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Garry Knox Bennett papers

Creator:
Bennett, Garry Knox, 1934-  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Castle, Wendell, 1932-2018  Search this
Jurs, Nancy, 1941  Search this
Paley, Albert  Search this
Schwarcz, June, 1918-2015  Search this
Stocksdale, Kay Sekimachi  Search this
Extent:
12.4 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Video recordings
Date:
1917-2017
bulk 1960-2017
Summary:
The papers of woodworker, sculptor, and furniture designer Garry Knox Bennett measure 12.4 linear feet and date from 1917 to 2017 with the bulk of the material dating from 1960 to 2017. The collection documents the artist's life and career through biographical materials, correspondence with family and friends including other artists, exhibition files, professional files, financial and legal records, and printed material and scrapbooks recording his exhibition history and more, including photographs from his youth.
Scope and Contents:
The papers of woodworker, sculptor, and furniture designer Garry Knox Bennett measure 12.4 linear feet and date from 1917 to 2017 with the bulk of the material dating from 1960 to 2017.

The collection includes biographical materials containing Bennett's birthday and wedding celebration material, appointment calendars, childhood artwork, sketches and patterns for projects, photographs and notes regarding the Bennetts' marriage, resumes, student records, and material regarding the Bennetts' house fire in 2003. Correspondence is with artists Wendell Castle and Nancy Jurs, June Schwarcz, Kay Sekimachi and Bob Stocksdale, Albert Paley who describes an accident that occurred in 2002, and good friend and writer Jack Marlowe, as well as with wife Sylvia and daughter Jessica. Exhibition files consist of artwork price lists, artist statements, shipping documents, correspondence, and printed materials for Bennett's solo and group exhibitions. They also include documentation of a few exhibitions showing pieces from his personal art collection.

Professional files relate to workshops, lectures, exhibitions, donations, and grant proposals. Also found are project and publication files, artist statements written by Jack Marlowe and Tom Farber for Bennett, studio visit records, a video recording of an interview with Bennett, and a few digital recordings. The Made in Oakland: The Furniture of Garry Knox Bennett (2001) retrospective files consist of correspondence, fundraising records, lender files, and material regarding the creation of a book that also served as the catalog for the exhibition. Financial and legal records contain check registers, invoices and receipts, card files containing sales information, and legal material relating to the estate of Peter T. Joseph. Printed materials include clippings, exhibition announcements and catalogs, and exhibition history material. Additional printed material can be found in the scrapbooks recording exhibitions and Bennett's career. The scrapbooks also include some personal items such as letters, photographs, and documents from Bennett's youth.

Handwritten notes by Sylvia Bennett, offering additional history and context, can be found throughout the collection. The notes were typically written onto the original folders which have been preserved along with the related material.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, 1917-2009 (0.8 linear feet; Boxes 1, 13, OV 14)

Series 2: Correspondence, 1955-2017 (2.0 linear feet; Boxes 1-3)

Series 3: Exhibition Files, 1979-2017 (1.4 linear feet; Boxes 3-4)

Series 4: Professional Files, 1959-2017 (5.0 linear feet; Boxes 4-9)

Series 5: -- Made in Oakland: The Furniture of Garry Knox Bennett -- Retrospective, circa 1977-2009 (1.5 linear feet; Boxes 9-11)

Series 6: Financial and Legal Records, 1950s-2010 (0.5 linear feet; Boxes 11-12)

Series 7: Printed Materials, 1960-2015 (0.8 linear feet; Box 12)

Series 8: Scrapbooks, 1948-1997 (0.4 linear feet; Boxes 12-13)
Biographical / Historical:
Garry Knox Bennett (1934-2022) was a woodworker, sculptor, and furniture designer in Oakland, California.

Bennett was born in Alameda, California to Katherine von Tagen and Robert Bennett, but was raised by his grandparents. He attended the California College of the Arts, then the California College of Arts and Crafts, where he studied painting and began experimenting with metals. During this time he married his wife Sylvia.

He opened a studio in the late 1960s where he produced his famous roach clips, then later opened a larger studio named Squirkenworks in Oakland. In the 1970s, he began working with wood and on 1980 fabricated his infamous Nail Cabinet, a wood cabinet with a single nail driven through the face of the door, which garnered attention not only for Bennett's expert craftsmanship but also for what some saw as disrespect for the craft. Regardless of any controversy Bennett's work created, he became highly respected as a craftsman. In step with his unconventional nature, Bennett exhibited and sold his paintings and jewelry using the pseudonyms Ambrose Pillphister and Gerraldo Bennucci.

Bennett received the Award of Distinction from the Furniture Society and the Master of the Medium Award from the James Renwick Alliance, and was a Fellow of the American Craft Council. A major retrospective, Made in Oakland: The Furniture of Garry Knox Bennett, took place in 2001 at the American Craft Museum in New York and the Oakland Museum in California.

Bennett died unexpectedly in 2022 in Oakland, California.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Garry Knox Bennett conducted February 1-2, 2002 by Glenn Adamson in Oakland, C.A. for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Provenance:
The Garry Knox Bennett papers were donated in 2003 by Sylvia Bennett, Bennett's wife, and in 2017 by Garry Knox Bennett. The papers were collected as part of the Nanette L. Laitman Documentation Project For Craft and Decorative Arts in America.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- California -- Oakland  Search this
Woodworkers -- California -- Oakland  Search this
Furniture designers -- California -- Oakland  Search this
Topic:
Scrapbooks  Search this
American studio craft movement  Search this
Genre/Form:
Drawings
Interviews
Video recordings
Citation:
Garry Knox Bennett papers, 1917-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.benngarr
See more items in:
Garry Knox Bennett papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw910abe018-7381-4bf6-b522-a4b42fcfc6c8
EDAN-URL:
ead_collection:sova-aaa-benngarr
Online Media:

Merryll Saylan papers

Creator:
Saylan, Merryll B., 1936-  Search this
Names:
Mississippi, Connie, 1941  Search this
Scarpino, Betty  Search this
Stocksdale, Kay Sekimachi  Search this
Working, Susan  Search this
Extent:
4.7 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sound recordings
Date:
1975-2008
Summary:
The papers of woodworker, turner, and educator Merryll Saylan measure 4.7 linear feet and date from 1975 to 2008. The collection documents Saylan's career through biographical materials; personal and professional correspondence including with artists Connie Mississippi, Betty Scarpino, Kay Sekimachi, and Susan Working; writings including notebooks with diary entries and sketches for projects; gallery files including inventory and sales records; files documenting a variety of Saylan's professional activities; and printed materials recording Saylan's career.
Scope and Contents:
The papers of woodworker, turner, and educator Merryll Saylan measure 4.7 linear feet and date from 1975 to 2008. The collection documents Saylan's career through biographical material including certificates, appointment books, curriculum vitae, and photocopies of diplomas and student records; correspondence with collectors, woodworking organizations and publications, family, friends, and artists Connie Mississippi, Betty Scarpino, Kay Sekimachi, and Susan Working; writings consisting of drafts, typescripts, and notes for articles and lectures, and including 18 notebooks containing diary entries and sketches for projects; gallery files that include inventory and sales records, printed materials, and correspondence documenting Saylan's activities with numerous galleries; files documenting a variety of Saylan's professional activities including memberships, teaching, workshops and private classes, auctions, financial records, grants and artist residencies, and drawings for projects; and printed materials such as clippings, exhibition announcements, press releases, and miscellaneous items.
Arrangement:
The collection is arranged as six series.

Series 1: Biographical Material, 1980-2005 (0.2 linear feet; Box 1)

Series 2: Correspondence, 1985-2008 (0.4 linear feet; Box 1)

Series 3: Writings, 1987-2007 (0.5 linear feet; Boxes 1-2)

Series 4: Gallery Files, 1984-2008 (0.4 linear feet; Box 2)

Series 5: Professional Files, 1975-2008 (2.7 linear feet; Boxes 2-4, OVs 5-6, RD 7)

Series 6: Printed Materials, 1980-2008 (0.5 linear feet; Box 4, RD 7)
Biographical / Historical:
Merryll Saylan (1936-) is a woodworker, turner, and educator based in California. She helped to pioneer the popularization of the woodturning field and the application of color in wood art.

Saylan was born in the Bronx, New York City, in 1936 but settled in California after moving there in her youth. She received a Bachelor of Arts degree from UCLA in 1973 and a Master of Arts degree from California State University Northridge in 1979.

Saylan began turning wood in the 1970s, becoming one of few women in the field. Her use of modern lines and textures was inspired by the simplicity of Japanese design. Saylan was an active member of the Wood Turning Center, American Association of Woodturners, and Collectors of Wood Art. She was artist-in-resident at the Grizedale Sculpture Park, Cumbria, England, from 1990 to 1991, and visiting artist at the Anderson Ranch Arts Center. She was also a visiting artist and taught at the California College of the Arts, San Francisco.

Saylan's works are in the collections of the Los Angeles County Museum of Art, Detroit Institute of Arts, Renwick Gallery, and the Mint Museum of Craft and Design which houses one of her most well-known works, Jelly Donut.
Related Materials:
Also found in the Archives of American Art is an interview of Merryll Saylan conducted on May 20-June 5, 2006 by Glenn Adamson for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America at the Victoria and Albert Museum in London, England.
Provenance:
The collection was donated in 2008 by Merryll Saylan.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Woodworkers -- California  Search this
Educators -- California  Search this
Turners -- California  Search this
Topic:
Women artists  Search this
Women educators  Search this
American studio craft movement  Search this
Genre/Form:
Drawings
Sound recordings
Citation:
Merryll Saylan papers, 1975-2008. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.saylmerr
See more items in:
Merryll Saylan papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e4166e09-ca2a-4076-99ac-91a32bec7fc3
EDAN-URL:
ead_collection:sova-aaa-saylmerr
Online Media:

Lockwood de Forest papers

Creator:
De Forest, Lockwood, 1850-1932  Search this
Names:
Heckscher Museum  Search this
Santa Barbara Museum of Art  Search this
Culin, Stewart, 1858-1929  Search this
De Forest, Robert W. (Robert Weeks), 1848-1931  Search this
Kemble, Meta  Search this
Korzybski, Alfred, 1879-1950  Search this
Lewis, Anne  Search this
Extent:
3.8 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Photographs
Drawings
Diaries
Place:
India -- description and travel
Date:
1858-1980
bulk 1870-1930
Summary:
The papers of New York and California based interior designer, architect, collector and painter Lockwood de Forest measure 3.8 linear feet and date from 1858 to 1980, bulk dates 1870 to 1930. The collection includes correspondence, writings, diaries, journals, exhibition files, personal business records, printed material, sketchbooks, drawings, and photographs.
Scope and Contents:
The papers of New York and California based interior designer, architect, collector and painter Lockwood de Forest measure 3.8 linear feet and date from 1858 to 1980, bulk dates 1870 to 1930. The collection includes correspondence, writings, diaries, journals, exhibition files, personal business records, printed material, sketchbooks, drawings, and photographs.

Lockwood de Forest's professional correspondence includes letters regarding de Forest's wood carving business in India. Notable correspondents from friends and colleagues include Stewart Culin, Alfred Korzybski, and Purushottam M. Hutheesing & Sons. Also included are two letter books which contain copies of letters written by de Forest. There is a fair amount of correspondence with family members, especially de Forest's parents, his brother Robert, and his wife Meta Kemble. There are also a few folders of Meta Kemble de Forest's correspondence with family.

Writings include drafts of Lockwood de Forest's book Indian Domestic Architecture, along with essays and notes. Essays by de Forest are on assorted topics such as art, education, museums, furniture construction, and psychic research. There is also a draft of a Lockwood de Forest biography by Anne Lewis.

Diaries and journals kept by Lockwood de Forest and his wife Meta focus on travels abroad to Europe, the Middle East, and India.

Exhibition files consist of materials related to a Lockwood de Forest exhibition (1976) at the Heckscher Museum in New York and the Santa Barbara Museum of Art in California. Documentation includes correspondence, exhibition lists, inventories, and loan forms.

Personal business records include a wide range of financial and legal records. Financial records consist of ledgers, account records, receipts, invoices, and shipping records. Legal records include contracts, certificates, and deeds related to assets, properties, and businesses.

Printed material consists of exhibition catalogs, auction catalogs, magazines, books, announcements, event invitations, and clippings. Most of the material is about Lockwood de Forest, but there are some clippings and publications about his brother Robert and other subjects.

There are numerous sketchbooks usually depicting places de Forest visited in Europe and the Middle East. There are also a few loose drawings.

Photographs are of Lockwood de Forest, his wife, family, friends, colleagues, paintings, houses, wood carvings, and art objects.
Arrangement:
The collection is arranged as 8 series.

Missing Title

Series 1: Correspondence, 1858-1931 (0.9 linear feet; Boxes 1, 4)

Series 2: Writings, 1881-1976 (0.8 linear feet; Boxes 1-2, OV 5)

Series 3: Diaries and Journals, 1868-1890 (0.2 linear feet; Box 2)

Series 4: Lockwood de Forest Exhibition Files, 1974-1978 (0.1 linear feet; Box 2)

Series 5: Personal Business Records, 1869-1931 (0.3 linear feet; Box 2, OV 6)

Series 6: Printed Material, 1867-1980 (0.5 linear feet; Boxes 2-3)

Series 7: Sketchbooks and Drawings, 1869-1881 (0.4 linear feet; Box 3)

Series 8: Photographs, circa 1870-circa 1932 (0.2 linear feet; Box 3)
Biographical / Historical:
Lockwood de Forest (1850-1932) was an architect, interior designer, collector, landscape painter, and writer based in New York City and Santa Barbara, California.

Lockwood de Forest was born in New York City in 1850. His parents were Julia Weeks and Henry Grant de Forest. He was one of four children. In 1869, he went to Rome, Italy and began studying art under the tutelage of the American painter Frederic Edwin Church whom he met during his trip. Church continued to be de Forest's mentor after they returned to America. De Forest set up a studio in New York City and first exhibited his work in 1872. From 1875-1878, he went on two more trips abroad to Europe, the Middle East, and Africa.

In 1878, de Forest cofounded Associated Artists in New York along with Louis C. Tiffany, Candace Wheeler, and Samuel Coleman. The design firm closed around 1882 but was tremendously influential. He married Meta Kemble the same year that he began Associated Artists and the couple traveled to India where they stayed for the next two years. During that trip, de Forest met philanthropist Muggunbhai Hutheesing and together they established a woodcarving company and supplied Associated Artists with furniture and architectural objects.

Around 1882, De Forest opened his own business in New York City that managed the design and production of furniture and architectural accents, along with importing similar objects from India. In 1887, he purchased a house on 7 East 10th Street that he elaborately decorated with furnishings from India.

De Forest began spending winters in Santa Barbara, California starting in 1889. He eventually purchased a house and relocated there around 1922. While in California, he resumed painting with fervor and created many landscapes of the West Coast shorelines. De Forest died in Santa Barbara in 1932.
Provenance:
The Lockwood de Forest papers were donated in 1982 by Mrs. Lockwood de Forest III, daughter-in-law of Lockwood de Forest.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Architects -- California -- Santa Barbara  Search this
Interior decorators -- California -- Santa Barbara  Search this
Painters -- California -- Santa Barbara  Search this
Topic:
Architects -- New York (State) -- New York  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Interior decorators -- New York (State) -- New York  Search this
Art -- Collectors and collecting -- California -- Santa Barbara  Search this
Painters -- New York (State) -- New York  Search this
Woodwork  Search this
Genre/Form:
Sketchbooks
Photographs
Drawings
Diaries
Citation:
Lockwood de Forest papers, 1858-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.defolock
See more items in:
Lockwood de Forest papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fa94e14d-b3ac-4dbe-b344-6d4e6c5b8e6d
EDAN-URL:
ead_collection:sova-aaa-defolock
Online Media:

Cincinnati Butchers' Supply Company Records

Creator:
Cincinnati Butchers' Supply Company  Search this
Names:
Cincinnati Butchers' Supply Corporation  Search this
Donor:
Schmidt, Christoph R.  Search this
Extent:
15 Cubic feet (49 boxes, 2 map folders)
78 Film reels
Type:
Collection descriptions
Archival materials
Film reels
Articles
Catalogs
Legal documents
Motion pictures (visual works)
Negatives
Newsletters
Photographs
Trade literature
Date:
circa 1890s-1990s
Summary:
Collection documents, primarily through trade literature, catalogs, and photographs, and films, a major meat manufacturer of machinery and equipment for the meat processing industry.
Scope and Contents note:
Collection includes business records, photographs, films, and trade literature documenting the company's meat packing operations.

The single most striking feature of the American meat processing industry has been its mechanization and industrialization. The Cincinnati Butchers' Supply Company was at the heart of that process. The company invented and developed innovative equipment including its revolutionary hog dehairing machine and subsequent inventions which made the company one of the major suppliers to the American meat industry.
Arrangement:
The collection is divided into six series.

Series 1: Historical Background Materials, 1928-1960s

Series 2: Catalogs, Price Lists, and Trade Literature, 1890s-1990s

Series 3: Meat Industry Materials, 1937-1987

Series 4: Patent Materials, 1934-1997

Series 5: Photographs, 1900s-1990s

Series 6: Motion Picture Films, 1950-1974
Biographical/Historical note:
The Cincinnati Butchers' Supply Company was incorporated in February 1895 by Charles Gottleib Schmidt (1851-1930) to manufacture meat packing equipment in the United States. Originally known as the Cincinnati Butchers' and Packers' Supply Company, "Packers" was eventually dropped from the company name because Schmidt felt it was too long and he thought the packing industry would be replaced by something else. The company was first located at the corner of Central and Kindell Avenues in Cincinnati, Ohio. In 1870, Schmidt previously founded and co-owned the C. Schmidt Company with his uncle Carl Leonhard Schmidt (d. 1894) and brother George Oskar Schmidt. The company made refrigerator display cases and had a butcher supply department, opened to supply the needs of butchers and packing houses. Carl Leonhard Schmidt's son-in-law, John H. Ahrens also joined the business, and ultimately, bought out Charles G. Schmidt.

Schmidt founded the Cincinnati Butchers' Supply Company as a way to provide equipment designed exclusively for the meat industry. Schmidt operated a meat market and identified the need to provide standardized equipment and machinery to ensure consistent quality and efficient production. The lines of equipment expanded at the turn of the twentieth-century from dealing with only prepared meat to include the activities of slaughtering and dressing. The equipment was marketed under the "Cincinnati Butchers' Supply Company" name as well as the "BOSS" trademark (June 1917) which depicted a large bull. Some of the first systems included a hog hoist and a hog dehairer, introduced in 1903 and 1904. The sons (Oscar, Sr., and Gustave) of Charles Schmidt entered the business and established themselves with equipment design and patents of their own. The machinery and equipment was designed to streamline the production process and to move the hogs through the processing lines more quickly and efficiently, thereby minimizing labor costs and increasing production output. Specialized items such as a "BOSS" Hog Dehairer, a "BOSS" Hog Hoist, a Belly Roller, and a "fat skinning" machine were patented and produced to allow for a more mechanized and therefore more standardized processing system.

After Charles Schmidt died in 1930, the company was led by his sons: Oscar, Sr., vice-president of packinghouse machinery, treasurer and chief engineer; Gustave (Gus), who headed the woodworking ("Beauty" brand refrigerators, cabinets, display cases) department; and Herman, who became president. A daughter, Mathilde Schmidt, also worked in sales and advertising. In 1947, Schmidt's grandsons C. Oscar Schmidt (1909-1993) and William C. Schmidt took over the family business and expanded it by buying other companies that complemented their meat equipment line. The company's main lines were slaughtering equipment (dehairers and restrainers), sausage equipment (mixers, choppers, cutters), and rendering machinery. Among Oscar, Jr.'s thirty-five patented inventions was an electric hog stunner and the humane V-restrainer, originally intended for hogs, but then adapted to other animals. In 1980, Oscar, Jr. bought out his brother William to become sole owner.

Charles Gottleib Schmidt was born in Thüringen, Germany and he immigrated to the United States in 1870. He married Helene Meyer (1858-1926) in 1878. The couple had eight children: Frieda (b. 1880), Gustave (1882-1932), Oscar (b. 1886), Herman (b. 1888), Matilda (b. 1890), Emma (b. 1891), Hedwig (b. 1894), and Helene (b. 1923). In addition to founding a company, he was an active member of the Cincinnati community and was a member of the North American Saenger-Buend, United Singers Club, Hanselmann Lodge No. 208, Erwin Cicrcle Literary Club, Cincinnati Turner Society, Pioneer Club, Germanistic Society, Cincinnati Altenheim, and the German Protestant Ophan Home Society.

Sources

U. S. Department of the Interior, National Park Service, Joel E. Harrell and Son Suffolk, Virginia, nomination form, 2005 (last accessed on January 24, 2023, https://www.dhr.virginia.gov/wp-content/uploads/2018/04/133-5138_JoelEHarrell_2005_NR_nomination_final.pdf)

Cincinnati Enquier, November 12, 1939, page 11.

Cincinnati Enquirer, November 11, 1986, page 62.

Schmidt, Christoph R. Company History, unpublished, 2002.
Related Materials:
Materials at the Archives Center

Warshaw Collection of Business Americana, Series: Meat (NMAH.AC.0060.S01.01.Meat)

Materials at the Smithsonian

Smithsonian Institution Libraries, Trade Literature Collection

Collection holds trade catalogs from the Cincinnati Butchers' Supply Co.

Materials at the University of California, Davis, Special Collections

Cincinnati Butchers' Supply Company Collection, 1928-1980

Cincinnati Butchers' Supply Company was a manufacturer of meat packing equipment. The collection contains material regarding supply business operations including accounts, blueprints, and catalogs.

University of Cincinnati, Archives and Rare Books Library

Cincinnati Butchers' Supply Company catalogs and photographs, 1915-1933

This collection consists of catalogs for the Cincinnati Butchers Supply Company and a panoramic photograph of the Institute of American Meat Packers.

Ohio History Center

Cincinnati BOSS Company Collection Audiovisual Materials [graphic], circa 1900-1970

Photographs and drawings of Cincinnati BOSS Company equipment.

Iowa State University, Parks Library

Meat packing ephemera collection, 1926-1977, undated
Provenance:
Collection donated by Cincinnati Boss Company, through Christoph R. Schmidt, 2000.
Restrictions:
Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Cattle  Search this
Hogs  Search this
Meat industry  Search this
Meat -- Packing  Search this
Packing-houses  Search this
Rendering industry  Search this
Sausages  Search this
Slaughtering and slaughter-houses  Search this
Genre/Form:
Articles -- 20th century
Catalogs
Legal documents
Motion pictures (visual works)
Negatives -- 20th century
Newsletters -- 20th century
Photographs -- 20th century
Photographs -- Color photoprints
Trade literature
Citation:
Cincinnati Butchers' Supply Company Records, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0741
See more items in:
Cincinnati Butchers' Supply Company Records
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep85754be08-736e-4973-aae5-a3d9728992ea
EDAN-URL:
ead_collection:sova-nmah-ac-0741
Online Media:

Fred Wiseman Scrapbook

Creator:
Wiseman, Frederick J., 1875-1961  Search this
Names:
Early Birds of Aviation (Organization).  Search this
Wiseman-Peters (Fred Wiseman and J. W. Peters) (Aircraft manufacturer)  Search this
Extent:
0.59 Cubic feet (1 flatbox)
Type:
Collection descriptions
Archival materials
Photographs
Tickets
Correspondence
Clippings
Date:
1909-1968
bulk [ca. 1910s, 1950s]
Summary:
Fred Wiseman, along with J. W. Peters and D.C. Prentiss, built a biplane named the Wiseman-Peters. During July 1910, both Peters and Wiseman flew the Wiseman-Peters and the following year Wiseman entered the 1911 Aviation Meet at Selfridge Field, Michigan. On February 17, 1911, Wiseman made the first airplane-carried mail flight officially sanctioned by any local U.S. post office and made available to the public when he carried mail, a bundle of newspapers and a sack of groceries from Petaluma, CA, to Santa Rosa, CA. After the 1911 season, Wiseman gave up flying.

This collection consists of a large scrapbook. Inside the scrapbook are newspaper clippings, correspondence, 1st Day Covers, race tickets, and photographs chronicling both Wiseman's automobile and aviation careers.
Scope and Contents:
This collection consists of a large scrapbook. Inside the scrapbook are newspaper clippings, correspondence, 1st Day Covers, race tickets, and photographs chronicling both Wiseman's automobile and aviation careers.

Note: The digital images in this finding aid were repurposed from scans made by an outside contractor for a commercial product and may show irregular cropping and orientation in addition to color variations resulting from damage to and deterioration of the original objects.
Arrangement:
Materials are in the order the donor attached them to the scrapbook. Correspondence is often located within the envelope that is attached to the scrapbook. Some materials are loose and have been left in the arrangement in which they were found, unless a portion of a newspaper article could be matched to its other parts.
Biographical / Historical:
Fred Wiseman (1875-1961) was born in Santa Rosa, California, and after attending local schools he engaged in both the bicycle and automotive businesses. Wiseman won considerable fame racing Stoddard-Dayton cars on the West Coast as well as in the Chicago area. He became interested in aviation after attending the Wright brothers' homecoming celebration in 1909 and the first Los Angeles aviation meet at Dominguez Field in 1910.

After these two events, Wiseman was convinced he wanted to learn to fly and so he returned to his home in Santa Rosa and persuaded Ben Noonan to put up $10,000 to build a plane. Wiseman, along with J. W. Peters and D.C. Prentiss, built a biplane named the Wiseman-Peters. During July 1910, both Peters and Wiseman flew the Wiseman-Peters and the following year Wiseman entered the 1911 Aviation Meet at Selfridge Field, Michigan.

On February 17, 1911, Wiseman made the first airplane-carried mail flight officially sanctioned by any local U.S. post office and made available to the public when he carried mail, a bundle of newspapers and a sack of groceries from Petaluma, CA, to Santa Rosa, CA. (The first air mail flight sanctioned by the U.S. Post Office in Washington, D.C., took place on September 23, 1911, when Earle Ovington carried mail from Garden City, Long Island, to Mineola; and the first continuously scheduled U.S. air mail service began on May 15, 1918, with routes between Washington, Philadelphia, and New York.)

During 1911, Wiseman had an active season of exhibition work, including flying for one week at the California State Fair. However, after this season Wiseman gave up flying because he thought there was no future in it. He sold his plane and returned to the automobile business. He later worked for Standard Oil Company of California. Wiseman was a member of the Early Birds of Aviation, an organization of pilots who flew solo in an aircraft prior to December 17, 1916.

Weldon Cooke, another pioneer aviator from California, bought and modified the Wiseman-Peters aircraft, renaming it the Wiseman-Cooke. Cooke flew the Wiseman-Cooke for exhibition and air mail flights. The Wiseman-Cooke aircraft is currently part of the Smithsonian Institution's collections.
Provenance:
No donor information, Gift?, unknown, XXXX-0618, unknown
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Topic:
Automobile racing  Search this
Air mail service  Search this
Aeronautics, Commercial  Search this
Aeronautics -- Exhibitions  Search this
Airplane racing  Search this
Aeronautics -- Competitions  Search this
Aeronautics -- 1903-1916  Search this
Aeronautics  Search this
Air pilots  Search this
Wiseman-Peters #2 Biplane (1910)  Search this
Genre/Form:
Photographs
Tickets
Correspondence
Clippings
Citation:
Fred Wiseman Scrapbook, Acc. NASM.XXXX.0618, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.XXXX.0618
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2b1a6ef9c-06ed-414f-adc3-98f31de066e0
EDAN-URL:
ead_collection:sova-nasm-xxxx-0618
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  • View Fred Wiseman Scrapbook digital asset number 1
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Online Media:

[Trade catalogs from Makita U.S.A., Inc.]

Variant company name:
Buford, GA ; Dayton, NJ ; Mount Prospect, IL ; Houston, TX ; Atlanta, GA ; Fremont, CA ; Denver, CO  Search this
Company Name:
Makita U.S.A., Inc.  Search this
Notes content:
Power tools, cordless power tools, power saws, planers, sanders, routers, trimmers, hammer drills, rotary hammers, nibblers, shears, polishers and grinders, and accessories. Fastening tools ; woodworking machines...this comprises the uncataloged portion.
Includes:
Trade catalog and price lists
Black and white images
Color images
Physical description:
13 pieces; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
La Mirada, California, United States
Date:
1900s
Topic (Romaine term):
Hardware and hand tools  Search this
Woodworking machinery and wood crafts  Search this
Topic:
Hardware  Search this
Tools  Search this
Wood-carving  Search this
Woodworking industries  Search this
Woodworking machinery  Search this
Woodworking tools  Search this
Record ID:
SILNMAHTL_45304
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_45304

Adze blade

Culture/People:
Iñupiaq [Tikiġaq/Point Hope]  Search this
Previous owner:
Jim Anthony (James Bennett Anthony), Non-Indian, 1897-1959  Search this
Object Name:
Adze blade
Media/Materials:
Stone
Techniques:
Pecked, ground
Object Type:
Woodworking tools
Place:
Point Hope; Arctic Slope Native Corporation; Alaska; USA
Catalog Number:
21/8730
Barcode:
218730.000
See related items:
Iñupiaq [Tikiġaq/Point Hope]
Woodworking tools
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws62de933af-9f6d-4680-8fca-cefa3e803ee2
EDAN-URL:
edanmdm:NMAI_233019
Online Media:

Bob Stocksdale and Kay Sekimachi papers, circa 1900-2015

Creator:
Stocksdale, Bob, 1913-2003  Search this
Stocksdale, Kay Sekimachi, 1926-  Search this
Subject:
Stocksdale, Bob  Search this
Collingwood, Peter  Search this
Anderson, Norman  Search this
Stocksdale, Kay Sekimachi  Search this
Turner, Tran  Search this
Larsen, Jack Lenor  Search this
Maloof, Alfreda Ward  Search this
Maloof, Sam  Search this
Okubo, Miné  Search this
Merrill, Forrest L.  Search this
Shawcroft, Barbara  Search this
Uchida, Yoshiko  Search this
Central Utah Relocation Center  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
War Relocation Authority  Search this
Tanforan Assembly Center (San Bruno, Calif.)  Search this
Type:
Interviews
Sound recordings
Scrapbooks
Citation:
Bob Stocksdale and Kay Sekimachi papers, circa 1900-2015. Archives of American Art, Smithsonian Institution.
Topic:
Textile design  Search this
Women artists  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American fiber artists  Search this
Asian American educators  Search this
Japanese Americans -- Forced removal and internment, 1942-1945  Search this
Woodwork  Search this
Textile crafts  Search this
Fiberwork  Search this
Theme:
Craft  Search this
Asian American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)11112
(DSI-AAA_SIRISBib)246683
AAA_collcode_stockbob
Theme:
Craft
Asian American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_246683
Online Media:

Bob Stocksdale and Kay Sekimachi papers

Creator:
Stocksdale, Bob, 1913-2003  Search this
Names:
Central Utah Relocation Center  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Tanforan Assembly Center (San Bruno, Calif.)  Search this
War Relocation Authority  Search this
Anderson, Norman  Search this
Collingwood, Peter, 1922-2008  Search this
Larsen, Jack Lenor  Search this
Maloof, Alfreda Ward  Search this
Maloof, Sam  Search this
Merrill, Forrest L.  Search this
Okubo, Miné, 1912-2001  Search this
Shawcroft, Barbara  Search this
Stocksdale, Bob, 1913-2003  Search this
Stocksdale, Kay Sekimachi  Search this
Turner, Tran  Search this
Uchida, Yoshiko  Search this
Former owner:
Stocksdale, Kay Sekimachi  Search this
Extent:
19.5 Linear feet
0.125 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Sound recordings
Scrapbooks
Date:
circa 1900-2015
Summary:
The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and 0.125 GB and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed and digital material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.
Scope and Contents:
The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and 0.125 GB and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed and digital material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.

The bulk of biographical materials are from Kay Sekimachi with some originating from her time spent in forced internment at Topaz and Tanforan camps. These records include identification cards, War Relocation Authority printed materials, and school records. Also found are awards, resumes, and blank stationery. Some materials are from Stocksdale's 85th birthday and memorial service.

Letters and extensive greeting cards are from friends, family, and professional acquaintances. Correspondents include Norman Anderson, Peter Collingwood, Jack Lenor Larsen, Sam and Alfreda Maloof, Forrest L. Merrill, Miné Okubo, Barbara Shawcroft, and others.

Writings and notes are scattered and include two interviews with Kay Sekimachi, hanging instructions, and notes. Writings by others are by Jack Lenor Larsen, Tran Turner, and Yoshiko Uchida.

Sekimachi's and Stocksdale's professional activities are documented through files relating to their participation at conferences, awards ceremonies, and lectures. Also found are fiber samples, order forms for materials and equipment, and notes on techniques and design by Kay Sekimachi. Exhibition records include extensive documentation on Marriage in Form, In the Realm of Nature, and Loom and Lathe as well as files for various solo and group exhibitions for both Sekimachi and Stocksdale. Gallery and institution files include material on multiple or unnamed exhibitions. Exhibiton documentation may include correspondence, writings, proposals, printed material, financial and loan records, condition reports, and photographs. Project files contain material for proposed book projects, a retrospective, and portfolio, by and about Sekimachi and Stocksdale. Also found are three commissions files for works by Sekimachi. A proposed retrospective on the work of Bob Stocksdale by Kay Sekimachi includes a digital sound recording of recollections.

Personal business records include sales books, purchase records for works of art by others, appraisals, contracts, consignment receipts, and insurance records.

Published books, clippings, exhibition announcements and catalogs, magazines, and newsletters are found within printed materials. Of note is a publication by the San Francisco Chronicle entitled "This World" which features illustrations by Miné Okubo.

Four scrapbooks compiled by Kay Sekimachi date from 1937 to 1944. Most of the scrapbooks contain printed material from magazines and other sources with images such as children, valentines, food, birds, clothing, and may include scattered sketches and notes by Sekimachi. One scrapbook dates from the end of Sekimachi's internment at Topaz and relocation to Cincinnati, Ohio. This scrapbook includes sketches and printed materials concerning local and global events. Loose material found in this series was likely meant to be pasted into a new or the forth scrapbook. These materials include relocation information, Japanese-American publications, maps, clippings, sketches, and printed programs.

The bulk of photographic materials consist of slides of various vacation locations and homes and date from the 1960s to the 1980s. Also found are scattered portraits of Kay Sekimachi and Bob Stocksdale, as well as a photo of Miné Okubo with Roy Leeper and Cecil Thompson. Artworks are largely by Kay Sekimachi and include watercolor and pencil sketches as well as designs for fabrics and a weaving portfolio. Watercolor and pencil sketches are of Tanforan Assembly Center and date from circa 1942.
Arrangement:
The collection is arranged as 11 series.

Missing Title

Series 1: Biographical Material, circa 1920-2003 (1.5 linear feet; Box 1-2)

Series 2: Correspondence, 1943-2014 (7.6 linear feet; Box 2-10)

Series 3: Writings and Notes, 1960s-2008 (0.2 linear feet; Box 10)

Series 4: Professional Files, 1950s-2011 (1.1 linear feet; Box 10-11, 22)

Series 5: Exhibition Files, 1951-2015 (2.9 linear feet; Box 11-14, ER01; 0.125 GB)

Series 6: Project Files, circa 1900-2004 (0.3 linear feet; Box 14)

Series 7: Personal Business Records, 1970s-2010 (0.7 linear feet; Box 14-15)

Series 8: Printed Material, 1943-2011 (2.3 linear feet; Box 15-17, 22)

Series 9: Scrapbooks, 1937-1946 (0.9 linear feet; Box 17, 21)

Series 10: Photographic Material, circa 1950-2001 (0.9 linear feet; Box 18)

Series 11: Artwork, 1942-circa 1970 (1.1 linear feet; Box 18-20, 22-23)
Biographical / Historical:
Bob Stocksdale (1913-2003) was a woodturner active in California. He was known for bowls he formed from rare types of wood. Kay Sekimachi (1926- ) is a Japanese-American fiber artist and educator also active in California. She began her career in weaving on and off the loom and was part of the New Basketry movement.

Born in Indiana, Bob Stocksdale began his interest in carving by whittling with a pocket knife. Later, he created his own lathe with a washing machine motor and turned items such as baseball bats. During World War II, he was a conscientious objector and worked at various camps performing forestry work. It was in one of the camps that he turned his first bowl on a lathe.

After the war, Stocksdale settled in the Bay Area of California where he established his own woodturning shop in his basement. He concentrated on making bowls out of rare woods. His work has been recognized throughout the world and in 1998, he received the American Association of Woodturners Lifetime Achievement Award. In 2003, he received the James Renwick Alliance Masters of the Medium Award.

Kay Sekimachi was born in San Francisco, California in 1926. As a high school student, she was forcibly interned through Executive Order 9066 issued by President Franklin D. Roosevelt which incarcerated approximately 120,000 Japanese and Japanese-American citizens during World War II. Along with her mother and siblings, Kay lived at Tanforan Assembly Center and later moved to Topaz War Relocation Center in Utah. She continued her schooling at Topaz and after 1944, was resettled in Cincinnati, Ohio.

After graduating from high school, Kay Sekimachi enrolled at the California College of Arts and Crafts and the Haystack Mountain School of Crafts where she learned the craft of weaving under Trude Guermonprez and Jack Lenor Larsen. Her early works were tapestries and garments. She later used her weaving techniques as part of the New Basketry movement to create baskets and boxes out of fibers. Also an educator, Kay taught weaving at San Francisco Community College. She received the American Craft Council Gold Medal for Consummate Craftsmanship in 2002.

After the dissolution of his first marriage through which he had two children, son Kim and daughter Joy Stocksdale, Bob married Kay Sekimachi in 1972. The two had been acquainted for many years as they were both craft artists living in the Bay Area. Although they married later in life, Kay and Bob travelled the world and exhibited their art together in many exhibitions including Marriage in Form and Loom and Lathe.

Bob Stocksdale died in Oakland, California in 2003. Kay Sekimachi continues to exhibit her work and lives in Berkeley, California.
Related Materials:
Also found in the Archives of American Art are an oral history interview of Bob Stocksdale conducted February 16-March 21, 2001, by Signe Mayfield and an oral history interview of Kay Sekimachi [Stocksdale] conducted July 26-August 6, 2001, by Suzanne Baizerman. Both interviews were conducted in Berkeley, California, during the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Provenance:
The Bob Stocksdale and Kay Sekimachi papers were donated in 2003, 2004, and 2015 by Kay Sekimachi Stocksdale as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of original audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Fiber artists -- California  Search this
Topic:
Textile design  Search this
Women artists  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American fiber artists  Search this
Asian American educators  Search this
Japanese Americans -- Forced removal and internment, 1942-1945  Search this
Woodwork  Search this
Textile crafts  Search this
Fiberwork  Search this
Genre/Form:
Interviews
Sound recordings
Scrapbooks
Citation:
Bob Stocksdale and Kay Sekimachi papers, circa 1900-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stockbob
See more items in:
Bob Stocksdale and Kay Sekimachi papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d7db1c3a-95bc-44e4-92d5-382fb539e654
EDAN-URL:
ead_collection:sova-aaa-stockbob
Online Media:

The Crisis Vol. 8 No. 5

Published by:
National Association for the Advancement of Colored People, American, founded 1909  Search this
Edited by:
W.E.B. Du Bois, American, 1868 - 1963  Search this
Medium:
ink on paper
Dimensions:
9 7/8 x 6 7/8 x 1/8 in. (25.1 x 17.5 x 0.3 cm)
Type:
magazines (periodicals)
Place printed:
New York City, New York, United States, North and Central America
Date:
September 1914
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Black Press  Search this
Business  Search this
Civil Rights  Search this
Education  Search this
Literature  Search this
Mass media  Search this
Poetry  Search this
Politics  Search this
Race relations  Search this
Social life and customs  Search this
Social reform  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Bobbie Ross in memory of Elizabeth Dillard
Object number:
2012.84.20
Restrictions & Rights:
Public Domain
Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5ceda8b56-ee04-4c55-a522-9b9a3f5555b4
EDAN-URL:
edanmdm:nmaahc_2012.84.20
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  • View <I>The Crisis Vol. 8 No. 5</I> digital asset number 1

Adze

Culture/People:
Yup'ik (Yupik)  Search this
Previous owner:
Porter's Old Curiosity Shop  Search this
Seller:
Porter's Old Curiosity Shop  Search this
MAI agent:
George Gustav Heye (GGH), Non-Indian, 1874-1957  Search this
Object Name:
Adze
Media/Materials:
Driftwood, sealskin/fur, walrus ivory, ochre
Techniques:
Carved, wrapped, painted
Dimensions:
52.0 x 43.5 x 8.0 cm
Object Type:
Woodworking tools
Native Term:
kepun
Place:
Kuskokwim River; Calista Native Corporation; Alaska; USA
Date created:
1880-1920
Catalog Number:
21/2529
Barcode:
212529.000
See related items:
Yup'ik (Yupik)
Woodworking tools
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws66c3f6b59-4ab5-43a7-bfd7-ea4b76d4f200
EDAN-URL:
edanmdm:NMAI_226918
Online Media:

Hafted adze for woodworking

Culture/People:
Kuskwogmiut Yup'ik  Search this
Previous owner:
Porter's Old Curiosity Shop  Search this
Seller:
Porter's Old Curiosity Shop  Search this
MAI agent:
George Gustav Heye (GGH), Non-Indian, 1874-1957  Search this
Object Name:
Hafted adze for woodworking
Media/Materials:
Wood, stone, hide thong/babiche, paint, cotton cord/cordage
Techniques:
Pecked, carved, wrapped, tied, painted
Dimensions:
36 x 19 x 5 cm
Object Type:
Woodworking tools
Native Term:
kepun
Place:
Kuskokwim River; Calista Native Corporation, Doyon Native Corporation; Alaska; USA
Date created:
circa 1885
Catalog Number:
21/2530
Barcode:
212530.000
See related items:
Kuskwogmiut Yup'ik
Woodworking tools
On View:
NMAI, Washington DC: Our Universes, Yupik
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws64a72fded-e905-4622-9412-ff3993718af7
EDAN-URL:
edanmdm:NMAI_226919
Online Media:

Oral history interview with Wendy Maruyama

Interviewee:
Maruyama, Wendy, 1952-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
80 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2010 March 5-6
Scope and Contents:
An interview of Wendy Maruyama conducted 2010 March 5 and 6, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Maruyama's home and studio, in San Diego, California.
Biographical / Historical:
Wendy Maruyama (1952- ) is an artist, furniture maker, and educator in San Diego, California.
General:
Originally recorded on 6 memory cards. Reformatted in 2010 as 7 digital wav files. Duration is 4 hrs., 17 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Designers -- California  Search this
Woodworkers -- California  Search this
Furniture designers  Search this
Topic:
Women artists  Search this
Women educators  Search this
Deaf artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.maruya10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ced9edf7-0907-4b71-9a83-0dfa35b81bd2
EDAN-URL:
ead_collection:sova-aaa-maruya10
Online Media:

Oral history interview with Frank E. Cummings, III

Interviewee:
Cummings, Frank E.  Search this
Interviewer:
Lauria, Jo  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Castle, Wendell, 1932-2018  Search this
Cooke, Edward S., 1954-  Search this
Prestini, James, 1908-  Search this
Extent:
74 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2006 December 28-2007 January 5
Scope and Contents:
An interview of Frank E. Cummings, III conducted 2006 December 28 and 2007 January 5, by Jo Lauria, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in the artist's home, in Long Beach, California.
Cummings speaks of his childhood in Los Angeles and the challenges he faced in school; receiving a B.A. from California State University, Long Beach; working with troubled youth as a social worker with Neighborhood Youth Association; teaching at California State University, Long Beach while earning his M.F.A. at California State University, Fullerton through the Black Faculty Teaching Program; the invitation by Eudorah Moore to show in "California Design XI"; the importance of having his and his students' work published in Dona Meilach's book, "Creating Modern Furniture: Trends, Techniques, Appreciation"; the role of reflective surfaces in his work to capture the viewer's attention; using a diamond stylus to draw on glass; serving as the first M.F.A. graduate program coordinator at California State University, Long Beach; the development and creation of his famed clock, It's About Time, now in the Museum of Fine Arts, Boston; working as a gofer for Sam Maloof during a three day seminar at Yosemite National Park; receiving an invitation from Maloof to teach at Penland School of Crafts in Penland, North Carolina; his experiences at Haystack Mountain School of Crafts in Deer Isle, Maine.; the consistent drive throughout his career to continue working, exhibiting, and publishing; his love of teaching; the honor of receiving the Outstanding Professor Award at California State University, Fullerton, in 1997; receiving a National Endowment of Arts grant in 1973 to spend two months in Ghana, Africa examining connections between the African American struggle for identity in the ghettoes of the United States and struggles faced in Africa; returning to various regions in Africa in 1981 at the request of the State Department to evaluate and help increase object making productivity in villages while exhibiting his art in museums throughout the continent; his deliberate selection of materials; the role race has played in his career; his reverence of nature; designing furniture for the set of the movie, "How Stella Got Her Groove Back;" the development and creative process of the Carousel series; finding inspiration in his wife, C.C.; and plans for the future. Cummings also recalls Raymond Hein, Thomas Ferreira, James Prestini, Wendell Castle, William Hunter, Edward Cooke, Gerald W.R. Ward, Kelly H. L'Ecuyer, and others.
Biographical / Historical:
Frank E. Cummings III (1938- ) is a furniture maker and woodworker of Long Beach, California. Jo Lauria ( 1954- ) is a curator and art writer of Los Angeles, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 4 hr., 28 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Woodworkers -- California  Search this
Topic:
Decorative arts  Search this
African American artists  Search this
African American art -- African influences  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cummin06
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92ea683fd-bb6d-4e10-be30-d8a847ad89d3
EDAN-URL:
ead_collection:sova-aaa-cummin06
Online Media:

Lockwood de Forest papers, 1858-1980, bulk 1870-1930

Creator:
De Forest, Lockwood, 1850-1932  Search this
Subject:
Korzybski, Alfred  Search this
De Forest, Robert W. (Robert Weeks)  Search this
Kemble, Meta  Search this
Culin, Stewart  Search this
Lewis, Anne  Search this
Heckscher Museum  Search this
Santa Barbara Museum of Art  Search this
Type:
Sketchbooks
Photographs
Drawings
Diaries
Place:
India -- description and travel
Citation:
Lockwood de Forest papers, 1858-1980, bulk 1870-1930. Archives of American Art, Smithsonian Institution.
Topic:
Architects -- New York (State) -- New York  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Interior decorators -- New York (State) -- New York  Search this
Art -- Collectors and collecting -- California -- Santa Barbara  Search this
Painters -- New York (State) -- New York  Search this
Woodwork  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7429
(DSI-AAA_SIRISBib)209587
AAA_collcode_defolock
Theme:
Diaries
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209587
Online Media:

Burton Freund papers, 1937-1955

Creator:
Freund, Burton  Search this
Subject:
Federal Art Project (Ill.)  Search this
Citation:
Burton Freund papers, 1937-1955. Archives of American Art, Smithsonian Institution.
Topic:
Sculpture -- Illinois -- Chicago  Search this
Woodwork  Search this
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9490
(DSI-AAA_SIRISBib)211688
AAA_collcode_freuburt
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211688

Woodward S. Bousquet research material relating to Marshall B. Fleming, 1989-1992

Creator:
Bousquet, Woodward S.  Search this
Subject:
Fleming, Marshall B.  Search this
Type:
Interviews
Citation:
Woodward S. Bousquet research material relating to Marshall B. Fleming, 1989-1992. Archives of American Art, Smithsonian Institution.
Topic:
Folk art  Search this
Woodwork  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)10801
(DSI-AAA_SIRISBib)214527
AAA_collcode_bouswood
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214527

Garry Knox Bennett papers, 1917-2017, bulk 1960-2017

Creator:
Bennett, Garry Knox, 1934-2022  Search this
Subject:
Castle, Wendell  Search this
Stocksdale, Kay Sekimachi  Search this
Schwarcz, June  Search this
Paley, Albert  Search this
Jurs, Nancy  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Drawings
Interviews
Video recordings
Citation:
Garry Knox Bennett papers, 1917-2017, bulk 1960-2017. Archives of American Art, Smithsonian Institution.
Topic:
Scrapbooks  Search this
American studio craft movement  Search this
Theme:
Craft  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6040
(DSI-AAA_SIRISBib)239435
AAA_collcode_benngarr
Theme:
Craft
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_239435
Online Media:

Sam Maloof papers, 1954-2003

Creator:
Maloof, Sam, 1916-2009  Search this
Subject:
Carter, Rosalynn  Search this
Carter, Jimmy  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Citation:
Sam Maloof papers, 1954-2003. Archives of American Art, Smithsonian Institution.
Topic:
Decorative arts  Search this
American studio craft movement  Search this
Theme:
Craft  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)11589
(DSI-AAA_SIRISBib)249513
AAA_collcode_malosam
Theme:
Craft
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_249513

Merryll Saylan papers, 1975-2008

Creator:
Saylan, Merryll B., 1936-  Search this
Subject:
Stocksdale, Kay Sekimachi  Search this
Scarpino, Betty  Search this
Mississippi, Connie  Search this
Working, Susan  Search this
Type:
Drawings
Sound recordings
Citation:
Merryll Saylan papers, 1975-2008. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women educators  Search this
American studio craft movement  Search this
Theme:
Women  Search this
Craft  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)13703
(DSI-AAA_SIRISBib)279578
AAA_collcode_saylmerr
Theme:
Women
Craft
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_279578
Online Media:

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