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Oral history interview with Julie Tolentino

Interviewee:
Tolentino, Julie  Search this
Interviewer:
Fialho, Alex, 1989-  Search this
Names:
ACT UP New York (Organization)  Search this
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Athey, Ron  Search this
Madonna, 1958-  Search this
Extent:
7 Items (sound files (6 hr., 14 min.) Audio, digital, wav)
79 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2018 April 11-12
Scope and Contents:
An interview with Julie Tolentino conducted 2018 April 11 and 12, by Alex Fialho, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at a friend's apartment in the East Village, New York.
Tolentino speaks of her childhood in San Francisco; her family dynamics, including caring for her developmentally disabled sister; Harvey Milk's assassination; early exposure to dance and art-making; early exposure to queer nightlife; briefly pursuing dance training in Los Angeles after high school; soon thereafter moving to New York; volunteering for the National Gay and Lesbian Suicide Hotline; her involvement with ACT UP; experiences of AIDS-related grief; her close friendships during this time; continuing her dance education and performance practice in the late '80s and '90s; founding and operating the Clit Club; changes in the landscape of queerness during the '90s; managing the performance companies of David Roussève and Ron Athey; the beginning of her solo practice with Mestiza-Que Ojos Bonitos Tienes; the installation Marks of My Civilization; the beginning of ART+; her role in Madonna's book Sex; her reflections on the visibility of her body; developing the Lesbian AIDS Project's Safer Sex Handbook; her performance works For You, Sky Remains the Same, and Honey; her video work evidence; and her awareness of the past's construction and meaning in the present. Tolentino also recalls Page Hodel, Doug McDowell, Maxine Wolfe, Ann Northrup, David Robinson, Ray Navarro, Aldo Hernandez, Anthony Ledesma, Lola Flash, Catherine Gund, Zoe Leonard, Robert Garcia, Jocelyn Taylor, Martina Yamin, Cookie Mueller, Diamanda Galas, D.M. Machuca, Pigpen, John Lovett, Alessandro Codagnone, John Killacky, Lia Gangitano, Alistair Fate, Steven Meisel, Cythia Madansky, Kim Christensen, Kate Clinton, Lori Seid, Ori Flomin, Abigail Severance, and others.
Biographical / Historical:
Julie Tolentino (1964- ) is a visual and performance artist in New York and Josua Tree, California. Alex Fialho (1989- ) is a curator and arts writer who is the Programs Director for Visual AIDS in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Restrictions:
The transcript and audio recording are open for research. Contact Reference Services for more information.
Occupation:
Choreographers  Search this
Topic:
AIDS (Disease) and the arts  Search this
Gay artists -- New York (State) -- New York -- Interviews  Search this
Performance artists -- New York (State) -- New York -- Interviews  Search this
Women artists -- New York (State) -- New York -- Interviews  Search this
AIDS activists  Search this
Latino and Latin American artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.tolent18
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tolent18

National Academy of Design records

Creator:
National Academy of Design (U.S.)  Search this
Names:
American Federation of Arts  Search this
Abbey, Edwin Austin, 1852-1911  Search this
Durand, Asher Brown, 1796-1886  Search this
Lanyon, Ellen  Search this
Ranger, Henry Ward, 1858-1916  Search this
Extent:
92.7 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Scrapbooks
Interviews
Date:
1817-2012
Summary:
The records of New York City's National Academy of Design measure 92.7 linear feet and date from 1817-2012. The records pertain to all three constituents of the tripartite organization consisting of the Academy, a membership body of artists founded in 1825; the school, founded at the same time to promote arts education; and the exhibition program, inaugurated in 1826. Extensive administrative records include minutes, committee files, director files, annual reports, constitutions, and correspondence and subject files of council officers. Exhibition records, also substantive, date to the Academy's first annual exhibition and include gallery and special exhibitions, as well as exhibitions at the Academy's museum, established in 1979. The collection also includes gifts and funding files, especially relating to endowments and prizes; membership records; National Academy Association records; Ranger Fund assignments; extensive files pertaining to the school's administration, courses of instruction, registrations, and attendance; twenty scrapbooks containing clippings and ephemera; Society of American Artists records; correspondence and ephemera from other organizations; transcripts from oral histories with Academy members; extensive photographic material documenting artists, members, the school, exhibitions, buildings, and artwork created by Academy members; artist files containing correspondence, writings, and sketches from those associated with the Academy; and assorted printed material and ephemera.
Scope and Contents:
The records of New York City's National Academy of Design measure 92.7 linear feet and date from 1817-2012. The records pertain to all three constituents of the tripartite organization consisting of the Academy, a membership body of artists founded in 1825; the school, founded at the same time to promote arts education; and the exhibition program, inaugurated in 1826. Extensive administrative records include minutes, committee files, director files, annual reports, constitutions, and correspondence and subject files of council officers. Exhibition records, also substantive, date to the Academy's first annual exhibition and include gallery and special exhibitions, as well as exhibitions at the Academy's museum, established in 1979. The collection also includes gifts and funding files, especially relating to endowments and prizes; membership records; National Academy Association records; Ranger Fund assignments; extensive files pertaining to the school's administration, courses of instruction, registrations, and attendance; twenty scrapbooks containing clippings and ephemera; Society of American Artists records; correspondence and ephemera from other organizations; transcripts from oral histories with Academy members; extensive photographic material documenting artists, members, the school, exhibitions, buildings, and artwork created by Academy members; artist files containing correspondence, writings, and sketches from those associated with the Academy; and assorted printed material and ephemera.

The Academy minutes and committee files consist of official, original, and transcribed proceedings for the council, annual, business, and some committee meetings, as well as related correspondence, reports, financial documents, notes, drafts, and ballots pertaining to the Academy's administration and activities from its 1825 founding until 2006. As an organization actively engaged in the development of art and art education in the United States, the Academy minutes and committee files are a valuable resource on subjects and topics in the Academy's history; in particular, its founding, administration, school, and exhibition program.

Director files date from 1942-1990 and document the activities of four of the Academy's chief administrators, including Vernon Porter (1950-1966), Earl Tyler (1966-1967), Alice Melrose (1967-1977), and John H. Dobkin (1978-1990). Items include correspondence, memoranda, minutes, and printed material.

Annual reports, dating from 1828-2003, summarize the activities of the Academy over the course of a year, and may include presidents' reports, treasurers' reports, audits of financial operations by public accountants, and printed annual reports containing summaries from multiple council officers. Information pertains to the year's activities including finances, exhibitions, membership, the school, committee activities, awards, and other business.

Academy constitutions date from 1826-2012 and include the printed constitutions and by-laws as well as constitutional proposals. Constitutions and by-laws name the current council officials, professors, academicians, associates, and honorary members, and state the mission and guidelines for operation in regards to membership, officers, annual meetings, elections, school, exhibitions, and how the constitution can be amended or altered. Constitutional proposals contain amendment drafts, alterations, and related correspondence.

Council officer files, dating from 1848-1980, contain the correspondence and subjects files of Academy officers—presidents, vice presidents, corresponding secretaries, and treasurers—concerning all matters of Academy business and operations including membership, gifts and funds, the federal charter, exhibitions, juries, the school, scholarships, committee affairs, anniversaries, publicity, administrative matters, resignations, and relationships with other organizations.

General administrative files date from 1825-1982 and include ledgers, certificates, correspondence, and legal documents pertaining to the Academy's founding, building, financial accounts, art collection, and other administrative matters.

Exhibition files, dating from 1826-2003, document the Academy's long exhibition history and includes annual, gallery, special, and museum exhibitions. Files may include exhibition catalogs, photographs, press clippings, sales records, and correspondence related to jury selection, awards and prizes, and logistical planning. Files pertaining to the Academy's annual exhibitions comprise a bulk of the series. Held since 1826, the Annuals were organized and curated by Academy members, and considered to be an important and sweeping survey of contemporary American art.

Gifts and funding files date from 1860-2009 and include financial documents, ledgers, legal material, and correspondence concerning the bequests, endowments, donations, and other gifts that financed the operations of the Academy and school. A significant number of records pertain to the Abbey Trust Fund and the Archer M. Hunting Fund.

Membership files, 1826-2012, document Academy members, honorary members, fellows, and the nominations and elections whereby members were voted into the Academy. Materials include registers, certificates, nomination ledgers and proposals, candidate biographies, and ballots.

The National Academy Association files date from 1911-1959 and contain a constitution, plan, and agreement, as well as correspondence, meeting minutes, and reports for the Association, incorporated in 1912 with the aim to erect a building shared by several New York art societies. At the time of incorporation, the Association consisted of members from the National Academy of Design, American Water Color Society, American Institute of Architects, Architectural League of New York, New York Water Color Club, National Sculpture Society, Municipal Art Society, Society of Beaux-Arts Architects, Mural Painters, Society of Illustrators, and a number of city representatives and citizens.

The Ranger Fund assignment files, 1919-2008, document the distribution of artworks by living American artists to institutions throughout the United States, in accordance with the will of Henry Ward Ranger. The Ranger Fund was initiated to stimulate public interest in the work of contemporary American painters in 1919, when the Academy received a bequest from Henry Ward Ranger, totaling $400,000. Ranger stated in his will that the capital should be invested and the income used as a purchase fund to facilitate gifts of paintings by living American artists to arts institutions throughout the United States. Files document the assignment of particular works of art to institutions through the official agreement, related correspondence, and in some instances, photographs of the artwork.

Extensive school records, dating from 1826-2008, contain administrative files, enrollment records, course files, student affairs files, and printed material documenting all aspects of the school's activities aligned with the Academy's mission to educate aspiring professional artists. A bulk of this series consists of student course registrations, documented in registers, then on index cards beginning in the 1930s. While information collected varied over the decades, registrations document student names and the year, and may additionally include course name, instructor, and cost.

Twenty Academy scrapbooks document the organization's activities from 1828-1939 and include clippings and ephemera. Three of the scrapbooks are devoted to specific topics, including one for the Society of American Artists, one for both the Society of American Artists and the Society of American Fakirs, and one for the Academy's centennial exhibition.

The Society of American Artists files, 1878-1906, document the formation of the Society as a departure from the Academy in 1877, its independent operations and activities, and its eventual consolidation with the Academy in 1906. The Society's members have included Edwin Abbey, James Carroll Beckwith, Mary Cassatt, William Merritt Chase, Thomas Eakins, George Inness Jr., John La Farge, Albert Pinkham Ryder, among many others.

Files from other organizations date from 1817-1997 and may include correspondence, ledgers, and printed material. Many of these organizations had business with the Academy, and records pertain to events, meetings, and exhibitions. Notable organizations include the American Academy of Fine Arts, American Federation of Arts, American Watercolor Society, Art Students League, Fine Arts Federation of New York, Metropolitan Museum of Art, New York Etching Club, Pennsylvania Academy of Fine Arts, and Salmagundi Club.

Oral history transcripts date from 2002-2007. Eight comprehensive interviews, conducted by Avis Berman for the Academy, are with Academy members and cover all aspects of the artists' lives, including family, early life, beginning career, mentors, contemporaries, influences, patrons, awards, residencies, as well as the artists' relationship with the Academy. The interview transcripts provide first-hand accounts of the organization, particularly from circa 1940 up to the time of the interview. Artists interviewed include Will Barnet, Hyman Bloom, Richard Haas, Ellen Lanyon, Jules Olitski, Bernard Olshan, Paul Resika, and Dorothea Rockburne.

Photographic material, dating from 1845-2010, includes a wide variety of formats and processes including 19th and 20th photographic prints, glass plate negatives, copy prints, contact sheets, slides, and 35mm negatives. Subjects include artists and others associated with the Academy, the school, exhibitions and events, Academy buildings, artwork, and reference photographs. Many 19th century photographs contain descriptive annotations. Supplementary inventories and guides prepared by Academy archivists are scattered throughout the series.

Artist files date from 1826-2004 and include the correspondence, writings, manuscripts, diaries, exhibition catalogs, and clippings of many notable artists involved with the Academy, including Asher B. Durand and Rembrandt Peale. Of particular note are two notebooks Durand gifted to the Academy, both containing notes and sketches from anatomy lectures.

While printed material is scattered throughout, the final series collects a small number of additional announcements, brochures, clippings, illustrations, and other ephemera not filed in other series.
Arrangement:
The collection is arranged as nineteen series.

Series 1: Minutes and Committee Files, 1825-2006 (11.5 linear feet; Boxes 1-11, BV 100-106)

Series 2: Director Files, 1942-1990 (0.5 linear feet; Box 11)

Series 3: Annual Reports, 1828-2003, circa 2010 (2.1 linear feet; Boxes 11-13, OV 139-142)

Series 4: Constitutions, 1826-2012 (1.1 linear feet; Boxes 13-14)

Series 5: Council Officers, 1848-1980 (4 linear feet; Boxes 14-18)

Series 6: General Administration, 1825-1982 (0.6 linear feet; Boxes 18, 126)

Series 7: Exhibitions, 1826-2003, 2008 (14.4 linear feet; Boxes 18-33)

Series 8: Gifts and Funding, 1860-2009 (4.1 linear feet; Boxes 33-37)

Series 9: Membership, 1826-2012 (3.4 linear feet; Boxes 37-39, 127-131)

Series 10: National Academy Association, 1911-1959 (0.4 linear feet; Box 39)

Series 11: Ranger Fund Assignments, 1919-2008 (4.3 linear feet; Boxes 39-44)

Series 12: School, 1826-2008 (28.5 linear feet; Boxes 44-56, 68-99)

Series 13: Scrapbooks, 1828-1939 (4 linear feet; Box 56, BV 107-125)

Series 14: Society of American Artists, 1878-1906 (0.8 linear feet; Boxes 56-57)

Series 15: Other Organizations, 1817-1997 (1.8 linear feet; Boxes 57-59, 131)

Series 16: Oral History Transcripts, 2002-2007 (0.7 linear feet; Box 59)

Series 17: Photographic Material, 1845-2010 (6.1 linear feet; Boxes 60-63, 131-138, OV 143-144)

Series 18: Artist Files, 1826-2004 (3.5 linear feet; Boxes 63-66)

Series 19: Printed Material, 1839-1954 (0.4 linear feet; Boxes 67, 131, OV 145)
Biographical / Historical:
The National Academy of Design (1825- ) based in New York City, is a tripartite organization consisting of a membership body of artists, a school, and an exhibition program. The Academy was founded in 1825 by a group of professional artists with the mission to promote the fine arts in America through exhibition and education. Originally named the New York Drawing Association, the Academy was the first organization in the United States established and managed by professional artists. Samuel F.B. Morse, the Academy's first president, was influenced by the organization of the Royal Academy in London, which was comprised of professional artist members and elected government council, an art school, and a venue for exhibitions. After unsuccessful negotiations to unite with the American Academy of Fine Arts, the New York Drawing Association reformed as the National Academy of The Arts of Design on January 19, 1826. Among the founders were mostly young artists who became prominent figures in American art, including Frederick S. Agate, Thomas Cole, Thomas S. Cummings, Asher B. Durand, John Frazee, Charles C. Ingham, Henry Inman, Gerlando Marsiglia, Samuel F. B. Morse, Samuel L. Waldo, and Charles Cushing Wright.

The first Academy members were elected in January 1826, and levels of membership were established shortly thereafter. Originally there were four levels of Academy membership: associates, academicians, artists, and honorary corresponding members. The category of artists was eliminated in 1829, and the honorary member category, established to recognize American artists living outside New York, distinguished foreign artists, and patrons and friends of the Academy, was eliminated in 1862 (the constitution was not amended with this change until 1896). Since 1869, the residency requirement for election to active membership was eliminated and membership was opened to all American artists. In 1920, the classification of honorary corresponding member was re-introduced to recognize representatives of other national academies. With the 1997 constitution, the honorary corresponding member classification was again eliminated, and in 1994 the associate category was eliminated.

Artists are proposed for membership by academicians through the membership committee and are elected for life by a sixty percent majority, based on recognized excellence and significant contributions to the field. Procedures and rules for nominating and choosing new academicians changed over the years, as detailed in the constitutions. Associates were at one time required to present a portrait of themselves upon election and academicians were required to provide an additional representative work upon election. With the elimination of the category of associate in 1994, only one representative work is currently required. These works of art become part of the Academy's permanent collection.

The original classes of professional artists were painting, sculpture, architecture, and engraving. These professional classes were modified over the years. In 1936 the engraving class was made more comprehensive, including all of the graphic arts. Watercolor was added as a class in 1943 and was codified in the 1945 constitution. However, the division into five distinct classes started to create difficulties in how specific works of art were to be categorized. In 1981 the council eased the rules regarding separate media classification so that members could submit a work in any medium to the annual exhibitions regardless of the class to which they had been elected. The constitution of 1994 restated four professional classes—painting, sculpture, graphics, and architecture—which were further reduced in the 2011 constitution to two: visual arts and architecture.

Until 2009, the governing body of the Academy was the council. The seven officers of the council were president, vice-president, treasurer, assistant treasurer, corresponding secretary, assistant corresponding secretary and recording secretary, all of whom were required to be academicians. In 2009, a new constitution provided for a board of governors, replacing the council. The five officers of the board of governors are chair, vice-chair, president, vice-president, and treasurer. Only the offices of president and vice-president are required to be held by academicians.

Central to the Academy's mission, the school began with an anatomy lecture for the New York Drawing Association, delivered by Dr. Frederick G. King in November 1825. The first drawing session took place in November 1826 in the Old Alms House at City Hall Park with two academicians and twenty students. In the school's early years, professional artists met with students to draw from plaster casts of antique sculpture in the academic tradition. Both lectures and studio training were central the school's early curricula. Life classes, the practice of drawing from live models, were introduced in 1837, but only to advanced male students. A life class for women was not instituted until 1857, even though women were allowed membership to the Academy since its beginning. Due to financial difficulties at the Academy, the school was forced to move locations and shut down its operations for extended periods. Mounting dissatisfaction and frustration led several students and Lemuel E. Wilmarth, one of the school's leaders and first full-time professional instructor, to leave the Academy in 1875 and form a new school, the Art Students League. While charging tuition was unpopular, the Academy realized that it was necessary to ensure the school's sustainability, and implemented fee structures with varying success over the second half of the 19th century and first half of the 20th. Eventually, tuition was established by 1951, when the school was reopened at a new location, 5th Avenue and 89th Street.

Exhibitions have always been an important activity for the Academy, even prior to the opening of the National Academy Museum in 1979. Since 1826, the Academy has held annual exhibitions intended to reflect contemporary art currents in America. Any American artist was eligible to submit work to be reviewed by a jury of selection, comprised of academicians. Throughout the 19th century, the annual exhibitions at the Academy were one of the most significant and influential in the country. The selection process for these exhibitions was a critical topic, at times actively discussed in the press, and continually undergoing modification and change. In addition to the Annuals, the galleries of the Academy were often rented or loaned to outside organizations such as the American Watercolor Society, Audubon Artists, and the National Association of Women Artists. The galleries also mounted special exhibitions curated by its members and hosted a certain number of travelling exhibitions organized by other museums or art organizations. The museum, opened in 1979, hosted and presented major exhibitions, many focusing on historic European subjects.

Official Names of the Academy 1825-2017

1825 -- The New York Drawing Association

1826 -- The National Academy of The Arts of Design

1828 -- The National Academy of Design

1997 -- The National Academy Museum and School of Fine Art

2017 -- The National Academy of Design

National Academy of Design Meeting, Exhibition, and School Locations

1826 -- Old Alms House at City Hall Park in lower Manhattan

1827-1830 -- Chambers Street over the Arcade Baths

1831-1840 -- Corner of Nassau and Beckman Streets, the Mercantile Library on the third floor of Clinton Hall

1841 to 1849 -- 346 Broadway (at Leonard Street), the third and fourth floors of the New York Society Library

1850-1854 -- 663 Broadway, where the Academy erected a suite of six galleries

1855-1856 -- 548 Broadway (over Dr. Chapin's Church)

1857 -- 663 Broadway

1858-1861 -- 10th Street and 4th Avenue, the upper floor of a building

1861-1863 -- 625 Broadway, the Institute of Art

1865-1899 -- 23rd Street and Fourth Avenue (now Park Avenue South)

1899-1940 -- 109th Street and Amsterdam Avenue; exhibition galleries at 215 West 57th Street

1940-2017 -- 1083 Fifth Avenue at East 89th Street
Provenance:
The bulk of the collection was donated by the National Academy of Design in 2018. The trustees' ledger book in series 6 was donated in 1979 by Warder Cadbury of the Adirondack Museum; it is unclear how Cadbury acquired the ledger. Microfilm reels 798-799 containing transcriptions of minutes were given to the Archives by Lois Fink in 1974.
Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Function:
Art Schools -- New York (State) -- New York
Arts organizations -- New York (State) -- New York
Genre/Form:
Drawings
Scrapbooks
Interviews
Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.natiacad
See more items in:
National Academy of Design records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-natiacad
Online Media:

Oral history interview with Maya Ying Lin

Interviewee:
Lin, Maya Ying  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Vietnam Veterans Memorial Fund  Search this
Extent:
42 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1983 March 6
Scope and Contents:
An interview of Maya Ying Lin conducted 1983 Mar. 6, by Robert Brown, for the Archives of American Art. Lin speaks of a funerary architecture seminar she took at Yale University; entering her design in the Vietnam Veterans Memorial Fund's competition; attempts to add a figured sculpture and a flagpole to her design, and her resistance to this effort.
Biographical / Historical:
Maya Ying Lin (1959- ) is a Chinese American architect based in New York, N.Y.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 34 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
This transcript is open for research. Access to the audio is restricted. Contact Reference Services for more information.
Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from Maya Ying Lin. Contact Reference Services for more information.
Occupation:
Architects -- New York (State) -- New York  Search this
Topic:
Vietnam Veterans Memorial (Washington, D.C.)  Search this
Women artists  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Chinese American women artists  Search this
Women architects  Search this
Asian American architects  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lin83
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lin83

Sylvia Wald papers, [ca. 1940]-1977

Creator:
Wald, Sylvia, 1915-  Search this
Wald, Sylvia, 1915-  Search this
Topic:
Women artists -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6941
(DSI-AAA_SIRISBib)209070
AAA_collcode_waldsylv
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209070

Gertrude Vanderbilt Whitney papers, 1851-1975, bulk 1888-1942

Creator:
Whitney, Gertrude Vanderbilt, 1875-1942  Search this
Whitney, Gertrude Vanderbilt, 1875-1942  Search this
Subject:
Watson, Forbes  Search this
Miller, Flora Whitney  Search this
Strelecki, Jean de, count  Search this
De Meyer, Adolf, Baron  Search this
Cushing, Howard Gardiner  Search this
Whitney, Harry Payne  Search this
American Ambulance Field Hospital (Juilly, France)  Search this
Whitney Museum of American Art  Search this
Greenwich House  Search this
Whitney Studio Club  Search this
Type:
Lithographs
Photographs
Interviews
Sketchbooks
Diaries
Scrapbooks
Blueprints
Sketches
Topic:
Art patrons -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
World War, 1914-1918 -- Hospitals -- France  Search this
Women artists  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Women  Search this
The Art Market  Search this
Record number:
(DSI-AAA_CollID)7107
(DSI-AAA_SIRISBib)209241
AAA_collcode_whitgert
Theme:
Diaries
Sketches & Sketchbooks
Women
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209241
Online Media:

Ethel Schwabacher papers, 1939-1975

Creator:
Schwabacher, Ethel, 1903-1984  Search this
Schwabacher, Ethel, 1903-1984  Search this
Subject:
Ford, John Charles  Search this
Gorky, Arshile  Search this
Type:
Drawings
Interviews
Sound recordings
Motion pictures
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Women art historians  Search this
Women artists  Search this
Theme:
Women  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)7336
(DSI-AAA_SIRISBib)209489
AAA_collcode_schwethe
Theme:
Women
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209489

Nancy Spero papers, 1940s-2009

Creator:
Spero, Nancy, 1926-2009  Search this
Spero, Nancy, 1926-2009  Search this
Subject:
Golub, Leon  Search this
A.I.R. Gallery  Search this
Type:
Slides
Sound recordings
Interviews
Transcripts
Photographs
Video recordings
Topic:
Art -- Political aspects  Search this
Feminism and art  Search this
Printmakers -- New York (State) -- New York  Search this
Women artists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Peace movements  Search this
Theme:
Women  Search this
Audio - Visual  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)8559
(DSI-AAA_SIRISBib)210738
AAA_collcode_spernanc
Theme:
Women
Audio - Visual
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210738
Online Media:

Anita Weschler papers, 1938-1998

Creator:
Weschler, Anita, 1903-2000  Search this
Weschler, Anita, 1903-2000  Search this
Subject:
Zorach, Marguerite  Search this
Type:
Video recordings
Topic:
Women artists -- New York (State) -- New York  Search this
Artists' studios -- New York (State) -- New York -- Photographs  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8609
(DSI-AAA_SIRISBib)210789
AAA_collcode_wescanit
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210789

Charlotte Whinston papers, 1945-1975

Creator:
Whinston, Charlotte, 1895-1976  Search this
Whinston, Charlotte, 1895-1976  Search this
Subject:
National Association of Women Artists (U.S.)  Search this
Type:
Scrapbooks
Topic:
Art, American -- New York (State) -- New York  Search this
Women artists -- New York (State) -- New York  Search this
Art -- Societies, etc.  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8639
(DSI-AAA_SIRISBib)210819
AAA_collcode_whinchar
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210819

Marion Brown Woods interview, 1976 June

Creator:
Woods, Marion Brown, 1900-1982  Search this
Gaede, Jean  Search this
Woods, Marion Brown, 1900-1982  Search this
Subject:
Brown, Bolton  Search this
McFee, Henry Lee  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Ceramicists -- New York -- Woodstock -- Interviews  Search this
Painters -- New York (State) -- Woodstock -- Interviews  Search this
Printmakers -- New York -- Woodstock -- Interviews  Search this
Women artists  Search this
Decorative arts  Search this
Theme:
Women  Search this
Craft  Search this
Record number:
(DSI-AAA_CollID)10288
(DSI-AAA_SIRISBib)213476
AAA_collcode_woodmari
Theme:
Women
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213476

Michele Zackheim papers, 1976-2012, bulk 1980-2000

Creator:
Zackheim, Michele, 1941-  Search this
Zackheim, Michele, 1941-  Search this
Subject:
College of Santa Fe  Search this
Type:
Interviews
Video recordings
Sound recordings
Photographs
Topic:
Mural painting and decoration  Search this
Installations (Art)  Search this
Women artists -- New York (State) -- New York  Search this
Prints -- Technique  Search this
Authors -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)16180
(DSI-AAA_SIRISBib)366895
AAA_collcode_zackmich
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_366895
Online Media:

Oral history interview with Buffie Johnson, 1977 Nov. 22-1978 Jan. 23

Interviewee:
Johnson, Buffie, 1912-2006  Search this
Johnson, Buffie, 1912-2006  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Hayter, Stanley William  Search this
Hofmann, Hans  Search this
Pollock, Jackson  Search this
Putzel, Howard  Search this
Rothko, Mark  Search this
Smith, Tony  Search this
Type:
Sound recordings
Interviews
Topic:
Painting, Abstract -- New York (State) -- New York  Search this
Mural painting and decoration -- New York (State) -- New York  Search this
Women painters -- New York (State) -- New York -- Interviews  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Women artists  Search this
Muralists -- New York (State) -- New York -- Interviews  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)12938
(DSI-AAA_SIRISBib)211993
AAA_collcode_johnso77
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211993

Oral history interview with Helen Frankenthaler, 1968

Interviewee:
Frankenthaler, Helen, 1928-2011  Search this
Frankenthaler, Helen, 1928-2011  Search this
Interviewer:
Rose, Barbara, 1938-2020  Search this
Subject:
De Kooning, Willem  Search this
Dzubas, Friedel  Search this
Feeley, Paul  Search this
Greenberg, Clement  Search this
Hartigan, Grace  Search this
Hofmann, Hans  Search this
Kandinsky, Wassily  Search this
Motherwell, Robert  Search this
Picasso, Pablo  Search this
Pollock, Jackson  Search this
Tamayo, Rufino  Search this
Bennington College  Search this
Type:
Sound recordings
Interviews
Topic:
Sculptors -- United States -- Interviews  Search this
Painters -- New York (State) -- Interviews  Search this
Painting -- Technique  Search this
Women artists  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)12171
(DSI-AAA_SIRISBib)212046
AAA_collcode_franke69
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212046
Online Media:

Oral history interview with Jane Freilicher, 1987 Aug. 4-5

Interviewee:
Freilicher, Jane, 1924-  Search this
Freilicher, Jane, 1924-  Search this
Interviewer:
Shikler, Barbara  Search this
Subject:
Ashbery, John  Search this
Hofmann, Hans  Search this
Koch, Kenneth  Search this
Porter, Fairfield  Search this
Type:
Sound recordings
Interviews
Topic:
Sculptors -- United States -- Interviews  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Women artists  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)11742
(DSI-AAA_SIRISBib)212051
AAA_collcode_freili87
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212051

Oral history interview with Louise Nevelson, 1972 Jan. 30

Interviewee:
Nevelson, Louise, 1899-1988  Search this
Nevelson, Louise, 1899-1988  Search this
Interviewer:
Glimcher, Arnold B., 1938-  Search this
Type:
Sound recordings
Interviews
Topic:
Sculpture -- Technique -- New York (State) -- New York  Search this
Women artists  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Women artists  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)13163
(DSI-AAA_SIRISBib)212133
AAA_collcode_nevels72
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212133
Online Media:

Oral history interview with Louise Nevelson, 1964 June-1965 Jan. 14 and undated

Interviewee:
Nevelson, Louise, 1899-1988  Search this
Nevelson, Louise, 1899-1988  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Type:
Sound recordings
Interviews
Topic:
Sculpture -- Technique -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Women artists  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)13259
(DSI-AAA_SIRISBib)212134
AAA_collcode_nevels64
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212134
Online Media:

Oral history interview with Joan Mitchell, 1986 Apr. 16

Interviewee:
Mitchell, Joan, 1925-1992  Search this
Mitchell, Joan, 1925-1992  Search this
Interviewer:
Nochlin, Linda, 1931-2017  Search this
Type:
Sound recordings
Interviews
Topic:
Women artists  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)12183
(DSI-AAA_SIRISBib)212145
AAA_collcode_mitche86
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212145
Online Media:

Oral history interview with Emma Amos, 1968 October 3

Interviewee:
Amos, Emma, 1937-2020  Search this
Amos, Emma, 1937-2020  Search this
Interviewer:
Murray, Albert  Search this
Type:
Interviews
Topic:
Art and race  Search this
African American artists  Search this
Women artists  Search this
Women painters  Search this
African American painters  Search this
Theme:
African American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)11451
(DSI-AAA_SIRISBib)212216
AAA_collcode_amos68
Theme:
African American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212216

Oral history interview with Nell Blaine, 1967 June 15

Interviewee:
Blaine, Nell Blair Walden, 1922-1996  Search this
Blaine, Nell Blair Walden, 1922-1996  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Subject:
Bell, Leland  Search this
Day, Worden  Search this
Freilicher, Jack  Search this
Freilicher, Jane  Search this
Hofmann, Hans  Search this
Kahn, Wolf  Search this
Kresch, Albert  Search this
Rivers, Larry  Search this
Ross, Alvin  Search this
Solomon, Hyde  Search this
American Abstract Artists  Search this
Jane Street Gallery (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- New York (State) -- Interviews  Search this
Women artists  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)12436
(DSI-AAA_SIRISBib)212221
AAA_collcode_blaine67
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212221

Oral history interview with Susan Crile, 1972 August 1-3

Interviewee:
Crile, Susan, 1942-  Search this
Crile, Susan, 1942-  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Alloway, Lawrence  Search this
Feeley, Paul  Search this
Greenberg, Clement  Search this
Olitski, Jules  Search this
Smith, Tony  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- New York (State) -- Interviews  Search this
Women artists  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)12575
(DSI-AAA_SIRISBib)212320
AAA_collcode_crile72
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212320

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