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George Deem papers

Creator:
Deem, George, 1932-2008  Search this
Names:
Allan Stone Gallery  Search this
Nancy Hoffman Gallery  Search this
New Britain Museum of American Art  Search this
Pavel Zoubok Gallery  Search this
Andrews, Benny, 1930-2006  Search this
Bal, Mieke, 1946-  Search this
Copy, Richard  Search this
Dydo, Ulla E., 1925-  Search this
Evans, John, 1932-  Search this
Fattal, Simone  Search this
Guilliatt, Lee  Search this
Johnson, Ray, 1927-  Search this
Komar, Vitaly  Search this
Lazlo, Jean-Noel  Search this
Liedtke, Walter A.  Search this
Molesworth, Charles, 1941-  Search this
Rosenblum, Robert  Search this
Sassu, Antonio  Search this
Tanning, Dorothea, 1910-2012  Search this
Vermeer, Johannes, 1632-1675  Search this
Wheeler, Arthur K.  Search this
Wiener, Sam  Search this
William, Patricia  Search this
Extent:
18.2 Linear feet
10.71 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Date:
1904-2015
bulk 1960-2008
Summary:
The papers of painter, writer, and dancer George Deem measure 18.2 linear feet and 10.71 GB and date from 1904-2015, with the bulk of the material dating from 1960-2008. The collection documents Deem's path from Midwestern farm child to New York City artist and teacher who specialized in recreating works of great masters, especially Johannes Vermeer. Correspondence, exhibition files, subject files, project files, writings by and about Deem, printed and digital material and photographic materials all show the trajectory of Deem's development as an artist.
Scope and Contents:
The papers of painter, writer, and dancer George Deem measure 18.2 linear feet and 10.71 GB and date from 1904-2015, with the bulk of the material dating from 1960-2008. The collection documents Deem's path from Midwestern farm child to New York City artist and teacher who specialized in recreating works of great masters, especially Johannes Vermeer. Correspondence, exhibition files, subject files, project files, writings by and about Deem, printed and digital material and photographic materials all show the trajectory of Deem's development as an artist.

Biographical materials include resumes, an address book, appointment books, birth and death certificates, obituaries and memorial tributes, passports, family histories, jury summons, grant applications, military and educational records.

Correspondence is with family, friends, colleagues, curators, and art dealers. Much of the professional correspondence concerns commissions and reproduction permission requests. Among the correspondents are: Benny Andrews, Mieke Bal, Ulla Dydo, John Evans, Simone Fattal, Lee Guilliat, Vitaly Komar, and Dorothea Tanning. Correspondence with Walter Liedtke, Charles Molesworth, Robert Rosenblum, Arthur K. Wheeler, and Patricia William discusses proposed exhibitions and writings by Deem and others about his work.

Writings include some of Deem's classroom lectures, poems, and short pieces that appeared in independent literary arts publications.

Subject files document Deem's dealings with art consultants and galleries regarding placement of his work, participation in benefit auctions, and gifts of his artwork to the New Britain Museum of American Art. There is extensive correspondence with Allan Stone Gallery, Nancy Hoffman Gallery, and Pavel Zoubok Gallery. Deem's participation in mail art exhibitions is documented by exhibition announcements and correspondence. Also found is mail art correspondence from Richard Copy, Ray Johnson, Jean-Noel Lazlo, Antonio Sassu, Sam Wiener and others: some pieces are copies. The bulk of the project files chronicle Deem's artistic output. Information sheets and photographic materials provide provenance and source references for over 500 works. Files also document commissions undertaken by Deem including book projects, and set designs for dance and theater workshops. Exhibition files document solo and group exhibitions in the United States and abroad.

Printed material includes books by Deem, exhibition catalogs, reviews, and reproductions. In addition, there are articles and academic papers about Deem and his work. Photographic materials include photographs, digital prints and transparencies; subjects include Deem, family, friends, travels, studio, exhibition installations, and his artwork.

The addition to the George Deem papers consists of scattered biographical materials, correspondence, project and subject files, printed and digital material, and photographic materials. The bulk consists of writings, including a memoir of his early days in New York. Twenty-three notebooks include notes and drafts of writings about his artwork; activities and meetings with colleagues and friends are also recorded. Among the photographic materials are five photograph albums - four are devoted to George Deem, his family, and friends; the fifth houses photographs of Deem's artwork.
Arrangement:
The collection is arranged as 9 series.

Series 1: Biographical Material, 1938-circa 2013 (Boxes 1-2; 1.8 linear feet)

Series 2: Correspondence, 1954-2013 (Boxes 2-6; 4.8 linear feet)

Series 3: Writings, 1978-2012 (Box 6; 0.2 linear feet)

Series 4: Subject Files, circa 1960-circa 2013 (Boxes 6-8; 1 linear feet)

Series 5: Project Files, 1952-circa 2013 (Boxes 8-13, Box 20; 5.0 linear feet, ER01-ER02; 3.60 GB)

Series 6: Exhibition Files, 1960-circa 2013 (Boxes 13-15; 1.4 linear feet)

Series 7: Printed Material, 1966-circa 2013 (Boxes 15-16, OV 21; 1.1 linear feet)

Series 8: Photographic Materials, 1904-circa 2013 (Boxes 16-17, Box 20; 1.1 linear feet)

Series 9: Addition to the George Deem Papers, 1957-2015 (Boxes 17-19; 1.8 linear feet, ER03-ER04; 7.12 GB)
Biographical / Historical:
George Deem (1932-2008), a New York City based painter was best known for his original reinterpretations of the works of master painters. Raised on an Indiana farm, Deem showed an early interest in art and after graduating from Vincennes University in 1952 enrolled at the School of the Art Institute of Chicago. His studies were interrupted by service in the U.S. Army. He completed his program at the Art Institute of Chicago in 1955.

After moving to New York City in 1958, Deem worked in the display department of the Metropolitan Museum of Art while continuing to paint original works after hours. His work was first exhibited at Barnard College, and in 1963 he had his first one man show at the Allan Stone Gallery, which represented him throughout his career. Later he also was affilated with Nancy Hoffman Gallery and Pavel Zoubok Gallery.

Deem travelled abroad, spending considerable time in Italy where he was influenced by classical art and architecture and began painting realistic figural images. He was interested in reinventing and reconstructing the art of the past, borrowing from artists such as Vermeer, Caravaggio, Goya and Millet. Deem produced a series of paintings relating to Vermeer's work, finally writing a book about this endeavor, Art School and How to Paint a Vermeer. Deem also wrote poetry, was involved in set design, and danced at Bennington College and other venues.

Deem's work was acknowledged in the academic world and he served as artist in residence or visiting artist at MacDowell Colony, Illinois State University, and other institutions. His work appeared in museum exhibitions in the United States and abroad, and is included in the permanent collections of museums including the Museum of Fine Arts Boston, New Britain Museum of American Art, and Herbert F. Johnson Museum at Cornell University, as well as in private collections.

George Deem died in 2008 of lung cancer in New York City.
Provenance:
The George Deem papers were donated to the Archives of American Art in 2013 and 2015 by Ronald Vance, executor of the George Deem estate.
Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The George Deem papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Dancers -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Authors -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Mail art  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
George Deem papers, 1904-2015, bulk 1960-2008. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.deemgeor
See more items in:
George Deem papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-deemgeor

Wiener, Sam

Collection Creator:
Deem, George, 1932-2008  Search this
Container:
Box 7, Folder 23
Type:
Archival materials
Date:
1976-circa 2000
Collection Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The George Deem papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
George Deem papers, 1904-2015, bulk 1960-2008. Archives of American Art, Smithsonian Institution.
See more items in:
George Deem papers
George Deem papers / Series 4: Subject Files / Mail Art Letters
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-deemgeor-ref422

Wiener, Sam

Collection Creator:
Karp, Ivan C., 1926-2012  Search this
O.K. Harris Gallery (New York, N.Y.)  Search this
Container:
Box 35, Folder 6-7
Type:
Archival materials
Date:
1978-1984
Collection Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Ivan C. Karp papers and OK Harris Works of Art gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Ivan C. Karp papers and OK Harris Works of Art gallery records, 1960-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Ivan C. Karp papers and OK Harris Works of Art gallery records
Ivan C. Karp papers and OK Harris Works of Art gallery records / Series 4: Artist Files / 4.5: Past, Group B
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-okharr-ref1650

Wiener, Sam

Collection Creator:
Rubin, David S., 1949-  Search this
Container:
Box 20, Folder 22
Type:
Archival materials
Date:
1994-1996
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no Processing Manual Archives of American Art representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information
Collection Citation:
David S. Rubin papers, 1960-2017. Archives of American Art, Smithsonian Institution.
See more items in:
David S. Rubin papers
David S. Rubin papers / Series 5: Artist Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-rubidavi-ref799

Wiener, Sam

Collection Creator:
Nordness, Lee  Search this
Container:
Box 17, Folder 4
Type:
Archival materials
Date:
1968-1971
1977
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Lee Nordness business records and papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Lee Nordness business records and papers, circa 1931-1992, bulk 1954-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Lee Nordness business records and papers
Lee Nordness business records and papers / Series 1: Nordness Gallery, Inc. and Lee Nordness Galleries Art Advisory Section, Inc. / 1.2: Artist's Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-nordlee-ref584

Artists Talk on Art records

Creator:
Artists Talk on Art  Search this
Names:
Barnet, Will, 1911-2012  Search this
Bourgeois, Louise, 1911-2010  Search this
Christo, 1935-  Search this
De Niro, Robert, Sr., 1922-1993  Search this
Denes, Agnes  Search this
Goldberg, Michael, 1924-  Search this
Jeanne-Claude, 1935-2009  Search this
Longo, Robert  Search this
Mendieta, Ana, 1948-1985  Search this
Morris, Robert, 1931-  Search this
Murray, Elizabeth, 1940-  Search this
Neel, Alice, 1900-1984  Search this
Pavia, Philip, 1915-2005  Search this
Sleigh, Sylvia  Search this
Wilke, Hannah  Search this
Wojnarowicz, David  Search this
Extent:
64.4 Linear feet
317.43 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Date:
circa 1974-2018
Summary:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.
Scope and Contents:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.

ATOA's recordings chronicle the American art world, covering critical discussions and significant art world issues over five decades. Thousands of artists such as Will Barnet, Louise Bourgeois, Christo and Jeanne-Claude, Robert De Niro, Agnes Denes, Michael Goldberg, Robert Longo, Ana Mendieta, Robert Morris, Elizabeth Murray, Alice Neel, Philip Pavia, Howardena Pindell, Larry Rivers, Sylvia Sleigh, Kahinde Wiley, Hannah Wilke, David Wojnarowicz, and others speak about their work. The original recordings exist in a variety of formats, including U-Matic and VHS videotape, MiniDVs, sound cassettes and sound tape reels. ATOA digitized most of the video and sound recordings prior to donating the collection.

The collection also includes printed histories, board and program committee meeting minutes, financial statements, general correspondence files of the president and chair, attendance statistics, grant files, panel participant release forms, sixteen panel transcripts, a complete set of panel flyers (many are annotated) and other printed materials, three dismantled scrapbooks, as well as photographs, slides, and negatives of panels and panel participants.
Arrangement:
The records are arranged into nine series.

Series 1: Adminstrative Files, 1974-2013 (0.4 linear feet, Box 1)

Series 2: Director's and Chairman's Correspondence, 1977-2006 (0.4 linear feet, Box 1)

Series 3: Grant Files, 1977-2009 (1 linear foot, Boxes 1-2)

Series 4: Panel Release Forms, 1978-2012 (1 linear foot, Boxes 2-3)

Series 5: Panel Transcripts, 1981, 1986, 1988, 2017-2018 (1 folder, Box 3; 0.002 GB, ER01)

Series 6: Printed Materials, 1975-2015 (0.8 linear feet, Boxes 3-4; 0.434 GB, ER02)

Series 7: Scrapbooks, 1975-1989 (0.2 linear feet, Box 4)

Series 8: Photographic Materials, circa 1975-circa 2000 (1 linear foot, Boxes 4-5)

Series 9: Video and Sound Recordings of Events, 1977-2016 (59 linear feet, Boxes 6-65; 317.43 GB, ER03-ER04)
Biographical / Historical:
Established in 1974 and still active in New York, Artists Talk on Art is the art world's longest running and most prolific aesthetic panel discussion series organized by artists for artists. Founded by Lori Antonacci, Douglas I. Sheer, and Robert Wiegand, the forum has presented 6,000 artists in nearly 1,000 documented panels or dialogues. ATOA held its first panel, "Whatever Happened to Public Art," on January 10, 1975 and it drew a "crowd" of 77 people. In the decades that followed, ATOA presented dozens of panels or dialogues a year, tackling such diverse topics as "What is Happening with Conceptual Art," with Louise Lawler and Lawrence Weiner; "Painting and Photography: Defining the Difference," with Sarah Charlesworth, Jack Goldstein, Joseph Kosuth, Barbara Kruger, and Robert Mapplethorpe; "Organizing Arts Activism," with Lucy Lippard; "The Artist and the Epidemic—an information panel about AIDS"; "Cross-generational Views of Feminism"; and hundreds more.
Provenance:
The Artists Talk on Art (ATOA) records, including digital files of the video and sound recordings, were donated to the Archives in 2016 by Douglas Sheer, Chairman of ATOA.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, American  Search this
Art critics  Search this
Art dealers  Search this
Art historians  Search this
Artists  Search this
Historians  Search this
Genre/Form:
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Citation:
Artists Talk on Art records, circa 1974-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artitalk
See more items in:
Artists Talk on Art records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-artitalk
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Online Media:

George Deem papers, 1904-2015, bulk 1960-2008

Creator:
Deem, George, 1932-2008  Search this
Subject:
Sassu, Antonio  Search this
Molesworth, Charles  Search this
Liedtke, Walter A.  Search this
Komar, Vitaly  Search this
Andrews, Benny  Search this
Wiener, Sam  Search this
Rosenblum, Robert  Search this
Bal, Mieke  Search this
Copy, Richard  Search this
Dydo, Ulla E.  Search this
Evans, John  Search this
Fattal, Simone  Search this
Guilliatt, Lee  Search this
William, Patricia  Search this
Tanning, Dorothea  Search this
Johnson, Ray  Search this
Lazlo, Jean-Noel  Search this
Wheeler, Arthur K.  Search this
Vermeer, Johannes  Search this
Nancy Hoffman Gallery  Search this
New Britain Museum of American Art  Search this
Allan Stone Gallery  Search this
Pavel Zoubok Gallery  Search this
Type:
Photographs
Topic:
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Authors -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Mail art  Search this
Painters -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)16139
(DSI-AAA_SIRISBib)363835
AAA_collcode_deemgeor
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_363835
Online Media:

Sam Wiener

Creator:
Camiel, Eric  Search this
Snaith, Skip  Search this
Subject:
Wiener, Sam  Search this
Type:
Videorecording
Date:
circa 1971
Topic:
Glass artists  Search this
Politics in art  Search this
Record number:
(DSI-AAA)10703
See more items in:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975, bulk 1964-1975
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10703

Art depot : an exhibition which satirizes museum gift shops and the commodification of art / Sam Wiener, Evangeline Tabasco

Author:
Wiener, Sam  Search this
Tabasco, Evangeline  Search this
Alternative Museum (New York, N.Y.)  Search this
Subject:
Wiener, Sam Exhibitions  Search this
Tabasco, Evangeline Exhibitions  Search this
Physical description:
32 p. : col. ill. ; 22 cm
Type:
Exhibitions
Place:
New York (State)
New York
Date:
1994
[1994]
20th century
Topic:
Art, American  Search this
Art--Economic aspects  Search this
Wit and humor in art  Search this
Call number:
NB237.W49 A4 1994
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_640394

Splendors of the Sohites : an exhibition of masterpieces of art excavated in SoHo by Evangeline Tabasco with the assistance of Professor Sam Wiener, director of the Metropolitan Container of Art

Author:
Tabasco, Evangeline  Search this
Wiener, Sam  Search this
Metropolitan Container of Art (New York, N.Y.)  Search this
O.K. Harris Gallery (New York, N.Y.)  Search this
Subject:
Metropolitan Container of Art  Search this
Physical description:
[28] p. : ill. ; 28 cm
Type:
Anecdotes
Exhibitions
Humor
Place:
New York (State)
New York
Date:
C1980
20th century
Topic:
Art museums  Search this
Art, American  Search this
Call number:
N6487.N5 O106
N6487.N4 O5 1980
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_146643

Sam Wiener : works on art, with Evangeline Tabasco

Title:
Works on art
Author:
Wiener, Sam  Search this
Tabasco, Evangeline  Search this
O.K. Harris Gallery (New York, N.Y.)  Search this
Subject:
Wiener, Sam  Search this
Tabasco, Evangeline  Search this
Physical description:
1 v. (unpaged) : ill. ; 28 cm
Type:
Books
Exhibitions
Date:
1978
Call number:
NB237.W49 A4 1978
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_988268

Sam Jr. Wiener, 1928- [Folder]

Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Topic:
Artists  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_78355

American Dream, (sculpture)

Sculptor:
Wiener, Sam Jr. 1928-  Search this
Type:
Sculptures
Sculptures-Outdoor Sculpture
Owner/Location:
Administered by City of New Haven New Haven Connecticut 06515
Located John Slade Ely House New Haven Connecticut
Date:
1997
Topic:
Abstract  Search this
Control number:
IAS 68120010
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_398049

Skid Series: Cornered, (sculpture)

Title:
Cornered, (sculpture)
Sculptor:
Wiener, Sam Jr. 1928-  Search this
Medium:
Wood and glass
Type:
Sculptures
Owner/Location:
Virginia Museum of Fine Arts 2800 Grove Avenue Richmond Virginia 23221 Accession Number: 76.45
Date:
1975
Topic:
Abstract--Geometric  Search this
Control number:
IAS 55740153
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_29877

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