The California Islands, Santa Rosa Island, Santa Barbara County: Santa Rosa Island: Cherry Canyon watershed, in lower E Fork of Windmill Canyon, just upstream from lowermostl fork, W-facing slope near canyon bottom, Santa Barbara, California, United States, North America
The California Islands, Santa Rosa Island, Santa Barbara County: Santa Rosa Island: Narrows of Cherry Canyon, ca. 0.2 miles inland from fork with Windmill Canyon, along cattle trail on E side of canyon, Santa Barbara, California, United States, North America
California Channel Islands, near windmill in Canyon Del Mar between the Ranch House and Cuyler Harbor, San Miguel Island, Santa Barbara County, Santa Barbara, California, United States, North America
United States of America -- Oregon -- Multnomah -- Portland
Scope and Contents:
The folder includes worksheets, a photocopy of an article, a printed description and plan of the garden.
Varying Form:
McDonald Garden, formerly known as.
General:
Since 1940 the gardens of this 1.75 acre property have been designed and filled with unusual specimen trees and flowering shrubs, then redesigned by a second owner equally committed to plant collecting who wanted to maintain the early gardens as much as possible. The initial design included a broad brick terrace behind the house that overlooked a sweeping lawn bordered by beds containing perennials, shrubs and trees. A rock garden marked the transition from the cultivated gardens to a native woodlands on the steep slope to the Willamette River. Behind the brick wall along the street there was a hedge of arborvitae and rhododendron had been planted along the brick wall at the far end of the terrace. A glass and brick gazebo stood in the front courtyard, topped with a hummingbird weather vane by sculptor Keith Jellum. When the property changed hands in 2002 all these features were changed too: the overgrown arborvitae were replaced with large-leafed boxwood, too tall rhododendron that blocked the view from the house were relocated, the crumbling gazebo was removed, and the hummingbird weathervane was mounted on a stand in an island bed of seasonal plantings where it can spin with the wind. The mature specimen trees including paper bark maple, Ponderosa pine, several varieties of magnolia, Garry oak, dawn redwood and a wheel tree remained but new beds were designed and planted with hellebores, hosta, fuchsias, clematis, rhododendrons, peonies, dwarf conifers and arum varieties. A new shade garden called the grotto replaced failing grass, a new green house and four bin composting center were built. The rock garden was augmented with steps and additional plantings, and wide gravel paths were laid for touring as well as working in the perennials beds that border the lawn.
Originally the 1.3 acres that were cultivated were conceived as parkland and featured rare plant material. A garden room in a warmer microclimate known as the Chilean garden was kept and included a windmill palm, swamp cypress and other semi-tropical plants; a crepe myrtle and pomegranate were espaliered on the garage wall along one side. Three copper bowl fountains of Greco-Roman design placed in the front and side courtyards were connected to a recirculating water pump in the basement of the house. The brick walls surrounding the terrace were perforated, a signature design of the original landscape architects Elizabeth Lord and Edith Schryver and the gazebo built on a curved brick wall in the front court was a stand-out feature. The parkland was planted so there would be open views from the house and terrace of Mount Saint Helens and the Willamette River.
Persons associated with the property include Sir James and Lady McDonald (former owners, 1940-2002); Susan and John Bates (former owners, 2002-2015); Elizabeth Lord (1887-1976) and Edith Schryver (1901-1984) (landscape architects, 1940); Ernest Tucker (landscape architect, 1977); Marsha Matschek (landscape designer, 1975- );Clark Matschek (landscape architect, 1996); Conrad Hahn (head gardener, 1950); Ernest Meyer (architect, 1942); Charles Voorhis (architect, 1977); John Storrs (architect, 1960); Echo Cole (head gardener, 1996- ); Gilbert Meigs (engineer, 1978); Jay Wesley Miner (garden designer and head gardener, 2006- ); Withey Price (garden design, 2004); Megan Galaher (garden designer, 2014); Martha Schneikert (steel garden structures, 2006); John Buttrell (tree pruning, 2006- ); Blake Thomas (tree pruning, 2006- ).
Related Materials:
A Plant Collector's Garden related holdings consist of 2 folders (17 35 mm. slides; 49 digital images)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Correspondence between Peter Fuller, Andre Emmerich, and Clement Greenberg; correspondence with Nuala O'Faolain; Greenberg family letters; and additional individual letters from a variety of correspondents are access restricted. Written permission is required. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The Clement Greenberg papers, 1937-1983. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art. Funding for the digitization of the papers was provided in part by The Walton Family Foundation.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Guild Art Gallery records, circa 1933-1937. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care and Preservation Fund. Funding for the digitization of the collection was provided in part by Rosina Rubin.
