Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Getty Grant Program. Digitization of the scrapbooks was supported by a grant from the Smithsonian Institution Women's Committee. Correspondence, financial and shipping records, inventory records, and printed material were digitized with funding provided by the Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts, the Terra Foundation for American Art and The Walton Family Foundation.
The Albert Clanton Spaulding Papers consist of correspondence, field project data, manuscripts, and teaching notes documenting his work at the University of Michigan, University of California Santa Barbara, the National Science Foundation, and field work at the Arzberger Site and Agattu.
Scope and Contents:
The Albert Clanton Spaulding Papers consist of correspondence, field project data, manuscripts, and teaching notes documenting his work at the University of Michigan, University of California Santa Barbara, the National Science Foundation, and field work at the Arzberger Site and Agattu. Although it has been noted that there are significant and inexplicable lucunae in Spaulding's papers, they nevertheless touch on most phases of his professional life. There is, however, relatively little field material.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
1. Correspondence, 1948-1982; 2. manuscript of Spaulding writings; 3. material concerning students; 4. site reports and field project data; 4. material regarding conferences and committees; 6. material related to work as National Science Foundation archeology program director; 7. student notebooks and dissertation; 8. material regarding the Arzberger site; 9. administrative material regarding the University of Michigan; 10. academic papers collected by Spaulding, teaching aids, and lecture notes; 11. Philip C. Phillips and Gordon R. Willey file; 12. James A. Ford file; 13. correspondence regarding publications; 14. miscellany; 15. photographs
Biographical note:
Albert C. Spaulding was trained at Montana State University (B.A. in economics, 1935), the University of Michigan (M.A. in ahthropology, 1937), and Columbia University (Ph.D., 1946). In 1946-1947, he taught at the University of Kansas and was an assistant curator at the university's Museum of Anthropology. From 1947-1961, he taught at the University of Michigan and was curator of that university's Museum of Anthropology. In 1959-1961, Spaulding was first program director for the History and Philosophy of Science Program of the National Science Foundation and the NAS program director for anthropology. In 1963-1966, he was professor and chairman of the anthropology department at the University of Oregon. In 1967-1971, he became dean of the College of Letters and Science at the University of California at Santa Barbara and continued at that institution as professor of anthropology until 1983. Spaulding served the Society for Amercian Archeology as associate editor, secretary, vice president, and president. In 1964, he was vice president for Section H of American Association for the Advancement of Science.
Although Spaulding carried out several significant field projects, he is best rememberd for his theoretical and methodological concerns. In relating his first archeological field work, he declared: "My fundamental interest at the time (and now) was clarification of the basic concepts of archeology, which led me into explicit definitions of archaeological problems in terms of relationship between or among well-defined variables." Spaulding produced many articles and book reviews in which he dealt with such problems. Some of the best-known appeared in the pages of American Antiquity in 1953 and 1954 when be debated James A. Ford in general terms concerning teh most productive methods of archeology in general and the nature of archeological types and methods of defining them in particular. Because of his espousal of rigor in method, Spaulding is considered on of the main forerunners of the "new archeology" of the 1960s. For his work, he received the SAA distinguished Service Award in 1981.
Restrictions:
The Albert Clanton Spaulding papers are open for research.
Access to the Albert Clanton Spaulding papers requires an appointment.
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Photographs 1938-circa 1940 include Breuer with friends in Concord, Massachusetts, 1938; Herbert Bayer, Marian Willard, Ise Gropius, Ati Gropius in Breuer House, Lincoln, Massachusetts, circa 1940; Constance Breuer, Dottie Noyes, and Christopher Tunnan; Breuer with Mercedes Matter, Konrad Wachsmann, and Alexander Calder; and Breuer with Joan McVitty, Edward Larrabee Barnes, Mary Barnes, and Alexander Calder in Breuer House I, New Canaan, Connecticut.
Photographs 1955-1958 include Breuer with Matta at UNESCO cocktail party, 1957; Breuer with Walter Gropius in Paris for UNESCO. Photographs 1958-1961 include Breuer with George Salle in Paris, 1958; Breuer with Eduardo Catalano in Argentina; Breuer on a jury with unidentified South American colleagues, on a panel with unidentified colleagues and in Philip Johnson's house, 1961.
Photographs 1961-1978 include Breuer with Eric Boissonnas and Flaine Architects at Hunter College, 1961; at a reception with Dino Gavina in Milan, 1962; Breuer on a panel at College of Architecture and Design, University of Michigan, with Chet LaMore, David Reider, Robert Iglehart, and William Muschenheim, 1963; Birthday party [80th birthday of Walter Gropius?], 1963; Breuer on jury for R. S. Reynolds Memorial Award, 1965, with William Stephen Allen, George Harrell, Vernon DeMars, and Mario Pani; Breuer with Yuichiro Kojiro at Breuer House II in New Canaan, Connecticut, 1966; Breuer receiving the George Washington Award at American Hungarian Studies Foundation ceremony, Plaza Hotel, New York, 1967.
Collection Restrictions:
The microfilm for this collection has been digitized and is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcel Breuer papers, 1920-1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the microfilming of this collection was provided by the Gerta Charitable Trust. Funding for the digitization of the microfilm was provided by the Terra Foundation for American Art.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
The papers of William C. Sturtevant were processed with the assistance of a Wenner-Gren Foundation Historical Archives Program grant awarded to Dr. Ives Goddard. Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
The papers of William C. Sturtevant were processed with the assistance of a Wenner-Gren Foundation Historical Archives Program grant awarded to Dr. Ives Goddard. Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
The papers of William C. Sturtevant were processed with the assistance of a Wenner-Gren Foundation Historical Archives Program grant awarded to Dr. Ives Goddard. Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
Festival Recordings: Wales Square Mile: Working and Playing Outdoors (Robert Dylan Jones, Tom Jones, Davvid Roberts, John Davies, Carl Chattington), Singing Workshop (Kate Williams, Stephen Wood), Adapt, Reuse, Recycle: Art from Scrap (Marjorie Hunt, M...
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2009 June 25
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2009 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Festival Recordings: Wales Square Mile: Endangered Languages (Ann Elizabeth Thomas, Aneirin Karadog, Kwap Gwyn, Ifor ap Glyn, Walter Ariel Brooks, Marcelo Rojas, Alvezzi Marazzi), Singing Workshop (Kate Williams, Stephen Wood)
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2009 June 26
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2009 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Festival Recordings: Wales Square Mile: Singing Workshop (Kate Williams, Stephen Wood), Reimagining Community: Youth (Marjorie Hunt, Mali Janes, Allison Jane Davien, Sian Webber), Planning for the Future: Theatre (Chris Ricketts, Sian Summers)
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
2009 June 26
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2009 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
