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Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
World War, 1939-1945 -- Art and the war  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
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Painting by James Mc Donald of Man, Tohunga-Whakairo (Sacred Wood Carver) Showing Tekoteko (Wood Finial Figure) to Group Of Men; All in Costume Outside Meeting Houses and Pataka (Platform Storehouse)

Creator:
Ferguson & Hicks  Search this
Collection Creator:
Smithsonian Institution. United States National Museum. Department of Anthropology. Division of Ethnology  Search this
Extent:
1 Photomechanical print (004 in x 005 in)
Culture:
Maori (New Zealand people)  Search this
Type:
Archival materials
Photomechanical prints
Photographs
Date:
1905
Local Numbers:
NAA INV.05096200
Local Note:
Black and white photomechanical print on postcard
Place:
Polynesia -- New Zealand Islands -- North Island/Wellington
New Zealand -- New Zealand Islands -- North Island/Wellington
Genre/Form:
Photographs
Citation:
Photo Lot 97 DOE Oceania: Poly:New Zealand:Mc Donald J Ser 1 05096200, National Anthropological Archives, Smithsonian Institution
See more items in:
Division of Ethnology photograph collection 1
Division of Ethnology photograph collection 1 / Oceania / Polynesia / New Zealand
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw30c2897b7-7170-44c9-ad74-af2d70f200d0
EDAN-URL:
ead_component:sova-naa-photolot-97-ref11852

Bronze Wood Carver

Donor Name:
Thomas Wilson  Search this
Object Type:
Bronze
Place:
Terni, Umbria, Italy, Europe
Accession Date:
29 Jan 1904
Topic:
Archaeology  Search this
Accession Number:
042207
USNM Number:
A101657-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/3478067df-6cdb-463b-87bb-b32d6baf0fd4
EDAN-URL:
edanmdm:nmnhanthropology_8001954

Knife

Collector:
Edward W. Nelson  Search this
Donor Name:
Edward W. Nelson  Search this
Length - Object:
25.718 cm
26 cm
Culture:
Eskimo, Yup'ik  Search this
Object Type:
Knife / Thumb Guard
Place:
Unalakleet, Norton Sound, Alaska, United States, North America
Accession Date:
16 Mar 1897
Topic:
Ethnology  Search this
Accession Number:
031796
USNM Number:
E176120-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/3e6b07300-d553-44f5-a15a-dd647e760366
EDAN-URL:
edanmdm:nmnhanthropology_8351463
Online Media:

Contents Of Tools Box

Collector:
Lt. George T. Emmons  Search this
Donor Name:
Lt. George T. Emmons  Search this
Culture:
Tlingit, Chilkat  Search this
Object Type:
Knife/Chisel/Screwdriver/Awl/Sinew/Bag/Tube/Drill/Whetstone/Needle/Charm/Spoon/Basket
Place:
Southeastern, Alaska, United States, North America
Accession Date:
3 Dec 1902
Collection Date:
1902
Topic:
Ethnology  Search this
Accession Number:
040238
USNM Number:
E217330-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/3d17c2c7b-8aa8-40ce-824d-0745984d0a90
EDAN-URL:
edanmdm:nmnhanthropology_8362655

Model Of Reindeer Pulling Sled

Donor Name:
No Information  Search this
Culture:
Sámi (Saami)  Search this
Object Type:
Sled Model / Figure
Place:
Norway, Europe
Accession Date:
1991
Topic:
Ethnology  Search this
Accession Number:
999999
USNM Number:
ET20322-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/30e42005f-c81d-4815-ae8f-31d57d2053d9
EDAN-URL:
edanmdm:nmnhanthropology_8497908

Oral history interview with Patrocino Barela

Interviewee:
Barela, Patrociño, -1964  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project (N.M.)  Search this
New Deal and the Arts Oral History Project  Search this
Extent:
12 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 July 2
Scope and Contents:
An interview of Patrocino Barela conducted 1964 July 2, by Sylvia Loomis for the Archives of American Art's New Deal and the Arts Oral History Project.
Barela speaks of his family background; his childhood; the development of his carving; his involvement with the Federal Art Project; religious themes in his work; and his sculpture techniques.
Biographical / Historical:
Patrocino Barela (1902-1964) was a wood carver from Taos, New Mexico.
General:
Originally recorded 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 26 min.
Interviews of Andrew Dasburg and Chuzo Tamotzu conducted by S. Loomis are also on this tape.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Wood-carvers -- New Mexico -- Taos -- Interviews  Search this
Topic:
Federal aid to the arts  Search this
Latino and Latin American artists  Search this
Woodwork  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.barela64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f3084eb2-cacd-4826-8536-f018c744fa41
EDAN-URL:
ead_collection:sova-aaa-barela64
Online Media:

Frederick and Mary Hill Fried Folk Art Archives

Creator:
Fried, Frederick, 1909-1994  Search this
National Carousel Association.  Search this
Fried, Mary Hill  Search this
Extent:
36 Cubic feet (89 boxes, 10 map-folders)
Type:
Collection descriptions
Archival materials
Photographs
Advertisements
Clippings
Blueprints
Books
Auction catalogs
Design drawings
Date:
circa 1662-1999, undated
Scope and Contents:
Collection primarily documents American folk art collected by Frederick Fried (1908-1994) and his wife Mary McKensie Hill Fried (1914-1988). It includes photographic materials, newspaper clippings, magazine articles, research files, lecture notes, unpublished manuscripts, brochures, drawings, printed advertisements, blueprints, books, patents, correspondence, trade literature, sheet music, auction catalogs, oral history interviews, and commercially recorded music. Of particular interest is the material relating to carousels. There is a substantial amount of material relating to New York architecture, wood carvings, show figures, weathervanes, mechanical and coin operated machines, amusement parks, the circus, tattoos and lesser-known folk arts. The collection is arranged by subject or genre in the order maintained by Frederick and Mary Fried.
Arrangement:
Series 1, Professional Materials, 1930-1995, undated

Subseries 1.1, Lectures, 1968-1989, undated

Subseries 1.2, Research Notes, 1962-1975, undated

Subseries 1.3, Published and Unpublished Materials, 1960-1990, undated

Subseries 1.4, Exhibitions, 1966-1985, undated

Subseries 1.5, Correspondence, 1945-1995, undated

Subseries 1.6, Office Files, 1930-1991, undated

Series 2, Sculptors and Ship Carvers, 1855-1987, undated

Series 3, Ship Carving Reference Files, 1875-1990, undated

Series 4, Show Figures, 1847-1989, undated

Subseries 4.1, Carvers, 1847-1987, undated

Subseries 4.2, Reference Files, 1864-1989, undated

Series 5: Carousels, 1851-1999, undated

Subseries 5.1, Reference Files, 1851-1990, undated

Subseries 5.2, Manufacturerst, 1854-1999, undated

Subseries 5.3, Carvers, undated

Subseries 5.4, Foreign, 1902, undated

Subseries 5.5, Organizations, 1974-1991, undated

Subseries 5.6, Museum Collections, 1959-1989, undated

Series 5.7, Sites, 1962-1991, undated

Series 6, Charles W. Parker Company, 1904-1905; 1922-1924, undated

Subseries 6.1, Glass Plate Negatives, 6x8, 1904-1905, undated

Subseries 6.2, Glass Plate Negatives, 8x10, 1922-1924, undated

Series 7, Amusements Parks, 1917-1992, undated

Series 8, Amusement Industry, 1662-1994, undated

Subseries 8.1, Companies, 1903, undated

Subseries 8.2, Reference Files, 1662-1994, undated

Series 9, Circus, 1902-1992, undated

Series 10, Architectural Ornaments, 1832-1988, undated

Subseries 10.1, Residential Architecture, 1899-1985, undated

Subseries 10.2, New York City Municipal Parks, 1968-1988, undated

Subseries 10.3, South Street Seaport, 1965-1970, undated

Subseries 10.4, New York Civic Sculpture, 1832-1977, undated

Subseries 10.5, Architectural Ornamentation, 1873-1985, undated

Series 11, Weathervanes, 1854-1981, undated

Series 12, Automatic, Coin Operated, and Vending Machines, 1960-1980, undated

Series 13, Banner Paintings and Painters, 1892-1999, undated

Series 14, Folk Arts, 1783-1999, undated

Subseries 14.1, Reference Files, 1831-1988, undated

Subseries 14.2, Clocks and Watches, 1869-1876; 1976, undated

Subseries 14.3, Eagles, 1843-1989, undated

Subseries 14.4, Musical Instruments, 1963-1999, undated

Subseries 14.5, Painters and Paintings, 1950-1990, undated

Subseries 14.6, Signs and Symbols, 1974, 1976, undated

Subseries 14.7, Other Materials, 1872-1988, undated

Subseries 14.8, Miscellaneous, 1783-1954, undated

Series 15: Photographic Materials, 1832-1988, undated

Subseries 15.1, Photographs and Contact Sheets, 1940-1984, undated

Subseries 15.1.1, America's Forgotten Arts, undated

Subseries 15.1.2, Artists in Wood, undated

Subseries 15.1.3, General, 1940-1984, undated

Subseries 15.2, Slides, 1832-1987, undated

Subseries 15.3, Negatives, undated

Subseries 15.4, Glass Plate Negatives, undated

Subseries 15.5, Snapshots, 1964-1988, undated

Subseries 15.5.1, Artists, Manufacturers, and Dealers, undated

Subseries 15.5.2, Museum Collections, 1964, undated

Subseries 15.5.3, Parks or Other Locations, undated

Subseries 15.5.4, Private Collections, 1987-1988, undated

Subseries 15.5.5, General, 1983-1988, undated

Series 16, Audiovisual Materials, 1940-1991, undated

Subseries 16.1, Audiocassette Tapes, 1971-1988, undated

Subseries 16.1.1, Lectures, 1974-1986, undated

Subseries 16.1.2, Interviews, 1971-1984, undated

Subseries 16.1.3, Music, 1972-1988, undated

Subseries 16.2, Audiotapes, 1940-1977, undated

Subseries 16.2.1, Lectures and Performances, 1969-1973, undated

Subseries 16.2.2, Interviews, 1940-1976, undated

Subseries 16.2.3, Conferences and Meetings, 1973-1977

Subseries 16.2.4, Music, 1956, undated

Subseries 16.2.5, Other, undated

Subseries 16.3, Videotapes, 1982-1991, undated
Biographical / Historical:
Frederick P. Fried was born December 11, 1908 in Brooklyn, New York. He grew up in the Williamsburg section of Brooklyn where his father owned a clock business across the street from Charles Carmel, a carousel carver. Fried acquired a fine-arts education in the 1930s with an emphasis on sculpture. He served with the Air Force during the Second World War. After a successful military career, Fried worked as art director in several fashion agencies. He met Mary McKenzie Hill, an academically trained artist in one of the studios.

Mary McKenzie Hill was born in 1914 in Baltimore, Maryland. She graduated from the Maryland Institute of Fine Arts. After graduation, she spent a year abroad studying before she returned to the United States to work as a fashion illustrator in Baltimore and New York. During World War Two Hill was a draftsman for a firm of architects.

Fried and Mary Hill married in 1949. The couple had two children Robert Hazen and Rachel. Around 1953 Fried began to collect architectural ornaments in New York. Fried served as the art director for Bonwit Teller in New York City from 1955-1962. He left the fashion world in 1962 to pursue his passion for collecting and writing full time. Fried published his first book, Pictorial History of Carousels in 1964. In 1967, Fred and Mary Fried purchased a forty-acre farm in Bristol, Vermont where the family spent their summers.

In 1968, Fried led a national campaign to preserve the Titanic Memorial Lighthouse (Seamen's Church Institute at South Street). He also became active in politics and served as the campaign manager for a New York State senator. His interest in Indian cigar store figures resulted in his publication Artists in Wood: American Carvers of Cigar Store Indians, Show Figures and Circus published in 1970. The focus of the book was Samuel Anderson Robb a New York wood carver. Fried co-founded the National Carousel Association in 1973. In 1978, Fried wrote America's Forgotten Folk Art with his wife Mary. This publication covered subjects such as carousels, banner painting, scarecrows, beach sand sculpture, tattoos, cast iron toys, amusement park architecture and trade signs.

Fried's collecting goal was to first preserve artifacts and to then make them available through his writings and exhibitions. His most treasured relics were the items he salvaged from the ruins of Coney Island. Fried referred to such artifacts as the uncelebrated arts. He became one of the founders of the Anonymous Arts Recovery Society a group of individuals who saved architectural ornaments from the wreckers' balls. In addition, he was one of the founders of the National Carousel Round Table which was created to preserve hand-carved merry-go-rounds. As a result of his collecting, research and writing Fried became recognized as the authority on carousels, coin-operated machines, and cigar store figures. He served as a consultant to many Museums; in particular as chief consultant on American Folk Art for the Smithsonian Institution.

Frederick and Mary Hill worked together in many ways to document, collect, preserve and increase the awareness about primarily the folk arts. Mary McKenzie Hill Fried passed away in 1988 at the age of seventy-four. Frederick P. Fried died July 1994 at the age of eighty-six.
Related Materials:
Materials in the Archives Center, National Museum of American History

E. Howard Clock Company Records (NMAH.AC.00776)

M. Francis Misklea Carousel Collection (NMAH.AC.0665)

Archives Center Carousel Collection (NMAH.AC.0675)

Messmore and Damon, Incorporated Company Records (NMAH.AC.0846)

Anthony W. Pendergast Collection (NMAH.AC.0882)

Frank Paulin Photoprints (NMAH.AC.1373)

Wurlitzer Company Records (NMAH.AC.0469)

Industry on Parade (NMAH.AC.0507)

Reel #191, Craftsmen of the Carousel, 1954. Manufacturing merry-go-rounds for amusement reports. Arrow Development Co., Mountain View, California.

Materials at Other Organizations

Columbia University Libraries, Rare Book & Manuscript Library

Frederick Fried Coney Island collection, 1847-2001

The collection consists of materials used by Frederick Fried in his research and writing about folk art and material culture, especially related to Coney Island, Brooklyn, New York. A significant portion of the collection consists of the personal archive of William F. Mangels, which was purchased by Fried in 1955. Mangels was a designer and manufacturer of amusement rides and founder of the American Museum of Public Recreation at Coney Island. Subjects include amusement parks, amusement rides, architecture, bathing pavilions, beaches, beauty contests, carousels, carousel animals, Brooklyn, coin-operated machines, Coney Island, exhibitions, games of chance and skill, hotels, mechanical rides, mechanization, parades, pleasure railways, recreation, roller coasters, sideshows, transportation, and other subjects related to American material culture and popular amusement.
Provenance:
Collection a bequest of the Frederick Fried Estate.
Restrictions:
Collection is open for research.
Rights:
Reproduction restricted due to copyright or trademark. Fees for commercial reproduction.
Occupation:
Wood-carvers  Search this
Topic:
Periodicals  Search this
Merry-go-round art  Search this
Signs and signboards  Search this
Weather vanes  Search this
Coin-operated machines  Search this
Architecture -- Details  Search this
Amusement ride equipment industry  Search this
Amusement rides  Search this
Folk art  Search this
Merry-go-round  Search this
Figure sculpture -- United States  Search this
Genre/Form:
Photographs -- 20th century
Advertisements
Clippings
Blueprints -- 20th century
Books
Auction catalogs
Design drawings
Citation:
Frederick and Mary Hill Fried Folk Art Archives, circa 1662-1999, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0528
See more items in:
Frederick and Mary Hill Fried Folk Art Archives
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep86ee1b419-6b88-4312-8172-ee9f05d72195
EDAN-URL:
ead_collection:sova-nmah-ac-0528
Online Media:

Published and Unpublished Materials

Collection Creator:
Fried, Frederick, 1909-1994  Search this
National Carousel Association.  Search this
Fried, Mary Hill  Search this
Type:
Archival materials
Date:
1960-1990, undated
Scope and Contents:
Comprise of materials including original manuscripts, outlines, dust jackets, and illustrations for magazine articles, guides, dictionaries, and books. Subjects include folk arts, wood carvers, 1876 world exposition, carousels, cigar store Indians, signs, symbols, tobacconists, show figures, figureheads, and architectural ornaments. Materials are arranged in alphabetical order by subject.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Reproduction restricted due to copyright or trademark. Fees for commercial reproduction.
Collection Citation:
Frederick and Mary Hill Fried Folk Art Archives, circa 1662-1999, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0528, Subseries 1.3
See more items in:
Frederick and Mary Hill Fried Folk Art Archives
Frederick and Mary Hill Fried Folk Art Archives / Series 1: Professional Materials
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8e0de988f-9170-45dc-b8c3-95ee212ce05e
EDAN-URL:
ead_component:sova-nmah-ac-0528-ref1019

Slides

Collection Creator:
Fried, Frederick, 1909-1994  Search this
National Carousel Association.  Search this
Fried, Mary Hill  Search this
Type:
Archival materials
Date:
1832-1987, undated
Scope and Contents:
Consists of black and white and color images documenting amusement parks, architecture, automatic devices, banner paintings, wood carvers, carousels, cigar store Indians, circus, clocks, peep shows, history of kinetics, quilts, Santa Claus figurines, ship carvers, show figures, signs, signboards, symbols, tattoo art, weathervanes, and winter sports. Images were used for lectures at conferences, exhibits, and publications. Materials are arranged in alphabetical order by subject.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Reproduction restricted due to copyright or trademark. Fees for commercial reproduction.
Collection Citation:
Frederick and Mary Hill Fried Folk Art Archives, circa 1662-1999, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0528, Subseries 15.4
See more items in:
Frederick and Mary Hill Fried Folk Art Archives
Frederick and Mary Hill Fried Folk Art Archives / Series 15: Photographic Materials
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8fc253c33-4eaa-4975-84ce-374701aee32f
EDAN-URL:
ead_component:sova-nmah-ac-0528-ref2808

Lectures

Collection Creator:
Fried, Frederick, 1909-1994  Search this
National Carousel Association.  Search this
Fried, Mary Hill  Search this
Type:
Archival materials
Date:
1968-1989, undated
Scope and Contents:
Relates to research topics including cigar store Indians, American folk art, show figures, circus carvings, amusement devices, amusement parks, wood carvers, carousel animals, coin operated machines, figureheads, furniture, decorative arts, and weathervanes. The lectures were presented for cultural institutions in the United States including Shelburne Museum, Shelburne, Vermont; South Street Seaport Museum, New York, New York; Robert Hall Fleming Museum, University of Vermont, Burlington, Vermont; Ringling Circus Museum, Saratoga, Florida; Heritage Plantation of Sandwich, Sandwich, Massachusetts; Islip Art Museum, East Islip, New York; Museum of American Folk Arts, New York University, New York; and the National Trust for Historic Preservation. Materials are arranged in alphabetical order by subject.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Reproduction restricted due to copyright or trademark. Fees for commercial reproduction.
Collection Citation:
Frederick and Mary Hill Fried Folk Art Archives, circa 1662-1999, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0528, Subseries 1.1
See more items in:
Frederick and Mary Hill Fried Folk Art Archives
Frederick and Mary Hill Fried Folk Art Archives / Series 1: Professional Materials
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8bb93b56e-8d69-42b6-95e1-b9c7baa5191a
EDAN-URL:
ead_component:sova-nmah-ac-0528-ref940

Audio Log Sheets

Type:
Archival materials
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2018 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
See more items in:
Smithsonian Folklife Festival records: 2018 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2018 Smithsonian Folklife Festival / Series 2: Armenia / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5f57a5aa6-8bfa-49b8-9534-6ef68a58e8bb
EDAN-URL:
ead_component:sova-cfch-sff-2018-ref1234
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  • View Audio Log Sheets digital asset number 1

Timothy B. Bladen Southern Maryland Portraits: Photoprints

Creator:
Bladen, Timothy B.  Search this
Names:
Robinson, Franklin A., Sr., 1932-2023  Search this
Extent:
0.2 Cubic feet (1 box, 7 items)
Type:
Collection descriptions
Archival materials
Place:
Maryland -- 1980-2000
Date:
1980 - 2000
Summary:
A selection of photographic prints from Timothy Bladen's Southern Maryland Portrait's series.
Scope and Contents:
These seven photographs were included in Mr. Bladen's exhibition, "Southern Maryland Portraits," at the National Capital Park and Planning Commission, Riverdale, Maryland, 2000. The prints are silver gelatin, received unmounted, all on 11" x 14" double-weight photographic paper.
Arrangement:
The collection is arranged into one series. Captions provided by the artist; editing and additional descriptive notes in brackets.
Biographical / Historical:
Timothy B. Bladen is a Maryland-based photographer. At the height of summer 1998, when Maryland was in the midst of a horrific drought, Timothy Bladen toured the southern Maryland countryside with an antique camera in his trunk, hunting for signs that the rural lifestyle was surviving. On this sentimental tour of Southern Maryland, he located and photographed many people from his own memories including a sausage maker, wood-carvers and watermen and aging farmers perched on their front stoops, tobacco farmers working in the fields and people milling about at a farmer's market.
Provenance:
Collection donated by Timothy B. Bladen, December 2000.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Timothy B. Bladeb retains copyright. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Fishing  Search this
Mennonites -- 20th century  Search this
Sausages  Search this
Farms -- Maryland  Search this
Agriculture -- 20th century -- Maryland  Search this
Auctions  Search this
Crabbing  Search this
Crabs  Search this
Citation:
Timothy B. Bladen Southern Maryland Portraits (Photoprints), 1998, Archives Center, National Museum of American History. Gift of the artist.
Identifier:
NMAH.AC.0767
See more items in:
Timothy B. Bladen Southern Maryland Portraits: Photoprints
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8991847ae-21d5-4ecb-b598-94083c52a581
EDAN-URL:
ead_collection:sova-nmah-ac-0767
Online Media:

Peter and Rose Krasnow papers

Creator:
Krasnow, Peter, 1886-1979  Search this
Names:
Peter Krasnow Arts Foundation  Search this
United States. Aircraft Warning Service. Ground Observer Corps  Search this
Blades, Harriet  Search this
Budnick, Dan  Search this
Burton, Leslie  Search this
Clements, Grace, 1905-1969  Search this
Cocker, Conrad  Search this
Danieli, Fidel  Search this
DeLuce, Robert  Search this
Drake, Alfred S.  Search this
Howe, Dudley  Search this
Krasnow, Rose, 1885-1984  Search this
Morley, Grace, 1900-1985  Search this
Noer, Philip  Search this
Owen, Dale  Search this
Owen, Elaine  Search this
Price, Aimée Brown, 1939-  Search this
Raboff, Ernest Lloyd  Search this
Raboff, Ina  Search this
Stone, Irving, 1903-  Search this
Weston, Edward, 1886-1958  Search this
Weston, Edward, 1886-1958 -- Photographs  Search this
Weston, Flora -- Photographs  Search this
Extent:
6.9 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Photographs
Sketches
Diaries
Poems
Notes
Essays
Short stories
Prints
Transcripts
Sound recordings
Date:
1914-1984
Summary:
The papers of painter, printmaker, and sculptor Peter Krasnow (1886-1979) and his wife, writer Rose Krasnow (1885-1984), measures 6.9 linear feet and date from 1914 to 1984. Papers include biographical materials, a sound recording, correspondence, essays, poetry, short stories, notes, transcripts of lectures and radio talks, five diaries of Peter Krasnow, personal business records, exhibition catalogs and announcements, clippings, magazines, five sketchbooks, sketches and drawings in multiple media, prints, and photographs.
Scope and Content Note:
The papers of painter, printmaker, and sculptor Peter Krasnow (1886-1979) and his wife, writer Rose Krasnow (1885-1984), measures 6.9 linear feet and date from 1914 to 1984. Papers include biographical materials, a sound recording, correspondence, essays, poetry, short stories, notes, transcripts of lectures and radio talks, five diaries of Peter Krasnow, personal business records, exhibition catalogs and announcements, clippings, magazines, five sketchbooks, sketches and drawings in multiple media, prints, and photographs.

Biographical materials include documentation of Rose Krasnow's service as a member of the Army Air Forces Ground Observer Corps, programs and other materials from various memorial services, a sound recording with commentary on a Peter Krasnow exhibition, and documentation of a project to publish Rose Krasnow's poetry.

Correspondence consists of Peter and Rose Krasnow's personal and professional correspondence as well as a small amount of third party correspondence. Personal correspondence with friends and family involves health, work, daily events, and other life updates. Professional correspondence with art dealers, curators, gallery and museum directors, collectors, and colleges and universities concerns exhibitions, sales, loans, and donations of artwork. Primary correspondents include Leslie Burton and Harriet Blades, Dan Budnik, Grace Clements, Conrad Crocker, Dudley Howe, Lilly Weil Jaffe, Grace L. McCann Morley, Dale and Elaine Owen, Aimée Brown Price, Ernest and Ina Raboff, Irving Stone, and Edward Weston. There are also numerous scattered letters from artists, writers, curators, critics, museums, arts associations, and Jewish organizations.

Writings and notes are by Peter Krasnow, Rose Krasnow, and others. Writings by Peter Krasnow include a draft autobiography, essays, lectures on wood sculpture, typescripts, notes, and writings on art. Writings by Rose Krasnow include essays, plays, poetry, and short stories. Writings by others consist of essays, lectures, notes, plays, poetry, short stories, and typescripts. Other writers include Grace Clements, Fidel Danieli, Robert DeLuce, Alfred S. Drake, and Philip Noer. There are also five handwritten personal diaries by Peter Krasnow.

Personal business records include Rose Krasnow's bank book from 1980, Peter Krasnow's naturalization certificate and passport, an inventory of paintings on index cards, tax applications for the Peter Krasnow Arts Foundation, materials relating to Peter Krasnow's estate and the purchase of his artwork, and various receipts.

Printed materials include exhibition catalogs and announcements, clippings, bound books, magazines and journals, a Chicago Society of Artists block print calendar, and two printed posters from Peter Krasnow's exhibit at the Galerie Pierre in 1934.

Artwork is mostly by Peter Krasnow, and includes five sketchbooks, sketches and drawings, watercolors, preliminary studies in oil, and prints.

Photographs include personal photographs, photographs of major sculpture projects in progress, and artwork. Personal photographs are of Peter and Rose, family members, and friends, as well as a few scattered images of landscapes and architecture, possibly travel photographs. There are also photographs of Edward and Flora Weston. There are three photograph albums, one contains images of Krasnow's relief sculptures for the Sinai Temple's Kohn Chapel. Two photograph albums were compliled by Susan Ehrlich for Peter and Rose Krasnow. Also found are photographs of works of art. Some of the photographs in the papers were taken by Dan Budnik.
Arrangement:
The collection is arranged as 9 series:

Missing Title

Series 1: Biographical Materials, circa 1942-1983 (Boxes 1, 6; 7 folders)

Series 2: Correspondence, circa 1930-1984 (Box 1; 0.4 linear feet)

Series 3: Writings and Notes, circa 1916-1980 (Boxes 1-2; 1.3 linear feet)

Series 4: Diaries, circa 1955-1968 (Box 2-3; 5 folders)

Series 5: Personal Business Records, circa 1914-1982 (Box 3; 0.4 linear feet)

Series 6: Printed Materials, circa 1922-1981 (Boxes 3-4 and OV 9; 1.1 linear feet)

Series 7: Artwork, circa 1918-1980 (Boxes 4-6 and OV 7-8, 10; 1.5 linear feet)

Series 8: Sketchbooks, circa 1918-1973 (Box 5; 5 folders)

Series 9: Photographs, circa 1914-1981 (Boxes 5-6; 0.6 linear feet)
Biographical Note:
Peter Krasnow (1886-1979) was a painter, sculptor, and printmaker who lived and worked primarily in Southern California. His wife, Rose Krasnow (1885-1984), was a prolific writer of poems, short stories, and plays.

Peter Krasnow was born on August 20, 1886 in the Ukraine, Russia to Jewish parents. His father's work as an interior designer inspired Krasnow's interest in art.

In 1907, Krasnow emigrated to the United States, first living in Boston. He moved to Chicago in 1908 to attend the Art Institute of Chicago, where he met his future wife, Rose Bloom. To support himself during his studies, Krasnow worked as a security officer and performed other manual jobs. He graduated from the Art Institute of Chicago in 1916 and married Rose that same year.

The Krasnows moved to New York in 1919. In New York, Krasnow experienced some artistic success, participating in group and solo exhibitions at the Whitney Studio Club. During this time period, Krasnow often painted city scenes using a dark color palette.

In 1922, the Krasnows moved to Los Angeles, California. Krasnow built a studio near Glendale in 1923, on land purchased from photographer and friend Edward Weston. The studio also served as the Krasnows' main residence for the rest of their lives. In 1923 in Los Angeles, Krasnow exhibited with the Group of Independent Artists, which included Stanton Macdonald-Wright, Boris Deutsch, Nick Brigante, Ben Berlin, and other noteworthy artists. During his first years in California, Krasnow mostly created watercolor paintings, including a series of landscapes, using a lighter color palette than his earlier works. In the 1920s, Krasnow also accepted commissions for carved wood reliefs at the Temple Emmanu-El in San Francisco and the Sinai Temple in Los Angeles.

Krasnow received a grant in 1931, and he and Rose temporarily relocated to the Dordogne region of France, where they lived until 1934. During this time, Krasnow painted a series of watercolors and paintings of the French landscape. Before returning to the United States, Krasnow exhibited these landscapes at the Galerie Pierre.

After returning to California, Krasnow began creating carved wood sculptures, which he named 'demountables,' often using wood from trees on his property. Krasnow created these sculptures to celebrate the organic shapes inherent in wood.

In 1934, Krasnow returned to painting, this time creating bright, colorful, geometric designs which often incorporated symbolism from his Jewish heritage. Krasnow focused on these paintings through the remaining years of his life. In 1977, Krasnow received a fellowship from the National Endowment for the Arts.

Peter Krasnow died on October 30, 1979 in Los Angeles. Rose Krasnow died five years later, in 1984.
Provenance:
The Peter and Rose Krasnow papers were donated in several increments between 1976 and 1998 by Peter Krasnow, the Estate of Peter Krasnow, and the Peter and Rose Krasnow Foundation.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- Los Angeles  Search this
Wood-carvers -- California -- Los Angeles  Search this
Topic:
Jewish artists  Search this
Printmakers -- California -- Los Angeles  Search this
Sculptors -- California -- Los Angeles  Search this
Genre/Form:
Sketchbooks
Photographs
Sketches
Diaries
Poems
Notes
Essays
Short stories
Prints
Transcripts
Sound recordings
Citation:
Peter and Rose Krasnow papers, 1914-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kraspete
See more items in:
Peter and Rose Krasnow papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ed81e16a-9b16-46be-912e-4e7c0b6db0c6
EDAN-URL:
ead_collection:sova-aaa-kraspete
Online Media:

Howard W. and Jean Lipman papers

Creator:
Lipman, Howard, 1905-1992  Search this
Names:
Calder, Alexander, 1898-1976  Search this
Gaylor, Wood, 1883-1957  Search this
Huge, Jurgan Frederick, 1809-1878  Search this
Lipman, Jean, 1909-1998  Search this
Porter, Rufus, 1792-1884  Search this
Smith, David, 1906-1965  Search this
Extent:
46.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1848, 1916-2000
Summary:
The Howard W. and Jean Lipman papers measure 46.6 linear feet and span the years 1916 to 2000, with one brochure maintained in a research file dating to 1848. The bulk dates for the collection are 1932 to 1992. The papers primarily concern the art collecting activities and interests of the Lipmans which included modern American sculpture, American folk art, and other contemporary American paintings. Found within the papers are correspondence files, notes and printed material that served as research and reference material, along with financial material. The collection also contains writings, notes, and editorial material used by Jean Lipman in her dual roles as an editor for Art in America magazine and as a respected art critic and author.
Scope and Content Note:
The Howard W. and Jean Lipman papers measure 46.6 linear feet and span the years 1916 to 2000. A copy of an 1848 brochure, retained by Jean Lipman in her research and writings files accounts for the early span date listed in the title of the collection. The bulk dates for the collection are 1932 to 1992. The records include correspondence, notes and printed material that served as research and reference material, along with some financial material that documents the art collecting activities and interests of the Lipmans. The collection also contains writing and editorial material used by Jean Lipman in her dual roles as an editor for Art in America magazine and as a respected author.

The Personal Files describe the social activities and associations of the Lipmans and include biographical information, personal and family correspondence, gift giving activities, the art career of Jean Lipman, and relationships maintained by the Lipmans with various art organizations.

The Howard and Jean Lipman Art Collection Files describe the art collecting activities and interests of the Lipmans throughout their lifetime. The General Files section consists of reference files on art organizations and galleries with whom the Lipmans maintained relationships. Also included are particular topics or exhibitions of interest to the Lipmans. The Sculptors and Painters of Interest section served as reference files about the activities of artists in whom the Lipmans were interested and whose works they owned, or considered owning. The Folk Art Collection section documents the collecting and purchasing activities of the Lipmans as they amassed and then subsequently sold their two significant folk art collections.

The Artists Files document the friendship and projects that developed between the Lipmans and three major American artists: Alexander Calder, Louise Nevelson, and David Smith. Of special interest to researchers will be some original Calder artwork mixed into the correspondence between the Lipmans and Calder, as well as drawings, sketches, prints, and posters found in the associated oversize folder. Also found in the Calder subseries are some proofs from Calder's Circus, edited by Jean Lipman.

The Research and Writing Files is divided into five sections dealing with research and writing projects undertaken by Jean Lipman. The first three sections deal with biographical projects that resulted in books or articles about three significant American primitive artists: Jurgan Frederick Huge, Rufus Porter, and Samuel Wood Gaylor. The fourth section deals with writing projects that resulted in the publication of several generalized books on the topic of American folk art. The final section consists of materials associated with the published articles and other authored works of Jean Lipman on a variety of American art topics.

The Art in America Editorial Files consists of editorial material maintained by Jean Lipman during her tenure (1941-1971) as editor of Art in America. The Financial Files reflect the early financial activities of the magazine during the brief period when the Lipmans owned it.

During the period that Jean Lipman served as editor, a variety of distinguished art historians, artists, architects, novelists, and poets contributed articles, columns, or artwork to the magazine. A sampling of correspondents that can be found in the general correspondence of this series include: Joseph Albers, Marcel DuChamp, John Dos Passos, Nelson Rockefeller, Charles Sheeler, and Andrew Wyeth. The General Correspondence Files also document the two subsequent changes of ownership and the growth of subscribers that occurred during the period of Lipman's editorship.

Editorial material related to individual magazine issues is found within this series, as well as information pertaining to the innovative advertising and special projects undertaken by the magazine as it sought to expand its readership and prestige. The Art in America series also chronicles the changes at the magazine that led to Lipman's resignation as editor in 1971.
Arrangement:
The collection is arranged as five series. Arrangement is generally alphabetical by subject heading or type of material. Items within folders are arranged chronologically by year.

Missing Title

Series 1: Personal Files (Boxes 1-3; 3 linear ft.)

Series 2: Howard and Jean Lipman Art Collection (Boxes 3-15; 12 linear ft.)

Series 3: Artists Files (Boxes 15-18, 46-47, OV 50-52; 3.6 linear ft.)

Series 4: Research and Writings Files (Boxes 18-28, 48; OV 50, 53; 10.3 linear ft.)

Series 5: -- Art in America -- Editorial Files (Boxes 28-45; 49, OV 50; 17.3 linear ft.)
Biographical Note:
Howard W. and Jean Lipman shared a lifetime sponsorship of art. The Lipmans' personal art collection, acquired throughout their marriage, was eventually divided into three separate parts: The Howard W. Lipman Foundation collection that was donated and merged into the modern sculpture holdings of the Whitney Museum of American Art; an American folk art collection that was later sold through two separate auctions in 1950 and 1981 and is now part of the holdings of the New York Historical Association and the Museum of American Folk Art; and a personal collection that was retained and displayed in the Lipmans' various residences in Connecticut, New York, and Arizona.

Married in 1933, the Lipmans began jointly collecting American folk art at a time when few art museums or institutions recognized the historical and artistic value of early primitive, self-taught artists. By the late 1940s, the Lipmans had amassed a large, significant collection that was highly regarded for its quality and scope.

During the early 1950s, the Lipmans also began actively collecting sculpture, focusing upon American contemporary sculptors. In the late 1950s they created the Howard W. Lipman Foundation, with an initial inventory of forty sculptures and three paintings by contemporary American artists. The purpose of the foundation was to acquire significant works by emerging American sculptors and to make them available through loans or donations to various art institutions.

In 1965 the Howard W. Lipman Foundation approached the Whitney Museum of American Art with a proposal to coordinate the foundation's efforts and goals with the museum's contemporary sculpture program. The foundation offered a majority of its growing collection of sculpture and acquisition funds towards the development of the evolving permanent collection of the Whitney Museum of American Art. Thereafter, the Howard W. Lipman Foundation served in an advisory role to the museum's acquisitions, and the foundation supplied the necessary funds to acquire works of sculpture desired by the Whitney for its permanent collection.

In addition to their folk art and foundation collections, the Lipmans also acquired important works by Alexander Calder, Louise Nevelson, and David Smith, through their lifelong association and friendship with these artists. Many of these pieces were retained in the Lipmans' personal collection throughout their lives.

Individually the Lipmans also expressed their interest in art through various means. Jean Lipman served as editor of Art in America magazine from 1940 to 1970, which provided her with continuous exposure to emerging artists and trends in American art. Jean Lipman's abiding interest in folk and contemporary art was also expressed through her voluminous writings. Throughout her life she wrote and edited highly acclaimed books and articles about major themes and artists in American art, and she was a recognized folk art authority and connoisseur. Some of her best known works include: The Flowering of American Folk Art; Rufus Porter, Yankee Wall Painter; and Calder's Universe.

Jean Lipman, born in 1909, was also an amateur artist in her later years, creating paintings and assemblages that often dealt with the theme of "art about art." She was represented by a gallery in New York City, as well as one in Arizona, and she had several solo exhibitions.

Howard W. Lipman, born in 1905, showed an early interest in art. By the mid 1920s he had gone to Paris to study painting, but Lipman found himself more attracted to sculpture and he began studying with a German wood carver. In the late 1930s, after returning to the New York City area, Lipman began stone carving with the Clay Club on Eighth Street, adjacent to the Whitney Museum of American Art. He was represented by a New York City gallery and participated in local exhibitions.

Deciding that his sculptural talent was not sufficient for professional pursuit, Lipman began his business career as a stockbroker in Neuberger and Berman, a prominent New York investment management firm that he helped to establish in 1939. Lipman subsequently channeled his artistic endeavors toward collecting and supporting the work of established and emerging American sculptors. He also served on the boards of both the Whitney Museum of American Art and the Archives of American Art.

Howard and Jean Lipman maintained long and close relationships with three prominent American artists: Alexander Calder, Louise Nevelson, and David Smith. Jean Lipman, in particular, was involved in promoting and documenting Calder and his works through numerous articles, books, and exhibitions that she helped produce as editor of the magazine Art in America and publications director for the Whitney Museum of American Art. Calder's Universe, which she edited to accompany a major Whitney Museum of American Art retrospective exhibition of his works in 1976, was considered by Calder to be his "official" biography. The book went to fourteen printings, one of the largest ever, in the history of art books.

The Lipmans were also great admirers of Louise Nevelson and her work. They purchased her artwork for their own collection, as well as donating pieces to various art museums and institutions. Jean Lipman wrote articles about Nevelson and edited the book, Nevelson's World.

David Smith and the Lipmans established a friendship in the late 1950s that lasted until Smith's untimely death in May 1965. The Lipmans purchased several Smith sculptures, which they placed on the grounds of their Wilton, Connecticut, home. They also purchased Smith works for donation to public institutions, such as the Lincoln Center for the Performing Arts.

The Lipmans retired to Carefree, Arizona, a private residential community renowned for its sensitivity to ecologically-based, architectural design. Howard Lipman died in 1992. Jean Lipman remained active in art and community affairs until her death in 1998.
Provenance:
The papers of Howard and Jean Lipman were initially donated to the Archives of American Art by Howard and Jean Lipman from 1965-1989. Subsequent additions to the original gift were made by Jean Lipman in 1998 and by Peter and Beverly Lipman in 2001. Several small portions of these early accessions were microfilmed.

An associated gift that was originally accessioned as the Art in America Magazine Records was made by Howard and Jean Lipman from 1970-1973. This group, which largely consisted of Jean Lipman's editorial files from her years as editor of the magazine, was subsequently merged with the Howard W. and Jean Lipman records in 2004.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Art, Primitive  Search this
Art -- Collectors and collecting  Search this
Folk art  Search this
Sculptors  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Citation:
Howard W. and Jean Lipman papers, 1848, 1916-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipmhowa
See more items in:
Howard W. and Jean Lipman papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97247c5f0-a666-4bf1-a2ce-bcb5abf29458
EDAN-URL:
ead_collection:sova-aaa-lipmhowa
Online Media:

Field Work in the Vicinity of Awka, Eastern Region (Nigeria): Awka Carvers Cooperative Union Based in Amawbia Town

Creator:
Turner, Lorenzo Dow, 1890-1972  Search this
Names:
Turner, Lorenzo Dow, 1890-1972  Search this
Collection Creator:
Turner, Lorenzo Dow, 1890-1972  Search this
Extent:
1 Item (photographic negative , b&w, 35mm.)
Type:
Archival materials
Negatives
Place:
Africa
Nigeria
Nigeria, Eastern
Nigeria -- Anambra State -- Awka
Date:
1951
File Restrictions:
Fragile: Physical access restricted.
Occupation:
Wood-carvers  Search this
Genre/Form:
Negatives
Collection Citation:
Lorenzo Dow Turner papers,Anacostia Community Museum Archives, Smithsonian Institution, gift of Lois Turner Williams.
Identifier:
ACMA.06-017, Item ACMA LDT-N-R11-324
See more items in:
Lorenzo Dow Turner Papers
Lorenzo Dow Turner Papers / Series 5: Photographs, circa 1890–1974 / 5.4.1: Research: Africa / 35mm negatives / Nigeria, Eastern
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7dd7736b1-8118-486d-abca-f3463d552eb2
EDAN-URL:
ead_component:sova-acma-06-017-ref1761

Field Work in the Vicinity of Awka, Eastern Region (Nigeria): Awka Carvers Cooperative Union Based in Amawbia Town

Creator:
Turner, Lorenzo Dow, 1890-1972  Search this
Names:
Turner, Lorenzo Dow, 1890-1972  Search this
Collection Creator:
Turner, Lorenzo Dow, 1890-1972  Search this
Extent:
1 Item (photographic negative , b&w, 35mm.)
Type:
Archival materials
Negatives
Place:
Africa
Nigeria
Nigeria, Eastern
Nigeria -- Anambra State -- Awka
Date:
1951
File Restrictions:
Fragile: Physical access restricted.
Occupation:
Wood-carvers  Search this
Genre/Form:
Negatives
Collection Citation:
Lorenzo Dow Turner papers,Anacostia Community Museum Archives, Smithsonian Institution, gift of Lois Turner Williams.
Identifier:
ACMA.06-017, Item ACMA LDT-N-R11-325
See more items in:
Lorenzo Dow Turner Papers
Lorenzo Dow Turner Papers / Series 5: Photographs, circa 1890–1974 / 5.4.1: Research: Africa / 35mm negatives / Nigeria, Eastern
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7ad03729b-2d82-47db-8f75-6484f68ff2cc
EDAN-URL:
ead_component:sova-acma-06-017-ref1762

Field Work in the Vicinity of Awka, Eastern Region (Nigeria): Awka Carvers Cooperative Union Based in Amawbia Town

Creator:
Turner, Lorenzo Dow, 1890-1972  Search this
Names:
Turner, Lorenzo Dow, 1890-1972  Search this
Collection Creator:
Turner, Lorenzo Dow, 1890-1972  Search this
Extent:
1 Item (photographic negative , b&w, 35mm.)
Type:
Archival materials
Negatives
Place:
Africa
Nigeria
Nigeria, Eastern
Nigeria -- Anambra State -- Awka
Date:
1951
File Restrictions:
Fragile: Physical access restricted.
Occupation:
Wood-carvers  Search this
Genre/Form:
Negatives
Collection Citation:
Lorenzo Dow Turner papers,Anacostia Community Museum Archives, Smithsonian Institution, gift of Lois Turner Williams.
Identifier:
ACMA.06-017, Item ACMA LDT-N-R11-326
See more items in:
Lorenzo Dow Turner Papers
Lorenzo Dow Turner Papers / Series 5: Photographs, circa 1890–1974 / 5.4.1: Research: Africa / 35mm negatives / Nigeria, Eastern
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa733b9762f-2c6d-49d2-a9fc-b26ea9748715
EDAN-URL:
ead_component:sova-acma-06-017-ref1763

Andrew Dreselly papers, 1900-1981

Creator:
Dreselly, Andrew, 1893-1985  Search this
Subject:
Angel, John  Search this
Cascieri, Arcangelo  Search this
Keen, Edgar  Search this
Kirchmayer, John  Search this
Pellegrini, Ernest  Search this
Type:
Drawings
Citation:
Andrew Dreselly papers, 1900-1981. Archives of American Art, Smithsonian Institution.
Topic:
Carving (Decorative arts) -- United States  Search this
Church decoration and ornament -- United States  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9781
(DSI-AAA_SIRISBib)212208
AAA_collcode_dresandr
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212208

Oral history interview with Andrew Dreselly, 1981 June 26

Interviewee:
Dreselly, Andrew, 1893-1985  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Cascieri, Arcangelo  Search this
Krichmayer, Johann  Search this
Rockefeller, John D., Jr. (John Davison)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Andrew Dreselly, 1981 June 26. Archives of American Art, Smithsonian Institution.
Topic:
Sculptors -- Interviews  Search this
Church decoration and ornament -- United States  Search this
Carving (Decorative arts) -- United States  Search this
Woodwork  Search this
Record number:
(DSI-AAA_CollID)13153
(DSI-AAA_SIRISBib)212229
AAA_collcode_dresel81
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212229
Online Media:

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