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May Wilson letter to Samuel J. Wagstaff

Creator:
Wilson, May, 1905-1986  Search this
Wagstaff, Samuel J., 1921-1987  Search this
Type:
Correspondence
Place:
New York, N.Y.
Date:
1963 Oct. 28
Topic:
Art patrons  Search this
Art--Economic aspects  Search this
Artists in groups  Search this
Record number:
(DSI-AAA)8276
See more items in:
Samuel J. Wagstaff papers, circa 1932-1985
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_8276

Henri Gallery records

Creator:
Henri Gallery (Washington, D.C.)  Search this
Names:
Abraham, Darryl  Search this
Anderson, Harry  Search this
Antin, Eleanor  Search this
Bickley-Green, Cynthia  Search this
Clements, Robert  Search this
Edelson, Mary Beth  Search this
Exton, Leslie  Search this
Greenly, Colin, 1928-  Search this
Herbert, Mimi  Search this
Ishida, Traute  Search this
Kogelnik, Kiki  Search this
Kohlmeyer, Ida, 1912-1997  Search this
McGowin, Ed, 1938-  Search this
Nakashima, Tom, 1941-  Search this
Outerbridge, Graeme, 1950-  Search this
Puryear, Martin, 1941-  Search this
Scanga, Italo, 1932-2001  Search this
Stackhouse, Robert  Search this
Van Brunt, Philip  Search this
Wilson, May, 1905-1986  Search this
Extent:
55.4 Linear feet
Type:
Collection descriptions
Archival materials
Illustrated letters
Greeting cards
Sketches
Drawings
Photographs
Date:
circa early 1900s
1940-1996
bulk 1957-1995
Summary:
The records of Henri Gallery, a Washington, D.C. gallery that showed painters from the Washington Color School and emerging artists, measure 55.4 linear feet and date from circa early 1900s, 1940 to 1996, with the bulk of the materials dating from 1957 to 1995. The gallery's relationship with artists and clients, exhibitions, sales, and other business is documented in alphabetical files containing a wide variety of materials, including correspondence, sales records, printed materials, photographs, slides, and motion picture film. Additional correspondence, newspaper clippings, 114 exhibition posters, scattered drawings, illustrated cards, and photographic materials are also found in the collection.
Scope and Contents:
The records of Henri Gallery, a Washington, D.C. gallery which showed painters from the Washington Color School and emerging artists, measure 55.4 linear feet and date from circa early 1900s, 1940 to 1996, with the bulk of the materials dating from 1957 to 1995. The gallery's relationship with artists and clients, exhibitions, sales, and other business is documented in alphabetical files containing a wide variety of materials, including correspondence, sales records, printed materials, photographs, slides, and motion picture film. Additional correspondence, newspaper clippings, 114 exhibition posters, scattered drawings, illustrated cards, and photographic materials are also found in the collection.

General Correspondence includes incoming business correspondence with artists, clients, galleries, and museums, regarding artwork, exhibitions, and other business issues. Also found here are holiday cards, handmade cards, and illustrated correspondence.

The bulk of the records consist of Alphabetical Files contains materials regarding artists, clients, exhibitions, galleries, museums, and various subjects of interest, originally arranged alphabetically by folder title. Folders range in quantity and variety of materials, including correspondence, printed materials, photographs, sales and consignment records, resumes, price lists, and exhibition records. There are especially rich or extensive files for Darryl Abraham, Harry Anderson, Cynthia Bickley-Green, Robert Clements, Mary Beth Edelson, Leslie Exton, Colin Greenly, Mimi Herbert, Traute Ishida, Kiki Kogelnik, Ida Kohlmeyer, Ed McGowin, Tom Nakashima, Graeme Outerbridge, Martin Puryear, Italo Scanga, Robert Stackhouse, Philip Van Brunt, and May Wilson. Of interest is the complete series of Eleanor Antin's 100 Boots postcards.

The bulk of Printed Materials are newspaper clippings regarding artists, exhibitions, and Henri Gallery. There are also 114 posters dating from 1959-1979 from Henri Gallery exhibitions and other galleries' exhibitions of artists in which the Henri Gallery represented.

Artwork is comprised of loose drawings and sketches, many of Henri. Photographic Materials contains black and white photographs, scattered color photographs, snapshots, and slides of artwork, exhibitions, Henri, the galleries spaces, and the Not New shop. Most photographs are undated.
Arrangement:
The collection is arranged as 5 series.

Series 1: General Correspondence, 1949-1996 (2.5 linear feet; Boxes 1-3, 55-56)

Series 2: Alphabetical Files, 1947-1996 (50.3 linear feet; Boxes 3-52, 55-57, OV58, FC 62-63)

Series 3: Printed Materials, circa early 1900s, 1940-1995 (1.2 linear feet; Boxes 52-53, 57, OVs 59-61)

Series 4: Artwork, 1952-circa 1996 (5 folders; Boxes 53, 57)

Series 5: Photographic Materials, 1940s-1981 (0.8 linear feet; Boxes 53-54, 57)
Biographical / Historical:
In 1957, Henrietta Ehrsam, known as "Henri," opened her eponymous gallery on South Royal Street in Alexandria, Virginia. Earlier, Henri and her partner Florie King had sold clothing, antiques, accessories and decorative arts alongside works of art at their consignment shop "Not New" in the same location.

In the 1960s, Henri showed painters Gene Davis, Thomas Downing, and Howard Mehring of the Washington Color School. In the summer of 1967, Henri Gallery moved to 1500 21st Street NW, closer to the Dupont Circle art galleries in Washington, D.C. Henri showed many young and emerging artists, including Cynthia Bickley-Green, William Christenberry, Mary Beth Edelson, Ed McGowin, and Robert Stackhouse. In 1970, Henri opened a second location, Henri 2, at 1875 Connecticut Ave. NW to exhibit large scale works. In 1972, Henri 2 held Martin Puryear's first solo exhibition in the United States. Henri passed away in 1996 and both gallery locations closed shortly thereafter.
Provenance:
Henri donated the Henri Gallery records in three accessions between 1980 - 1981. Henri's daughter, Helen Schnoebelen donated additional records in 1996.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Henri Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Color-field painting  Search this
Art galleries, Commercial -- Washington (D.C.)  Search this
Genre/Form:
Illustrated letters
Greeting cards
Sketches
Drawings
Photographs
Citation:
Henri Gallery records, circa early 1900s, 1940-1996, bulk 1957-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.henrgall
See more items in:
Henri Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-henrgall
Online Media:

Ann Wilson writings

Creator:
Wilson, Ann, 1931-  Search this
Names:
Nesbitt, Lowell, 1933-1993  Search this
Wilson, May, 1905-1986  Search this
Extent:
3 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
[undated] and 1965
Scope and Contents:
Writings on May Wilson and Lowell Nesbitt.
Biographical / Historical:
Painter, printmaker.
Provenance:
Provenance unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Printmakers  Search this
Topic:
Art, American  Search this
Printing  Search this
Women artists  Search this
Identifier:
AAA.wilsann
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wilsann

Jonathan Katz interview of William Wilson

Creator:
Katz, Jonathan D., 1958-  Search this
Wilson, William S., 1932-  Search this
Names:
Johnson, Ray, 1927-1995  Search this
Solanis, Valerie  Search this
Warhol, Andy, 1928-1987  Search this
Wilson, May, 1905-1986  Search this
Extent:
1 Item
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Date:
2012
Scope and Contents:
A digital audio recording of an interview with William Wilson conducted by Jonathan Katz in 2012. Wilson talks about his relationships in the art world including Ray Johnson, Andy Warhol, Valerie Solanis, his mother May Wilson, and many others.
Biographical / Historical:
Jonathan Katz is the director, Visual Studies Doctoral Program, Department of Art, University at Buffalo, New York.
Provenance:
Donated 2018 by Jonathan Katz.
Restrictions:
For information on how to access this interview contact Reference Services. Use of born digital records with no duplicate copy requires advance notice.
Topic:
Art, American  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.katzjona
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-katzjona

Paddle, (sculpture)

Sculptor:
Wilson, May 1905-1986  Search this
Medium:
Painted wood
Type:
Sculptures
Owner/Location:
Baltimore Museum of Art Art Museum Drive Baltimore Maryland 21218 Accession Number: 1984.89
Date:
1964
Topic:
Architecture--Boat--Detail  Search this
Control number:
IAS 19110017
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_30099

Pig Pen, (sculpture)

Sculptor:
Wilson, May 1905-1986  Search this
Medium:
Cloth and wood assemblage
Type:
Sculptures
Owner/Location:
Whitney Museum of American Art 945 Madison Avenue New York New York 10021 Accession Number: 72.3
Date:
1967
Topic:
Undetermined  Search this
Control number:
IAS 76004085
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_9869

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