Search Results

Creator:

Eliasoph, Paula, 1895-1983  Search this

Subject:

Hassam, Childe  Search this

Walkowitz, Abraham  Search this

Citation:

Paula Eliasoph papers, 1917-1980. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women painters  Search this

Women printmakers  Search this

Women educators  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8861

(DSI-AAA_SIRISBib)211046

AAA_collcode_eliapaul

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211046

Creator:

Eliasoph, Paula  Search this

Names:

Hassam, Childe, 1859-1935  Search this

Walkowitz, Abraham, 1880-1965  Search this

Extent:

0.9 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1917-1980

Summary:

The papers of painter, printmaker, and educator, Paula Eliasoph measure 0.9 linear feet and date from 1917 to 1980. While focusing on Eliasoph's later career in arts education and exhibitions, the papers also include sketches from 1917. Found are biographical materials, correspondence, drawings by Eliasoph and one by Abraham Walkowitz, photographs, printed material, a teaching file, and writings.

Scope and Contents:

The papers of painter, printmaker, and educator, Paula Eliasoph measure 0.9 linear feet and date from 1917 to 1980. While focusing on Eliasoph's later career in arts education and exhibitions, the papers also include sketches from 1917. Found are biographical materials, correspondence, drawings by Eliasoph and one by Abraham Walkowitz, photographs, printed material, a teaching file, and writings.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Paula Eliasoph (1895-1983) was a painter, printmaker, and educator in New York City, New York. She studied at the Pratt Institute and had an adjoining studio with Childe Hassam. With Hassam, she edited his catalog raisonne of etchings. She taught courses in art to adults and children and exhibited her artwork around New York City.

Provenance:

Paula Eliasoph donated her papers to the Archives of American Art in multiple accretions between 1971 and 1980.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- New York (State) -- New York  Search this

Printmakers -- New York (State) -- New York  Search this

Educators -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women painters  Search this

Women printmakers  Search this

Women educators  Search this

Citation:

Paula Eliasoph papers, 1917-1930. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.eliapaul

See more items in:

Paula Eliasoph papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9931da0a7-ad88-4e6c-b169-242437359143

EDAN-URL:

ead_collection:sova-aaa-eliapaul

Creator:

Allen, Mary Cecil, 1893-1962  Search this

Subject:

Hensche, Henry  Search this

Allen, Mary Cecil  Search this

Type:

Scrapbooks

Citation:

Mary Cecil Allen papers, 1928-1970. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women painters  Search this

Women educators  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)6674

(DSI-AAA_SIRISBib)215997

AAA_collcode_allemary

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_215997

Creator:

Allen, Mary Cecil, 1893-1962  Search this

Names:

Allen, Mary Cecil, 1893-1962  Search this

Hensche, Henry, 1901-  Search this

Extent:

0.2 Linear feet

Type:

Collection descriptions

Archival materials

Scrapbooks

Date:

1928-1970

Summary:

The scattered papers of Australian artist and lecturer Mary Cecil Allen measure 0.2 linear feet and date from 1928 to 1970. Found is a copy of Allen's book, The Mirror of the Passing World (1928) and a mixed media scrapbook focusing on Allen's return to Melbourne, Australia. Inserted in the book are a letter to Elisabeth Hooker, and a snapshot of Allen with the painters Henry and Ada Hensche and art shop owner, Will Rogers, in the Hensche's house, Provincetown, Massachusetts.

Scope and Contents:

The scattered papers of Australian-born painter and educator Mary Cecil Allen measure 0.2 linear feet and date from 1928 to 1970. Found is a copy of Allen's book, The Mirror of the Passing World (1928) and a mixed media scrapbook focusing on Allen's return to Melbourne, Australia. Inserted in the book are a letter to Elisabeth Hooker, and a snapshot of Allen with the painters Henry and Ada Hensche and art shop owner, Will Rogers, in the Hensche's house, Provincetown, Massachusetts.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Mary Cecil Allen (1893-1962) was a painter and educator in Melbourne, Australia, New York, New York, and Provincetown, Massachusetts who was also known as Cecil Allen and Mary Cecil.

Born in Australia, Allen studied at the National Gallery of Victoria for several years, and briefly at the Slade School in London. In 1927, she accepted an invitation to lecture on art for the People's Institute, sponsored by the Carnegie Corporation. The lectures formed the basis for her two books, The Mirror of the Passing World and Painters of the Modern Mind, and for her successful lifelong career as a lecturer. She returned to Melbourne during 1935-1936, where she lectured on modern art and exhibited her work. From 1950 until her death she split her time between Provincetown, Massachusetts and Australia. She died in Provincetown on April 7, 1962.

Provenance:

The collection was donated to the Archives of American Art in 1996 by Elisabeth Hooker. Hooker was a friend of Allen's and found the papers among Allen's effects soon after her death.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- Massachusetts -- Provincetown  Search this

Educators -- Massachusetts -- Provincetown  Search this

Educators -- Australia -- Melbourne  Search this

Painters -- Australia -- Melbourne  Search this

Topic:

Women artists  Search this

Women painters  Search this

Women educators  Search this

Genre/Form:

Scrapbooks

Citation:

Mary Cecil Allen papers, 1928-1970. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.allemary

See more items in:

Mary Cecil Allen papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw98d92b3f9-a533-4c56-9c83-cc6e98007920

EDAN-URL:

ead_collection:sova-aaa-allemary

Creator:

Berg, Siri, 1921-2020  Search this

Subject:

American Abstract Artists  Search this

Type:

Video recordings

Citation:

Siri Berg papers, 1966-1998. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women painters  Search this

Women educators  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)6171

(DSI-AAA_SIRISBib)216405

AAA_collcode_bergsiri

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_216405

Creator:

Ferriter, Clare, 1913-1994  Search this

Extent:

1.3 Linear feet

Type:

Collection descriptions

Archival materials

Scrapbooks

Sound recordings

Date:

1930-1978

Summary:

The papers of painter, collagist, and educator Clare Ferriter measure 1.3 linear feet and date from 1930 to 1978. The collection focuses on Ferriter's career, commissions, and her participation with organizations in Washington, D.C.. Found are biographical materials, correspondence, photographs of works of art, printed material, a dismantled scrapbook, subject files, and writings. Also found is a sound recording of Ferriter's remarks during the unveiling of a portrait for V. E. McKelvey.

Scope and Contents:

The papers of painter, collagist, and educator Clare Ferriter measure 1.3 linear feet and date from 1930 to 1978. The collection focuses on Ferriter's career, commissions, and her participation with organizations in Washington, D.C.. Found are biographical materials, correspondence, photographs of works of art, printed material, a dismantled scrapbook, subject files, and writings. Also found is a sound recording of Ferriter's remarks during the unveiling of a portrait for V. E. McKelvey.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Clare Ferriter (1909-1994) was a painter, collagist, and educator in Washington, D.C.. Born in North Dakota, Ferriter did graduate work at Stanford University and taught at Catholic University. She is a former president of the D.C. chapter of the Artists Equity Association.

Provenance:

Donated 1979 by Clare Ferriter.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- Washington (D.C.)  Search this

Educators -- Washington (D.C.)  Search this

Collagists -- Washington (D.C.)  Search this

Topic:

Women artists  Search this

Women painters  Search this

Women educators  Search this

Genre/Form:

Scrapbooks

Sound recordings

Citation:

Clare Ferriter papers, 1930-1978. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.ferrclar

See more items in:

Clare Ferriter papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw909be0db0-53f2-4094-a25e-528e927a5b41

EDAN-URL:

ead_collection:sova-aaa-ferrclar

Creator:

Berg, Siri, 1921-2020  Search this

Names:

American Abstract Artists  Search this

Extent:

1.1 Linear feet

Type:

Collection descriptions

Archival materials

Video recordings

Date:

1966-1998

Summary:

The papers of Swedish-born painter and collagist Siri Berg measure 1.1 linear feet and date from 1966 to 1998. The bulk of the collection consists of studies for artwork, and may include paint color choices and samples, sketches, plans, and notes. Also found are scattered correspondence, photographs, printed material, and a video recording of Berg in her SoHo studio.

Scope and Contents:

The papers of Swedish-born painter and collagist Siri Berg measure 1.1 linear feet and date from 1966 to 1998. The bulk of the collection consists of studies for artwork, and may include paint color choices and samples, sketches, plans, and notes. Also found are scattered correspondence, photographs, printed material, and a video recording of Berg in her SoHo studio.

Studies for artworks include Berg's The Black Series, Cosmic Veil, Kabala Series, La Ronde, and Tops of Kites. Photographs depict Berg, exhibitions, and works of art.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Siri Berg (1921-2020) was a collagist, abstract painter, and educator active in New York City, who was known for making collages of geometric shapes on paper she printed herself.

Berg was born in Stockholm, Sweden, and studied art in Brussels, Belgium, before immigrating to the United States in 1940. Berg began her career working in window design for the New York City fashion industry. Later, in the 1970s, Berg began to focus on commissioned work and moved to a studio in SoHo. She exhibited her works throughout New York City and Philadelphia and was an active member of the American Abstract Artists group. Berg was also an educator who taught color theory at Parsons School of Design for over 25 years.

Berg died in New York City in 2020.

Provenance:

Siri Berg donated her papers to the Archives of American Art in 1998.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- New York (State) -- New York  Search this

Educators -- New York (State) -- New York  Search this

Collagists -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women painters  Search this

Women educators  Search this

Genre/Form:

Video recordings

Citation:

Siri Berg papers, 1966-1998. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received federal support from the Collections Care Initiative Fund, administered by the Smithsonian American Women's History Initiative and the National Collections Program

Identifier:

AAA.bergsiri

See more items in:

Siri Berg papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw99f5e00f2-f26e-4bb7-9545-d750929d07c1

EDAN-URL:

ead_collection:sova-aaa-bergsiri

Creator:

Brigadier, Anne, 1908-1998  Search this

Extent:

45 Items

Type:

Collection descriptions

Archival materials

Date:

1955-1974

Scope and Contents:

Thirteen letters, a curriculum vitae, two photographs of Brigadier and two of her work, the original manuscript and a published copy of her book COLLAGE--A COMPLETE GUIDE FOR ARTISTS, 23 exhibition catalogues, and two clippings.

Biographical / Historical:

Painter, lecturer, and writer (New York City).

Provenance:

Donated 1977 by Anne Brigadier.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.

Occupation:

Painters -- New York (State) -- New York  Search this

Authors -- New York (State) -- New York  Search this

Educators -- New York (State) -- New York  Search this

Collagists -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women painters  Search this

Women authors  Search this

Women educators  Search this

Identifier:

AAA.briganne

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw91f10f125-0e8a-4315-8307-cf7fed561c7a

EDAN-URL:

ead_collection:sova-aaa-briganne

Creator:

DeMonte, Claudia, 1947-  Search this

McGowin, Ed, 1938-  Search this

Extent:

7.2 Linear feet

Type:

Collection descriptions

Archival materials

Video recordings

Date:

1960-2018

Summary:

The papers of Claudia DeMonte and Ed McGowin measure 7.2 linear feet and date between 1960 and 2018. The papers primarily document Claudia DeMonte's career as a painter, and to a lesser extent her husband's career, through correspondence with family, friends, colleagues, and art institutions; notebooks, poetry, and other writings; scrapbooks; curriculum vitas, awards and certificates, commissions, and other professional activity; exhibition announcements and catalogs, newspaper clippings, magazine articles, and other printed material; sketchbooks and other artwork; personal photographs, portraits, of artwork, and other photographic material.

Scope and Contents:

The papers of Claudia DeMonte and Ed McGowin measure 7.2 linear feet and date between 1960 and 2018. The papers primarily document Claudia DeMonte's career as a painter, and to a lesser extent her husband's career, through correspondence with family, friends, colleagues, and art institutions; notebooks, poetry, and other writings; scrapbooks; curriculum vitas, awards and certificates, commissions, and other professional activity; exhibition announcements and catalogs, newspaper clippings, magazine articles, and other printed material; sketchbooks and other artwork; personal photographs, portraits, of artwork, and other photographic material.

Correspondence includes letters and postcards to and from family, friends, colleagues, and art institutions.

Writings includes a file of poetry written by DeMonte, manuscripts of books written by DeMonte, and a series of notebooks. Some of the notebooks are a combination of notes and sketches.

Scrapbooks consist of eight scrapbooks consisting of mixed material such as notes, photographs, sketches, and printed material.

Professional material consists of awards and certificates, a large number of calendars, commision work including an art project for the University of Northern Iowa completed by both DeMonte and McGowin, and a number of VHS and Betamax cassettes documenting DeMonte's career and interviews in connection with her Women of the World exhibition.

Printed material consists of newspaper clippings, magazine articles, exhibition announcements and catalogs, exhibition posters, and newsletters.

Artwork consists of a file of drawings and some sketchbooks.

Photographic material consists of photographs and slides of DeMonte, her artwork, and some of her exhibitions. There is also a file of photographs of DeMonte and McGowin at the White House with First Lady Laura Bush, and there are personal photographs of DeMonte and McGowin traveling and with family and friends.

Arrangement:

The collection is arranged into seven series.

Series 1: Correspondence, 1967-2013 (1.7 linear feet; Boxes 1-2)

Series 2: Writings, 1975-2013 (0.5 linear feet; Boxes 2-3)

Series 3: Scrapbooks, 1967-2009 (1.0 linear feet; Box 3, 9-10)

Series 4: Professional Activity Files, 1964-2013 (1.7 linear feet; Boxes 3-5, 9)

Series 5: Printed Material, 1960-2018 (1.9 linear feet; Boxes 5-7)

Series 6: Artwork, circa 1973 (0.1 linear feet; Box 7)

Series 7: Photographic Material, circa 1977-2010 (0.3 linear feet; Boxes 7-8)

Biographical / Historical:

Claudia DeMonte (1947- ) was born and raised in Astoria, New York City. She has more than 100 one-person shows and 600 group exhibitions nationally and internationally, including exhibitions at the Corcoran Museum, Modern Art Museum of Fort Worth, Mississippi Museum, Tucson Museum, Flint Institute of Art, Museum of the Southwest, etc.

Her work is in numerous museum permanent collections, including the Brooklyn Museum of Art, Stamford Museum, Boca Raton Museum, and in major corporate collections such as those of Hyatt Regency Hotels, Exxon, Citibank and Siemens. Her public commissions have come from the New York City Department of Cultural Affairs, Brooklyn Library System, Queens Supreme Court, Prudential Life Insurance, the State of New Mexico, and New York City School Construction Authority.

DeMonte is also the curator of "Women of the World: A Global Collection of Art." This traveling exhibition, with accompanying books, includes works of women from 177 countries dealing with the images of women.

DeMonte's work is heavily influenced by her travels to over 80 countries, her interest in the roles of women in contemporary society and Outsider Art, a collection compiled with her husband, artist Ed McGowin.

For 33 years, DeMonte has served on the faculty of the University of Maryland, where she was named Distinguished Scholar Teacher and Professor Emerita. In 2006, She was awarded an Honorary Doctorate from the College of Santa Fe.

DeMonte presently lives with her husband in New York City and Kent, Connecticut.

Ed McGowin (1938- ) was born in 1938 in Hattiesburg, Mississippi and grew up in Mississippi and Alabama, receiving the M.A. from the University of Alabama. He has had one-person exhibitions at the Corcoran Gallery in Washington, D.C.; the Baltimore Museum; and the Museum of Modern Art of the City of Paris, France. Since 1979, McGowin has executed major outdoor commissions for numerous public and private organizations, often collaborating with his wife, Claudia DeMonte.

Related Materials:

Also found in the Archives of American Art is an oral history interview with Claudia DeMonte conducted by Liza Kirwin between February 13 and April 24, 1991; and the Ed McGowin papers, 1962-1998.

Provenance:

The Claudia DeMonte and Ed McGowin papers were donated in 1994 by Claudia DeMonte and in 2020 by Claudia DeMonte and Ed McGowin.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- New York (State) -- New York  Search this

Mixed-media artists -- New York (State) -- New York  Search this

Educators -- Maryland -- College Park  Search this

Painters -- New York (State) -- New York  Search this

Collagists -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women sculptors  Search this

Women educators  Search this

Genre/Form:

Video recordings

Citation:

Claudia DeMonte and Ed McGowin papers, 1960-2018. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.democlau

See more items in:

Claudia DeMonte and Ed McGowin papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw98cf90804-0751-4bb3-b276-8f730e83692b

EDAN-URL:

ead_collection:sova-aaa-democlau

Interviewee:

DeMonte, Claudia, 1947-  Search this

Interviewer:

Kirwin, Liza  Search this

Names:

Gracie Mansion Gallery  Search this

McGowin, Ed, 1938-  Search this

Extent:

54 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1991 February 13- April 24

Scope and Contents:

An interview of Claudia DeMonte conducted 1991 February 13-1991 April 24, by Liza Kirwin, for the Archives of American Art.

DeMonte recalls her childhood and growing up in Astoria, New York; her Italian heritage and Catholic education; her early work including the "trade pieces"; the calendar she produced for the Corcoran Gallery show "Five Plus One" in 1976; her marriage to artist Ed McGowin; moving from Washington, D.C. to New York; the making and meaning of her "Claudia dolls"; exhibiting at the Gracie Mansion Gallery; the art community in the East Village in the early 1980s; the dealer Gracie Mansion; gallery representation outside of New York; critical acceptance of her art; collecting the work of Southern self-taught artists and the influence of Sister Gertrude Morgan and James Son Ford Thomas; work methods and techniques; autobiographical and feminist themes; teaching at the university of Maryland from 1972 to the present; and new directions in her art.

Biographical / Historical:

Claudia DeMonte (1947- ) is a painter, mixed-media artist, and instructor of College Park, Maryland and New York, New York.

General:

Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 2 hr., 22 min.

Provenance:

These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.

Restrictions:

Transcript available on the Archives of American Art website.

Occupation:

Sculptors -- New York (State) -- New York  Search this

Mixed-media artists -- New York (State) -- New York  Search this

Educators -- Maryland -- College Park  Search this

Collagists -- New York (State) -- New York  Search this

Topic:

Feminism  Search this

Women artists  Search this

Women sculptors  Search this

Women educators  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.demont91

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw90981449b-2ae6-48db-acbf-6aa8adbdf658

EDAN-URL:

ead_collection:sova-aaa-demont91

Artist:

French, Daniel Chester 1850-1931  Search this

Subject:

Gallaudet, Thomas Hopkins  Search this

Cogswell, Alice  Search this

Type:

Photograph

Date:

1888

Topic:

Portrait group  Search this

Portrait male--Full length  Search this

Portrait female--Child  Search this

Occupation--Education--Teacher  Search this

Occupation--Education--Student  Search this

State of Being--Disabled--Deaf  Search this

Image number:

SSC S0000911

See more items in:

Photograph Study Collection

Metropolitan Museum of Art Study Collection of American Sculpture Photographs

Data Source:

Photograph Study Collection, Smithsonian American Art Museum

EDAN-URL:

edanmdm:siris_jul_127621

Artist:

French, Daniel Chester 1850-1931  Search this

Photographer:

Cleff, Bernie 1927-  Search this

Subject:

Gallaudet, Thomas Hopkins  Search this

Cogswell, Alice  Search this

Type:

Photograph

Date:

1885-1888. Cast 1889. Dedicated June 26, 1889

Topic:

Portrait male--Full length  Search this

Occupation--Education--Teacher  Search this

Portrait female--Child  Search this

Portrait female--Full length  Search this

Occupation--Education--Student  Search this

State of Being--Disabled--Deaf  Search this

Image number:

CLE C0000010

See more items in:

Photograph Study Collection

Bernie Cleff Photographs of Daniel Chester French sculpture

Data Source:

Photograph Study Collection, Smithsonian American Art Museum

EDAN-URL:

edanmdm:siris_jul_129342

Artist:

French, Daniel Chester 1850-1931  Search this

Subject:

Gallaudet, Thomas  Search this

Cogswell, Alice  Search this

Type:

Photograph

Topic:

Figure group  Search this

Portrait male--Full length  Search this

Occupation--Education--Teacher  Search this

Portrait female--Child  Search this

State of Being--Disabled--Deaf  Search this

Study--Model  Search this

Image number:

JUL J0006116

See more items in:

Photograph Study Collection

Data Source:

Photograph Study Collection, Smithsonian American Art Museum

EDAN-URL:

edanmdm:siris_jul_6116

Sculptor:

French, Daniel Chester 1850-1931  Search this

Founder:

Henry-Bonnard Bronze Company  Search this

Subject:

Gallaudet, Thomas Hopkins  Search this

Cogswell, Alice  Search this

Medium:

Sculpture: bronze; Base: granite

Type:

Sculptures-Outdoor Sculpture

Sculptures

Owner/Location:

Gallaudet University 800 Florida Avenue, N.E Washington District of Columbia 20002

Date:

1887-1888. Cast 1889. Dedicated June 26, 1889

Topic:

Portrait male--Full length  Search this

Occupation--Education--Teacher  Search this

Portrait female--Full length  Search this

State of Being--Disabled--Deaf  Search this

Control number:

IAS 76009556

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_20523

Distributor:

Ensign, Thayer and Company  Search this

Lithographer:

Kellogg, Elijah Chapman  Search this

Physical Description:

hand-colored (image production method/technique)

ink (overall material)

paper (overall material)

Measurements:

image: 12 in x 8 3/4 in; 30.48 cm x 22.225 cm

overall: 17 in; 43.18 cm

Object Name:

lithograph

Object Type:

Lithograph

Place made:

United States: Connecticut, Hartford

Date made:

ca 1850

Subject:

Children  Search this

Furnishings  Search this

Costume  Search this

Marriage  Search this

Family  Search this

Related Publication:

Peters, Harry T.. America on Stone

Credit Line:

Harry T. Peters "America on Stone" Lithography Collection

ID Number:

DL.60.2221

Catalog number:

60.2221

Accession number:

228146

See more items in:

Home and Community Life: Domestic Life

Art

Peters Prints

Domestic Furnishings

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a1-3695-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_324568

Interviewee:

Andrade, Edna, 1917-2008  Search this

Interviewer:

Likos, Patricia  Search this

Names:

Barnes Foundation  Search this

Easthampton Gallery  Search this

Pennsylvania Academy of the Fine Arts  Search this

Andrade, C. Preston (Clarence Preston), 1912-1977  Search this

Garber, Daniel, 1880-  Search this

Harding, George, 1882-1959  Search this

Oakley, Violet, 1874-1961  Search this

Extent:

114 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1987 April 1-29

Scope and Contents:

An interview of Edna Andrade conducted 1987 April 1-29, by Patricia Likos, for the Archives of American Art.

Andrade speaks of her upbringing in Virginia, her education at the Pennsylvania Academy of the Fine Arts in the 1930s under Daniel Garber, Henry McCarter, and George Harding; visiting the Barnes Foundation; her travels in Europe and Egypt and living and working as a teacher and a graphic designer in New Orleans, Washington, and Philadelphia. She discusses the influence of the Bauhaus and Paul Klee on her work and teaching, her marriage to C. Preston Andrade, working in the training and education division of the Office of Strategic Services during World War II, the shift in her work from realism to abstraction, her associations with the Easthampton Gallery in New York and the Marian Locks Gallery in Philadelphia, and changes in the Philadelphia art scene. She recalls Violet Oakley.

Biographical / Historical:

Edna W. Andrade (1917-2008) was a painter from Philadelphia, Pennsylvania.

General:

Originally recorded on 4 sound cassettes. Reformatted in 2010 as 7 digital wav files. Duration is 3 hrs., 31 minutes.

Provenance:

These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.

Occupation:

Painters -- Pennsylvania -- Philadelphia  Search this

Educators -- Pennsylvania -- Philadelphia  Search this

Topic:

Women artists  Search this

Women painters  Search this

Women educators  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.andrad87

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9a1927de1-a025-414a-af38-77abe44e6683

EDAN-URL:

ead_collection:sova-aaa-andrad87

Creator:

Arnold, Anne, 1925-2014  Search this

Subject:

Brooklyn College  Search this

Skowhegan School of Painting and Sculpture  Search this

Stable Gallery (New York, N.Y.)  Search this

Type:

Scrapbooks

Video recordings

Citation:

Anne Arnold papers, circa 1925-2015. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women sculptors  Search this

Women educators  Search this

Artists' studios -- Photographs  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)16254

(DSI-AAA_SIRISBib)370915

AAA_collcode_arnoanne

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_370915

Creator:

Skiles, Jacqueline Dean, 1937-  Search this

Extent:

0.7 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1963-1980

Summary:

The papers of sculptor, video artist, printmaker, and educator Jacqueline Skiles measure 0.7 linear feet and date from 1963 to 1980. The papers comment on Skiles's feminist activism and career as an educator and exhibiting artist. Found are biographical materials, correspondence, two photographs, printed material, professional files, and writings.

Scope and Contents:

The papers of sculptor, videotape artist, and educator Jacqueline Skiles measure 0.7 linear feet and date from 1963 to 1980. The papers comment on Skiles's feminist activism and career as an educator and exhibiting artist. Found are biographical materials, correspondence, two photographs, printed material, professional files, and writings.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Jacqueline Skiles (1937- ) is a sculptor, printmaker, video artist, educator, and writer in New York City, New York. She has been active in New York feminist arts organizations and co-founded the Women's Interart Center.

Related Materials:

The Archives of American Art also holds an oral history interview of Jacqueline Skiles conducted by Doloris Holmes in 1971 for the Archives of American Art "Art World in Turmoil" oral history project, and the Women's Interart Center records, 1970-1981.

Provenance:

Donated 1979 by Jacqueline Skiles.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- New York (State) -- New York  Search this

Printmakers -- New York (State) -- New York  Search this

Video artists -- New York (State) -- New York  Search this

Educators -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Feminism and art  Search this

Women sculptors  Search this

Women printmakers  Search this

Women educators  Search this

Citation:

Jacqueline Skiles papers, 1963-1980. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.skiljacq

See more items in:

Jacqueline Skiles papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw996d0f227-78cc-4fd0-860d-9e6e2b982826

EDAN-URL:

ead_collection:sova-aaa-skiljacq

Creator:

Nesbitt, Esta  Search this

Names:

Parsons School of Design -- Faculty  Search this

Whitney Museum of American Art  Search this

Xerox Corporation  Search this

Ambert, Anibal  Search this

Beckett, Samuel, 1906-1989  Search this

Einstein, Albert, 1879-1955  Search this

English, Merle  Search this

Ginsberg, Allen, 1926-1997  Search this

Leder, Alan J.  Search this

Lyle, David  Search this

Wood, R. F.  Search this

Extent:

10.05 Linear feet

Type:

Collection descriptions

Archival materials

Sketches

Transcripts

Diaries

Sound recordings

Photographs

Date:

circa 1942-1981

bulk 1964-1975

Summary:

The papers of illustrator, xerography artist, filmmaker, and educator Esta Nesbitt measure 10.05 linear feet and date from circa 1942-1981. Found within the papers are biographical material, correspondence, writings, xerography research files, project and exhibition files, and printed material. Much of the collection relates to Nesbitt's xerography art work. Additionally, the collection includes motion picture film and sound recordings related to her film and performance work.

Scope and Contents:

The papers of illustrator, xerography artist, filmmaker, and educator Esta Nesbitt measure 10.05 linear feet and date from circa 1942-1981. Found within the papers are biographical material, correspondence, writings, xerography research files, project and exhibition files, and printed material. Much of the collection relates to Nesbitt's xerography art work. Additionally, the collection includes motion picture film and sound recordings related to her film and performance work.

Nesbitt's primary collaborators, correspondents, and subjects of investigation are not concentrated in any one series but rather recur throughout the collection. Nesbitt worked closely with Anibal Ambert, Merle English at Xerox Corporation, and the Whitney Museum of American Art. She read and wrote about the accrual of information, Albert Einstein, Asian religion and philosophy, communication, computer technology, documentation practices, energy, psychology, Samuel Beckett, and states of consciousness. Chinese characters and an image of Allen Ginsberg appear repeatedly in Nesbitt's works. Subjects of study and experimentation include 3M and Kodak technologies, color, film, morphology, participatory and performance art, shadows, sound, street works, xerography, and Xerox machines.

Biographical material revolves mostly around Nesbitt's work as a professor at Parsons School of Design. Records include Nesbitt's resumé, an exhibition history, motion picture film of the inside of her studio, and teaching files.

Correspondence contains personal letters from family members, and professional correspondence with fellow artists and employees of Xerox Corporation. Much of the series is correspondence between Nesbitt and fellow artists Alan Leder, David Lyle, and R.E. Wood, and is philosophical in nature. Correspondence with Xerox Corporation documents her relationship with the corporation between 1970 and 1972, when they underwrote her experiments in xerography.

Writings include illustrated journals, journals, notebooks, loose notes, and transcripts. The content of the writings varies widely throughout the series and includes artwork, sketches, diagrams, annotated clippings, transcripts of conversations, Nesbitt's writings about her dreams and family, details about her daily life, and notes about artists' materials, film, and sound.

Xerography Research Files document Nesbitt's experiments with xerography, which she often refers to in her papers as "Xerox Xplore." Contents include Nesbitt's definitions of xerography terms; Xerox equipment brochures; clippings; xerography studies; notebooks about Nesbitt's plans, work with color, and xerography study details; and slides and transparencies of completed xerography prints.

Project and Exhibition Files consist of a variety of documentation related to Nesbitt's books, exhibitions, films, performance and participatory art, and other projects. This series contains the bulk of the collection's motion picture films and sound recordings. The film and sound performance piece titled "Everyman as Anyman, or Putting On, On, On, On, On," the piece Walk Up --Tape On, the film "Light Times 499," and exhibitions of Nesbitt's xerography work and her series of work called Shadow Paintings are the most prominent subjects of the series.

Printed Material includes books, clippings, magazines, exhibition announcements, catalogs, and press releases about Nesbitt's interests, artwork, exhibitions, and galleries that exhibited her work. Some of the material is annotated.

Arrangement:

The collection is arranged into 6 series:

Missing Title

Biographical Materials, 1964-circa 1981 (0.3 linear feet; Box 1, 11)

Correspondence, 1942, 1964-1976 (0.3 linear feet; Box 1, OV 14)

Writings, 1959-circa 1973 (1.3 linear feet; Box 1-2, 12, OV 15)

Xerography Research Files, circa 1966-1974 (2.5 linear feet; Box 2-4, 11, OV 16)

Project and Exhibition Files, circa 1966-1981 (5.2 linear feet, Box 4-8, 11, 13, OV 17-19, 21, FC 22-23)

Printed Material, 1942-circa 1944, circa 1963-1977 (0.9 linear feet; Box 9-10, OV 20)

Biographical / Historical:

Esta Nesbitt (1918-1975) was an illustrator, xerography artist, filmmaker, and educator who lived and worked in New York City. She was a fashion illustrator for about two decades before becoming a children's book illustrator, performance artist, xerography artist, and filmmaker.

Nesbitt taught at Parsons School of Design from 1964 to 1974. Around 1970, Nesbitt created the piece Walk Up --Tape On with her Parsons students. The piece involved documenting social interaction by taping themselves to each other and then others as they walked through New York City, creating what Nesbitt called a "living organism," before presenting themselves to the Whitney Museum of American Art. The event was documented with film, photography, and audio recordings.

In 1970, Nesbitt contacted Xerox Corporation about creating experimental art investigations of the Walk Up --Tape On documentation using Xerox machines in their New York City office. During Nesbitt's time at Xerox, she experimented with many different copying machines, materials, and techniques to create what came to be known as xerographic artworks. She invented three xerography techniques: transcapsa, photo-transcapsa, and chromacapsa. A transcapsa work is created by moving a piece of material over the copier's window during the printing cycle. A photo-transcapsa work is created by moving a photographic image over the copier's window during the printing cycle. Chromacapsa is a process of adding color to xerographic works using Xerox copiers. Nesbitt referred to her work at Xerox as "Xerox Xplore," which culminated with the exhibition "Xerography - Extensions in Art" (1971-1972) and the commission of the print All the Lines are Nines.

To demonstrate "the media bombardment surrounding 'everyman' today," Nesbitt created a film and sound performance piece titled "Everyman as Anyman, or Putting On, On, On, On, On" in 1969. The performance consisted of five Super 8 film projectors and a multi-layered soundtrack. Nesbitt further experimented with filmmaking and xerography with the films "Folding/Struck" and "Light Times 499," which was created with Anibal Ambert. Her interest in xerography is further illustrated in the exhibition "Electrostatic Structures: 'New Morphs'" (1972-1973). The exhibition "1000 Empty 49.3 Grams: A participatory environment" was a culmination of her interest in participatory art.

Nesbitt died November 30, 1975 in New York City. Three posthumous exhibitions include "Esta Nesbitt: Xerography Prints" (1976) at The Art Center of Waco, "Memorial Exhibition of Drawing and Illustrations by Esta Nesbitt" (1977) at Parsons School of Design, and "Electroworks" (1979-1981) at the George Eastman House.

Related Materials:

The Esta Nesbitt papers at Center for Creative Photography at University of Arizona contain 3 linear feet related to her xerography artwork and exhibitions, dated 1966-1983.

Papers related to Nesbitt's fashion illustrations are found at the Kellen Design Archives at The New School in New York City. T

he Esta Nesbitt papers at the University of Minnesota Libraries Children's Literature Research Collections are related to Nesbitt's children's book illustrations, dated 1964-1969.

Provenance:

The Esta Nesbitt papers were donated by Saul Nesbitt, her husband, to the Archives of American Art in 1981.

Restrictions:

Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Educators -- New York (State) -- New York  Search this

Topic:

Motion pictures (visual works)  Search this

Filmmakers -- New York (State) -- New York  Search this

Women artists  Search this

Xerography  Search this

Copy art  Search this

Illustrators -- New York (State) -- New York  Search this

Women filmmakers  Search this

Women illustrators  Search this

Women educators  Search this

Genre/Form:

Sketches

Transcripts

Diaries

Sound recordings

Photographs

Citation:

Esta Nesbitt papers, circa 1942-circa 1981, bulk 1964-1975. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Council on Library and Information Resources' Hidden Collections grant program.

Identifier:

AAA.nesbesta

See more items in:

Esta Nesbitt papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c57916c9-f891-4116-a32d-d1f4e83c624f

EDAN-URL:

ead_collection:sova-aaa-nesbesta

Creator:

Chase, Doris, 1923-  Search this

Extent:

0.2 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1954-1994

Summary:

The scattered papers of painter, sculptor, educator, and video artist Doris Totten Chase measure 0.2 linear feet and date from 1954 to 1994. Found are biographical material, photographs and slides, and printed material concerning Chase's career.

Scope and Contents:

The scattered papers of painter, sculptor, educator, and video artist Doris Totten Chase measure 0.2 linear feet and date from 1954 to 1994. Found are biographical material, photographs and slides, and printed material concerning Chase's career.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Doris Totten Chase (1923-2008) was a painter, sculptor, educator, and video artist, active in Washington State and New York City. Born in Seattle, Chase spent her early life in the Pacific Northwest where she was a member of the Women Painters of Washington. Chase was primarily a painter until the early 1970s when she began to focus on sculpture. In 1972, Chase moved to New York City where she began to create video art. She was one of the first video artists to lecture and show her work abroad under the auspices of the United States Information Agency.

Provenance:

Donated 1980 and 1997 by Doris Chase.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- New York (State) -- New York  Search this

Sculptors -- New York (State) -- New York  Search this

Video artists -- New York (State) -- New York  Search this

Art teachers -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women painters  Search this

Women sculptors  Search this

Women educators  Search this

Women video artists  Search this

Citation:

Doris Chase papers, 1954-1994. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.chasdori

See more items in:

Doris Chase papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9693bacd2-a659-44e7-bb2d-40e091bc30bf

EDAN-URL:

ead_collection:sova-aaa-chasdori