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Oral history interview with Betty Woodman, 2003 April 22 and 29

Interviewee:
Woodman, Betty, 1930-2018  Search this
Woodman, Betty, 1930-2018  Search this
Interviewer:
Perreault, John, 1937-  Search this
Subject:
Brown, Elenita  Search this
Carlson, Cynthia  Search this
Hamada, Shōji  Search this
Higby, Wayne  Search this
Kozloff, Joyce  Search this
Kushner, Robert  Search this
Leach, Bernard  Search this
Serra, Richard  Search this
Shark, Bud  Search this
Voulkos, Peter  Search this
Woodman, George  Search this
Bellagio Study and Conference Center  Search this
Centre internationale de recherche sur le verre et les arts plastiques (Marseille, France)  Search this
Europees Keramisch Werkcentrum  Search this
Fabric Workshop  Search this
Girl Scouts of the United States of America  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
School for American Crafts  Search this
University of Colorado  Search this
Boulder (Colo.).. Parks & Recreation Department  Search this
Type:
Interviews
Sound recordings
Place:
Boulder (Colo.)
India -- description and travel
Mexico -- description and travel
Netherlands -- description and travel
Topic:
Airplanes -- Models  Search this
Art -- Study and teaching  Search this
Ceramicists -- New York (State) -- New York -- Interviews  Search this
Ceramics -- Study and teaching  Search this
Decorative arts  Search this
Glass art  Search this
Handicraft -- United States  Search this
Screen process printing  Search this
Women artists -- New York (State) -- New York -- Interviews  Search this
World War, 1939-1945  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13297
(DSI-AAA_SIRISBib)245771
AAA_collcode_woodma03
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_245771
Online Media:

Oral history interview with Alice Kagawa Parrott, 2005 July 10

Interviewee:
Parrott, Alice Kagawa, 1929-2009  Search this
Parrott, Alice Kagawa, 1929-2009  Search this
Interviewer:
Smith, Paul J., 1931-  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Women artists  Search this
Asian American art  Search this
Asian American artists  Search this
Decorative arts  Search this
Asian American women artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American women artists  Search this
Asian American fiber artists  Search this
Fiber artists -- New Mexico -- Interviews  Search this
Theme:
Craft  Search this
Asian American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13248
(DSI-AAA_SIRISBib)254818
AAA_collcode_parrot05
Theme:
Craft
Asian American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_254818
Online Media:

Oral history interview with Raquel Rabinovich, 2012 September 25 and October 9

Interviewee:
Rabinovich, Raquel, 1929-  Search this
Rabinovich, Raquel, 1929-  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Subject:
Beethoven, Ludwig van  Search this
Borges, Jorge Luis  Search this
Braque, Georges  Search this
Cézanne, Paul  Search this
Del Giocondo, Lisa  Search this
Denes, Agnes  Search this
Farina, Ernesto  Search this
Herzberg, Julia P.  Search this
Johns, Jasper  Search this
Kelly, Robert  Search this
Lenin, Vladimir Ilʹich  Search this
Lhote, André  Search this
Maggi, Marco  Search this
Martin, Agnes  Search this
Mondolfo, Rodolfo  Search this
Mondrian, Piet  Search this
Pavia, Philip  Search this
Perón, Juan Domingo  Search this
Picasso, Pablo  Search this
Quasha, George  Search this
Rockburne, Dorothea  Search this
Schwabsky, Barry  Search this
Stein, Charles  Search this
Strauss, David Levi  Search this
Velázquez, Diego  Search this
Weintraub, Linda  Search this
Zimmer, William  Search this
Hispanic American Arts Center (New York, N.Y.)  Search this
Station Hill Press  Search this
Type:
Interviews
Sound recordings
Place:
Argentina -- Description and travel
Denmark -- Copenhagen -- Description and travel
Egypt -- description and travel
France -- Paris -- description and travel
India -- description and travel
Machu Picchu Site (Peru)
Nepal -- description and travel
New York (N.Y.) -- Description and travel
Thailand -- description and travel
Topic:
Buddhism  Search this
Minimal art  Search this
Painters -- New York (State) -- Interviews  Search this
Sculptors -- New York (State) -- Interviews  Search this
Women artists -- New York (State) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)16067
(DSI-AAA_SIRISBib)338396
AAA_collcode_rabino12
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_338396
Online Media:

Contemporary Afro-American Women Artists exhibition records, 1969-1978

Creator:
Women's Caucus for Art  Search this
Women's Caucus for Art  Search this
Topic:
Women artists  Search this
African American artists  Search this
Theme:
Women  Search this
African American  Search this
Communities, Organizations, Museums  Search this
Record number:
(DSI-AAA_CollID)8074
(DSI-AAA_SIRISBib)210245
AAA_collcode_womecaua
Theme:
Women
African American
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210245

Zarina Hashmi papers, 1950-2015

Creator:
Zarina, 1937-2020  Search this
Zarina, 1937-2020  Search this
Type:
Diaries
Sketches
Video recordings
Topic:
Muslim artists  Search this
Printmakers -- India  Search this
Printmakers -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Sculptors -- India  Search this
Women artists -- India  Search this
Women artists -- New York (State) -- New York  Search this
Photographs  Search this
Record number:
(DSI-AAA_CollID)16265
(DSI-AAA_SIRISBib)371069
AAA_collcode_zarina
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_371069
Online Media:

Oral history interview with Victoria Barr, 1977 January 11-February 18

Interviewee:
Barr, Victoria, 1937-  Search this
Barr, Victoria, 1937-  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Women artists  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)12929
(DSI-AAA_SIRISBib)212530
AAA_collcode_barr77
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212530
Online Media:

Dorothy H. Pere papers, 1948-2006, bulk bulk 1967-2006

Creator:
Pere, Dorothy H.  Search this
Pere, Dorothy H.  Search this
Topic:
Painting, American  Search this
Graphic arts -- New Jersey  Search this
Women artists -- New Jersey  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8308
(DSI-AAA_SIRISBib)210479
AAA_collcode_peredoro
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210479

Gyöngy Laky papers, 1912-2007

Creator:
Laky, Gyöngy, 1944-  Search this
Laky, Gyöngy, 1944-  Search this
Subject:
Laky, Zyta  Search this
University of California, Davis. Art Dept.  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Interviews
Topic:
Art -- Study and teaching -- California  Search this
Women artists  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)11146
(DSI-AAA_SIRISBib)248742
AAA_collcode_lakygyon
Theme:
Craft
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_248742

Nancy Goldring papers, circa 1950-2020

Creator:
Goldring, N. (Nancy), 1945-  Search this
Goldring, N. (Nancy), 1945-  Search this
Subject:
Steinberg, Leo  Search this
Lax, Robert  Search this
Alloway, Lawrence  Search this
Type:
Photographs
Scrapbooks
Topic:
Women artists -- New York (State) -- New York  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)16284
(DSI-AAA_SIRISBib)373512
AAA_collcode_goldnanc
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_373512
Online Media:

The End of the Storm

Maker:
Kreindler, Doris  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 28 cm x 40 cm; 11 in x 15 3/4 in
Object Name:
Print
Object Type:
Etching
Other Terms:
Print; Etching
Subject:
Landscape  Search this
ID Number:
GA.22115
Catalog number:
22115
Accession number:
268,946
See more items in:
Work and Industry: Graphic Arts
Communications
Art
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-f2c6-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_801441

Hildreth Meière papers

Creator:
Meiere, M. Hildreth, d. 1961  Search this
Names:
Exposition internationale (1937 : Paris, France)  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Peter A. Juley & Son  Search this
United States. Navy  Search this
Abbott, Berenice, 1898-1991  Search this
Dunn, Louise Meière  Search this
Extent:
27.3 Linear feet
1.4 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Slides (photographs)
Transcripts
Video recordings
Photographs
Poetry
Diaries
Sketchbooks
Place:
Spain -- History -- Civil War, 1936-1939
Date:
1901-2011
bulk 1911-1960
Summary:
The papers of Hildreth Meière measure 27.3 linear feet and 1.40 GB and date from 1901 to 2011, with the bulk of material dating from 1911 to 1960. The collection documents Meière's life and travels, and her long and prolific career as an architectural muralist through biographical material, correspondence, writings, thirteen diaries, files regarding her war relief work during the Spanish Civil War and World War II, printed and digital materials, extensive photographs and slides, eight sketchbooks, and two videocassettes and 93 reels of motion picture film documenting her travels, her volunteer efforts in Spain following the civil war, artwork, and home movies.
Scope and Contents:
The papers of Hildreth Meière measure 27.3 linear feet and 1.40 GB and date from 1901 to 2011, with the bulk of material dating from 1911 to 1960. The collection documents Meière's life and travels, and her long and prolific career as an architectural muralist through biographical material, correspondence, writings, thirteen diaries, files regarding her war relief work during the Spanish Civil War and World War II, printed and digital materials, extensive photographs and slides, eight sketchbooks, and two videocassettes and 93 reels of motion picture film documenting her travels, her volunteer efforts in Spain following the civil war, artwork, and home movies.

Biographical material includes an autobiographical narrative written by Meière, her many awards and certificates, membership information, passports, her U.S. Navy service records from World War I, documentation of her brief marriage and family genealogy, obituaries, and memorial service documentation. Also found are extensive writings and research conducted by Meière's daughter, Louise Meière Dunn, which include a complete list of Meière's commissions, detailed biographical narratives, and records of Meière's works held elsewhere.

The papers contain Meière's personal and family correspondence, travel correspondence, and business correspondence regarding professional activities. Much of the correspondence with family and friends was written during Meière's extensive travels over the world. Both family and travel correspondence have extensive indexes, summaries, and in some cases, transcripts prepared by Meière's daughter, Louise Meière Dunn. Some of the indexes, summaries and transcripts are digital. Writings include poetry and diaries kept during childhood and school years, travel diaries, essays and talks written about Meière's work, writings Meière prepared for committees of the National Mural Painters Association, and detailed travelogues of her trips to Constantinople and the Balkans in 1933, to Russia in 1936, her "Grand Tour" to Australia, Southeast Asia, India, Africa, and Europe in 1952-1953, and her "Holy Land" tour of the Middle East in 1954.

Civilian War Service Records document Meière's efforts at war relief organization during and after the Spanish Civil War and during World War II. The Spanish Civil War files include extensive photographs provided by the Spanish government as well as three motion picture films documenting refugees and damaged architecture and public artwork shot by Meière during a trip sponsored by Franco's government. World War II activities concern Meière's efforts to organize artists in the United States to design and execute murals and other works of public art at military facilities around the U.S.

Travel records include maps, ephemera, slides, and 83 motion picture films taken on trips abroad between 1933 and 1958. Trips include Eastern and Western Europe, the Mediterranean Region and the Middle East, South America, Mexico and Guatemala, India, Sub-Saharan Africa, Southeast Asia, Australia, New Zealand, Scandinavia, and the UK. The motion picture films are mostly shot in Kodachrome color and many contain intertitles prepared by Meière to identify locations for travel lectures.

Printed materials consist primarily of clippings and publications that reference Meière's work, contain profiles of her, or contain published writings by her. A single published educational film is also found, given to her by an Australian filmmaker friend. Additional photographs, digital photographs and moving images include personal photographs of Meière, with portraits by Peter A. Juley and Sons and Berenice Abbott, photographs of many of her commissioned works, and a few photographs of artwork by others. Home movies show Meière with friends in 1926 and 1940. Among the photographic documentation of artworks by Meière and others are motion picture films of the 1939 New York World's Fair, the D.C. Municipal Building Frieze, and the 1937 Paris Fair; also found are 311 lantern slides and 201 glass copy negatives of her own completed works as well as murals she documented while traveling, notably murals in Norway and Oberammergau, Bavaria, taken in the 1930s.

Eight sketchbooks date to her early years as an art student and artist and include many figure studies, landscapes, and theatrical sketches made at home and abroad.
Arrangement:
This collection is arranged in 8 series. Indexes, summaries, and transcripts prepared by Louise Meière Dunn that relate directly to archival materials in the collection are found throughout the collection with the material they describe. These indices are particularly rich in Series 2, Correspondence.

Series 1: Biographical Material, 1915-2003 (0.6 linear feet; Boxes 1, 14, OV18)

Series 2: Correspondence, 1901-2011 (3 linear feet; Boxes 1-4, RD19, 0.038 GB; ER01-ER03)

Series 3: Writings, 1904-1960 (1.3 linear feet; Boxes 4-5)

Series 4: Civilian War Service Records, 1938-2006 (1.3 linear feet; Boxes 5-6, 15, FC 28-30, 1.33 GB; ER05)

Series 5: Travel Records, 1933-1958 (12.8 linear feet; Boxes 6-10, 15, OV18, FC 31-111)

Series 6: Printed Material, 1913-1998 (2.1 linear feet; Boxes 10-12, 15, FC 112)

Series 7: Photographs and Moving Images, 1915-1966 (5.8 linear feet; Boxes 12-13, 16, 20-27, FC 17, 113-127, 0.029 GB; ER04)

Series 8: Sketchbooks, 1911-1922 (0.4 linear feet; Box 13)
Biographical / Historical:
Hildreth Meière (1892-1961) was born in Flushing, New York, and had a prolific career from 1921-1961 as an architectural muralist working primarily in an Art Deco style. Meière painted murals and designed for various mediums including mosaic, metal, and stained glass. In 1956 the American Institute of Architects awarded Meière their Fine Arts Medal.

Meière was educated at New York's Convent of the Sacred Heart, Manhattanville, the Art Students League in New York, the California School of Fine Arts (now San Francisco Art Institute), and the School of the Art Institute of Chicago, in addition to pursuing studies in Italy. Her major commissions include the Nebraska State Capitol at Lincoln, the National Academy of Sciences, the Resurrection Chapel of the National Cathedral in Washington, D.C. In New York, she designed the Art Deco plaques on the exterior wall of Radio City Music Hall; created mosaic interiors for the Irving Trust Building at 1 Wall Street; and provided ecclesiastical decorations for St. Patrick's Cathedral, St. Bartholomew's Episcopal Church, Temple Emanu-El, and elsewhere. She also created murals for the Chicago 1933 Century of Progress Fair, and the 1939 New York World's Fair.

She was also an active officer in the Art Students League and the National Society of Mural Painters. Some of her most inspired collaborations were with the architect Bertram Goodhue in the 1920s, and only his sudden death in 1924 put an end to them, although some projects were finished with the successor firm.

Meière died in 1961 at the age of 68. Her work is remembered in several major publications, including The Art Deco Murals of Hildreth Meière by Catherine Coleman Brawer and Kathleen Murphy Skolnik, with photographs by Meière's granddaughter, Hildreth Meière Dunn, published in 2014; and the catalog of the 2009 exhibition at St. Bonaventure University, curated by Brawer and photographed by Dunn, entitled Walls Speak: the Narrative Art of Hildreth Meière.
Provenance:
A majority of the collection placed on deposit 2001 by Louise Meière Dunn, daughter of Hildreth Meière. The collection was donated incrementally by Dunn through 2012. Donations occurred 2001-2007, and again in 2010-2012.
Restrictions:
Use of original papers requires and appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Mosaicists -- New York (State) -- New York  Search this
Topic:
War relief  Search this
Travel  Search this
World War, 1939-1945  Search this
World War I, 1914-1918  Search this
Women artists  Search this
Motion pictures (visual works)  Search this
Function:
Art commissions
Genre/Form:
Slides (photographs)
Transcripts
Video recordings
Photographs
Poetry
Diaries
Sketchbooks
Citation:
Hildreth Meière papers, 1901-2011, bulk 1911-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.meiemari
See more items in:
Hildreth Meière papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-meiemari
Online Media:

Oral history interview with Alice Kagawa Parrott

Interviewee:
Parrott, Alice Kagawa, 1929-2009  Search this
Interviewer:
Smith, Paul J.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
32 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2005 July 10
Scope and Contents:
An interview of Alice Kagawa Parrott conducted 2005 July 10, by Paul J. Smith, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Santa Fe, N.M.
Parrott speaks of her childhood in Hawaii; her extended family's fate in the atomic bombing at Hiroshima; her education at the University of Hawaii, The Cranbrook Academy of Art, and at the studio of Marguerite Wildenhain, at Pond Farm, in Guerneville, California; her teaching years at the University of New Mexico and on the island of Maui; her marriage to Alan Parrott in 1956; her travels in Mexico, Guatemala, and India; and her various exhibitions across the U.S. and abroad. She recalls Claude Horan, Hester Robinson, Ernestine Murai, Anna Kang Burgess, Toshiko Takaezu, Marianne Strengell, Maija Grotell, Jack Lenor Larsen, Rufino Tamayo, Isamu Noguchi, George Nakashima, Joan Mondale, and Aileen Osborne Webb, and others.
Biographical / Historical:
Alice Kagawa Parrott (1929-2009) was a Japanese American fiber artist from Santa Fe, New Mexico. Paul J. Smith is the Director Emeritus, American Craft Museum, New York City, New York.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 1 hr., 27 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Women artists  Search this
Asian American art  Search this
Asian American artists  Search this
Decorative arts  Search this
Asian American women artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American women artists  Search this
Asian American fiber artists  Search this
Fiber artists -- New Mexico -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.parrot05
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-parrot05

Miye Matsukata papers

Creator:
Matsukata, Miye, 1922-1981  Search this
Names:
Art Asia Gallery  Search this
Fitchburg Art Museum  Search this
Haystack Mountain School of Crafts -- Students  Search this
Janiye (Firm)  Search this
Principia College -- Students  Search this
Hickey, Judy  Search this
Hubbard, James C.  Search this
Oka, Takashi, 1924-  Search this
Extent:
13.45 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Interviews
Photographs
Scrapbooks
Sketchbooks
Sketches
Sound recordings
Date:
circa 1900-1982
bulk 1964-1981
Summary:
The papers of jewelry designer and metalsmith Miye Matsukata measure 13.45 linear feet and date from circa 1900 to 1982, with the bulk of the material dating from 1964 to 1981.The papers include correspondence, interviews, journals, writings and lectures, exhibition files, Janiye business records, printed materials, scrapbooks, artwork, sketchbooks, and photographic materials that document Matsukata's work as a jeweler and owner of Janiye, an atelier located in Boston, Massachusetts.
Scope and Contents:
The papers of jewelry designer and metalsmith Miye Matsukata measure 13.45 linear feet and date from circa 1900 to 1982, with the bulk of the material dating from 1964 to 1981.The papers include correspondence, interviews, journals, writings and lectures, exhibition files, Janiye business records, printed materials, scrapbooks, artwork, sketchbooks, and photographic materials that document Matsukata's work as a jeweler and owner of Janiye, an atelier located in Boston, Massachusetts.

Correspondence is with family, James Hubbard, various customers, galleries, and colleagues. Interviews include recordings of Matsukata and Takashi Oka, Judy Hickey and Miyo, and two interviews from 1968.

Eleven journals contain Matsukata's writings about her work, travel experiences, impressions of Mikimoto, and include some sketches. Writings and lectures consists of five appointment books; biographical statements and resumes; essays; lecture recordings, manuscripts, and slides; twelve memo books; notes; two travel itinerary books; and writings by James Hubbard that include an essay about Matsukata.

Exhibition files consist of correspondence, price and invitations lists, loan forms, and drafts for jewelry shows at the Art Asia Gallery, Fitchburg Art Museum, Haystack Mountain School of Crafts, Principia College, and other galleries. Business files for Janiye include donations, financial and legal material, inventory books, publicity files, and sales records; and client and vendor files containing invoices, correspondence, and special order details for works produced by Matsukata and other jewelers at Janiye.

Printed materials include booklets, clippings, exhibition announcements and catalogs, an invitation, press releases, and Janiye sales catalogs. Two scrapbooks feature clippings and sketches of dinnerware, and early brochures and photographs of Janiye.

Artwork consists of sketches of jewelry, dinnerware, mountains, and landscapes. Additionally, 47 sketchbooks of travel, jewelry, and dinnerware are found in the collection. Photographic materials include photographs, negatives, slides, and several glass slides depicting Matsukata, her family, Janiye, jewelry and dinnerware, and travel.
Arrangement:
The collection is arranged as 11 series.

Series 1: Correspondence, 1957-1981 (0.4 linear feet; Box 1)

Series 2: Interviews, 1968-1978 (0.2 linear feet; Box 1)

Series 3: Journals, 1966-1981 (0.7 linear feet; Boxes 1-2)

Series 4: Writings and Lectures, 1962-1982 (1.0 linear feet; Boxes 2-3)

Series 5: Exhibition Files, 1964-1980 (0.3 linear feet; Box 3)

Series 6: Janiye Business Records, 1948-1982 (7.1 linear feet; Boxes 3-10, 17)

Series 7: Printed Material, circa 1965-1982 (0.2 linear feet; Box 10)

Series 8: Scrapbooks, circa 1945-1980 (0.2 linear feet; Box 15)

Series 9: Artwork, 1946-1981 (0.5 linear feet; Boxes 10, 15)

Series 10: Sketchbooks, circa 1950-1981 (1.0 linear feet; Boxes 10-11, 15)

Series 11: Photographic Material, circa 1900-1982 (2.3 linear feet; Boxes 11-14, 16)
Biographical / Historical:
Miye Matsukata (1922-1981) was a Japanese American jewelry designer and metalsmith based in Boston, Massachusetts. She worked at her jewelry firm Janiye in Boston from 1950 to her death.

Matsukata was born in Japan to Shokuma and Miyo Matsukata and had four sisters named Haru, Naka, Taneko "Tane," and Mari. After coming to the United States in 1940, Matsukata attended Principia College in Elsah, Illinois, graduating in 1944. Afterwards, she attended The Museum School in Boston. In 1950 she established Janiye, a jewelry atelier, with former classmates Naomi Katz Harris and Janice Whipple Williams. The name Janiye is a combination of the three co-owners' names. By 1958, Matsukata became the sole owner of the company with James Hubbard, a stone cutter, serving as business manager and agent. Nancy Michel, Alexandra Watkins, and Yoshiko Yamamoto became the leading team of jewelers to execute Matsukata's designs.

Matsukata traveled extensively to Egypt, Greece, Turkey, Peru, India, western and central Europe, and to Scandinavia after winning a scholarship in 1950. She also spent a substantial amount of time in Japan, especially during her collaboration with the Japanese pearl company Mikimoto. Her work was inspired by the places she visited and she often documented the sources of her inspiration through her writings and sketches.

Matsukata died in 1981 in Boston. Janiye remained open after her death with Michel and Watkins as the new owners.
Related Materials:
The Archives of American Art also holds several collections related to Miye Matsukata, including Photographs of Miye Matsukata, Slides of jewelry designed by Miye Matsukata, Alexandra S. Watkins papers concerning Miye Matsukata, Miye Matsukata note with sketch to Mrs. Bartlett, Jane England Chandler papers regarding Miye Matsukata necklace, and Photographs of Miye Matsukata jewelry.
Provenance:
The Miye Matsukata papers were donated in 1984 by Mrs. Edwin O. Reischauer, Matsukata's sister and in 2008 and 2017 by Ann Hubbard Gaddis, the sister of Matsukata's business partner and heir, James Hubbard.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Occupation:
Jewelers -- Massachusetts -- Boston  Search this
Metal-workers  Search this
Artisans -- Massachusetts  Search this
Topic:
Decorative arts  Search this
Jewelry making  Search this
Jewelry  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American women artists  Search this
Asian American jewelers  Search this
Asian American metal-workers  Search this
Women artists  Search this
Genre/Form:
Diaries
Interviews
Photographs
Scrapbooks
Sketchbooks
Sketches
Sound recordings
Citation:
Miye Matsukata papers, circa 1900-1982, bulk 1964-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.matsmiye
See more items in:
Miye Matsukata papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-matsmiye

Oral history interview with Betty Woodman

Interviewee:
Woodman, Betty, 1930-2018  Search this
Interviewer:
Perreault, John, 1937-2015  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Bellagio Study and Conference Center  Search this
Boulder (Colo.).. Parks & Recreation Department  Search this
Centre internationale de recherche sur le verre et les arts plastiques (Marseille, France)  Search this
Europees Keramisch Werkcentrum  Search this
Fabric Workshop  Search this
Girl Scouts of the United States of America  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
School for American Crafts  Search this
University of Colorado -- Faculty  Search this
Brown, Elenita  Search this
Carlson, Cynthia, 1942-  Search this
Hamada, Shōji, 1894-1978  Search this
Higby, Wayne  Search this
Kozloff, Joyce  Search this
Kushner, Robert, 1949-  Search this
Leach, Bernard, 1887-1979  Search this
Serra, Richard, 1938-  Search this
Shark, Bud  Search this
Voulkos, Peter, 1924-2002  Search this
Woodman, George, 1932-  Search this
Extent:
5 Items (Sound recording: 5 sound files (2 hr., 55 min.), digital wav)
69 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Boulder (Colo.)
India -- description and travel
Mexico -- description and travel
Netherlands -- description and travel
Date:
2003 April 22 and 29
Scope and Contents:
An interview of Betty Woodman conducted 2003 April 22 and 29, by John Perreault, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in New York, New York.
Woodman speaks of frequent moves with her family during her childhood; her father's woodworking skills; gaining an interest in arts and crafts at four when she made a tablecloth with crayon drawings; attending summer camps, including Girl Scout Camp, where she participated in arts and crafts activities; being the first girl to take shop in her middle school; making model airplanes for air raid wardens during World War II; her interest in making functional objects; her introduction to clay and hand-building in high school; attending the School for American Craftsmen in New York City; collaborating with fellow students; her early desire to be a "craftsperson and not an artist"; her work with silk-screen fabric for The Fabric Workshop in Philadelphia and glass at CIRVA in Marseille, France; teaching at the University of Colorado and the City of Boulder Recreation Department; working at the European Ceramic Work Center in Den Bosch, Holland, and the Bellagio Study Center in Italy; her studios in New York, Colorado, and Italy; her travels to India, The Netherlands, and Mexico; living in New Mexico, New York, Colorado, and Italy; her business Roadrunner Pottery in New Mexico with partner Elenita Brown; collaborative projects with Joyce Kozloff, Cynthia Carlson, Bud Shark, Judith Solodkin, and her husband George Woodman; developing a following in New York; how being a woman has affected her work and how she enjoys working with other women artists; the change of market for American crafts; Italian, Greek, and Etruscan influences; teaching experiences; the importance of getting reviews in art magazines; and the strong support from her husband George, a painter. Betty Woodman recalls Lynn Feelyn, Olan Wassen, Bernard Leach, Peter Voulkos, Shoji Hamada, Bob Kushner, Richard Serra, Wayne Higby, and others.
Biographical / Historical:
Betty Woodman (1930-2018) was a ceramist from New York, New York. John Perreault (1937- ) is an independent critic and curator from New York, New York.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 2 hr., 55 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Airplanes -- Models  Search this
Art -- Study and teaching  Search this
Ceramicists -- New York (State) -- New York -- Interviews  Search this
Ceramics -- Study and teaching  Search this
Decorative arts  Search this
Glass art  Search this
Handicraft -- United States  Search this
Screen process printing  Search this
Women artists -- New York (State) -- New York -- Interviews  Search this
World War, 1939-1945  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.woodma03
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-woodma03

Professional Correspondence

Collection Creator:
Zarina  Search this
Container:
Box 1, Folder 7
Type:
Archival materials
Date:
1991-2013
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of electronic records requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Zarina Hashmi papers, 1950-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Zarina Hashmi papers
Zarina Hashmi papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-zarina-ref13
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Professional Correspondence digital asset number 1

Clippings and Press

Collection Creator:
Zarina  Search this
Container:
Box 1, Folder 17
Type:
Archival materials
Date:
1970-1999
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of electronic records requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Zarina Hashmi papers, 1950-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Zarina Hashmi papers
Zarina Hashmi papers / Series 5: Printed Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-zarina-ref27
5 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Clippings and Press digital asset number 1
  • View Clippings and Press digital asset number 2
  • View Clippings and Press digital asset number 3
  • View Clippings and Press digital asset number 4
  • View Clippings and Press digital asset number 5

Lectures

Collection Creator:
Zarina  Search this
Container:
Box 1, Folder 9
Type:
Archival materials
Date:
2001-2011
Scope and Contents:
Includes born digital material, see ER01
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of electronic records requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Zarina Hashmi papers, 1950-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Zarina Hashmi papers
Zarina Hashmi papers / Series 3: Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-zarina-ref16
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Lectures digital asset number 1

Oral history interview with Raquel Rabinovich

Interviewee:
Rabinovich, Raquel, 1929-  Search this
Interviewer:
McElhinney, James Lancel, 1952-  Search this
Names:
Hispanic American Arts Center (New York, N.Y.)  Search this
Station Hill Press  Search this
Beethoven, Ludwig van, 1770-1827  Search this
Borges, Jorge Luis, 1899-1986  Search this
Braque, Georges, 1882-1963  Search this
Cézanne, Paul, 1839-1906  Search this
Del Giocondo, Lisa, 1479-  Search this
Denes, Agnes  Search this
Farina, Ernesto, 1912-  Search this
Herzberg, Julia P.  Search this
Johns, Jasper, 1930-  Search this
Kelly, Robert, 1956-  Search this
Lenin, Vladimir Ilʹich, 1870-1924  Search this
Lhote, André, 1885-1962  Search this
Maggi, Marco, 1957-  Search this
Martin, Agnes, 1912-2004  Search this
Mondolfo, Rodolfo, 1877-1976  Search this
Mondrian, Piet, 1872-1944  Search this
Pavia, Philip, 1915-2005  Search this
Perón, Juan Domingo, 1895-1974  Search this
Picasso, Pablo, 1881-1973  Search this
Quasha, George  Search this
Rockburne, Dorothea  Search this
Schwabsky, Barry  Search this
Stein, Charles, 1944-  Search this
Strauss, David Levi  Search this
Velázquez, Diego, 1599-1660  Search this
Weintraub, Linda  Search this
Zimmer, William, 1946-2007  Search this
Extent:
4 Items (Sound recording: 4 sound files (3 hr., 6 min.), digital, wav)
64 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Argentina -- Description and Travel
Denmark -- Copenhagen -- Description and Travel
Egypt -- description and travel
France -- Paris -- Description and Travel
India -- description and travel
Machu Picchu Site (Peru)
Nepal -- Description and Travel
New York (N.Y.) -- Description and Travel
Thailand -- description and travel
Date:
2012 September 25 and October 9
Scope and Contents:
An interview of Raquel Rabinovich conducted 2012 September 25 and October 9, by James McElhinney, for the Archives of American Art, at Rabinovich's home, in Rhinebeck, New York.
Rabinovich speaks of growing up in Argentina; becoming aware of art; reproductions and books; European art; her Jewish heritage; her parents moving to Argentina before World War I; Jewish persecution; her parents' background; living in Cordoba; speaking Spanish and Yiddish growing up; quiet reflections; church; art exposure; traveling and moving to Paris; the influence of Ernesto Farina; Peron's dictatorship and rebellion; attending medical school and the call of art; political activities and spending time in jail; meeting Jose and moving to Scotland; Paris and exposure to artwork; teachings of Andre Lhote; her early works; abstraction; painting; the Mona Lisa; darkness and light; "The Dark is Light Enough"; exposure to literature and poetry; living in Copenhagen; meeting Jorge Luis Borges; the Book of Sand; her siblings; her children and her relationship to them; staying up to date with current events; libraries and a lack of books growing up; meditation; texture and the monochromatic works; interest in Jasper Johns' work; meeting Jasper Johns; living in New York; trip to Machu Picchu and spending the night outdoors; "Cloister, Crossing, Passageway 1.32"; glassworks and transparency; exhibiting artwork; her divorce; Rodolfo Mondolfo; environment and exposure; quiet contemplation; spending time with artwork; commissioned work near High Falls; "River Library"; libraries as places of knowledge; minimalism; the 1980s; her daughter's wedding and her relationship with Jose; stones; traveling to Nepal, Thailand, India, and Egypt; temples; Buddhism; "Chhodrtens"; garbhagrihas; NEA fellowship and residency in Paris; "Thrones for the Gods"; INTAR Gallery; "Gateless Gates"; artifacts; Pabhavikas sculpture; Charles Stein; Linda Weintraub; George Quasha; Station Hill Press; "Enfolded Darkness" and "Light Unworn". Rabinovich also recalls Baron Hughes, Beethoven, Lenin, Diego Velazquez, Andre Lhote, Mondrian, Picasso, Braque, David Levi Straus, Robert Kelly, Cezanne, Philip Pavia, Agnes Martin, Dorothea Rockburne, Barry Schwabsky, Bill Zimmer, Agnes Denes, Louisa Valenzuela, Julia Herzberg, and Marco Maggi.
Biographical / Historical:
Raquel Rabinovich (1929- ) is a painter and sculptor in Rhinebeck, New York. James McElhinney (1952- ) is a painter and educator from New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Political activists  Search this
Topic:
Buddhism  Search this
Minimal art  Search this
Painters -- New York (State) -- Interviews  Search this
Sculptors -- New York (State) -- Interviews  Search this
Women artists -- New York (State) -- Interviews  Search this
Function:
Libraries
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.rabino12
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rabino12

Nancy Goldring papers

Creator:
Goldring, N. (Nancy)  Search this
Names:
Alloway, Lawrence, 1926-1990  Search this
Lax, Robert  Search this
Steinberg, Leo  Search this
Extent:
5.1 Linear feet
0.213 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Scrapbooks
Date:
circa 1950-2020
Summary:
The papers of New York artist Nancy Goldring measure 5.1 linear feet and 0.213 GB and date from circa 1950-2020. Her career and personal life are documented through biographical material; personal and professional correspondence; writings; project and exhibition files; printed and digital material; scrapbooks; atwork; and photographic material. Notable correspondents include Lawrence Alloway, Robert Lax, and Leo Steinberg. There is a 0.4 linear foot unprocessed addition to this collection donated in 2020 that includes printed material, artwork, correspondence (emails, handmade cards), poetry, photographs of friends and family, and misc. Materials date from circa 1967-2020.
Scope and Contents:
The papers of New York artist Nancy Goldring measure 5.1 linear feet and 0.213 GB and date from circa 1950-2020. Her career and personal life are documented through biographical material; personal and professional correspondence; writings; project and exhibition files; printed and digital material; scrapbooks; artwork; and photographic material. Notable correspondents include Lawrence Alloway, Robert Lax, and Leo Steinberg.There is a 0.4 linear foot unprocessed addition to this collection donated in 2020 that includes printed material, artwork, correspondence (emails, handmade cards), poetry, photographs of friends and family, and misc. Materials date from circa 1967-2020.
Arrangement:
The collection is arranged as nine series

Series 1: Biographical Material, 1957-2014 (0.2 linear feet; Box 1)

Series 2: Correspondence, 1962-2015 (1.2 linear feet; Box 1-2)

Series 3: Writings, circa 1955-2014 (0.3 linear feet; Box 2)

Series 4: Project and Exhibition Files, 1970-2015 (0.5 linear feet; Box 2-3)

Series 5: Printed Material, circa 1950-2015 (1.6 linear feet; Box 3-4, OV 6, 0.213 GB; ER01)

Series 6: Scrapbooks, 1955-circa 1956 (0.3 linear feet; Box 4)

Series 7: Artwork, circa 2006 (1 folder; OV 7)

Series 8: Photographic Material, circa 1955-2015 (0.5 linear feet; Box 5, OV 8)

Series 9: Unprocessed Addition, circa 1967-2020 (0.4 linear feet; Box 9)
Biographical / Historical:
Nancy Goldring (1945- ) is an American artist working in New York. Raised in St. Louis, Missouri where her father was a professor of cardiology at Washington University, Goldring attended Smith College, receiving a BA in art history in 1967. She spent a year in Italy on a Fulbright fellowship and was later enrolled in the MFA program at New York University. She has been teaching at Montclair State University since the early 1970s. In 1994, Goldring traveled in India and Sri Lanka on another Fulbright fellowship.

In 1969, Goldring co-founded SITE (Sculpture in the Environment) with several other artists interested in developing public art projects. Within a few years, Goldring moved on to explore other forms of artmaking and subsequently developed a technique she calls "foto-projection" which combines photography, drawing, models, and slide projection. She is influenced by travel, location, memory.
Provenance:
Nancy Goldring donated her papers to the Archives of American Art in 2015 and 2021.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Women artists -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Scrapbooks
Citation:
Nancy Goldring papers, circa 1950-2020. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.goldnanc
See more items in:
Nancy Goldring papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-goldnanc

Dorothy H. Pere papers

Creator:
Pere, Dorothy H.  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1948-2006
bulk 1967-2006
Scope and Contents:
Biographical information, personal and professional correspondence with colleagues, galleries, and friends regarding donations, exhibitions, contracts, and speaking engagements; photographs of Pere's works of art and photocopies of snapshots of Pere, her family and her work; works of art including sketches and watercolors from Pere's travels to Greece as well as a self-portrait; a list of paintings on consignment; one page of notes for a lecture-demonstration on collage; writings including an autobiography and poems; files on Pere's term as an artist-in-residence aboard the Britanis in 1987, her work with the Findhorn Foundation in Scotland and her travels to India in 1984. Also included are clippings, exhibition catalogs and announcements; and other printed material.
Biographical / Historical:
Painter, printmaker; Merchantville, N.J.
Provenance:
Donated 1974-2007 by Dorothy Pere.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters  Search this
Printmakers  Search this
Topic:
Painting, American  Search this
Graphic arts -- New Jersey  Search this
Women artists -- New Jersey  Search this
Identifier:
AAA.peredoro
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-peredoro

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