Search Results

Creator:

Bothwell, Dorr  Search this

Names:

Pollock-Krasner Foundation  Search this

Adams, Ansel, 1902-1984  Search this

Adams, Virginia Best  Search this

Adnan, Etel  Search this

Chinn, Benjamen, 1921-2009  Search this

Falkenstein, Claire, 1908-1997  Search this

Howard, Charles, 1899-1978  Search this

Jackson, Martha Kellogg  Search this

Packard, Emmy Lou, 1914-1998  Search this

Extent:

10.6 Linear feet

1.72 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Drawings

Sketchbooks

Photographs

Visitors' books

Interviews

Travel diaries

Scrapbooks

Collages

Sketches

Contracts

Awards

Diaries

Lecture notes

Date:

1900-2006

Summary:

The papers of California painter, printmaker, and art instructor Dorr Bothwell date from 1900-2006, and measure 10.6 linear feet and 1.72 GB. Found within the papers are biographical material, correspondence, personal business records, notes and writings, five diaries, art work and 19 sketchbooks, three scrapbooks, printed material, and print and digital photographs.

Scope and Content Note:

The papers of California painter, printmaker, and art instructor Dorr Bothwell date from 1900-2006, and measure 10.6 linear feet and 1.72 GB. Found within the papers are biographical material, correspondence, personal business records, notes and writings, five diaries, art work and 19 sketchbooks, three scrapbooks, printed material, and print and digital photographs.

Biographical material consists of biographical sketches, resumés, identity cards, award certificates, typescripts of autobiographical interviews, address books, and a file concerning UFOs, spirituality, and philosophy.

Correspondence consists of letters exchanged between Bothwell and her colleagues and friends discussing their art-related activities, travel, and birthday greetings. There are scattered letters from Ansel and Virginia Adams, Etel Adnan, Benjamin Chinn, Claire Falkenstein, and Emmy Lou Packard.

Personal business records include teaching contracts, contracts and royalty statements for the publication of Bothwell's book Notan, insurance records, income tax records, records concerning a grant from the Pollock-Krasner Foundation, estate records, card files, lists of art work, price lists, exhibition entry cards, receipts for the sale of art work, travel receipts, medical receipts, and consignment/sales records.

Notes and writings include three diaries, two travel journals, guest books, miscellaneous lists, schedules of classes for various organizations and art schools including the Ansel Adams Yosemite Workshop, typescripts of lecture notes, and miscellaneous notes. There are also scattered writings by Bothwell and others.

Seventeen sketchbooks, including several completed during Bothwell's travels, and one dated 1942 illustrated with daily drawings of her activities while preparing for World War II, are found within the papers. There are also miscellaneous drawings, collages, a serigraph It's Time for a Change, an etching by Martha Jackson, and a drawing by Charles Howard.

Three scrapbooks contain clippings, exhibition announcements and catalogs, programs, and photographs of art work. Scrapbook 3 contains materials concerning spiritualism and mysticism. Additional printed material consists of clippings, exhibition announcements and catalogs, press releases, brochures for art classes, the sale of art work, travel, and camera equipment, reproductions of art work, picture postcards, programs, books, and miscellaneous commercial business cards.

Photographs are of Bothwell, her mother and brother, her studio/residences, miscellaneous friends and colleagues including her former husband, sculptor Donal Hord, miscellaneous events, and art classes conducted by Bothwell. There are also photographs of art work by Bothwell and others, as well as numerous photographs and slides of travel various forms in nature that Bothwell would incorporate into her art work.

Arrangement:

The collection is arranged as 8 series:

Missing Title

Series 1: Biographical Material, 1939-2001 (Box 1, 11, 13, 15; 0.6 linear feet)

Series 2: Correspondence, 1942-2002 (Box 1-3, 13; 2.3 linear feet)

Series 3: Personal Business Records, 1925-2006 (Box 3-4; 0.7 linear feet)

Series 4: Notes and Writings, 1949-1998 (Box 4, 11, 14, 15; 0.8 linear feet.)

Series 5: Art Work, 1920-1994 (Box 4-5, 11, 13, 16, 17; 1.5 linear feet)

Series 6: Scrapbooks, 1926-1979 (Box 5, 11, 12; 0.5 linear feet)

Series 7: Printed Material, 1923-2000 (Box 5-7, 12, 13; 1.8 linear feet)

Series 8: Photographs, 1900-2001 (Box 7-9, 10; 2.4 linear feet, ER01-ER04; 1.72 GB)

Biographical Note:

Dorr Bothwell (1902-2000) worked primarily in California as a painter, printmaker, and art instructor.

Doris Bothwell was born on May 3, 1902 in San Francisco, and later changed her first name to Dorr in order to more easily enter the art business. Bothwell began her art studies in 1916 with her parents' friend Anna Valentien, a student of Rodin. Between 1921 and 1922, she studied at the California School of Fine Art, and continued her studies at the University of Oregon at Eugene. After attending the Rudolph Schaeffer School of Design in 1924, she established her own studio in San Francisco from 1924 to 1927. Also during this time Bothwell, with eight other artists opened the Modern Gallery on Montgomery Street, mounting her first solo exhibition there in 1927.

Between 1928 and 1929, Bothwell traveled to American Samoa, where she created paintings and drawings, and documented tapa (barkcloth) drawings for the Bishop Museum of Honolulu. She then spent a year of study in Europe, returning to San Diego, California in 1931 and marrying sculptor Donal Hord. Four years later, they divorced and she moved to Los Angeles where she worked for the pottery manufacturer Gladding McBean, joined the post-surrealist group around Lorser Feitelson and Helen Lundeberg and opened the Bothwell-Cooke Gallery.

Between 1936 and 1939, Bothwell worked in the mural division of the Federal Arts Project of Los Angeles, and learned the art of serigraph printing. She designed dioramas and mechanized exhibitions for the Los Angeles County Museum. In 1940 she also created murals in the Manning Coffee Restaurant in San Francisco.

After teaching color and design at the California School of Fine Art in San Francisco from 1944 to 1948, Bothwell was awarded the Abraham Rosenberg Traveling Scholarship that financed study in Paris from 1949 to the fall of 1951. In 1952 she taught textile design for mass production at the Parsons School of Design in New York City.

Returning to San Francisco, Bothwell taught again at the California School of Fine Art from 1953 to 1958, and at the San Francisco Art Institute from 1959 to 1960. From 1960 to 1961 she took a sabbatical in England and France, creating paintings for an exhibition. In 1962 she was asked to teach at the new Mendocino Art Center and she taught there until 1983. She was also asked by Ansel Adams to teach design and composition for photographers at his Yosemite Workshop summer sessions, which she did from 1964 to 1977.

From 1966 to 1967, Bothwell documented indigo dying techniques, strip weaving, and pottery in Western Nigeria and Tunisia. In 1968, she published her book, co-authored with Marlys Frey, NOTAN The Principle of Dark-Light Design. The book was reissued in 1991. Bothwell continued her travels from 1970 to 1971, when she studied 12th century enamels in England, France, and Holland, and conducted a symposium, "Notan Design," for the London Educational Authority. In 1974, she traveled to Bali, Java, and Sumatra, making a slide documentary on batik, woodcarving, and folk design.

In 1977 Bothwell moved to Joshua Tree, California, from Mendocino in Northern California, but moved back and forth between the two studio/residences until 1992 when she moved to her last residence on the desert at Apache Junction, Arizona. From 1979 to 1980, she taught composition at the Victor School of Photography in Colorado and a design course at the Women's Art Guild in Kauai, Hawaii. Following a tour of China with a watercolor artists' group in 1982, Bothwell conducted workshops at the Mendocino Art Center. In 1985, she traveled to Japan.

Dorr Bothwell died on September 24, 2000 in Fort Bragg, California.

Provenance:

The Dorr Bothwell papers were donated in 1978 by the artist, and in 2002, 2009, and 2012 by the Dorr Bothwell Trust.

Restrictions:

Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Muralists -- California  Search this

Painters -- California  Search this

Art teachers -- California  Search this

Printmakers -- California  Search this

Topic:

Women artists  Search this

Women painters  Search this

Women educators  Search this

Women printmakers  Search this

Artists' studios -- Photographs  Search this

Surrealism  Search this

World War, 1939-1945  Search this

Genre/Form:

Drawings

Sketchbooks

Photographs

Visitors' books

Interviews

Travel diaries

Scrapbooks

Collages

Sketches

Contracts

Awards

Diaries

Lecture notes

Citation:

Dorr Bothwell papers, 1900-2006. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.bothdorr

See more items in:

Dorr Bothwell papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-bothdorr

Culture/People:

probably Barí (Motilone) (attributed)  Search this

Previous owner:

David Sands Titus, III (D. S. Titus), Non-Indian, 1881-1949  Search this

Lillian Titus Allen (Lillian Olds Titus/Mrs. F. G. Allen), Non-Indian, 1884-1986  Search this

Seller:

Lillian Titus Allen (Lillian Olds Titus/Mrs. F. G. Allen), Non-Indian, 1884-1986  Search this

Object Name:

Spindle

Media/Materials:

Palm wood

Techniques:

Carved

Object Type:

Weaving tools/equipment

Place:

Venezuela

Catalog Number:

21/4385

Barcode:

214385.000

See related items:

Barí (Motilone)

Weaving tools/equipment

Data Source:

National Museum of the American Indian

GUID:

http://n2t.net/ark:/65665/ws644d4ec56-1364-4742-acde-c3786a209193

EDAN-URL:

edanmdm:NMAI_228041

Culture/People:

probably Barí (Motilone) (attributed)  Search this

Previous owner:

David Sands Titus, III (D. S. Titus), Non-Indian, 1881-1949  Search this

Lillian Titus Allen (Lillian Olds Titus/Mrs. F. G. Allen), Non-Indian, 1884-1986  Search this

Seller:

Lillian Titus Allen (Lillian Olds Titus/Mrs. F. G. Allen), Non-Indian, 1884-1986  Search this

Object Name:

Spindle, spindle whorl, and fiber/yarn

Media/Materials:

Wood, nut/nuts, cotton yarn

Techniques:

Carved

Object Type:

Weaving tools/equipment

Place:

Venezuela

Catalog Number:

21/4386

Barcode:

214386.000

See related items:

Barí (Motilone)

Weaving tools/equipment

Data Source:

National Museum of the American Indian

GUID:

http://n2t.net/ark:/65665/ws62fa3e347-de85-4f4f-8a8d-e3fc2823248e

EDAN-URL:

edanmdm:NMAI_228042

Culture/People:

probably Barí (Motilone) (attributed)  Search this

Previous owner:

David Sands Titus, III (D. S. Titus), Non-Indian, 1881-1949  Search this

Lillian Titus Allen (Lillian Olds Titus/Mrs. F. G. Allen), Non-Indian, 1884-1986  Search this

Seller:

Lillian Titus Allen (Lillian Olds Titus/Mrs. F. G. Allen), Non-Indian, 1884-1986  Search this

Object Name:

Spindle whorl and spindle

Media/Materials:

Wood, turtle shell/carapace

Techniques:

Carved, perforated

Object Type:

Weaving tools/equipment

Place:

Venezuela

Catalog Number:

21/4384

Barcode:

214384.000

See related items:

Barí (Motilone)

Weaving tools/equipment

Data Source:

National Museum of the American Indian

GUID:

http://n2t.net/ark:/65665/ws6a37ffda9-5726-4a3c-ace3-94a25271e732

EDAN-URL:

edanmdm:NMAI_228040

Interviewee:

Hu, Mary Lee, 1943-  Search this

Hu, Mary Lee, 1943-  Search this

Interviewer:

Riedel, Mija, 1958-  Search this

Subject:

Baldridge, Mark S.  Search this

Choo, Chunghi  Search this

Christensen, Hans  Search this

Dingeldein, Otto  Search this

Eikerman, Alma  Search this

Farafol, Daphne  Search this

Fenster, Fred  Search this

Fike, Phillip G.  Search this

Halper, Vicki  Search this

Ho, Ron  Search this

Kidman, Hero  Search this

Kington, L. Brent (Louis Brent)  Search this

Marshall, John  Search this

Matsukata, Miye  Search this

Matzdorf, Kurt  Search this

McMurray, James  Search this

Moty, Eleanor  Search this

Noffke, Gary  Search this

Pujol, Eleanor  Search this

Seppä, Heikki  Search this

Turner, Gary  Search this

Warashina, Patti  Search this

American Craft Council  Search this

Cleveland Institute of Art  Search this

Cranbrook Academy of Art  Search this

Lawrence Arts Center  Search this

Miami University (Oxford, Ohio)  Search this

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Society of North American Goldsmiths  Search this

Southern Illinois University at Carbondale  Search this

University of Washington  Search this

Type:

Sound recordings

Interviews

Place:

Afghanistan -- Description and travel

Australia -- description and travel

China -- description and travel

Indonesia -- description and travel

Iran -- description and travel

Nepal -- description and travel

Ohio -- Description and travel

Papua New Guinea -- Description and travel

Tibet (China) -- Description and travel

Turkey -- description and travel

Topic:

Body adornment  Search this

Jewelry  Search this

Jewelry making -- Equipment and supplies  Search this

Jewelry making -- Study and teaching  Search this

Jewelry making -- Technique  Search this

Metal-workers -- Washington (State) -- Interviews  Search this

Women artists  Search this

Theme:

Women  Search this

Record number:

(DSI-AAA_CollID)15659

(DSI-AAA_SIRISBib)282415

AAA_collcode_hu09

Theme:

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_282415

Medium:

Medium: silk embroidery on cotton foundation Technique: embroidered in buttonhole, cross, chain, satin, knot, hollie point, and running stitches on plain weave foundation with withdrawn element work and needle lace.

Dimensions:

H x W: 31.8 x 34.3 cm (12 1/2 x 13 1/2 in.)

Type:

embroidery & stitching

Sampler

Date:

1851

Credit Line:

Bequest of Gertrude M. Oppenheimer

Accession Number:

1981-28-191

Restrictions & Rights:

CC0

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Textiles Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

GUID:

http://n2t.net/ark:/65665/kq4d9865bb1-b6ab-4157-9c82-e2e6de914594

EDAN-URL:

edanmdm:chndm_1981-28-191

Interviewee:

Hu, Mary Lee, 1943-  Search this

Interviewer:

Riedel, Mija, 1958-  Search this

Creator:

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Names:

American Craft Council  Search this

Cleveland Institute of Art -- Students  Search this

Cranbrook Academy of Art -- Students  Search this

Lawrence Arts Center  Search this

Miami University (Oxford, Ohio) -- Students  Search this

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Society of North American Goldsmiths  Search this

Southern Illinois University at Carbondale -- Students  Search this

University of Washington -- Faculty  Search this

Baldridge, Mark S., 1946-  Search this

Choo, Chunghi  Search this

Christensen, Hans, 1924-1983  Search this

Dingeldein, Otto  Search this

Eikerman, Alma  Search this

Farafol, Daphne  Search this

Fenster, Fred, 1934-  Search this

Fike, Phillip G., 1927-1997  Search this

Halper, Vicki  Search this

Ho, Ron  Search this

Kidman, Hero  Search this

Kington, L. Brent (Louis Brent), 1934-2013  Search this

Marshall, John, 1936-  Search this

Matsukata, Miye, 1922-1981  Search this

Matzdorf, Kurt  Search this

McMurray, James  Search this

Moty, Eleanor  Search this

Noffke, Gary  Search this

Pujol, Eleanor  Search this

Seppä, Heikki  Search this

Turner, Gary  Search this

Warashina, Patti, 1940-  Search this

Extent:

8 Items (Sound recording: 8 wav files (5 hr., 42 min.), digital)

163 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Place:

Afghanistan -- Description and Travel

Australia -- Description and Travel

China -- Description and Travel

Indonesia -- Description and Travel

Iran -- Description and Travel

Nepal -- Description and Travel

Ohio -- Description and Travel

Papua New Guinea -- Description and Travel

Tibet (China) -- Description and Travel

Turkey -- description and travel

Date:

2009 March 18-19

Scope and Contents:

An interview of Mary Lee Hu conducted 2009 March 18-19, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Hu's home and studio, in Seattle, Washington.

Hu speaks of growing up outside Cleveland, Ohio; her early interest in making objects; attending the Lawrence Art Center camp in Kansas at the age of 16 where she first experimented with metals; her like of working with tools in order to create something; taking metal smith classes at the Cleveland Institute of Art during high school; attending Miami University in Ohio for two years followed by two years an Cranbrook Academy of Art; working as a TA with L. Brent Kington at Southern Illinois University in Carbondale; her collaborative work in both textiles and metals while at Carbondale which lead to her first experimentation in weaving silver wire; creating a body of work for her Master's thesis in which all the pieces were woven wire; various works, their origins, when, where and why they were created, including her Neckpiece, Choker, Bracelet, Brooch and Ring series; her aesthetic interest in patterns, line and positive/negative space; a limited interest in and use of color in her work; the transition from silver to gold wire; a progressively larger interest in the history of jewelry and body adornment which eventually became a lecture at the University of Washington, where she taught for 26 years; numerous trips around the world to countries such as China, Tibet, Nepal, Afghanistan, Iran, Turkey, Australia, Papua New Guinea and Indonesia; a strong interest in ethnic and native jewelry/body adornment practices; the various purposes which jewelry can serve in society; her involvement with the Society of North American Goldsmiths and the American Craft Council; her technique based teaching practices; the role that modern technology plays in teaching, learning, and making jewelry; the lack of support and funds for metals programs in universities around the country; her library, which includes aver 2,000 books about the history of jewelry and body adornment; her collection of jewelry from around the world; her want to create beautiful and functional jewelry; the public and private aspects to jewelry and it's role in museums; current projects and the importance to maintain interest of metals in younger generations. Hu also recalls Gary Turner, Hans Christensen, Otto Dingeldein, Heikki Seppä, Hero Kielman, Phil Fike, Patti Warashina, Gary Noffke, Elliott Pujol, Chonghi Choo, Daphne Farafo, Vicki Halper, Ron Ho, Miye Matsukata, Alma Eikermann, Mark Baldridge, Kurt Matzdorf, Eleanor Moty, Fred Fenster, John Marshall, James McMurray, and others.

Biographical / Historical:

Mary Lee Hu (1943- ) is a metalsmith in Seattle, Washington. Smith was educated at Cranbrook Academy of Art and Southern Illinois University. She teaches at the University of Washington.

General:

Originally recorded on 4 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 5 hr., 43 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Topic:

Body adornment  Search this

Jewelry  Search this

Jewelry making -- Equipment and supplies  Search this

Jewelry making -- Study and teaching  Search this

Jewelry making -- Technique  Search this

Metal-workers -- Washington (State) -- Interviews  Search this

Women artists  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.hu09

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-hu09

Creator:

Smithsonian Arctic Studies Center Alaska  Search this

Type:

YouTube Videos

Uploaded:

2019-06-19T01:32:48.000Z

YouTube Category:

Education  Search this

Topic:

Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this

See more by:

Smithsonian Arctic Studies Center Alaska channel

Data Source:

Smithsonian Arctic Studies Center Alaska

YouTube Channel:

Smithsonian Arctic Studies Center Alaska channel

EDAN-URL:

edanmdm:yt_-GvkTZ17Toc

Creator:

Smithsonian Arctic Studies Center Alaska  Search this

Type:

YouTube Videos

Uploaded:

2019-06-18T00:20:39.000Z

YouTube Category:

Education  Search this

Topic:

Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this

See more by:

Smithsonian Arctic Studies Center Alaska channel

Data Source:

Smithsonian Arctic Studies Center Alaska

YouTube Channel:

Smithsonian Arctic Studies Center Alaska channel

EDAN-URL:

edanmdm:yt_0lkPhYnsaZ0

Creator:

Smithsonian Arctic Studies Center Alaska  Search this

Type:

YouTube Videos

Uploaded:

2018-11-14T00:56:38.000Z

YouTube Category:

Education  Search this

Topic:

Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this

See more by:

Smithsonian Arctic Studies Center Alaska channel

Data Source:

Smithsonian Arctic Studies Center Alaska

YouTube Channel:

Smithsonian Arctic Studies Center Alaska channel

EDAN-URL:

edanmdm:yt_1HEiSVUph14

Creator:

Smithsonian Arctic Studies Center Alaska  Search this

Type:

YouTube Videos

Uploaded:

2019-06-17T21:32:08.000Z

YouTube Category:

Education  Search this

Topic:

Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this

See more by:

Smithsonian Arctic Studies Center Alaska channel

Data Source:

Smithsonian Arctic Studies Center Alaska

YouTube Channel:

Smithsonian Arctic Studies Center Alaska channel

EDAN-URL:

edanmdm:yt_1ZVxfD34iPo

Creator:

Smithsonian Arctic Studies Center Alaska  Search this

Type:

YouTube Videos

Uploaded:

2018-11-14T23:56:09.000Z

YouTube Category:

Education  Search this

Topic:

Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this

See more by:

Smithsonian Arctic Studies Center Alaska channel

Data Source:

Smithsonian Arctic Studies Center Alaska

YouTube Channel:

Smithsonian Arctic Studies Center Alaska channel

EDAN-URL:

edanmdm:yt_4Hd5LpMuHQo

Creator:

Smithsonian Arctic Studies Center Alaska  Search this

Type:

YouTube Videos

Uploaded:

2018-11-14T01:11:07.000Z

YouTube Category:

Education  Search this

Topic:

Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this

See more by:

Smithsonian Arctic Studies Center Alaska channel

Data Source:

Smithsonian Arctic Studies Center Alaska

YouTube Channel:

Smithsonian Arctic Studies Center Alaska channel

EDAN-URL:

edanmdm:yt_4oUxB2UJ2XM

Creator:

Smithsonian Arctic Studies Center Alaska  Search this

Type:

YouTube Videos

Uploaded:

2018-10-17T22:44:58.000Z

YouTube Category:

Education  Search this

Topic:

Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this

See more by:

Smithsonian Arctic Studies Center Alaska channel

Data Source:

Smithsonian Arctic Studies Center Alaska

YouTube Channel:

Smithsonian Arctic Studies Center Alaska channel

EDAN-URL:

edanmdm:yt_D4XVSOQ5fII

Creator:

Smithsonian Arctic Studies Center Alaska  Search this

Type:

YouTube Videos

Uploaded:

2019-06-18T22:15:50.000Z

YouTube Category:

Education  Search this

Topic:

Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this

See more by:

Smithsonian Arctic Studies Center Alaska channel

Data Source:

Smithsonian Arctic Studies Center Alaska

YouTube Channel:

Smithsonian Arctic Studies Center Alaska channel

EDAN-URL:

edanmdm:yt_DMG5-MaSn3g

Creator:

Smithsonian Arctic Studies Center Alaska  Search this

Type:

YouTube Videos

Uploaded:

2019-06-18T01:07:59.000Z

YouTube Category:

Education  Search this

Topic:

Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this

See more by:

Smithsonian Arctic Studies Center Alaska channel

Data Source:

Smithsonian Arctic Studies Center Alaska

YouTube Channel:

Smithsonian Arctic Studies Center Alaska channel

EDAN-URL:

edanmdm:yt_DeoSL3K1wxk

Creator:

Smithsonian Arctic Studies Center Alaska  Search this

Type:

YouTube Videos

Uploaded:

2018-11-14T19:39:46.000Z

YouTube Category:

Education  Search this

Topic:

Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this

See more by:

Smithsonian Arctic Studies Center Alaska channel

Data Source:

Smithsonian Arctic Studies Center Alaska

YouTube Channel:

Smithsonian Arctic Studies Center Alaska channel

EDAN-URL:

edanmdm:yt_FF8SYUX1ugA

Creator:

Smithsonian Arctic Studies Center Alaska  Search this

Type:

YouTube Videos

Uploaded:

2018-11-15T00:19:13.000Z

YouTube Category:

Education  Search this

Topic:

Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this

See more by:

Smithsonian Arctic Studies Center Alaska channel

Data Source:

Smithsonian Arctic Studies Center Alaska

YouTube Channel:

Smithsonian Arctic Studies Center Alaska channel

EDAN-URL:

edanmdm:yt_HHNBASzVo6o

Creator:

Smithsonian Arctic Studies Center Alaska  Search this

Type:

YouTube Videos

Uploaded:

2018-10-17T23:08:02.000Z

YouTube Category:

Education  Search this

Topic:

Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this

See more by:

Smithsonian Arctic Studies Center Alaska channel

Data Source:

Smithsonian Arctic Studies Center Alaska

YouTube Channel:

Smithsonian Arctic Studies Center Alaska channel

EDAN-URL:

edanmdm:yt_KSBxeXa9tEo

Creator:

Smithsonian Arctic Studies Center Alaska  Search this

Type:

YouTube Videos

Uploaded:

2018-11-14T22:41:26.000Z

YouTube Category:

Education  Search this

Topic:

Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this

See more by:

Smithsonian Arctic Studies Center Alaska channel

Data Source:

Smithsonian Arctic Studies Center Alaska

YouTube Channel:

Smithsonian Arctic Studies Center Alaska channel

EDAN-URL:

edanmdm:yt_OgwlrqQ5Hf8