Skip to main content Smithsonian Institution

Search Results

Collections Search Center
93 documents - page 1 of 5

Lia Cook papers

Creator:
Cook, Lia, 1942-  Search this
Names:
Allrich Gallery  Search this
B.Z. Wagman Gallery (St. Louis, Missouri)  Search this
Fiberworks, Center for the Textile Arts  Search this
Extent:
5.9 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Date:
1968-2012
Summary:
The papers of fiber artist and painter Lia Cook measure 5.9 linear feet and date from 1968 to 2012. Cook's career and exhibition activities are documented through biographical material, correspondence, professional files, gallery and exhibition files, printed material, photographs, and artwork.
Scope and Contents:
The papers of fiber artist and painter Lia Cook measure 5.9 linear feet and date from 1968 to 2012. Cook's career and exhibition activities are documented through biographical material, correspondence, professional files, gallery and exhibition files, printed material, photographs, and artwork.

The bulk of Cook's papers consist of gallery and exhibition files describing her active participation in exhibiting her works throughout the United States and around the world, and her affiliation with the Allrich Gallery, B.Z. Wagman Gallery, and Fiberworks, Center for the Textile Arts. Professional files contain material relating to conferences and symposiums, written articles, and the sourcing of jacquard looms and other equipment.
Arrangement:
The collection is arranged as 7 series.

Series 1: Biographical Material, 1968-2012 (Box 1; 0.1 folders)

Series 2: Correspondence, 1974-1992 (Box 1; 0.1 folders)

Series 3: Professional Files, 1970s-1995 (Box 1-2; 1 linear foot)

Series 4: Gallery and Exhibition Files, 1974-1997 (Box 2-5; 3.2 linear feet)

Series 5: Printed Material, 1970s-2012 (Box 5; 0.6 linear feet)

Series 6: Photographs, 1970s-1980s (Box 6-7; 0.4 linear feet)

Series 7: Artwork, 1970s-2000s (Box 6-7; 0.5 linear feet)
Biographical / Historical:
Lia Cook (1942- ) is a fiber artist and painter in Berkeley, California. She is noted for her use of an electronic jacquard loom.

Born in Ventura, California, Lia Cook attended the University of California, Berkeley where she studied political science, painting, and ceramics. She studied under fiber artist Ed Rossbach. She completed a fellowship with the National Endowment for the Arts in the 1970s.

Lia Cook combines fiber art with technology and photography. Her works are found in the collections of museums around the United States and Europe.
Related Materials:
Also found in the Archives of American Art is an interview of Lia Cook conducted 2006 August 22-29, by Suzanne Baizerman, for the Archives' Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Provenance:
The Lia Cook papers were donated to the Archives of American Art by Lia Cook in 2016.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Occupation:
Fiber artists -- California -- Berkeley  Search this
Painters -- California -- Berkeley  Search this
Topic:
Decorative arts  Search this
Women artists  Search this
Women painters  Search this
Women textile artists  Search this
Genre/Form:
Drawings
Citation:
Lia Cook papers, 1968-2012. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cooklia
See more items in:
Lia Cook papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96734ead2-ebfe-4eab-89d9-de7def178561
EDAN-URL:
ead_collection:sova-aaa-cooklia

Arabella Chandler McClintock Bellamy art works

Creator:
Bellamy, Arabella Chandler McClintock, 1878-1962  Search this
Extent:
1 Microfilm reel (375 items on partial microfilm reel)
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1905-1913
Scope and Contents:
The microfilmed Arabella Chandler McClintock Bellamy art works contain mounted and unmounted designs for printed fabrics; samples of printed fabric; and designs for costumes done in pen and ink.
Biographical / Historical:
Arabella Chandler McClintock Bellamy (1878-1962) was a textile designer in Massachusetts and worked as a designer and, later, quality control agent, for Cocheco Manufacturing Company. She married Robert B. Bellamy, the son of Anna M. Johnson Bellamy and nephew of painter Katharine Livingston Bayard Johnson.
Related Materials:
Historic New England Library and Archives holds the Arabella McClintock Bellamy Fabric Design Collection.
Provenance:
Lent 1976 by Robert Bayard Severy, Bellamy's grandson.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Textile designers -- Massachusetts  Search this
Topic:
Women artists  Search this
Women textile artists  Search this
Decorative arts  Search this
Textile design  Search this
Identifier:
AAA.bellarab
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94f347223-f1e7-448d-b22c-5a3f2a62c6ae
EDAN-URL:
ead_collection:sova-aaa-bellarab

Karen Felicity Berkenfeld papers

Creator:
Berkenfeld, Karen Felicity, 1943-2001  Search this
Extent:
18 Items
Type:
Collection descriptions
Archival materials
Date:
[ca. 1995]
Scope and Contents:
Fabric samples by Karen Felicity Berkenfeld and photo montage.
Biographical / Historical:
Quiltmaker and textile artist, New York, N.Y.; b. 1943; d. 2001
Provenance:
Donated 2005 by Stephen Berkenfeld, widower of Karen Felicity Berkenfeld.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Textile designers -- New York (State) -- New York  Search this
Quiltmakers -- New York (State) -- New York  Search this
Topic:
Decorative arts  Search this
Women artists  Search this
Women textile artists  Search this
Identifier:
AAA.berkkare
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b3623615-08fa-41dd-8c13-1bf3f28028c6
EDAN-URL:
ead_collection:sova-aaa-berkkare

Dolly Curtis [videorecording] : fiber artist / produced by Victor Cromwell

Creator:
Curtis, Dolly Powers, 1942-  Search this
Names:
Curtis, Dolly Powers, 1942-  Search this
Extent:
1 Item (videocassette (30 min.), sd., col., 1/2 in.)
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
c1985
Scope and Contents:
Three programs on Curtis shown on Fairfield, Conn. cable television, 1983 and 1984, including an interview of Curtis in her Easton, Conn. studio by Channel 12 News; a tour with Curtis of her installation at the Connecticut College Art Gallery, New London, including a discussion with David Smalley, chair of the Art Dept.; and visits to Richard Bergmann Architects, New Canaan Library, and University of Connecticut Babbige Library to view Curtis' work.
Biographical / Historical:
Fiber artist; Easton, Conn.
Provenance:
Donated 1985 by Dolly Curtis.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Fiber artists -- Connecticut  Search this
Sculptors -- Connecticut  Search this
Topic:
Decorative arts  Search this
Decoration and ornament, Architectural  Search this
Fiberwork  Search this
Women artists  Search this
Women textile artists  Search this
Women sculptors  Search this
Genre/Form:
Interviews
Video recordings
Identifier:
AAA.curtdoll
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9759c636a-ef54-4cfe-80b1-1612ec84987b
EDAN-URL:
ead_collection:sova-aaa-curtdoll

Joyce Marquess Carey textile samples

Creator:
Carey, Joyce Marquess  Search this
Extent:
2 Items
Type:
Collection descriptions
Archival materials
Date:
2002
Scope and Contents:
2 samples of Carey's quilting technique from her "Glad Rag" series, 2002.
Biographical / Historical:
Quiltmaker; Madison, Wis.; b. 1936.
Provenance:
Donated 2002 by Joyce Marquess Carey.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Quiltmakers -- Wisconsin  Search this
Educators -- Wisconsin  Search this
Topic:
Decorative arts  Search this
Fiberwork  Search this
Women artists  Search this
Women textile artists  Search this
Women educators  Search this
Identifier:
AAA.carejoyc
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw908b804ee-17e8-43a3-879a-8f2fa6c9d446
EDAN-URL:
ead_collection:sova-aaa-carejoyc

Sylvia Carewe papers

Creator:
Carewe, Sylvia, 1906-1981  Search this
American Society of Tapestry Designers  Search this
Names:
Avery, Milton, 1885-1965  Search this
Burliuk, David, 1882-1967  Search this
Gross, Chaim, 1904-1991  Search this
Newman, Arnold, 1918-2006  Search this
Walkowitz, Abraham, 1880-1965  Search this
Extent:
75 Items
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
ca. 1930-1972
Scope and Contents:
Correpsondence, writings, photographs, artwork and printed material relating to painter and tapissere Sylvia Carewe.
Correspondence includes an undated card from Milton and Sally Avery and a letter from Susan Page Tillett of the National Portrait Gallery, 1979. Writings include photocopies of poems and writings by Carewe, undated and 1943-1972 and 7 books with inscriptions by David Davidovich Burliuk, Chaim Gross, and Abraham Walkowitz. Two of the books contain a gouache and ink drawings by Burliuk and Gross with their inscriptions to Carewe. Photographs are of Carewe, her son, friends and her studio. Also included is a photograph of Carewe and husband, art collector Marvin Small, ca. 1955, signed by Arnold Newman.
Artwork includes 2 sketchbooks, ca. 1942, containing watercolor studies and sketches; a gouache, 1956, by Chaim Gross; a sketchbook of ink and pencil drawings; and a sketchbook containing the signatures of founding members of The American Society of Tapestry Designers, March 30, 1960. Printed material consists of an undated price list and description of tapestries in the exhibition CONTEMPORARY FRENCH TAPESTRIES, sponsored by Association Francaise D'Action Artistique, French & Company, New York City, and a news release about the exhibition; exhibition posters, ca. 1958-1971; 2 postcards of works by Carewe; magazine and newspaper clippings, 1960 and 1963; and other publications about Carewe's tapestries.
Biographical / Historical:
Sylvia Carewe (1906-1981) was a painter and tapissere in New York, N.Y.
Provenance:
Donated 1971 and 1979 by Sylvia Carewe and in 1983 by John Small, Carewe's son.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Painters -- New York (State) -- New York  Search this
Textile designers -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women textile artists  Search this
Women designers  Search this
Art -- Collectors and collecting  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.caresylp
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f6892b32-e4c7-4110-b2f0-f451fc238e4f
EDAN-URL:
ead_collection:sova-aaa-caresylp

Marilyn Henrion papers

Creator:
Henrion, Marilyn  Search this
Extent:
9.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1989-2020
Scope and Contents:
The Marilyn Henrion papers measure 9.6 linear feet and date from circa 1989-2020. Included is correspondence; financial records; notes, plans and sketches; files concerning exhibitions, commission, teaching materials, and organizations; grant applications; printed material about Henrion; slides and photographs; and miscellany.
Biographical / Historical:
Marilyn Henrion (1932- ) is a multimedia and fiber artist in New York, New York.
Provenance:
Donated in 2003 and in 2021 by Marilyn Henrion.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Fiber artists -- New York (State) -- New York  Search this
Multimedia artists -- New York (State) -- New York  Search this
Topic:
Decorative arts  Search this
Women artists  Search this
Women textile artists  Search this
Identifier:
AAA.henrmari
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98673142d-5d14-4bb1-bf7d-5f9f4277476b
EDAN-URL:
ead_collection:sova-aaa-henrmari

Juliette Elkon Hamelecourt papers

Creator:
Hamelecourt, Juliette Elkon  Search this
Names:
Chelsea Hotel  Search this
Bettina, 1903-  Search this
Brown, Robert Delford  Search this
Childs, Bernard, 1910-1985  Search this
Fecher, Rita  Search this
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Glassgold, Adolph, 1899-  Search this
Gordon, Maxwell, 1910-1982  Search this
Extent:
3.1 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1911-2000
bulk 1940s-2000
Summary:
The Juliette Elkon Hamelecourt papers measure 3.1 linear feet and date from 1911-2000, with the bulk of the records dating from 1940s-2000. The papers document Hamelecourt's career through resumes, personal business records, and writings, as well as general correspondence, printed material, scrapbooks, and photographs. The collection also contains a series of interviews conducted by Hamelecourt with artists at the Chelsea Hotel in New York.
Scope and Contents:
The Juliette Elkon Hamelecourt papers measure 3.1 linear feet and date from 1911-2000, with the bulk of the records dating from 1940s-2000. Biographical material consists of resumes, notes and other writings, as well as some personal business records such as contracts, price lists, loan agreements, and consignment lists. Correspondents include customers, museums, galleries, friends, publishers, and family members and discussions regard exhibitions, sales, food, and personal matters. The collection's printed material consists of clippings about Hamelecourt, Haiti, the Chelsea Hotel, and other artists; exhibition announcements, invitations, and catalogs; press releases, newsletters, and bulletins; articles written by Hamelecourt; reproductions of her artwork; and the book jacket from Hamelecourt's Edith Cavell: Heroic Nurse (1958). Hamelecourt's scrapbooks contain a variety of material such as correspondence with museums, galleries, and family members about her life and artwork as well as correspondence for historical and cultural research purposes; photographs and slides of Hamelecourt, artwork, family, and friends; printed material; sketches; drafts of her autobiography; and biographical papers pertaining to her marriage in 1969. The collection also contains a series of interviews conducted by Hamelecourt with artists at the Chelsea Hotel including Arman, Bettina, Bernard Childs, Rita Fetcher, Eugenie Gershoy, Adolph Cook Glassgold, Maxwell Gordon, and others.
Arrangement:
The collection is arranged as 6 series.

Series 1: Biographical Material, 1972-1991 (Box 1; 7 folders)

Series 2: Correspondence, 1943-1999 (Box 1; 12 folders)

Series 3: Interviews with Chelsea Hotel Artists, circa 1980 (Box 1; 5 folders)

Series 4: Printed Material, 1943-2000 (Box 2; .8 linear feet)

Series 5: Scrapbooks, 1911-1999 (Box 2-3, OV 4; 1 linear foot)

Series 6: Photographs, 1940-1990s (Box 3; 5 folders)
Biographical / Historical:
Juliette Elkon Hamelecourt (1912-2002) was a fiber artist, tapissiere, and lecturer in Haiti, New York, and Cleveland. Hamelecourt was born in Belgium and spent her early years traveling with her father in England and China. Hamelecourt first learned needlework in China at the age of 10. After her father's death a couple of years later, she returned to live in Belgium with her grandparents where Hamelecourt worked alongside her grandmother who was a volunteer conservationist, repairing chasubles for the local clergy. Hamelecourt's early tapestries were ultimately lost or destroyed during World War II when she and her family moved to New York as refugees. Until the late 1950s she worked as a culinary editor, food consultant, and author of non-fiction, while needlework remained a hobby. Hamelecourt first visited Haiti reporting on French Caribbean cuisine in the late 1950s, and soon after moved there as a representative for the World Craft Council. In Haiti, she trained local women to embroider designs from their own environment and folklore. Hamelecourt moved to the Chelsea Hotel in New York around 1970, at this time she began receiving commissions for her work--some of which she sub-contracted to her Haitian embroiderers--and consulting as a designer. She established an embroidery workshop at the hotel with a grant from the New York Council on the Arts. Hamelecourt moved to Cleveland, Ohio in 1980.
Provenance:
The collection was donated by Juliette Hamelecourt, 1978-1997, and by the Juliette Elkon Hamelecourt estate via Leonard Spremulli in 2014.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Fiber artists -- New York (State) -- New York  Search this
Tapissiers -- New York (State) -- New York  Search this
Topic:
Tapestry -- United States  Search this
Embroidery -- United States  Search this
Women artists  Search this
Women textile artists  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Juliette Elkon Hamelecourt papers, 1911-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hamejuli
See more items in:
Juliette Elkon Hamelecourt papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw951728de8-3289-4416-aeef-b0efe2d11a53
EDAN-URL:
ead_collection:sova-aaa-hamejuli

Oral history interview with Katherine Westphal

Interviewee:
Westphal, Katherine  Search this
Interviewer:
Austin, Carole  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Fiberworks, Center for the Textile Arts  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Rhode Island School of Design  Search this
University of California, Davis -- Faculty  Search this
Farago, Daphne  Search this
Hickman, Pat (Patricia Lynette), 1941-  Search this
Karoly, Frederic, 1898-1987  Search this
Laky, Gyöngy, 1944-  Search this
Larsen, Jack Lenor  Search this
Lynn, Greg  Search this
Rossbach, Ed  Search this
Extent:
58 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Date:
2002 September 3-7
Scope and Contents:
An interview of Katherine Westphal conducted 2002 September 3-7, by Carole Austin, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
This interview took place in Berkeley, California. Westphal speaks of drawing every day; her rewarding education experience teaching at University of California, Davis' Applied Behavioral Sciences Department; her college encounters; the World Crafts Conference in Vienna in 1980; the significance of her travels in her artwork, including trips to Egypt, Hawaii, Wyoming, and Indonesia among others; her fascination with different types of art; the non-functional aspect of her artwork; the lack of necessity to sell artwork due to her job teaching, and the personal nature of her work not driven by a "craft market"; working for the textile industry; working with agent Frederick Karoly in New York; the considerable collection Daphne Farago has made of both Katherine's and her husband, Ed Rossbach's, artwork; her working environment; her storage condo; her most precious possession, her dogs; remodeling her Berkeley home and installing a glass elevator; the artist community at UC Davis and Fiberworks before it became a school; people she took workshops with at Fiberworks; a chronology of her work from the 1960s to present day; her and Ed's retirement in 1979 and their subsequent trip to Bali; her relationship with the home health care industry when Ed became sick; her development of baskets; her love of color; her artist in residency at Rhode Island School of Design in 1980, learning to work on the Jacquard loom; her very personal collection of postcards, which she created while on trips; her dog stories; several of the shows she has been in, including "Objects: USA" and "American Crafts at the Vatican"; the commission she completed for a hotel in Tokyo; and her copy machines and the various technological advances made during her career. Westphal also recalls Gyöngy Laky, Chere Lai Mah, Pat Hickman, Greg Lynn, Helen and Tio Giambruni, Jack Lenor Larsen and others.
Biographical / Historical:
Katherine Westphal (1919- ) is a fiber artist in Berkeley, California. Carole Austin is an interviewer, curator, and writer in Orinda, California.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Use requires an appointment.
Access is to transcript only.
Topic:
Decorative arts  Search this
Fiber artists -- California -- Berkeley -- Interviews  Search this
Textile crafts -- California  Search this
Women artists  Search this
Women textile artists  Search this
Genre/Form:
Interviews
Identifier:
AAA.westph02
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90eb7eed0-7263-4e68-a8f7-8c1b28986497
EDAN-URL:
ead_collection:sova-aaa-westph02

Oral history interview with Chunghi Choo

Interviewee:
Choo, Chunghi  Search this
Interviewer:
Milosch, Jane  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Cranbrook Academy of Art -- Students  Search this
Haystack Mountain School of Crafts -- Faculty  Search this
Ihwa Yŏja Taehakkyo  Search this
Museum für Kunsthandwerk Frankfurt am Main  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Handicrafts -- Students  Search this
University of Iowa -- Faculty  Search this
University of Northern Iowa  Search this
Victoria and Albert Museum  Search this
Bush, Cody  Search this
Chateauvert, Jocelyn  Search this
Fujio, Yuho  Search this
Grotell, Maija  Search this
Kao, Ruth  Search this
Kaufman, Glen  Search this
Larsen, Jack Lenor  Search this
Lechtzin, Stanley, 1936-  Search this
Lee, Sang-Bong  Search this
Mayer-VanderMey, Sandra  Search this
McFadden, David Revere  Search this
Merkel-Hess, Mary  Search this
Park, No Soo  Search this
Raab, Rosanne  Search this
Saarinen, Loja  Search this
Smith, Paul J.  Search this
Thomas, Richard C., 1917-1988  Search this
Yeun, Kee-ho  Search this
Extent:
75 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Korea (South) -- History -- April Revolution, 1960
Date:
2007 July 30-2008 July 26
Scope and Contents:
An interview of Chunghi Choo conducted 2007 July 30-2008 July 26, by Jane Milosch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home, in Iowa City, Iowa.
Choo speaks of establishing the Metalsmithing and Jewelry program at the University of Iowa in Iowa City; the elaborate equipment, tools, and safety protection used in the studio; her experience teaching silent metalforming at Haystack Mountain School of Crafts in Deer Isle, Maine; participating in international workshops and seminars in Korea; the extensive world traveling she does with her husband, Dr. Charles Read, including destinations in Scandinavia, Thailand, Austria, Italy, and South Africa, among others; the house she designed in Iowa City; her love of the city and being surrounded by treasured friends, a supportive university, and beautiful environments; an interest in creative cooking and appreciation for diverse dishes from all around the world; her childhood and young adulthood in Inchon, Korea; growing up with an appreciation for beautiful art objects and classical music; an early interest and talent in drawing; attending Ewha Women's University as generations of women in her family had previously; experiences during the Korean War and April 19 Revolution in 1961; coming to the United States in 1961 as a student; studying English, ceramics, enameling, and stone cutting for one semester at Penland School of Crafts in Penland, N.C.; attending Cranbrook Art Academy in Bloomfield Hills, Michigan and studying metalsmithing with Richard Thomas, ceramics with Maija Grotell, and weaving with Glen Kaufman; living with Mrs. Loja Saarinen during her three and a half years at Cranbrook; teaching general craft at the University of Northern Iowa in Cedar Rapids from 1965-1968; pioneering the mixed-media studies with her students at UNI; accepting the challenge to build a metalsmithing and jewelry program at the University of Iowa in Iowa City in 1968; learning and teaching electroforming; the development of the electro-appliqué technique; extensive donor support and fundraising for the Metalsmithing and Jewelry program and its students; finding inspiration in nature, East Asian calligraphy, classical music, and travel; her long friendship with Jack Lenor Larsen and the great influence he has had on her work; being represented in major art museums and institutions world-wide, including the Museum of Modern Art in New York City, Victoria and Albert Museum in London, Museum fur Kunsthandwerk in Frankfurt, Germany, and many others; the joy she has when her students succeed and surpass her; and plans for future work, writing projects, and travel. Choo also speaks of the 2008 flooding of Iowa City and the state of Iowa during which her studio was severely damaged and many things were lost. Choo also recalls Park, No Soo; Lee, Sang Bong; Ruth Kao; Stanley Lechtzin; Yuho Fujio; David McFadden; Paul J. Smith; Rosanne Raab; Cody Bush; Jocelyn Chateauvert; Mary Merkel Hess; Sandra Mayer-VanderMey; Kee-ho Yeun, and others.
Biographical / Historical:
Chunghi Choo (1938- ) is a Korean American educator, metalsmith, jeweler, and textile and mixed media artist based in Iowa City, Iowa. Interviewer Jane Milosch is a curator from Silver Spring, Maryland.
General:
Originally recorded 5 sound discs. Reformatted in 2010 as 27 digital wav files. Duration is 5 hr., 22 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Occupation:
Metal-workers -- Iowa -- Iowa City  Search this
Jewelers -- Iowa -- Iowa City  Search this
Textile designers -- Iowa -- Iowa City  Search this
Mixed-media artists -- Iowa -- Iowa City  Search this
Topic:
Decorative arts  Search this
Metal-work  Search this
Jewelers -- Interviews  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Technique  Search this
Jewelry making -- Study and teaching  Search this
Asian American art  Search this
Asian American artists  Search this
Korean War, 1950-1953  Search this
Korean American art  Search this
Korean American Artists  Search this
Asian American jewelers  Search this
Asian American metal-workers  Search this
Women artists  Search this
Women textile artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.choo07
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91d0f3d3d-e648-47b2-9282-e395b73f635f
EDAN-URL:
ead_collection:sova-aaa-choo07
Online Media:

Oral history interview with Mary Giles

Interviewee:
Giles, Mary  Search this
Interviewer:
Sauer, Jane, 1937-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Crafts Council  Search this
Arrowmont School of Arts and Crafts -- Students  Search this
Haystack Mountain School of Crafts -- Students  Search this
Mankato State University -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Students  Search this
SOFA Chicago  Search this
Buckman, Jan  Search this
DeRaad, Rianna  Search this
Hu, Mary Lee, 1943-  Search this
Itter, Diane, 1946-1989  Search this
Jacobs, Ferne K. (Ferne Kent), 1942-  Search this
Kranzberg, Nancy  Search this
Larsen, Jack Lenor  Search this
Martin, Agnes, 1912-2004  Search this
Nottingham, Walter, 1930-2012  Search this
Okun, Barbara Rose  Search this
Reed, Duane  Search this
Schira, Cynthia, 1934-  Search this
Shieber, Horty  Search this
Extent:
4 Items (Sound recording: 4 sound files (2 hr., 43 min.), digital, wav)
46 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Minnesota -- Description and Travel
Date:
2006 July 18
Scope and Contents:
An interview of Mary Giles conducted 2006 July 18, by Jane Sauer, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the home of Jane Sauer, in Santa Fe, New Mexico.
Giles speaks of childhood summers spent on Pine Lake in Minnesota; receiving a B.S. in art education from Mankato State University, Minnesota; educational experiences at Arrowmont School of Arts and Crafts, Penland School of Crafts, and Haystack Mountain School of Crafts; the influence of nature and Native American art in her work; finding inspiration in "woods and water"; spirituality; teaching elementary art in St. Louis for 28 years while pursuing her art; the materials she works with, including wax linen and various metals; the techniques she uses, such as coiling, twining, torching, hammering, and knotting; the importance of a studio; the appeal of natural aging and corrosion of materials; the competitiveness of craft fields in the United States; attending American Craft Council shows and Sculpture Objects & Functional Art expositions in Chicago; craft as art in the United States; her experience showing in galleries and struggles with pricing; participating in the Poland Triennale in Lodz, Poland, 2001; the pioneering efforts of female fiber artists. Giles also recalls Mary Lee Hu, Diane Itter, Jack Lenor Larsen, Walter Nottingham, Rianna DeRaad, Cynthia Schira, Ferne Jacobs, Barbara Rose Okun, Nancy Kranzberg, Jan Buckman, Horty Shieber, Duane Reed, Agnes Martin, and others.
Biographical / Historical:
Mary Giles (1944- ) is an artist of Stillwater, Minnesota. Jane Sauer (1937- ) is an artist and gallery owner of Santa Fe, New Mexico.
General:
Originally recorded 3 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 43 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Fiber artists -- Minnesota  Search this
Sculptors -- Minnesota  Search this
Topic:
Decorative arts  Search this
Women artists  Search this
Women textile artists  Search this
Women sculptors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.giles06
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ed1875cb-b7ee-422d-a63e-1c58f8b6352d
EDAN-URL:
ead_collection:sova-aaa-giles06
Online Media:

Oral history interview with Neda Al-Hilali

Interviewee:
Al-Hilali, Neda, 1938-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
California State University, Los Angeles -- Faculty  Search this
Claremont Graduate University -- Faculty  Search this
Hunsaker/Schlesinger Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Scripps College -- Faculty  Search this
Taliban  Search this
University of California, Los Angeles -- Faculty  Search this
University of California, Los Angeles -- Students  Search this
Bassler, James W., 1933-  Search this
Hunsaker, Joyce Badgley  Search this
Jacobs, Ferne K. (Ferne Kent), 1942-  Search this
Kester, Bernard  Search this
Simsar, Alice  Search this
Extent:
116 Pages (Transcript)
22 Items (Sound recording: 22 sound files (7 hr., 46 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2006 July 18-19
Scope and Contents:
An interview of Neda Al-Hilali conducted 2006 July 18-19, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home, in Los Angeles, California.
Al-Hilali speaks of her childhood in Czechoslovakia and Bavaria; studying language in London; her experience living in Baghdad, Iraq with her first husband; moving to California and completing her undergraduate and graduate degrees at UCLA; teaching experiences at Scripps College, Claremont Graduate University, California State University Los Angeles, and UCLA; the installation processes of Beach Occurrence with Tongues, Black Passage, the Cassiopeia series, and others; frustrations she encountered with commission work; the rich history of the fiber tradition; travels to Afghanistan, Japan, and Oaxaca, Mexico; achieving gestural and painterly qualities with fiber; the importance of color in textile work in the Middle East; experiences with galleries, including the Hunsaker/Schlesinger Gallery in Santa Monica, California; utilizing a Ouija board for reflection and creative guidance; issues such as global warming and over-development; the status of women in Afghanistan under Taliban rule; the gratitude she feels at being a part of the fiber tradition; and plans for the future. Al-Hilali also recalls Bernard Kester, Jim Bassler, Fern Jacobs, Joyce Hunsaker, Alice Simsar, and others.
Biographical / Historical:
Neda Al-Hilali (1938- ) is a fiber artist and weaver in Los Angeles, California. Mija Riedel (1958- ) is a curator and writer in San Francisco, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 22 digital wav files. Duration is 7 hr., 46 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Fiber artists -- California  Search this
Educators -- California  Search this
Topic:
Women artists  Search this
Women textile artists  Search this
Women educators  Search this
Decorative arts  Search this
Climatic changes  Search this
Function:
Art commissions
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.alhila06
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90c8786e8-2836-4115-ab8b-deb8cd8afa38
EDAN-URL:
ead_collection:sova-aaa-alhila06
Online Media:

Oral history interview with Lia Cook

Interviewee:
Cook, Lia, 1942-  Search this
Interviewer:
Baizerman, Suzanne  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Allrich Gallery  Search this
American Craft Council  Search this
College Art Association of America  Search this
European Textile Network  Search this
Hadler Galleries  Search this
Handarbetets vanner (Society)  Search this
Haystack Mountain School of Crafts -- Faculty  Search this
Konstfack (Stockholm, Sweden)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Perimeter Gallery  Search this
University of California, Berkeley -- Students  Search this
Abakanowicz, Magdalena  Search this
Hicks, Sheila, 1934-  Search this
Jacobi, Peter, 1935-  Search this
Jacobi, Ritzi, 1941-  Search this
Laky, Gyöngy, 1944-  Search this
O'Banion, Nance  Search this
Rappaport, Deborah  Search this
Rossbach, Ed  Search this
Extent:
36 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Europe -- description and travel
Japan -- Description and Travel
Date:
2006 August 22-29
Scope and Contents:
An interview of Lia Cook conducted 2006 August 22-29, by Suzanne Baizerman, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in the artist's studio, in Berkeley, California.
Cook speaks of her childhood in California; studying political science at University of California, Berkeley; being strongly influenced by the textiles of Mexican cultures; studying weaving at Konstfack University College of Arts, Crafts and Design and Handarbetets Vänner in Stockholm, Sweden; attending graduate school at Berkeley under Ed Rossbach; a strong interest in photography; teaching experiences at Haystack Mountain School of Crafts; participating in the Lausanne International Biennial of Tapestry in Switzerland; the impact of the digital Jacquard loom on the development of her work; travels throughout Europe and Japan; commission work; experiences with Allrich Gallery, Hadler/Rodriguez Gallery, and Perimeter Gallery; series Fabric Landscape, Material Pleasure, Point of Touch, Presence/Absence, and Anatomy of a Portrait; her involvement with American Craft Council, European Textile Network, and College Art Association; and the importance of teaching in her life. Cook also recalls Gyongy Laky, Nance O'Banion, Deborah Rappaport, Sheila Hicks, Magdalena Abakanowicz, Peter and Ritzi Jacobi, and others.
Biographical / Historical:
Lia Cook (1942- ) is a textile painter of Berkeley, California. Suzanne Baizerman (1942- ) is an independent curator of Alameda, California.
General:
Originally recorded as 4 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 2 hr., 23 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Fiber artists -- California -- Berkeley  Search this
Painters -- California -- Berkeley  Search this
Topic:
Decorative arts  Search this
Art -- Study and teaching  Search this
Women artists  Search this
Women painters  Search this
Women textile artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cook06
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91647bf42-c0b5-4fa9-87ad-2c6325c496b8
EDAN-URL:
ead_collection:sova-aaa-cook06
Online Media:

Oral history interview with Peggie L. Hartwell

Interviewee:
Hartwell, Peggie L., 1939-  Search this
Interviewer:
Malarcher, Patricia  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
80 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2002 June 3 and July 10
Scope and Contents:
An interview of Peggie Hartwell conducted 2002 June 3-July 10, by Patricia Malarcher, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in the artist's apartment, on Central Park West, New York, N.Y.
Hartwell speaks of growing up on a farm with her extended family in Springfield, S.C.; female quiltmakers and male storytellers in her family; drawing in sand as a child; her mother's move to Brooklyn; joining her mother and father in New York; growing up in Brooklyn; her awareness of the many cultures in New York and being surrounded by art, including her mother's crocheting and her father's a cappella group; taking tap dancing lessons; experimenting with art in public school; working at various factory jobs after high school until "reconnecting" with art; studying with dancer Syvilla Fort at the Katherine Dunham School of Dance in New York; Fort encouraging her to draw on the studio walls and sew costumes; touring internationally with the theater group Harlem Rhythm USA from 1965 to 1972; her return to the U.S. and receiving a theater degree at Queens College; working at an insurance company to support her art; exhibiting her black and white, pen-and-ink drawings; the narratives and "oral histories" in her quilts; the meaning of various fabrics and colors; participating in "quilting communities" such as the Women of Color Quilters Network, Empire Quilters, and the American Quilter's Society; her lectures, workshops, and residencies; working with children;narratives inspired by childhood memories; her move back to South Carolina; themes in her quilts and "quilting styles" (improvisational, traditional, contemporary, and African American); serving on the board of the New York Chapter of the Women of Color Quilters Network; and planning the exhibition "Threads of Faith" for the New York Bible Association. She also comments on John Cage, Cuesta Benberry, Asadata Dafora, Francelise Dawkins, Carolyn Mazloomi, Edjohnetta Miller, Arthur Mitchell, Harriet Powers, Faith Ringgold, Marie Wilson, and others.
Biographical / Historical:
Peggie L. Hartwell (1939- ) is an African American quiltmaker of Summerville, S.C. Patricia Malarcher is a fiber artist.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 8 digital wav files. Duration is 3 hr., 50 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Quiltmakers -- South Carolina  Search this
Topic:
Textile crafts  Search this
Decorative arts  Search this
African American artists  Search this
African American quilts  Search this
Women artists  Search this
Women textile artists  Search this
African American quiltmakers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hartwe02
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d8644c2b-f518-4536-a216-e5a078ede75a
EDAN-URL:
ead_collection:sova-aaa-hartwe02
Online Media:

Trude Guermonprez papers

Creator:
Guermonprez, Trude, 1910-1976  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Elsesser, John  Search this
Guermonprez, Paul.  Search this
Marcks, Gerhard  Search this
Extent:
1.2 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Drawings
Photographs
Prints
Sketchbooks
Sketches
Date:
circa 1900-1987
bulk 1932-1976
Summary:
The papers of fiber artist and educator Trude Guermonprez measure 1.2 linear feet and date from circa 1900 to 1987 with the bulk of the material dating from 1932 to 1976. The collection includes biographical material, diaries, correspondence, printed material, artwork, and photographs.
Scope and Contents:
The papers of fiber artist and educator Trude Guermonprez measure 1.2 linear feet and date from circa 1900 to 1987 with the bulk of the material dating from 1932 to 1976. The collection includes biographical material, diaries, correspondence, printed material, artwork, and photographs.

Biographical material includes an address book, awards and certificates, two diaries, and a wedding announcement. Correspondence is with Guermonprez's family, Paul Guermonprez, John Elsesser, Gerhard Marcks, and others. Printed materials include Clippings and periodicals about Guermonprez. Artwork contains doodles, sketches and drawings, etchings, and two sketchbooks by Guermonprez and others. Photographs are of Guermonprez and her family.
Arrangement:
The collection is arranged as five series.

Series 1: Biographical Materials, circa 1950-1975 (0.2 linear feet; Box 1, OV 4)

Series 2: Correspondence, 1930s-1987 (0.4 linear feet; Boxes 1-3)

Series 3: Printed Materials, 1946-1976 (2 folders; Box 2)

Series 4: Artwork, circa 1940-1976 (0.5 linear feet; Boxes 2-3, OV 4)

Series 5: Photographs, circa 1900-circa 1970 (2 folders; Boxes 2-3, OV 4)
Biographical / Historical:
Trude Guermonprez (1910-1976) was a fiber artist and educator in San Francisco, California.

Guermonprez was born in Germany to Dr. Heinrich and Jalena Jalowetz and attended the Municipal School of Arts and Crafts in Halle Saale, Germany where she learned weaving from Bauhaus artist Benita Otte. In 1933, her parents and sister Lisa immigrated to the United States. Her parents began teaching at Black Mountain College in North Carolina. Guermonprez stayed with her husband, photographer Paul Guermonprez, in the Netherlands where he became involved in the Dutch resistance during World War II. Paul was killed fighting with the resistance on D-Day in 1944. After his death, Guermonprez decided to move to the United States to be with her mother and sister. Her father had died a year earlier. Guermonprez temporarily led the weaving program at Black Mountain College when Josef and Anni Albers went on sabbatical, and eventually she became a full time faculty member. When the weaving program ended in 1949, she left North Carolina for California to join her former classmate Marguerite Wildenhain at Pond Farm Workshops. There she met her second husband, craftsman John Elsesser. They moved to San Francisco and Guermonprez began teaching at the California College of Art and Design. She was designated chair of the crafts department in 1960.

Outside of teaching, Guermonprez completed designs for textile companies and commissions while still creating her own works of fiber art. She gained little recognition during her career, winning a couple of awards before her death from cancer in 1976. Her only exhibition, The Tapestries of Trude Guermonprez, was held several years after her death in 1982 at the Oakland Museum of California.
Provenance:
The Trude Guermonprez papers were donated in 2004 by Eric Elsesser, Guermonprez's stepson, as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Fiber artists -- California -- San Francisco  Search this
Educators -- California -- San Francisco  Search this
Topic:
Decorative arts  Search this
Women artists  Search this
Women textile artists  Search this
Women educators  Search this
Genre/Form:
Diaries
Drawings
Photographs
Prints
Sketchbooks
Sketches
Citation:
Trude Guermonprez papers, circa 1900-1987, bulk 1932-1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.guertrud
See more items in:
Trude Guermonprez papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw945bab192-2076-4234-893a-b882c760d629
EDAN-URL:
ead_collection:sova-aaa-guertrud

Neda Al-Hilali Papers

Creator:
Al-Hilali, Neda, 1938-  Search this
Extent:
4.6 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Photographs
Sketches
Date:
circa 1960-1995
Summary:
The papers of fiber artist Neda Al-Hilali measure 4.6 linear feet and date from circa 1960 to 1995. Al-Hilali's career is documented through professional files, commission and project files, writings, printed materials, artwork, and photographs. The bulk of the collection consists of Al-Hilali's annual activity files from 1967 to 1992, which contain lists of exhibitions; exhibition announcements, catalogs, invitations, and posters; letters and memoranda; sales records; awards; clippings; photographs; and loan records.
Scope and Contents:
The papers of fiber artist Neda Al-Hilali measure 4.6 linear feet and date from circa 1960 to 1995. Al-Hilali's career is documented through professional files, commission and project files, writings, printed materials, artwork, and photographs. The bulk of the collection consists of Al-Hilali's annual activity files from 1967 to 1992, which contain lists of exhibitions; exhibition announcements, catalogs, invitations, and posters; letters and memoranda; sales records; awards; clippings; photographs; and loan records.

Professional files contain records relating to Al-Hilali's teaching career and exhibition activities. Materials relating to various commissions and projects are scattered but may include photographs of works of art and installations, proposals, and sketches or renderings. Artworks include designs for fiber and metal works, many of which are unlabeled.
Arrangement:
The collection is arranged as six series

Series 1: Professional Files, 1966-1995 (1.4 linear feet; Boxes 1-2, 7-8)

Series 2: Commission and Project Files, circa 1970-1989 (1.0 linear feet; Boxes 2-3, 6)

Series 3: Writings and Notes, circa 1970-circa 1990 (0.2 linear feet; Box 3)

Series 4: Printed Material, circa 1960s-1995 (1.0 linear feet; Boxes 3-4)

Series 5: Artwork, 1960s-1980s (0.3 linear feet; Box 4)

Series 6: Photographs, circa 1960-1990s (0.7 linear feet; Boxes 4-5, 7)
Biographical / Historical:
Neda Al-Hilali (1938- ) is a fiber artist active in California.

Al-Hilali was born in Cheb, formerly Czechoslovakia in 1938. She studied art at Saint Martin's School of Art (London, England), Kunstakademie Muenchen (Munich, Germany), and the University of Baghdad (Baghdad, Iraq). In 1961 she moved to the United States and settled in California where she earned her BA and MA in art from the University of California, Los Angeles. In the 1970s, she began working on large-scale three-dimensional fiber projects, and has also worked on installation and performance pieces using metal, papers, and other materials in addition to fiber. Al-Hilali has taught at various institutions in California including California State University, Los Angeles, Scripps College, and Claremont Graduate School. Her works appear in private and public collections.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Neda Al-Hilali conducted on July 18-19, 2006, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Provenance:
The papers were donated by Neda Al-Hilali in 2004.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
Unpublished writings by Neda Al-Hilali: Authorization to publish, quote, or reproduce requires written permission from the donor. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Fiber artists -- California  Search this
Educators -- California  Search this
Topic:
Women artists  Search this
Women textile artists  Search this
Women educators  Search this
Decorative arts  Search this
Genre/Form:
Drawings
Photographs
Sketches
Citation:
Neda Al-Hilali papers, circa 1960-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.alhineda
See more items in:
Neda Al-Hilali Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b4fc5e3d-0e30-471c-a0c3-17910745e074
EDAN-URL:
ead_collection:sova-aaa-alhineda

Sue Pierce papers relating to the exhibition Full Deck Art Quilts

Creator:
Pierce, Sue  Search this
Names:
Full Deck (Project)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Suit, Verna  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Date:
1992- 2002
Scope and Contents:
Exhibition proposal; letters; files for each of the 54 participating artists containing correspondence, resumes, fabric samples, writings, photographs, and printed material; related correspondence with other artists; the exhibition catalog "Art Quilts: Playing with a Full Deck" (1994) by Sue Pierce and Verna Suit; a résumé, letters and published writings of Verna Suit; exhibition programs and other printed material regarding the exhibition's tour (it was circulated under the auspices of the Smithsonian Institution Traveling Exhibition Service); two sets of "The Art Quilt A Full Deck" playing cards; a 1996 calendar, "Face Cards from Art Quilts: Playing with a Full Deck"; press clippings concerning the exhibition, 1994-1002; and miscellany.
Biographical / Historical:
Quiltmaker, curator; Rockville, Md.
Provenance:
Donated 2002 by Sue Pirece as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Sue Pierce gathered this material in the course of organizing the "Full Deck" exhibition. In 1992, Pierce asked 54 art quilters to each pick one unique playing card and interpret the card in quilt form using a standard size and thickness. The result was a theme exhibition, "Full Deck Art Quilts", that conveyed the expressive possibilites and vitality of American art quilts. The exhibition, which premiered in 1995 at the Renwick Gallery of the Smithsonian American Art Museum, was circulated by the Smithsonian Institution Traveling Exhibition Service (SITES) across the country.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Quilts -- United States  Search this
Women artists  Search this
Decorative arts  Search this
Women textile artists  Search this
Identifier:
AAA.piersue
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93138c521-8bd1-4526-b3eb-1ae782aa397a
EDAN-URL:
ead_collection:sova-aaa-piersue

Oral history interview with Carol Eckert

Interviewee:
Eckert, Carol  Search this
Interviewer:
Lauria, Jo  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Arrowmont School of Arts and Crafts -- Faculty  Search this
Haystack Mountain School of Crafts -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Anderson, Dale, 1944-  Search this
Anderson, Doug, 1943-  Search this
Blaine, Sandy  Search this
Boyd, Karen Johnson  Search this
Branford, Joanne Segal, 1933-1994  Search this
Covey, Steven  Search this
Docter, Marcia  Search this
Eckert, Tom, 1942-  Search this
Elliot, Lillian  Search this
Garrett, John  Search this
Koplos, Janet  Search this
Lieberman, David  Search this
Lieberman, Sarah  Search this
Manhart, Marcia, 1943-  Search this
McQueen, John, 1943-  Search this
Minkowitz, Norma M., 1937-  Search this
Niehues, Leon  Search this
Okun, Barbara Rose  Search this
Rapp, Joanne  Search this
Sauer, Jane, 1937-  Search this
Turk, Rudy H.  Search this
Extent:
48 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2007 June 18-19
Scope and Contents:
An interview of Carol Eckert conducted June 18-19, 2007 by Jo Lauria, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in the artist's home and studio in Tempe, Arizona.
Eckert speaks of moving from North Carolina to New York during her childhood; her interest in making things as a child; her love of reading and a particular interest in mythology, legends, and fairy tales; choosing to pursue painting as an art major at Arizona State University; working as a substitute teacher after graduation; teaching herself the needle arts; and teaching painting and drawing classes at a local community arts center.
She also discusses experimenting with clay; the process that guides her work; the influence of her painting training on her color and composition choices; her marriage to furniture maker Tom Eckert; the development of the basketry field over the past decades; participating in exhibitions and shows; teaching workshops at Arrowmont School of Arts and Crafts and Haystack Mountain School of Crafts; the cross-cultural animal symbolism present in her pieces; the working environment in her studio; the importance of craft publications; the development in her own work towards larger pieces; her commitment to the longevity and preservation of her work; and upcoming exhibitions.
Eckert recalls Steven Covey, Barbara Rose Okun, Jane Sauer, Sandy Blaine, Lillian Elliot, Joanne Segal Branford, John Garrett, John McQueen, Leon Niehues, Norma Minkowitz, Sarah and David Lieberman, Janet Koplos, Marcia Docter, Doug and Dale Anderson, Karen Johnson Boyd, Rudy Turk, Marcia Manhart, Joanne Rapp, and others.
Biographical / Historical:
Carol Eckert (1945- ) is a fiber artist from Tempe, Arizona. Jo Lauria is a curator and arts wrtier from Los Angeles, California.
General:
Originally recorded 3 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 40 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript is available on the Archives of American Art's website.
Occupation:
Fiber artists -- Arizona  Search this
Topic:
Decorative arts  Search this
Art -- Study and teaching  Search this
Women artists  Search this
Women textile artists  Search this
Function:
Artists' studios
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.eckert07
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c45a09a8-6375-4149-b2b1-78211976b4aa
EDAN-URL:
ead_collection:sova-aaa-eckert07
Online Media:

Oral history interview with Helena Hernmarck

Interviewee:
Hernmarck, Helena, 1941-  Search this
Interviewer:
McQuaid, Matilda, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
11 Items (Sound recording: 11 sound files (3 hr., 6 min.), digital, wav)
85 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2010 July 28- August 31
Scope and Contents:
An interview of Helena Hernmarck conducted 2010 July 28 and August 31, by Matilda McQuaid, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Hernmarck's home and studio, in Ridgefield, Connecticut.
Biographical / Historical:
Helena Hernmarck (1941-) is a tapestry artist in Ridgefield, Connecticut. Matilda McQuaid is deputy curatorial director, Cooper-Hewitt, National Design Museum in New York, New York.
General:
Originally recorded on 2 memory cards. Reformatted in 2010 as 11 digital wav files. Duration is 3 hr., 6 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Weavers -- Connecticut  Search this
Fiber artists -- Connecticut  Search this
Topic:
Women artists  Search this
Women textile artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.hernma10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw956e82609-be98-4539-a0bf-1e0dc37b3a94
EDAN-URL:
ead_collection:sova-aaa-hernma10
Online Media:

Oral history interview with Katherine Kalehuapuakeaula "Lehua" Domingo

Interviewee:
Domingo, Katherine Kalehuapuakeaula, 1935-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
126 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2010 April 24-25
Scope and Contents:
An interview of Katherine Kalehuapuakeaula "Lehua" Domingo conducted 2010 April 24 and 25, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Domingo's son's, Kalae Kilohana Domingo, home in Na'alehu, Hawaii.
Biographical / Historical:
Katherine Kalehuapuakeaula "Lehua" Domingo (1935- ) is a fiber artist in Na'alehu, Hawaii.
General:
Originally recorded on 5 memory cards. Reformatted in 2010 as 5 digital wav files. Duration is 4 hr., 27 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Fiber artists -- Hawaii  Search this
Topic:
Women artists  Search this
Women textile artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.doming10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d178b525-f953-4bc3-a159-23d0667257b8
EDAN-URL:
ead_collection:sova-aaa-doming10
Online Media:

Modify Your Search







or


Narrow By