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Malvina Hoffman letters and photographs

Creator:
Hoffman, Malvina, 1887-1966  Search this
Names:
Hoffman, Malvina, 1887-1966  Search this
Parry, Roger, 1905-1977  Search this
White, Edith M., 1882-1966  Search this
Extent:
13 Items
Type:
Collection descriptions
Archival materials
Date:
circa 1925-1937
Scope and Contents:
Letters, photographs, and an exhibition announcement.
Four letters, undated, 1934 and 1937, are from Malvina Hoffman to Mrs. James Parmelee. Hoffman mentions the possibility of visiting Mrs. Parmelee in Washington, comments briefly on her career activities, and inquires about the health of Mrs. Parmelee and her husband. Photographs include six snapshots of Hoffman, photographed by Edith M. White, 1921, at Tyringham, Mass and two photographs of Hoffman wearing a beret, photographed by R. Parry (Roger Parry), Paris, ca. 1925. The exhibition announcement is autographed by Hoffman.
Biographical / Historical:
Malvina Hoffman (1887-1966) was a sculptor, painter, and writer from New York, N.Y. Full name Malvina Cornell Hoffman; married name Mrs. Samuel Bonaries Grimson.
Provenance:
Letters on reel 2814 donated by Jack Perry Brown who found the letters in a book given to the library at the Cleveland Museum of Art. Announcement on reel D10 donated 1955-1962 by Charles E. Feinberg, an active donor and friend of AAA. The provenance of the photographs is unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Sculptors  Search this
Topic:
Women sculptors -- New York (State) -- New York  Search this
Identifier:
AAA.hoffmalv
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hoffmalv

Bessie Potter Vonnoh papers

Creator:
Vonnoh, Bessie Potter, 1872-1955  Search this
Names:
Vonnoh, Robert William, 1858-1933  Search this
Carter, Charles M., 1853-1929  Search this
French, Daniel Chester, 1850-1931  Search this
French, William M. R. (William Merchant Richardson), 1843-1914  Search this
Garland, Hamlin, 1860-1940  Search this
Hughes, Rupert, 1872-1956  Search this
Huntington, Archer M., 1870-1955  Search this
Mead, Larkin G. (Larkin Goldsmith), 1835-1910  Search this
Raffaëlli, Jean François, 1850-1924  Search this
Skinner, Cornelia Otis, 1901-  Search this
Vezin, Charles, 1858-1942  Search this
Extent:
0.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
circa 1860-1991
bulk 1890-1955
Summary:
The papers of sculptor Bessie Potter Vonnoh measure 0.8 linear feet and date from circa 1860 to 1991, with the bulk of material dating from 1890 to 1955. The scattered papers document the personal life and career of Bessie Potter Vonnoh, and, to a lesser degree, her husband, painter Robert William Vonnoh. Found within the papers are Vonnoh family correspondence, including letters between Bessie and Robert, and professional and personal correspondence, primarily Bessie's. The collection also contains scattered biographical materials, photographs of the Vonnohs, a photograph album, photographs of artwork, clippings, exhibition catalogs, and other printed material.
Scope and Content Note:
The papers of sculptor Bessie Potter Vonnoh measure 0.8 linear feet and date from circa 1860 to 1991, with the bulk of material dating from 1890 to 1955. The scattered papers document the personal life and career of Bessie Potter Vonnoh, and, to a lesser degree, her husband, painter Robert William Vonnoh. Found within the papers are Vonnoh family correspondence, including letters between Bessie and Robert, and primarily Bessie's professional and personal correspondence. There is one folder of correspondence of Robert William Vonnoh. Bessie's correspondents include Daniel Chester French, Hamlin Garland, Rupert Hughes, Archer Huntington, Larkin G. Mead, Jean Francois Raffaelli, Cornelia Otis Skinner, and others. Robert's correspondents include Charles M. Carter, Daniel Chester French, William M. R. French, and Charles Vezin. The collection also contains scattered biographical materials, photographs of Bessie Potter Vonnoh and Robert William Vonnoh, a photograph album, photographs of artwork, clippings, exhibition catalogs, and other printed material.
Arrangement:
The collection is arranged into 4 series:

Series 1: Biographical Material, 1922-1955 (Box 1; 5 folders)

Series 2: Correspondence, circa 1863-1985 (Box 1; 11 folders)

Series 3: Photographs, circa 1860-1950 (Box 1-2; 0.4 linear feet)

Series 4: Printed Material, 1901-1991 (Box 2; 9 folders)
Biographical Note:
Bessie Potter Vonnoh (1872-1955) was born in St. Louis, Missouri to Alexander and Mary McKenney Potter. In 1874, after the death of her father, her family moved to Chicago. Also at this time, she suffered from a series of illnesses that she did not recover from until she was ten. In school she enjoyed clay-modeling class and decided at an early age that she wanted to be a sculptor. Beginning in 1890 she studied with Lorado Taft at the Art Institute of Chicago and later became one of his assistants (known as the "White Rabbits") for the World's Columbian Exposition of 1893. She was also given her own commission for the Illinois building at the fair. After this success, Vonnoh opened her own studio in Chicago and made plaster figurines of society women, friends, and their children. She visited New York and took her first trip to Paris in 1895, visiting the studios of many eminent sculptors such as Auguste Rodin. Her work was influenced by the American Impressionist movement, depicted in one of her most famous works, Young Mother. This piece was exhibited in the National Sculpture Society exhibition of 1898 and led to several public sculpture commissions.

In 1899 Bessie Potter Vonnoh moved to New York City and married Impressionist painter, Robert William Vonnoh (1858-1933). They lived in New York and maintained a summer home in Lyme, Connecticut. During her career she received many awards for her works at international exhibitions, including two bronze medals at the Paris Exposition in 1900. Other landmark events included a solo exhibition at the Brooklyn Museum in 1913 and membership into the National Academy of Design in 1921 - the first female sculptor accepted as a permanent member. Vonnoh's work was very well received by the public, and in the 1920s she began working on a larger scale, creating large fountains, such as the Frances Hodgson Burnett Memorial Fountain in Central Park, New York, and other decorative garden figures. Robert Vonnoh died in 1933 and, in 1948, she married Dr. Edward Keyes. Bessie Potter Vonnoh died in New York City in 1955 at the age of 82.
Provenance:
The collection was donated in 1995 by Lulette Jenness Thompson, a cousin of Bessie Potter Vonnoh.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Bessie Potter Vonnoh papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artist couples  Search this
Painters -- New York (State) -- New York  Search this
Landscape painters -- New York (State) -- New York  Search this
Portrait painters -- New York (State) -- New York  Search this
Women sculptors -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Bessie Potter Vonnoh papers, circa 1860-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vonnbess
See more items in:
Bessie Potter Vonnoh papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vonnbess
Online Media:

Oral history interview with Helen Frankenthaler, 1968

Interviewee:
Frankenthaler, Helen, 1928-2011  Search this
Interviewer:
Rose, Barbara, 1938-2020  Search this
Subject:
De Kooning, Willem  Search this
Dzubas, Friedel  Search this
Feeley, Paul  Search this
Greenberg, Clement  Search this
Hartigan, Grace  Search this
Hofmann, Hans  Search this
Kandinsky, Wassily  Search this
Motherwell, Robert  Search this
Picasso, Pablo  Search this
Pollock, Jackson  Search this
Tamayo, Rufino  Search this
Bennington College  Search this
Type:
Sound recordings
Interviews
Topic:
Sculptors -- United States -- Interviews  Search this
Painters -- New York (State) -- Interviews  Search this
Painting -- Technique  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)12171
(DSI-AAA_SIRISBib)212046
AAA_collcode_franke69
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212046
Online Media:

Oral history interview with Jackie Ferrara, 2009 January 16-February 13

Interviewee:
Ferrara, Jackie, 1929-  Search this
Interviewer:
Berman, Avis, 1949-  Search this
Subject:
Forst, Miles  Search this
Bellamy, Richard  Search this
Smithson, Robert  Search this
Oldenburg, Claes  Search this
Protetch, Max  Search this
Ferrara, Don  Search this
Gross, Sally  Search this
Beauchamp, Robert  Search this
Frank, Mary  Search this
Hofmann, Hans  Search this
Marcus, Marcia  Search this
Motherwell, Robert  Search this
Rockburne, Dorothea  Search this
LeWitt, Sol  Search this
Frankenthaler, Helen  Search this
Samaras, Lucas  Search this
Eisenhauer, Lette  Search this
Addams, Charles  Search this
Hesse, Eva  Search this
DeLap, Tony  Search this
Gallo, Frank  Search this
Rosenquist, James  Search this
Graves, Nancy Stevenson  Search this
Judd, Donald  Search this
Andre, Carl  Search this
United States  Search this
Michigan State University  Search this
Wayne State University  Search this
Type:
Sound recordings
Interviews
Topic:
Women sculptors -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)15678
(DSI-AAA_SIRISBib)282758
AAA_collcode_ferrar09
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_282758
Online Media:

Oral history interview with Rosalyn Drexler, 2017 May 17-June 2

Interviewee:
Drexler, Rosalyn, 1926-  Search this
Interviewer:
Lyon, Christopher, 1949-  Search this
Subject:
Alloway, Lawrence  Search this
Baraka, Amiri  Search this
Barthelme, Donald  Search this
Basquiat, Jean-Michel  Search this
Bruce, Lenny  Search this
Carmines, Al  Search this
Cornell, Joseph  Search this
De Kooning, Elaine  Search this
De Kooning, Willem  Search this
Dine, Jim  Search this
Doyle, Tom  Search this
Drexler, Sherman  Search this
Geldzahler, Henry  Search this
Gilman, Richard  Search this
Hess, Thomas B.  Search this
Hesse, Eva  Search this
Hirshhorn, Joseph H.  Search this
Karp, Ivan C.  Search this
Katz, Alex  Search this
Kent, Allegra  Search this
Klein, William  Search this
Kline, Franz  Search this
Kroll, Jack  Search this
Marx, Chico  Search this
Monroe, Marilyn  Search this
Neel, Alice  Search this
Newman, Barry  Search this
Perelman, S. J. (Sidney Joseph)  Search this
Rosenberg, Harold  Search this
Samaras, Lucas  Search this
Sontag, Susan  Search this
Teer, Barbara Ann  Search this
Warhol, Andy  Search this
Youskevitch, Igor  Search this
Garth Greenan Gallery  Search this
Hunter College  Search this
Kornblee Gallery  Search this
Reuben Gallery  Search this
Type:
Interviews
Sound recordings
Topic:
Happenings (Art)  Search this
Women wrestlers  Search this
Wrestling  Search this
Segregation -- United States  Search this
Women artists  Search this
Women sculptors  Search this
Women painters  Search this
Record number:
(DSI-AAA_CollID)17499
(DSI-AAA_SIRISBib)389604
AAA_collcode_drexle17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_389604
Online Media:

Oral history interview with Rosalyn Drexler

Interviewee:
Drexler, Rosalyn  Search this
Interviewer:
Lyon, Christopher  Search this
Names:
Garth Greenan Gallery  Search this
Hunter College -- Students  Search this
Kornblee Gallery  Search this
Reuben Gallery  Search this
Alloway, Lawrence, 1926-1990  Search this
Baraka, Amiri, 1934-2014  Search this
Barthelme, Donald  Search this
Basquiat, Jean-Michel, 1960-1988  Search this
Bruce, Lenny  Search this
Carmines, Al  Search this
Cornell, Joseph  Search this
De Kooning, Elaine  Search this
De Kooning, Willem, 1904-1997  Search this
Dine, Jim, 1935-  Search this
Doyle, Tom, 1928-  Search this
Drexler, Sherman  Search this
Geldzahler, Henry  Search this
Gilman, Richard, 1923-2006  Search this
Hess, Thomas B.  Search this
Hesse, Eva, 1936-1970  Search this
Hirshhorn, Joseph H.  Search this
Karp, Ivan C., 1926-2012  Search this
Katz, Alex, 1927-  Search this
Kent, Allegra  Search this
Klein, William  Search this
Kline, Franz, 1910-1962  Search this
Kroll, Jack  Search this
Marx, Chico, 1887-1961  Search this
Monroe, Marilyn, 1926-1962  Search this
Neel, Alice, 1900-1984  Search this
Newman, Barry  Search this
Perelman, S. J. (Sidney Joseph), 1904-1979  Search this
Rosenberg, Harold, 1906-1978  Search this
Samaras, Lucas, 1936-  Search this
Sontag, Susan, 1933-2004  Search this
Teer, Barbara Ann, 1937-2008  Search this
Warhol, Andy, 1928-1987  Search this
Youskevitch, Igor, 1912-1994  Search this
Extent:
82 Pages (Transcript)
5 Items (Sound recording: 5 sound files (3 hr., 26 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2017 May 17-June 2
Scope and Contents:
An interview with Rosalyn Drexler conducted 2017 May 17 and June 2 by Christopher Lyon, for the Archives of American Art, at Garth Greenan Gallery in New York, New York.
Drexler discusses her childhood in the Bronx; her experiences studying dance and music; her higher education at Hunter College; attending films and the Yiddish Theater; meeting her husband Sherman Drexler; her time as a professional wrestler; her memories of traveling to the South and encountering Jim Crow segregation; she describes learning about art from Sherman Drexler and her joint exhibition with Sherman; her early work in sculpture; participating in Happenings with Jim Dine; joining Anita Reuben's gallery; her debut as a playwright; her experience writing "I am the Beautiful Stranger;" the changing public perception of her and being classified as an artist; her decision to become a painter and appropriating images for her work; the influence of S. J. Perelman on her plays; her play about Joseph Cornell and ballerina Allegra Kent, and interviewing Allegra Kent; her recent artwork and preparing for her 2017 show at Garth Greenan Gallery; her artwork from the 1980s and 1990s; her comedy writing and sense of humor. Drexler also recalls Chico Marx, Jack Newfield, Igor Youskevitch, Ivan Karp, Anita Reuben, Lucas Samaras, Richard Gilman, Al Carmines, Amiri Baraka, Barbara Ann Teer, Franz Kline, Elaine De Kooning, Bill de Kooning, Andy Warhol, Jack Kroll, Lawrence Alloway, Tom Hess, Barney Newman, Harold Rosenberg, Susan Sontag, Joe Hirshhorn, Henry Geldzahler, Donald Barthelme, Kornblee Gallery, Eva Hesse, Tom Doyle, William Klein, Marilyn Monroe, Alex Katz, Alice Neel, Basquiat, Saturday Night Live, and Lenny Bruce, among others.
Biographical / Historical:
Rosalyn Drexler (1926- ) is a sculptor, playwright, and novelist in New York, New York. Christopher Lyon (1949- ) is a writer in Brooklyn, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Authors -- New York (State) -- New York  Search this
Playwrights -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Topic:
Happenings (Art)  Search this
Women wrestlers  Search this
Wrestling  Search this
Segregation -- United States  Search this
Women artists  Search this
Women sculptors  Search this
Women painters  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.drexle17
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-drexle17

State of the arts videorecordings

Creator:
Lawrence P. Fraiberg Productions  Search this
Names:
Lawrence P. Fraiberg Productions  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New Museum (New York, N.Y.)  Search this
O.K. Harris Gallery (New York, N.Y.)  Search this
Whitney Museum of American Art  Search this
Campoli, Cosmo  Search this
Cavanau, Ted  Search this
Derman, Rick  Search this
Fraiberg, Lawrence P.  Search this
Karp, Ivan C., 1926-2012  Search this
Kovich, Robert  Search this
Nolan, Barry  Search this
Paik, Nam June, 1932-2006  Search this
Phillips, Liz  Search this
Rose, Barbara  Search this
Segal, George, 1924-2000  Search this
Solomon, Holly  Search this
Thorne, Joan, 1943-  Search this
Extent:
2.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
1979
Summary:
The State of the Arts videorecordings measure 2.4 linear feet and consist of 30 videocassettes (U-matic) and three sets of handwritten notes, all created during the production of a pilot episode for a broadcast television documentary series on contemporary art in 1979. Four stories were produced for the pilot: a staged debate on modern art at the Museum of Modern Art; an investigation into the economics of the contemporary art market, a collaboration between video artist Nam June Paik and sound artist Liz Phillips, and an extended interview with sculptor George Segal on the occasion of his 1979 retrospective exhibition at the Whitney Museum of American Art. Video footage includes raw footage for each segment and edited versions of the economics of art story, the Nam June Paik and Liz Phillips story, and the George Segal story. The reporter and interviewer for the program was Barry Nolan.
Scope and Contents:
The State of the Arts videorecordings measure 2.4 linear feet and consist of 30 videocassettes (U-matic) and three sets of handwritten notes, all created during the production of a pilot episode for a broadcast television documentary series on contemporary art in 1979. Four stories were produced for the pilot: a staged debate on modern art at the Museum of Modern Art; an investigation into the economics of the contemporary art market, a collaboration between video artist Nam June Paik and sound artist Liz Phillips, and an extended interview with sculptor George Segal on the occasion of his 1979 retrospective exhibition at the Whitney Museum of American Art. Video footage includes raw footage for each segment and edited versions of the economics of art story, the Nam June Paik and Liz Phillips story, and the George Segal story. The reporter and interviewer for the program was Barry Nolan.

Although the program never aired, the video shot for the pilot documents significant artists and gallerists of its time, with profiles of O.K. Harris Works of Art and its founder, Ivan Karp, as well as art dealer Holly Solomon and critic Barbara Rose, Marcia Tucker in the early days of the New Museum, and footage of artists like Nam June Paik, Liz Phillips, and George Segal in their studios, describing their work in detail. The sound and video piece created by Paik and Phillips with the dancer Robert Kovich was commissioned by the State of the Arts producers for the pilot program, and the four hours of video documenting their collaboration and its product may therefore be unique.

Interview subjects for the economics of art story include Ivan Karp, Tom Drysdale, Rick Derman, Cosmo Campoli, Joan Thorne, Holly Solomon, Marcia Tucker, and Barbara Rose. The Marcia Tucker interview takes place at the New School, which was at the time the home of the New Museum. Footage also includes a gallery opening at O.K. Harris Works of Art. Extended interviews with Liz Phillips, Nam June Paik, and George Segal are found in the footage of their respective stories.
Arrangement:
The collection is arranged as one series.

Series 1: -- State of the Arts -- Production Video, 1979 (2.4 linear feet; boxes 1-3)
Biographical / Historical:
State of the Arts was planned as a broadcast television magazine program on the subject of contemporary art. The pilot was produced in 1979 by Lawrence P. Fraiberg Productions with funding provided jointly by IBM and the National Endowment for the Arts. Fraiberg and Tom Cavanau served as executive co-producers, Rick Derman as field producer, and Barry Nolan as interviewer. The program never aired.

Lawrence P. Fraiberg was a longtime television documentary veteran when the pilot was produced. He graduated from the University of California in 1949 and began his career at television station KPIX in San Francisco. He became vice president and general manager of WNEW-TV in New York in 1965, and was named president of Metromedia Television in 1977. In 1980 he was appointed president of the Television Station Group for Westinghouse Broadcasting. An active member in community and industry organizations, he is a recipient of an honorary degree (1978) from St. John's University, New York, a Peabody Award for Lifetime Achievement in the Broadcasting Industry (1986), and a Trustees Award from the National Academy of Television Arts and Sciences (1990). He died in 2011.

Barry Nolan, the interviewer for State of the Arts, went on to a career as a television magazine host and producer, with credits including Evening Magazine, Hard Copy, Extra!, and Nitebeat, and in 2012 produced the documentary No Way Out But One with his wife, Garland Waller.
Provenance:
Donated 1979-1980 by Lawrence P. Fraiberg.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The State of the Arts videorecordings are owned by the Archives of American Art, Smithsonian Institution. Video may be used for research, study, and scholarship purposes only and is not to be used in whole or in part for broadcast purposes.
Occupation:
Art museum directors -- New York (State) -- New York -- Interviews  Search this
Artists -- Interviews  Search this
Women sculptors -- Interviews  Search this
Art critics  Search this
Gallery owners -- Interviews  Search this
Sculptors -- New Jersey -- Interviews  Search this
Video artists  Search this
Art dealers  Search this
Women museum curators -- New York (State) -- New York -- Interviews  Search this
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- Study and teaching  Search this
Performance art  Search this
Artists' studios  Search this
Video art -- United States  Search this
Sound sculpture -- United States  Search this
Women artists  Search this
Art -- Economic aspects  Search this
Genre/Form:
Interviews
Video recordings
Citation:
State of the Arts Videorecordings, 1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.frailawr
See more items in:
State of the arts videorecordings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-frailawr

Oral history interview with Jackie Ferrara

Interviewee:
Ferrara, Jackie  Search this
Interviewer:
Berman, Avis  Search this
Creator:
United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this
Names:
Michigan State University -- Students  Search this
United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this
Wayne State University -- Students  Search this
Addams, Charles, 1912-1988  Search this
Andre, Carl, 1935-  Search this
Beauchamp, Robert, 1923-  Search this
Bellamy, Richard  Search this
DeLap, Tony, 1927-2019  Search this
Eisenhauer, Lette  Search this
Ferrara, Don  Search this
Forst, Miles, 1923-  Search this
Frank, Mary, 1933-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Gallo, Frank, 1933-  Search this
Graves, Nancy Stevenson, 1940-1995  Search this
Gross, Sally  Search this
Hesse, Eva, 1936-1970  Search this
Hofmann, Hans, 1880-1966  Search this
Judd, Donald, 1928-1994  Search this
LeWitt, Sol, 1928-2007  Search this
Marcus, Marcia, 1928-  Search this
Motherwell, Robert  Search this
Oldenburg, Claes, 1929-  Search this
Protetch, Max  Search this
Rockburne, Dorothea  Search this
Rosenquist, James, 1933-  Search this
Samaras, Lucas, 1936-  Search this
Smithson, Robert  Search this
Extent:
3 Items (Sound recording: 3 sound files (5 hr., 12 min.), digital, WMA files)
115 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 January 16-February 13
Scope and Contents:
An interview of Jackie Ferrara conducted 2009 January 16-February 13, by Avis Berman, for the Archives of American Art's U.S. General Services Administration, Design Excellence and the Arts oral history project, at the Ferrara's home, in New York, New York.
Ferrara speaks of growing up in Detroit, Michigan; her early interest in mathematics and its ever present role in her work; attending Michigan State University for one year; taking fashion drawing classes at Wayne State University and her supposed lack of drawing skills; an early interest in pottery and leather making; moving to New York City in 1951 on a night train from Detroit; working at the Henry Street Playhouse and its influential role on her art; her relationship with Robert Beauchamp and her friendship with many artists in Provincetown, Massachusetts; early works, including the cotton batting works and the rope works, most of which were destroyed; her dislike of traveling and her use of imagination for inspiration; participating in the performances and happenings of Claes Oldenburg; her friendship with Robert Smithson and his influence on her later works; working with Max Protetch; never teaching art because she herself did not attend art school; her creation process of her wood and stone pieces, including their conception in early drawings; having a positive attitude towards her pieces being rebuilt because of decay; quickly moving into public art in the late 1970s, early 1980s; living and working in the same loft in New York for over 40 years; the helpful role the women's movement played in her successful career though she did not participate; receiving art grants to enable her to work for a year or two without having to find an odd job to support herself; various public art projects around the country, how they came to be, creating the works and their significance to her. Ferrara also recalls Charlotte Tokayer, Don Ferrara, Alvin Nikolai, Richard Bellamy, Mary and Paul Frank, Miles and Barbara Forst, Sally Gross, Hans Hofmann, Robert Motherwell, Helen Frankenthaler, Nat Halprin, Lucas Samara, Letty Lou Eisenhauer, James Rosenquist, Marcia Marcus, Charles Addams, Eva Hesse, Frank Gallo, Tony DeLap, Dorothea Rockburne, Time Doyle, Sol LeWitt, Donald Judd, Carl Andre, Nancy Graves, Marty Greenbaum, Abe Sachs, Mel Bochner, Jan Groover, Alice Aycock, Alice Adams, Jackie Windsor, Scott Burton, Siah Armajani, Michelle Stuart, Lucy Lippard, Zaha Hadid, Max Hutcinson, Andrea Blum, and others.
Biographical / Historical:
Jackie Ferrara (1929- ) is a sculptor. Ferrara works with the built environment in her designs for courtyards and architectural structures.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Audio: ACCESS RESTRICTED; Use requires written permission.
Topic:
Women sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ferrar09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ferrar09

Eugenie Gershoy papers

Creator:
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Federal Art Project (N.Y.)  Search this
Woodstock Artists Association (Woodstock, N.Y.)  Search this
Yaddo (Artist's colony)  Search this
Baker, Mildred, 1905-  Search this
Blanch, Arnold, 1896-1968  Search this
Blanch, Lucile, 1895-1981  Search this
Breeskin, Adelyn Dohme, 1896-1986  Search this
Calder, Alexander Stirling, 1870-1945  Search this
Dehn, Virginia  Search this
Force, Juliana, 1876-1948  Search this
Fruhauf, Aline, 1909-1978  Search this
Gottlieb, Harry, 1895-  Search this
Hart, Agnes, 1912-1979  Search this
Knight, Frederic C., 1898-1979  Search this
Marantz, Irving, 1912-1972  Search this
Millay, Edna St. Vincent, 1892-1950  Search this
Nakian, Reuben, 1897-1986  Search this
Picken, George, 1898-  Search this
Pollet, Joseph C., 1897-1979  Search this
Presser, Josef, 1906-1967  Search this
Refregier, Anton, 1905-  Search this
Scaravaglione, Concetta, 1900-1975  Search this
Soyer, Moses, 1899-1974  Search this
Soyer, Raphael, 1899-1987  Search this
Thomson, Virgil, 1896-  Search this
Varda, Jean  Search this
Extent:
7.2 Linear feet
Type:
Collection descriptions
Archival materials
Prints
Christmas cards
Photographs
Sketchbooks
Sketches
Place:
Woodstock (N.Y.)
Date:
1914-1983
Summary:
The papers of sculptor and art instructor, Eugenie Gershoy, measure 7.2 linear feet and date from 1914 to 1983. The collection documents Gershoy's career through biographical material, correspondence, business records, notes, writings, artwork, printed material, and photographs.
Scope and Content Note:
The Eugenie Gershoy papers date from 1914 to 1983, measure 7.2 linear feet, and reflect Gershoy's career as a sculptor and teacher. The collection contains biographical material, correspondence, business records, notes, writings, artwork of Gershoy and others, printed material including exhibition catalogs, and photographs with subjects including Gershoy, her friends and colleagues, her studio, and her artwork.

Correspondence forms the bulk of the collection and includes correspondence between Gershoy and her siblings and their families regarding her activities, as well as with colleagues, many of whom were associated with the Woodstock Artist Association, and many of whom were museum colleagues.
Arrangement:
The collection is arranged into eight series according to material type. The contents of each series have been arranged chronologically.

Series 1: Biographical Material, 1939-1971 (boxes 1, 8-9; 3 folders)

Series 2: Correspondence, 1914-1983, undated (boxes 1-6, 8-9; 5.8 linear ft.)

Series 3: Business Records, 1952-1978 (box 6; 5 folders)

Series 4: Notes, 1967-1970, undated (box 6; 3 folders)

Series 5: Writings, 1970, undated (box 6; 2 folders)

Series 6: Artwork, 1932-1978, undated (boxes 6, 8-9, OV 10, 26 folders)

Series 7: Printed Material, 1932-1983, undated (boxes 7, 9; 19 folders)

Series 8: Photographs, 1916-1983, undated (boxes 7, 9; 12 folders)
Biographical Note:
Born in Krivoi Rog, Russia on January 1, 1901, Eugenie was the youngest of the Gershoy children. The family immigrated to New York City in 1903. She later became a U.S. citizen.

With the aid of two scholarships, she attended the Art Students League and studied under A. Stirling Calder, Leo Lentelli, Kenneth Hayes Miller, Boardman Robinson, and Carl Walters. During the late 1920s and early 1930s, she maintained a studio with Harry Gottlieb in Woodstock, New York. From 1936 to 1939, under the WPA Federal Art Project, she worked in conjunction with Max Spivak on murals for the children's recreation room in the Astoria branch of the Queens Borough Public Library, New York.

Gershoy's first solo show was at the Robinson Gallery in New York in 1940. Following a year of teaching at the New Orleans Art School, she moved to San Francisco in 1942. In 1946 she taught ceramics at the California School of Fine Arts, and in May 1950, she studied at Yaddo.

In addition to visits to England and France in the early 1930s, Gershoy travelled to Mexico and Guatemala in 1947, 1948, and 1961. She worked in Paris in 1951 and toured Africa, India, and the Orient in 1955.

Eugenie Gershoy died in 1986.
Related Material:
Related material in the Archives of American Art includes a transcribed oral history interview with Eugenie Gershoy conducted by Mary McChesney for the Archives of American Art's New Deal and the Arts Oral History Program, October 15, 1964. A link to the transcript is provided from the online catalog.
Provenance:
The Eugenie Gershoy papers were donated to the Archives of American Art between 1975 and 1983 by the artist.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Eugenie Gershoy papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- New York (State) -- New York  Search this
Federal aid to the arts  Search this
Artists -- New York (State) -- Woodstock  Search this
Artists' studios -- New York (State) -- New York -- Photographs  Search this
Women painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Women sculptors -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Prints
Christmas cards
Photographs
Sketchbooks
Sketches
Citation:
Eugenie Gershoy papers, 1914-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gerseuge
See more items in:
Eugenie Gershoy papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gerseuge

Ruth Vollmer papers

Creator:
Vollmer, Ruth, 1903-1982  Search this
Extent:
2.3 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1939-1980
Scope and Contents:
Correspondence, photographs, financial material, printed material, sketches, appointment books, and lecture notes.
UNMICROFILMED: Correspondence; photographs and slides; financial material; an appointment book; lecture notes; a sketch for a steel sculpture; and printed material.
REELS 55-56: Correspondence; photographs of art work; catalogs, clippings, and exhibition announcements.
Biographical / Historical:
Sculptor; New York, N.Y.; b. 1902; d. 1982
Provenance:
Material on reels 55-56 lent for microfilming by Vollmer, 1971. Photographs on reel 55-56 donated by Vollmer, 1971. Unmicrofilmed material donated by the Vollmer estate, 1981, through Thomas N. McCarter, executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Women sculptors -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Identifier:
AAA.vollruth
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vollruth

Bernice West Beyers papers

Creator:
Beyers, Bernice West, 1906-1987  Search this
Extent:
1.7 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Photographs
Date:
1912-1987
Summary:
The papers of sculptor Bernice West Beyers measure 1.7 linear feet and date from 1912-1987. Found within the papers are biographical material; letters that discuss sculpture commissions and exhibitions; scattered business and financial records; notes and writings; a sketchbook; printed material, including 3 scrapbooks of clippings; and photographs of Beyers and photograph albums of her art work.
Scope and Content Note:
The papers of sculptor Bernice West Beyers measure 1.7 linear feet and date from 1912-1987. Found within the papers are biographical material; letters that discuss sculpture commissions and exhibitions; scattered business and financial records; notes and writings; a sketchbook; printed material, including 3 scrapbooks of clippings; and photographs of Beyers and photograph albums of her art work.
Arrangement:
The collection is arranged as 7 series. All series are arranged chronologically. All oversized material has been housed in Box 3 (sol) and is referenced in the folder headings of the Series Description/Container Listing.

Series 1: Biographical Material, 1923-1935, undated (Box 1; 2 folders)

Series 2: Correspondence, 1928-1974, undated (Box 1; 16 folders)

Series 3: Business Records, 1923-1960, undated (Box 1; 11 folders)

Series 4: Notes and Writings, 1925-1967, undated (Box 1, 3; 10 folders)

Series 5: Art Work, undated (Box 1; 2 folders)

Series 6: Printed Material, 1912-1987, undated (Box 1, 3; 33 folders)

Series 7: Photographs, 1937-1956, undated (Box 1, 2, 3; 29 folders)
Biographical Note:
Berenice West Byers (1906-1987)worked as as sculptor in the New York and New England area. Later in life, she became a patron of the arts in Dallas, Texas.

Bernice Delemar West was born on April 26, 1906 in New York City, the daughter of Abigail Palmer and E. Lovette West, an engineer. In 1925 she graduated from the Bennett School in Millbrook, New York, where she took diplomas in both drama and fine arts. After a summer trip to Europe with classmates, she spent the next year studying drama with Winifred Lenihan at the Theatre Guild. In the summer of 1926, she did summer stock in Binghamton as a member of Actors Equity. In 1927 she began to pursue a career in sculpture and pottery.

She first worked in the studio of Lu Duble, her former teacher at the Bennett School. From 1927 to 1929, she also studied under Alexander Archipenko, Edmond R. Amateis, and Winold Reiss. In the fall of 1929, West began studies at the Art Students League under William Zorach.

Beginning in 1934, she exhibited primarily in New England and Florida. She was later influenced by the Haitian and Mayan art work she encountered while on a Guggenheim Fellowship in 1937-1938.

West was married in March 1940 to Robert Arthur Beyers, and their family moved permanently to Dallas, Texas, where they were primarily patrons of the arts.

Bernice West Beyers died in 1987.
Provenance:
The Bernice West Beyers papers were donated in 1988 by Robert West Beyers, the artist's son.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Bernice West Beyers papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Works of art  Search this
Sculpture, Modern -- 20th century  Search this
Sculptors -- New York (State)  Search this
Women sculptors -- New York (State)  Search this
Genre/Form:
Sketchbooks
Photographs
Citation:
Bernice West Beyers papers, 1912-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.beyebern
See more items in:
Bernice West Beyers papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-beyebern

Concetta Maria Scaravaglione papers, 1916-1976

Creator:
Scaravaglione, Concetta Maria, 1900-1975  Search this
Topic:
Sculpture -- New York (State) -- New York  Search this
Women sculptors  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)8568
(DSI-AAA_SIRISBib)210747
AAA_collcode_scarconc
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210747

Concetta Maria Scaravaglione papers

Creator:
Scaravaglione, Concetta, 1900-1975  Search this
Extent:
2.9 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1916-1976
Summary:
The papers of sculptor and educator Concetta Scaravaglione measure 2.9 linear feet and date from 1916 to 1976. The papers document Scaravaglione's career through biographical material, correspondence, writings, professional files, personal business records, printed material, and photographs.
Scope and Contents:
The papers of sculptor and educator Concetta Scaravaglione measure 2.9 linear feet and date from 1916 to 1976. The papers document Scaravaglione's career through biographical material, correspondence, writings, professional files, personal business records, printed material, and photographs.
Arrangement:
The papers are arranged as 7 series.

Series 1: Biographical Material, 1916-1975 (0.3 linear feet; Box 1)

Series 2: Correspondence, 1920-1976 (1 linear foot; Boxes 1-2)

Series 3: Writings and Notes, circa 1930-1970s (0.1 linear feet; Box 2)

Series 4: Professional Files, 1931-1968 (0.2 linear feet; Box 2)

Series 5: Personal Business Records, 1937-1973 (3 folders; Box 2)

Series 6: Printed Material, 1924-1974 (0.9 linear feet; Boxes 2-4)

Series 7: Photographs, circa 1920s-1970s (0.4 linear feet, Box 4, OV5)
Biographical / Historical:
Concetta Maria Scaravaglione (1900-1975) was a sculptor and educator from New York City, New York. She participated in the Treasury Section of Painting and Sculpture under the Works Progress Administration.

Scaravaglione was born to Italian immigrants in 1900 in New York City. She began her study of art at the National Academy of Design, but her classes were cut due to the institution's decision to end co-educational classes. She secured a scholarship to the Art Students League in the mid-1920s and also accepted a grant to study at the Louis Comfort Tiffany Institute in Oyster Bay, New York.

During the Great Depression, Scaravaglione completed four commissions for the Treasury Relief Art Project, notably works for a post office in Drexel Hill, Pennsylvania and the Federal Trade Commission Building in Washington, D.C. Subsequently, she had a long teaching career at Vassar College, the Skowhegan School of Painting and Sculpture, the American Academy in Rome, and Black Mountain College.

Concetta Scaravaglione died in New York City in 1975.
Provenance:
The papers were donated in 1976 by Edward J. Scarvalone, Scaravaglione's nephew.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Topic:
Sculpture -- New York (State) -- New York  Search this
Women sculptors  Search this
Women artists  Search this
Citation:
Concetta Maria Scaravaglione papers, 1916-1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.scarconc
See more items in:
Concetta Maria Scaravaglione papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-scarconc

Frances Kent Lamont papers

Creator:
Lamont, Frances Kent, 1899-1975  Search this
Names:
Twain, Mark, 1835-1910  Search this
Extent:
0.7 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Drawings
Date:
1909-1970
Summary:
The scattered papers of sculptor Frances Kent Lamont measure 0.7 linear feet and date from 1909 to 1970. Papers include letters, a school notebook, printed material, two scrapbooks, sketches, and photographs including family snapshots, portraits, and photos of works of art.
Scope and Contents:
The scattered papers of sculptor Frances Kent Lamont measure 0.7 linear feet and date from 1909 to 1970. Papers include letters, a school notebook, printed material, two scrapbooks, sketches, and photographs including family snapshots, portraits, and photos of works of art.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Sculptor Frances Kent Lamont (1899-1970) was active in New York, New York. She is known for her war memorials and exhibited extensively in the United States and Europe.

Lamont was born in New York City, but spent some of her childhood in Italy with her father, architect William Winthrop Kent. She studied at the Art Students League and the School of American Sculpture under Solon Borglum upon returning to the United States. In the 1930s, she studied in Paris and exhibited there until the outbreak of World War II. She was a member of the National Sculpture Society. She married Robert Patterson Lamont Jr.
Provenance:
The papers of Frances Kent Lamont were donated in 1975 by Charlotte Austin Kent, the artist's sister.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information
Occupation:
Sculptors -- New York (State) -- New York  Search this
Topic:
Women sculptors  Search this
Women artists  Search this
Genre/Form:
Sketchbooks
Drawings
Citation:
Frances Kent Lamont papers, 1909-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lamofran
See more items in:
Frances Kent Lamont papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lamofran

Anna Hyatt-Huntington papers

Creator:
Huntington, Anna Hyatt, 1876-1973  Search this
Extent:
0.8 Linear feet ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1902-1967
Scope and Contents:
Correspondence; photographs; manuscripts; exhibition catalog; clippings; and printed material.
REEL 3890: Business letters, bills, receipts and shipping records, 1902-1923, concerning the casting of Huntington's sculptural works.
REEL 3891: Ten letters; 3 manuscripts, consisting of "Anna Hyatt Huntington, Sculpteur de la Vie" by Emile Schaub-Koch, "Sybil Ludington and Her Historic Ride" by Rosetta Bohnert, and "Anna Hyatt Huntington and Her Sculptural Work" by Dr. Rosaura Garcia Tuduri; six photographs of Huntington; a photograph of a painting of Huntington by Herbert Bohnert; 182 photographs of works of art by Huntington; miscellaneous photographs including one showing Huntington's exhibition at the Hispanic Society, 1958; clippings; an exhibition catalog from the American Academy of Arts and Letters; a copy of ANNA HYATT HUNTINGTON AND THE HINDU PEOPLE by Emile Schaub-Koch, 1960; and printed material.
Biographical / Historical:
Sculptor; New York, N.Y.
Provenance:
Material on reel 3890 donated 1976 by A. Hyatt Mayor, material on reel 3891 transfered 1979 by the National Collection of Fine Arts Library to the Archives of American Art.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Animal sculptors  Search this
Topic:
Women sculptors -- New York (State) -- New York  Search this
Animal sculpture  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Identifier:
AAA.huntanna
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-huntanna

Marjorie Strider papers, 1965-1978

Creator:
Strider, Marjorie Virginia, 1934-  Search this
Subject:
University of Iowa  Search this
Type:
Diaries
Photographs
Writings
Topic:
Art -- Study and teaching  Search this
Performance artists -- New York (State) -- New York  Search this
Art -- Philosophy  Search this
Women sculptors -- New York (State) -- New York  Search this
Pop art -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)8672
(DSI-AAA_SIRISBib)210852
AAA_collcode_strimarj
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210852
Online Media:

Lorrie Goulet papers, 1931-2009

Creator:
Goulet, Lorrie H., 1925-  Search this
Subject:
Vorhees, Aimee  Search this
De Creeft, José  Search this
Anuszkiewicz, Richard  Search this
Gross, Chaim  Search this
Nalle, Anna Beck  Search this
Vogel, Dorothy  Search this
Vogel, Herbert  Search this
New York Artists Equity Association  Search this
Art Students League (New York, N.Y.)  Search this
Kennedy Galleries  Search this
Carolyn Hill Gallery  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Scarsdale Studio Workshop  Search this
Contemporaries  Search this
David Findlay Galleries  Search this
National Museum of Women in the Arts  Search this
Inwood Pottery School  Search this
New School for Social Research  Search this
Type:
Diaries
Photographs
Interviews
Sound recordings
Video recordings
Scrapbooks
Sketches
Topic:
Art -- Study and teaching -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Transcripts  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Artists' studios -- Photographs  Search this
Women sculptors -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)8983
(DSI-AAA_SIRISBib)211170
AAA_collcode_goullorr
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211170
Online Media:

Marjorie Strider papers

Creator:
Strider, Marjorie  Search this
Names:
University of Iowa -- Faculty  Search this
Extent:
1.8 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Photographs
Writings
Date:
1965-1978
Summary:
The papers of pop artist, sculptor, performance artist, and art instructor Marjorie Strider date from 1965-1978, and measure 1.8 linear feet. Found within the papers are biographical materials, correspondence with colleagues and art institutions, six diaries, scattered business and financial records, notes, writings, teaching and lecture typescripts, printed material, and photographs of the "Peoples' Hole Project" of a summer class taught by Strider at the University of Iowa in 1970.
Scope and Content Note:
The papers of pop artist, sculptor, performance artist, and art instructor Marjorie Strider date from 1965-1978, and measure 1.8 linear feet. Found within the papers are biographical materials, correspondence with colleagues and art institutions, six diaries, scattered business and financial records, notes, writings, teaching and lecture typescripts, printed material, and photographs of the "Peoples' Hole Project" of a summer class taught by Strider at the University of Iowa in 1970.

Biographical materials include an address book. Correspondence is primarily between Strider, colleagues, and art institutions concerning exibitions and art-related activities. Six diaries dated from 1968 through 1973 contain very brief daily entries. Business records are primarily financial, but also include contracts for a commissioned poster for the HKL, Ltd. Project "Ikebana International," and for a merger between the stockholders of Chick Pea Conspiracy, Inc. and Max's Kansas City, Inc.

A teaching file contains material relating to a 1970 summer class taught by Strider and Scott Burton at the University of Iowa contains the best documentation about Strider's ideas about art. Included here are notes outlining various assignments for street performances and avant-garde uses of public spaces, writings by students describing their assignments, miscellaneous printed material, and notes, writings, clippings, and photographs concerning the "Peoples' Hole Project."

Additional notes and writings include miscellaneous teaching and lecture typescripts, a list of artists' names, and miscellaneous notes. Printed material includes clippings, exhibition announcements and catalogs, prospectuses, and press releases.
Arrangement:
The collection is organized into 7 series arranged chronologically:

Series 1: Biographical Material, circa 1968 (Box 1; 1 folder)

Series 2: Correspondence, 1966-1977 (Box 1: 25 folders)

Series 3: Diaries, 1968-1973 (Box 1; 3 folders)

Series 4: Business Records, 1965-1976 (Boxes 1-2; 56 folders)

Series 5: Teaching File from University of Iowa, Iowa City, 1970 (Box 3; 11 folders)

Series 6: Notes and Writings, 1970-1977 (Box 3; 9 folders)

Series 7: Printed Material, 1966-1978 (Box 3; 6 folders)
Biographical Note:
Marjorie Virginia Strider was born on January 26, 1931 in Guthrie, Oklahoma and attended the Kansas City Art Institute in Kansas City, Missouri, earning a Bachelor of Arts degree. After graduating, she spent two years working on window displays for the Robinson Shoe Company in Kansas City.

By the early 1960s, Strider was working as a painter-sculptor in New York City. Along with work by Andy Warhol and Roy Lichtenstein, her work was included in one of the first exhibitions of Pop Art, "First International Girlie Show" at Pace Gallery in 1965. Strider also had solo exhibitions at Pace Gallery in 1965 and 1966, and at Park College, Parkville, Missouri, in 1968.

In 1969, Strider began teaching at the School of Visual Arts in New York. During the summer of 1970, she taught at the University of Iowa in Iowa City.

In the early 1970s, Strider's work evolved into assemblage, three-dimensional multi-media organic forms, street installations, films, and performance pieces, with a characteristic theme of forms breaking out from confined spaces. One of her more famous works, Big Box, 1973, consisted of a hand-constructed cardboard carton displaying an eruption of polyurethane pouring down the side. In 1973 and 1974, Strider had solo exhibitions at the Nancy Hoffman Gallery in New York City.

Strider also participated in group exhibitions at the Felix Handschin Gallery in Basel, Switzerland in 1970, at Boston Museum in 1972, at New York's School of Visual Arts in 1973 and, in 1974, at the Virginia Museum of Art and Storm King Art Center.

Strider's works are in the collections of the Albright-Knox Museum, Des Moines Art Center, New York University, Wadsworth Atheneum, and the Hirshhorn Museum and Sculpture Garden.

Marjorie Strider lives in Saugerties, New York.
Provenance:
Marjorie Strider donated her papers in 1978.
Restrictions:
Use or original papers requires an appointment.
Rights:
The Marjorie Strider papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art teachers -- United States  Search this
Topic:
Art -- Study and teaching  Search this
Performance artists -- New York (State) -- New York  Search this
Art -- Philosophy  Search this
Women sculptors -- New York (State) -- New York  Search this
Pop art -- New York (State) -- New York  Search this
Genre/Form:
Diaries
Photographs
Writings
Citation:
Marjorie Strider papers, 1965-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.strimarj
See more items in:
Marjorie Strider papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-strimarj

Lorrie Goulet papers

Creator:
Goulet, Lorrie, 1925-  Search this
Names:
Art Students League (New York, N.Y.) -- Faculty  Search this
Carolyn Hill Gallery  Search this
Contemporaries (Gallery: New York, N.Y.)  Search this
David Findlay Galleries (New York, N.Y.)  Search this
Inwood Pottery School  Search this
Kennedy Galleries  Search this
Museum of Modern Art (New York, N.Y.)  Search this
National Museum of Women in the Arts (U.S.)  Search this
New School for Social Research (New York, N.Y.)  Search this
New York Artists Equity Association  Search this
Scarsdale Studio Workshop  Search this
Anuszkiewicz, Richard  Search this
De Creeft, José, 1884-1982  Search this
Gross, Chaim, 1904-1991  Search this
Nalle, Anna Beck  Search this
Vogel, Dorothy  Search this
Vogel, Herbert  Search this
Vorhees, Aimee  Search this
Extent:
10 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Photographs
Interviews
Sound recordings
Video recordings
Scrapbooks
Sketches
Date:
1931-2009
Summary:
The papers of New York City sculptor, painter, educator, and writer Lorrie Goulet (1925- ) measure 10.0 linear feet and date from 1931 to 2009. Goulet's career is documented through biographical materials, correspondence, writings and notes, interviews, exhibition files, project and commission files, teaching files, personal business records, printed materials, photographs, and artwork.
Scope and Contents:
The papers of New York City sculptor, painter, educator, and writer Lorrie Goulet (1925- ) measure 10.0 linear feet and date from 1931 to 2009. Goulet's career is documented through biographical materials, correspondence, writings and notes, interviews, exhibition files, project and commission files, teaching files, personal business records, printed materials, photographs, and artwork.

Biographical materials include awards, resumes, membership documents for the New York Artists Equity Association, and a scrapbook and photograph portfolio for Jose de Creeft's birthday in 1969. Scattered school records include a photocopy of a letter from Aimee Vorhees at the Inwood Pottery School.

Goulet's correspondence is mostly professional in nature but includes some letters from friends and family, including Jose de Creeft. Other notable correspondents include Chaim Gross, Herbert and Dorothy Vogel, and Richard Anuszkiewicz.

Writings and notes by Lorrie Goulet include artists' statements; notes and essays on sculpture, including a disbound binder entitled "Quadrations"; three journals about the creation of Enigma; a statement on Green Serpentine; lectures and talks, including a memorial tribute to Jose de Creeft; and poems. There are also a few writings by others about Goulet.

There are five transcripts of interviews with Lorrie Goulet and with Lorrie Goulet and Jose de Creeft. One of the interviews includes the original sound recordings on cassette tape and one includes a version of the transcript on floppy disc.

Extensive exhibition files document fifty years of Goulet's solo and group exhibitions held at galleries, museums, and institutions throughout the United States. Many of the files are from shows at Carolyn Hill Gallery, The Contemporaries, David Findlay Jr. Gallery, and Kennedy Galleries. Also found is extensive material on Goulet's exhibition at the National Museum of Women in the Arts, Lorrie Goulet: Fifty Years of Making Sculpture (1998). File contents vary, but often contain photographs of openings and of works of art, correspondence, printed material, and price lists.

Project and commission files document Goulet's public commissioned works in the New York Public Library, 173 St. Branch, the Nurse's Residence and School at the Bronx Municipal Hospital, the New York City 48th Precinct Station House and Fire House, and the bust of King Juan Carlos I of Spain. There are also files concerning Goulet's television show Around the Corner, an educational children's show that aired from 1964-1968.

Teaching files are from Goulet's positions at the Art Students League, the school at the Museum of Modern Art, the New School for Social Research, and Scarsdale Studio Workshop. Personal business records include scattered bills and receipts for works of art by Goulet and Jose de Creeft and a file regarding Goulet's affiliation with art agent Anna Beck Nalle.

Among the printed materials are clippings, exhibition announcements and catalogs, and issues of magazines and periodicals, many of which include articles about Goulet or her exhibitions. Also found is a videocassette tape concerning Jose de Creeft's Alice in Wonderland narrated by Goulet.

Photographs and eleven photo albums depict Goulet, her family life with Jose de Creeft, celebrations with friends, her artwork and studio, and travel. Also found are photos, slides, and transparencies of works of art. Pencil sketches are by Goulet of her studio. There is also a sketch of Lorrie Goulet by Zorach.
Arrangement:
The collection is arranged as 11 series:

Series 1: Biographical Material, 1931-2009 (0.5 linear feet; Box 1, 11)

Series 2: Correspondence, 1940s-2006 (0.7 linear feet; Box 1)

Series 3: Writings and Notes, 1949-2002 (0.6 linear feet; Box 1-2)

Series 4: Interviews, 1967-2002 (0.3 linear feet; Box 2)

Series 5: Exhibition Files, 1948-2008 (3.1 linear feet; Box 2-5)

Series 6: Project Files, 1950s-2007 (0.8 linear feet; Box 6, 12)

Series 7: Teaching Files, 1958-2000 (0.2 linear feet; Box 6)

Series 8: Personal Business Records, 1969-1990s (2 folders; Box 6)

Series 9: Printed Materials, 1940s-1999 (1.1 linear feet; Box 7-8)

Series 10: Photographs, 1930s-2008 (2.3 linear feet; Box 8-11)

Series 11: Artwork, 1955-1956 (0.1 linear feet; Box 10)
Biographical / Historical:
Lorrie Goulet (1925- ) is a sculptor, painter, educator, and writer active in New York City, New York. She is well-known for direct sculpture on wood and stone.

Lorrie Goulet was born in Riverdale, NY in 1925. As early as the age of seven, Goulet attended the Inwood Pottery School in New York City where she studied under Aimee Vorhees. After the Goulet family moved to Los Angeles, Lorrie continued her studies in art and, in 1940, apprenticed under Jean Rose, a ceramicist in Southern California. In 1943, Goulet enrolled at Black Mountain College in North Carolina where she studied with Joseph and Annie Albers. This is also where she met her husband, sculptor Jose de Creeft; they married in 1944 and had one child, Donna Maria de Creeft. Goulet and de Creeft divided their time between Hoosick Falls, New York and New York City.

Goulet's first solo exhibition was held at the Clay Club Sculpture Center, New York, in 1948. She was represented by Kennedy Galleries in New York, David Findlay Jr. Gallery, and the Harmon Meek Gallery in Naples, Florida. She has exibited widely, including in a number of Annual Exhibitions at the Whitney Museum of American Art, New York, and in the fine arts pavilion of the New York World's Fair of 1965. In 1998, she was honored by the National Museum of Women in the Arts in Washington D.C. with a solo exhibition titled Fifty Years of Making Sculpture.

Goulet taught sculpture at the Museum of Modern Art's Peoples Center, New York, in 1957. From 1961 to 1975 she was on the faculty of the New School, New York, and in 1981 began teaching at the Art Students League of New York, where she taught until 2004. Between 1964-1968 Lorrie Goulet demonstrated sculpture techniques on a CBS Television children's program called "Around the Corner", sponsored by the New York City Board of Education.

Lorrie Goulet's sculpture can be found in the permanent collections of museums across the country. She also completed a number of public sculptures commissioned by the City of New York for several of its public buildings in the Bronx including the Branch Public Library at 173rd Street and Grand Concourse (1958), the Nurses School and Residence, Bronx Municipal Hospital (1961), and the 48th Precinct Police and Fire Station Headquarters (1971) - all in varying materials. A bronx bust of King Juan Carlos I of Spain created by Goulet is displayed in the Royal Palace in Madrid.

Goulet is also a painter, philosopher and poet and continues to work in her studio in New York City.
Related Materials:
Also found in the Archives of American Art are the papers of Lorrie Goulet's husband, sculptor Jose de Creeft.
Provenance:
Lorrie Goulet lent a portion of her papers in 1972 for microfilming and later donated those papers along with additional materials to the Archives of American Art in 2010.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Lorrie Goulet papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art teachers -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Transcripts  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Artists' studios -- Photographs  Search this
Women sculptors -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Diaries
Photographs
Interviews
Sound recordings
Video recordings
Scrapbooks
Sketches
Citation:
Lorrie Goulet papers, 1931-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.goullorr
See more items in:
Lorrie Goulet papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-goullorr
Online Media:

Oral history interview with Jackie Winsor, 1990-1992

Interviewee:
Winsor, Jackie, 1941-  Search this
Interviewer:
Kachur, Lewis  Search this
Subject:
Massachusetts College of Art  Search this
Rutgers University  Search this
Type:
Sound recordings
Interviews
Place:
India -- description and travel
New Brunswick
Newfoundland
SoHo (New York, N.Y.)
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Women sculptors -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13156
(DSI-AAA_SIRISBib)215599
AAA_collcode_winsor90
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215599

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