Netherlands -- Amsterdam -- Description and Travel
New York (N.Y.) -- Description and Travel
Tanzania -- Description and Travel
Date:
2017 March 27-29
Scope and Contents:
An interview with Lyle Ashton Harris, conducted 2017 March 27 and 29, by Alex Fialho, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Harris's studio and home in New York, New York.
Harris speaks of his childhood in the Bronx; his family's influence on his race-consciousness; living in Tanzania for two years as a child and the effects on his understanding of race and sexuality; his grandfather's extensive photographic archive; contact with the South African diaspora through his step-father; attending Wesleyan University; formative experiences in London, Amsterdam, and New York in the mid-1980s; his education and development as a photographer; attending CalArts and encountering West Coast AIDS activism; encountering systemic racism in Los Angeles; close friendships with Marlon Riggs and Essex Hemphill; exhibitions of his work in New York in the early 1990s; the production of his Ektachrome Archive and his impulse to photograph daily life; his work on the Black Community AIDS Research and Education (Black C.A.R.E.) project in Los Angeles; participating in the Whitney Museum's Independent Study Program; being diagnosed with HIV and remaining asymptomatic; attending the Dia Black Popular Culture Conference in 1992; photographing and mounting "The Good Life" in 1994 and "The Watering Hole" in 1996; issues of blackness and queerness in his photographic work; his residency at the American Academy in Rome in 2000; moving to Accra, Ghana for seven years in 2005; his pedagogy as an art professor; his thoughts on the lack of voices of color in the Visual Arts and the AIDS Epidemic Oral History Project and in the larger power structures of the art world; and his hope that his artistic legacy will be evaluated in its proper context. Harris also recalls Jackie and Robert O'Meally, Jay Seeley, Ellen O'Dench, Francesca Woodman, Jean-Michel Basquiat, Jim Collier, Robert Mapplethorpe, Allan Sekula, Hazel Carby, Isaac Julien, Catherine Lord, Millie Wilson, Todd Gray, John Grayson, Tommy Gear, Marlon Riggs, Essex Hemphill, Felix Gonzalez-Torres, Nancy Barton, Vickie Mays, Connie Butler, Greg Tate, Henry Louis Gates, Houston Baker, Nan Goldin, Jack Tilton, Simon Watson, and others.
Biographical / Historical:
Lyle Ashton Harris (1965- ) is an artist who works in video, photography, and performance in New York, New York. Alex Fialho (1989- ) is a curator and arts writer and works as Programs Director for Visual AIDS in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Performance artists -- New York (State) -- New York Search this
Photographers -- New York (State) -- New York Search this
Video artists -- New York (State) -- New York Search this
An interview of Jeffrey Deitch conducted 2006 May 15, by James McElhinney, for the Archives of American Art, at Deitch Projects on Grand Street, in the SoHo neighborhood of New York, New York. Deitch discusses his childhood in Hartford, Connecticut; growing up in a family business; his experience as an exchange student in France and Japan during his teenage years; his education in economics and art history at Wesleyan University; the opening of his own local art gallery in Lenox, Massachusetts; his move to New York and his first job at the John Weber gallery as a secretary; curating an exhibition called "Lives" which described how artists use their lives as an art medium; attending Harvard Business School; moving back to New York and starting an art advisory program for Citibank in 1979; his travels to Asia; his first New York gallery opening with artists Peter Halley and Charles Ray; opening Deitch Projects in 1996; the administration of the gallery, including investing in an archivist, a financial manager, and a press liaison; incorporating popular musical acts into shows, attesting to his belief in diversity in the arts; his view of gallery publicity and criticism; art fairs versus traditional art galleries; discussion of works of art such as Tu M' (1918) by Marcel Duchamp and Edouard Manet's Bar at the Folies-Bergere (1881-82); and art education evolving into a more professional field. Deitch also recalls John Weber, Carl Andre, John Cage, Vito Acconci, Jeff Koons, Julian Pretto, Vanessa Beecroft, Virginia Dwan, Giuseppe Panza di Biumo, Keith Haring, and others.
Biographical / Historical:
Jeffrey Deitch (1950- ) is an art dealer from New York, New York. James McElhinney (1952- ) is a painter and educator from New York, New York.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 12 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art dealers -- New York (State) -- New York Search this
Genre/Form:
Sound recordings
Interviews
Sponsor:
Funding for this interview was provided by a grant from the Widgeon Point Charitable Foundation.
Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
