This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jaime Davidovich papers, 1949-2014. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing and digitization of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Additional funding for the digitization of the papers was provided by the Roy Lichtenstein Foundation.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jaime Davidovich papers, 1949-2014. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing and digitization of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Additional funding for the digitization of the papers was provided by the Roy Lichtenstein Foundation.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jaime Davidovich papers, 1949-2014. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing and digitization of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Additional funding for the digitization of the papers was provided by the Roy Lichtenstein Foundation.
This issue of Eastern Wind includes cover art designed by Miu Eng, organizational news, and an essay on Asians and the Women's Movement.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist at ACMarchives@si.edu
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Miu Eng Eastern Wind collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Miu Eng.
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
Pauline B. and Myron S. Falk, Jr. Papers, FSA.A2002.03. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the Falk family.
Sponsor:
Processed in 2022 with funding from the Smithsonian Institution's American Women's History Initiative.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Sit down / Maurice Sugar --Hallelujah I'm a bum /Harry McClintock --Pie in the sky / Joe Hill --Solidarity forever / Ralph Chaplin, Earl Robinson --Joe Hill / Earl Robinson, Alfred Hayes --Hurry sundown / Yip Harburg, Earl Robinson -- We built the road /Earl Robinson --Wanderin' / arr. Earl Robinson --Animal kingdom / Mel Leven, Earl Robinson -- Too old to work / Kuppy Scott, Joe Glazer, Earl Robinson --Union Collage / arr. Earl Robinson --Free and equal blues / Yip Harburg, Earl Robinson --This land is your land / Woody Guthrie, Earl Robinson --Walter Reuther.
Track Information:
101 Sit Down / Earl Robinson. Guitar.
102 Hallelujah, I'm a Bum / Earl Robinson. Guitar.
103 Preacher and the Slave, The (Pie in the Sky) / Earl Robinson. Guitar.
104 Solidarity Forver / Earl Robinson. Guitar.
105 Joe Hill / Earl Robinson. Guitar.
106 Hurry Sundown / Earl Robinson. Guitar.
107 He Built the Road / Earl Robinson. Guitar.
108 Wanderin' / Earl Robinson. Guitar.
201 Animal Kingdom / Earl Robinson. Guitar.
202 Too Old to Work / Earl Robinson. Guitar.
203 Which Side Are You On? / Earl Robinson. Guitar.
204 Talking Union / Pete Seeger. Guitar.
205 Casey Jones (The Union Scab) / Earl Robinson. Guitar.
206 Union Maid / Earl Robinson. Guitar.
207 Free and Equal Blues / Earl Robinson. Guitar.
208 This Land is Your Land / Woody Guthrie. Guitar.
Local Numbers:
FW-ASCH-LP-0982
UAW.101
Publication, Distribution, Etc. (Imprint):
UAW Los Angeles, Calif. 1970
General:
"A talking blues cantata". "This Walter P. Reuther memorial album sponsored by the UAW Western Region 6 CAP Council"--Slipcase. Earl Robinson, piano, harpsichord, organ, acoustic guitar with instrumental ensemble. Production notes: Recorded at a performance in Santa Barbara, May 1970.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Side 1: Life in Lawrence --The "foreigners" --The strike begins --Events during the strike --Side 2: Events during the strike --The trial of Ettor and Giovannitti --Perspectives on the past --The women's strike of 1909.
Local Numbers:
FW-ASCH-LP-1032
Random House.617
Publication, Distribution, Etc. (Imprint):
Random House 197x
General:
Through eyewitness accounts relates the story of what happened in Lawrence, Mass., during the 1912 textile strike. The final band features labor leader Pauline M. Newman who discusses the 1909 women's strike in New York City's garment district. Associate Producer, Dr. Florence Jackson. produced by Myles Jackson.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
written and produced by Hyman Bookbinder. Narrator, Melvyn Douglas; musical arrangement and guitar accompaniment, Joe Glazer; W.C. Chorus, L. Weiner, cond.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 null / William H. Friedland, Joe Glazer. Guitar. English language.
Local Numbers:
FW-ASCH-45-4593
FLP.44850
Publication, Distribution, Etc. (Imprint):
Labor Arts
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Old Bolsheviks' songs -- The Cloakmakers' Unions -- Land of the daily worker -- Our line's been changed again -- In old Moscow -- Unite for unity -- Bill Bailey -- The last International.
Track Information:
101 Old Bolshevik's Song / William H. Friedland, Joe Glazer. Guitar. English language.
102 The Coalmakers' Union.
103 The Land Of The Daily Worker.
104 Our Line's Been Changed Again.
105 In Old Moscow.
106 Unite For Unity.
107 Little Joe The Rustler.
108 Bill Bailey.
109 The Last International.
Local Numbers:
FW-ASCH-78-4595
Labor Arts.2
Publication, Distribution, Etc. (Imprint):
Labor Arts
Date/Time and Place of an Event Note:
Recorded in: United States.
General:
Working class songs of protest.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
8. Sacco's Letter to His Son- guitar 9. Sacco's Letter to His Son- guitar, fingerpicking 10. Sacco's Letter to his Son- guitar, lower key 11. Chopin- Seeger
Track Information:
101 Sacco's Letter to His Son /
102 Chopin: Etude with New Lyrics /
Local Numbers:
FW-ASCH-7RR-1297
Date/Time and Place of an Event Note:
Recorded in: New Haven, CT, United States, December 10, 1960.
General:
CDR copy- Disc 255
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
