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Judson Smith papers

Creator:
Smith, Judson, 1880-1962  Search this
Names:
Woodstock School of Painting  Search this
Bouché, Louis, 1896-1969  Search this
Carlson, John F., 1874-1945  Search this
Colman, Anne  Search this
Dasburg, Andrew, 1887-1979  Search this
Diebenkorn, Richard, 1922-1993  Search this
Dudensing, F. Valentine, 1892-1967  Search this
Ernst, Jimmy, 1920-1984  Search this
Fiene, Ernest, 1894-  Search this
Gies, Joseph  Search this
Knight, Frederic C., 1898-1979  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
McFee, Henry Lee, 1886-1953  Search this
Montminy, Pierre  Search this
Reinhardt, Ad, 1913-1967  Search this
Rosen, Charles, 1878-1950  Search this
Tomlin, Bradley Walker, 1899-1953  Search this
Wheelock, Warren, 1880-1960  Search this
Extent:
1 Linear foot ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1887-1975
Scope and Contents:
Biographical material; correspondence; writings; photographs of Smith, friends and associates, classes at Woodstock, N.Y., and of Smith's works and the works of other artists; printed material, including clippings, exhibition catalogs, a few flyers and publications of Woodstock organizations; and miscellany. Among the correspondents are Louis Bouche, John F. Carlson, Anne Colman, Andrew Dasburg, Richard Diebenkorn, F. Valentine Dudensing, Jimmy Ernst, Ernest Fiene, Joseph W. Gies, Juliana Force, Frederic C. Knight, Yasuo Kuniyoshi, Henry Lee McFee, Pierre Montminy, Ad Reinhardt, Charles Rosen, Bradley Walker Tomlin, and Warren Wheelock.
Biographical / Historical:
Painter; Woodstock, N.Y. Director of Woodstock School of Painting.
Provenance:
Donated by Mary D. Smith and Mrs. Thomas Mount, daughters of Judson Smith, 1976.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art teachers -- New York (State)  Search this
Painters -- New York (State)  Search this
Function:
Art Schools -- New York (State)
Identifier:
AAA.smitjuds
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smitjuds

Judson Smith papers, 1887-1975

Creator:
Smith, Judson Dejonge, 1880-1962  Search this
Subject:
Ernst, Jimmy  Search this
Fiene, Ernest  Search this
Gies, Joseph  Search this
Knight, Frederic C.  Search this
Kuniyoshi, Yasuo  Search this
McFee, Henry Lee  Search this
Montminy, Pierre  Search this
Reinhardt, Ad  Search this
Rosen, Charles  Search this
Tomlin, Bradley Walker  Search this
Wheelock, Warren  Search this
Bouché, Louis  Search this
Carlson, John F.  Search this
Colman, Anne  Search this
Dasburg, Andrew  Search this
Diebenkorn, Richard  Search this
Dudensing, F. Valentine  Search this
Woodstock School of Painting  Search this
Record number:
(DSI-AAA_CollID)8661
(DSI-AAA_SIRISBib)210841
AAA_collcode_smitjuds
Theme:
Art Materials, Techniques, and Studio Art Education
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210841

Konrad and Florence Ballin Cramer papers

Creator:
Cramer, Konrad, 1888-1963  Search this
Names:
Art Students League (New York, N.Y.) -- Students  Search this
Florence Gallery  Search this
Woodstock Artists Association (Woodstock, N.Y.)  Search this
Cramer, Florence Ballin, 1884-1962  Search this
Extent:
8.5 Linear feet
Type:
Collection descriptions
Archival materials
Christmas cards
Diaries
Designs
Sketchbooks
Drawings
Photographs
Prints
Sketches
Date:
1897-1968
Summary:
The papers of painter, printmaker, and photographer Konrad Cramer and his wife, painter and printmaker Florence Ballin Cramer, measure 8.5 linear feet and date from 1897 to 1968. Papers document both artists' personal and professional lives and are especially rich in documentation of the art community of Woodstock, New York, where Florence Ballin first attended art classes in 1906, and where the couple settled in 1911. Records include biographical materials, correspondence, a Christmas card album, diaries, writings, business records, personal financial records, printed materials, photographs, and artwork.
Scope and Contents note:
The papers of painter, printmaker, and photographer Konrad Cramer and his wife, painter and printmaker Florence Ballin Cramer, measure 8.5 linear feet and date from 1897 to 1968. Papers document both artists' personal and professional lives and are especially rich in documentation of the art community of Woodstock, New York, from 1906, when Florence first attended art classes there, and where the couple resided until their deaths in the 1960s. Records include biographical materials, correspondence, a Christmas card album, business records, diaries, writings, personal financial records, printed materials, photographs, and artwork.

Correspondence is between the Cramers and other artists, curators, gallery staff, editors, writers, and personal friends and family. Many drafts and carbons of outgoing letters are also present. The Christmas card album brings together original cards made by their artist friends in the 1920s and early 1930s. Diaries are of both artists, mostly from 1949 onward, with notes and excerpts from earlier diaries present. Writings include technical and biographical essays by Konrad Cramer, and autobiographical and historical essays by Florence Ballin Cramer; notebooks and notes relate to art, travel, photography, and other subjects. Personal Business Records include price lists, receipts, and gallery correspondence with dealers and exhibitors; correspondence, accounting records, and writings related to Florence Ballin Cramer's Florence Gallery in New York City (1919-1920); records related to Woodstock arts and civic organizations in which the Cramers were involved; and personal financial records.

Printed Materials include publicity materials related to the Cramers' various endeavors and the activities of Woodstock arts and civic organizations, as well as dozens of books, little magazines, and journals by and about members of the Woodstock artist's colony. Photographs depict the Cramers and their friends, including early Art Students League Classes and the annual Maverick festival in the 1920s. Also found are a small number of photo-collages and experiments with color photography, and a series of early twentieth century photographs in the pictorialist style. Artwork includes early sketchbooks of both artists; loose sketches, drawings, and designs; textile designs by Konrad Cramer; and prints and printing blocks.
Arrangement note:
The collection is arranged into 8 series:

Series 1: Biographical Materials, 1898-1955 (3 folders; Box 1)

Series 2: Correspondence, 1900-1964 (2.2 linear feet; Boxes 1-3, 9)

Series 3: Christmas Card Album, 1921-1961 (0.8 linear feet; Box 3)

Series 4: Diaries, 1906-1962 (1 linear foot; Box 4)

Series 5: Writings, 1897-1962 (0.7 linear feet; Box 5, OV 11)

Series 6: Personal Business Records, 1918-1962 (0.3 linear feet; Box 5, OV 10)

Series 7: Printed Materials, 1906-1968 (1.5 linear feet; Boxes 6-7, 9, OV 11)

Series 8: Photographs, 1906-1960 (0.5 linear feet; Box 7)

Series 9: Artwork, 1897-1954 (1 linear foot; Boxes 8-9, OV 10-11)
Biographical/Historical note:
Konrad Cramer was born in Wurtzburg, Germany, in 1888, and studied at the Karlsruhe Academy of Fine Arts from 1906 to 1908 with Ludwig Schmidt-Reutte and Ernest Schurth. After a year in the German army, he returned to Karlsruhe to set up a studio, making frequent trips to Munich, where he was exposed to the experimental artists of the Blaue Reiter group, including Wassily Kandinsky and Franz Marc.

Florence Ballin was born in Brooklyn, NY, in 1884. She studied at the Woodstock, New York, summer school of the Art Students League beginning in 1906 under Birge Harrison along with fellow students John Carlson, Grace Mott Johnson, and Andrew Dasburg. She served as secretary for the League in 1906, and had a studio on 59th Street in Manhattan, where she held her first exhibition in 1909. In 1911, she traveled to Europe and met Konrad Cramer in Munich and joined him on visits to exhibitions and studios of the vanguard artists. The two married, moved to the United States, and settled permanently in Woodstock, New York.

Konrad Cramer is often credited as being an important link between German and American modernism in art, and his experimentations with abstraction and expressionism during his first years in Woodstock would seem to bear this out. In 1912 and 1913, he painted a series he called "Improvisations" (after Kandinsky) which was shown in a group exhibition at the MacDowell Club in 1913 along with Andrew Dasburg, Oliver Chaffee, and Paul Rohland. Cramer was photographed by Alfred Stieglitz and wrote an essay about the 291 Gallery for Stieglitz's magazine, Camera Work, in 1914.

The Cramers had two daughters, in 1914 and 1917, and Konrad Cramer became an American citizen in 1917. For income, he began designing textiles for department stores using stencils and batiks around 1918. In his painting, he turned from abstract experiments to the traditional subjects of landscape, still life, and figure in a more representational style that blended modern and regional influences. Florence Ballin Cramer opened a gallery on 57th Street in 1919, encouraged by the sculptor Elie Nadelman. The mission of the Florence Gallery, as it was called, was to exhibit and sell the work of living artists. Although it only survived the season, it was the first gallery to show work by Yasuo Kuniyoshi, Alexander Brook, Ernest Fiene, and Stefan Hirsch, and generated important sales for several young artists in her circle.

Konrad Cramer returned to Europe in 1920 on a Rockefeller grant to study educational methods for craftsmen in Germany and France, and on his return he taught at the Woodstock School of Painting and Allied Arts. Cramer also studied lithography with Bolton Brown in Woodstock around this time, and both Cramers took up printmaking and began publishing prints in local arts magazines. The Cramers were deeply immersed in Woodstock life, participating in the annual Maverick festivals, the Woodstock Artists Association, the Historical Society, and other organizations, hosting meetings and serving as officers of many committees and organizations that presented and supported artwork in their community. They enjoyed a rich social life there among fellow artists at frequent parties and festivals, where Konrad provided entertainment with his fiddle and both Cramers memorialized events in countless photographs.

Konrad Cramer exhibited at the Whitney Studio Club in 1924, and taught at the Children's University School (now the Dalton School), where he painted a mural in 1929. The 1930s were busy years in both Cramers' professional lives. Konrad's exhibitions included the Carnegie International (1929 and 1933), and a two-man show at the Dudensing Gallery (1930), where Cramer and Adolph Gottlieb had been selected the most deserving unknown American painters of the year. He was also included in the exhibit Abstract Painting in America at the Whitney Museum (1935). Florence Ballin Cramer exhibited at Marie Harriman Gallery (1931 and 1933), Macy Galleries (1933), the Pennsylvania Academy (1934 and 1936), and the Corcoran (1935 and 1937). Both Konrad and Florence Ballin Cramer were included in a traveling exhibition of Woodstock artists organized by the College Art Association (1931), the first and second Whitney Biennials (1933 and 1935), and the Wanamaker Regional Art Exhibition of Contemporary American Painting (1934).

In 1934, the Cramers traveled to Mexico, where they produced many paintings and drawings. Konrad Cramer joined the Federal Art Project briefly in 1935, administering the regional program in Woodstock with Judson Smith. It was around this time that he began to learn photography. He became a sort of community photographer, taking photographs of friends' artwork and commissioned portraits, as well as informal photographs of friends. Cramer experimented with photographic techniques such as solarization and collage, using prisms, panes of glass, or composite printing. He first exhibited photographs in 1936 at the Albany Institute, and established the Woodstock School of Miniature Photography (the "miniature" referring to the then-new format of 35mm film) in 1937. He also taught courses in photography at Bard College in the 1940s, and his photographs and articles about photography were published in national magazines.

For the remainder of his life, Cramer continued to teach, write, and produce photographs, occasionally returning to painting, drawing, and printmaking, creating gouaches, wax resist drawings, and stencils of landscapes and figures, with an increasing interest in abstract styles and automatic techniques. Three of his early paintings were included in the 1946 Whitney Museum exhibition Pioneers of Modern Art in America, and the same year, he exhibited abstract photographs at the Woodstock Artists Association. In the late 1940s, he built an automatic drawing machine which he called the sympalmagraph, which rendered precise, geometric forms. In the late 1950s, he collaborated on a traveling exhibition and book of abstract photographs with Manuel Komroff and Nathan Resnik called The Third Eye.

Florence Ballin Cramer held her last exhibitions at the Woodstock Town House gallery (1953) and at Long Island University (1957). She died in 1962. Konrad Cramer died the following year. Both were memorialized in an exhibition at the Woodstock Artists Association Gallery in 1968.
Separated Materials note:
The Archives of American Art also holds microfilm of material lent for microfilming (reels 1027, D170, and D171) including photographs, diaries, and sketches. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
A portion of the papers in this collection were loaned to the Archives of American Art for microfilming in 1964 by Aileen Cramer and Margot Cramer Taylor, daughters of Florence and Konrad Cramer. While selected diaries, sketches, and photographs were returned to the donors, some, but not all, of the original loan was subsequently donated with additional materials, in 1975.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Konrad and Florence Ballin Cramer papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Photographers -- New York (State)  Search this
Color photography  Search this
Art -- New York (State) -- Woodstock  Search this
Printmakers -- New York (State) -- Woodstock  Search this
Photocollage  Search this
Artist colonies -- New York (State) -- Woodstock  Search this
Festivals  Search this
Painters -- New York (State) -- Woodstock  Search this
Genre/Form:
Christmas cards
Diaries
Designs
Sketchbooks
Drawings
Photographs
Prints
Sketches
Citation:
Konrad and Florence Ballin Cramer papers, 1897-1964. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cramkonr
See more items in:
Konrad and Florence Ballin Cramer papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cramkonr
Online Media:

Woodstock School of Painting

Collection Creator:
Cramer, Konrad, 1888-1963  Search this
Container:
Box 6, Folder 35
Type:
Archival materials
Date:
1920, 1934-1935
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Konrad and Florence Ballin Cramer papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Konrad and Florence Ballin Cramer papers, 1897-1964. Archives of American Art, Smithsonian Institution.
See more items in:
Konrad and Florence Ballin Cramer papers
Konrad and Florence Ballin Cramer papers / Series 7: Printed Materials / Woodstock Organizations and Events
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cramkonr-ref261

Hobson Pittman papers

Creator:
Pittman, Hobson Lafayette, 1899 or 1900-1972  Search this
Names:
Woodstock School of Painting  Search this
Albright, Ivan, 1897-1983  Search this
Annenberg, Walter H., 1908-  Search this
Canaday, John, 1907-1985  Search this
Gummo, Blanchard, 1906-1986  Search this
Hopper, Edward, 1882-1967  Search this
Luce, Clare Boothe, 1903-1987  Search this
Marsh, Reginald, 1898-1954  Search this
Robinson, Edward G., 1893-1973  Search this
Sanger, Margaret, 1879-1966  Search this
Sothern, Ann, 1909-  Search this
Extent:
6 microfilm reels
1,538 Sketches (Addition)
Type:
Collection descriptions
Archival materials
Microfilm reels
Sketches
Date:
1916-1990
Scope and Contents:
Biographical material, correspondence, legal and financial material, notes and writings, art work, scrapbooks, sketchbooks, printed material, subject files and photographs.
REEL 4154: Five scrapbooks containing clippings, exhibition brochures, photographs of Pittman and of his works (1934-1969); and two sketchbooks containing European views of landscape and architecture (1927-1956).
REELS 4468-4472: Biographical material; correspondence, 1920-1900, with family, colleagues, students, and patrons, including Ivan Albright, Walter H. Annenberg, John Canaday, Blanchard Gummo, Edward Hopper, Edward G. Robinson, Ann Southern, and others; Pittman's will and estate papers; receipts, 1921-1980; 2 address books; school notebooks; writings by and about Pittman, including his "Drift of Consciousness" manuscript; 4 scrapbooks of drawings, 70 unbound drawings, and 2 prints; a menu decorated with sketches of acrobats and annotated "to H. Pittman from R. Marsh" and "E. Hopper"; files containing letters, printed material, and photographs on topics including Clare Boothe Luce (1946-1972), Margaret Sanger (1947-1974), greeting cards designed by Pittman (1960-1965), Pittman residences (1945-1974), Woodstock artists (1972-1975) and Guggenheim fellowships (1938-1956-contains a travel journal about Italy); a scrapbook of clippings (1938-1971) and clippings (1931-1985); exhibition announcements and catalogs (1930-1989), and other printed material; and photographs of Pittman, his family, friends, art classes (1945-1971), and works of art.
ADDITION: Preliminary works of art by Pittman consisting of 1,538 sketches in watercolor, ink and graphite.
Biographical / Historical:
Painter, art instructor; Philadelphia, Pa. Born in Epworth, North Carolina, Pittman moved permanently to Pennsylvania in 1918.
Related Materials:
Letters from Pittman to his cousin Lucy Cherry Crisp located in Collection no. 154, East Carolina Manuscript Collection, J. Y. Joyner Library, East Carolina University, Greenville, North Carolina.
Provenance:
Material on reel 4154 lent for microfilming 1988 by Bryn Mawr College as part of AAA's Philadelphia Arts Documentation Project. Papers on reels 4468-4472 were lent by the Edgecombe County Cultural Arts Council, 1990, who received it from Pittman's niece, Alyce Weeks Gordon.The sketches were donated in 1997 from the North Carolina Museum of Art, which had received it from the Hobson Pittman estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Occupation:
Art teachers -- Pennsylvania -- Philadelphia  Search this
Painters -- Pennsylvania -- Philadelphia  Search this
Topic:
Painting, Modern -- 20th century -- Pennsylvania -- Philadelphia  Search this
Identifier:
AAA.pitthobs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pitthobs

Oral history interview with Merryll Saylan

Interviewee:
Saylan, Merryll B., 1936-  Search this
Interviewer:
Adamson, Glenn  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Association of Woodturners  Search this
California State University, Northridge -- Students  Search this
International Turned Objects Show (1988 : Philadelphia, Pa.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
University of California, Los Angeles -- Students  Search this
Wood Turning Center (Philadelphia, Pa.)  Search this
Woodstock School of Painting  Search this
Blunk, J. B., 1926-2002  Search this
Cooper, Michael Jean  Search this
Evans, Ralph  Search this
Foy, George  Search this
Fredell, Gail  Search this
Glaser, Jerry  Search this
Lipofsky, Marvin, 1938-2016  Search this
Maruyama, Wendy, 1952-  Search this
Rapp, Joanne  Search this
Stocksdale, Bob, 1913-2003  Search this
Stubbs, Del  Search this
Weir-Quiton, Pamela  Search this
Extent:
7 Items (Sound recording: 7 compact discs (6 hr., 9 min.), digital, 2 5/8 in.)
116 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
England -- description and travel
France -- description and travel
Guatemala -- Description and Travel
Hong Kong -- Description and Travel
Japan -- Description and Travel
Philippines -- Description and Travel
Date:
2006 May 20-June 5
Scope and Contents:
An interview of Merryll Saylan conducted 2006 May 20-June 5, by Glenn Adamson, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the Victoria & Albert Museum, in London, England.
Saylan speaks of her childhood in Los Angeles, California; her early musical education in piano and viola; memories of World War II; her family's political views during the Cold War; meeting her first husband at UCLA; dropping out of school to move to Virginia and Georgia in fulfillment of her husband's military service; experiencing anti-Semitism in Georgia; the challenges of her eldest son's speech problems; traveling to France, Japan, Guatemala, Hong Kong and the Philippines; her interest in Japanese culture; completing her B.A. in design at UCLA and her M.A. in studio art at California State University, Northridge; anti-Vietnam sentiment on campus; early interests in environmental design; her second husband and his friends; her interest in furniture and woodworking; differing approaches to woodworking on the east and west coasts; her views on feminism and working women; her use of color and texture in woodworking; teaching experiences; popular perception of her work; receiving a grant to go to England and her involvement with English and German woodturners; the lack of collector interest in her work; forced absences from working because of illnesses; serving on the boards of the American Association of Woodturners and The Woodturning Center; her involvement in the International Turned Objects Show, the Sculpture Objects & Functional Art Biannual Exposition, and the International Turning Exchange; her thoughts on future work. Saylan also recalls George Foy, Bob Stocksdale, Michael Cooper, Pamela Weir-Quiton, Joanne Rapp, J.B. Blunk, Marvin Lipofsky, Gail Fredell, Wendy Maruyama, Ralph Evans, Del Stubbs, Jerry Glaser, and others.
Biographical / Historical:
Merryll Saylan (1936- ) is a wood artist from San Rafael, California. Glenn Adamson (1972- ) is a museum professional, in London, England.
General:
Originally recorded on 7 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 6 hr., 9 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Decorative arts  Search this
Environmental engineering  Search this
Feminism  Search this
Furniture making  Search this
Furniture making -- Study and teaching  Search this
Turning -- Study and teaching  Search this
Women artists -- California -- Interviews  Search this
Woodwork  Search this
Woodworkers -- California -- Interviews.  Search this
World War, 1939-1945  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.saylan06
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-saylan06

Oral history interview with David Ellsworth

Interviewee:
Ellsworth, David, 1944-  Search this
Interviewer:
Shea, Josephine, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Anderson Ranch Arts Center  Search this
Arrowmont School of Arts and Crafts -- Faculty  Search this
Belles Artes Gallery  Search this
Cooper-Lynn Gallery  Search this
Del Mano Gallery  Search this
Gargoyle Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
New School for Social Research (New York, N.Y.) -- Students  Search this
Oberlin College  Search this
United States. Army  Search this
University of Colorado -- Students  Search this
Washington University (Saint Louis, Mo.).. Gallery of Art -- Students  Search this
Woodstock School of Painting  Search this
Bressler, Charlie  Search this
Bressler, Fleur  Search this
Dodson, Virginia  Search this
Foster, Clay  Search this
Gibson, Giles  Search this
Hogbin, Stephen  Search this
Holzapfel, Michelle, 1951-  Search this
Klein, Bonnie  Search this
LeCoff, Albert B., 1950-  Search this
Lindquist, Mark, 1949-  Search this
Lindquist, Melvin  Search this
Lipton, Irving  Search this
Mason, Arthur K.  Search this
Mason, Jane S.  Search this
Mastelli, Rick, 1949-  Search this
Moran, Lois  Search this
Moulthrop, Ed, 1916-2003  Search this
Prestini, James, 1908-  Search this
Rapp, Joanne  Search this
Scarpino, Betty  Search this
Sfirri, Mark  Search this
Extent:
5 Items (Sound recording: 5 sound files (2 hr., 41 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Place:
Colorado -- description and travel
Iowa -- Description and Travel
Date:
2007 July 16
Scope and Contents:
An interview of David Ellsworth conducted 2007 July 16, by Josephine Shea, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Ellsworth's home, in Quakertown, Pennsylvania.
Ellsworth speaks of living and growing up in Iowa for the first fourteen years of his life; moving to Boulder, Colorado when his father became the director of libraries; being the youngest of two boys; his parents meeting at Oberlin College; his early interest and skill in leatherwork and woodwork as a child; spending time with the family at their cabin up in the mountains in Colorado; his experiences with music, vocals, and woodshop in junior high; attending a preparatory high school that had a very strong art program; singing in the Army for the Army Air Defense Command; traveling around with the band; being sent to the headquarters of United States Army of Europe in Heidelberg as a speed typist; studying and learning German while abroad; getting admitted into the architecture department at Washington University in St. Louis; flunking out after three semesters; going to New York City to follow a love interest as well as to study art; attending The New School for Social Research; moving back to the Midwest due of the heavy toll of city life; enrolling in the sculpture department at the University of Colorado and receiving both a bachelor of fine arts and a master of fine arts; his first independent show at Metropolitan State College in Denver, Colorado; working as a designer for a stainless steel food services equipment company called Green Brothers; working at the Anderson Ranch Arts Center in Snowmass, Colorado; opening up a private studio in Boulder; partaking in various craft shows; working with the Belles Artes Gallery in New York City and Santa Fe, the Del Mano Gallery in Los Angeles, The Hand and the Spirit Gallery in Scottsdale which became Materia Gallery, the Gargoyle Gallery in Aspen; and the Cooper-Lynn Gallery in New York City; working as a teacher at Arrowmont School of Arts and Crafts in Gatlinburg; his experiences working with resin; his past experiences working with various kinds of wood; his past divorce; the influence of Native American and Southwest architecture and landscape on his work; the lack of reviews on woodturners and woodturning exhibitions; the difficulty of writing about craft art because of the lack of language; turning down commission work because of the limitations it imposes on the artist or creator; the direction in which he believes the craft of woodturning is going; woodturning as predominantly a hobby for retirees seeking to satisfy a need for creative energy; woodturning as a male-dominated craft; the surprisingly large number of well-known men in the fiber field today; designing and making his own line of tools; creating tutorial videos; holding woodturning classes at his home studio; his working process and how it has changed over time; how he and his wife Wendy ended up in Quakertown, Pennsylvania; and how he came up with his various series and how each developed. Ellsworth also recalls Ed Moulthroup, Melvin and Mark Lindquist, JoAnn Rapp; Steven Hogbin, Lois Moran, James Prestini, Irving Lipton, Albert LeCoff, Rick Mastelli, Clay Foster, Michelle Holzapfel, Mark Sfirri, Virginia Dodson, Betty Scarpino, Bonnie Klein, Arthur and Jane Mason, Fleur and Charlie Bressler, Giles Gibson, and others.
Biographical / Historical:
David Ellsworth (1944- ) is a studio woodworker from Quakertown, Pennsylvania. Josephine Shea (1958- ) is a curator from Grosse Pointe Park, Michigan.
General:
Originally recorded 3 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 2 hr., 41 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Decorative arts  Search this
Woodwork -- Equipment and supplies  Search this
Woodworkers -- Pennsylvania -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.ellswo07
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ellswo07

Oral history interview with Edgar Anderson

Topic:
2001, a space odyssey (Motion picture)
Craft Horizons
Interviewee:
Anderson, Edgar, approximately 1922-  Search this
Interviewer:
Gold, Donna, 1953-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Crafts Council. Museum of Contemporary Crafts  Search this
Fallingwater (Pa.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Philadelphia College of Art -- Faculty  Search this
Pratt Institute -- Students  Search this
Taliesin Fellowship  Search this
Woodstock School of Painting  Search this
Anderson, Joyce, 1925-  Search this
Eco, Umberto  Search this
Grotta, Lou  Search this
Grotta, Sandra  Search this
Hornbostel, Caleb  Search this
Johnson, Philip, 1906-2005  Search this
Kelsey, John, 1946-  Search this
Meier, Richard, 1934-  Search this
Rand, Ayn  Search this
Roman, Paul  Search this
Slivka, Rose  Search this
Smith, Paul J., 1931-  Search this
Sperber, Robert  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Extent:
78 Pages (Transcript)
24 Items (Sound recording: 24 sound files (5 hr., 52 min.), digital wav)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Liberty State Park (Jersey City, N.J.)
Date:
2002 September 17-19
Scope and Contents:
An interview of Edgar Anderson conducted 2002 September 17-19, by Donna Gold, in Morristown, New Jersey, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Anderson describes his philosophy of nature, and the genetic affinities between trees and humans. He discusses childhood in Jersey City, New Jersey; his parents; his grandfather, who was a bookbinder and leather craftsman; and other influences from his childhood, including his uncles and the Stickley family's Craftsman Farms. He recalls that his mother was an accomplished painter and amateur architect; his father was responsible for constructing the foundations for the Chrysler Building. He describes his early admiration for Frank Lloyd Wright, and a meeting with Wright to inquire about the Taliesin Fellowship. Anderson did not join the Fellowship. He briefly discusses Ayn Rand and The Fountainhead. He recalls his architectural studies at Pratt Institute, including a structural investigation of Wright's Fallingwater house, and studying architectural rendering with Caleb Hornbostel. He describes his service during World War II, serving in Italy as a platoon commander for the Army Engineers. He talks about meeting his wife, Joyce, and the genesis of their working partnership. After the war, he and Joyce studied at Pratt under Philip Johnson; he recalls his student projects and the continuing influence of Frank Lloyd Wright. He also studied at Chicago Technical College. He recalls his apprenticeship building boats with his uncle. He describes, in technical detail, the early years of the practice, including a discussion of his wood supplier, the Monteath Company. He comments at length on his personal creative process, which includes elliptical references to a wide variety of sources, including Umberto Eco and the film 2001. He describes several projects for Lou and Sandy Grotta, including an anthropomorphic grandfather clock in the shape of a hand and wristwatch, an illusionary headboard, and the Knight table. He also comments on the Grotta house, designed by Richard Meier. He briefly mentions the editorial strategy of American Craft, and later Craft Horizon, and his relationships with editors such as John Kelsey, Paul Roman, and Rose Slivka. He mentions having taught at Philadelphia College of Art. He recalls racing in a demolition derby. He discusses his attitude towards criticism, mentioning Paul Smith, the director of the Museum of Contemporary Crafts, at length. He briefly describes his design for a 9/11 memorial at Liberty State Park and the political character of his work. He also reflects on his work relative to the culture at large. He talks about new technologies and new tools, and the evolution of the partnership. He describes his involvement in the craft community at Peters Valley, New Jersey. He comments at length on his apprentice Rob Sperber, and their development of the chainsaw mill.
Biographical / Historical:
Edgar Anderson (1922- ) is a woodworker from Morristown, New Jersey. Donna Gold (1953- ) is an art writer from Stockton Springs, Maine.
General:
Originally recorded 5 sound discs. Reformatted in 2010 as 24 digital wav files. Duration is 5 hr., 52 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art -- Political aspects  Search this
Decorative arts  Search this
September 11 Terrorist Attacks, 2001  Search this
Woodwork -- Equipment and supplies  Search this
Woodwork -- Technique  Search this
Woodworkers -- New Jersey -- Interviews.  Search this
World War, 1939-1945 -- Campaigns -- Italy  Search this
Function:
Memorials
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.anders02
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-anders02

Oral history interview with James Krenov

Interviewee:
Krenov, James  Search this
Interviewer:
Fitzgerald, Oscar P.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Rochester Institute of Technology -- Faculty  Search this
Woodstock School of Painting  Search this
Extent:
38 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 August 12-13
Scope and Contents:
An interview of James Krenov conducted 2004 August 12-13, by Oscar Fitzgerald, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Fort Bragg, California.
Krenov speaks of immigrating to the United States; making things as a child; learning woodworking from Carl Malmsten; teaching workshops in England, Japan, and New Zealand; working as a cabinetmaker in Sweden; teaching at Rochester Institute of Technology; writing books on woodworking, including, "A Cabinetmaker's Notebook"; helping to found the Program in Artisanry at Boston University; teaching at the College of the Redwoods; using veneers; his teaching method; choosing the appropriate wood; the process of designing his pieces; choosing tools, and his opinion on computerized machinery; his favorite pieces; receiving awards; working for pleasure and working on commission; making joinery; pricing his work; choosing not to work with galleries; and his predictions for the future of woodworking. Krenov also recalls Soetsu Yanagi, Craig McArt, Wendell Castle, John Makepeace, Lois Moran, Yong Chen, and others.
Biographical / Historical:
James Krenov (1920-2009) was a woodworker of Fort Bragg, California. Oscar Fitzgerald is a writer and historian from Alexandria, Virginia.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 14 digital wav files. Duration is 2 hrs., 42 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Woodworkers -- California -- Interviews.  Search this
Woodwork -- Equipment and supplies  Search this
Woodwork -- Technique  Search this
Cabinetmakers -- California -- Interviews  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.krenov04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-krenov04

Austin Merrill Mecklem and Marianne Greer Appel papers

Creator:
Mecklem, Austin Merrill, 1894-1951  Search this
Names:
Albright Art School (Buffalo, N.Y.) -- Faculty  Search this
Federal Works Agency  Search this
United States. Works Progress Administration  Search this
Appel, Marianne, 1913-1988  Search this
Henson, Jim  Search this
Mecklem, Austin Merrill, 1894-1951  Search this
Extent:
5 Linear feet
0.035 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketchbooks
Manuscripts
Photographs
Watercolors
Sketches
Drawings
Date:
1910-2009
Summary:
The Austin Merrill Mecklem and Marianne Greer Appel papers measure 5.0 linear feet and 0.035 GB and date from 1910-2006, with the bulk of the materials dating from 1928-1977. Correspondence, writings, drawings, printed and digital material, miscellaneous items and photographs document Mecklem as an artist, muralist and art instructor and Appel as an artist, puppet designer and author and illustrator of children's books. A significant part of Appel's papers consists of drafts of two illustrated children's books.

There is an unprocessed addition of 3.6 linear feet donated in 2019 relating to Marianne Greer Appel including biographical material, correspondence, writings, rare published and printed material, photographs, and preliminary works of art.
Scope and Content Note:
The Austin Merrill Mecklem and Marianne Greer Appel papers measure 5.0 linear feet and 0.035 GB and date from 1910-2006, with the bulk of materials dating from 1928-1977. Correspondence, writings, drawings, printed and digital material, miscellaneous items and photographs document Mecklem as an artist, muralist and art instructor and Appel as an artist, puppet designer and author and illustrator of children's books. A significant portion of Appel's papers consist of drafts of two illustrated children's books.

Austin Mecklem's papers include biographical materials, personal and professional correspondence and letters, and printed material from the WPA. Printed material includes newspaper clippings, exhibition catalogs, announcements and press releases, and an article from Fortune Magazine concerning the Coulee Dam, a subject of interest to Mecklem. Digital material consists of "Catalogue Raisonee as of February 2009".

Of particular note are Mecklem's lecture and teaching notes on the "Fundamentals of Art" prepared for his class at the Albright Art School. Also, there are photographs of Mecklem's paintings and murals, including his design for a mural for the Recorder of Deeds Building in Washington, D. C. Original artwork by Mecklem includes the blueprint for the Portland, Connecticut Post Office mural, drawings on tissue paper, a watercolor landscape, and a cartoon entitled "Life at the High."

Appel's papers consist of drafts of children's books, "The Story of Juliet" (1945) and "Perlydew" (after 1953), correspondence, writings, sketches and clippings from the period after Mecklem's death. Correspondence includes personal letters and letters from the Federal Works Agency Public Buildings Administration regarding the Agency's purchase of Appel's artwork. Also found are sketch books and an original watercolor signed by Appel.

Also found are photographs of friends and family as well as photographs of Appel's paintings and puppets she designed. Some photographs of puppets carry notes by Jim Henson, creator of the Muppets. Appel's book drafts include manuscripts, both typed and hand-written, with layouts and illustrations in tempera or gouache.

This collection contains scattered notes by the donors which identify or explain materials.

There is an unprocessed addition of 3.6 linear feet donated in 2019 relating to Marianne Greer Appel including biographical material, correspondence, writings, rare published and printed material, photographs, and preliminary works of art.
Arrangement:
The collection is arranged as 4 Series. Materials are generally arranged by record type and chronolgically thereafter.

Series 1: Austin Merrill Mecklem papers, 1910-2006 (Boxes 1-2; OV3; 0.9 linear feet, ER01; 0.035 GB)

Series 2: Marianne Greer Appel papers, 1928-2006 (Boxes 1-2; 0.4 linear feet)

Series 3: Family Photographs, 1928-1950 (Box 1; 0.1 linear feet)

Series 4: Unprocessed Addition, circa 1928-2006 (Boxes 4-7; OV8-9; 3.6 linear feet)
Biographical Note:
Artists Austin Merrill Mecklem "Meck" (1894-1951) and Marianne Greer Appel (1913-1988) married in 1937 and lived and worked in Woodstock, New York as part of the Woodstock artists' colony, Maverick. Mecklem died in 1951 at age 56. In 1953, Appel and her two daughters moved to New York City where she pursued a career as a puppet designer and author and illustrator of children's books. She worked for puppeteer, Bill Baird, and later, Jim Henson, creator of the Muppets. Appel married Carl Harms, actor and puppeteer, in 1960.

Both Mecklem and Appel were associated with the Works Progress Administration (WPA). Mecklem received notable commissions from the WPA, including the painting of murals for the Recorder of Deeds Building in Washington, D. C., the Wrangell, Alaska Custom House and Post Office, and the Post Office in Portland, Connecticut. Mecklem also taught art at the Museum School in Portland, Oregon, the Art Students League in New York, the Albright Art School in Buffalo, New York, and the Woodstock School of Painting. Mecklem's work has been exhibited in a number of one-man shows and at major museums such as the Whitney Museum of American Art, the Corcoran Gallery in Washington, D.C., and the Metropolitan Museum of Art.

Austin Mecklem was born in Califax, Washington and studied at Washington State University, the San Francisco School of Fine Arts, the Art Students League in New York and in Paris and Holland. His first marriage to Hannah Small, also of the Woodstock artist's colony, ended in divorce. In 1906 Appel began her studies at the Woodstock School, where she met Mecklem. Appel's work has been exhibited at museums such as the Corcoran Gallery of Art in Washington, D.C., the Whitney Museum of American Art, and the Art Institute of Chicago.
Provenance:
The papers were donated in 2010 by Sarah Greer Mecklem and Merrill Mecklem Piera, Austin Mecklem's and Marianne Appel's daughters, and in 2019 by Sarah Greer Mecklem.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Austin Merrill Mecklem and Marianne Greer Appel papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donors have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art teachers -- New York (State) -- New York  Search this
Puppeteers -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Muralists -- New York (State) -- New York  Search this
Illustrated books, Children's  Search this
Genre/Form:
Sketchbooks
Manuscripts
Photographs
Watercolors
Sketches
Drawings
Citation:
Austin Merrill Mecklem and Marianne Greer Appel papers, 1910-2006, bulk 1928-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.meckaust
See more items in:
Austin Merrill Mecklem and Marianne Greer Appel papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-meckaust

Oral history interview with Merryll Saylan, 2006 May 20-June 5

Interviewee:
Saylan, Merryll B., 1936-  Search this
Interviewer:
Adamson, Glenn, 1972-  Search this
Subject:
Blunk, J. B.  Search this
Cooper, Michael Jean  Search this
Evans, Ralph  Search this
Foy, George  Search this
Fredell, Gail  Search this
Glaser, Jerry  Search this
Lipofsky, Marvin  Search this
Maruyama, Wendy  Search this
Rapp, Joanne  Search this
Stocksdale, Bob  Search this
Stubbs, Del  Search this
Weir-Quiton, Pamela  Search this
American Association of Woodturners  Search this
California State University, Northridge  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
University of California, Los Angeles  Search this
Wood Turning Center (Philadelphia, Pa.)  Search this
Woodstock School of Painting  Search this
International Turned Objects Show  Search this
Type:
Interviews
Sound recordings
Place:
England -- description and travel
France -- description and travel
Guatemala -- description and travel
Hong Kong -- description and travel
Japan -- Description and Travel
Philippines -- description and travel
Topic:
Decorative arts  Search this
Environmental engineering  Search this
Feminism  Search this
Furniture making  Search this
Furniture making -- Study and teaching  Search this
Turning -- Study and teaching  Search this
Women artists -- California -- Interviews  Search this
Woodwork  Search this
Woodworkers -- California -- Interviews.  Search this
World War, 1939-1945  Search this
Record number:
(DSI-AAA_CollID)13576
(DSI-AAA_SIRISBib)260467
AAA_collcode_saylan06
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_260467
Online Media:

Oral history interview with Edgar Anderson, 2002 September 17-19

Interviewee:
Anderson, Edgar, 1922-  Search this
Interviewer:
Gold, Donna, 1953-  Search this
Subject:
Anderson, Joyce  Search this
Eco, Umberto  Search this
Grotta, Lou  Search this
Grotta, Sandra  Search this
Hornbostel, Caleb  Search this
Johnson, Philip  Search this
Kelsey, John  Search this
Meier, Richard  Search this
Rand, Ayn  Search this
Roman, Paul  Search this
Slivka, Rose  Search this
Smith, Paul J.  Search this
Sperber, Robert  Search this
Wright, Frank Lloyd  Search this
American Crafts Council. Museum of Contemporary Crafts  Search this
Fallingwater (Pa.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Philadelphia College of Art  Search this
Pratt Institute  Search this
Taliesin Fellowship  Search this
Woodstock School of Painting  Search this
Type:
Sound recordings
Interviews
Place:
Liberty State Park (Jersey City, N.J.)
Topic:
2001, a space odyssey (Motion picture)  Search this
Craft Horizons  Search this
Art -- Political aspects  Search this
Decorative arts  Search this
September 11 Terrorist Attacks, 2001  Search this
Woodwork -- Equipment and supplies  Search this
Woodwork -- Technique  Search this
Woodworkers -- New Jersey -- Interviews.  Search this
World War, 1939-1945 -- Campaigns -- Italy  Search this
Record number:
(DSI-AAA_CollID)12435
(DSI-AAA_SIRISBib)237703
AAA_collcode_anders02
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_237703
Online Media:

Oral history interview with David Ellsworth, 2007 July 16

Interviewee:
Ellsworth, David, 1944-  Search this
Interviewer:
Shea, Josephine, 1958-  Search this
Subject:
Bressler, Charlie  Search this
Bressler, Fleur  Search this
Dodson, Virginia  Search this
Foster, Clay  Search this
Gibson, Giles  Search this
Hogbin, Stephen  Search this
Holzapfel, Michelle  Search this
Klein, Bonnie  Search this
LeCoff, Albert B.  Search this
Lindquist, Mark  Search this
Lindquist, Melvin  Search this
Lipton, Irving  Search this
Mason, Arthur K.  Search this
Mason, Jane S.  Search this
Mastelli, Rick  Search this
Moran, Lois  Search this
Moulthrop, Ed  Search this
Prestini, James  Search this
Rapp, Joanne  Search this
Scarpino, Betty  Search this
Sfirri, Mark  Search this
Anderson Ranch Arts Center  Search this
Arrowmont School of Arts and Crafts  Search this
Belles Artes Gallery  Search this
Cooper-Lynn Gallery  Search this
Del Mano Gallery  Search this
Gargoyle Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
New School for Social Research  Search this
Oberlin College  Search this
United States  Search this
University of Colorado  Search this
Washington University (Saint Louis, Mo.).  Search this
Woodstock School of Painting  Search this
Type:
Interviews
Sound recordings
Place:
Colorado -- description and travel
Iowa -- Description and travel
Topic:
Decorative arts  Search this
Woodwork -- Equipment and supplies  Search this
Woodworkers -- Pennsylvania -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13679
(DSI-AAA_SIRISBib)274890
AAA_collcode_ellswo07
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_274890
Online Media:

Hobson Pittman papers, 1916-1990

Creator:
Pittman, Hobson Lafayette, 1899 or 1900-1972  Search this
Subject:
Luce, Clare Boothe  Search this
Sanger, Margaret  Search this
Hopper, Edward  Search this
Marsh, Reginald  Search this
Robinson, Edward G.  Search this
Sothern, Ann  Search this
Albright, Ivan  Search this
Annenberg, Walter H.  Search this
Canaday, John  Search this
Gummo, Blanchard  Search this
Woodstock School of Painting  Search this
Topic:
Painting, Modern -- 20th century -- Pennsylvania -- Philadelphia  Search this
Record number:
(DSI-AAA_CollID)10345
(DSI-AAA_SIRISBib)213558
AAA_collcode_pitthobs
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213558

Oral history interview with James Krenov, 2004 August 12-13

Interviewee:
Krenov, James, 1920-2009  Search this
Interviewer:
Fitzgerald, Oscar P.  Search this
Subject:
Rochester Institute of Technology  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Woodstock School of Painting  Search this
Type:
Sound recordings
Interviews
Topic:
Woodworkers -- California -- Interviews.  Search this
Woodwork -- Equipment and supplies  Search this
Woodwork -- Technique  Search this
Cabinetmakers -- California -- Interviews  Search this
Decorative arts  Search this
Record number:
(DSI-AAA_CollID)11905
(DSI-AAA_SIRISBib)249006
AAA_collcode_krenov04
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_249006
Online Media:

Karl E. Fortess interviews with artists, circa 1963-1985

Creator:
Fortess, Karl E. (Karl Eugene), 1907-1993  Search this
Type:
Interviews
Sound recordings
Record number:
(DSI-AAA_CollID)13399
(DSI-AAA_SIRISBib)216518
AAA_collcode_fortkarl
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216518

Karl E. Fortess interviews with artists, circa 1963-1985

Creator:
Fortess, Karl E (Karl Eugene) 1907-  Search this
Subject:
Watkins, Franklin Chenault 1894-1972  Search this
Weeks, James 1922-  Search this
Weinberg, Elbert 1928-  Search this
White, Charles 1918-1979  Search this
Wilson, John 1922-2015  Search this
Wilson, Reginald 1909-  Search this
Wilson, Sol  Search this
Winters, Denny Sonke 1907-1985  Search this
Woodruff, Hale 1900-1980  Search this
Yarde, Richard 1939-  Search this
Zerbe, Karl 1903-1972  Search this
Vytlacil, Vaclav 1892-1984  Search this
Aach, Herbert 1923-1985  Search this
Abeles, Sigmund 1934-  Search this
Adler, Samuel 1898-  Search this
Alcalay, Albert 1917-2008  Search this
Alexander, F. O (Franklin Osborne)  Search this
Alston, Charles Henry 1907-1977  Search this
Andrews, Benny 1930-2006  Search this
Angeloch, Robert 1922-  Search this
Armitage, Kenneth 1916-  Search this
Avery, Sally  Search this
Baber, Alice  Search this
Barnet, Will 1911-2012  Search this
Baskin, Leonard 1922-2000  Search this
Baumbach, Harold 1903-  Search this
Bearden, Romare 1911-1988  Search this
Bell, Leland  Search this
Benton, Thomas Hart 1889-1975  Search this
Berger, Jason 1924-2010  Search this
Biddle, George 1885-1973  Search this
Birmelin, Robert 1933-  Search this
Bishop, Isabel 1902-1988  Search this
Blackburn, Robert Hamilton 1920-  Search this
Blanch, Arnold 1896-1968  Search this
Blanch, Lucile 1895-1981  Search this
Crawford, Ralston 1906-1978  Search this
Blume, Peter 1906-1992  Search this
Boghosian, Varujan  Search this
Bohlen, Nina  Search this
Bolotowsky, Ilya 1907-1981  Search this
Botkin, Henry 1896-1983  Search this
Bourgeois, Louise 1911-2010  Search this
Brandt, Warren 1918-  Search this
Breinin, Raymond 1910-  Search this
Bromberg, Manuel  Search this
Brook, Alexander 1898-1980  Search this
Brooks, James 1906-1992  Search this
Browning, Colleen  Search this
Burlin, Paul 1886-1969  Search this
Busa, Peter 1914-1985  Search this
Callahan, Kenneth 1905-1986  Search this
Candell, Victor 1903-1977  Search this
Castellón, Federico 1914-1971  Search this
Chaet, Bernard  Search this
Chasteen, Ancil  Search this
Chavez, Edward Arcenio 1917-1995  Search this
Cherry, Herman  Search this
Christ-Janer, Albert 1910-1973  Search this
Citron, Minna Wright 1896-1991  Search this
Cote, Alan A. 1937-  Search this
Cox, Gardner 1906-1988  Search this
Cox, Jan 1919-1980  Search this
Crampton, Rollin McNeil 1886-1970  Search this
Cusumano, Stefano 1912-1975  Search this
D'Arcangelo, Allan 1930-  Search this
D'Arista, Robert 1929-  Search this
De Creeft, José 1884-1982  Search this
Dehn, Adolf 1895-1968  Search this
De Diego, Julio 1900-  Search this
Dehner, Dorothy 1901-1994  Search this
De Kooning, Elaine  Search this
Demetropoulos, Charles  Search this
Dickinson, Edwin Walter 1891-1978  Search this
Dobkin, Alexander 1908-  Search this
Dodd, Betty  Search this
Dodd, Lamar  Search this
Eichenberg, Fritz 1901-1990  Search this
Edwards, Ethel 1914-1999  Search this
Engle, Harry  Search this
Ernst, Jimmy 1920-1984  Search this
Eshoo, Robert  Search this
Ferber, Herbert 1906-1991  Search this
Fine, Perle 1908-1988  Search this
Finkelstein, Louis  Search this
Floch, Joseph 1895-1977  Search this
Florsheim, Richard A. 1916-1979  Search this
Frank, Mary 1933-  Search this
Frankenthaler, Helen 1928-2011  Search this
Frasconi, Antonio  Search this
Freilicher, Jane 1924-  Search this
Georges, Paul 1923-2002  Search this
Gibran, Kahlil 1922-  Search this
Gikow, Ruth 1915-1982  Search this
Glaser, Milton  Search this
Golub, Leon 1922-2004  Search this
Gonzalez, Xavier 1898-1993  Search this
Gottlieb, Adolph 1903-1974  Search this
Graziani, Sante 1920-  Search this
Greene, Balcomb 1904-1990  Search this
Greenwood, Marion 1909-1970  Search this
Grippe, Peter 1912-  Search this
Gross, Chaim 1904-1991  Search this
Groth, John 1908-1988  Search this
Guston, Philip 1913-1980  Search this
Gwathmey, Robert 1903-1988  Search this
Haeberlin, Carolyn  Search this
Hale, Robert Beverly 1901-1985  Search this
Harmon, Lily 1912-  Search this
Hartigan, Grace  Search this
Held, Al 1928-  Search this
Heliker, John 1909-2000  Search this
Hillsmith, Fannie 1911-2007  Search this
Hirsch, Joseph 1910-1981  Search this
Hoener, Arthur 1929-  Search this
Hovannes, John 1900-1973  Search this
Hudson, Gary Van Voorhees 1936-  Search this
Hurwitz, Sidney 1932-  Search this
Isenburger, Eric 1902-1994  Search this
Jenkins, Paul 1923-2012  Search this
Jules, Mervin 1912-  Search this
Kahn, Wolf 1927-2020  Search this
Kallem, Henry 1912-  Search this
Kallem, Herbert 1909-1994  Search this
Kaplan, Joseph 1900-1980  Search this
Katz, Alex 1927-  Search this
Katzman, Herbert 1923-  Search this
Kay, Reed  Search this
Kaz, Nathaniel 1917-  Search this
Kepes, Gyorgy 1906-2001  Search this
Kienbusch, William 1914-1980  Search this
King, William 1925-  Search this
Kingman, Dong 1911-  Search this
Klitgaard, Georgina 1889-1977  Search this
Knaths, Karl 1891-1971  Search this
Koch, John 1909-1978  Search this
Kroll, Leon 1884-1974  Search this
Kupferman, Lawrence Edward 1909-1982  Search this
Laderman, Gabriel 1929-  Search this
Laning, Edward 1906-  Search this
Lasker, Joe  Search this
Lassaw, Ibram 1913-2003  Search this
Laufman, Sidney 1891-  Search this
Lawrence, Jacob 1917-2000  Search this
Lechay, James  Search this
Lee, Doris 1905-1983  Search this
Lee-Smith, Hughie  Search this
Leiber, Gerson August 1921-  Search this
Leslie, Alfred 1927-  Search this
Levi, Julian E (Julian Edwin) 1900-1982  Search this
Levine, Jack 1915-2010  Search this
Lewis, Norman 1909-1979  Search this
Lipton, Seymour 1903-1986  Search this
Loew, Michael 1907-1985  Search this
Lucioni, Luigi 1900-1988  Search this
Magafan, Ethel 1915 or 6-1993  Search this
Mandel, Howard 1917-1999  Search this
Manso, Leo  Search this
Marantz, Irving 1912-1972  Search this
Marcus, Marcia 1928-  Search this
Margo, Boris 1902-1995  Search this
Maril, Herman  Search this
Marsicano, Nicholas 1908-1991  Search this
Martin, Fletcher 1904-1979  Search this
Mason, Emily 1932-  Search this
Matsubara, Naoko  Search this
Mattson, Henry E (Henry Elis) 1887-1971  Search this
Mazur, Michael 1935-2009  Search this
Melcarth, Edward 1914-1973  Search this
Merkin, Richard  Search this
Metcalf, Conger 1914-1998  Search this
Milton, Peter 1930-  Search this
Moffett, Ross  Search this
Moller, Hans 1905-  Search this
Morgan, Maud 1903-1999  Search this
Morris, George L. K. 1905-1975  Search this
Moss, Ben Frank 1936-  Search this
Morris, Kyle  Search this
Motherwell, Robert  Search this
Moy, Seong  Search this
Muench, John  Search this
Murch, Walter  Search this
Nakian, Reuben 1897-1986  Search this
Neel, Alice 1900-1984  Search this
Neuman, Robert S  Search this
Neustadt, Barbara 1922-  Search this
Nivola, Costantino 1911-1988  Search this
Opper, John  Search this
Orsini, Robert  Search this
Ossorio, Alfonso 1916-1990  Search this
Pachner, William 1915-  Search this
Palmer, William 1906-1987  Search this
Parker, Raymond 1922-  Search this
Passlof, Pat 1928-  Search this
Pattison, Abbott L (Abbott Lawrence) 1916-1999  Search this
Pearlstein, Philip 1924-  Search this
Penney, James 1910-1982  Search this
Peterdi, Gabor  Search this
Petrov, Dimitre 1919-  Search this
Philipp, Robert 1895-1981  Search this
Picken, George 1898-  Search this
Pickens, Alton  Search this
Pike, John 1911-1979  Search this
Pineda, Marianna 1925-1996  Search this
Pittman, Hobson Lafayette 1899 or 1900-1972  Search this
Plate, Walter 1925-1972  Search this
Pollet, Joseph C. 1897-1979  Search this
Polonsky, Arthur  Search this
Ponce de Leon, Michael b. 1922  Search this
Poons, Larry  Search this
Prestopino, Gregorio  Search this
Preusser, Robert O (Robert Ormerod) 1919-1992  Search this
Prohaska, Ray  Search this
Redein, Alex 1912-  Search this
Refregier, Anton 1905-  Search this
Reich, Murray 1932-  Search this
Reisman, Philip 1904-  Search this
Resnick, Milton 1917-2004  Search this
Rickey, George  Search this
Rivers, Larry 1925-2002  Search this
Romano, Umberto 1905-1982  Search this
Rosati, James 1912-1988  Search this
Rose, Herman 1909-  Search this
Ruellan, Andrée 1905-2006  Search this
Russo, Alexander  Search this
Salemme, Lucia A  Search this
Sample, Paul 1896-1974  Search this
Sander, Ludwig 1906-  Search this
Sanders, Joop A. 1922-  Search this
Scarlett, Rolph b. 1889  Search this
Schrag, Karl  Search this
Schreiber, Georges 1904-  Search this
Schwartz, Henry 1927-  Search this
Schwartz, Manfred 1909-1970  Search this
Schmidt, Katherine 1898-1978  Search this
Sievan, Maurice  Search this
Simon, Sidney 1917-1997  Search this
Siporin, Mitchell 1910-1976  Search this
Small, Hannah  Search this
Sokole, Miron 1901-  Search this
Solman, Joseph 1909-2008  Search this
Solomon, Hyde 1911-  Search this
Solomon, Syd 1917-  Search this
Soyer, Isaac 1902-1981  Search this
Soyer, Moses 1899-1974  Search this
Soyer, Raphael 1899-1987  Search this
Stamos, Theodoros 1922-1997  Search this
Stasik, Andrew  Search this
Steffen, Bernard J. 1907-  Search this
Sternberg, Harry 1904-2001  Search this
Sterne, Hedda 1910-2011  Search this
Stoltenberg, Donald  Search this
Stone, Sylvia 1928-  Search this
Summers, Carol 1925-  Search this
Swan, Barbara 1922-  Search this
Tam, Reuben  Search this
Taylor, John 1897-1983  Search this
Thon, William 1906-2000  Search this
Toney, Anthony  Search this
Tovish, Harold 1921-2008  Search this
Townley, Hugh  Search this
Hopper, Jo N (Josephine Nivison) 1883-1968  Search this
Vehara, Carole  Search this
Vicente, Esteban 1903-2001  Search this
Vickrey, Robert 1926-  Search this
Physical description:
268 interviews
5.6 linear feet
Type:
Interviews
Collection descriptions
Sound recordings
Date:
1960
1985
circa 1963-1985
Local number:
aaa
AAA fortkarl
Restrictions & Rights:
Interviews are untranscribed; use requires an appointment and is limited to AAA's Washington, D.C. and New York, N.Y Research Centers. Interviews without a duplicate copy requires advance notice
The donor has specified as a condition of the gift that the tapes may not be transcribed or edited
See more items in:
Karl E. Fortess interviews with artists, circa 1963-1985
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_216518

Woodstock School of Painting [Folder]

Additional name:
Woodstock School of Painting and Applied Arts  Search this
Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Place:
Woodstock (N.Y.)
Topic:
Art Organizations  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_102534

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