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"Self"

Creator:
Wilde, John, 1919-2006  Search this
Type:
Artworks
Date:
1944 June 6
Citation:
John Wilde. "Self", 1944 June 6. Sylvia Fein papers, 1936-2011. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)13615
See more items in:
Sylvia Fein papers, 1936-2011
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13615

"Leaders in Wisconsin Art" gallery talk by John Wilde

Creator:
Wilde, John, 1919-2006  Search this
Type:
Writings
Date:
1983 April 25
Citation:
John Wilde. "Leaders in Wisconsin Art" gallery talk by John Wilde, 1983 April 25. John Wilde papers, 1935-2011. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)18136
See more items in:
John Wilde papers, 1935-2011
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18136

John Wilde papers, 1935-2011

Creator:
Wilde, John, 1919-2006  Search this
Subject:
Seefeldt, Michael  Search this
Whitney, J. D.  Search this
Karidis, Jerome  Search this
Laird, Mary Louise  Search this
Hamady, Walter  Search this
Glasier, Marshall  Search this
Ernst, Max  Search this
Minasian, Khatchik  Search this
Fein, Sylvia  Search this
Gardetto, Peter  Search this
Littleton, Harvey K.  Search this
Abercrombie, Gertrude  Search this
Gardetto, Helga  Search this
Bouras, Harry  Search this
Terkel, Studs  Search this
Colescott, Warrington  Search this
Wolff, Theodore F.  Search this
Cozzolino, Robert  Search this
Priebe, Karl J.  Search this
Economou, George  Search this
Huppler, Dudley  Search this
Lindbergh, Reeve  Search this
Tandem Press  Search this
Andrew Balkin Editions  Search this
Type:
Sketches
Sketchbooks
Diaries
Photographs
Collages
Drawings
Interviews
Illustrated letters
Scrapbooks
Citation:
John Wilde papers, 1935-2011. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Wisconsin  Search this
Surrealism  Search this
Magic realism (Art)  Search this
Theme:
Diaries  Search this
Record number:
(DSI-AAA_CollID)13425
(DSI-AAA_SIRISBib)215872
AAA_collcode_wildjohn
Theme:
Diaries
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215872
Online Media:

Collage of John Wilde and his friends

Creator:
Wilde, John, 1919-2006  Search this
Type:
Artworks
Date:
194-
Citation:
John Wilde. Collage of John Wilde and his friends, 194-. John Wilde papers, 1935-2011. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)18132
See more items in:
John Wilde papers, 1935-2011
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18132
Online Media:

Gertrude Abercrombie papers

Creator:
Abercrombie, Gertrude, 1909-1977  Search this
Names:
Algren, Nelson, 1909-1981  Search this
Armin, Emil, 1883-  Search this
Armour, Richard Willard, 1906-  Search this
De Diego, Julio, 1900-  Search this
Evans, B.  Search this
Huppler, Dudley, 1917-1988  Search this
Karidis, Jerome  Search this
Priebe, Karl J., 1914-1976  Search this
Purdy, Carl  Search this
Purdy, James  Search this
Rollins, Sonny  Search this
Rorem, Ned, 1923-  Search this
Terkel, Studs, 1912-2008  Search this
Van Vechten, Carl, 1880-1964  Search this
Warren, Paul, 1916-  Search this
Wilcox, Wendell  Search this
Wilde, John, 1919-2006  Search this
Wilder, Thornton, 1897-1975  Search this
Extent:
5.9 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Diaries
Drawings
Scrapbooks
Sound recordings
Sketches
Photographs
Writings
Date:
circa 1880-1986
bulk 1935-1977
Summary:
The papers of surrealist artist Gertrude Abercrombie date from circa 1880-1986, with the bulk of the material dated 1935-1977, and measure 5.9 linear feet. Found within are biographical material; correspondence (mostly incoming letters) with friends, museums, and galleries; files for artists that interested her; writings and notes, including five journal-type notebooks; scattered personal business records; two sketchbooks by Abercrombie and additional sketches and drawings, some by others; printed material, audio recordings, one scrapbook, photographs, and estate records.
Scope and Content Note:
The papers of surrealist artist Gertrude Abercrombie date from circa 1880-1986, with the bulk of the material dated 1935-1977, and measure 5.9 linear feet. Found within the papers are biographical material; correspondence (mostly incoming letters) with friends, museums, and galleries; artists files; writings and notes, including five journal-type notebooks; scattered personal business records; two sketchbooks by Abercrombie and additional sketches and drawings, some by others; printed material, audio recordings, one scrapbook, photographs, and estate records.

Biographical material consists of biographical notes, Gertrude Abercrombie's will, address books, and a file titled "memorabilia." Personal and professional correspondence consists mainly of incoming letters and some drafts of Gertrude Abercrombie's outgoing letters. Letters from museums and galleries concern loans of paintings and exhibitions. A large amount of the personal correspondence consists of post cards including many antique ones, as well as cards containing original art work by Julio de Diego, Jerry [Jerome] Karidis, Karl Priebe.

Artist files consist of correspondence, printed material, and photographs concerning painters, writers, a jazz musician, and a photographer. The individuals represented are: Dudley Huppler, Jerome Karidis, Karl Priebe, James Purdy, Sonny Rollins, Carl Van Vechten, Wendell Wilcox, John Wilde, and Thornton Wilder.

Writings and notes include reminiscences, miscellaneous writings and notes, and a girlhood diary with brief entries. Five notebooks contain a variety of writings dating from 1953 through 1975, and undated. One volume concerns only her second husband Frank Sandiford.

Business records include a painting catalog on file cards, mailing and guest lists, and miscellaneous sales records. In addition, six notebooks record expenses, sales, inventories, mailing lists, a register of paintings, and a guest book.

There are two sketchbooks, Christmas card designs, sketches and drawings done by Gertrude Abercrombie. There are also prints, drawings, and a painting by Emil Arman, B. Evans, de Diego, and unknown artists.

Printed material consists of articles and clippings about Gertrude Abercrombie, exhibition catalogs, and reproductions. Also included are books by friends inscribed by the authors, among them: Nelson Algren, Richard Armour, Dudley Huppler, James Purdy, Ned Rorem, Paul Warren [pen name of Abercrombie's second husband, Frank Sandiford], Studs Terkel, and Thornton Wilder.

Audio recordings (33-1/3 rpm phonograph alums) are inscribed to Gertrude Abercrombie by the artists. Orlando's album cover, designed by Abercrombie, incorporates one of her paintings.

Records of the Estate of Gertrude Abercrombie and the Gertrude Abercrombie Trust, Donald Baum, Executor, consist mainly of correspondence with the institutions that were offered works of art by Gertrude Abercrombie and from her personal collection. Also included are general correspondence, financial and tax records, and legal documents.

There is one scrapbook dated 1943 containing photographs and printed material.

Photographs are of art work, people, places, and miscellaneous subjects; negatives, slides, and transparencies are included in this series, too. Photographs of art include the work of Gertrude Abercrombie, Karl Priebe, and Charles Sebree. People pictured are Gertrude Abercrombie and family, including her parents, Richard I. Livingston, Dinah Livingston, and Frank Sandiford. There are also 19th and early 20th century photographs of ancestors. Among the images of friends are: Ivan le Lorraine Albright, Arnold Blanch, Dudley Huppler, Doris Lee, Karl Priebe, and Richard Purdy. Photographs of jazz artists include: Louis Armstrong, George Davis, Erroll Garner, Dizzy Gillespie, Earl Hines, Orlando, Charlie Parker, Sonny Rollins, Sarah Vaughn, and the Modern Jazz Quartet. Of particular note the portraits of Gertrude Abercrombie and Dizzy Gillespie by Carl Van Vechten.Among the photographs of places are interior views of Gertrude Abercrombie's home and studio, unidentified landscapes, travel pictures of San Francisco and commercially produced stereopticon slides of other locations. Miscellaneous subjects are automobiles, cats, exhibition installations, and a still life setup.
Arrangement:
The collection is arranged into 11 series:

Missing Title

Series 1: Biographical Material, circa 1902-1976 (Box 1, OV9; 0.1 linear ft.)

Series 2: Correspondence, circa 1935-1977 (Boxes 1-2; 1.65 linear ft.)

Series 3: Artist files, circa 1935-1977 (Box 2; 0.25 linear ft.)

Series 4: Writings and Notes, circa 1919-1977 (Box 3; 0.1 linear ft.)

Series 5: Business Records, circa 1944-1977 (Box 3; 0.2 linear ft.)

Series 6: Art Work, circa 1939-1975 (Boxes 3, 7; O.2 linear ft.)

Series 7: Printed Material, circa 1906-1977 (Boxes 3-4; 1.6 linear ft.)

Series 8: Audio Recordings, circa 1970-1974 (Box 7; 0.1 linear ft.)

Series 9: Estate Records, circa 1976-1986 (Box 5; o.5 linear ft.)

Series 10: Scrapbook, circa 1943(Box 5; 1 folder)

Series 11: Photographs, circa 1880-1978(Boxes 5-7; OV8, 1.0 linear ft.)
Biographical Note:
Surrealist painter Gertrude Abercrombie (1909-1977) lived and worked in Chicago and was a prominent member of Chicago's Hyde Park arts community.

Abercrombie was known for surrealist oil paintings featuring dreamlike landscapes and fantasies. Her wide circle of friends included locally and nationally known artists, writers, and jazz musicians who made her home a popular avant-garde salon. She was the inspiration for Richie Powell's "Gertrude's Bounce" and, appeared as a fictional character in Malcolm, Eustace Chisholm, and as herself in Gertrude of Stony Island Avenue all by James Purdy.

The only child of Tom and Lula Janes [Jane] Abercrombie, Gertrude was born in Austin, Texas in 1909, while her opera singer parents were in town with a traveling company. In 1913, the family relocated to Berlin to further Jane's career, but the outbreak of World War I forced their return to the United States. They lived with Tom Abercrombie's family in Alledo, Illinois, before permanently settling in Chicago.

Gertrude Abercrombie had a facility with language and possessed musical and artistic talents. After graduation from the University of Illinois at Champaign-Urbana with a degree in romance languages in 1929, she studied figure drawing at the School of the Art Institute of Chicago for a short time. She then enrolled at the American Arcademy of Art, also in Chicago, for a year long course in commercial art. Her first job was drawing gloves for Mesirow Department Store ads, followed by a stint working as an artist for Sears.

By 1932, Gertrude Abercrombie began painting seriously. The following summer, she participated in an outdoor art fair in downtown Chicago where she made her first sale and received favorable mention in a newspaper review of the event. Abercrombie's work that featured self-portraits and recurring images of personal symbols - trees, horses, owls, keys, shells, doors, stairways, ladders - began to attract attention. Beginning in 1934, Gertrude Abercrombie was employment as a painter in the WPA Federal Art Project in 1934, enabling her to feel validated as an artist and move from the home of her conservative, Christian Scientist parents to her own apartment. The Chicago Society of Artists presented a solo exhibition of Abercrombie's work in 1934, and in 1936 she showed at the Katharine Kuh Gallery (along with Rita Stein and Nicola Ziroli). In 1936 and 1938 Gertrude Abercrombie won prizes at the Art Institute of Chicago's Annual Exhibition of Works by Artists of Chicago and Vicinity.

She left the WPA in 1940 and married lawyer Robert Livingston. Their daughter, Dinah, was born in 1942, and they soon moved to a large Victorian house on South Dorchester St. where Gertude lived for the remainder of her life. The couple divorced in 1948. That same year she married Frank Sandiford, a music critic whose pen name was Paul Warren. An accomplished improvisational pianist, Gertrude Abercrombie became friends with many prominent jazz artists whom she met through Sandiford; in fact, Dizzy Gillespie performed at their wedding. Abercrombie and Sandiford separated in 1964.

The 1940s through 1950s were Gertrude Abercrombie's most productive and prolific period. Although she no longer painted many portraits, he work remained focused on the same themes and symbols. She believed that art was about ideas rather than technique and insisted that "It is always myself that I paint." During this period, Amercrombie exhibited widely in group shows and had solo exhibitions at the Art Institute of Chicago, Associated American Artists (New York), and Leonard Linn, Inc. (Winnetka, Ill.)

By the late 1950s, Gertrude Abercrombie began a long decline. Alcoholism started to take a toll. She suffered serious financial reverses, and in 1964 separated from Frank Sandiford. Debilitating arthritis eventually landed her in a wheel chair, and she became reclusive. In 1977, very near the end of her life, Gertrude Abercrombie was honored with a well-received retrospective exhibition at the Hyde Park Art Center, Chicago. She was able to attend the reception and enjoy seeing the many old friends who were at the event.

Gertrude Abercrombie died in Chicago in 1977. Her will established The Gertrude Abercrombie Trust that cared for and distributed to various institutions her own paintings and a personal collection of works by other artists to selected institutions, mainly in the Midwest.
Related Material:
A photograph of Gertrude Abercrombie at home with her painting "Slaughter House", was donated by Donald Baum to the National Collection of Fine Arts in 1979 and transferred to the Archives of American Art that same year.
Provenance:
Donald Baum, executor of both the estate and trust of Gertrude Abercrombie, donated the papers to the Archives of American Art in 1978 and 1986.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Illinois -- Chicago  Search this
Topic:
Women artists  Search this
Women painters  Search this
Surrealism  Search this
Genre/Form:
Sketchbooks
Diaries
Drawings
Scrapbooks
Sound recordings
Sketches
Photographs
Writings
Citation:
The Gertrude Abercrombie papers, circa 1880-1986, bulk 1935-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.abergert
See more items in:
Gertrude Abercrombie papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93af9ed86-0dce-4ea7-9cb4-085eb5d48b67
EDAN-URL:
ead_collection:sova-aaa-abergert
Online Media:

John Wilde papers

Creator:
Wilde, John, 1919-2006  Search this
Names:
Andrew Balkin Editions  Search this
Tandem Press  Search this
Abercrombie, Gertrude, 1909-1977  Search this
Bouras, Harry  Search this
Colescott, Warrington, 1921-  Search this
Cozzolino, Robert, 1970-  Search this
Economou, George  Search this
Ernst, Max, 1891-1976  Search this
Fein, Sylvia  Search this
Gardetto, Helga  Search this
Gardetto, Peter  Search this
Glasier, Marshall, 1902-  Search this
Hamady, Walter  Search this
Huppler, Dudley, 1917-1988  Search this
Karidis, Jerome  Search this
Laird, Mary Louise, 1948-  Search this
Lindbergh, Reeve  Search this
Littleton, Harvey K.  Search this
Minasian, Khatchik  Search this
Priebe, Karl J., 1914-1976  Search this
Seefeldt, Michael  Search this
Terkel, Studs, 1912-2008  Search this
Whitney, J. D.  Search this
Wolff, Theodore F.  Search this
Extent:
21.3 Linear feet
0.008 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketches
Sketchbooks
Diaries
Photographs
Collages
Drawings
Interviews
Illustrated letters
Scrapbooks
Date:
1935-2011
Summary:
The papers of Wisconsin painter, educator, and draftsman John Wilde measure 21.3 linear feet and 0.008 GB and date from 1935 to 2011. The papers consist of biographical material, correspondence, interviews, writings and notes, 27 journals, personal business records, exhibition files, two scrapbooks, photographic materials, six sketchbooks, artwork, and nearly 90 limited edition, letterpress artist collaboration books – many that include artwork contributed by Wilde.
Scope and Contents:
The papers of Wisconsin painter, educator, and draftsman John Wilde measure 21.3 linear feet and 0.008 GB and date from 1935 to 2011. The papers consist of biographical material, correspondence, interviews, writings and notes, 27 journals, personal business records, exhibition files, two scrapbooks, photographic materials, six sketchbooks, artwork, and nearly 90 limited edition, letterpress artist collaboration books – many that include artwork contributed by Wilde.

Biographical materials include certificates and awards, a diploma from the University of Wisconsin, curriculum vitae, memorials, and membership files. Correspondence is with family and friends, and colleagues Karl Priebe, Gertrude Abercrombie, Sylvia Fein, Dudley Huppler, Marshall Glasier, Robert Cozzolino, Theodore Wolff, Peter and Helga Gardetto, Andrew Balkin Editions, Warrington Colescott, Tandem Press, Harvey Littleton, and others. Letters from Walter Hamady are access restricted and housed separately.

There are interviews with Wilde from Harry Bouras' radio show Critics Choice, as well as an interview with Gertrude Abercrombie by Studs Terkel's for Terkel's WFMT radio show broadcast in Chicago.

Wilde discusses his artwork and other topics in 27 journals spanning seven decades. Additional writings by Wilde include term papers, his thesis titled "A Survey of the Development of Surrealism in Painting and Its Chief Innovations with Special Emphasis on the Life and Work of Max Ernst," transcriptions for gallery talks and speeches, notes, and various other writings. Writings about Wilde are by Theodore Wolff, Michael Seefeldt, and other authors. Wilde's personal business records include account books, appraisals, donation papers, inventory books and lists, and a draft of Wilde's last will and testament.

There are exhibition files for Leaders in Wisconsin Art (1982), John Wilde: Drawings 1940-1984 (1984), Wildeworld: The Art of John Wilde (1999), John Wilde: Recent Work (2003), With Friends: Six Magical Realists (2005), and others.

Printed materials include art auction catalogs, calendars, clippings, exhibition catalogs and announcements, invitations, magazines and journals, poetry booklets, press releases, programs, and an annual report. There are also two scrapbooks containing clippings and other printed materials compiled by Wilde. There are photographs of Wilde, his studio and estate, his close friends and fellow artists, and of works of art by Wilde and others. Few photographs are in digital format.

A series of nearly 90 artists collaboration books, many illustrated by Wilde, include Five Poems by Khatchik Minasian, Poems for Self Therepy by George Economou, Six Poems by J.D. Whitney, John's Apples by Reeve Lindbergh and 44 Wilde 1944, What His Mother's Son Hath Wrought (WHMSHW), The Story of Jane and Joan, and A Hamady Wilde Sampler/Salutations 1995. Other books are by Walter Hamady, Mary Laird Hamady, and others.

Six sketchbooks contain drawings and studies, as well as sketches of himself, his friends, and of his first wife Helen. Interspersed througout the sketchbooks are lists of artworks, accounting notes, and other notes and writings. Additional artwork includes files marked as preparatory drawings by Wilde, a large collage by Jerome Karidis titled Homage to the Queen Gertrude Abercrombie, and a few drawings by others.
Arrangement:
The collection is arranged as 13 series.

Missing Title

Series 1: Biographical Materials, 1939-2006 (0.5 linear feet; Box 1)

Series 2: Correspondence, 1935-2011 (9.6 linear feet; Boxes 1-9, 21, 25-27)

Series 3: Interviews, circa 1959-circa 1975 (0.2 linear feet; Box 9)

Series 4: Journals, 1935-2006 (1.5 linear feet; Boxes 9-11)

Series 5: Writings and Notes, 1936-2006 (0.5 linear feet; Box 11)

Series 6: Personal Business Records, 1940-2006 (0.5 linear feet; Box 12)

Series 7: Exhibition Files, 1963-2010 (0.5 linear feet; Boxes 12-13)

Series 8: Printed Materials, 1940-2010 (0.5 linear feet; Boxes 13-14, 21)

Series 9: Scrapbooks, 1948-1963 (0.4 linear feet; Box 21)

Series 10: Photographic Materials, circa 1940-2000s (3.5 linear feet; Boxes 14-17, 21, 0.008 GB; ER01)

Series 11: Artists Collaboration Books, circa 1970-circa 2000 (4.0 linear feet; Box 17-20, 22)

Series 12: Sketchbooks, 1940-1985 (0.2 linear feet; Box 20, 22)

Series 13: Artwork, circa 1943-circa 2000 (0.3 linear feet; Box 20, OVs 23-24)
Biographical / Historical:
John Wilde (1919-2006) was a painter, educator, and draftsman who specialized in silver point and was associated with Magic Realism. He lived and worked in Wisconsin.

Wilde was born near Milwaukee, Wisconsin on December 12, 1919. He lived his whole life in Wisconsin except when he served in the U.S. Army during World War II. He attended the University of Wisconsin in Madison for his bachelor and master degrees in art and art history. While at university, Wilde, along with Marshall Glasier, Sylvia Fein, Karl Priebe, Dudley Huppler, and Gertrude Abercrombie, formed a close-knit circle of friends who shared similar ideas on art and painted in the style of Magic Realism. They often met at Priebe's studio in Milwaukee or Abercrombie's house in Chicago. Wilde also met his first wife and fellow art student, Helen Ashman, during this time. Wilde later married Shirley Grilley after Helen's death in 1966.

Wilde completed artwork for several books published by Perishable Press, a publishing company owned by Walter Hamady. He contributed illustrations to John's Apples by Reeve Lindbergh, 1985- The Twelve Months by Hamady, and Five Poems by Khatchik Minasian. Wilde also wrote and illustrated 44 Wilde 1944, What His Mother's Son Hath Wrought (WHMSHW), The Story of Jane and Joan, and co-authored A Hamady Sampler, Salutations 1995 with Hamady. In addition to his collaborations with Perishable Press, Wilde worked with Warrington Colescott, Harvey Littleton, Tandem Press, and Andrew Balkin Editions on various projects.

The Elvehjem Museum of Art, now the Chazen Museum of Art, located at the University of Wisconsin in Madison where Wilde taught art for 35 years, held several exhibitions of Wilde's work including John Wilde: Drawings 1940-1984 (1984), Wildeworld: The Art of John Wilde (1999), and With Friends: Six Magical Realists (2005).

The Tory Folliard Gallery in Milwaukee, Wisconsin began representing Wilde in 1993 and continued to represent Wilde's work after his death in Cooksville, Wisconsin on March 9, 2006.
Related Materials:
An interview with John Wilde conducted in 1979 by Michael Danoff for the Archives of American Art and the collection, Maurice W. Berger correspondence with John Wilde, 1952-1959, are also found in the Archives of American Art.
Separated Materials:
Also avaialbe at the Archives of American Art are materials lent for microfilming (reel 5661 and 4710) including letters from Walter Hamaday. Lent material was returned to the lender and is not described in the collection container inventory.

Portions of the loaned material on reel 4710 were subsequently donated, but a comparison of the film and papers was not completed.
Provenance:
The John Wilde papers were donated incrementally between 1975 and 2015 by John Wilde and his estate. Portions were previously lent for microfilming. Additional letters from Walter Hamady were lent for microfilming by John Wilde in December 1999.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. One box of letters from Walter Hamady is ACCESS RESTRICTED; use requires written permission. The Walter Hamady letters microfilmed on 2539a, 4710a, and 5661 are also ACCESS RESTRICTED.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Draftsmen (artists) -- Wisconsin  Search this
Painters -- Wisconsin  Search this
Art teachers -- Wisconsin  Search this
Topic:
Art -- Wisconsin  Search this
Surrealism  Search this
Magic realism (Art)  Search this
Genre/Form:
Sketches
Sketchbooks
Diaries
Photographs
Collages
Drawings
Interviews
Illustrated letters
Scrapbooks
Citation:
John Wilde Papers, 1935-2011. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wildjohn
See more items in:
John Wilde papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96e5942f0-27b0-47e2-ad9a-1483e6916316
EDAN-URL:
ead_collection:sova-aaa-wildjohn

Biographical Materials

Collection Creator:
Wilde, John, 1919-2006  Search this
Extent:
0.5 Linear feet (Box 1)
Type:
Archival materials
Date:
1939-2006
Scope and Contents:
Biographical materials include Wilde's Wisconsin Visual Art Lifetime Achievement Award, certificates and diploma from the University of Wisconsin, curriculum vitae, death certificate and memorial from his colleagues at the University of Wisconsin, and files for his membership activities in the National Academy of Design, the Rock County Bicentennial Commission, and the Wisconsin Visual Art Lifetime Achievement Awards committee.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. One box of letters from Walter Hamady is ACCESS RESTRICTED; use requires written permission. The Walter Hamady letters microfilmed on 2539a, 4710a, and 5661 are also ACCESS RESTRICTED.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Wilde Papers, 1935-2011. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wildjohn, Series 1
See more items in:
John Wilde papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f794669f-816d-4847-a8c4-bd48c39cba2f
EDAN-URL:
ead_component:sova-aaa-wildjohn-ref10

Madison Art Center

Collection Creator:
Wilde, John, 1919-2006  Search this
Container:
Box 7, Folder 9-10
Type:
Archival materials
Date:
1979-2001
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. One box of letters from Walter Hamady is ACCESS RESTRICTED; use requires written permission. The Walter Hamady letters microfilmed on 2539a, 4710a, and 5661 are also ACCESS RESTRICTED.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Wilde Papers, 1935-2011. Archives of American Art, Smithsonian Institution.
See more items in:
John Wilde papers
John Wilde papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97a8c44ee-3e15-4aef-8672-b266c61112b2
EDAN-URL:
ead_component:sova-aaa-wildjohn-ref100

Madison Museum of Contemporary Art

Collection Creator:
Wilde, John, 1919-2006  Search this
Container:
Box 7, Folder 11
Type:
Archival materials
Date:
2005
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. One box of letters from Walter Hamady is ACCESS RESTRICTED; use requires written permission. The Walter Hamady letters microfilmed on 2539a, 4710a, and 5661 are also ACCESS RESTRICTED.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Wilde Papers, 1935-2011. Archives of American Art, Smithsonian Institution.
See more items in:
John Wilde papers
John Wilde papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f73e3d7c-bac1-4f62-909b-df36178dd91d
EDAN-URL:
ead_component:sova-aaa-wildjohn-ref101

Marshall, Bruce

Collection Creator:
Wilde, John, 1919-2006  Search this
Container:
Box 7, Folder 12
Type:
Archival materials
Date:
1993-1996
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. One box of letters from Walter Hamady is ACCESS RESTRICTED; use requires written permission. The Walter Hamady letters microfilmed on 2539a, 4710a, and 5661 are also ACCESS RESTRICTED.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Wilde Papers, 1935-2011. Archives of American Art, Smithsonian Institution.
See more items in:
John Wilde papers
John Wilde papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a1aa2bd2-32b3-40f2-93c5-087e8aef3583
EDAN-URL:
ead_component:sova-aaa-wildjohn-ref102

May, Georges

Collection Creator:
Wilde, John, 1919-2006  Search this
Container:
Box 7, Folder 13
Type:
Archival materials
Date:
1979-1985
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. One box of letters from Walter Hamady is ACCESS RESTRICTED; use requires written permission. The Walter Hamady letters microfilmed on 2539a, 4710a, and 5661 are also ACCESS RESTRICTED.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Wilde Papers, 1935-2011. Archives of American Art, Smithsonian Institution.
See more items in:
John Wilde papers
John Wilde papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96fd5397b-3144-46bd-b4f0-b54e14bf6d2b
EDAN-URL:
ead_component:sova-aaa-wildjohn-ref103

Milwaukee Art Museum

Collection Creator:
Wilde, John, 1919-2006  Search this
Container:
Box 7, Folder 14
Type:
Archival materials
Date:
1979-1990
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. One box of letters from Walter Hamady is ACCESS RESTRICTED; use requires written permission. The Walter Hamady letters microfilmed on 2539a, 4710a, and 5661 are also ACCESS RESTRICTED.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Wilde Papers, 1935-2011. Archives of American Art, Smithsonian Institution.
See more items in:
John Wilde papers
John Wilde papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91ccbdc23-cc58-40f4-b97d-45a0ea0d96ed
EDAN-URL:
ead_component:sova-aaa-wildjohn-ref104

Monroe Arts Center

Collection Creator:
Wilde, John, 1919-2006  Search this
Container:
Box 7, Folder 15
Type:
Archival materials
Date:
2005
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. One box of letters from Walter Hamady is ACCESS RESTRICTED; use requires written permission. The Walter Hamady letters microfilmed on 2539a, 4710a, and 5661 are also ACCESS RESTRICTED.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Wilde Papers, 1935-2011. Archives of American Art, Smithsonian Institution.
See more items in:
John Wilde papers
John Wilde papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw910e9ae7a-8548-42f4-a832-5cff5e951e8c
EDAN-URL:
ead_component:sova-aaa-wildjohn-ref105

Moty, Eleanor

Collection Creator:
Wilde, John, 1919-2006  Search this
Container:
Box 7, Folder 16
Type:
Archival materials
Date:
2003-2006
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. One box of letters from Walter Hamady is ACCESS RESTRICTED; use requires written permission. The Walter Hamady letters microfilmed on 2539a, 4710a, and 5661 are also ACCESS RESTRICTED.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Wilde Papers, 1935-2011. Archives of American Art, Smithsonian Institution.
See more items in:
John Wilde papers
John Wilde papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9833d10ff-7089-4d81-9ed9-9ab11c00b11c
EDAN-URL:
ead_component:sova-aaa-wildjohn-ref106

Re: Miscellaneous Awards and Events

Collection Creator:
Wilde, John, 1919-2006  Search this
Container:
Box 7, Folder 17
Type:
Archival materials
Date:
2006-2011
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. One box of letters from Walter Hamady is ACCESS RESTRICTED; use requires written permission. The Walter Hamady letters microfilmed on 2539a, 4710a, and 5661 are also ACCESS RESTRICTED.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Wilde Papers, 1935-2011. Archives of American Art, Smithsonian Institution.
See more items in:
John Wilde papers
John Wilde papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e525c9c6-f99e-4d58-89f4-d0d4f1c0c0ce
EDAN-URL:
ead_component:sova-aaa-wildjohn-ref107

Pennsylvania Academy of Fine Arts

Collection Creator:
Wilde, John, 1919-2006  Search this
Container:
Box 7, Folder 18
Type:
Archival materials
Date:
2006
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. One box of letters from Walter Hamady is ACCESS RESTRICTED; use requires written permission. The Walter Hamady letters microfilmed on 2539a, 4710a, and 5661 are also ACCESS RESTRICTED.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Wilde Papers, 1935-2011. Archives of American Art, Smithsonian Institution.
See more items in:
John Wilde papers
John Wilde papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dc3310e7-c71b-4e2a-927d-8069cea6a1f0
EDAN-URL:
ead_component:sova-aaa-wildjohn-ref108

Priebe, Karl

Collection Creator:
Wilde, John, 1919-2006  Search this
Container:
Box 7, Folder 21-26
Type:
Archival materials
Date:
1952-circa 1970s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. One box of letters from Walter Hamady is ACCESS RESTRICTED; use requires written permission. The Walter Hamady letters microfilmed on 2539a, 4710a, and 5661 are also ACCESS RESTRICTED.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Wilde Papers, 1935-2011. Archives of American Art, Smithsonian Institution.
See more items in:
John Wilde papers
John Wilde papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d5548473-dc2a-48ef-93f6-45233ac4a922
EDAN-URL:
ead_component:sova-aaa-wildjohn-ref109

Correspondence

Collection Creator:
Wilde, John, 1919-2006  Search this
Extent:
9.6 Linear feet (Boxes 1-9, 21, 25-27)
Type:
Archival materials
Date:
1935-2011
Scope and Contents:
Correspondence is with family; artists and close friends Karl Priebe, Gertrude Abercrombie, Sylvia Fein, Dudley Huppler, and Marshall Glasier; curator Robert Cozzolino; art critic Theodore Wolff; art collectors Peter and Helga Gardetto; and with collaborators Andrew Balkin Editions, Warrington Colescott, Tandem Press, and Harvey Littleton. The majority of the correspondence in Shirley Wilde's files consists of sympathy cards and letters received after John Wilde's death. Other correspondence of Shirley is with galleries and museums regarding the exhibition and sale of John's works. Some of the correspondence files also include printed materials, writings, and business records, particularly in the gallery and museum files.
Arrangement:
The first group of correspondence is more general in nature and arranged in rough chronological order. The second group of correspondence is arranged alphabetically by name or subject.

Letters from Walter Hamady are ACCESS RESTRICTED and stored separately.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. One box of letters from Walter Hamady is ACCESS RESTRICTED; use requires written permission. The Walter Hamady letters microfilmed on 2539a, 4710a, and 5661 are also ACCESS RESTRICTED.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Wilde Papers, 1935-2011. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wildjohn, Series 2
See more items in:
John Wilde papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91c1c980a-44b9-4729-93a8-4233c7a9b6ed
EDAN-URL:
ead_component:sova-aaa-wildjohn-ref11

Purdy, Gerald G.

Collection Creator:
Wilde, John, 1919-2006  Search this
Container:
Box 7, Folder 27
Type:
Archival materials
Date:
2003
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. One box of letters from Walter Hamady is ACCESS RESTRICTED; use requires written permission. The Walter Hamady letters microfilmed on 2539a, 4710a, and 5661 are also ACCESS RESTRICTED.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Wilde Papers, 1935-2011. Archives of American Art, Smithsonian Institution.
See more items in:
John Wilde papers
John Wilde papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98237fba9-a359-43db-a254-57319bfb07ab
EDAN-URL:
ead_component:sova-aaa-wildjohn-ref110

Quelquefois Press

Collection Creator:
Wilde, John, 1919-2006  Search this
Container:
Box 7, Folder 28
Type:
Archival materials
Date:
1993-2003
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. One box of letters from Walter Hamady is ACCESS RESTRICTED; use requires written permission. The Walter Hamady letters microfilmed on 2539a, 4710a, and 5661 are also ACCESS RESTRICTED.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Wilde Papers, 1935-2011. Archives of American Art, Smithsonian Institution.
See more items in:
John Wilde papers
John Wilde papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e75adb61-5d80-4dda-b70e-e4dca9443146
EDAN-URL:
ead_component:sova-aaa-wildjohn-ref111

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