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Oral history interview with Judy Kensley McKie, 2004 November 22

Interviewee:
McKie, Judy Kensley, 1944-  Search this
Interviewer:
Cooke, Edward S., 1954-  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Furniture making  Search this
Women artists  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)12483
(DSI-AAA_SIRISBib)249411
AAA_collcode_mckie04
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_249411
Online Media:

Oral history interview with Rosanne Somerson, 2006 August 7 and 2007 June 22

Interviewee:
Somerson, Rosanne, 1954-  Search this
Interviewer:
Michie, Thomas S., 1956-  Search this
Subject:
Abramson, Ron  Search this
Callahan, Harry M.  Search this
Capanigro, Paul  Search this
Cooke, Ned  Search this
Dunnigan, John  Search this
Fairbanks, Jonathan L.  Search this
Follen, Eck  Search this
Frid, Tage  Search this
Jackson, Dan  Search this
Joseph, Peter T. (Peter Thomas)  Search this
Kagan, Richard  Search this
Keck, Hardu  Search this
Kranov, James  Search this
Maruyama, Wendy  Search this
Mattia, Alphonse  Search this
Melanson, Gracie  Search this
Osgood, Jere  Search this
Sfirri, Mark  Search this
Siskind, Aaron  Search this
Swanson, Charlie  Search this
Szasz, Merlin  Search this
White, Leroy  Search this
Wolf, Hans  Search this
Haystack Mountain School of Crafts  Search this
Peters Valley (Craft center)  Search this
Rhode Island School of Design  Search this
Richard Kagan Gallery  Search this
Snyderman Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Interviews
Sound recordings
Topic:
Fine woodworking  Search this
Decorative arts  Search this
Educators -- Rhode Island -- Interviews  Search this
Furniture design -- Study and teaching  Search this
Photography  Search this
Women artists  Search this
Women designers  Search this
Women educators  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13618
(DSI-AAA_SIRISBib)271125
AAA_collcode_somers06
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_271125
Online Media:

Oral history interview with Tage Frid, 1980 June 24-1982 February 22

Interviewee:
Frid, Tage, 1915-2004  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Wegner, Hans J.  Search this
Rhode Island School of Design  Search this
School for American Crafts  Search this
Type:
Sound recordings
Interviews
Topic:
Artisans -- Rhode Island -- Interviews  Search this
Decorative arts  Search this
Design  Search this
Designers -- Rhode Island -- Interviews  Search this
Educators -- Rhode Island -- Interviews  Search this
Theme:
Craft  Search this
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)11852
(DSI-AAA_SIRISBib)212052
AAA_collcode_frid80
Theme:
Craft
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212052
Online Media:

Oral history interview with Michelle Holzapfel, 2008 January 26 and March 1

Interviewee:
Holzapfel, Michelle, 1951-  Search this
Interviewer:
Shea, Josephine, 1958-  Search this
Subject:
Adamson, Glenn  Search this
Ancell, Nathan  Search this
Blake, Audrey  Search this
Friedman, Barry  Search this
Holzapfel, David  Search this
Joseph, Peter T. (Peter Thomas)  Search this
LeCoff, Albert B.  Search this
Taylor, Gilbert  Search this
Trapp, Kenneth R.  Search this
Tyler, Chris  Search this
Marlboro College  Search this
Museum of Fine Arts, Boston  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Norwich University  Search this
Rhode Island School of Design. Museum of Art  Search this
Wood Turning Center (Philadelphia, Pa.)  Search this
Worcester Center Crafts  Search this
Type:
Sound recordings
Interviews
Place:
Italy -- description and travel
Rhode Island -- Description and travel
Topic:
Decorative arts  Search this
Self-taught artists  Search this
Women artists  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)15619
(DSI-AAA_SIRISBib)281471
AAA_collcode_holzam08
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_281471
Online Media:

Oral history interview with Howard Ben Tré, 2007 July 7

Interviewee:
Ben Tré, Howard, 1949-2020  Search this
Interviewer:
Shea, Josephine, 1958-  Search this
Subject:
Aycock, Alice  Search this
Brychtová, Jaroslava  Search this
Chihuly, Dale  Search this
Dailey, Dan  Search this
Hampson, Ferdinand  Search this
Labino, Dominick  Search this
LaMonte, Karen  Search this
Libenský, Stanislav  Search this
Littleton, Harvey K.  Search this
Onorato, Ronald J.  Search this
Parker, Anthony  Search this
Polander, Steve  Search this
Scanga, Italo  Search this
Appalachian Center for Craft  Search this
Brooklyn College  Search this
Brooklyn Technical High School (Brooklyn, New York, N.Y.)  Search this
Cristallerie Daum  Search this
Hadler/Rodriguez Gallery  Search this
Haystack Mountain School of Crafts  Search this
Missouri Valley College  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck School  Search this
Portland State University  Search this
Rhode Island School of Design  Search this
Venceremos Brigade  Search this
Type:
Interviews
Sound recordings
Place:
Cuba -- Description and travel
Europe -- description and travel
Topic:
Art commissions  Search this
Civil rights -- United States  Search this
Decorative arts  Search this
Glass art -- Technique  Search this
Peace movements  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)13647
(DSI-AAA_SIRISBib)272881
AAA_collcode_bentre07
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_272881
Online Media:

Tage Frid papers, 1949-2003

Creator:
Frid, Tage, 1915-2004  Search this
Subject:
Penland School of Crafts  Search this
Rhode Island School of Design  Search this
Type:
Interviews
Video recordings
Sound recordings
Topic:
American studio craft movement  Search this
Theme:
Art Materials, Techniques, and Studio Art Education  Search this
Craft  Search this
Record number:
(DSI-AAA_CollID)13373
(DSI-AAA_SIRISBib)255589
AAA_collcode_fridtage
Theme:
Art Materials, Techniques, and Studio Art Education
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_255589

Bentwood / Tanya Barter, John Dunnigan, Seth Stem

Author:
Barter, Tanya  Search this
Dunnigan, John 1950-  Search this
Stem, Seth 1947-  Search this
Rhode Island School of Design Museum of Art  Search this
Physical description:
48 p. : ill. ; 26 cm
Type:
Exhibitions
Place:
United States
Date:
1984
20th century
Topic:
Wood bending  Search this
Woodwork  Search this
Bentwood furniture--History  Search this
Call number:
NK9601.P9 R7 1984
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_239795

Hand Screw

Maker:
Bliss Manufacturing Co.  Search this
Physical Description:
wood, birch (overall material)
wood, hickory (overall material)
Object Name:
Clamp
Other Terms:
Clamp; Carpenter/Joiner/Cabinetmaker; Woodworking; Holding & Gripping Tools; Hand Tools
Place made:
United States: Rhode Island, Pawtucket
ID Number:
MC.261359.02
Catalog number:
261359.02
Accession number:
261359
See more items in:
Work and Industry: Hand Tools
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a4-a9f4-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_656833

brace, boy's

Maker:
R. Bliss and Co.  Search this
Physical Description:
metal, white (overall material)
wood (overall material)
Measurements:
overall: 11 1/2 in x 4 1/2 in; 29.21 cm x 11.43 cm
Object Name:
Brace
brace, boy's
Other Terms:
Brace; Toys
Place made:
United States: Rhode Island, Providence
Subject:
Toys  Search this
Hand Tools  Search this
Boys  Search this
Credit Line:
John R. Gerwig, Jr.
ID Number:
1977.1101.0404
Accession number:
1977.1101
Catalog number:
1977.1101.0404
See more items in:
Cultural and Community Life: Domestic Life
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b4-49e0-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_314447

Woman's Building records

Creator:
Woman's Building (Los Angeles, Calif.)  Search this
Names:
Feminist Studio Workshop  Search this
Women's Graphic Center (Los Angeles, Calif.)  Search this
Chicago, Judy, 1939-  Search this
De Bretteville, Sheila Levrant  Search this
Raven, Arlene  Search this
Extent:
33.5 Linear feet
Type:
Collection descriptions
Archival materials
Slides
Artists' books
Date:
1970-1992
Summary:
The records of the Woman's Building feminist arts organization in Los Angeles measure 33.5 linear feet and date from 1970-1992. Originally founded by artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven in 1973, the Woman's Building served as an education center and public gallery space for women artists in southern California. The records document both the educational and exhibition activities and consist of administrative records, financial and legal records, publications, curriculum files, exhibition files, grant funding records and artist's works of arts and prints. A significant portion of the collection documents the Women's Graphic Center, a typesetting, design, and printing service operated by The Woman's Building.
Scope and Content Note:
The records of the Woman's Building measure 33.5 linear feet and date from 1970 to 1992. The organization played a key role as an alternative space for women artists energized by the feminist movement in the 1970s. The records document the ways in which feminist theory shaped the Building's founding core mission and goals. During its eighteen year history, the Building served as an education center and a public gallery space for women artists in Los Angeles and southern California; the records reflect both functions of the Building's activities.

The Administrative Files series documents the daily operations of the Building, with particular emphasis on management policies, budget planning, history, cooperative relationships with outside art organizations and galleries, special building-wide programs, and relocation planning. Included in this series are the complete minutes from most Building committees from 1974 through closing, including the Board of Directors and the Advisory Council. The General Publicity and Outreach series is particularly complete, containing publicity notices from most events, exhibits, and programs held at the Woman's Building, including brochures, announcements, programs, invitations, press releases, newspaper clippings, and magazine articles.

The Woman's Building's educational programs centered on courses offered by the Feminist Studio Workshop and the Extension Program. While the Workshop provided a two-year program for women interested in fully developing their artistic talent, the Extension Program offered a broad range of classes, specifically oriented to working women interested in art and art vocations. The records fully document both programs, focusing on the course development and descriptions, teacher contracts, class evaluations, budget planning, and scholarship programs. Although the Archives does not have the entire slide library, there are files concerning the establishment and administration of the library, as well as a few folders of slides.

The Gallery Programs series houses the records of the visual, performing, literary and video arts events held at the Woman's Building. Administrative files detail the daily operation of the gallery spaces. The files in the remaining subseries are primarily arranged by event and contain proposals, announcements, publicity, and artist biographies.

The Women's Graphic Center became a profit-making arm of the Woman's Building in 1981 but the typesetting and design equipment had been used by staff and students since 1975. The records in this series focus on the work produced at the Center, including general projects and artist designs and art prints. Many of the design and printing examples were produced for Woman's Building events and programs.

The Artist's Works of Art series includes artist books, resumes, correspondence, postcards, and samples of art in the form of sketches, drawings, and prints. There is also material related to Woman's Building projects. Especially noteworthy is the "What is Feminist Art?" project where artists gave their responses in various formats and mediums from text to pieces of artwork.

The Printed Materials series contains feminist and art publications not produced by or for the Woman's Building.
Arrangement:
The collection is arranged into 7 series.

Series 1: Administrative Files, circa 1970-1991 (Box 1-9, 32; 9 linear feet)

Series 2: Educational Programs, 1971-1991 (Box 10-14; 4.9 linear feet)

Series 3: Gallery Programs, 1973-1991 (Box 14-20, OV 54; 5.7 linear feet)

Series 4: Women's Graphic Center, circa 1976-1989 (Box 20-23, 32, OV 33-50; 5.6 linear feet)

Series 5: Artists' Works of Art, circa 1972-1990 (Box 24-25, OV 51-53; 1.7 linear feet)

Series 6: Grants, 1974-1992 (Box 25-30; 5.3 linear feet)

Series 7: Printed Material (Not Woman's Building), 1970-1983 (Box 30-31; 1.3 linear feet)
Historical Note:
In 1973, artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven founded the Feminist Studio Workshop (FSW), one of the first independent schools for women artists. The founders established the workshop as a non-profit alternative education center committed to developing art based on women's experiences. The FSW focused not only on the development of art skills, but also on the development of women's experiences and the incorporation of those experiences into their artwork. Central to this vision was the idea that art should not be separated from other activities related to the developing women's movement. In November of 1973 the founders rented workshop space in a vacated building in downtown Los Angeles and called it The Woman's Building, taking the name from the structure created for the 1893 World's Columbian Exposition in Chicago. The FSW shared space with other organizations and enterprises including several performance groups, Womanspace Gallery, Sisterhood Bookstore, the National Organization of Women, and the Women's Liberation Union.

When the building they were renting was sold in 1975, the FSW and a few other tenants moved to a three-story brick structure, originally designed to be the administrative offices of the Standard Oil Company in the 1920s. In the 1940s, it had been converted into a warehouse and consisted of three floors of open space, conducive to publically available extension classes and exhibitions offered by the Woman's Building staff and students. By 1977, the majority of the outside tenants had left the Woman's Building, primarily because they were unable to sustain business in the new location. The new building was more expensive to maintain and the FSW staff decided to hire an administrator and to create a board structure to assume the financial, legal, and administrative responsibility for the Building. The funds to operate came from FSW tuition, memberships, fund-raising events, and grant monies.

In 1981, the Feminist Studio Workshop closed, as the demand for alternative education diminished. The education programs of the Building were restructured to better accommodate the needs of working women. The Woman's Building also began to generate its own artistic programming with outside artists, including visual arts exhibits, performance art, readings, and video productions. That same year, the Woman's Building founded the Women's Graphic Center Typesetting and Design, a profit-making enterprises designed to strengthen its financial base. Income generated from the phototypesetting, design, production, and printing services was used to support the educational and art making activities of the Building.

When the graphics business closed in 1988, the Woman's Building suffered a financial crisis from which it never fully recovered. The Building closed its gallery and performance space in 1991.
Related Material:
Among the other resources relating to the Woman's Building in the Archives of American Art is an oral history with Suzanne Lacy on March 16, 1990, March 24, 1990, and September 24, 1990. While not credited as a founding member, Lacy was among the first group of staff of the Woman's Building which she discusses in her interview.

The Getty Research Institute also holds a large collection on the Woman's Building which includes a wide range of material relating to its exhibitions, activities, and projects.
Separated Material:
The Archives of American Art donated 5 boxes of video tape from the collection to the Long Beach Museum of Art, Video Annex in 1994. According to documentation, this was the desire of Sandra Golvin and the Board of Directors of the Woman's Building.
Provenance:
The Woman's Building records were donated to the Archives of American Art in 1991 by Sandra Golvin, President of the Board of Directors. An small addition of a set of "Cross Pollination" posters was donated in 2019 by by ONE Archives at University of Southern California Libraries via Loni Shibuyama, Archives Librarian.
Topic:
Works of art  Search this
Art -- Study and teaching -- California -- Los Angeles  Search this
Women artists  Search this
Feminism and art  Search this
Function:
Nonprofit organizations -- California
Arts organizations -- California
Genre/Form:
Slides
Artists' books
Citation:
Woman's Building records, 1970-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.womabuil
See more items in:
Woman's Building records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw938796dfe-5dbf-49e9-96e7-5a8745391f13
EDAN-URL:
ead_collection:sova-aaa-womabuil
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Online Media:

General

Collection Creator:
Nakashima, George, 1905-1990  Search this
Container:
Box 1, Folder 10
Type:
Archival materials
Date:
1983
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
George Nakashima papers, 1950-1991. Archives of American Art, Smithsonian Institution.
See more items in:
George Nakashima papers
George Nakashima papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9be4ca27f-98cb-42fe-8410-d979a7624894
EDAN-URL:
ead_component:sova-aaa-nakageor-ref33
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Walter Tandy Murch papers

Creator:
Murch, Walter  Search this
Names:
Betty Parsons Gallery  Search this
Brooklyn Museum  Search this
Rhode Island School of Design  Search this
Bishop, Isabel, 1902-1988  Search this
Bocour, Leonard, 1910-1993  Search this
Bonnard, Pierre, 1867-1947  Search this
Dubuffet, Jean, 1901-  Search this
Gonzalez, Xavier, 1898-1993  Search this
Kepes, Gyorgy, 1906-2001  Search this
Murch, Katherine  Search this
Murch, Walter Scott  Search this
Scott, Katharine  Search this
Extent:
8.2 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Awards
Woodcuts
Resumes
Lecture notes
Drawings
Photographs
Notebooks
Sketches
Notes
Sketchbooks
Date:
1880-1970
Summary:
The papers of New York City still life painter and art instructor Walter Tandy Murch date from 1880-1970 and measure 8.2 linear feet. Found within the papers are biographical materials, four diaries, correspondence with colleagues and family members, personal business records, exhibition files, notes and writings, two sketchbooks and additional art work, printed material, and photographs of Murch, family members, and art work.
Scope and Content Note:
The papers of New York City still life painter and art instructor Walter Tandy Murch date from 1880-1970 and measure 8.2 linear feet. Found within the papers are biographical materials, four diaries, correspondence with colleagues and family members, personal business records, exhibition files, notes and writings, two sketchbooks and additional art work, printed material, and photographs of Murch, family members, and art work.

Biographical material includes registration documents for births, marriages, and naturalization of Murch family members, biographical accounts, resumes, school and award certificates, passports, Selective Service records, and address books.

One diary by Walter Murch and three diaries by Katharine Murch contain sporadic entries briefly describing daily activities.

Correspondence primarily consists of letters exchanged between Murch, art schools and universities, arts organizations, galleries including the Betty Parsons Gallery, miscellaneous companies and publishers that commissioned commercial art work, and students. There are scattered letters from Isabel Bishop, Leonard Bocour, Xavier Gonzales, and Gyorgy Kepes. There is also correspondence with miscellaneous family members and letters to Katharine Scott.

Personal business records include organizational membership records, family legal documents, insurance records, leases, loan and consignment records, contracts and invoices for art work sold by the Betty Parsons Gallery, expense notebooks, and other routine financial documents.

Exhibition files include documentation of miscellaneous exhibitions of Murch's art work and of exhibitions juried and organized by Murch, including the Jean Dubuffet exhibition organized by Murch and retrospectives of Murch's art work at the Rhode island School of Design and at the Brooklyn Museum.

Notes and writings include the funeral register for Murch, miscellaneous address lists, travel notebooks of Murchs' 1934 trip to Mexico, miscellaneous notebooks concerning various art-related topics, classroom lectures and notes, and miscellaneous writings by others.

Art work includes two sketchbooks, drawings and sketches, woodcuts, sketches for "Novel in Woodcut," an oil portrait of a woman, a mock-up for book Notes on the Hound of Heaven, and art work by others including a sketchbook by Murch's son, Walter Scott Murch.

Printed material includes clippings, a copy of a handmade Collegiate School magazine The New Thinker, and exhibition announcements and catalogs. for Murch and others, press releases, prospectuses, reproductions of art work and book jackets designed by Murch, programs, brochures, a book about Pierre Bonnard, and miscellaneous printed material.

Photographs are of Murch, family members, travel, buildings, Murch's studio, Murch with colleagues, And art work by Murch and others. There are also photographs of various resource subjects.
Arrangement:
The collection is arranged as 9 series:

Missing Title

Series 1: Biographical Material, 1924-1968 (Box 1, 10; 24 folders)

Series 2: Diaries, 1941-1965 (Box 1; 3 folders)

Series 3: Correspondence, 1880-1969 (Box 1-3, 10; 1.8 linear feet)

Series 4: Personal Business Records, 1928-1970 (Box 3-5; 2.9 linear feet)

Series 5: Exhibition Files, 1953-1968 (Box 6; 17 folders)

Series 6: Notes and Writings, 1907-1968 (Box 6-7, 10, OV 11; 1.5 linear feet)

Series 7: Art Work, 1891-1967 (Box 7, 10, OV 11; 33 folders)

Series 8: Printed Material, 1926-1968 (Box 7-8, 10, OV 11; 50 folders)

Series 9: Photographs, 1908-1967 (Box 9-10; 41 folders)
Biographical Note:
Walter Tandy Murch (1907-1967) of Toronto, Canada, was a painter and art teacher. His painting were primarily of still life subjects including machine parts, tools, broken dolls, and scientific equipment mingled with fruit, bread and fragments of rock as if seen through frosted glass.

Walter Tandy Murch was born on August 17, 1907, in Toronto, Canada, the son of Clara Louise Tandy and jeweller Walter Murch. Following his studies of architectural drafting and woodworking at the Technical High School in Toronto, he studied at the Ontario College of Art in Toronto with Arthur Lismer from 1924 to 1927. During the following year, Murch studied at the Grand Central School of Art in New York City with Arshile Gorky. From 1927 to 1929, he studied with Von Schlegel and K. H. Miller at the Art Students League. In 1930, Murch married Katharine Louise Scott.

From 1930 to 1933, Murch designed stained glass windows for Montague Castle, Inc., in New York City. Following a lengthy painting trip to Mexico in 1934, Murch returned to New York City and earned a living painting murals, designing department store windows, and creating illustrations for various magazines including Fortune and Scientific American.

Murch had his first solo exhibition at Betty Parsons' Wakefield Gallery in New York in 1941, and for many years Parsons was his principal dealer. Murch became a United States citizen in 1947.

Beginning in the 1950s, Murch taught at Pratt Institute, Columbia University, New York University, and at Boston University, and attended summer sessions at Yaddo and Skowhegan. In 1966, the Rhode Island School of Design organized Murch's first major retrospective.

Murch's work is in the collections of the Barnes Foundation, Brooklyn Museum, Corcoran Gallery of Art, Metropolitan Museum of Art, Pennsylvania Academy of the Fine Arts, Smithsonian American Art Museum, and the Whitney Museum of American Art.

Walter Tandy Murch died on December 11, 1967 in New York City.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reels N707, N708, N713, and N68-5) including correspondence, notes, sketchbooks, clippings, exhibition catalogs, and photographs. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
In 1967-1968, Walter Tandy Murch loaned the Archives of American Art material for microfilming. The artist's widow, Katharine Scott Murch, donated papers 1969.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- New York (State) -- New York  Search this
Topic:
Painters -- New York (State) -- New York  Search this
Painting, American  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Diaries
Awards
Woodcuts
Resumes
Lecture notes
Drawings
Photographs
Notebooks
Sketches
Notes
Sketchbooks
Citation:
Walter Tandy Murch papers, 1880-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.murcwalt
See more items in:
Walter Tandy Murch papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f5394724-4437-414b-a920-56c5d6f83013
EDAN-URL:
ead_collection:sova-aaa-murcwalt

"Family Eating: 1919" and "Family Reading: 1919,"

Collection Creator:
McCoy, Esther  Search this
Container:
Box 9, Folder 13
Type:
Archival materials
Date:
1958
Collection Restrictions:
Use of original papers requires an appointment. Use of audiovisual recordings without access copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Esther McCoy papers
Esther McCoy papers / Series 3: Personal Writings / 3.3: Memoirs
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw904170fde-56b5-4cd4-a07f-04d8e9126896
EDAN-URL:
ead_component:sova-aaa-mccoesth-ref183
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Oral history interview with Michelle Holzapfel

Interviewee:
Holzapfel, Michelle, 1951-  Search this
Interviewer:
Shea, Josephine, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Marlboro College -- Students  Search this
Museum of Fine Arts, Boston  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Norwich University  Search this
Rhode Island School of Design. Museum of Art  Search this
Wood Turning Center (Philadelphia, Pa.)  Search this
Worcester Center Crafts  Search this
Adamson, Glenn  Search this
Ancell, Nathan  Search this
Blake, Audrey  Search this
Friedman, Barry  Search this
Holzapfel, David, 1950-  Search this
Joseph, Peter T. (Peter Thomas), 1950-1998  Search this
LeCoff, Albert B., 1950-  Search this
Taylor, Gilbert  Search this
Trapp, Kenneth R.  Search this
Tyler, Chris  Search this
Extent:
4 Items (Sound recording: 4 sound files (3 hr., 10 min.), digital, wav)
42 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Italy -- description and travel
Rhode Island -- Description and Travel
Date:
2008 January 26 and March 1
Scope and Contents:
An interview of Michelle Holzapfel conducted 2008 January 26-March 1, by Josephine Shea, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Holzapfel's home and studio, Applewoods Studio and Gallery, in Marlboro, Vermont.
Holzapfel speaks of her childhood in Rhode Island; her large extended family and their French-Canadian heritage; working with her father in his machine shop; early art education and exposure from elementary school through high school; the influence of high school art teacher Audrey Blake; trips to Rhode Island School of Design Museum and Boston Museum of Fine Arts; attending Marlboro College; meeting her husband, David, at Marlboro; traveling in Italy with friends and David; earning her B.A. from Norwich College; participating in craft shows; having two children in two years; teaching experiences at Worcester Center for Crafts and Wood Turning Center; the difference in relationships with galleries and museums; the woodturning field; and the struggles and success of women artists; and plans for the future. Holzapfel recalls Gilbert Taylor, Barry Friedman, Glenn Adamson, Nathan Ancell, Peter Joseph, Kenneth Trapp, Chris Tyler, Albert LeCoff, and others.
Biographical / Historical:
Michelle Hozapfel (1951- ) is a self-taught woodworker in Marlboro, Vermont.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 3 hr., 10 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Woodworkers -- Vermont  Search this
Topic:
Decorative arts  Search this
Self-taught artists  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.holzam08
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99a91d3ab-f577-4dff-be25-fe3cf1d63d19
EDAN-URL:
ead_collection:sova-aaa-holzam08
Online Media:

Oral history interview with Judy Kensley McKie

Interviewee:
McKie, Judy Kensley, 1944-  Search this
Interviewer:
Cooke, Edward S., 1954-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
88 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 November 22
Scope and Contents:
An interview of Judy Kensley McKie conducted 2004 November 22, by Edward S. Cooke, Jr., for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Cambridge, Massachusetts.
McKie speaks of having artist parents; growing up in Lexington, Massachusetts; doing art projects as a child; studying painting at the Rhode Island School of Design; spending her senior year in Rome; teaching art at a private school; making wall hangings and other early projects with her husband Todd; her first furniture pieces; exhibiting her work at Design Research in Boston; joining New Hamburger Cabinetworks; working on commissioned projects; being a self-taught furniture maker; working in a cooperative shop; becoming interested in wood carving; using animal imagery in her work; being influenced by art from other cultures; students who worked in the shop; exhibiting in galleries such as Pritam & Eames; participating in various exhibitions; how her work has changed during her career; experimenting with colors and figure designs; becoming part of the woodworking community; having her work cast in bronze and carved in stone; making small-scale objects out of resin; working on public art projects; how the craft world has changed; preparing for exhibitions; her current studio space; and the future of furniture making. McKie also recalls Ted Dodd, Mary Gregory, James Krenov, Wendell Castle, Garry Knox Bennett, Alphonse Mattia, and others.
Biographical / Historical:
Judy Kensley McKie (1944- ) is a furniture maker from Cambridge, Massachusetts. Edward S. Cooke, Jr. is a professor from Newtonville, Massachusetts.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 4 hrs., 1 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Woodworkers -- Massachusetts  Search this
Furniture designers -- Massachusetts -- Boston  Search this
Topic:
Furniture making  Search this
Women artists  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mckie04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c67bcdec-dfc6-45f6-8612-f34587e80e75
EDAN-URL:
ead_collection:sova-aaa-mckie04
Online Media:

Oral history interview with Rosanne Somerson

Topic:
Fine woodworking
Interviewee:
Somerson, Rosanne, 1954-  Search this
Interviewer:
Michie, Thomas S.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Haystack Mountain School of Crafts  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Peters Valley (Craft center)  Search this
Rhode Island School of Design -- Faculty  Search this
Rhode Island School of Design -- Students  Search this
Richard Kagan Gallery  Search this
Snyderman Gallery  Search this
Abramson, Ron  Search this
Callahan, Harry M.  Search this
Capanigro, Paul  Search this
Cooke, Ned  Search this
Dunnigan, John, 1950-  Search this
Fairbanks, Jonathan L.  Search this
Follen, Eck  Search this
Frid, Tage  Search this
Jackson, Dan  Search this
Joseph, Peter T. (Peter Thomas), 1950-1998  Search this
Kagan, Richard  Search this
Keck, Hardu  Search this
Kranov, James  Search this
Maruyama, Wendy, 1952-  Search this
Mattia, Alphonse  Search this
Melanson, Gracie  Search this
Osgood, Jere, 1936-  Search this
Sfirri, Mark  Search this
Siskind, Aaron  Search this
Swanson, Charlie  Search this
Szasz, Merlin  Search this
White, Leroy  Search this
Wolf, Hans  Search this
Extent:
61 Pages (Transcripts)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2006 August 7 and 2007 June 22
Scope and Contents:
An interview of Rosanne Somerson conducted 2006 August 7-2007 June 22, by Thomas Michie, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the Rhode Island School of Design, in Providence, Rhode Island. In part one of this interview, Somerson speaks of growing up outside of Philadelphia, Pennsylvania; attending RISD beginning in 1971; being asked to teach there nine years later; creating a new department of furniture design; tailoring that furniture design program to encompass the development from design to manufacture; introducing materials other than wood into the program; garnering international attention through worldwide exhibits; her first show at the Richard Kagan Gallery in Philadelphia; participating in a group show in New York City for female woodworkers; making connections through the Snyderman Gallery and Pritam and Eames Gallery; working directly with clients on commissioned pieces; the financial stability of teaching; designing a piece for the headquarters of Khon, Peterson Fox, and Conway in New York; the sculptural elements present in many of her works; moving from a small studio in Boston, Massachusetts, to a larger studio in Westport, Connecticut, and finally to a shared studio in Fall River, Massachusetts; the supportive and proud reaction of her children to her work; creating a production company with colleagues and designing furniture for the RISD dormitories; attempting to make these designs both flexible and environmentally-friendly; putting aside teaching for an administrative position in the department; recent travel to Japan, Australia, England, Israel, and France; enrolling in summer programs with art schools like Haystack Mountain School of Craft in Maine and others; and excitement for her upcoming sabbatical.
In the second portion of the interview, she discusses living in a house built by her father in Wyncote, Pennsylvania; enjoying the location of the house on a former cherry orchard and consequently being drawn cherry wood as a medium; the feeling of her parents that anything could be accomplished with a certain amount of study; her mother's interest in weaving and spinning later in life; the creative pursuits of her older brothers, including creative writing and photography; verbally communicating the outside world to her blind grandfather and gaining an aptitude for interpreting visual imagery; being more academically than artistically focused in her youth; visiting art museums and having other cultural experiences with her family; being fascinated with photography by seeing her brother's work; deciding to put off college in order to spend a year in Denmark studying photography; enrolling in RISD and feeling overwhelmed at first by her inexperience; taking a winter course in wood-working and preferring it to photography; being advised by her teacher Tage Frid to gain a wood-working education by pursuing sculpture at RISD; transferring into industrial design later; learning a great deal from and being extraordinarily influenced by Tage Frid as a furniture designer and teacher; taking a semester off to attend Peters Valley Craftsmen in New Jersey; spending a few years after graduation assisting Frid with the writing and publication of his articles; working as an assistant editor for Fine Woodworking magazine; being offered a job at RISD in the furniture department; creating the furniture design program; using RISD's collection as inspiration for her work and as a teaching tool; moving towards using more local woods in her designs; her recent lecture and travel in China; and looking forward to focusing on her work in the new studio.
Somerson recalls John Dunnigan, Dick Kagan, Ned Cooke, Jonathan Fairbanks, Wendy Maruyama, James Krenov, Dan Jackson, Jere Osgood, Alphonse Mattia, Peter Joseph, Ron Abramson, Charlie Swanson, Eck Follen, Peter Walker, and others. In the second part, Somerson recalls Merlin Szasz, LeRoy White, Hardu Keck, Gracia Melanson, Harry Callahan, Aaron Siskind, Paul Crot, Paul Capanigro, Tage Frid, Hans Wolfe, Mark Sfirri, and others.
Biographical / Historical:
Rosanne Somerson (1954- ) is a professor of furniture design and furniture designer and maker in Westport, Massachusetts. Thomas Michie is a curator of decorative arts, Los Angeles County Museum of Art, Los Angeles, California.
General:
Originally recorded on 5 sound discs. Reformatted in 2010 as 2 digital wav files. Duration is 3 hr., 3 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Furniture designers -- Rhode Island  Search this
Topic:
Decorative arts  Search this
Educators -- Rhode Island -- Interviews  Search this
Furniture design -- Study and teaching  Search this
Photography  Search this
Women artists  Search this
Women designers  Search this
Women educators  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.somers06
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9db2e506b-fd9b-42d1-b6a2-f24d806027dc
EDAN-URL:
ead_collection:sova-aaa-somers06
Online Media:

Oral history interview with Howard Ben Tré

Interviewee:
Ben Tré, Howard, 1949-2020  Search this
Interviewer:
Shea, Josephine, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Appalachian Center for Craft  Search this
Brooklyn College -- Students  Search this
Brooklyn Technical High School (Brooklyn, New York, N.Y.)  Search this
Cristallerie Daum  Search this
Hadler/Rodriguez Gallery  Search this
Haystack Mountain School of Crafts -- Faculty  Search this
Missouri Valley College -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck School  Search this
Portland State University -- Students  Search this
Rhode Island School of Design -- Students  Search this
Venceremos Brigade  Search this
Aycock, Alice  Search this
Brychtová, Jaroslava, 1924-  Search this
Chihuly, Dale, 1941-  Search this
Dailey, Dan, 1947-  Search this
Hampson, Ferdinand  Search this
LaMonte, Karen, 1967-  Search this
Labino, Dominick  Search this
Libenský, Stanislav, 1921-2002  Search this
Littleton, Harvey K.  Search this
Onorato, Ronald J.  Search this
Parker, Anthony  Search this
Polander, Steve  Search this
Scanga, Italo, 1932-2001  Search this
Extent:
63 Pages (Transcript)
3 Sound discs (Sound recording (4 hr., 3 min.), digital, 2 5/8 in.)
Type:
Collection descriptions
Archival materials
Pages
Sound discs
Interviews
Sound recordings
Place:
Cuba -- Description and Travel
Europe -- description and travel
Date:
2007 July 7
Scope and Contents:
An interview of Howard Ben Tré conducted 2007 July 7, by Josephine Shea, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's studio, in Pawtucket, Rhode Island.
Ben Tré speaks of his childhood in Rockaway Park, New York; his Polish immigrant father who was a woodworker and artist; inheriting a particular aesthetic and sense of hard work from his father; attending Brooklyn Technical High School to play football but not graduating; moving to Marshall, Missouri to attend Missouri Valley College for one year; attending Brooklyn College; becoming involved in Students for a Democratic Society, the antiwar movement and civil rights movement of the 1960s; traveling to Cuba as part of the first Venceremos Brigade to cut sugarcane in 1969; meeting his first wife, Gay, in Cuba and returning to New York with her; organizing a food co-op and community events in Brooklyn; moving to Portland, Oregon; working in construction for the city before going back to school to study veterinarian medicine at Portland State University; discovering the glass studio in a garage at Portland State; meeting Dale Chihuly and working at Pilchuck Glass School; utilizing the foundry skills learned from Brooklyn Technical High to work with glass in casting and cope and drag methods; his series Burial Boxes and the influence of ancient architecture and ceremonial Chinese bronzes; the rise of the studio glass movement as symptomatic of socio-political-economic times, not just the pioneering efforts of Harvey Littleton and Dominic Labino; traveling throughout Europe with Gay; visiting Stanislav Libenský and Jaraslava Brychtová in Czechoslovakia; visiting Dan Dailey at Cristallerie Daum in France; attending Rhode Island School of Design [RISD]; his first show at Hadler/Rodriguez Gallery in 1980; teaching experiences at Haystack Mountain School of Craft and Appalachian Center for Craft; building and installing an oven at Blenko Glass in Milton, West Virginia and at Super Glass in Brooklyn; working with Mold Melted Glass Studio in Pelechov, Czech Republic; the history of glass and early glass-working techniques; his many commissions, including sited public projects such as Post Office Square in Boston; the adoption of his name, Ben Tré; return visits to Cuba; working with RISD to create a winter study session in Havana; and his view of artists as artists, not defined by medium. Ben Tré also recalls Anthony Parker, Italo Scanga, Ron Onorato, Alice Aycock, Ferdinand Hampson, Steven Polander, Karen LaMonte, among others.
Biographical / Historical:
Howard Ben Tré (1949- 2020) was a glass artist from Pawtucket, Rhode Island. Josephine Shea is a curator from Grosse Pointe Park, Michigan.
General:
Originally recorded 3 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 4 hr., 3 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Glass artists  Search this
Topic:
Art commissions  Search this
Civil rights -- United States  Search this
Decorative arts  Search this
Glass art -- Technique  Search this
Peace movements  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.bentre07
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d4615d25-e2f4-4f9f-8c8b-9587cb029302
EDAN-URL:
ead_collection:sova-aaa-bentre07
Online Media:

Oral history interview with Tage Frid

Interviewee:
Frid, Tage  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Rhode Island School of Design  Search this
School for American Crafts  Search this
Wegner, Hans J., 1914-  Search this
Extent:
167 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1980 June 24-1982 February 22
Scope and Contents:
An interview of Tage Frid conducted 1980 June 24-1982 February 22, by Robert F. Brown, for the Archives of American Art.
Frid speaks of his training in Denmark; his early career; his apprenticeship in a woodworking shop in Copenhagen; craft education and production in the 1930s in Denmark; his work in interior design; his work under Hans Wegner in the 1940s; teaching positions at the School for American Craftsmen in Rochester, N.Y. and the Rhode Island School of Design; the development of an extensive design practice in New York state in the 1950s; his involvement as an exhibitor and juror; private commissions; and mass productions.
Biographical / Historical:
Tage Frid (1915-2004) was a designer, craftsman, and educator from Foster, R.I.
General:
Originally recorded on 3 sound tape reels as 6 digital wav files. Duration is 6 hrs., 28 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Artisans -- Rhode Island -- Interviews  Search this
Decorative arts  Search this
Design  Search this
Designers -- Rhode Island -- Interviews  Search this
Educators -- Rhode Island -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.frid80
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99b338d4e-3d56-4549-b5ca-54ff88736a10
EDAN-URL:
ead_collection:sova-aaa-frid80
Online Media:

Tage Frid papers

Creator:
Frid, Tage  Search this
Names:
Penland School of Crafts  Search this
Rhode Island School of Design  Search this
Extent:
4.2 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Sound recordings
Date:
1949-2003
Summary:
The Tage Frid papers measure 4.2 linear feet and date from 1949 to 2003. The papers document Frid's career as a woodworker, author, and educator through interviews and other biographical material; correspondence with friends, colleagues, and former students; writings including draft articles and book manuscripts; and records of other professional activities including lectures, exhibition material and sound and video recordings. Also found is printed material and photographic material including images of Frid, his family and friends, studio, and woodworking designs.
Scope and Contents:
The Tage Frid papers measure 4.2 linear feet and date from 1949 to 2003. The papers document Frid's career as a woodworker, author, and educator through interviews and other biographical material; correspondence with friends, colleagues, and former students; writings including draft articles and book manuscripts; and records of other professional activities including lectures, exhibition material and sound and video recordings. Also found is printed material and photographic material including images of Frid, his family and friends, studio, and woodworking designs.

Biographical material includes an audio interview with Frid conducted by C. Blandy, and a video recording of an interview with Frid by Rosanne Somerson for the Rhode Island School of Design Visual Archives project.

Correspondence documents Frid's commissioned work and subjects related to writings and video recordings done for Fine Woodworking. Also included is one oversized sketch with a note.

Writings include manuscripts of articles written by Frid for Fine Woodworking and manuscripts for his three books on woodworking which were a compilation of do-it-yourself projects written by Frid, including photographs and designs for constructing various pieces of furniture.

Records documenting Frid's professional activities include exhibition material, some personal business records concerning his commissioned work, material related to restoration projects, and a number of sound and video recordings of lectures and of Frid illustrating how to create pieces of furniture.

Photographic material includes self portraits of Frid, and photographs of Frid at work in his studio. Also documented is his time at the Penland School of Crafts in North Carolina.
Arrangement:
The collection is arranged into six series.

Series 1: Biographical Material, circa 1960-2001 (0.2 linear feet; Box 1)

Series 2: Correspondence, 1953-2003 (0.2 linear feet; Box 1, OV 5)

Series 3: Writings, 1976-1985 (0.6 linear feet; Box 1)

Series 4: Professional Activity, 1957-2001 (0.8 linear feet; Box 2)

Series 5: Printed Material, 1960-2001 (0.3 linear feet; Boxes 2-3, OV 5)

Series 6: Photographic Material, 1949-1996 (2.1 linear feet; Boxes 3-4, OV 5-6)
Biographical / Historical:
Danish-born woodworker, educator, and author Tage Frid (1915-2004) was known for his influence in the studio furniture movement and his classic series of three books, Tage Frid Teaches Woodworking, published by The Taunton Press.

Born in Denmark in 1915, Frid immigrated to the United States in 1948 and served as head of the woodworking program at the School of American Craftsmen, which later became part of the Rochester Institute of Technology, through the 1950s. In 1962 Frid launched the first college level course in woodworking and furniture design at the Rhode Island School of Design, which he taught until his retirement in 1985. Frid's most successful and iconic design was a three-legged stool which he designed in 1983.

In addition to teaching and woodworking, Frid was an editor of Fine Woodworking magazine from its inception in 1975 to his death. In 2001 Frid was honored by the Furniture Society with its Award of Distinction. His series, Tage Frid Teaches Woodworking, remains a woodworking classic, and examples of his furniture can be found in the Museum of Fine Arts, Boston.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Tage Frid conducted by Robert F. Brown between June 24, 1980 and February 22, 1982.
Provenance:
The Tage Frid papers were donated by Emma Frid, Tage Frid's widow, in 2005. A 2014 addition was donated by Frid's son, Peter A. Frid.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- Rhode Island -- Providence  Search this
Furniture designers -- Rhode Island  Search this
Woodworkers -- Rhode Island  Search this
Authors -- Rhode Island  Search this
Topic:
American studio craft movement  Search this
Genre/Form:
Interviews
Video recordings
Sound recordings
Citation:
Tage Frid papers, 1949-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fridtage
See more items in:
Tage Frid papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ef4184b2-c88f-453a-a8c7-662a8d8973e6
EDAN-URL:
ead_collection:sova-aaa-fridtage

Adze blade

Culture/People:
probably Wampanoag (archaeological) (attributed)  Search this
Collector:
Harold Nelson Gibbs, Non-Indian, 1886-1970  Search this
Previous owner:
Harold Nelson Gibbs, Non-Indian, 1886-1970  Search this
Seller:
Harold Nelson Gibbs, Non-Indian, 1886-1970  Search this
Object Name:
Adze blade
Media/Materials:
Stone
Techniques:
Ground, grooved
Object Type:
Woodworking tools
Place:
Barrington; Bristol County; Rhode Island; USA
Date created:
probably AD 1600–1670
Catalog Number:
9/1416
Barcode:
091416.000
See related items:
Wampanoag (archaeological)
Woodworking tools
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6ce65bcb7-8bf3-4c5e-b47e-75a13b98c2fa
EDAN-URL:
edanmdm:NMAI_98695
Online Media:

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