50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave mounds and excavations. The collection also includes images of prisoners at Fort Marion in 1875, Sioux Indians involved in the Great Sioux Uprising in Minnesota, the Fort Laramie Peace Commission of 1868, Sitting Bull and his followers after the Battle of the Little Bighorn, and the aftermath of the Wounded Knee Massacre in 1890.
There are studio portraits of well-known Native Americans, including American Horse, Big Bow, Four Bears, Iron Bull, Ouray, Red Cloud, Red Dog, Red Shirt, Sitting Bull, Spotted Tail, Three Bears, and Two Guns White Calf. Depicted delegations include a Sauk and Fox meeting in Washington, DC, with Lewis V. Bogy and Charles E. Mix in 1867; Kiowas and Cheyennes at the White House in 1863; and Dakotas and Crows who visited President Warren G. Harding in 1921. Images of schools show Worcester Academy in Vinita, Oklahoma; Chilocco Indian School; Carlisle Indian Industrial School; Haskell Instittue, and Albuquerque Indian School.
Some photographs relate to the Centennial Exposition in Philadelphia, 1876; World's Columbian Exposition in Chicago, 1893; Louisiana Purchase Exposition in St. Louis, 1903; and Centennial Exposition of the Baltimore and Ohio Railraod, 1876. Expedition photographs show the Crook expedition of 1876, the Sanderson expedition to the Custer Battlefield in 1877, the Wheeler Survey of the 1870s, Powell's surveys of the Rocky Mountain region during the 1860s and 1870s, and the Hayden Surveys.
Outstanding single views include the party of Zuni group led to the sea by Frank Hamilton Cushing; Episcopal Church Rectory and School Building, Yankton Agency; Matilda Coxe Stevenson and a companion taking a photographs of a Zuni ceremony; John Moran sketching at Acoma; Ben H. Gurnsey's studio with Indian patrons; Quapaw Mission; baptism of a group of Paiutes at Coeur d'Alene Mission; court-martial commission involved in the trial of Colonel Joseph J. Reynolds, 1877; President Harding at Sitka, Alaska; Walter Hough at Hopi in 1902; and Mrs. Jesse Walter Fewkes at Hopi in 1897.
Biographical/Historical note:
George V. Allen was an attorney in Lawrence, Kansas and an early member of the National Stereoscope Association. Between the 1950s and 1980s, Allen made an extensive collection of photographs of the American West, mostly in stereographs, but also including cartes-de-visite and other styles of mounted prints, photogravures, lantern slides, autochromes, and glass negatives.
Indians of North America -- Southern states Search this
Citation:
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
Indians of North America -- Great Basin Search this
Type:
Collection descriptions
Archival materials
Negatives (photographic)
Copy prints
Place:
Yosemite National Park (Calif.)
Washington (D.C.)
Florida
Yellowstone National Park
Colorado
Date:
mid-19th - early 20th century
Scope and Contents note:
Copies of photogaphs selected from the George Eastman House collection by Bureau of American Ethnology archivist Margaret Blaker in 1962. Many of the photographs are individual or group portraits of American Indians and some highlight pottery, baskets, and cradleboards. There are also images of American Indian dwellings, including tipis and hogans; pueblos; dances; and an encampment during the Modoc War and Plains Indian prisoners at Fort Marion, Florida (1870s).
Expedition photos in the collection were made on T. O. Selfridgeʹs Darien Expedition (1870-1871), the Wheeler surveys (1871-1874), and the Hayden Geological Survey (1871). The collection also includes portraits of Frederick Douglass, Sitting Bull, and John A. Logan; and images from Buffalo Bill's Wild West Show; Company F of New York's 140th Volunteer Infantry; and the Smithsonian in Washington, DC.
Local Call Number(s):
NAA Photo Lot R79
Reproduction Note:
Copy negatives made by George Eastman House, 1962.
Copy prints made by the Smithsonian, 1962-1963.
Location of Other Archival Materials:
The National Anthropological Archives holds vintage prints for many of the photographs copied in this collection, including in Photo lot 4501, Photo Lot 4605, and Photo Lot 90-1.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
The images were acquired for reference purposes and cannot be reproduced. Copies may be obtained from George Eastman House, International Museum of Photography and Film.
Indians of North America -- Southwest, New Search this
Type:
Collection descriptions
Archival materials
Stereographs
Photographs
Date:
late 19th century-early 20th century
Scope and Contents note:
Stereographs documenting Native North Americans, including studio portraits, camps and dwellings, graves, infants in cradleboards, and pottery. Specific images portray Sitting Bull's camp at Fort Randall, Curly at the Custer monument, and a Southern Plains delegation at the White House Conservatory. Tribes represented include Winnebago, Tuscarora, Tesuque, Seneca, San Juan, Pecos, Ojibwa, Oglala, Ute, Kaibab, Sisseton, Arikara, Mandan, Hopi, Shoshoni, Isleta, and Laguna, as well as Native peoples of Alaska and Labrador.
The photographs were published by a variety of firms including E. & H. T. Anthony & Company, George Barker, H. H. Bennett, Bennett & Brown, W. Henry Brown, Caswell & Davy, Childs Art Gallery, B. B. Brubaker, Continent Stereo Company, W. R. Cross, H. A. Doerr, J. Gurney & Son, Haynes, H. T. Hiester, John K. Hillers, William H. Jackson, J. F. Jarvis, Keystone View Company, B. L. Singley, S. J. Morrow, H. T. Payne, H. N. Robinson, C. R. Savage, John P. Soule, Underwood & Underwood, Whitney's Gallery, Whitney & Zimmerman, and Ben Wittick.
Local Call Number(s):
NAA Photo Lot 140
Location of Other Archival Materials:
Additional photographs by these photographers can be found in the National Anthropological Archives in additional collections of stereographs relating to Native Americans (MS 4551 and Photo Lot 90-1)
Photo lot 140, Bureau of American Ethnology collection of stereographs relating to Native Americans, National Anthropological Archives, Smithsonian Institution
1,195 Prints (albumen, silver gelatin, and platinum)
Type:
Collection descriptions
Archival materials
Prints
Photomechanical prints
Photographs
Stereographs
Postcards
Place:
Wyoming
Virginia
New York
New Mexico
Vermont
South Carolina
Maine
Louisiana
Massachusetts
Maryland
Montana
Nebraska
Alaska
British Columbia
Arizona
Colorado
California
Date:
1871-1912
Scope and Contents note:
Photographs of geologic features and the natural environment of the American West, Alaska, and Mexico, most of which were created during government surveys and the expansion of railroads during the 1800s. There are also photographs collected and made by individuals who worked or traveled in the west. Depicted locales include Alaska, Arizona, British Columbia, California, Colorado, Louisiana, Maine, Maryland, Massachusetts, Montana, Nebraska, New Mexico, New York, South Carolina, Vermont, Virginia, and Wyoming, and there are some additional images of artifacts, artwork, and portraits. Photographers represented include William Henry Jackson, John K. Hillers, Timothy H. O'Sullivan, E. O. Beaman, James Fennemore, William Bell, and other professional and amateur photographers.
Local Call Number(s):
NAA Photo Lot 37
Varying Form of Title:
Scenic Views of North America
Location of Other Archival Materials:
Charles Savage photographs previously filed in Photo Lot 37 have been relocated to National Anthropological Archives Photo Lot 156.
Bourne & May photographs previously filed in Photo Lot 37 have been relocated to National Anthropological Archives Photo Lot 159.
The National Anthropological Archives holds additional photographs by photographers or from accessions represented in this collection in Photo Lot 24, Photo Lot 40, and other photo lots.
See others in:
Photographs of North American geology and scenery, 1871-1912
Microfilm of the Benjamin Stone collection of photographs relating to Britain and Europe, North America, South America, Africa, India, and Australasia. Prints made from the microfilm are mostly of portraits of American Indians and some field images relating to delegations, expeditions, dwellings, and the 1862 Sioux uprising in Minnesota. They include depictions of Arikara, Ojibwa, Miniconjou, Dakota, Pawnee, Winnebago, Iroquois, Ute, Blackfoot, Cree, Crow, Salish, and Kootenai Indians. There are also images of buildings, boats, railroads, and scenic views from around America, as well as the Smithsonian Castle in 1871 and Chicago after the Great Fire. Photographers represented include B. H. Gurnsey, Joel Emmons Whitney, and Adrian J. Ebell.
Biographical note:
Sir John Benjamin Stone (1838-1914) was born in Birmingham, England, to a glass-making family, a profession he briefly joined before starting a career in politics. He was elected representative of the Duddlestone Ward on the Birmingham Town Coucil in 1869, later becoming Mayor Cutton (1886-1891) and Member of Parliament for East Birmingham (1895-1910). Inspired by a love of antiquities, Stone began to collect and then make photographs during his international travels to East Asia, the West Indies, Africa, and North and South America. As the first president of the Birmingham Photographic Society, he encouraged the development of the Warwickshire Photographic Survey. Additionally, he helped found the National Photographic Record Association, and served as President of the organization. During his time in Parliament, Stone made a photographic survey of the Palace of Westminster and was official photographer for the Coronation of King Geroge V in 1910. His photographs were published in the two-volume Sir Benjamin Stone's Pictures (1905).
Local Call Number(s):
NAA Photo Lot R4859
Reproduction Note:
Prints made by the Smithsonian Institution, 1969.
Location of Other Archival Materials:
Some photographs have been separated into Photo Lot 24. These photographs are represented by item-level descriptions linked to this record.
Contained in:
Numbered manuscripts 1850s-1980s (some earlier)
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Copy prints of photographs in the Birmingham Public Library in Birmngham, England. Reference copies can be made for Smithsonian Institution staff only. Permission to publish and other prints can be obtained from the Birmingham Public Library.
Indians of North America -- Great Plains Search this
Mdewakantonwan Dakota (Mdewakanton Sioux) Search this
Type:
Collection descriptions
Archival materials
Albumen prints
Photographs
Date:
circa 1862
Scope and Contents note:
Carte-de-visite portrait of Little Crow, a chief of the Mdewakanton Dakota Tribe and leader of the Sioux Uprising in 1862.
Biographical/Historical note:
Little Crow (circa 1810-1863), also known as Taoyatiduta, was a Mdewakanton Dakota chief known for his participation in the Treaties of Traverse des Sioux and Mendota of 1851 and his leadership during the Sioux uprising in 1862. After a loss at the Battle of Wood Lake in September 1862, Little Crow fled to Canada but soon returned to Minnesota. He was killed on July 3, 1863, by Nathan Lamson.
Joel Emmons Whitney (1822-1886) moved in 1850 to St. Paul, Minnesota, where he would remain for most of his professional photography career. Almost immediately, he began to photograph under the name Whitney's Gallery (1851-1871). In early 1851 he partnered with George C. Nichols to open the daguerreotype gallery Whitney & Nichols and Whitney opened an independent studio later that year. Under the tutelage of Alexander Hesler, he continued making daguerreotypes, which he marketed as "Pocket Editions of Nature" and exhibited at fairs in New York and Minnesota. Whitney partnered with William S. Combs (1867-1869) and then purchased Martin's Art Gallery from James Edgar Martin. In 1870, he employed and then partnered with Charles A. Zimmerman, to whom he sold his business in 1871.
Local Call Number(s):
NAA Photo Lot 2000-25
Location of Other Archival Materials:
Additional Joel Emmons Whitney and Whitney & Zimmerman photographs held in National Anthropological Archives Photo Lot 140, Photo Lot 80-18, Photo Lot 90-1, Photo Lot 99-4, Photo Lot 4605, and the BAE historical negatives.
Additional images of Little Crow held in National Anthropological Archives MS 4659, Photo Lot 4286, and the BAE historical negatives.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo Lot 2000-25, Joel Emmons Whitney photograph of Little Crow, National Anthropological Archives, Smithsonian Institution.
Carte-de-visite printed description reads as follows: Anpetu-tokeca (Other Day), who rescued sixty-two persons from the Indian Massacre of 1862, in Minnesota. Whitney & Zimmerman, Photographers, St. Paul, Minn
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Collection Citation:
Identification of specific item; Date (if known); Dakota War cartes-de-visite, Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Forty-six images of unidentified landscapes, some of which also include groups of people. Features include waterfalls, fields, trees, mountains, lakes, rivers, an island, etc. Many cards are by unidentified photographers, but others were photographed and/or published by Edward and Henry T. Anthony, Charles Bierstadt, E.T. Brigham, G.W. Wilson, Aberdeen (a view of "Ben Lomond, from near Tarbet"), Whitney & Zimmerman, S. Towle, Geo. M. Stone, Haines, H.F. Preston, J.W. & J.S. Moulton, Miller & Brown, and Julius Hall.
Restrictions:
Unrestricted research use on site. Photographs must be handled with white cotton gloves, unless protected by plastic sleeves.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
The Indians have surrounded four (three?) white men sitting at a table. Coins and a cash box are on the table. The item is number 734 of the series Lake Superior Scenery.
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
Photo lot 140, Bureau of American Ethnology collection of stereographs relating to Native Americans, National Anthropological Archives, Smithsonian Institution
Photo lot 140, Bureau of American Ethnology collection of stereographs relating to Native Americans, National Anthropological Archives, Smithsonian Institution
Photo lot 140, Bureau of American Ethnology collection of stereographs relating to Native Americans, National Anthropological Archives, Smithsonian Institution
Photo lot 140, Bureau of American Ethnology collection of stereographs relating to Native Americans, National Anthropological Archives, Smithsonian Institution
Photo lot 140, Bureau of American Ethnology collection of stereographs relating to Native Americans, National Anthropological Archives, Smithsonian Institution
Woman and two children sitting next to mat-covered wigwam.
Biographical / Historical:
Charles A. Zimmerman (1844-1909), photographer, St Paul, Minnesota, one of the best-known of his period; in business with Joel E. Whitney, as Whitney & Zimmerman, from about 1865, and from ca 1870 to 1900 independently. His negative number 738; style of mount used by him, ca 1870-1880.-- Information from G. H. Smith. British Museum #: Box B/2939. On back of photo: "A. M. Rice No 30"
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
