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Jane Teller papers

Creator:
Teller, Jane  Search this
Names:
Albright-Knox Art Gallery  Search this
Montclair Art Museum  Search this
Museum of Modern Art (New York, N.Y.)  Search this
National Council on the Aging  Search this
Newark Museum  Search this
Noyes Museum  Search this
Parma Gallery (New York, N.Y.)  Search this
Princeton Gallery of Fine Art  Search this
Squibb Gallery (Princeton, N.J.)  Search this
Whitney Museum of American Art  Search this
Brodsky, Judith K.  Search this
Caparn, Rhys, 1909-1997  Search this
Dehner, Dorothy, 1901-1994  Search this
Fuller, Sue, 1914-  Search this
Gatch, Lee, 1902-1968  Search this
Johnson, Margaret K. (Margaret Kennard)  Search this
Kadish, Reuben, 1913-1992  Search this
Lamis, Leroy, 1925-  Search this
Lassaw, Ibram, 1913-2003  Search this
Siskind, Aaron  Search this
Extent:
8.6 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Interviews
Prints
Sketchbooks
Slides (photographs)
Motion pictures (visual works)
Sketches
Scrapbooks
Photographs
Sound recordings
Date:
1911-1991
Summary:
The papers of printmaker and sculptor Jane Teller measure 8.6 linear feet and date from 1911 to 1991. The papers include biographical materials, correspondence, business records, notes, writings, three sketchbooks, sketches and prints, five scrapbooks, printed material, subject files, photographs, sound and video recordings, and motion picture film.
Scope and Content Note:
The papers of printmaker and sculptor Jane Teller measure 8.6 linear feet and date from 1911 to 1991. The papers include biographical materials, correspondence, business records, notes, writings, three sketchbooks, sketches and prints, five scrapbooks, printed material, subject files, photographs, sound and video recordings, and motion picture film.

Biographical material includes a birth certificate, school work, and passports. General correspondence includes letters from several artists including Rhys Caparn, Sue Fuller and Lee Gatch, and from art galleries, including the Museum of Modern Art, Albright-Knox Art Gallery and the Whitney Museum of American Art. Additional correspondence is found in the Subject Files.

Business records include an account book, lists of expenses and prices of art works, and sales records. Notes and writings include Teller's notes about art and travel, artists' statements, autobiographical writings, and a compilation of many artists' statements regarding "The Nine Bean Question."

Artwork includes three sketchbooks, 30 sketches and three prints primarily depicting nature and sculpture designs.

Five scrapbooks contain clippings, exbition announcements and catalogs. Additional printed material includes magazines, exhibition announcements and catalogs, a booklet by Teller entitled Art, Age and the River, published posthumously by her husband, and a manuscript of Poems or Poetic Expressions of Sculptors, collected by L. Lamis.

Subject files are arranged by name or subject and may contain letters, photographs, and printed material. Many of the files focus on galleries and museums, including the Montclair Art Museum, the Newark Museum, Noyes Museum, Parma Gallery, the Princeton Gallery of Fine Art and the Squibb Gallery. There are also subject files for associations, travel, projects, and colleagues including Margaret K. Johnson, Reuben Kadish, Ibram Lassaw, Aaron Siskind and Dorothy Dehner.

Photographs and slides depict Teller, her friends, works, gallery installations, and travels. Also included are photographs of trees, bark, and other natural formations used by Teller in her work.

The audio-visual materials include several sound recordings, videocassettes and 16 mm motion picture films. The videocassettes include television programs in which Teller, printmaker Judith Brodsky and actor Harry Hamlin are interviewed, a retrospective at Skidmore College and a film featuring Teller speaking for the National Council on Aging. Sound recordings include two interviews and a "Talk on Malta" by Teller and Joan Needham. The 16 mm films are black and white footage of Teller's first Parma Gallery show.
Arrangement:
The collection is arranged as 11 series. Records are generally arranged by material type and chronologically thereafter.

Missing Title

Series 1: Biographical Material, 1911-1985 (Box 1; 4 folders)

Series 2: Correspondence, 1956-1991 (Box 1; 0.3 linear feet)

Series 3: Business Records, 1961-1990 (Box 1; 5 folders)

Series 4: Notes, 1960-1987 (Box 1; 13 folders)

Series 5: Writings, 1960-1989 (Boxes 1 and 9; 5 folders)

Series 6: Artwork, circa 1950s (Boxes 1 and 9; 6 folders)

Series 7: Scrapbooks, 1948-1990 (Boxes 1-2; 0.7 linear feet)

Series 8: Printed Material, 1957-1991 (Boxes 2-3 and 9; 0.6 linear feet)

Series 9: Subject Files, 1951-1990 (Boxes 3-5; 2.5 linear feet)

Series 10: Photographs, 1934-1985 (Boxes 5-9; 2.5 linear feet)

Series 11: Audio-Visual Materials, 1961-1989 (Box 8, FC 10-12; 0.6 linear feet)
Biographical Note:
Jane Teller (1911-1990) worked as a printmaker and sculptor primarily in New Jersey. She specialized in working with wood and studied at the Rochester Institute of Technology, Skidmore College, and Barnard College. She also attended Federal Works Progress Administration (W.P.A.) classes in New York City, studying sculpture with Aaron J. Goodelman and wood carving with Karl Nielson. She later studied welding in the studio of Ibram Lassaw. She was also a lifelong friend of photographer Aaron Siskind. In 1960, she was awarded the Mary and Gustave Kellner Prize at the National Association of Women Artists Annual Exhibition at the National Academy of Design in New York, and in 1966 the Sculpture Prize at the Fiftieth Anniversary Exhibition, Philadelphia Art Alliance in Philadelphia. She exhibited mainly in New York and New Jersey and was married to author and editor Walter Teller.
Provenance:
The Jane Teller papers were donated by Jane Teller in 1990 and in 1991 by Walter Teller, widower of Jane Teller.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Printmakers -- New Jersey  Search this
Sculptors -- New Jersey  Search this
Topic:
Printmakers -- New Jersey  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Women artists  Search this
Women sculptors  Search this
Women printmakers  Search this
Genre/Form:
Video recordings
Interviews
Prints
Sketchbooks
Slides (photographs)
Motion pictures (visual works)
Sketches
Scrapbooks
Photographs
Sound recordings
Citation:
Jane Teller papers, 1911-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.telljane
See more items in:
Jane Teller papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95c6d3902-ef80-4ea1-ba58-b2abe402072c
EDAN-URL:
ead_collection:sova-aaa-telljane

Jacob Lawrence Catalogue Raisonné Project Records

Collection Creator:
Knight, Gwendolyn  Search this
Lawrence, Jacob, 1917-2000  Search this
Extent:
5.1 Linear feet (Boxes 18-23, Box 26)
0.001 Gigabytes (ER01)
Type:
Archival materials
Gigabytes
Date:
1982-2002
Scope and Contents:
This series contains materials generated by the Jacob Lawrence Catalogue Raisonné Project, a non-profit created with the goal of producing a catalogue raisonné (and later, a digital archive) of Jacob Lawrence's work. These records include address books and phone logs; copies of Jacob Lawrence's CV; founding documents, bylaws, and meeting minutes; correspondence; writings, including draft pages of the catalogue raisonné; business records, including employment files, contracts, invoices, insurance, and tax information; printed and digital material; and photographs.

The correspondence included in this series is from members of the board of directors; collectors of Jacob Lawrence's work; galleries, museums, and universities; and writers, editors, and photographers contracted to work on the project.

Printed material included in this series includes newsletters, clippings, and research and reference material.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacob Lawrence and Gwendolyn Knight papers, 1816, 1914-2008, bulk 1973-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lawrjaco, Series 8
See more items in:
Jacob Lawrence and Gwendolyn Knight papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98a45ac2c-fa57-4dfb-8978-1e95e6bd4cbf
EDAN-URL:
ead_component:sova-aaa-lawrjaco-ref1099

Clippings

Collection Creator:
Reid, Robert Dennis, 1924-2000  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Date:
1963-1975, circa 1960s
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Dennis Reid papers, 1961-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Dennis Reid papers
Robert Dennis Reid papers / Series 3: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9aea43517-5361-4151-9396-9ea9910d83bc
EDAN-URL:
ead_component:sova-aaa-reidrobd-ref20
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  • View Clippings digital asset number 1

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
World War, 1939-1945 -- Art and the war  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
5 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 2
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 3
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 4
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 5
Online Media:

Paul Brooks Willis papers, 1930-1978

Creator:
Willis, Paul Brooks, 1903-1981  Search this
Citation:
Paul Brooks Willis papers, 1930-1978. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- 20th century -- New Mexico -- Santa Fe  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10579
(DSI-AAA_SIRISBib)214055
AAA_collcode_willpaul
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214055

Art Space records, 1971-1992

Creator:
Adelman, Lucy  Search this
Art Space (Los Angeles, California)  Search this
Subject:
Lubner, Lorraine  Search this
Walding, Clark  Search this
Colvill, Tracy  Search this
Chaffee, Marta  Search this
Lowry, Janice Ann  Search this
Hines, David  Search this
Gabrielson, Walter  Search this
Starbuck, Marjorie  Search this
Schairer, Mary  Search this
Rush, Kent  Search this
Tomlinson, Robert  Search this
Lubner, Robert  Search this
Miura, Shigeo  Search this
Venice Art Walk  Search this
Venice Family Clinic (Venice, Los Angeles, Calif.)  Search this
Texas Commerce Bank  Search this
18th Street Gallery  Search this
Works Gallery  Search this
Constitutional Rights Foundation (1963-)  Search this
Type:
Slides (photographs)
Photographs
Citation:
Art Space records, 1971-1992. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)6355
(DSI-AAA_SIRISBib)215105
AAA_collcode_artspac
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215105
Online Media:

Women & Their Work records, circa 1977-2015

Creator:
Women and Their Work (Organization)  Search this
Type:
Video recordings
Citation:
Women & Their Work records, circa 1977-2015. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Theme:
Art Gallery Records  Search this
Women  Search this
Art organizations  Search this
Record number:
(DSI-AAA_CollID)22046
AAA_collcode_womework
Theme:
Art Gallery Records
Women
Art organizations
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_22046

Urban Art

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (digital audio file)
Type:
Archival materials
Sound recordings
Date:
2015 July 02
Scope and Contents:
Elliot Urcuhuaranga Cardenas; Brus Mauricio Rubio Churay; MONKY
General:
This audio recording has been transcribed. View transcription and play recording here. Download a PDF of the transcription here.
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Art -- Peru  Search this
Graphic arts  Search this
Street art  Search this
Social justice  Search this
Collection Citation:
Smithsonian Folklife Festival records: 2015 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2015, Item SFF_2015_0702_Peru_El_Hablador_0006
See more items in:
Smithsonian Folklife Festival records: 2015 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2015 Smithsonian Folklife Festival / Series 2: Perú: Pachamama / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk50aa77ae5-e4c6-4e0e-9f06-ad4f8966c801
EDAN-URL:
ead_component:sova-cfch-sff-2015-ref756

Oral history interview with Val Cushing, 2001 April 16

Interviewee:
Cushing, Val M.  Search this
Interviewer:
Carney, Margaret, 1949-  Search this
Subject:
Wildenhain, Marguerite  Search this
Archie Bray Foundation  Search this
Alfred University  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Val Cushing, 2001 April 16. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Economic aspects  Search this
Decorative arts  Search this
Ceramics  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12255
(DSI-AAA_SIRISBib)226929
AAA_collcode_cushin01
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_226929
Online Media:

Oral history interview with Val Cushing

Interviewee:
Cushing, Val M.  Search this
Interviewer:
Carney, Margaret, 1949-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Alfred University -- Faculty  Search this
Alfred University -- Students  Search this
Archie Bray Foundation  Search this
Archie Bray Foundation -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Wildenhain, Marguerite  Search this
Extent:
46 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2001 April 16
Scope and Contents:
An interview of Val Cushing conducted 2001 April 16, by Margaret Carney, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Cushing's studio, Alfred Station, New York.
Cushing speaks of his early interest in drawing; applying to Alfred University without a portfolio and being accepted on an athletic scholarship to play football; his teachers at Alfred including Katherine Nelson, Charles Harder, Marion Fosdick, Kurt Ekdahl, and Dan Rhodes; his classmates at Alfred including Herb Cohen, Marty Moskof, Marty Chodos, Luis Mendez, Ed Pettengill, and Richard Homer; the influence of Marguerite Wildenhain, who came to Alfred to teach for two weeks in 1952 (Cushing's senior year); his first job making pots at Santa's Workshop in Adirondack Mountains in New York in 1951, and the value of throwing every day; learning that "technique is not enough"; his travels; serving in the military police in Fort Dix, New Jersey, during the Korean War; visiting the Metropolitan Museum to sketch pots; meeting his wife Elsie Brown, who was private-duty nurse in New York; Charles Harder as an administrator and teacher; attending graduate school at Alfred on the G.I. Bill from 1954 to 1956; his decision to become teacher rather than full-time potter at the suggestion of Charles Harder; teaching at University of Illinois in 1956 and then Alfred University in 1957; the "famous" dialogues between Charles Harder and Bernard Leach; the importance of designing functional handmade objects; the evolution of the American craft market; his work for Andover China; exhibitions; his close-knit ceramics community in the 1950s and 1960s; his relationships with galleries including American Hand and The Farrell Collection in Washington, D.C., Helen Drutt Gallery and the Works Gallery in Philadelphia, The Signature Shop & Gallery in Atlanta, Martha Schneider Gallery in Chicago, and Cedar Creek Gallery in Creedmoor, North Carolina; teaching at Penland, Haystack, Arrowmont, Archie Bray, and Anderson Ranch; "the Alfred connection at Archie Bray" and his grant to study at Archie Bray in 1968; the importance of Alfred's summer school to the history of contemporary clay in America; the value of university training; Bob Turner's and Ted Randal's influence on his work through their "philosophic stance" and "presence as artists"; his working space and his 1983 NEA grant to adapt an existing barn for use as a studio; the influence of nature on his work; working with kick wheel, Soldner wheel, Venco Pug Mill, natural gas and electric kilns; his glaze expertise; opportunities for experimentation; his love of jazz music and its influence on his working methods; pricing his pots; commissions; ceramic workshops as theatrical "performances" and an American phenomenon; the role of specialized periodicals in the craft field; the difference between craft critics and painting and sculpture critics; and the place of ceramics in museum collections in the United States and abroad.
Cushing also talks about his involvement with NCECA [The National Council on Education for the Ceramic Arts], the American Craft Council, and the American Ceramics Society; the lack of political and social commentary in his work; his teaching experiences in Europe and Asia; his participation in the opening of The Shigaraki Ceramic Cultural Park in Japan; and the importance of ceramic history for the contemporary ceramist. He also recalls Susan Peterson, Bill Pitney, Marv Rickel, Don Frith, Winslow Anderson, Ken Deavers, Joan Mondale, Joan Farrell, Don Reitz, Gerry Williams, Bill Parry, Ken Ferguson, and others.
Biographical / Historical:
Val Cushing (1931- ) is a ceramic artist and potter from Alfred Station, New York. Margaret Carney (1949- ) is the director of the Schein Joseph International Museum of Ceramic Art in Alfred, New York.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 3 hr.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Ceramicists -- New York (State)  Search this
Topic:
Art -- Economic aspects  Search this
Decorative arts  Search this
Ceramics  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cushin01
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9572d0cc4-97cb-44d7-9531-068cec70f0b4
EDAN-URL:
ead_collection:sova-aaa-cushin01
Online Media:

Shaker Works Gallery

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Sun, 01 Apr 2001 05:00:00 +0000
Topic:
Search this
See more post:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_8f22ff32832dc446bb850819628996e9

50 Years of Works (2015), Snyderman-Works Gallery

Collection Creator:
Bennett, Garry Knox, 1934-  Search this
Container:
Box 4, Folder 27
Type:
Archival materials
Date:
2014-2015
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Garry Knox Bennett papers, 1917-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Garry Knox Bennett papers
Garry Knox Bennett papers / Series 3: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90807e496-67ad-4dee-85d8-5fab063c97ae
EDAN-URL:
ead_component:sova-aaa-benngarr-ref226

Snyderman-Works Gallery

Collection Creator:
Bennett, Garry Knox, 1934-  Search this
Container:
Box 8, Folder 32-34
Type:
Archival materials
Date:
1981-2017
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Garry Knox Bennett papers, 1917-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Garry Knox Bennett papers
Garry Knox Bennett papers / Series 4: Professional Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fdfecfba-d4ec-424d-99f0-a45cba3db2c5
EDAN-URL:
ead_component:sova-aaa-benngarr-ref363

Works Gallery

Collection Creator:
Bennett, Garry Knox, 1934-  Search this
Container:
Box 9, Folder 31
Type:
Archival materials
Date:
1994
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Garry Knox Bennett papers, 1917-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Garry Knox Bennett papers
Garry Knox Bennett papers / Series 4: Professional Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97f4c6da7-8146-4747-b991-34fd92e7a8e1
EDAN-URL:
ead_component:sova-aaa-benngarr-ref389

Assorted Material

Collection Creator:
Alexander, Robert  Search this
Temple of Man (Venice, Calif.)  Search this
Container:
Box 1, Folder 27
Type:
Archival materials
Date:
circa 1960-2010
Scope and Contents:
Includes correspondence related to exhibitions, photographs of artwork, exhibition announcements and brochures, and clippings.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Alexander papers and Temple of Man records, 1938-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Alexander papers and Temple of Man records
Robert Alexander papers and Temple of Man records / Series 3: Correspondence and Artists Files / Berman, Wallace
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93af7d9a0-0e85-4206-aeb3-39be2a3784c0
EDAN-URL:
ead_component:sova-aaa-alexbob-ref93
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Assorted Material digital asset number 1

Lamkin Camera Work Gallery

Collection Creator:
Starr, Nina Howell, 1903-2000  Search this
Container:
Box 6, Folder 45
Type:
Archival materials
Date:
1973-1974
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Nina Howell Starr papers, circa 1933-1996. Archives of American Art, Smithsonian Institution.
See more items in:
Nina Howell Starr papers
Nina Howell Starr papers / Series 3: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a113139f-d84d-4ae4-a410-4ef5bbadbcba
EDAN-URL:
ead_component:sova-aaa-starnina-ref203

Photographs

Collection Creator:
Teller, Jane  Search this
Extent:
(Boxes 5-9; 2.5 linear feet)
Type:
Archival materials
Date:
1934-1985
Scope and Contents note:
Photographs and slides date from 1934 to 1985 and depict Teller, her friends, works, gallery installations, and travels to Corfu, England, France, Italy, Japan, Malta, Mexico, North Africa, Spain, California and Utah. Also included are studies of trees, bark, and other natural formations used by Teller in her work.
Arrangement note:
The end of the series (folders 15-19) are slide cases. They have been placed at the back of box 8 for preservation purposes.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jane Teller papers, 1911-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.telljane, Series 10
See more items in:
Jane Teller papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw994741f8d-8464-416e-a04d-0f28e724d30c
EDAN-URL:
ead_component:sova-aaa-telljane-ref164

Works Gallery [Folder]

Additional name:
Snyderman-Works Galleries  Search this
Snyderman Gallery  Search this
Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Place:
Philadelphia (Pa.)
Topic:
Art Organizations  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_103885

Works Gallery (Long Beach, Calif.) [Folder]

Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Place:
Long Beach (Calif.)
Topic:
Art Organizations  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_97590

Thrills, Chills and Spills - The Second Artist's Soapbox Derby

Creator:
Butterfield, Jan, 1937-2000  Search this
Subject:
Butterfield, Jan  Search this
San Francisco Museum of Modern Art  Search this
Type:
Writings
Place:
San Francisco, Calif.
Date:
1978
Citation:
Jan Butterfield. Thrills, Chills and Spills - The Second Artist's Soapbox Derby, 1978. Jan Butterfield papers, 1950-1997. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)19838
See more items in:
Jan Butterfield papers, 1950-1997
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19838
Online Media:

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