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Western Gallery, Western Washington University

Collection Creator:
Mullican, Matt, 1951-  Search this
Container:
Box 13, Folder 4
Type:
Archival materials
Date:
1989
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of born-digital records requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Matt Mullican papers, circa 1968-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Matt Mullican papers
Matt Mullican papers / Series 4: Gallery and Exhibition Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mullmatt-ref266

David Ireland Papers, circa 1910s-circa 2009, bulk 1960-2005

Creator:
Ireland, David Kenneth, 1930-2009  Search this
Ireland, David Kenneth, 1930-2009  Search this
Subject:
Tingle, Alta  Search this
Marion, Paul  Search this
Lienhard, Marie-Louise  Search this
Lee, Margie  Search this
Grobart, Jeffrey  Search this
Coppola, Eleanor  Search this
Skowhegan School of Painting and Sculpture  Search this
Mattress Factory  Search this
Washington State Arts Commission  Search this
Gallery Paule Anglim  Search this
Center for the Arts at Yerba Buena Gardens  Search this
California College of Arts and Crafts (San Francisco, Calif.)  Search this
Arts Club of Chicago  Search this
American Academy in Rome  Search this
Stanford University  Search this
Walker Art Center  Search this
Helmhaus Zürich  Search this
San Francisco Art Institute  Search this
Perth Institute of Contemporary Arts  Search this
San Francisco Museum of Modern Art  Search this
Western Washington University  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Type:
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Topic:
Artists' studios -- Photographs  Search this
Art -- Study and teaching  Search this
Installations (Art)  Search this
Public art  Search this
Record number:
(DSI-AAA_CollID)15853
(DSI-AAA_SIRISBib)292739
AAA_collcode_ireldavi
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_292739
Online Media:

Western Washington University

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 12, Folder 47
Type:
Archival materials
Date:
1996
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 1: General Correspondence Files / 1.1: Galleries/Museums/Clients
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref871

Western Washington University

Collection Creator:
Jamison Thomas Gallery  Search this
Container:
Box 6, Folder 20
Type:
Archival materials
Date:
1992-1993
Collection Restrictions:
Use of original papers requires an appointment and is available in the Archives' Washington, D.C. research facility. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jamison Thomas Gallery records, 1940-1996, bulk 1980-1996. Archives of American Art, Smithsonian Institution.
See more items in:
Jamison Thomas Gallery Records
Jamison Thomas Gallery Records / Series 2: Client and Collector Files / 2.1: Galleries, Museums, and Schools
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jamithog-ref195

David Ireland Papers

Artist:
Ireland, David, 1930-2009  Search this
Names:
American Academy in Rome  Search this
Arts Club of Chicago  Search this
California College of Arts and Crafts (San Francisco, Calif.)  Search this
Center for the Arts at Yerba Buena Gardens  Search this
Gallery Paule Anglim  Search this
Helmhaus Zürich  Search this
Mattress Factory  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Perth Institute of Contemporary Arts  Search this
San Francisco Art Institute  Search this
San Francisco Museum of Modern Art  Search this
Skowhegan School of Painting and Sculpture  Search this
Stanford University  Search this
Walker Art Center  Search this
Washington State Arts Commission  Search this
Western Washington University  Search this
Coppola, Eleanor  Search this
Grobart, Jeffrey  Search this
Lee, Margie  Search this
Lienhard, Marie-Louise  Search this
Marion, Paul  Search this
Tingle, Alta  Search this
Extent:
24.8 Linear feet
8.39 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Date:
circa 1910s-circa 2009
bulk 1960-2005
Summary:
The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial recordings, photographic materials, artwork, and video and sound recordings.
Scope and Contents:
The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial sound recordings, photographic materials, artwork, and video and sound recordings.

Biographical material includes awards and certificates, address books and appointment books, artist's statements, resumes, chronologies, student university materials, passports, and sound and video recordings of interviews with Ireland. Correspondence is with friends, peers, universities, galleries, and museums, including Jeffrey Grobart, Eleanor Coppola, Margie Lee, Marie-Louise Lienhard, Paul Marion, and Alta Tingle, among others. Notes and notebooks contain incoming phone messages, notes to self, regarding projects and ideas, as well as various other notes and plans.

Installation projects and exhibition files constitute the bulk of the collection and document David Ireland's extensive projects and exhibitions around the world. Files are found for his Capp Street house project and Pacific Enterprises project in San Francisco; Boott Mills project in Lowell, Massachusetts; IKEA Emeryville Public Art Project in Emeryville, California; and several Washington State Arts Commission and Western Washington University projects. Other exhibition and installation locations found within the files include the American Academy in Rome; Yerba Buena Arts Center in California; Perth Institute of Contemporary Art in Australia; Helmhaus in Zurich, Switzerland; Arts Club of Chicago; SFMOMA; New Museum of Contemporary Art in New York; Walker Art Center in Minneapolis, Minnesota; and the Mattress Factory in Pittsburgh, among many others. The files contain a wide variety of materials, including sound and video recordings in various formats.

Teaching files document David Ireland's many roles as visiting artist, artist-in-residence, instructor, and conference and symposium panelist at the California College of Arts and Crafts, San Francisco Art Institute, Skowhegan School of Painting and Sculpture, and Stanford University Department of Art, among others. Travel files document Ireland's trips abroad, both independent of and as a result of installation and project obligations.

Personal business records are comprised of financial materials and documentation relating to Ireland's two early South African import and safari businesses as well grants and project proposals, various loan agreements, representation through Gallery Paule Anglim, property sales and tax documentation, inventory materials, and various other business materials. Also found within the collection are printed material and four commercial sound recordings. Photographs are of the artist, friends and family, Ireland's Oakland studio, and works of art. There is artwork by Ireland, including sketches, drawings, and prints, and a few pieces of artwork by other artists. In addition to sound and video recordings arranged in other series, there is one video recording and six sound cassettes that are either unidentified or have no additional context within the collection.
Arrangement:
This collection is arranged as 11 series.

Series 1: Biographical Material, circa 1950-circa 2009 (1.5 linear feet; Boxes 1-2)

Series 2: Correspondence, circa 1937-circa 2008 (4 linear feet; Boxes 2-6)

Series 3: Notes and Notebooks, circa 1965-circa 2008 (0.7 linear feet; Boxes 6-7)

Series 4: Installation Projects and Exhibition Files, circa 1960s-circa 2009 (11.6 linear feet; Boxes 7-18, OV26, OV27, 7.84 GB; ER01-ER15)

Series 5: Teaching Files, 1977-1998 (1.2 linear feet; Boxes 18-19)

Series 6: Travel Files, circa 1950s-circa 1994 (0.6 linear feet; Boxes 19-20)

Series 7: Personal Business Records, circa 1965-circa 2008 (1.1 linear feet; Boxes 20-21)

Series 8: Printed Material and Commercial Recordings, 1932-circa 2009 (2.3 linear feet; Boxes 21-23, 0.553 GB; ER16)

Series 9: Photographic Materials, circa 1910s-circa 2005 (1 linear foot; Boxes 23-24)

Series 10: Artwork, circa 1965-circa 2003 (0.2 linear feet; Box 24)

Series 11: Video and Sound Recordings, circa 1965-circa 1990s (0.4 linear feet; Box 25)
Biographical / Historical:
David Ireland (1930-2009) was a conceptual artist and sculptor who worked in San Francisco, California.

Ireland was born in Bellingham, Washington and attended Western Washington University. In 1953, he received a degree in industrial design and printmaking from the California College of Arts and Crafts (now California College of the Arts) in Oakland. He then served two years in the U. S. Army in Missouri, returning to live and work in Bellingham. For several years, Bellingham served as his launch point for extensive travels in Europe and Africa.

In the late 1950s, Ireland founded Hunter Africa, an artifacts import business. He moved the business to San Francisco in 1965 and also began a second business leading safaris in Africa. He married Bellingham native Joanne Westford and had two children, Ian Ireland and Shaughn Niland; they divorced in 1970.

Ireland attended the San Francisco Art Institute and received a graduate degree in 1974. There, he met other Bay Area artists involved in the conceptual movement there, including Tom Marioni, Paul Kos, Howard Fried, and Terry Fox.

Much of Ireland's artwork of the 1980s and 1990s centered on the transformation of his home at 500 Capp Street in San Francisco, where he dramatically physically and conceptually transformed the interior and exterior structure into a mix of architectural sculpture and environmental art piece. He bought a second home in 1979 to transform, and, in the 1980s, completed a renovation of the main building at the Headlands Center for Arts in Sausalito with artist Mark Thompson.

David Ireland's work has been presented in more than forty solo exhibitions at venues that included the Walker Art Center, Minneapolis; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D. C.; The Museum of Modern Art and the New Museum of Contemporary Art, New York. He created major public projects and private commissions in Los Angeles, San Francisco, Philadelphia, Washington, D. C., and other cities. His work is included in the permanent collections of The Museum of Modern Art and the Whitney Museum of American Art in New York, San Francisco Museum of Modern Art, Los Angeles County Museum of Art, Oakland Museum of California, and University of California, Berkeley Art Museum and Pacific Film Archive, among others.
Provenance:
The David Ireland papers were donated in 2010 by the David Ireland Estate through Jock Reynolds, Special Trustee, The David Ireland Revocable Trust.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- California -- San Francisco  Search this
Conceptual artists -- California -- San Francisco  Search this
Topic:
Artists' studios -- Photographs  Search this
Art -- Study and teaching  Search this
Installations (Art)  Search this
Public art  Search this
Genre/Form:
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Citation:
David Ireland papers, circa 1910s-circa 2009, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ireldavi
See more items in:
David Ireland Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ireldavi

June and Farrar Burn photographs from Alaska

Creator:
Burn, Farrar, 1888-1974  Search this
Burn, June, 1893-1969  Search this
Extent:
12 Glass plate negatives
13 Copy negatives
Culture:
Yuit (Siberian Yup'ik) [St. Lawrence Island]  Search this
Type:
Collection descriptions
Archival materials
Glass plate negatives
Copy negatives
Photographs
Place:
Alaska
Date:
1920-1921
Summary:
This collection includes negatives from June and Farrar Burn's time in Gambell, St. Lawrence Island, Alaska between 1920 and 1921. The Burns were granted teaching appointments from the Bureau of Education in the Alaska School Service and assigned to Gambell where they lived for a year, working closely with the Yuit (Siberian Yup'ik) community there.
Content Description:
This collection consists of 12 glass plate negatives and 13 copy negatives that depict June and Farrar Burns' year long teaching appointments in Gambell, St. Lawrence Island with the Alasksa School Service between 1920 and 1921. This primarily includes photographs of the Yuit (Siberian Yup'ik) community with whom they were living and working. The majority of the photographs were shot outdoors of men, women and children outside of their homes, with their sled dogs, and hunting. There are also several images of June Burn teaching her young students as well as group portraits of the children in her class. The glass plate negatives appear to be copies made sometime between 1921 and 1923 of originals that were likely nitrate negatives shot by Farrar Burn.
Biographical / Historical:
June Burn was born Inez Chandler Harris on June 19, 1893, in Anniston, Alabama. June met Farrar Burn (born September 22, 1888), a World War I veteran, while living in a cabin near Washington, D.C., and the two were wed in 1919. The couple began homesteading on the San Juan Islands in the Puget Sound before being granted teaching appointments from the Bureau of Education in the Alaska School Service and assigned to Gambell, St. Lawrence Island in Alaska in June, 1920. For a year they lived and worked closely with the Yuit (Siberian Yup'ik) population there. When June became pregnant with their first son North they returned to the San Juans.

The Burns continued to travel extensively with June writing for various periodicals and eventually publishing her own autobiography "Living High: An Unconventional Autobiography" in 1941. Later in their lives Farrar traveled the country lecturing on and June taught for a short while at the University of Washington. In 1967, June and Farrar moved to a small farm near Fort Smith, Arkansas – Farrar's home town. June died there in 1969, followed by Farrar in 1975.
Related Materials:
The June and Farrar Burn Papers, 1921-1969, can be found at Western Washington University, Center for Pacific Northwest Studies.
Separated Materials:
The Museum of the American Indian, Heye Foundation purchased 71 Alaskan ethnographic items from Farrar Burn which are now in NMAI Ethnology collection with catalog numbers 11/6726 - 11/6795.
Provenance:
Purchased by the Museum of the American Indian, Heye Foundation, along with 71 ehtnographic items, from Farrar Burn in 1923.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Indians of North America -- Alaska  Search this
Genre/Form:
Photographs
Citation:
Identification of specific item; Date (if known); June and Farrar Burn photographs from Alaska, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.131
See more items in:
June and Farrar Burn photographs from Alaska
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-131
Online Media:

Patsy A. McLaughlin Papers

Creator::
McLaughlin, Patsy A.  Search this
Extent:
2 cu. ft. (2 record storage boxes)
Type:
Collection descriptions
Archival materials
Manuscripts
Picture postcards
Black-and-white photographs
Color photographs
Color transparencies
Date:
1954-1995
Descriptive Entry:
This accession consists of the professional correspondence of carcinologist Patsy A. McLaughlin (1932-2011). Over her career, she worked as a Fishery Biologist at the Seattle Biological Laboratory, Bureau of Commercial Fisheries, 1957-1960; Assistant Zoologist at the Department of Oceanography, University of Washington, 1960-1963; Supervisor of Invertebrates at the Smithsonian Oceanographic Sorting Center (SOSC), Smithsonian Institution, 1965-1968; Research Assistant Professor and Research Associate at the Rosenstiel School of Marine and Atmospheric Science, University of Miami, 1969-1973; Research Scientist and Courtesy Professor at the Department of Biological Sciences, Florida International University, 1975-1989; and Resident Scientist with the Shannon Point Marine Center, Western Washington University. The majority of this correspondence is from after her time at SOSC. Materials also include postcards, photographs, and slides.
Topic:
Invertebrates  Search this
Carcinology  Search this
Crustacea  Search this
Carcinologists  Search this
Genre/Form:
Manuscripts
Picture postcards
Black-and-white photographs
Color photographs
Color transparencies
Citation:
Smithsonian Institution Archives, Accession 14-302, Patsy A. McLaughlin Papers
Identifier:
Accession 14-302
See more items in:
Patsy A. McLaughlin Papers
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa14-302

Working papers in Athabaskan (Dene) languages 2012 / edited by Sharon Hargus, Edward Vajda, and Daniel W. Hieber ; series editor, Siri Tuttle ; papers by Sharon Hargus ... [et al.]

Author:
Athabaskan Languages Conference (2012 : Bellingham, Wash.)  Search this
Hargus, Sharon  Search this
Vajda, Edward J  Search this
Hieber, Daniel W  Search this
Tuttle, Siri  Search this
Alaska Native Language Center  Search this
Physical description:
iv, 92 p. : ill., maps, charts ; 28 cm
Type:
Texts
Place:
Alaska
Date:
2013
C2013
Topic:
Athapascan languages--Congresses  Search this
Athapascan languages--Revival  Search this
Athapascan Indians--Languages  Search this
Languages  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1033428

Normanno Wedge, (sculpture)

Sculptor:
Pepper, Beverly 1924-2020  Search this
Medium:
Cast iron
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Western Washington University Western Gallery Near Parks Hall Bellingham Washington 98225
Date:
1980
Topic:
Abstract--Geometric  Search this
Control number:
IAS 87480006
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_23390

Seasonal changes in zooid size and feeding activity in epifaunal colonies of Electra pilosa

Author:
Okamura, Beth  Search this
Ross, June R. P.  Search this
Object Type:
Smithsonian staff publication
Electronic document
Year:
1987
Topic:
Natural History  Search this
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILSRO_87723

Isamu Noguchi and Skyviewing sculpture : proceedings of symposia and special lectures / edited by Sarah Clark-Langager and Michiko Yusa

Author:
Clark-Langager, Sarah A. 1943-  Search this
Yusa, Michiko  Search this
Subject:
Noguchi, Isamu 1904-1988  Search this
Noguchi, Isamu 1904-1988 Skyviewing sculpture  Search this
Physical description:
133 pages : illustrations ; 23 cm
Type:
Books
Congresses
Conference papers and proceedings
Date:
2004
Call number:
N40.1.N75 C61 2004
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1107764

To Clean Up Everest, Nepal Is Banning Single-Use Plastics on the Mountain

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Interviews
Blog posts
Published Date:
Wed, 28 Aug 2019 18:24:14 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_00d5419aad98048256a525513a4305d9

Western Gallery (Western Washington University) [Folder]

Additional name:
Western Gallery, Western Washington University  Search this
Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Place:
Bellingham (Wash.)
Topic:
Art Organizations  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_105788

Untitled (Steam Sculpture), (sculpture)

Title:
(Steam Work for Bellingham), (sculpture)
Sculptor:
Morris, Robert 1931-2018  Search this
Medium:
Rocks, wood, and water
Type:
Sculptures-Earthwork
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Western Washington University Western Gallery South Campus Bellingham Washington 98225
Date:
Designed 1967. Commissioned 1971. Installed 1974
Topic:
Abstract  Search this
Control number:
IAS 87980039
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_302944

Skyviewing Sculpture, (sculpture)

Sculptor:
Noguchi, Isamu 1904-1988  Search this
Architect:
Nelsen, Ibsen  Search this
Fabricator:
Bakken Iron Inc.  Search this
Medium:
Sculpture: painted steel; Base: concrete and brick
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Western Washington University Western Gallery Red Square near Miller Hall Bellingham Washington 98225
Date:
1969
Topic:
Abstract--Geometric  Search this
Control number:
IAS 87560650
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_292392

The Islands of the Rose Apple Trees Surrounded by the Ocean of the World, for you, Oh My Darling, (sculpture)

Sculptor:
Aycock, Alice 1946-  Search this
Medium:
Water-filled cast concrete
Type:
Sculptures-Site-specific
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Western Washington University Western Gallery Between Carver Gym & Science Complex Bellingham Washington 98225
Date:
1987
Topic:
Abstract  Search this
Landscape--Mountain--Mt. Meru  Search this
Landscape--Island  Search this
Landscape--Ocean  Search this
Allegory--Other--Nature  Search this
Control number:
IAS 65720171
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_294746

Wright's Triangle, (sculpture)

Sculptor:
Serra, Richard 1939-  Search this
Medium:
Cor-Ten Steel
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Western Washington University Western Gallery Adjacent to Arts Annex & Western Gallery Bellingham Washington 98225
Date:
1979-1980
Topic:
Abstract--Geometric  Search this
Control number:
IAS 87980049
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_302953

Rain Forest, (sculpture)

Sculptor:
FitzGerald, James Herbert 1910-1973  Search this
Medium:
Sculpture: bronze; Pool: Concrete
Culture:
Chinese  Search this
Japanese  Search this
Type:
Sculptures-Outdoor Sculpture
Sculptures-Fountain
Sculptures
Owner/Location:
Western Washington University Western Gallery Adjacent to Wilson Library & Haggard Hall Bellingham Washington 98225
Date:
1959. Installed 1960
Topic:
Abstract  Search this
Allegory--Place--Forests  Search this
Object--Letter  Search this
Ethnic  Search this
Control number:
IAS 66360001
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_304694

India, (sculpture)

Sculptor:
Caro, Anthony 1924-2013  Search this
Medium:
Sculpture: varnished steel; Base: red brick, stone
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Western Washington University Western Gallery Between Humanities and Old Main Bellingham Washington 98225
Date:
1976. Installed 1977
Topic:
Abstract  Search this
Allegory--Place--India  Search this
Control number:
IAS 66360007
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_304700

Big Moon Jelly Blooms Tied to New Dock Construction

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Wed, 05 Nov 2014 16:26:09 +0000
Topic:
Search this
See more post:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_1c1f92a6bbe6d0e2c6dc6edc06dc761f

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