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Richard Artschwager papers

Creator:
Artschwager, Richard, 1923-  Search this
Names:
Adair Margo Gallery  Search this
Carpenter Center for the Visual Arts  Search this
Cornell University.  Search this
Gagosian Gallery  Search this
Galerie Franck + Schulte  Search this
Harvard University  Search this
Herbert F. Johnson Museum of Art  Search this
Leo Castelli Gallery  Search this
Lorence-Monk Gallery (New York, N.Y.)  Search this
Museum Ludwig  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Museum of Fine Arts, Boston  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Skowhegan School of Painting and Sculpture  Search this
University of Wisconsin  Search this
Whitney Museum of American Art  Search this
Alloway, Lawrence, 1926-1990  Search this
Castelli, Leo  Search this
Copley, William Nelson, 1919-1996  Search this
Fischl, Eric, 1948-  Search this
Johnson, Ray, 1927-  Search this
Karp, Ivan C., 1926-2012  Search this
Katz, Alex, 1927-  Search this
Kimmelman, Michael  Search this
Lawler, Louise  Search this
LeWitt, Sol, 1928-2007  Search this
Murray, Elizabeth, 1940-  Search this
Namuth, Hans  Search this
Neuendorf, Hans  Search this
Ruscha, Edward  Search this
Schaffner, Ingrid  Search this
Schjeldahl, Peter  Search this
Waters, John, 1946-  Search this
Woodman, Betty, 1930-  Search this
Extent:
5.6 Linear feet
Type:
Collection descriptions
Archival materials
Illustrated letters
Transcripts
Sketches
Photographs
Sound recordings
Video recordings
Date:
1959-2013
Summary:
The papers of New York painter and sculptor Richard Artschwager measure 5.6 linear feet and date from 1959-2013. The papers include extensive correspondence, recorded talks and a lecture, exhibition files, printed material, and photographs.
Scope and Contents:
The papers of New York painter and sculptor Richard Artschwager measure 5.6 linear feet and date from 1959-2013. The papers include extensive correspondence, recorded talks and a lecture, exhibition files, printed material, and photographs.

Artschwager's correspondence is with museums, galleries, artists, art historians, academic institutions, and publishers and concerns exhibitions, speaking engagements, and teaching. Frequent correspondents include Lawrence Alloway, Leo Castelli Gallery, Gagosian Gallery, Galerie Franck + Schulte, Herbert F. Johnson Museum, Ivan Karp, Museum Ludwig, Museum of Contemporary Art, Los Angeles, Ingrid Schaffner, and the Whitney Museum of American Art. Also found are letters from fellow artists, including William Copley, Eric Fischl, Ray Johnson, Louise Lawler, Sol Lewitt, Ed Ruscha, John Waters, and Betty Woodman. Some letters are annotated or illustrated with sketches by Artschwager.

The collection includes a lecture and recorded talks by Richard Artschwager held at the University of Wisconsin, Madison, Skowhegan School of Painting & Sculpture, and the Carpenter Center of the Visual Arts, Harvard University, and other venues. One of the recordings is from the "Conversations with Contemporary Artists" series of the Museum of Modern Art. Also included in this series is a recorded discussion with artists Alex Katz and Elizabeth Murray and art critics Michael Kimmelman and Peter Schjeldahl.

Exhibition files are found for exhibitions held at Adair Margo Gallery, Lorence Monk Gallery, Museum of Fine Arts, Boston, Cornell University, and numerous others, including many in Europe. Files typically contain correspondence, price lists, announcements, printed material, photographs, and a few sound and video recordings.

Printed material includes invitations and announcements as well as posters, reproductions, and brochures, mostly related to Richard Artschwager's exhibitions. Newspaper and magazine clippings document exhibition openings and the critical reception of his work.

There are also a few photographs including images of Leo Castelli by Hans Namuth used by Artschwager in preparing for his portrait of Castelli.
Arrangement:
The collection is arranged as 5 series.

Series 1: Correspondence, circa 1970-2013 (Boxes 1-3; 3.0 linear feet)

Series 2: Talks and Lecture, 1985-2009 (Box 4; 0.8 linear feet)

Series 3: Exhibition Files, 1973-2007 (Boxes 4-5; 1.0 linear feet)

Series 4: Printed Material, 1959-2012 (Boxes 5-6, OV 7; 0.6 linear feet)

Series 5: Photographs, circa 1973, 2007 (Box 6, OV 8; 0.1 linear feet)
Biographical / Historical:
Richard Artschwager (1923-2013) lived and worked in New York City and Hudson, New York and was known primarily for his paintings and sculptures. Artschwager was born in Washington, D.C. and grew up in New Mexico. As a youth, Artschwager showed a talent for drawing. He studied chemistry and mathematics at Cornell University. In 1944, Artschwager interrupted his studies to enlist in the U.S. Army. After the war, he returned to Cornell to complete his Bachelor of Arts degree in 1948. Encouraged by his first wife, Elfriede Wejmelka to develop his interest in art, Artschwager moved to New York to study at the Studio School of Amédée Ozenfant. His paintings and drawings from this period were featured in two group shows at the Terrain Gallery in 1957 and at the Art Directions Gallery on Madison Avenue in 1959, where they were recognized by Donald Judd.

In the 1950s, in order to support his family, Artschwager turned to designing and manufacturing modern furniture. His woodworking skills inspired him to create sculptures from utilitarian objects such as tables, chairs, and mirrors. He is best known for the use of building materials Celotex and Formica in his work and for inventing an abstract form he called "blps" reliefs, stencils or decals that were installed randomly in museum, gallery and public spaces. From the mid-1980s to late 1990s, Artschwager designed large scale projects, though he continued to incorporate everyday domestic objects in his sculptures and paintings.

In 1965, Artschwager was given his first one-man exhibition at the Castelli Gallery and he remained with the Gallery for thirty years. He was also represented by Mary Boone, David Nolan, and the Gagosian Gallery. In the 1980s, Artschwager served on the Visual Arts Policy Committee at the National Endowment of the Arts. He was elected to the American Academy of Arts in 1992. He was a visiting artist at New Mexico State University, Soka University, Skowhegan School of Painting and Sculpture, and the University of Arizona. Artschwager's work was the subject of a major surveys, including the Kunstmuseum Winterthur, Neues Museum, and Serpentine Gallery. He participated in numerous international group shows including the Venice Biennale and Documenta in Kassel, Germany. The Whitney Museum of American Art honored Artschwager with two travelling retrospective exhibitions in 1988 and 2012. In late 2012, Artschwager had one-man shows at the Gagosian Gallery and David Nolan Gallery.

Richard Artschwager died at the age of 89 years in 2013. He is survived by his wife, Ann Sebring Artschwager and three children from previous marriages.
Related Materials:
Also found among the resources at the Archives of American Art is an oral history interview with Artschwager, March 3-28, 1972, conducted by Paul Cummings.
Provenance:
The collection was donated by Richard Artschwager and his wife Ann Artschwager in 2013.
Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Richard Artschwager papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art critics  Search this
Topic:
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Art, Modern -- 20th century  Search this
Sculptors -- New York (State) -- New York  Search this
Genre/Form:
Illustrated letters
Transcripts
Sketches
Photographs
Sound recordings
Video recordings
Citation:
Richard Artschwager papers, 1959-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artsrich
See more items in:
Richard Artschwager papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-artsrich
Online Media:

Oral history interview with William Keyser, Jr, 2003 April 25-May 2

Interviewee:
Keyser, William A., 1936-  Search this
Interviewer:
Cooke, Edward S., 1954-  Search this
Subject:
Carnegie Institute of Technology (Carnegie Mellon Univ.)  Search this
Rochester Institute of Technology  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Woodworkers -- New York (State) -- Interviews  Search this
Furniture making  Search this
Coaster cars  Search this
Decorative arts  Search this
Record number:
(DSI-AAA_CollID)13114
(DSI-AAA_SIRISBib)240202
AAA_collcode_keyser03
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_240202
Online Media:

Tage Frid papers

Creator:
Frid, Tage  Search this
Names:
Penland School of Handicrafts (Penland, N.C.) -- Faculty  Search this
Extent:
4.5 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
circa 1950-2004
Scope and Contents:
Biographical material, correspondence, wiritngs, photographs, and audio visual material relating to woodworker, Tage Frid.
Biographical material includes resumes. Correspondence is both personal and professional. Writings include drafts by Frid and artists' statements. Photographs, slides and contact sheets are of Frid at work and traveling. A significant number of photos document his time at Penland School of Crafts. Audio visual material includes five VHS cassettes containing interviews with Tage Frid and demonstrations of his woodworking techniques, undated.
Biographical / Historical:
Tage Frid (1915-2004) was a woodworker from Rochester, N.Y.
Provenance:
Donated 2005 by Emma Frid, Tage Frid's widow and in 2014 by Peter A. Frid, Frid's son.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Woodworkers -- New York (State) -- Interviews  Search this
Genre/Form:
Interviews
Video recordings
Identifier:
AAA.fridtage
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-fridtage

Oral history interview with Tage Frid

Interviewee:
Frid, Tage  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Rhode Island School of Design  Search this
School for American Crafts  Search this
Wegner, Hans J., 1914-  Search this
Extent:
167 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1980 June 24-1982 February 22
Scope and Contents:
An interview of Tage Frid conducted 1980 June 24-1982 February 22, by Robert F. Brown, for the Archives of American Art.
Frid speaks of his training in Denmark; his early career; his apprenticeship in a woodworking shop in Copenhagen; craft education and production in the 1930s in Denmark; his work in interior design; his work under Hans Wegner in the 1940s; teaching positions at the School for American Craftsmen in Rochester, N.Y. and the Rhode Island School of Design; the development of an extensive design practice in New York state in the 1950s; his involvement as an exhibitor and juror; private commissions; and mass productions.
Biographical / Historical:
Tage Frid (1915-2004) was a designer, craftsman, and educator from Foster, R.I.
General:
Originally recorded on 3 sound tape reels as 6 digital wav files. Duration is 6 hrs., 28 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Artisans -- Rhode Island -- Interviews  Search this
Decorative arts  Search this
Design  Search this
Designers -- Rhode Island -- Interviews  Search this
Educators -- Rhode Island -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.frid80
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-frid80

Oral history interview with Betty Woodman

Interviewee:
Woodman, Betty, 1930-2018  Search this
Interviewer:
Perreault, John, 1937-2015  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Bellagio Study and Conference Center  Search this
Boulder (Colo.).. Parks & Recreation Department  Search this
Centre internationale de recherche sur le verre et les arts plastiques (Marseille, France)  Search this
Europees Keramisch Werkcentrum  Search this
Fabric Workshop  Search this
Girl Scouts of the United States of America  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
School for American Crafts  Search this
University of Colorado -- Faculty  Search this
Brown, Elenita  Search this
Carlson, Cynthia, 1942-  Search this
Hamada, Shōji, 1894-1978  Search this
Higby, Wayne  Search this
Kozloff, Joyce  Search this
Kushner, Robert, 1949-  Search this
Leach, Bernard, 1887-1979  Search this
Serra, Richard, 1939-  Search this
Shark, Bud  Search this
Voulkos, Peter, 1924-2002  Search this
Woodman, George, 1932-  Search this
Extent:
5 Items (Sound recording: 5 sound files (2 hr., 55 min.), digital wav)
69 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Boulder (Colo.)
India -- description and travel
Mexico -- description and travel
Netherlands -- description and travel
Date:
2003 April 22 and 29
Scope and Contents:
An interview of Betty Woodman conducted 2003 April 22 and 29, by John Perreault, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in New York, New York.
Woodman speaks of frequent moves with her family during her childhood; her father's woodworking skills; gaining an interest in arts and crafts at four when she made a tablecloth with crayon drawings; attending summer camps, including Girl Scout Camp, where she participated in arts and crafts activities; being the first girl to take shop in her middle school; making model airplanes for air raid wardens during World War II; her interest in making functional objects; her introduction to clay and hand-building in high school; attending the School for American Craftsmen in New York City; collaborating with fellow students; her early desire to be a "craftsperson and not an artist"; her work with silk-screen fabric for The Fabric Workshop in Philadelphia and glass at CIRVA in Marseille, France; teaching at the University of Colorado and the City of Boulder Recreation Department; working at the European Ceramic Work Center in Den Bosch, Holland, and the Bellagio Study Center in Italy; her studios in New York, Colorado, and Italy; her travels to India, The Netherlands, and Mexico; living in New Mexico, New York, Colorado, and Italy; her business Roadrunner Pottery in New Mexico with partner Elenita Brown; collaborative projects with Joyce Kozloff, Cynthia Carlson, Bud Shark, Judith Solodkin, and her husband George Woodman; developing a following in New York; how being a woman has affected her work and how she enjoys working with other women artists; the change of market for American crafts; Italian, Greek, and Etruscan influences; teaching experiences; the importance of getting reviews in art magazines; and the strong support from her husband George, a painter. Betty Woodman recalls Lynn Feelyn, Olan Wassen, Bernard Leach, Peter Voulkos, Shoji Hamada, Bob Kushner, Richard Serra, Wayne Higby, and others.
Biographical / Historical:
Betty Woodman (1930-2018) was a ceramist from New York, New York. John Perreault (1937- ) is an independent critic and curator from New York, New York.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 2 hr., 55 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Airplanes -- Models  Search this
Art -- Study and teaching  Search this
Ceramicists -- New York (State) -- New York -- Interviews  Search this
Ceramics -- Study and teaching  Search this
Decorative arts  Search this
Glass art  Search this
Handicraft -- United States  Search this
Screen process printing  Search this
Women artists -- New York (State) -- New York -- Interviews  Search this
World War, 1939-1945  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.woodma03
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-woodma03

Oral history interview with Robert Trotman

Interviewee:
Trotman, Bob, 1947-  Search this
Interviewer:
Hanzal, Carla, 1965-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Handicrafts -- Students  Search this
Extent:
51 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2005 September 14
Scope and Contents:
An interview of Robert Trotman conducted 2005 September 14, by Carla Hanzal, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's studio, in Casar, N.C.
Trotman discusses how he first became involved and attracted to woodworking while living in northern Virginia in the 1970s; his early involvement with the Penland School of Crafts, Penland, N.C., and its influence on his work; his first visits to galleries in New York, including the Paula Cooper Gallery, the Heller Gallery, and the Holly Solomon Gallery, in the early 1980s; the difference between art and craft, and where his work fits in that continuum; why he stopped making furniture in 1997, and what he hopes to accomplish as a sculptor; his major artistic influences, including Martin Puryear, Judith Shea, and James Surls; his academic background in philosophy, which was his major in college, and his attraction to existentialism, especially the writings of Franz Kafka; his upper-middle class childhood in Winston-Salem, N.C., where his father was a banker and his mother a homemaker, who was interested in early American furniture and antiques; his view of America as puritanical and of the American upper classes as "wooden," lacking feeling and soul; his uncle, Frank Trotman, a gallery/frame shop owner who lived a Bohemian lifestyle in Winston-Salem in the 1940s, and exposed him to the artist's lifestyle; his fascination with his grandmother's collection of wooden figures, which consisted of four- and five-inch-tall European peasant characters; his interest in human psychology, and his attraction to writers such as Slavoj Zizek and Jacques Lacan in particular; the pleasure he gets from working with wood and the strengths of its unique qualities; his commissions and how he feels they fit into his oeuvre overall; his teaching experiences; and the influence and support of his wife, Jane Trotman, on whom he relies for advice and feedback. Trotman also recalls John Brooks, Sam Maloof, Tom Spleth, Stuart Kestenbaum, Ron Mueck, Evan Penny, John Currin, Robert Lazzarini, Julie Heffernan, Stephan Balkenhol, George Adams, Robert Morris, and others.
Biographical / Historical:
Robert Trotman (1947- ) is a wood artist from Casar, N.C. Carla Hanzal is a curator from Charlotte, N.C.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 3 hr., 25 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Wood-carvers -- North Carolina  Search this
Sculptors -- North Carolina  Search this
Topic:
Art commissions  Search this
Wood-carving -- Equipment and supplies  Search this
Decorative arts  Search this
Function:
Art galleries, Commercial -- New York (State) -- New York
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.trotma05
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-trotma05

Oral history interview with William Keyser, Jr

Creator:
Keyser, William A., Jr. (William Alphonse), 1936-  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Interviewer:
Cooke, Edward S., 1954-  Search this
Names:
Carnegie Institute of Technology (Carnegie Mellon Univ.) -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Rochester Institute of Technology -- Faculty  Search this
Extent:
107 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2003 April 25-May 2
Scope and Contents:
An interview of William Kesyer Jr. conducted 2003 April 25 and May 2, by Edward S. Cooke Jr., for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Victor, N.Y.
Keyser describes his childhood, including his early interest in construction through his father's home wood shop and the Soap Box Derbies of the 1950s; his participation in the Fisher Body Division automobile design competition and science fairs in high school; studying engineering and sculpture at Carnegie Mellon University; working at Hoover Vacuum Cleaner Company; his studies at Kent State University and the School of American Craftsmen at Rochester Institute of Technology (RIT); his teaching positions at RIT and Ohio University; the curriculum he established at RIT and the goals and structure of the woodworking program; he discusses moving away from teaching in the 1990s; the advantages and disadvantages of commissions; his liturgical and speculative work; the influence of furniture and art movements on his furniture; the importance of his family and his Catholic faith; the benefits of university involvement and summer arts programs; his travels in New England and Scandinavia; being well received as a regional artist; the importance of publications in furniture and art; four objects that were terminal points in his career; and the future of woodworking. He also recalls Mel Someroski, Tage Frid, Michael Harms, Jere Osgood, Wendell Castle, James Krenov, Craig McArt, Doug Sigler, Daniel Jackson, Robert Johnston, Lamar White, and others.
Biographical / Historical:
William Keyser, Jr. (1936- ) is a woodworker from Victor, N.Y. Edward S. Cooke, Jr. is a professor.
General:
Originally recorded on 6 sound discs. Reformatted in 2010 as 10 digital wav files. Duration is 5 hr., 55 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Woodworkers -- New York (State) -- Interviews  Search this
Furniture making  Search this
Coaster cars  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.keyser03
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-keyser03

Oral history interview with Betty Woodman, 2003 April 22 and 29

Interviewee:
Woodman, Betty, 1930-2018  Search this
Interviewer:
Perreault, John, 1937-  Search this
Subject:
Brown, Elenita  Search this
Carlson, Cynthia  Search this
Hamada, Shōji  Search this
Higby, Wayne  Search this
Kozloff, Joyce  Search this
Kushner, Robert  Search this
Leach, Bernard  Search this
Serra, Richard  Search this
Shark, Bud  Search this
Voulkos, Peter  Search this
Woodman, George  Search this
Bellagio Study and Conference Center  Search this
Centre internationale de recherche sur le verre et les arts plastiques (Marseille, France)  Search this
Europees Keramisch Werkcentrum  Search this
Fabric Workshop  Search this
Girl Scouts of the United States of America  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
School for American Crafts  Search this
University of Colorado  Search this
Boulder (Colo.).  Search this
Type:
Interviews
Sound recordings
Place:
Boulder (Colo.)
India -- description and travel
Mexico -- description and travel
Netherlands -- description and travel
Topic:
Airplanes -- Models  Search this
Art -- Study and teaching  Search this
Ceramicists -- New York (State) -- New York -- Interviews  Search this
Ceramics -- Study and teaching  Search this
Decorative arts  Search this
Glass art  Search this
Handicraft -- United States  Search this
Screen process printing  Search this
Women artists -- New York (State) -- New York -- Interviews  Search this
World War, 1939-1945  Search this
Record number:
(DSI-AAA_CollID)13297
(DSI-AAA_SIRISBib)245771
AAA_collcode_woodma03
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_245771
Online Media:

Oral history interview with Tage Frid, 1980 June 24-1982 February 22

Interviewee:
Frid, Tage, 1915-2004  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Wegner, Hans J.  Search this
Rhode Island School of Design  Search this
School for American Crafts  Search this
Type:
Sound recordings
Interviews
Topic:
Artisans -- Rhode Island -- Interviews  Search this
Decorative arts  Search this
Design  Search this
Designers -- Rhode Island -- Interviews  Search this
Educators -- Rhode Island -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11852
(DSI-AAA_SIRISBib)212052
AAA_collcode_frid80
Theme:
Craft
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212052
Online Media:

Oral history interview with William Zorach, 1959 April 2

Interviewee:
Zorach, William, 1887-1966  Search this
Interviewer:
Morse, John D., 1906-  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11682
(DSI-AAA_SIRISBib)213202
AAA_collcode_zorach59
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213202

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