50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave mounds and excavations. The collection also includes images of prisoners at Fort Marion in 1875, Sioux Indians involved in the Great Sioux Uprising in Minnesota, the Fort Laramie Peace Commission of 1868, Sitting Bull and his followers after the Battle of the Little Bighorn, and the aftermath of the Wounded Knee Massacre in 1890.
There are studio portraits of well-known Native Americans, including American Horse, Big Bow, Four Bears, Iron Bull, Ouray, Red Cloud, Red Dog, Red Shirt, Sitting Bull, Spotted Tail, Three Bears, and Two Guns White Calf. Depicted delegations include a Sauk and Fox meeting in Washington, DC, with Lewis V. Bogy and Charles E. Mix in 1867; Kiowas and Cheyennes at the White House in 1863; and Dakotas and Crows who visited President Warren G. Harding in 1921. Images of schools show Worcester Academy in Vinita, Oklahoma; Chilocco Indian School; Carlisle Indian Industrial School; Haskell Instittue, and Albuquerque Indian School.
Some photographs relate to the Centennial Exposition in Philadelphia, 1876; World's Columbian Exposition in Chicago, 1893; Louisiana Purchase Exposition in St. Louis, 1903; and Centennial Exposition of the Baltimore and Ohio Railraod, 1876. Expedition photographs show the Crook expedition of 1876, the Sanderson expedition to the Custer Battlefield in 1877, the Wheeler Survey of the 1870s, Powell's surveys of the Rocky Mountain region during the 1860s and 1870s, and the Hayden Surveys.
Outstanding single views include the party of Zuni group led to the sea by Frank Hamilton Cushing; Episcopal Church Rectory and School Building, Yankton Agency; Matilda Coxe Stevenson and a companion taking a photographs of a Zuni ceremony; John Moran sketching at Acoma; Ben H. Gurnsey's studio with Indian patrons; Quapaw Mission; baptism of a group of Paiutes at Coeur d'Alene Mission; court-martial commission involved in the trial of Colonel Joseph J. Reynolds, 1877; President Harding at Sitka, Alaska; Walter Hough at Hopi in 1902; and Mrs. Jesse Walter Fewkes at Hopi in 1897.
Biographical/Historical note:
George V. Allen was an attorney in Lawrence, Kansas and an early member of the National Stereoscope Association. Between the 1950s and 1980s, Allen made an extensive collection of photographs of the American West, mostly in stereographs, but also including cartes-de-visite and other styles of mounted prints, photogravures, lantern slides, autochromes, and glass negatives.
Indians of North America -- Southern states Search this
Citation:
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
These are mostly nineteenth-century prints of some negatives in the glass negative collection. Included are a few images made from negatives that apparently have since been broken or lost. Some of the prints were acquired by the Department of Anthropology of the United States National Museum and have accession and/or catalog numbers. Others were apparently made for exhibit purposes. The collection has not been sufficiently studied to allow the positive identification of the print makers but many were probably prepared by Charles Milton Bell, De Lancey W. Gill, John K. Hillers, and Antonio Zeno Shindler. Some of the prints have been hand colored by Shindler.
Arrangement:
Roughly by tribe
Citation:
Prints of Indian Negatives, National Anthropological Archives, Smithsonian Institution
The papers of this collection are those of Herbert William Krieger (b. 1889), archaeologist and curator of the Division of Ethnology for the former United States National Museum of the Smithsonian Institution. Included are correspondence, field notebooks, notes, administrative material, manuscripts of writings, printed matter, sketches, maps, photographs and other documents.
Scope and Contents:
These papers reflect the professional life of Herbert William Krieger (b. 1889), archaeologist and curator of the Division of Ethnology for the former United States National Museum of the Smithsonian Institution. Included are correspondence, field notebooks, notes, administrative material, manuscripts of writings, printed matter, sketches, maps, photographs and other documents that cover the period from 1925 to 1957.
The bulk of the material concerns Krieger's archaeological work in the West Indies, primarily the Dominican Republic, where he researched intermittently from 1938 to 1953. There is also material in the collection on Krieger's work in Southeastern and Central Alaska where he was involved with the restoration and reconstruction of the Kansaan National Monument from 1926 to 1927. Material concerning the salvage archaeology performed on the Columbia River in Washington and Oregon, particularly in the area of the construction site of the Bonneville Dam, is included in the collection. Also included is work on two War Background Studies publications, one on the peoples of the Philippines, the other on the islands of the Western Pacific. The collection additionally contains Krieger's office files and collected correspondence of scholars and informants used for reference purposes.
Not represented in the collection is any phase of Krieger's personal life, nor is there any material reflecting his life prior to or since his association with the Museum.
Among correspondents whose letters are included are Franz BOAS, C. U. CLARK, John COLLIER, L. S. CRESSMAN, Frances DENSMORE, Philip DRUCKER, John EWERS, Jesse W. FEWKES, Melville HERSKOVITS, William H. HOLMES, Walter HOUGH, Neil M. JUDD, A. L. KROEBER, Otis MASON, Frank M. SETZLER, Herbert J. SPINDEN, T. D. STEWART, Matthew STIRLING, William Duncan STRONG, T. T. WATERMAN, Waldo WEDEL, Alexander WETMORE, and Clark WISSLER.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
OUTGOING LETTERS, 1925-1955: Box 1
INCOMING LETTERS, 1925-1957: Boxes 2, 3
COLLECTED CORRESPONDENCE USED AS REFERENCES, 1892-1957: Box 3
OFFICE FILE, 1929-1957: Boxes 4, 5, 6, 7
MATERIAL RELATING TO SOUTHEAST AND CENTRAL ALASKA, 1926-1927: Box 8
MATERIAL CONCERNING THE COLUMBIA RIVER REGION, 1927-1955: Boxes 8, 9
MANUSCRIPTS AND NOTES ON THE ISLANDS OF THE WESTERN PACIFIC, 1943: Boxes 10, 11, 12, 13
MATERIALS RELATING TO THE PHILIPPINE ISLANDS, 1942: Box 14
MATERIAL CONCERNING THE WEST INDIES, 1938-1953: Boxes 15, 16, 17, 18, 19
MISCELLANY, 1925-1957: Boxes 20, 21
PRINTED, PROCESSED AND EXTRACTED MATERIAL, 1884-1957: Boxes 22, 23, 24
Herbert William Krieger joined the staff of the United States National Museum's Department of Anthropology as assistant curator of ethnology in 1924, and he became curator of ethnology in 1925. In spite of his position, much of his field work was carried out in archaeology. In 1927, for the Bureau of American Ethnology, he examined the feasibility of restoring Old Kasaan on Prince of Wales Island, Alaska, and carried out archaeological reconnaissance along the Columbia River. In the following year, he continued reconnaissance work, first along the middle Yukon River and then, again, along the Columbia. In the former area, he also collected a few random notes on living Athapascan Indians and in both areas he carried out several excavations.
In 1934, for the Bureau of Indian Affairs and the Public Works Administration, he carried out salvage archaeological work near Bonneville, Oregon. As a pastime, during the 1930s, he carried out reconnaissance along the lower Potomac River. Krieger's major work, however, lay to the south among the problems of Caribbean archeology. Between 1928 and 1937 and from 1947 to 1952, he concerned himself with sites visited by Columbus and attempts to plot areas previously occupied by the Arawak, Carib, and other tribes.
His studies involved examinations of both historic and prehistoric Spanish and Indian settlements in Haiti, Cuba, the Dominican Republic, the Virgin Islands, and the Bahamas. Based on these, he published several articles and books, including Archeological and Historical Investigations in Samana, Dominican Republic, United States National Museum Bulletin 156, 1931, and Aboriginal Indian Pottery of the Dominican Republic, United States National Museum Bulletin 156, 1931. He was also a participant in several conferences concerned with the archaeology, ethnology, and history of the Caribbean area.
In addition to his field work and administrative duties as head of the Division of Ethnology, Krieger worked with the Museum's ethnological collections and published several articles based on them. He also became involved in the renovation of the division's public areas so that "the antiquated and overcrowed exhibits should be replaced by modern exhibits in which art and science are blended". Much of the effort for this was carried out by Krieger's associate curator John Canfield Ewers.
Having a special interest in the Philippines and western Oceania that grew from his early service as a teacher in Manila, Krieger also produced studies of the people of the Philippines and the islands of the western Pacific for the Smithsonian's War Backgroud Studies series during World War II. He also worked on a volume "The Islands of New Japan, " but it was never published.
December 8, 1889 -- Born in Burlington, Iowa
1907 -- Bachelor of Arts, Wartburg College, Clinton, Iowa
1908 -- Master of Arts, State University of Iowa, in German and Philosophy
1909-10 -- Fellow, University of Illinois
1911-14 -- Instructor of economics and commercial geography at the School of Commerce, Bureau of Education, Manila, Philippine Islands
1914-20 -- Bank cashier and ranch owner, Granada, Minnesota
1922-24 -- Instructor of Anthropology, University of Minnesota
1924 -- Assistant Curator, Division of Ethnology, U. S. National Museum
1925 -- Curator, Division of Ethnology, U. S. National Museum
1926-27 -- On an expedition to southeast and central Alaska, engaged in the reconstruction and restoration at the Old Kansaan National Monument
1927-35 -- Salvage archaeology along the Columbia River, primarily in the area surrounding the Bonneville Dam prior to its construction for the Department of the Interior
1938-53 -- Investigations in the Caribbean area, primarily the island of Hispaniola, Dominican Republic
1957 -- Retired from the staff of the United States National Museum and made Honorary Research Associate, U. S. N. M.
July 1, 1970 -- Died, Buried in Columbia Gardens Cemetery, Arlington, Virginia
Related Materials:
Additional material in the National Anthropological Archives that relates to Herbert Krieger can be found in the United States National Museum Manuscript and Pamphlet File, as well as among the correspondence files of the Bureau of American Ethnology.
Topic:
Houses -- North America -- Africa -- Asia -- South America Search this
The bulk of the collection consists of portraits of identified Native Americans and some government officials and interpreters. It includes cabinet cards, other mounted prints, newspaper articles, illustrations, and a photographic postcard. Depicted individuals include American Horse, Oglala; Black Hawk, Sauk; Bob Tail, Cheyenne; Crowfoot, Hunkpapa; Gaul, Hunkpapa; Geronimo, Chiricahua; John Grass, Teton; Chief Joseph, Nez Perce; Little Wound, Oglala; Medicine Bull, Hunkpapa; Osceola, Seminole; Ouray, Ute; Litte Raven, Arapaho; Plenty Coups, Crow; Pocahontas, Powhatan; Rain in the Face, Hunkpapa; Red Cloud, Oglala; Red Iron, Dakota; Short Man, Piegan; Sitting Bull, Hunkpapa; Standing On Prairie, Siouan; Thayendanegea (Joseph Brant), Mohawk; Two Guns White Calf, Piegan; Two Moon, Cheyenne; and Washakie, Shoshoni.
Indians of North America -- Southern states Search this
Genre/Form:
Photographs
Citation:
Photo lot 87-2P, United States National Museum Department of Anthropology photograph collection relating to Native Americans, National Anthropological Archives, Smithsonian Institution
Indians of North America -- Southwest, New Search this
Type:
Collection descriptions
Archival materials
Stereographs
Photographs
Date:
late 19th century-early 20th century
Scope and Contents note:
Stereographs documenting Native North Americans, including studio portraits, camps and dwellings, graves, infants in cradleboards, and pottery. Specific images portray Sitting Bull's camp at Fort Randall, Curly at the Custer monument, and a Southern Plains delegation at the White House Conservatory. Tribes represented include Winnebago, Tuscarora, Tesuque, Seneca, San Juan, Pecos, Ojibwa, Oglala, Ute, Kaibab, Sisseton, Arikara, Mandan, Hopi, Shoshoni, Isleta, and Laguna, as well as Native peoples of Alaska and Labrador.
The photographs were published by a variety of firms including E. & H. T. Anthony & Company, George Barker, H. H. Bennett, Bennett & Brown, W. Henry Brown, Caswell & Davy, Childs Art Gallery, B. B. Brubaker, Continent Stereo Company, W. R. Cross, H. A. Doerr, J. Gurney & Son, Haynes, H. T. Hiester, John K. Hillers, William H. Jackson, J. F. Jarvis, Keystone View Company, B. L. Singley, S. J. Morrow, H. T. Payne, H. N. Robinson, C. R. Savage, John P. Soule, Underwood & Underwood, Whitney's Gallery, Whitney & Zimmerman, and Ben Wittick.
Local Call Number(s):
NAA Photo Lot 140
Location of Other Archival Materials:
Additional photographs by these photographers can be found in the National Anthropological Archives in additional collections of stereographs relating to Native Americans (MS 4551 and Photo Lot 90-1)
Photo lot 140, Bureau of American Ethnology collection of stereographs relating to Native Americans, National Anthropological Archives, Smithsonian Institution
1,195 Prints (albumen, silver gelatin, and platinum)
Type:
Collection descriptions
Archival materials
Prints
Photomechanical prints
Photographs
Stereographs
Postcards
Place:
Wyoming
Virginia
New York
New Mexico
Vermont
South Carolina
Maine
Louisiana
Massachusetts
Maryland
Montana
Nebraska
Alaska
British Columbia
Arizona
Colorado
California
Date:
1871-1912
Scope and Contents note:
Photographs of geologic features and the natural environment of the American West, Alaska, and Mexico, most of which were created during government surveys and the expansion of railroads during the 1800s. There are also photographs collected and made by individuals who worked or traveled in the west. Depicted locales include Alaska, Arizona, British Columbia, California, Colorado, Louisiana, Maine, Maryland, Massachusetts, Montana, Nebraska, New Mexico, New York, South Carolina, Vermont, Virginia, and Wyoming, and there are some additional images of artifacts, artwork, and portraits. Photographers represented include William Henry Jackson, John K. Hillers, Timothy H. O'Sullivan, E. O. Beaman, James Fennemore, William Bell, and other professional and amateur photographers.
Local Call Number(s):
NAA Photo Lot 37
Varying Form of Title:
Scenic Views of North America
Location of Other Archival Materials:
Charles Savage photographs previously filed in Photo Lot 37 have been relocated to National Anthropological Archives Photo Lot 156.
Bourne & May photographs previously filed in Photo Lot 37 have been relocated to National Anthropological Archives Photo Lot 159.
The National Anthropological Archives holds additional photographs by photographers or from accessions represented in this collection in Photo Lot 24, Photo Lot 40, and other photo lots.
See others in:
Photographs of North American geology and scenery, 1871-1912
This collection contains 46 gelatin silver and albumen prints that depict the southwest Indigenous peoples and landscapes from around 1880-1914.
Scope and Contents:
This collection contains 46 gelatin/albumen silver prints that were in the collection of Douglas D. Graham. The photographs represent portraits and landscapes of the southwest around 1880-1914. Some photographs were taken by Ben Wittick (6), John K. Hillers (2), and Colonel Frank. C. Churchill (1).
Arrangement:
Arranged in folders by print catalog number.
Biographical / Historical:
Douglas D. Graham was born in New York in 1849 and died in 1914. Graham was a U.S. Indian Agent at Zuni, New Mexico from 1870 to about 1906. During this time, he was also a teacher and superintendent at a local school.
Provenance:
This collection was donated to the Museum of the American Indian (MAI) in 1959 by Graham's nieces: Evelyn Brinckerhoff Lent (Mrs. Ward S. Lent, 1890-1970); Heloise Graham Brinckerhoff Oman (Mrs. Charles M. Oman, 1885-1966); Beatrice Brinckerhoff Young (Mrs. Alexander M. Young, 1895-1973); and Mary Franklin Brinckerhoff Van Houten (Mrs. John M. Van Houten, 1894-1964).
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Citation:
Identification of specific item; Date (if known); Douglas D. Graham photographs of the Southwest, image #, NMAI.AC.313; National Museum of the American Indian Archives Center, Smithsonian Institution.
