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Turquoise Mountain: Artists Transforming Afghanistan

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2016-01-21T15:17:04.000Z
YouTube Category:
Film & Animation  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_Tp6eh7MYKW8

Two Leopards Battle, But Only One Can Survive

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2015-01-09T05:00:04.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt__BXcaxXc6Ls

.006, [Volume 1 of Charles Francis Hall's Notes on Arctic Explorers]

Author:
Hall, Charles Francis, 1821-1871  Search this
Collection Creator:
Field, Cyrus  Search this
Hall, Charles Francis, 1821-1871  Search this
Franklin, John, 1786-1847  Search this
Royal Geographic Society.  Search this
Everett, Edward, 1794-1865  Search this
Extent:
1 Item (Ink on paper, 17.0" x 11".)
Container:
Box 1, Folder 4
Type:
Archival materials
Diaries
Place:
Arctic regions -- Discovery and exploration
Date:
circa 1860
Scope and Contents:
First volume of four notebooks on arctic explorers in preparation for Hall's 1st expedition.
Local Numbers:
AC0702-0000023
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Explorers  Search this
Genre/Form:
Diaries -- 19th century
Collection Citation:
Charles Francis Hall Collection, Archives Center, National Museum of American History, Smithsonian Institution.
See more items in:
Charles Francis Hall Collection
Charles Francis Hall Collection / .006-.009, Four notebooks with notes on other arctic explorers, in preparation for Hall's 1st expedition
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0702-ref635
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  • View .006, [Volume 1 of Charles Francis Hall's Notes on Arctic Explorers] digital asset number 1

Stone Adze, "Puna"

Collector:
Henry Adams  Search this
Donor Name:
William H. Phillips  Search this
Culture:
Maori (?)  Search this
Object Type:
Adze
Place:
Tahiti (collected here) / New Zealand (not certain), Polynesia
Accession Date:
17 Nov 1897
Collection Date:
1890 - 1891
Topic:
Ethnology  Search this
Accession Number:
032873
USNM Number:
E178579-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/312d0b7a4-5818-4dae-a104-2c8da78b2a52
EDAN-URL:
edanmdm:nmnhanthropology_8352715
Online Media:

George Nakashima

Artist:
Nathan Benn, born 1950  Search this
Sitter:
George Nakashima, 24 May 1905 - 15 Jun 1990  Search this
Medium:
Inkjet print
Dimensions:
Image: 42.9 × 30.4 cm (16 7/8 × 11 15/16")
Sheet: 53.6 × 42.7 cm (21 1/8 × 16 13/16")
Type:
Photograph
Place:
United States\Pennsylvania\Bucks\New Hope
Date:
1977 (printed 2015)
Topic:
Interior  Search this
Costume\Jewelry\Bracelet  Search this
Costume\Dress Accessory\Belt  Search this
George Nakashima: Male  Search this
George Nakashima: Crafts and Trades\Craftsman\Furniture maker  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Nathan Benn
Object number:
NPG.2015.130
Restrictions & Rights:
Usage conditions apply
Copyright:
© 2015 Nathan Benn
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm46a201b2a-4b48-4dee-bd9f-ce35ea84cb1e
EDAN-URL:
edanmdm:npg_NPG.2015.130

Bob Stocksdale and Kay Sekimachi papers

Source:
Stocksdale, Kay Sekimachi  Search this
Creator:
Stocksdale, Bob, 1913-2003  Search this
Names:
Central Utah Relocation Center  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Tanforan Assembly Center (San Bruno, Calif.)  Search this
War Relocation Authority  Search this
Anderson, Norman  Search this
Collingwood, Peter, 1922-2008  Search this
Larsen, Jack Lenor, 1927-2020  Search this
Maloof, Alfreda Ward  Search this
Maloof, Sam  Search this
Merrill, Forrest L.  Search this
Okubo, Miné, 1912-2001  Search this
Shawcroft, Barbara  Search this
Stocksdale, Bob, 1913-2003  Search this
Stocksdale, Kay Sekimachi  Search this
Turner, Tran  Search this
Uchida, Yoshiko  Search this
Former owner:
Stocksdale, Kay Sekimachi  Search this
Extent:
19.5 Linear feet
0.125 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Sound recordings
Sketches
Scrapbooks
Watercolors
Photographs
Date:
circa 1900-2015
Summary:
The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and 0.125 GB and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed and digital material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.
Scope and Contents:
The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and 0.125 GB and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed and digital material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.

The bulk of biographical materials are from Kay Sekimachi with some originating from her time spent in forced internment at Topaz and Tanforan camps. These records include identification cards, War Relocation Authority printed materials, and school records. Also found are awards, resumes, and blank stationery. Some materials are from Stocksdale's 85th birthday and memorial service.

Letters and extensive greeting cards are from friends, family, and professional acquaintances. Correspondents include Norman Anderson, Peter Collingwood, Jack Lenor Larsen, Sam and Alfreda Maloof, Forrest L. Merrill, Miné Okubo, Barbara Shawcroft, and others.

Writings and notes are scattered and include two interviews with Kay Sekimachi, hanging instructions, and notes. Writings by others are by Jack Lenor Larsen, Tran Turner, and Yoshiko Uchida.

Sekimachi's and Stocksdale's professional activities are documented through files relating to their participation at conferences, awards ceremonies, and lectures. Also found are fiber samples, order forms for materials and equipment, and notes on techniques and design by Kay Sekimachi. Exhibition records include extensive documentation on Marriage in Form, In the Realm of Nature, and Loom and Lathe as well as files for various solo and group exhibitions for both Sekimachi and Stocksdale. Gallery and institution files include material on multiple or unnamed exhibitions. Exhibiton documentation may include correspondence, writings, proposals, printed material, financial and loan records, condition reports, and photographs. Project files contain material for proposed book projects, a retrospective, and portfolio, by and about Sekimachi and Stocksdale. Also found are three commissions files for works by Sekimachi. A proposed retrospective on the work of Bob Stocksdale by Kay Sekimachi includes a digital sound recording of recollections.

Personal business records include sales books, purchase records for works of art by others, appraisals, contracts, consignment receipts, and insurance records.

Published books, clippings, exhibition announcements and catalogs, magazines, and newsletters are found within printed materials. Of note is a publication by the San Francisco Chronicle entitled "This World" which features illustrations by Miné Okubo.

Four scrapbooks compiled by Kay Sekimachi date from 1937 to 1944. Most of the scrapbooks contain printed material from magazines and other sources with images such as children, valentines, food, birds, clothing, and may include scattered sketches and notes by Sekimachi. One scrapbook dates from the end of Sekimachi's internment at Topaz and relocation to Cincinnati, Ohio. This scrapbook includes sketches and printed materials concerning local and global events. Loose material found in this series was likely meant to be pasted into a new or the forth scrapbook. These materials include relocation information, Japanese-American publications, maps, clippings, sketches, and printed programs.

The bulk of photographic materials consist of slides of various vacation locations and homes and date from the 1960s to the 1980s. Also found are scattered portraits of Kay Sekimachi and Bob Stocksdale, as well as a photo of Miné Okubo with Roy Leeper and Cecil Thompson. Artworks are largely by Kay Sekimachi and include watercolor and pencil sketches as well as designs for fabrics and a weaving portfolio. Watercolor and pencil sketches are of Tanforan Assembly Center and date from circa 1942.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, circa 1920-2003 (1.5 linear feet; Box 1-2)

Series 2: Correspondence, 1943-2014 (7.6 linear feet; Box 2-10)

Series 3: Writings and Notes, 1960s-2008 (0.2 linear feet; Box 10)

Series 4: Professional Files, 1950s-2011 (1.1 linear feet; Box 10-11, 22)

Series 5: Exhibition Files, 1951-2015 (2.9 linear feet; Box 11-14, ER01; 0.125 GB)

Series 6: Project Files, circa 1900-2004 (0.3 linear feet; Box 14)

Series 7: Personal Business Records, 1970s-2010 (0.7 linear feet; Box 14-15)

Series 8: Printed Material, 1943-2011 (2.3 linear feet; Box 15-17, 22)

Series 9: Scrapbooks, 1937-1946 (0.9 linear feet; Box 17, 21)

Series 10: Photographic Material, circa 1950-2001 (0.9 linear feet; Box 18)

Series 11: Artwork, 1942-circa 1970 (1.1 linear feet; Box 18-20, 22-23)
Biographical / Historical:
Bob Stocksdale (1913-2003) was a woodturner active in California. He was known for bowls he formed from rare types of wood. Kay Sekimachi (1926- ) is a Japanese-American fiber artist and educator also active in California. She began her career in weaving on and off the loom and was part of the New Basketry movement.

Born in Indiana, Bob Stocksdale began his interest in carving by whittling with a pocket knife. Later, he created his own lathe with a washing machine motor and turned items such as baseball bats. During World War II, he was a conscientious objector and worked at various camps performing forestry work. It was in one of the camps that he turned his first bowl on a lathe.

After the war, Stocksdale settled in the Bay Area of California where he established his own woodturning shop in his basement. He concentrated on making bowls out of rare woods. His work has been recognized throughout the world and in 1998, he received the American Association of Woodturners Lifetime Achievement Award. In 2003, he received the James Renwick Alliance Masters of the Medium Award.

Kay Sekimachi was born in San Francisco, California in 1926. As a high school student, she was forcibly interned through Executive Order 9066 issued by President Franklin D. Roosevelt which incarcerated approximately 120,000 Japanese and Japanese-American citizens during World War II. Along with her mother and siblings, Kay lived at Tanforan Assembly Center and later moved to Topaz War Relocation Center in Utah. She continued her schooling at Topaz and after 1944, was resettled in Cincinnati, Ohio.

After graduating from high school, Kay Sekimachi enrolled at the California College of Arts and Crafts and the Haystack Mountain School of Crafts where she learned the craft of weaving under Trude Guermonprez and Jack Lenor Larsen. Her early works were tapestries and garments. She later used her weaving techniques as part of the New Basketry movement to create baskets and boxes out of fibers. Also an educator, Kay taught weaving at San Francisco Community College. She received the American Craft Council Gold Medal for Consummate Craftsmanship in 2002.

After the dissolution of his first marriage through which he had two children, son Kim and daughter Joy Stocksdale, Bob married Kay Sekimachi in 1972. The two had been acquainted for many years as they were both craft artists living in the Bay Area. Although they married later in life, Kay and Bob travelled the world and exhibited their art together in many exhibitions including Marriage in Form and Loom and Lathe.

Bob Stocksdale died in Oakland, California in 2003. Kay Sekimachi continues to exhibit her work and lives in Berkeley, California.
Related Materials:
Also found in the Archives of American Art are an oral history interview of Bob Stocksdale conducted February 16-March 21, 2001, by Signe Mayfield and an oral history interview of Kay Sekimachi [Stocksdale] conducted July 26-August 6, 2001, by Suzanne Baizerman. Both interviews were conducted in Berkeley, California, during the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Provenance:
The Bob Stocksdale and Kay Sekimachi papers were donated in 2003, 2004, and 2015 by Kay Sekimachi Stocksdale as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of original audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Fiber artists -- California  Search this
Topic:
Concentration camps -- United States  Search this
Textile design  Search this
Decorative arts  Search this
Women artists  Search this
Fiberwork -- Technique  Search this
Woodwork -- Study and teaching  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Textile crafts -- Study and teaching  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American women artists  Search this
Asian American fiber artists  Search this
Asian American educators  Search this
Genre/Form:
Interviews
Sound recordings
Sketches
Scrapbooks
Watercolors
Photographs
Citation:
Bob Stocksdale and Kay Sekimachi papers, circa 1900-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stockbob
See more items in:
Bob Stocksdale and Kay Sekimachi papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stockbob

Manufacturing scenes: woodworking,

Collection Creator:
Rudolph Wurlitzer Company  Search this
Container:
Box 13, Folder 29
Type:
Archival materials
Date:
1930s-1950s
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Wurlitzer Company Records, 1860-1984, Archives Center, National Museum of American History
See more items in:
Wurlitzer Company Records
Wurlitzer Company Records / Series 5: Photographs of Wurlitzer Manufacturing Plants, Employees, Stores, and Dealerships, / 5.1: Manufacturing Plants and Employees
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0469-ref482

Lorenzo Dow Turner appointment book

Creator:
Turner, Lorenzo Dow, 1890-1972  Search this
Names:
Turner, Lorenzo Dow, 1890-1972  Search this
Collection Creator:
Turner, Lorenzo Dow, 1890-1972  Search this
Extent:
1 Item (appointment book (36 p.), 5 inches)
Type:
Archival materials
Appointment books
Place:
South Carolina
Date:
1932
Biographical / Historical:
Lorenzo Dow Turner was born in Elizabeth City, N.C. in 1895. He earned his B.A. in 1914 from Howard University; in 1917, he received an M.A. in English from Harvard University. He received his doctorate in English from the University of Chicago in 1926 while simultaneously serving as chairman and professor of the Department of English at Howard from 1917 to 1928. He held the same positions at Fisk University in Nashville from 1929 to 1946. In 1946 he accepted a professorship in the English department at Roosevelt University in Chicago, where he remained as professor of English and lecturer in African Cultures until his retirement in 1970. Turner was professor emeritus at Roosevelt until his death at age 77 in 1972. Turner's professional and academic interests encompassed both English and linguistics. A noted scholar of African languages and linguistics, he learned numerous West African languages, mastering five of them. He was a noted authority on Gullah, a Creole language spoken in the Sea Islands off the coast of South Carolina and Georgia.
Date/Time and Place of an Event Note:
Dr. Turner used this notebook to schedule appointments for interviews with Gullah informants in Wadmalaw, Johns, Edisto and St. Helena Islands in South Carolina.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Topic:
Linguistics  Search this
Genre/Form:
Appointment books
Collection Citation:
Lorenzo Dow Turner papers,Anacostia Community Museum Archives, Smithsonian Institution, gift of Lois Turner Williams.
Identifier:
ACMA.06-017, Item ACMA 06-017.4
See more items in:
Lorenzo Dow Turner Papers
Lorenzo Dow Turner Papers / Series 4: Research / 4.3: Miscellaneous
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-06-017-ref2970
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Weston -- Miles Garden

Landscape architect:
Furlong, Ethelbert Ely, d. 1993  Search this
Former owner:
Miles, Walter, 1907-1999  Search this
Miles, Jessie  Search this
Architect:
Nakashima, George, 1905-1990  Search this
Collection Creator:
Adams, Molly, 1918-2003  Search this
Type:
Archival materials
Place:
Miles Garden (Weston, Connecticut)
United States of America -- Connecticut -- Fairfield County -- Weston
Scope and Contents:
The folder includes worksheets, a copy of an article about the garden with photographs by Molly Adams and a complete plant list, and other information.
General:
This Japanese-style garden was designed by landscape architect Ethelbert E. Furlong for artist Walter Miles and his wife, Jessie, to complement their home, which in turn had been designed by noted architect and woodworker George Nakashima. Because Walter Miles wanted to install and maintain the garden himself, with as little help as possible, he modified Furlong's plan to some degree, while retaining the spirit of the design. Dry stream beds, a pavilion, a bamboo-roofed gatehouse, and irregularly shaped stones were some of the many features of the garden. Although Asian plant material was used extensively, non-Japanese plants such as as Blue Atlas cedar and a flowering dogwood (Cornus florida) were also selected. After leaving this house in 1971, Walter Miles built a second Japanese-style house and garden in Washington, Connecticut, where he lived until 1983.
Persons associated with the property include Ethelbert E. Furlong (landscape architect, ca. 1960); George Nakashima (architect, ca. 1950); and Walter and Jessie Miles (former owners, 1950-1971).
Related Materials:
Miles Garden related holdings consist of 1 folder (18 safety film negatives; 9 photographic prints)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Connecticut -- Weston  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.
Identifier:
AAG.ADM, File CT317
See more items in:
Maida Babson Adams American garden collection
Maida Babson Adams American garden collection / Series 1: Garden Images / Connecticut
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-adm-ref620

Celt

Culture/People:
probably Mississippian Tradition (archaeological culture) (attributed)  Search this
Collector:
William F. Stiles (WFS), Non-Indian, 1912-1980  Search this
Object Name:
Celt
Media/Materials:
Stone
Techniques:
Pecked, ground
Dimensions:
7.5 x 3 x 0.3 cm
Object Type:
Woodworking tools
Place:
Mound near Cherokee; Cherokee, Eastern Cherokee Reservation, Qualla Boundary; Swain County; North Carolina; USA
Date created:
AD 1100-1600 (Early to Late Mississippian period)
Catalog Number:
20/4404
Barcode:
204404.000
See related items:
South Appalachian Mississippian (archaeological culture)
Woodworking tools
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws61854f9db-ee21-434c-acad-2bcee19371db
EDAN-URL:
edanmdm:NMAI_218390
Online Media:

Adze blade

Culture/People:
possibly Woodland Tradition (archaeological culture) (attributed)  Search this
Collector:
Lucy George, Catawba  Search this
MAI agent:
Mark Raymond Harrington (M. R. Harrington/MRH), Non-Indian, 1882-1971  Search this
Object Name:
Adze blade
Media/Materials:
Stone
Techniques:
Ground, grooved
Object Type:
Woodworking tools
Place:
Near Rock Hill; Rock Hill; York County; South Carolina; USA
Date created:
1000 BC–AD 900 (Early to Late Woodland period)
Catalog Number:
1/8788
Barcode:
018788.000
See related items:
Woodland Tradition (archaeological culture)
Woodworking tools
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws65a178c85-aba9-4c6f-acbe-f78aab714be0
EDAN-URL:
edanmdm:NMAI_19934
Online Media:

George Nakashima papers, 1950-1991

Creator:
Nakashima, George K., 1905-1990  Search this
Nakashima, George K., 1905-1990  Search this
Subject:
Caldwell, Alfred  Search this
Topic:
Architect-designed furniture  Search this
Artisans  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American architects  Search this
Decorative arts  Search this
Furniture making  Search this
Handicrafts  Search this
Woodworkers  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Asian American woodworkers  Search this
Asian American furniture designers  Search this
Furniture designers--Pennsylvania--New Hope  Search this
Theme:
Asian American  Search this
Lives of American Artists  Search this
Craft  Search this
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)10793
(DSI-AAA_SIRISBib)214474
AAA_collcode_nakageor
Theme:
Asian American
Lives of American Artists
Craft
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214474
Online Media:

Armstrong Manual Training School yearbook

Names:
Public Schools of the District of Columbia  Search this
Collection Photographer:
Apeda Studio (New York, N.Y.)  Search this
Camuzzi, M.  Search this
Harris & Ewing  Search this
Collection Creator:
Sommariva, Emilio, Photographer, 1883-1956  Search this
Harris, Fred (photographer)  Search this
Extent:
59 Pages (7 1/2 x 12 inches.)
Culture:
African American  Search this
Type:
Archival materials
Pages
Catalogues
Place:
Washington (D.C.) -- African Americans
Date:
1902-1903
Biographical / Historical:
Armstrong Manual Training School, built in 1902, was authorized by congress as a vocational high school for African American youth in Washington, DC. The school was named for Samuel C. Armstrong (1839-1893), a white commander of an African American Civil War regiment and founder of Hampton Institute, now University. Designed by local architect Waddy B. Wood, the Renaissance Revival building provided carpentry, machine, foundry, and blacksmith workshops. In addition, the school taught chemistry and physics. Dr. Wilson Bruce Evans, the father of performing artist Lillian Evans Tibbs, served as founding principal. Duke Ellington, William "Billy"Eckstein, and John Malachi are among a host of Armstrong graduates who became prominent in their profession. In 1996 the school was placed on the National Register of Historic Places in the District of Columbia.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Catalogues
Collection Citation:
Evans-Tibbs collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of the Estate of Thurlow E. Tibbs, Jr.
Identifier:
ACMA.06-016, Item ACMA 06-016.2
See more items in:
Evans-Tibbs Collection
Evans-Tibbs Collection / Series 1: Lillian Evans Tibbs papers / 1.1: Biographical Materials / Wilson Bruce Evans--Armstrong Manual Training School
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-06-016-ref1278
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  • View Armstrong Manual Training School yearbook digital asset number 1

George Nakashima papers

Creator:
Nakashima, George, 1905-1990  Search this
Names:
Caldwell, Alfred, 1903-1998  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Date:
1950-1991
Summary:
The papers of architect, craftsman, woodworker, and furniture designer George Nakashima measure 1.0 linear foot and date from 1950 to 1991. The collection is comprised of biographical material, correspondence, writings, subject files, and printed material that mostly relate to Nakashima's work in furniture design.
Scope and Contents:
The papers of architect, craftsman, woodworker, and furniture designer George Nakashima measure 1.0 linear foot and date from 1950 to 1991. The collection is comprised of biographical material, correspondence, writings, subject files, and printed material that mostly relate to Nakashima's work in furniture design.

Biographical materials consist of a curriculum vitae and obituaries. Correspondence is with clients, colleagues, and friends in the United Staes, Japan, and the Sri Aurobindo community. Writings by and about Nakashima include articles, essays, and a speech about his design processes. Subject files are on Alfred Caldwell, flush toilet systems, trademark, and wood and tree services. Printed material includes art reproductions, booklets, catalogs, clippings, and publicity material.
Arrangement:
The collection is arranged as five series.

Series 1: Biographical Material, 1990 (Box 1; 1 folder)

Series 2: Correspondence, 1950-1990 (Box 1; 0.7 linear feet)

Series 3: Writings, 1953-1989 (Box 1, 2 folders)

Series 4: Subject Files, 1957-1980s (Box 1, 4 folders)

Series 5: Printed Material, 1954-1991 (Box 1, 0.2 linear feet)
Biographical / Historical:
George Nakashima (1905-1990) was a Japanese American architect, craftsman, woodworker, and furniture designer in New Hope, Pennsylvania. He was born in Spokane, Washington and received a bachelor's degree in architecture from the University of Washington in 1929. He also earned a master's degree from Massachusetts Institute of Technology in 1930.

After his studies, Nakashima traveled around the world by steamship. He spent time in France, North Africa, and Japan. While in Japan, he began working under architect Antonin Raymond. When Raymond's architecture company was commissioned to build for the Sri Aurobindo ashram in Puducherry, India, Nakashima became the onsite architect as well as a devotee of Sri Aurobindo. When World War II began, Nakashima returned to the U.S. with his wife, Marion, whom he met in Japan. George, Marion, and their infant daughter Mira were sent to a Japanese internment camp in Idaho in 1942. The Nakashimas were able to leave the camp after Raymond sponsored their release in 1943. Nakashima began working on Raymond's farm in Bucks County, Pennsylvania, where he eventually built his workshop. Nakashima's son Kevin was born after the family relocated to Pennsylvania.

Nakashima's design work includes furniture lines for the Widdicomb Furniture Company and Knoll Furniture, and 200 pieces of furniture commissioned by Nelson Rockefeller. He also wrote a book titled The Soul of a Tree: A Master Woodworker's Reflections.

Nakashima died in 1990.
Provenance:
The papers were donated by Marion Nakashima, widow of George Nakashima, in 1991.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Topic:
Architect-designed furniture  Search this
Artisans  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American architects  Search this
Decorative arts  Search this
Furniture making  Search this
handicrafts  Search this
Woodworkers  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Asian American woodworkers  Search this
Asian American furniture designers  Search this
Furniture designers--Pennsylvania--New Hope  Search this
Citation:
George Nakashima papers, 1950-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nakageor
See more items in:
George Nakashima papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nakageor

The Soul of the Tree: A Woodworker's Reflections, Regarding

Collection Creator:
Nakashima, George, 1905-1990  Search this
Container:
Box 1, Folder 24
Type:
Archival materials
Date:
1981-1982
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
George Nakashima papers, 1950-1991. Archives of American Art, Smithsonian Institution.
See more items in:
George Nakashima papers
George Nakashima papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nakageor-ref16

Correspondence

Collection Creator:
Nakashima, George, 1905-1990  Search this
Extent:
0.7 Linear feet (Box 1)
Type:
Archival materials
Date:
1950-1991
Scope and Contents:
This series consists of general chronological files and named files. Chronological correspondence spans four decades and includes letters with clients, colleagues, and friends regarding business dealings, visits to Nakashima's workshop, and his ongoing affiliation with the Sri Aurobindo community. Named files are for awards, an exhibition at the Central Bucks Chamber of Commerce, correspondents in Japan, scholar and Sri Aurobindo devotee Vasant Merchant, correspondence regarding Nakashima's book titled The Soul of the Tree: A Woodworker's Reflections, and letters from the Sri Aurobindo temple.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
George Nakashima papers, 1950-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nakageor, Series 2
See more items in:
George Nakashima papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nakageor-ref2

Contemporary Woodworkers-Copley

Collection Creator:
Matsukata, Miye, 1922-1981  Search this
Container:
Box 9, Folder 40
Type:
Archival materials
Date:
1968-1975
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Miye Matsukata papers, circa 1900-1982, bulk 1964-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Miye Matsukata papers
Miye Matsukata papers / Series 6: Janiye Business Records / 6.3: Vendor Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-matsmiye-ref287

River Club ballroom designed by T.H. Robsjohn-Gibbings

Photographer:
Garrison, Richard  Search this
Garrison, Richard  Search this
Type:
Photographs
Date:
between 1940 and 1965
Topic:
Interior design  Search this
Murals  Search this
Record number:
(DSI-AAA)11473
See more items in:
Terence Harold Robsjohn-Gibbings papers, 1915-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11473
Online Media:

Isamu Noguchi, Ariz. letter to Man Ray

Creator:
Noguchi, Isamu, 1904-1988  Search this
Ray, Man, 1890-1976  Search this
Noguchi, Isamu, 1904-1988  Search this
Type:
Correspondence
Place:
Ariz.
Date:
1942 May 30
Record number:
(DSI-AAA)11686
See more items in:
Naomi Savage Papers on Man Ray, 1913-2005
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11686

Catalog for Masters, Chicago International New Art Forms Exposition

Creator:
Del Mano Gallery  Search this
Del Mano Gallery  Search this
Type:
Printed Materials
Date:
1993
Topic:
Asian American artists  Search this
Japanese American artists  Search this
Women artists  Search this
Woodwork  Search this
Record number:
(DSI-AAA)13495
See more items in:
Bob Stocksdale and Kay Sekimachi papers, circa 1900-2015
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13495

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