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Self-Portrait #2

Alternate Title:
Antonio Frasconi Self-Portrait
Artist:
Antonio Rudolfo Frasconi, 28 Apr 1919 - 8 Jan 2013  Search this
Sitter:
Antonio Rudolfo Frasconi, 28 Apr 1919 - 8 Jan 2013  Search this
Medium:
Woodcut on paper
Dimensions:
Sheet: 90.8 x 40.8cm (35 3/4 x 16 1/16")
Mat: 104.6 x 51.6cm (41 3/16 x 20 5/16")
Type:
Print
Date:
1949
Topic:
Self-portrait  Search this
Antonio Rudolfo Frasconi: Visual Arts\Artist  Search this
Antonio Rudolfo Frasconi: Male  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; the Ruth Bowman and Harry Kahn Twentieth-Century American Self-Portrait Collection; conserved with funds from the Smithsonian Women's Committee
Object number:
NPG.2002.248
Restrictions & Rights:
Usage conditions apply
Copyright:
© Estate of Antonio Frasconi/Licensed by VAGA, New York, NY
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4a214b019-bf8d-4011-bc81-680d1ddc28b1
EDAN-URL:
edanmdm:npg_NPG.2002.248

Caroli Linnaei Entomologia, faunae Suecicae descriptionibus aucta : DD. Scopoli, Geoffroy, de Geer, Fabricii, Schrank, &c., speciebus vel in systemate non enumeratis, vel nuperrime detectis, vel speciebus Galliœ australis locupletata, generum specierumque rariorum iconibus ornata; curante & augente Carolo de Villers ..

Title:
Entomologia, faunae suecicae descriptionibus aucta
Author:
Linné, Carl von 1707-1778  Search this
Devillers, Charles 1724-1809  Search this
Former owner:
Crawford, J. C. DSI  Search this
Buchanan, Lee LaForest b. 1893 DSI  Search this
Schaus, William 1859-1942 DSI  Search this
Aldrich, John Merton 1866-1934 DSI  Search this
Melander, A. L (Axel Leonard) 1878-1962 DSI  Search this
U.S. Department of the Interior Library DSI  Search this
Physical description:
4 v., [24] folded leaves of plates : ill., tables ; 21 cm. (8vo)
Type:
Classification
Early works to 1800
Date:
1789
Topic:
Insects  Search this
Call number:
QL468 .L75 1789
QL468.L75 1789
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_113368

Caroli Linnaei medic. & botan. prof. Upsal ... Fauna Svecica, sistens animalia Sveciae regni : quadrupedia, aves, amphibia, pisces, insecta, vermes, distributa per classes & ordines, genera & species, cum differentiis specierum, synonymis autorum, nominibus incolarum, locis habitationum, descriptionibus insectorum

Title:
Fauna Svecica, sistens animalia Sveciae regni
Fauna Suecica, sistens animalia Sueciae regni
Caroli Linnaei Fauna Svecica
Caroli Linnaei Fauna Suecica
Author:
Linné, Carl von 1707-1778  Search this
Ill:
Leche, Johan 1704-1764  Search this
Former owner:
Aldrich, John Merton 1866-1934 DSI  Search this
Melander, A. L (Axel Leonard) 1878-1962 DSI  Search this
Engraver:
Bergquist, Carl 1711-1781  Search this
Physical description:
[28], 411, [1] p., [3] leaves of plates (2 folded) : ill. (engravings) ; 21 cm. (8vo)
Type:
Early works to 1800
Classification
Place:
Sweden
Date:
1746
Topic:
Zoology  Search this
Animals  Search this
Call number:
QL291 .L75 1746
QL291.L75 1746
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_166197

Naúl Ojeda papers

Creator:
Ojeda, Naúl, 1939-2002  Search this
Names:
Bader, Franz, 1903-1994  Search this
Berrutti, Azucena  Search this
Caicedo Garzón, Armando  Search this
Haber, Alicia  Search this
Vila, Ernesto  Search this
Extent:
5.9 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Scrapbooks
Sketchbooks
Video recordings
Date:
circa 1960-2004
circa 2013
Summary:
The papers of Uruguayan born Washington, D.C. painter and printmaker Naúl Ojeda measure 5.9 linear feet and date from circa 1960-2004, and circa 2013. The papers document Ojeda's personal and professional life through biographical materials, correspondence, exhibition and gallery files, professional files, financial material, printed and broadcast materials, scrapbooks, artwork and sketchbooks, and a small amount of photographic material.
Scope and Contents:
The papers of Uruguayan born Washington, D.C. painter and printmaker Naúl Ojeda measure 5.9 linear feet and date from circa 1960-2004, and circa 2013. The papers document Ojeda's personal and professional life through biographical materials, correspondence, exhibition and gallery files, professional files, financial material, printed and broadcast materials, scrapbooks, artwork and sketchbooks, and a small amount of photographic material.

Biographical material includes immigration records, resumes, and a few certifications and credentials. Correspondence is personal and professional, with correspondents including Ojeda's family, and friends, and some general professional correspondents, including Alicia Haber, Moira Bowers, Ernesto Vila, Eduardo Galeano, Enrique Gomez, Armando Caicedo Garzón, Walter Jesus Gonzalez, Azucena Berrutti, and others.

Exhibition and gallery files document Ojeda's relationship with galleries, museums, and civic and cultural organizations, and include records of specific exhibitions as well as general documentation related to sales and commissions of his artwork. They include records of the exhibition In Honor of Franz Bader (1995), with a related video recording. Professional files document other activities including Ojeda's involvement with community organizations, art contests that he entered, work he was commissioned to do for businesses and organizations, and permissions for use of his work for a variety of publications, events, and media outlets. Financial records include a small but detailed number of records of sales with sales books, price lists and receipts.

Printed and broadcast materials provide a fairly comprehensive overview of Ojeda's career from the 1960s on, with announcements and catalogs for multiple exhibitions, news clippings from foreign and domestic newspapers, and posters, flyers, and other publications with illustrations by Ojeda. Three broadcast video recordings about his work and exhibitions can also be found here. This material is supplemented by two scrapbooks documenting Ojeda's exhibitions and news items about his career, from the 1960s to early 1980s.

The collection contains a substantial amount of artwork, including drawings, sketches, poster mockups, prints including woodcut proofs, and sixteen sketchbooks for various projects.

A small amount of photographic material includes three photos of a 1968 exhibition in Uruguay, photocopies of photos of a family group, and negatives including images of Ojeda in the studio.
Arrangement:
The bulk of Ojeda's papers initially combined Ojeda's records of his professional activities, including records of exhibitions and gallery transactions, and financial records in a single alphabetical file. To facilitate access this arrangement has been refined further into three smaller series (Series 3-5).

Series 1: Biographical Materials, 1963-1997 (Box 1; 0.2 linear feet)

Series 2: Correspondence, 1960s-2002 (Box 1, OV 9; 0.8 linear feet)

Series 3: Exhibition and Gallery Files, 1966-2004 (Boxes 1-2, 6; 0.9 linear feet)

Series 4: Professional Files, 1979-2002 (Boxes 2-3, 6; 0.65 linear feet)

Series 5: Financial Records, circa 1970-2004, circa 2013 (Box 3; 0.25 linear feet)

Series 6: Printed and Broadcast Materials, 1962-2003 (Boxes 3-4, 6-7, OV 10; 1.1 linear feet)

Series 7: Scrapbooks, 1961-1981 (Box 7; 0.2 linear feet)

Series 8: Artwork, circa 1960-circa 2000 (Boxes 4, 8, OVs 9, 11-14; 1.0 linear feet)

Series 9: Sketchbooks, circa 1967-2001 (Boxes 4-5, 8; 0.5 linear feet)

Series 10: Photographic Material, 1968-circa 2000 (Box 5; 0.3 linear feet)
Biographical / Historical:
Naúl Ojeda (1939-2002) was a painter and printmaker in Washington, D.C.

Ojeda was born in Uruguay and studied fine arts at the University of Uruguay. The political climate of Uruguay in the 1970s led Ojeda to leave the country. He traveled to France, Chile, and Mexico before settling in Washington, D.C. While in Chile, Ojeda covered the presidency of Salvador Allende as a photojournalist. He selected fifty of the photographs of that period for his exhibition Homage to the People of Chile at the Galeria Inti Centro de Arte in Washington, D.C.

Ojeda was best known for his woodblock prints and linocuts, which he printed by hand in small editions, usually of no more than twenty-five prints. He also had some success with decorated furniture, both pieces he designed and painted, and pieces he decorated. Although his images appear whimsical, they often express themes of separation from his homeland and family. His work has been shown in numerous exhibitions throughout the United States as well as in Europe and South America including Immigrant Artists/American Experience (1985-1987) and an exhibition in 1995 honoring Franz Bader, the owner of the Franz Bader Gallery in Washington, D.C. Bader and Ojeda bonded over their shared immigrant experiences. Bader represented Ojeda for nearly 20 years and frequently held exhibitions of Ojeda's work at his gallery.

Ojeda's work is represented in private collections as well as the collections of the Smithsonian American Art Museum and the Art Museum of the Americas, in Washington, D.C., the Museum of Modern Art in New York, and the National Hispanic Cultural Center in Albuquerque, New Mexico. Ojeda also produced illustrations for The Washington Post Book World, Washington Review, Curbstone Press, and the Institute for Policy Studies among others.

During his career Ojeda received several awards, including the 2001 Distinguished Immigrant Award from the American Immigration Law Foundation. He was also the recipient of several grants from the D.C. Commission of the Arts and Humanities, including grants to illustrate the poems of Pablo Neruda and Federico Garcia Lorca.

Ojeda died in 2002 in Washington, D.C.
Provenance:
The Naúl Ojeda papers were donated in 2016 by Philomena "Pennie" Ojeda.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Washington (D.C.)  Search this
Printmakers -- Washington (D.C.)  Search this
Topic:
Latino and Latin American artists  Search this
Genre/Form:
Drawings
Scrapbooks
Sketchbooks
Video recordings
Citation:
Naúl Ojeda papers, circa 1960-2004, circa 2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ojednaul
See more items in:
Naúl Ojeda papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ojednaul
Online Media:

Prints, Woodcut Proofs

Collection Creator:
Ojeda, Naúl, 1939-2002  Search this
Container:
Box OV 11
Type:
Archival materials
Date:
circa 1974
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Naúl Ojeda papers, circa 1960-2004, circa 2013. Archives of American Art, Smithsonian Institution.
See more items in:
Naúl Ojeda papers
Naúl Ojeda papers / Series 8: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ojednaul-ref304

Prints, Woodcuts Proofs

Collection Creator:
Ojeda, Naúl, 1939-2002  Search this
Container:
Box OV 12
Type:
Archival materials
Date:
circa 1974
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Naúl Ojeda papers, circa 1960-2004, circa 2013. Archives of American Art, Smithsonian Institution.
See more items in:
Naúl Ojeda papers
Naúl Ojeda papers / Series 8: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ojednaul-ref305

Exhibition, Recent Woodcuts (1984)

Collection Creator:
Ojeda, Naúl, 1939-2002  Search this
Container:
Box 2, Folder 6
Type:
Archival materials
Date:
circa 1984
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Naúl Ojeda papers, circa 1960-2004, circa 2013. Archives of American Art, Smithsonian Institution.
See more items in:
Naúl Ojeda papers
Naúl Ojeda papers / Series 3: Exhibition and Gallery Files / Franz Bader Gallery
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ojednaul-ref60

Exhibition, Woodcuts (1979)

Collection Creator:
Ojeda, Naúl, 1939-2002  Search this
Container:
Box 2, Folder 7
Type:
Archival materials
Date:
circa 1979
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Naúl Ojeda papers, circa 1960-2004, circa 2013. Archives of American Art, Smithsonian Institution.
See more items in:
Naúl Ojeda papers
Naúl Ojeda papers / Series 3: Exhibition and Gallery Files / Franz Bader Gallery
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ojednaul-ref62

Exhibition, Woodcuts, Watercolors, Drawings (1981)

Collection Creator:
Ojeda, Naúl, 1939-2002  Search this
Container:
Box 2, Folder 8
Type:
Archival materials
Date:
circa 1981
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Naúl Ojeda papers, circa 1960-2004, circa 2013. Archives of American Art, Smithsonian Institution.
See more items in:
Naúl Ojeda papers
Naúl Ojeda papers / Series 3: Exhibition and Gallery Files / Franz Bader Gallery
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ojednaul-ref63

Emmy Lou Packard Papers

Creator:
Packard, Emmy Lou, 1914-1998  Search this
Names:
American Civil Liberties Union  Search this
Public Works of Art Project  Search this
Covarrubias, Miguel, 1904-1957  Search this
Edmunds, John, 1913-  Search this
Kahlo, Frida  Search this
Lange, Dorothea  Search this
O'Gorman, Juan, 1905-  Search this
O'Higgins, Pablo, 1904-  Search this
Refregier, Anton, 1905-  Search this
Reynolds, Malvina  Search this
Rivera, Diego, 1886-1957  Search this
Extent:
9.4 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketches
Photographs
Interviews
Diaries
Date:
1900-1990
Summary:
The Emmy Lou Packard papers measure 9.4 linear feet and date from 1900 to 1990, and focus on the career of painter, printmaker, muralist, and sculptor Emmy Lou Packard. Also found are extensive materials relating to Packard's personal and professional relationship with muralist Diego Rivera and painter Frida Kahlo, with whom Packard lived for one year in Mexico. Papers include correspondence, financial records, notes, writings, exhibition files, photographs, and printed material.
Scope and Contents note:
The Emmy Lou Packard papers measure 9.4 linear feet and date from 1900 to 1990, and focus on the career of painter, printmaker, muralist, and sculptor Emmy Lou Packard. Also found are extensive materials relating to Packard's personal and professional relationship with muralist Diego Rivera and painter Frida Kahlo, with whom Packard lived for one year in Mexico. Papers include correspondence, financial records, notes, writings, exhibition files, photographs, and printed material.

Biographical materials include resumes, personal forms, and certificates. Correspondence is with family, friends, and colleagues, including muralist Anton Refregier, songwriter Malvina Reynolds, and composer John Edmunds. There is one letter from Dorothea Lange. Also found is correspondence with various political and arts organizations, such as the American Civil Liberties Union and the Russian magazine Soviet Woman. Much of the correspondence discusses personal relationships and political and art-related activities. Additional correspondence with and concerning Diego Rivera and Frida Kahlo is arranged in Series 6.

Personal business records found within the papers include studio real estate and rent records, insurance records, price lists for artwork, consignment records, and miscellaneous receipts. There is one interview transcript of an interview with Packard for the Radical Elders Oral History Project. The papers include a series of notebooks/diaries, address lists, and other notes.

Packard's reference files and personal papers documenting her professional and close personal relationship with Diego Rivera and Frida Kahlo are arranged into a separate series. They include her research files for a planned book on the two artists, personal letters between Packard and the couple, as well as several interesting photographs. Also found in this series are notes, writings, and printed materials relating to Diego Rivera, Frida Kahlo, and other Mexican artists, such as Covarrubius, Juan O'Gorman, and Pablo O'Higgins.

The collection also includes typescripts and additional writings by Packard and others. Artwork consists of orginal drawings and prints by Packard and others not directly associated with projects. Exhibition and project files for many of Packard's commissioned projects are also found within the collection, including her files for the restoration of Anton Refregier's Rincon Annex Post Office mural in San Francisco and the Coit Tower murals in San Francisco. Many of the project files contain correspondence, reports, contracts, printed material, photographs, and artwork.

The papers also include photographs of Packard, her family, residences, artwork, friends, and colleagues, including Cesar Chavez, Juan O'Gorman, Malvina Reynolds, Charles Safford, Ralph Stackpole, and Tennessee Williams. Two scrapbooks are found, as well as additional printed materials such as clippings and exhibition announcements and catalogs. There are also two artifact items, a vinyl record of Malvina Reynolds and a political campaign button.
Arrangement note:
The collection is arranged into fifteen series.

Series 1: Biographical Material, 1942-1985 (Box 1; 1 folder)

Series 2: Correspondence, 1919-1990 (Box 1-3; 2.6 linear feet)

Series 3: Personal Business Records, 1945-1985 (Box 3; 21 folders)

Series 4: Interview Transcript, 1979 (Box 3; 1 folder)

Series 5: Notes, 1900-1985 (Box 3-4, 10; 1.1 linear feet)

Series 6: Reference Files on Diego Rivera and Frida Kahlo, 1929-1986 (Box 5, 10, OV 11; 0.9 linear feet)

Series 7: Writings by Packard, 1953-1984 (Box 6; 17 folders)

Series 8: Writings by Others, 1955-1984 (Box 6; 19 folders)

Series 9: Artwork, 1921-1976 (Box 6; 10 folders)

Series 10: Exhibition Files, 1950-1964 (Box 6, OV 11; 5 folders)

Series 11: Project Files, 1953-1985 (Box 6-7, 10, OV 11; 1.8 linear feet)

Series 12: Photographs, 1914-1982 (Box 8, 10; 0.8 linear feet)

Series 13: Scrapbooks, 1947-1950 (Box 8, 10; 0.2 linear feet)

Series 14: Printed Material, 1936-1988 (Box 8-9, 10; 1 linear foot)

Series 15: Artifacts, 1984 (Box 9-10, OV 11; 2 folders)
Biographical/Historical note:
Emmy Lou Packard was born in Imperial Valley, California on April 15, 1914, to Walter and Emma Leonard Packard. In the late 1920s she lived with her family in Mexico City where she became acquainted with Diego Rivera, from whom she received regular art criticism and encouragement. She graduated from the University of California, Berkeley and completed courses in fresco and sculpture at the California School of Fine Arts in 1940. That year and the next, Packard worked as a full-time painting assistant to Rivera on his 1,650 square-foot fresco at the World's Fair in San Francisco. During this project, Packard became very close to Rivera and Frida Kahlo and returned to Mexico with them and spent a year living with the couple.

From then on, except for in 1944-1945 working for a defense plant, Packard worked and grew in various aspects of her art. In addition to her work in fresco, Packard is known for her work in watercolor, oil, mosaic, laminated plastic, concrete, and printmaking, both in linocuts and woodblocks. She received numerous commissions that included installations for ships, hotels, and private homes for which she executed large woodcuts and mural panels. During the 1950s and 1960s, Packard was hired to restore several historic murals, most notably the Rincon Annex Post Office mural by Anton Refregier and the Coit Tower murals in San Francisco.

Between 1966 and 1967 she was commissioned by architects to design and execute a number of concrete and mosaic pieces, one of which went to the Mirabeau Restaurant in Kaiser Center, Oakland. She also designed and executed a mural for the Fresno Convention Center Theater during that same period. In 1973-1974, she designed and supervised a glazed brick mural for a public library in Pinole, California.

Packard had one-woman shows at the San Francisco Museum of Art, Raymond and Raymond Gallery (San Francisco), Addison Gallery of American Art (Andover, Mass.), Connecticut Academy of Fine Arts, Pushkin Museum (Moscow), and March Gallery (Chicago). Emmy Lou Packard died in 1998.
Related Archival Materials note:
Also found in the Archives of American Art is an oral history interview with Emmy Lou Packard conducted by Mary Fuller McChesney in 1964.
Provenance:
Emmy Lou Packard donated her papers to the Archives of American Art from 1984-1988.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- San Francisco  Search this
Sculptors -- California -- San Francisco  Search this
Topic:
Works of art  Search this
Printmakers -- California -- San Francisco  Search this
Mural painting and decoration, American  Search this
Mural painting and decoration, Mexican  Search this
Muralists -- California -- San Francisco  Search this
Latino and Latin American artists  Search this
Genre/Form:
Scrapbooks
Sketches
Photographs
Interviews
Diaries
Citation:
Emmy Lou Packard papers, 1900-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.packemmy
See more items in:
Emmy Lou Packard Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-packemmy
Online Media:

Print, Lithograph on Paper

Artist:
Charles Amédée de Noé, "CHAM"  Search this
Medium:
Print, Lithograph on Paper
Dimensions:
2-D - Unframed (H x W): 30.5 x 21.6cm (12 in. x 8 1/2 in.)
Type:
ART-Prints, Original
Country of Origin:
France
Credit Line:
Donor: Mr. Thomas A. Knowles
Inventory Number:
A20000763000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9936ecee7-47b9-444c-b09f-e3d994e1a9af
EDAN-URL:
edanmdm:nasm_A20000763000
Online Media:

Print, Mezzotint on Paper

Artist:
Puvis de Chavannes  Search this
Medium:
Print, Mezzotint on Paper
Dimensions:
2-D - Unframed (H x W): 30.5 x 21.6cm (12 in. x 8 1/2 in.)
Type:
ART-Prints, Original
Country of Origin:
France
Credit Line:
Donor: Mr. Thomas A. Knowles
Inventory Number:
A20000766000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9093c55b7-38c9-49bb-8af3-8b4956980d72
EDAN-URL:
edanmdm:nasm_A20000766000
Online Media:

Print, Aquatint on Paper

Artist:
K. Fect  Search this
Medium:
Print, Aquatint on Paper
Dimensions:
2-D - Unframed (H x W): 25.4 x 20.3cm (10 x 8 in.)
Type:
ART-Prints, Original
Country of Origin:
United Kingdom
Credit Line:
Donor: Mr. Thomas A. Knowles
Inventory Number:
A20000771000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9e22efaf8-5f07-4c40-99eb-b01f69d8c781
EDAN-URL:
edanmdm:nasm_A20000771000
Online Media:

M. Santos-Dumont's Experiments in Aerial Navigation in Paris

Artist:
Louis Remy Sabattier  Search this
Medium:
Print, on Paper
Dimensions:
2-D - Unframed (H x W): 30.5 x 22.9cm (12 x 9 in.)
Type:
ART-Prints, Original
Country of Origin:
France
Credit Line:
Bequest of Melvin Buchner.
Inventory Number:
A20000517000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9ace3a2a4-3357-4496-a3a1-2b4ad8d4033e
EDAN-URL:
edanmdm:nasm_A20000517000
Online Media:

An Exact Representation of the First Aerial Ship, The Eagle

Medium:
Print, Lithograph on Paper
Dimensions:
2-D - Unframed (H x W): 25.4 x 34.3cm (10 in. x 13 1/2 in.)
2-D - In Frame (H x W x D): 28.3 x 37.5cm (11 1/8 x 14 3/4 in.)
Type:
ART-Prints, Original
Country of Origin:
United Kingdom
Credit Line:
Gift of Harry F. Guggenheim
Inventory Number:
A19680109000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv91e8bd031-00d9-4b87-b76d-62038e57f6bd
EDAN-URL:
edanmdm:nasm_A19680109000
Online Media:

Expérience de la Machine Aréostatique

Medium:
Print, Engraving on Paper, Colored
Dimensions:
2-D - Unframed (H x W): 36.8 × 46.4cm (1 ft. 2 1/2 in. × 1 ft. 6 1/4 in.)
Type:
ART-Prints, Original
Country of Origin:
France
Credit Line:
Gift of Harry F. Guggenheim
Inventory Number:
A19680116000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9da21140f-22a6-4622-90d4-b858d54f2cff
EDAN-URL:
edanmdm:nasm_A19680116000
Online Media:

Gambetta Sort de Paris-1870

Artist:
R. Gilbert  Search this
Medium:
Print, Lithograph on Paper
Dimensions:
2-D - Unframed (H x W): 30.5 x 26.7cm (12 in. x 10 1/2 in.)
9X8,13 1/2X11 5/8 FRAMED
Type:
ART-Prints, Original
Country of Origin:
France
Credit Line:
Gift of Harry F. Guggenheim
Inventory Number:
A19680194000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv975e42fff-9664-4f2d-8950-98595f454fba
EDAN-URL:
edanmdm:nasm_A19680194000
Online Media:

The Horse Trustee

Printer:
Bell, Jared W.  Search this
Measurements:
image: 79.5866 cm x 43.18 cm; 31 5/16 in x 17 in
Object Name:
wood engraving
Object Type:
Woodcut
Place made:
United States: New York, New York City
Date made:
1849
Subject:
Expositions and Fairs  Search this
Chronology: 1840-1849  Search this
Communication, broadsides  Search this
Horses  Search this
Horse Racing  Search this
Credit Line:
Harry T. Peters "America on Stone" Lithography Collection
ID Number:
DL.60.3597
Catalog number:
60.3597
See more items in:
Cultural and Community Life: Domestic Life
Clothing & Accessories
Domestic Furnishings
Art
Horses
Advertising
Peters Prints
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b5-0c42-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_325808

Vendue

Maker:
unknown  Search this
Measurements:
image: 8 5/8 in x 7 in; 21.9075 cm x 17.78 cm
Object Name:
woodcut
Object Type:
Woodcut
Place made:
United States: New York, Rotterdam
Date made:
1838
1838-11-13
Subject:
Communication, broadsides  Search this
Livestock  Search this
Chronology: 1830-1839  Search this
Horses  Search this
Wagons  Search this
Credit Line:
Harry T. Peters "America on Stone" Lithography Collection
ID Number:
DL.60.3599
Catalog number:
60.3599
See more items in:
Cultural and Community Life: Domestic Life
Domestic Furnishings
Art
Horses
Advertising
Peters Prints
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a1-2cf0-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_325811

Blooded Stock

Maker:
Bell, Jared W.  Search this
Artist:
Forbes, E.  Search this
Measurements:
image: 11 1/2 in x 7 1/2 in; 29.21 cm x 19.05 cm
Object Name:
woodcut
Object Type:
Woodcut
Place made:
United States: New York, New York City
Date made:
1837
1837-06-01
Subject:
Chronology: 1830-1839  Search this
Horses  Search this
Horse Racing  Search this
Communication, broadsides  Search this
Credit Line:
Harry T. Peters "America on Stone" Lithography Collection
ID Number:
DL.60.3600
Catalog number:
60.3600
See more items in:
Cultural and Community Life: Domestic Life
Domestic Furnishings
Art
Horses
Advertising
Peters Prints
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b5-1aab-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_325812

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