Search Results

Artist:

Antonio Rudolfo Frasconi, 28 Apr 1919 - 8 Jan 2013  Search this

Sitter:

Antonio Rudolfo Frasconi, 28 Apr 1919 - 8 Jan 2013  Search this

Medium:

Woodcut on paper

Dimensions:

Sheet: 90.8 x 40.8cm (35 3/4 x 16 1/16")

Mat: 104.6 x 51.6cm (41 3/16 x 20 5/16")

Type:

Print

Date:

1949

Topic:

Self-portrait  Search this

Antonio Rudolfo Frasconi: Visual Arts\Artist  Search this

Antonio Rudolfo Frasconi: Male  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution; the Ruth Bowman and Harry Kahn Twentieth-Century American Self-Portrait Collection; conserved with funds from the Smithsonian Women's Committee

Object number:

NPG.2002.248

Restrictions & Rights:

Usage conditions apply

Copyright:

© Estate of Antonio Frasconi/Licensed by VAGA, New York, NY

See more items in:

National Portrait Gallery Collection

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm4a214b019-bf8d-4011-bc81-680d1ddc28b1

EDAN-URL:

edanmdm:npg_NPG.2002.248

Author:

Linné, Carl von 1707-1778  Search this

Devillers, Charles 1724-1809  Search this

Former owner:

Crawford, J. C. DSI  Search this

Buchanan, Lee LaForest b. 1893 DSI  Search this

Schaus, William 1859-1942 DSI  Search this

Aldrich, John Merton 1866-1934 DSI  Search this

Melander, A. L (Axel Leonard) 1878-1962 DSI  Search this

U.S. Department of the Interior Library DSI  Search this

Physical description:

4 v., [24] folded leaves of plates : ill., tables ; 21 cm. (8vo)

Type:

Classification

Early works to 1800

Date:

1789

Topic:

Insects  Search this

Call number:

QL468 .L75 1789

QL468.L75 1789

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_113368

Author:

Linné, Carl von 1707-1778  Search this

Ill:

Leche, Johan 1704-1764  Search this

Former owner:

Aldrich, John Merton 1866-1934 DSI  Search this

Melander, A. L (Axel Leonard) 1878-1962 DSI  Search this

Engraver:

Bergquist, Carl 1711-1781  Search this

Physical description:

[28], 411, [1] p., [3] leaves of plates (2 folded) : ill. (engravings) ; 21 cm. (8vo)

Type:

Early works to 1800

Classification

Place:

Sweden

Date:

1746

Topic:

Zoology  Search this

Animals  Search this

Call number:

QL291 .L75 1746

QL291.L75 1746

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_166197

Creator:

Ojeda, Naúl, 1939-2002  Search this

Names:

Bader, Franz, 1903-1994  Search this

Berrutti, Azucena  Search this

Caicedo Garzón, Armando  Search this

Haber, Alicia  Search this

Vila, Ernesto  Search this

Extent:

5.9 Linear feet

Type:

Collection descriptions

Archival materials

Drawings

Scrapbooks

Sketchbooks

Video recordings

Date:

circa 1960-2004

circa 2013

Summary:

The papers of Uruguayan born Washington, D.C. painter and printmaker Naúl Ojeda measure 5.9 linear feet and date from circa 1960-2004, and circa 2013. The papers document Ojeda's personal and professional life through biographical materials, correspondence, exhibition and gallery files, professional files, financial material, printed and broadcast materials, scrapbooks, artwork and sketchbooks, and a small amount of photographic material.

Scope and Contents:

The papers of Uruguayan born Washington, D.C. painter and printmaker Naúl Ojeda measure 5.9 linear feet and date from circa 1960-2004, and circa 2013. The papers document Ojeda's personal and professional life through biographical materials, correspondence, exhibition and gallery files, professional files, financial material, printed and broadcast materials, scrapbooks, artwork and sketchbooks, and a small amount of photographic material.

Biographical material includes immigration records, resumes, and a few certifications and credentials. Correspondence is personal and professional, with correspondents including Ojeda's family, and friends, and some general professional correspondents, including Alicia Haber, Moira Bowers, Ernesto Vila, Eduardo Galeano, Enrique Gomez, Armando Caicedo Garzón, Walter Jesus Gonzalez, Azucena Berrutti, and others.

Exhibition and gallery files document Ojeda's relationship with galleries, museums, and civic and cultural organizations, and include records of specific exhibitions as well as general documentation related to sales and commissions of his artwork. They include records of the exhibition In Honor of Franz Bader (1995), with a related video recording. Professional files document other activities including Ojeda's involvement with community organizations, art contests that he entered, work he was commissioned to do for businesses and organizations, and permissions for use of his work for a variety of publications, events, and media outlets. Financial records include a small but detailed number of records of sales with sales books, price lists and receipts.

Printed and broadcast materials provide a fairly comprehensive overview of Ojeda's career from the 1960s on, with announcements and catalogs for multiple exhibitions, news clippings from foreign and domestic newspapers, and posters, flyers, and other publications with illustrations by Ojeda. Three broadcast video recordings about his work and exhibitions can also be found here. This material is supplemented by two scrapbooks documenting Ojeda's exhibitions and news items about his career, from the 1960s to early 1980s.

The collection contains a substantial amount of artwork, including drawings, sketches, poster mockups, prints including woodcut proofs, and sixteen sketchbooks for various projects.

A small amount of photographic material includes three photos of a 1968 exhibition in Uruguay, photocopies of photos of a family group, and negatives including images of Ojeda in the studio.

Arrangement:

The bulk of Ojeda's papers initially combined Ojeda's records of his professional activities, including records of exhibitions and gallery transactions, and financial records in a single alphabetical file. To facilitate access this arrangement has been refined further into three smaller series (Series 3-5).

Series 1: Biographical Materials, 1963-1997 (Box 1; 0.2 linear feet)

Series 2: Correspondence, 1960s-2002 (Box 1, OV 9; 0.8 linear feet)

Series 3: Exhibition and Gallery Files, 1966-2004 (Boxes 1-2, 6; 0.9 linear feet)

Series 4: Professional Files, 1979-2002 (Boxes 2-3, 6; 0.65 linear feet)

Series 5: Financial Records, circa 1970-2004, circa 2013 (Box 3; 0.25 linear feet)

Series 6: Printed and Broadcast Materials, 1962-2003 (Boxes 3-4, 6-7, OV 10; 1.1 linear feet)

Series 7: Scrapbooks, 1961-1981 (Box 7; 0.2 linear feet)

Series 8: Artwork, circa 1960-circa 2000 (Boxes 4, 8, OVs 9, 11-14; 1.0 linear feet)

Series 9: Sketchbooks, circa 1967-2001 (Boxes 4-5, 8; 0.5 linear feet)

Series 10: Photographic Material, 1968-circa 2000 (Box 5; 0.3 linear feet)

Biographical / Historical:

Naúl Ojeda (1939-2002) was a painter and printmaker in Washington, D.C.

Ojeda was born in Uruguay and studied fine arts at the University of Uruguay. The political climate of Uruguay in the 1970s led Ojeda to leave the country. He traveled to France, Chile, and Mexico before settling in Washington, D.C. While in Chile, Ojeda covered the presidency of Salvador Allende as a photojournalist. He selected fifty of the photographs of that period for his exhibition Homage to the People of Chile at the Galeria Inti Centro de Arte in Washington, D.C.

Ojeda was best known for his woodblock prints and linocuts, which he printed by hand in small editions, usually of no more than twenty-five prints. He also had some success with decorated furniture, both pieces he designed and painted, and pieces he decorated. Although his images appear whimsical, they often express themes of separation from his homeland and family. His work has been shown in numerous exhibitions throughout the United States as well as in Europe and South America including Immigrant Artists/American Experience (1985-1987) and an exhibition in 1995 honoring Franz Bader, the owner of the Franz Bader Gallery in Washington, D.C. Bader and Ojeda bonded over their shared immigrant experiences. Bader represented Ojeda for nearly 20 years and frequently held exhibitions of Ojeda's work at his gallery.

Ojeda's work is represented in private collections as well as the collections of the Smithsonian American Art Museum and the Art Museum of the Americas, in Washington, D.C., the Museum of Modern Art in New York, and the National Hispanic Cultural Center in Albuquerque, New Mexico. Ojeda also produced illustrations for The Washington Post Book World, Washington Review, Curbstone Press, and the Institute for Policy Studies among others.

During his career Ojeda received several awards, including the 2001 Distinguished Immigrant Award from the American Immigration Law Foundation. He was also the recipient of several grants from the D.C. Commission of the Arts and Humanities, including grants to illustrate the poems of Pablo Neruda and Federico Garcia Lorca.

Ojeda died in 2002 in Washington, D.C.

Provenance:

The Naúl Ojeda papers were donated in 2016 by Philomena "Pennie" Ojeda.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- Washington (D.C.)  Search this

Printmakers -- Washington (D.C.)  Search this

Topic:

Latino and Latin American artists  Search this

Genre/Form:

Drawings

Scrapbooks

Sketchbooks

Video recordings

Citation:

Naúl Ojeda papers, circa 1960-2004, circa 2013. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing and digitization of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Additional funding for the digitization of the papers was provided by the Roy Lichtenstein Foundation.

Identifier:

AAA.ojednaul

See more items in:

Naúl Ojeda papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-ojednaul

Collection Creator:

Ojeda, Naúl, 1939-2002  Search this

Container:

Box OV 11

Type:

Archival materials

Date:

circa 1974

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Naúl Ojeda papers, circa 1960-2004, circa 2013. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing and digitization of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Additional funding for the digitization of the papers was provided by the Roy Lichtenstein Foundation.

See more items in:

Naúl Ojeda papers

Naúl Ojeda papers / Series 8: Artwork

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-ojednaul-ref304

Collection Creator:

Ojeda, Naúl, 1939-2002  Search this

Container:

Box OV 12

Type:

Archival materials

Date:

circa 1974

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Naúl Ojeda papers, circa 1960-2004, circa 2013. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing and digitization of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Additional funding for the digitization of the papers was provided by the Roy Lichtenstein Foundation.

See more items in:

Naúl Ojeda papers

Naúl Ojeda papers / Series 8: Artwork

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-ojednaul-ref305

Collection Creator:

Ojeda, Naúl, 1939-2002  Search this

Container:

Box 2, Folder 6

Type:

Archival materials

Date:

circa 1984

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Naúl Ojeda papers, circa 1960-2004, circa 2013. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing and digitization of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Additional funding for the digitization of the papers was provided by the Roy Lichtenstein Foundation.

See more items in:

Naúl Ojeda papers

Naúl Ojeda papers / Series 3: Exhibition and Gallery Files / Franz Bader Gallery

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-ojednaul-ref60

Collection Creator:

Ojeda, Naúl, 1939-2002  Search this

Container:

Box 2, Folder 7

Type:

Archival materials

Date:

circa 1979

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Naúl Ojeda papers, circa 1960-2004, circa 2013. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing and digitization of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Additional funding for the digitization of the papers was provided by the Roy Lichtenstein Foundation.

See more items in:

Naúl Ojeda papers

Naúl Ojeda papers / Series 3: Exhibition and Gallery Files / Franz Bader Gallery

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-ojednaul-ref62

Collection Creator:

Ojeda, Naúl, 1939-2002  Search this

Container:

Box 2, Folder 8

Type:

Archival materials

Date:

circa 1981

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Naúl Ojeda papers, circa 1960-2004, circa 2013. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing and digitization of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Additional funding for the digitization of the papers was provided by the Roy Lichtenstein Foundation.

See more items in:

Naúl Ojeda papers

Naúl Ojeda papers / Series 3: Exhibition and Gallery Files / Franz Bader Gallery

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-ojednaul-ref63

Creator:

Packard, Emmy Lou, 1914-1998  Search this

Names:

American Civil Liberties Union  Search this

Public Works of Art Project  Search this

Covarrubias, Miguel, 1904-1957  Search this

Edmunds, John, 1913-  Search this

Kahlo, Frida  Search this

Lange, Dorothea  Search this

O'Gorman, Juan, 1905-  Search this

O'Higgins, Pablo, 1904-  Search this

Refregier, Anton, 1905-  Search this

Reynolds, Malvina  Search this

Rivera, Diego, 1886-1957  Search this

Extent:

9.4 Linear feet

Type:

Collection descriptions

Archival materials

Scrapbooks

Sketches

Photographs

Interviews

Diaries

Date:

1900-1990

Summary:

The Emmy Lou Packard papers measure 9.4 linear feet and date from 1900 to 1990, and focus on the career of painter, printmaker, muralist, and sculptor Emmy Lou Packard. Also found are extensive materials relating to Packard's personal and professional relationship with muralist Diego Rivera and painter Frida Kahlo, with whom Packard lived for one year in Mexico. Papers include correspondence, financial records, notes, writings, exhibition files, photographs, and printed material.

Scope and Contents note:

The Emmy Lou Packard papers measure 9.4 linear feet and date from 1900 to 1990, and focus on the career of painter, printmaker, muralist, and sculptor Emmy Lou Packard. Also found are extensive materials relating to Packard's personal and professional relationship with muralist Diego Rivera and painter Frida Kahlo, with whom Packard lived for one year in Mexico. Papers include correspondence, financial records, notes, writings, exhibition files, photographs, and printed material.

Biographical materials include resumes, personal forms, and certificates. Correspondence is with family, friends, and colleagues, including muralist Anton Refregier, songwriter Malvina Reynolds, and composer John Edmunds. There is one letter from Dorothea Lange. Also found is correspondence with various political and arts organizations, such as the American Civil Liberties Union and the Russian magazine Soviet Woman. Much of the correspondence discusses personal relationships and political and art-related activities. Additional correspondence with and concerning Diego Rivera and Frida Kahlo is arranged in Series 6.

Personal business records found within the papers include studio real estate and rent records, insurance records, price lists for artwork, consignment records, and miscellaneous receipts. There is one interview transcript of an interview with Packard for the Radical Elders Oral History Project. The papers include a series of notebooks/diaries, address lists, and other notes.

Packard's reference files and personal papers documenting her professional and close personal relationship with Diego Rivera and Frida Kahlo are arranged into a separate series. They include her research files for a planned book on the two artists, personal letters between Packard and the couple, as well as several interesting photographs. Also found in this series are notes, writings, and printed materials relating to Diego Rivera, Frida Kahlo, and other Mexican artists, such as Covarrubius, Juan O'Gorman, and Pablo O'Higgins.

The collection also includes typescripts and additional writings by Packard and others. Artwork consists of orginal drawings and prints by Packard and others not directly associated with projects. Exhibition and project files for many of Packard's commissioned projects are also found within the collection, including her files for the restoration of Anton Refregier's Rincon Annex Post Office mural in San Francisco and the Coit Tower murals in San Francisco. Many of the project files contain correspondence, reports, contracts, printed material, photographs, and artwork.

The papers also include photographs of Packard, her family, residences, artwork, friends, and colleagues, including Cesar Chavez, Juan O'Gorman, Malvina Reynolds, Charles Safford, Ralph Stackpole, and Tennessee Williams. Two scrapbooks are found, as well as additional printed materials such as clippings and exhibition announcements and catalogs. There are also two artifact items, a vinyl record of Malvina Reynolds and a political campaign button.

Arrangement note:

The collection is arranged into fifteen series.

Series 1: Biographical Material, 1942-1985 (Box 1; 1 folder)

Series 2: Correspondence, 1919-1990 (Box 1-3; 2.6 linear feet)

Series 3: Personal Business Records, 1945-1985 (Box 3; 21 folders)

Series 4: Interview Transcript, 1979 (Box 3; 1 folder)

Series 5: Notes, 1900-1985 (Box 3-4, 10; 1.1 linear feet)

Series 6: Reference Files on Diego Rivera and Frida Kahlo, 1929-1986 (Box 5, 10, OV 11; 0.9 linear feet)

Series 7: Writings by Packard, 1953-1984 (Box 6; 17 folders)

Series 8: Writings by Others, 1955-1984 (Box 6; 19 folders)

Series 9: Artwork, 1921-1976 (Box 6; 10 folders)

Series 10: Exhibition Files, 1950-1964 (Box 6, OV 11; 5 folders)

Series 11: Project Files, 1953-1985 (Box 6-7, 10, OV 11; 1.8 linear feet)

Series 12: Photographs, 1914-1982 (Box 8, 10; 0.8 linear feet)

Series 13: Scrapbooks, 1947-1950 (Box 8, 10; 0.2 linear feet)

Series 14: Printed Material, 1936-1988 (Box 8-9, 10; 1 linear foot)

Series 15: Artifacts, 1984 (Box 9-10, OV 11; 2 folders)

Biographical/Historical note:

Emmy Lou Packard was born in Imperial Valley, California on April 15, 1914, to Walter and Emma Leonard Packard. In the late 1920s she lived with her family in Mexico City where she became acquainted with Diego Rivera, from whom she received regular art criticism and encouragement. She graduated from the University of California, Berkeley and completed courses in fresco and sculpture at the California School of Fine Arts in 1940. That year and the next, Packard worked as a full-time painting assistant to Rivera on his 1,650 square-foot fresco at the World's Fair in San Francisco. During this project, Packard became very close to Rivera and Frida Kahlo and returned to Mexico with them and spent a year living with the couple.

From then on, except for in 1944-1945 working for a defense plant, Packard worked and grew in various aspects of her art. In addition to her work in fresco, Packard is known for her work in watercolor, oil, mosaic, laminated plastic, concrete, and printmaking, both in linocuts and woodblocks. She received numerous commissions that included installations for ships, hotels, and private homes for which she executed large woodcuts and mural panels. During the 1950s and 1960s, Packard was hired to restore several historic murals, most notably the Rincon Annex Post Office mural by Anton Refregier and the Coit Tower murals in San Francisco.

Between 1966 and 1967 she was commissioned by architects to design and execute a number of concrete and mosaic pieces, one of which went to the Mirabeau Restaurant in Kaiser Center, Oakland. She also designed and executed a mural for the Fresno Convention Center Theater during that same period. In 1973-1974, she designed and supervised a glazed brick mural for a public library in Pinole, California.

Packard had one-woman shows at the San Francisco Museum of Art, Raymond and Raymond Gallery (San Francisco), Addison Gallery of American Art (Andover, Mass.), Connecticut Academy of Fine Arts, Pushkin Museum (Moscow), and March Gallery (Chicago). Emmy Lou Packard died in 1998.

Related Archival Materials note:

Also found in the Archives of American Art is an oral history interview with Emmy Lou Packard conducted by Mary Fuller McChesney in 1964.

Provenance:

Emmy Lou Packard donated her papers to the Archives of American Art from 1984-1988.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- California -- San Francisco  Search this

Sculptors -- California -- San Francisco  Search this

Topic:

Works of art  Search this

Printmakers -- California -- San Francisco  Search this

Mural painting and decoration, American  Search this

Mural painting and decoration, Mexican  Search this

Muralists -- California -- San Francisco  Search this

Latino and Latin American artists  Search this

Genre/Form:

Scrapbooks

Sketches

Photographs

Interviews

Diaries

Citation:

Emmy Lou Packard papers, 1900-1990. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by the Terra Foundation for American Art.

Identifier:

AAA.packemmy

See more items in:

Emmy Lou Packard Papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-packemmy

Artist:

Charles Amédée de Noé, "CHAM"  Search this

Medium:

Print, Lithograph on Paper

Dimensions:

2-D - Unframed (H x W): 30.5 x 21.6cm (12 in. x 8 1/2 in.)

Type:

ART-Prints, Original

Country of Origin:

France

Credit Line:

Donor: Mr. Thomas A. Knowles

Inventory Number:

A20000763000

Restrictions & Rights:

Usage conditions apply

See more items in:

National Air and Space Museum Collection

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv9936ecee7-47b9-444c-b09f-e3d994e1a9af

EDAN-URL:

edanmdm:nasm_A20000763000

Artist:

Puvis de Chavannes  Search this

Medium:

Print, Mezzotint on Paper

Dimensions:

2-D - Unframed (H x W): 30.5 x 21.6cm (12 in. x 8 1/2 in.)

Type:

ART-Prints, Original

Country of Origin:

France

Credit Line:

Donor: Mr. Thomas A. Knowles

Inventory Number:

A20000766000

Restrictions & Rights:

Usage conditions apply

See more items in:

National Air and Space Museum Collection

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv9093c55b7-38c9-49bb-8af3-8b4956980d72

EDAN-URL:

edanmdm:nasm_A20000766000

Artist:

K. Fect  Search this

Medium:

Print, Aquatint on Paper

Dimensions:

2-D - Unframed (H x W): 25.4 x 20.3cm (10 x 8 in.)

Type:

ART-Prints, Original

Country of Origin:

United Kingdom

Credit Line:

Donor: Mr. Thomas A. Knowles

Inventory Number:

A20000771000

Restrictions & Rights:

Usage conditions apply

See more items in:

National Air and Space Museum Collection

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv9e22efaf8-5f07-4c40-99eb-b01f69d8c781

EDAN-URL:

edanmdm:nasm_A20000771000

Artist:

Louis Remy Sabattier  Search this

Medium:

Print, on Paper

Dimensions:

2-D - Unframed (H x W): 30.5 x 22.9cm (12 x 9 in.)

Type:

ART-Prints, Original

Country of Origin:

France

Credit Line:

Bequest of Melvin Buchner.

Inventory Number:

A20000517000

Restrictions & Rights:

Usage conditions apply

See more items in:

National Air and Space Museum Collection

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv9ace3a2a4-3357-4496-a3a1-2b4ad8d4033e

EDAN-URL:

edanmdm:nasm_A20000517000

Medium:

Print, Lithograph on Paper

Dimensions:

2-D - Unframed (H x W): 25.4 x 34.3cm (10 in. x 13 1/2 in.)

2-D - In Frame (H x W x D): 28.3 x 37.5cm (11 1/8 x 14 3/4 in.)

Type:

ART-Prints, Original

Country of Origin:

United Kingdom

Credit Line:

Gift of Harry F. Guggenheim

Inventory Number:

A19680109000

Restrictions & Rights:

Usage conditions apply

See more items in:

National Air and Space Museum Collection

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv91e8bd031-00d9-4b87-b76d-62038e57f6bd

EDAN-URL:

edanmdm:nasm_A19680109000

Medium:

Print, Engraving on Paper, Colored

Dimensions:

2-D - Unframed (H x W): 36.8 × 46.4cm (1 ft. 2 1/2 in. × 1 ft. 6 1/4 in.)

Type:

ART-Prints, Original

Country of Origin:

France

Credit Line:

Gift of Harry F. Guggenheim

Inventory Number:

A19680116000

Restrictions & Rights:

Usage conditions apply

See more items in:

National Air and Space Museum Collection

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv9da21140f-22a6-4622-90d4-b858d54f2cff

EDAN-URL:

edanmdm:nasm_A19680116000

Artist:

R. Gilbert  Search this

Medium:

Print, Lithograph on Paper

Dimensions:

2-D - Unframed (H x W): 30.5 x 26.7cm (12 in. x 10 1/2 in.)

9X8,13 1/2X11 5/8 FRAMED

Type:

ART-Prints, Original

Country of Origin:

France

Credit Line:

Gift of Harry F. Guggenheim

Inventory Number:

A19680194000

Restrictions & Rights:

Usage conditions apply

See more items in:

National Air and Space Museum Collection

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv975e42fff-9664-4f2d-8950-98595f454fba

EDAN-URL:

edanmdm:nasm_A19680194000

Printer:

Bell, Jared W.  Search this

Measurements:

image: 79.5866 cm x 43.18 cm; 31 5/16 in x 17 in

Object Name:

wood engraving

Object Type:

Woodcut

Place made:

United States: New York, New York City

Date made:

1849

Subject:

Expositions and Fairs  Search this

Chronology: 1840-1849  Search this

Communication, broadsides  Search this

Horses  Search this

Horse Racing  Search this

Credit Line:

Harry T. Peters "America on Stone" Lithography Collection

ID Number:

DL.60.3597

Catalog number:

60.3597

See more items in:

Cultural and Community Life: Domestic Life

Clothing & Accessories

Domestic Furnishings

Art

Horses

Advertising

Peters Prints

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746b5-0c42-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_325808

Maker:

unknown  Search this

Measurements:

image: 8 5/8 in x 7 in; 21.9075 cm x 17.78 cm

Object Name:

woodcut

Object Type:

Woodcut

Place made:

United States: New York, Rotterdam

Date made:

1838

1838-11-13

Subject:

Communication, broadsides  Search this

Livestock  Search this

Chronology: 1830-1839  Search this

Horses  Search this

Wagons  Search this

Credit Line:

Harry T. Peters "America on Stone" Lithography Collection

ID Number:

DL.60.3599

Catalog number:

60.3599

See more items in:

Cultural and Community Life: Domestic Life

Domestic Furnishings

Art

Horses

Advertising

Peters Prints

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a1-2cf0-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_325811

Maker:

Bell, Jared W.  Search this

Artist:

Forbes, E.  Search this

Measurements:

image: 11 1/2 in x 7 1/2 in; 29.21 cm x 19.05 cm

Object Name:

woodcut

Object Type:

Woodcut

Place made:

United States: New York, New York City

Date made:

1837

1837-06-01

Subject:

Chronology: 1830-1839  Search this

Horses  Search this

Horse Racing  Search this

Communication, broadsides  Search this

Credit Line:

Harry T. Peters "America on Stone" Lithography Collection

ID Number:

DL.60.3600

Catalog number:

60.3600

See more items in:

Cultural and Community Life: Domestic Life

Domestic Furnishings

Art

Horses

Advertising

Peters Prints

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746b5-1aab-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_325812