See more items in:
National Postal Museum Collection
On View:
Currently on exhibit at the National Postal Museum
Data Source:
National Postal Museum
GUID:
http://n2t.net/ark:/65665/hm80b55e198-d1e9-454d-baeb-c3fb9d807881
EDAN-URL:
edanmdm:npm_1992.2012.1

World expositions : stereographs

Topic:
John Bull (locomotive)
Collector:
Warshaw, Isadore, 1900-1969  Search this
Creator:
Kilburn, B. W. (stereograph publisher)  Search this
Centennial Photographic Co. (stereograph publisher)  Search this
Burr & Manley Dry Goods, Groceries and Clothing (stereograph publisher)  Search this
Names:
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Exposition universelle de 1867 (Paris, France)  Search this
Exposition universelle internationale de 1900 (Paris, France)  Search this
Krupp (gun manufacturer)  Search this
Pan-American Exposition (1901: Buffalo, N.Y.)  Search this
Panama-California Exposition (1915 : San Diego, Calif.)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
41 Items
Container:
Box 7
Type:
Archival materials
Photographs
Photographs
Stereographs
Place:
Paris (France) -- Exhibitions -- 1860-1900 -- Stereographs
Philadelphia (Pa.) -- Exhibitions -- 1870-1880 -- Stereographs
San Diego (Calif.) -- Exhibitions
Massachusetts -- Exhibitions -- 1870-1880 -- Stereographs
Buffalo (N.Y.) -- Exhibitions -- 1900-1910 -- Stereographs
Date:
ca. 1867-1915
Scope and Contents:
Includes the Centennial Exhibition (7, incl. 1 of Machinery Hall, pub. by Burr & Manley Dry Goods, Groceries and Clothing, Manchester Depot, Vermont; and 4 by Centennial Photographic Co.); Massachusetts Charitable Mechanic Association Thirteenth Exhibition, 1878 (1); World's Columbian Exposition, 1893 (25); Paris Exposition, 1867 (1); Exposition Universelle, 1900 (1); Pan-American Exposition (1); Panama-California Exposition, 1915 (1); A.Y.P. Exposition (2); 2 unidentified. Other photographers and publishers represented include B.W. Kilburn.
General:
Stereograph in World's Columbian Exposition group shows John Bull locomotive and train and "great Krupp Guns."
Related Materials:
Forms part of photographs division, Warshaw Collection; in stereographs sub-series, box 7.
Restrictions:
Unrestricted research use on site. Photographs must be handled with white cotton gloves, unless protected by plastic sleeves.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Exhibitions -- Stereographs  Search this
Centennial Celebrations -- Stereographs  Search this
World's fairs  Search this
Genre/Form:
Photographs -- Stereographs
Stereographs
Series Citation:
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana, Series 2: Other Collection Divisions
Warshaw Collection of Business Americana, Series 2: Other Collection Divisions / 2.6: Stereographs / World Expositions
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0060-s02-ref2835

Katharine Lane Weems papers

Creator:
Weems, Katharine Lane, 1899-  Search this
Names:
Brookgreen Gardens  Search this
World's Columbian Exposition (1893 : Chicago, Ill.) -- Photographs  Search this
Cornell, Katharine, 1893-1974  Search this
Cresson, Margaret French, 1889-1973  Search this
Gildersleeve, Basil L. (Basil Lanneau), 1831-1924  Search this
Grafly, Charles, 1862-1929  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Huntington, Anna Hyatt, 1876-1973  Search this
Kroll, Leon, 1884-1974  Search this
Lane, Gardiner M., 1859-1914  Search this
Lane, Katharine Ward, 1862-1893  Search this
Manship, Paul, 1885-1966  Search this
Marans, Moissaye, 1902-1977  Search this
Monjo, Enric, 1895-1976  Search this
Putnam, Brenda, 1890-1975  Search this
Weinman, Adolph A. (Adolph Alexander), 1870-1952  Search this
Wong, Anna May, 1905-1961  Search this
Extent:
14.8 Linear feet
3 Items (rolled docs)
Type:
Collection descriptions
Archival materials
Sketchbooks
Video recordings
Place:
Saranac Lake N.Y. -- Photographs
Date:
1865-1989
Scope and Contents:
Biographical material, extensive diaries, correspondence, notes, writings, business records, sketchbooks and drawings, project files, scrapbooks, printed materials, photographs and slides, motion picture film, and videotape relating to Weem's education and career as a sculptor. Also included are ca. 1 foot of papers of Weems' aunt, watercolorist Katharine Ward Lane (1862-1893), including letters, diaries, sketchbooks and photographs.
REEL 724: Biographical sketch, 1974; letters from Frederic Bartlett, George Demetrios, Walker Hancock, Leon Kroll, Lee Lawrie, Moissaye Marans, Adolph Alexander Weinman, and others; four sketchbooks, 1954-1965, containing pencil drawings of animals; a scrapbook of clippings, 1924-1941; and printed material.
UNMICROFILMED: Biographical material includes sketches and documents, and biographical information on Weems grandfather, Basil Lanneau Gildersleeve, and father, Gardiner Lane. Diaries (74 v.), 1906-1983, contain entries relating to art studies and her development as a sculptor; some include clippings and photographs. Correspondence, 1898-1989, includes letters from Gifford Beal, Margaret French Cresson, Charles Grafly, John Gregory, Walker Hancock, Malvina Hoffman, Anna Hyatt-Huntington, Paul Manship, Brenda Putnam, Gurdon Tarbox, and Adolph Weinman, discussing Weems' work and participation in various sculpture organizations. There are four notebooks on art history; recipes for clay and plaster; notes on patinas for bronze; lecture notes; lists of Weems' works and exhibitions; an exhibition guest book, 1931-1957; poems, 1933-1981; invoices and receipts, 1919-1981; copyright records, 1928-1978; and art work, including 15 v. of sketchbooks, 1913-1964, drawings and tracings of animal figures. and a copper printing plate mounted on a wood block.
Fourteen project files contain letters, drawings, photographs, and printed material on: an enlarging machine, the Saltus Medal for Merit, the frieze and Rhinoceros sculpture for the Biological Laboratories at Harvard, 1930-1942, including 7 reels of 16mm motion picture film (with script transferred to VHS), the Lotta Fountain, 1939-1974, Legion of Merit Medal, 1949-1952, War Department project, 1946, Goodwin Medal, 1949-1952, Wallace Goodrich Plaque, 1954, Hospital Teaching Clinic, 1955, Boston Museum of Science, 1964-1965, "Dolphins by the Sea" for the New England Aquarium, 1969-1979, Heredities Limited, 1971-1974, and the Museum School, 1977.
Included are two scrapbooks, one of clippings about the work of other artists and one containing poems, clippings of landscapes, animals, works by others, and autographed photographs of actresses Katharine Cornell and Anna May Wong and sculptor Brenda Putnam. Printed material includes clippings, 1911-1989; exhibition announcements and catalogs, 1922-1981; bulletins, programs, brochures on artists, organizations, Brookgreen Gardens, and supplies; reproductions of art works, and the books, Odds Were Against Me (1985, Weems autobiography, and Enrique Monjo (1955), inscribed by Mongo.
Photographs and slides, 1902-1988, are of Weems, family members, artists Charles Grafly, Walker Hancock, and Anna Hyatt-Huntington, Weems' house "The Chimneys," her studio, gardens, animals, works of art by Weems and others, exhibit installations, and views of New York City, Washington, D.C., Monticello, the University of Virginia, and Brookgreen Gardens. Nine albums, 1920-1980, contain photographs of an art class, Weems in her studio, her home, her friends, scenic views, and works of art. Videos and film include a videotape (5 min., U-matic) of an interview of Weems; a film, "From Clay to Bronze," showing the creation of Weems' sculpture "Dark Warrier" (transferred to VHS); motion picture film of the making of the sculpture "Rhinoceros" (transferred to digital betacam, VHS and DVD), and a home movie of a day at the beach, circa 1935.
The papers' of Weems' aunt, Katharine "Kitty" Ward Lane (d. 1893), include Lane's letters, 1898-1893, to her brother (Weems' father) and to other family members; a travel diary from Germany, 1886; notes; financial records, 1891-1892; 10 sketchbooks; printed material; and photographs, 1865-1893, of Lane, early views of Saranac Lake, and 9 views of the Columbia Exposition, 1893.
Biographical / Historical:
Sculptor; Boston, Mass. Died 1989. Specialized in animal sculpture. Studied at the School of the Museum of Fine Arts, Boston under Charles Grafly, Anna Hyatt-Huntington, George Demetrios, and Brenda Putnam. She married F. Carrington Weems in 1947. Named after her aunt, watercolor painter Katharine Ward Lane, who died in 1893.
Provenance:
Material on reel 724 lent for microfilming by Weems, 1974. The four sketchbooks on reel 724 were subsequently donated in 1989. Unmicrofilmed papers were donated 1975 and 1982 by Weems, and in 1989 by her estate. Eighteen diaries (1961-1965, 1967-1976 [1969 not included], 1978, and 1981-1983) and an apppointment book for 1966 donated by the Schlesinger Library, Radcliffe College, 1991.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Animal sculptors -- Massachusetts -- Boston  Search this
Sculptors -- Massachusetts -- Boston  Search this
Watercolorists -- Massachusetts -- Boston  Search this
Topic:
Women sculptors -- Massachusetts -- Boston  Search this
Animal sculpture -- United States  Search this
Art -- Study and teaching -- Massachusetts -- Boston  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Sketchbooks
Video recordings
Identifier:
AAA.weemkath
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-weemkath

John Quincy Adams Ward papers in the New York Historical Society

Creator:
Ward, John Quincy Adams, 1830-1910  Search this
Names:
Library of Congress  Search this
Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this
South Carolina Interstate and West Indian Exposition  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Adams, Herbert, 1858-1945  Search this
Appleton, Thomas Gold, 1812-1884  Search this
Bitter, Karl Theodore Francis, 1867-1915  Search this
Borglum, Gutzon, 1867-1941  Search this
Chilton, R. S.  Search this
Cushing, Robert  Search this
Dana, Paul  Search this
French, Daniel Chester, 1850-1931  Search this
Herber, C. A.  Search this
Johnson, Robert Underwood, 1853-1937  Search this
Orr, Alexander Ector, 1831-1914  Search this
Potter, Edward Clark, 1857-1923  Search this
Richards, T. Addison (Thomas Addison), 1820-1900  Search this
Ruckstull, F. W. (Fred Wellington), 1853-1942  Search this
Thomas, Charles N.  Search this
Extent:
2 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1857-1915
Scope and Contents:
Correspondence regarding the St. Louis Exposition, the World's Columbian Exposition, the South Carolina Interstate and West Indian Exposition, statuary in New York City and the Library of Congress, the Washington statue in Newburyport, Mass. Letters from Robert Cushing in Italy pertain to the supervision of the execution of Ward's marble statuary group in Carrara. Correspondents include Herbert Adams, Thomas Gold Appleton, Karl Bitter, Gutzon Borglum, Daniel Chester French, Robert Underwood Johnson, Thomas Addison Richards, Edward Clark Potter, Alexander E. Orr, R. S. Chilton, Paul Dana, F. Wellington Ruckstuhll, Charles N. Thomas, C. A. Herber and Ward's wife.
Biographical / Historical:
Sculptor; New York, N.Y.
Provenance:
Lent 1973 by New York Historical Society.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Sculpture, American  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Identifier:
AAA.wardjohn
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wardjohn

Karl Gruppe papers

Creator:
Gruppe, Karl, b. 1893  Search this
Names:
American Artists Professional League  Search this
Fine Arts Federation of New York  Search this
National Academy of Design (U.S.)  Search this
National Sculpture Society (U.S.)  Search this
Public Works of Art Project  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Bitter, Karl Theodore Francis, 1867-1915  Search this
Extent:
3.2 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1900-1978
Scope and Contents:
Correspondence, writings, art work, photographs, subject files, and printed material, relating to Gruppe's career as a sculptor, his involvement with the Public Works of Art Project, and his teacher Karl Bitter.
REEL 104: A list of monuments and fountains in New York City surveyed for renovation by Gruppe under the PWAP from 1934-1937. Each survey includes a general description, sometimes a photograph, a statement of its condition, repairs needed and renovation costs.
REEL N70-35: Correspondence, clippings, catalogs, 1920-1970, including items about the controversy over New York City's sculpture. Correspondents include Robert Moses, Edmond R. Amateis, Mary W. Harriman, Reginald Marsh, and Henry Wolf.
UNMICROFILMED: Biographies and resumes; correspondence, 1930-1976, concerning commissions and organizations; letters from Karl Bitter and family, 1905-1966; 21 sketches of designs for medals and coins; writings, including a report by Gruppe to the heads of the Pan-American Exposition, 1901, and "Art and the Church" by Lee Lawrie; and files (1.5 feet) on commissions, organizations, memorials, and other projects, containing printed material, business records, correspondence, writings and photographs. File headings include Alben W. Barkley Competition, American Federation of Arts, Architectural League, Art Commission Associates, Karl Bitter, Century Association, Commmittee on Government and Art, Competitions, Ecclesiastical Competion, Fine Arts Federation of N.Y.,
First Art Film Festival in America, Fort Clinton, Fund Raising, Henry Hudson Memorial, Outdoor Sculpture Exhibition, Medallic Art Company, Medals & Memorials, Monumental Restoration Project, National Academy of Design, National Sculpture Society, Plaster Casts for Museums, Society of Medalists, U.S. Dept. of State, War Memorials, and William Rufus King Memorial.
Also included are a book, THE DREAM CITY, A PORTFOLIO OF PHOTOGRAPHIC VIEWS OF THE WORLDS COLUMBIAN EXPOSITION, 1893, [cover inscribed THE MAGIC CITY]; clippings, 1949-1978; photographs (0.5 ft.) of Gruppe, his family, and friends, including Laura Gardin (Fraser), Anthony de Francisci, Karl Bitter and the Bitter family, and of art works by Gruppe, Bitter, Daniel Chester French and others.
Biographical / Historical:
Sculptor, medalist; New York, N.Y. Studied at the Royal Academy, Antwerp, Belgium and at the Art Students League of New York with Karl Bitter. Served as president of the National Sculpture Society, 1950-1951. He worked on the Monument Restoration Project, New York City Department of Parks, for the Public Works of Art Project from 1934-1937.
Provenance:
Material on reel N70-35 lent for microfilming by Gruppe, 1970; remainder donated by Gruppe 1970-1973, and by his daughter Elizabeth Gruppe Stover, 1986.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Medalists -- New York (State) -- New York  Search this
Topic:
Monuments -- New York (State) -- New York  Search this
Monuments -- Conservation and restoration  Search this
Sculpture, American  Search this
Sculpture -- Conservation and restoration -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Medals  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Function:
Film festivals
Identifier:
AAA.grupkarl
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-grupkarl

Emmet family papers

Creator:
Emmet family  Search this
Names:
Berkshire Museum  Search this
Danforth Museum  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Beaux, Cecilia, 1855-1942  Search this
Casals, Pablo, 1876-1973  Search this
De Glehn, Jane Erin Emmet, 1873-1961  Search this
De Glehn, Wilfrid-Gabriel, 1870-1951  Search this
Doyle, Nancy  Search this
Emmet, Julia Colt Pierson, 1829-1908  Search this
Emmet, Lydia Field, 1866-1952  Search this
Emmet, Robert, 1778-1803  Search this
Fontanne, Lynn  Search this
James, Henry, 1843-1916  Search this
La Farge, Bancel, 1865-1938  Search this
Lunt, Alfred  Search this
MacMonnies, Frederick William, 1863-1937  Search this
Metcalfe, Susy  Search this
Millay, Edna St. Vincent, 1892-1950  Search this
Monod, Lucien  Search this
Morgan, Elizabeth Emmet, d. 1934  Search this
Ormond, Violet Sargent  Search this
Quilter, Roger, 1877-1953  Search this
Rand, Ellen Emmet, 1875-1941  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Sargent, Emily, 1857-  Search this
Sargent, John Singer, 1856-1925  Search this
Sherwood, Robert E. (Robert Emmet), 1896-1955  Search this
Sherwood, Rosamond, 1899-  Search this
Sherwood, Rosina Emmet, 1854-1948  Search this
White, Stanford, 1853-1906  Search this
Extent:
9.1 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Photographs
Video recordings
Drawings
Diaries
Sound recordings
Date:
1792-1989
bulk 1851-1989
Summary:
The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts, whose artistic talents flourished during the later 19th through the mid-20th centuries. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators.
Scope and Content Note:
The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators, whose artistic talents flourished during the late nineteenth through the mid-twentieth centuries.

Biographical material consists of family trees and family histories; individual biographical accounts, award certificates, and documentation for Julia Colt Pierson Emmet, Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn, and Wilfrid de Glehn; a diary titled "Sedgemere Diary" containing drawings and entries primarily by Rosina Emmet Sherwood, and a smaller diary which mentions Rosina's son, future playwright Robert Sherwood; a documentary by Nancy B. Doyle on two VHS videocassettes, entitled The Emmets: Portrait of a Family; and artifacts comprising a rear-view optical device and locks of hair from an early nineteenth century generation of the Emmet family.

Correspondence forms the bulk of the collection and illustrates the interaction between members of this large and influential family and their colleagues and friends, offering a wide-ranging view of life in the late nineteenth through the mid-twentieth centuries, and through two World Wars. The series consists of letters between family members, primarily Julia Colt Pierson Emmet and her daughters, as well as cousins Henry James, Ellen "Bay" Emmet Rand, and Rosamond Sherwood, and friends Cecilia Beaux, Louis Bancel LaFarge, Frederick MacMonnies, Lucien Monod, Roger Quilter, Augustus Saint-Gaudens, Emily and John Singer-Sargent, Violet Sargent Ormond, and Stanford White. Topics include experiences of the Emmets while studying art in Paris, Rosina's presentation at Queen Victoria's court, Lydia's work at the Columbia Exposition, Jane's marriage to Wilfrid de Glehn and her friendship with John Singer Sargent, portrait painting activities, the troubles of their friend Susy Metcalfe in her marriage to Pablo Casals, and the activities of Rosina's son, playwright Robert Emmet Sherwood, and friends Alfred Lund and Lynn Fontanne.

Writings and notes consist of scattered manuscripts and poems by family members, two notebooks, one identified as belonging to Jane Erin Emmet de Glehn, and typescripts about Wilfrid de Glehn following his death. Also found is a book, Out of Town, written and illustrated by Rosina Emmet Sherwood, and Edna St Vincent Millay's poem "Autum Daybreak" written in Millay's handwriting.

Exhibition files document an exhibition held at the Berkshire Museum/Danforth Museum in Pittsfield/Farmingham, Massachusetts in 1982 entitled The Emmets: A Family of Women Painters, and include two audio cassettes of recordings from the "Art for Lunch" series at the Berkshire Museum discussing the exhibition.

Business records include account books belonging to Lydia Field Emmet and Rosina Emmet Sherwood, both of which document income from artwork and other sources, and expenses; a contract for the reproduction of Lydia Field Emmet's artwork; and a document concerning ownership of property, possibly of Emmet family ancestors.

Printed Material consists of clippings, exhibition announcements and catalogs, and reproductions of artwork by Emmet family members and others.

Two scrapbooks contain a combination of drawings, primarily by Rosina Emmet Sherwood, reproductions of artwork, and photographs.

Artwork includes drawings and sketchbooks by Julia Colt Pierson Emmet, Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn Ellen Emmet Rand, and other Emmet relatives, illustrating the early development of their talent.

Photographs are of family members, including Julia Colt Pierson Emmet and William Jenkins Emmet, their daughters Lydia Field Emmet, Jane Erin Emmet de Glehn and husband Wilfrid de Glehn, Rosina Emmet Sherwood and husband Arthur Murray Sherwood, and Robert Emmet Sherwood as a young man. Also found are photos of friends Richard Harding Davis, Frederick MacMonnies, and Augustus Saint-Gaudens; a series of photographs of the installation at Arden Galleries, New York (1936) for the exhibition Paintings, Drawings and Sculptures by Five Generations of the Emmet Family; and photographs of artwork by Emmet family members.
Arrangement:
The Emmet family papers are arranged as nine series.

Series 1: Biographical Material, circa 1855-1988 (0.6 linear feet; Boxes 1, 10, OV 12)

Series 2: Correspondence, 1792-1985 (6.2 linear feet; Boxes 1-7)

Series 3: Writings and Notes, circa 1870s-1981 (11 folders; Box 7)

Series 4: Exhibition Files, 1947-1983 (0.3 linear feet; Boxes 7-8)

Series 5: Business Records, circa 1799-1945 (7 folders; Box 8)

Series 6: Printed Material, 1872-1989 (0.35 linear feet; Boxes 8, 10)

Series 7: Scrapbooks, 1870-1890 (0.2 linear feet; Boxes 8, 10)

Series 8: Artwork, circa 1850-circa 1920 (0.35 linear feet; Boxes 8, 10)

Series 9: Photographs, circa 1870s-circa 1950s (1 linear foot; Boxes 8-9, 11)
Biographical Note:
The Emmet family, descended from patriot Thomas Addis Emmet, brother of Irish martyr Robert Emmet, counts many physicians, lawyers, and writers (including cousin Henry James) among its ranks. Although evidence of artistic talent existed in several previous generations, it flourished during the later 19th through the mid-20th centuries in the professional portraiture of sisters Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn, and their cousin Ellen "Bay" Emmet Rand.

The eldest daughter of Julia Colt Pierson Emmet (1829-1908), herself a talented illustrator who had studied under Daniel Huntington, Rosina "Posie" Emmet (1854-1948) studied under William Merritt Chase at his Tenth Street Studio in New York and under Robert-Fleury at the Academie Julian in Paris. Before her marriage to Arthur Murray Sherwood in 1887, Rosina established a studio in New York and continued to submit illustrations to various publications. During her marriage, she slowed her creative activities, until financial reverses dictated her return to her career around the turn of the 20th century. Her daughter Rosamond Sherwood (1899-1990) was also a portrait painter. Her son, Robert Emmet Sherwood (1896-1955) became a four-time Pulitzer Prize-winning playwright.

Lydia Field Emmet (1866-1952) studied under Collin, Bouguereau, MacMonnies, and Robert-Fleury at the Academie Julian. Upon her return to New York, Lydia continued her studies under Chase, Kenyon Cox, H. Siddons Mowbray, and Robert Reid at the Art Students League, as well as at Chase's Shinnecock Summer School of Art. She established her portrait studio in New York City and began spending summers at Stockbridge, Massachusetts, where she built her home, "Strawberry Hill," in 1905. Best known for her portraits of children, Lydia's subjects were members of the socially prominent families of New York, Boston, and Philadelphia.

The youngest sister, Jane Erin Emmet (1873-1961), also studied with Chase in New York, and in Paris. In 1904, she married British landscape painter Wilfrid Von Glehn, who had visited the United States with his friend John Singer Sargent. (The Von Glehns' surname was changed to De Glehn, in 1919.) Settling in London, Jane continued her painting, befriended many artists and composers, and accompanied her husband and Sargent on several art-related journeys through Europe.

The Emmet sisters' cousin, Ellen Gertrude "Bay" Emmet (1875-1941), studied in New York at the Art Students League and under Frederick MacMonnies in Paris, becoming a National Academician in 1934. She married William Blanchard Rand in 1911 and settled in Salisbury, Connecticut. After the stock market crash of 1929, Bay's portraits of prominent society figures provided most of her family's income.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 4544) including one scrapbook, compiled by Rosina Emmet Sherwood, consisting of portrait sketches, drawings of her dogs, genre scenes, travel views, and photographs of travels, friends, actors, and the ship "Scythia,". Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
In 1988-1991, the bulk of the Emmet family papers were donated by Rosamond Sherwood, daughter of Rosina Emmet Sherwood (via Katharine Emmet Bramwell of New York), by Rosamond Sherwood's estate (via F. Douglas Cochrane, executor, from Boston), and by Rosamond's nieces, Virginia Sherwood and Julia Shipway. Additionally, one scrapbook was lent for microfilming in 1990 and subsequently donated by Mrs. Earl Maize. Douglas Cochrane then loaned another scrapbook for microfilming (reel 4344) in 1991 which was returned to Mrs. Earl Maize.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- England -- London  Search this
Topic:
Art -- Study and teaching -- France -- Paris  Search this
Works of art  Search this
Women painters -- New York (State)  Search this
Painting, American -- New York (State)  Search this
Illustrators -- New York (State)  Search this
Playwrights  Search this
Portrait painters -- New York (State) -- New York  Search this
Singers  Search this
World War, 1914-1918  Search this
World War, 1939-1945  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Photographs
Video recordings
Drawings
Diaries
Sound recordings
Citation:
Emmet family papers, 1792-1989 (bulk 1851-1989). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.emmefami
See more items in:
Emmet family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-emmefami
Online Media:

Frederick H. Clark papers

Creator:
Clark, Frederick H. (Frederick Hatfield), 1861-1948  Search this
Names:
American Society of Miniature Painters  Search this
National Academy of Design (U.S.)  Search this
Pennsylvania Academy of the Fine Arts  Search this
School of Industrial Design (Trenton, N.J.)  Search this
Society of American Artists  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Chase, William Merritt, 1849-1916  Search this
Extent:
225 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1875-1934
Scope and Contents:
Correspondence, 1888-1934, concerning Clark's paintings and exhibitions; a list of paintings owned by Congressman Brewer, handwritten by Clark; exhibition catalogs and announcements of the School of Industrial Design, Trenton, New Jersey, the Society of American Artists, New York City, the World's Columbian Exposition, 1893, Philadelphia, Pennsylvania, the Pennsylvania Academy of Fine Arts, the National Academy of Design, New York City, and the American Society of Miniature Painters; an etching by William Merritt Chase; a paper fan from the Philadelphia Centennial Exhibition, 1876; and clippings and miscellaneous printed material.
Biographical / Historical:
Painter, portrait painter, art administrator. Born in Trenton, New Jersey. Studied with William Merritt Chase. Painted murals for the State House in New Jerey. Key in establishing Trenton's School of Industrial Design in 1890, and served for 18 years on its' board of trustees. Died in Martha's Vineyard.
Provenance:
Received 1982 through J. M. Edelstein, Librarian of the National Gallery of Art.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Etchers  Search this
Printmakers  Search this
Arts administrators -- New Jersey  Search this
Painters -- New Jersey  Search this
Portrait painters -- New Jersey  Search this
Topic:
Art -- Societies, etc.  Search this
Identifier:
AAA.clarfred
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-clarfred

James McNeill Whistler collection

Creator:
Whistler, James McNeill, 1834-1903  Search this
Names:
Company of the Butterfly  Search this
Royal Academy of Arts (Great Britain)  Search this
Salon (Exhibition : Paris, France)  Search this
Salon des refusés  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Anderson, Christine  Search this
Beck, J. W.  Search this
Boehm, Joseph Edgar, Sir, 1834-1890  Search this
Bronson, Katharine de Kay, 1834-1901  Search this
Burnett, Frances Hodgson, 1849-1924  Search this
Burnett, Swan M. (Swan Moses), 1847-1906  Search this
Ford, Sheridan, d. 1922  Search this
Lee, George Washington Custis, 1832-1913  Search this
Lee, Robert E. (Robert Edward), 1807-1870  Search this
Leighton of Stretton, Frederic Leighton, Baron, 1830-1896  Search this
Lucas, George A., 1824-1909  Search this
Pollitt, Herbert Charles Jerome, 1871-1942  Search this
Wilde, Oscar, 1854-1900  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Postcards
Pamphlets
Date:
1863-1906, circa 1940
Summary:
The collection measures 0.2 linear feet and provides scattered documentation of the career of American-born British-based painter and etcher James McNeill Whistler (1834-1903) through 39 items from Whistler to various recipients, including 25 letters, 9 telegraphs, 3 invitations, one thank you card and a postcard. The collection also contains 4 letters from others, 7 catalogs of Whistler exhibitions, a note from the back of Whistler's painting The Beach at Selsey Bill, and a 1906 copy of Wilde v. Whistler: being an acromonious correspondence on art between Oscar Wilde and James A. McNeill Whistler, a pamphlet containing letters originally published in London newspapers between 1885 and 1890.
Scope and Content Note:
The collection measures 0.2 linear feet and provides scattered documentation of the career of American-born British-based painter and etcher James McNeill Whistler (1834-1903) through 39 items from Whistler to various recipients, including 25 letters, 9 telegraphs, 3 invitations, one thank you card and a postcard. The collection also contains 4 letters from others, 7 catalogs of Whistler exhibitions, a note from the back of Whistler's painting The Beach at Selsey Bill, and a 1906 copy of Wilde v. Whistler: being an acromonious correspondence on art between Oscar Wilde and James A. McNeill Whistler, a pamphlet containing letters originally published in London newspapers between 1885 and 1890.

The Whistler letters found here touch on some important events in Whistler's career. One letter to George Lucas, an American art dealer in Paris, discusses his plans to send Symphony in White, No. 1: The White Girl to the Paris Salon of 1863. Rejected by the Royal Academy of Arts in London in 1862, the painting was also refused by the Paris Salon but shown ultimately in the landmark exhibition at the Salon des Refusés.

Also found are a circa 1879 letter to the eldest son of Robert E. Lee, General George Washington Custis Lee, with whom Whistler had been a cadet at West Point, recommending sculptor Joseph Boehm for an equestrian statue for memorializing Lee and expressing Whistler's veneration for the Confederate general; a circa 1880 letter from Whistler, written during his 14 months in Venice, to Katharine de Kay Bronson, who presided over the expatriate community there; 2 circa 1892-1893 letters documenting Whistler's determination to pursue Sheridan Ford through the courts in response to Ford's publication of a contraband version of Whistler's book The Gentle Art of Making Enemies; and a circa 1897 letter to J. W. Beck, sent in response to Beck's request on behalf of the Royal Academy that he exhibit with the British contingent at the 1893 World's Columbian Exposition in Chicago. In the letter Whistler insults Sir Frederic Leighton, the Royal Academy's president, retaliating against previous slights including having his paintings hung well above eye-level, or "skied".

Although few, if any, records survive about the creation of The Company of the Butterfly, a syndicate established in 1897 for selling Whistler's work, the collection contains one letter from Christine Anderson, the secretary of the Company, to one of it's first clients, Herbert Charles Pollitt.

The collection also contains an 1883 invitation from Whistler to Dr. Swan Burnett and his wife, children's author Frances Hodgson Burnett, to view etchings and drypoints and a note written by Whistler and signed with the butterfly, taken from the back of the painting Beach at Selsey Bill (1865).

Seven catalogs dating from 1892-1910 and circa 1940 document Whistler exhibitions in London and the United States.

Seven of the Whistler items are signed with his butterfly signature and all letters sent after his wife's death in May 1896 are on mourning stationary.
Arrangement:
The collection is arranged as 1 series:

Series 1: James McNeill Whistler Collection, 1863-1906, circa 1940 (Box 1; 0.2 linear ft.)
Biographical Note:
London-based painter and etcher, James McNeill Whistler (1834-1903) was born in Lowell, Massachusetts and lived in St. Petersburg and London as a child before returning to the United States on the death of his father in 1849. After a failed attempt at a military career at West Point from 1851-1853, he worked as a draftsman for the Coast Survey from 1854-1855 where he received technical instruction in etching. Whistler then left for Paris and remained an expatriot for the rest of his life, living alternately in Paris and London. He studied briefly in Paris at the Ecole Impériale, but was influenced more heavily by his own studies of the great masters and his contemporaries, including Henri Fantin-Latour, Charles Baudelaire, Gustave Courbet, and Edouard Manet.

Whistler's reputation as an etcher was firmly established with the 1858 publication of his group of "French Set" etchings. Shortly thereafter he settled in London and began work on his first major painting At the Piano (1859). His paintings, such as Symphony in White No. 1 The White Girl, (1862; National Gallery of Art, Washington, D.C.) and later portraits such as Arrangement in Black and Grey No. 1: The Artist's Mother (1871; Musée d'Orsay, Paris), won him international acclaim. His style was not easily defined although he was influenced by Realism and Impressionism and by Japanese art styles, which can be seen in his "Nocturne" landscapes, exhibited in 1877 at the Grovesnor Gallery in London, and influenced the development of his "butterfly signature" in the 1860s.

When art critic John Ruskin wrote a scathing review of the "Nocturnes" exhibition, Whistler sued for libel and won, although the resulting legal fees drove him into bankruptcy. He spent 14 months in Venice on a commission for the Fine Art Society and produced a succession of etchings and pastels that were subsequently exhibited in 1883 and helped to stabilize his financial situation.

In 1885 Whistler, famous for his witty and flamboyant personality, published his Ten O'Clock Lecture which espoused his belief in "art for arts sake," and asserted his refusal to ascribe narratives or morality to his art. Whistler's "Ten O'Clock" drew a response from Oscar Wilde and a public discourse between the two men followed in the London newspapers. It was later published in the pamphlet Wilde v. Whistler: being an acrimonious correspondence on art between Oscar Wilde and James A. McNeill Whistler.

In 1890 Whistler published The Gentle Art of Making Enemies, a collection of his best letters and witticisms. The book had originally been the idea of American journalist Sheridan Ford, to whom Whistler had advanced money which he then withdrew with the intent of completing the project alone. When Ford retaliated with a contraband edition of the book, Whistler pursued him through the courts and Ford was tried in Belgium in 1891.

Toward the end of his life Whistler focused increasingly on etching, drypoint and lithography, in addition to interior decoration such as the Peacock Room for Frederick Leyland's London residence begun in 1876. A happy marriage to Beatrix Godwin in 1888 ended in her death in May 1896. By the time of his death in London in 1903, Whistler was regarded as major artist of international renown.
Related Material:
The Archives holds several collections relating to James McNeill Whistler including the Katherine Prince collection relating to James McNeill Whistler, 1835- 1892; Edward Guthrie Kennedy papers concerning James McNeill Whistler in the New York Public Library, 1850-1902 and Selected papers concerning James McNeill Whistler in the New York Public Library, 1830-1950 (available on microfilm only, reel N25; originals reside at the New York Public Library); and James McNeill Whistler collection in the University of Glasgow, Special Collections, circa 1830-1963 (available on microfilm only, reels 4600-4611 and 4683-4699; originals reside in the Glasgow University Library, Dept. of Special Collections).
Provenance:
The collection was compiled from a series of accessions donated between 1959 and 2003. Most of the items in the collection were given to the Archives of American Art by Charles Feinberg in 1959. The pamphlet Wilde v. Whistler was donated by Mrs. Lois Field in 1964 and an invitation to Dr. and Mrs. Burnett was donated by Martha Fleischman in 2003.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art dealers -- France -- Paris  Search this
Painters  Search this
Topic:
Painting, American  Search this
Etchers  Search this
Genre/Form:
Postcards
Pamphlets
Citation:
James McNeill Whistler collection, 1863-1906, circa 1940. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whisjame2
See more items in:
James McNeill Whistler collection
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-whisjame2
Online Media:

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