An interview of Judy Dater conducted 2000 June 2, by Paul Karlstrom, for the Archives of American Art,
The interview took place in Dater's home, Berkeley, California. Dater focuses on her experiences photographing the nude. Dater discusses the early influence on her of Thomas Hart Benton's "Persephone," a work that she says affected her on an emotional level; how voyeurism depicted informs "looking," a basic activity of the photographer and of many other artists; her collaboration with husband, Jack Welpott, working from the same nude model, and the differences in their objectives; her main interest is human energy, male or female; finding it easier to work with women; her feminism in connection with the subject of the nude and issues of power that arise.
Biographical / Historical:
Judy Dater (1941- ) is a photographer and photography model from Berkeley, California. Among Dater's best-known images is one of Imogen Cunningham photographing Twinka Thiebaud, Wayne Theibaud's daughter, at a field workshop in Yosemite. Dater also posed for Cunningham, Wynn Bullock, Ruth Bernhard, and, as a graduate student at San Francisco State University, her teacher and husband-to-be, Jack Welpott.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav file. Duration is 1 hr., 2 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding provided by Bente and Gerald E. Buck Collection.
Restrictions:
Transcript available on the Archives of American Art website.
The Visual Dialogue Foundation at the Friends of Photography Gallery, Carmel, California, February 4 through March 10, 1972. Participating members, Michael Bishop ... [et al.] ; associate members, Karl L. Folsom, Steven D. Soltar ; [introduction by Jack Welpott]
Interview of Ann Karlstrom and Mimi Luebbermann conducted 1982 March 4, by Betsy Mize Currie, for the Archives of American Art California Oral History Project. Karlstrom and Luebbermann discuss their experiences as models for Bay Area artists. They recall artist Samuel Clayberger and photographer Jack Welpott.
Biographical / Historical:
Ann Karlstrom is the publications manager at the M.H. de Young Memorial Museum in San Francisco, California; Mimi Luebermann is an an amateur artists' model.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Patrons must use transcript.
Topic:
Artists' models -- California -- Interviews Search this
Over 600 subject files containing Mann's research on the history of photography; and an extensive interview conducted by Mann with Imogen Cunningham.
REELS 1860-1872: 630 files cover photographers, photo exhibitions, societies, publications, and collections and contain biographical information, correspondence, published and unpublished transcripts by Mann, exhibition catalogs and announcements, price lists, photographs, organization records, clippings and printed material along with Mann's interviews of Wynn Bullock, Imogen Cunningham (partial), and Edward Ruscha. Photographs are by Linda Connor, Imogen Cunningham (includes one of dancer Martha Graham), Judy Dater (of Cunningham), Robert Heinecken, Anne Noggle, Leland Rice, Charles Swedlund, Arthur Tress, Jerry Uelsmann, Todd Walker, Jack Welpott, and Brett Weston.
REEL 5051 (fr. 390-600): Interview (232 p. transcript from 3 sound reels, 3 in.) of Imogen Cunningham conducted by Mann, 1960-1973, in preparation for her book, Imogen Cunningham: Photographs. Cunningham speaks of the sale and exhibition of her prints; being a "darkroom slave"; portrait photography; photographs as documents; the "soft-focus era"; teaching; and the f/64 Group. Cunningham comments on 104 of her photographs, including her portraits of Edward Weston and Margrethe Mather, Martha Graham, Cary Grant, Alfred Stieglitz, Upton Sinclair, Adedee Ozenfant, Frieda Kahlo Rivera, Getrude Stein, Shen Yao, Lyonel Feininger, Morris Graves, Anna Freud, and Minor White. She recalls Diane Arbus, Arthur Fellig, Paul Strand, and others.
Biographical / Historical:
Photographer, photography historian and critic; Davis, Calif.
Related Materials:
Files of Margery Mann, 1919-1977, are also located at the National Gallery of Australia.
Provenance:
The Cunningham interview was donated by Mann in 1975; the remainder by Mann's husband, Thomas K. Vasey, 1978.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
The artist as teacher, the teacher as artist : photographs 1950-1975 : [exhibition] / organized by San Francisco Museum of Art, December 17, 1975-February 15, 1976, Indiana University Art Museum, Bloomington, January 10-February 20, 1977, University Galleries, University of Southern California, Los Angeles, March 14-April 14, 1977