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Dorr Bothwell papers

Creator:
Bothwell, Dorr  Search this
Names:
Pollock-Krasner Foundation  Search this
Adams, Ansel, 1902-1984  Search this
Adams, Virginia Best  Search this
Adnan, Etel  Search this
Chinn, Benjamen, 1921-2009  Search this
Falkenstein, Claire, 1908-1997  Search this
Howard, Charles, 1899-1978  Search this
Jackson, Martha Kellogg  Search this
Packard, Emmy Lou, 1914-1998  Search this
Extent:
10.6 Linear feet
1.72 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Drawings
Sketchbooks
Photographs
Visitors' books
Interviews
Travel diaries
Scrapbooks
Collages
Sketches
Contracts
Awards
Diaries
Lecture notes
Date:
1900-2006
Summary:
The papers of California painter, printmaker, and art instructor Dorr Bothwell date from 1900-2006, and measure 10.6 linear feet and 1.72 GB. Found within the papers are biographical material, correspondence, personal business records, notes and writings, five diaries, art work and 19 sketchbooks, three scrapbooks, printed material, and print and digital photographs.
Scope and Content Note:
The papers of California painter, printmaker, and art instructor Dorr Bothwell date from 1900-2006, and measure 10.6 linear feet and 1.72 GB. Found within the papers are biographical material, correspondence, personal business records, notes and writings, five diaries, art work and 19 sketchbooks, three scrapbooks, printed material, and print and digital photographs.

Biographical material consists of biographical sketches, resumés, identity cards, award certificates, typescripts of autobiographical interviews, address books, and a file concerning UFOs, spirituality, and philosophy.

Correspondence consists of letters exchanged between Bothwell and her colleagues and friends discussing their art-related activities, travel, and birthday greetings. There are scattered letters from Ansel and Virginia Adams, Etel Adnan, Benjamin Chinn, Claire Falkenstein, and Emmy Lou Packard.

Personal business records include teaching contracts, contracts and royalty statements for the publication of Bothwell's book Notan, insurance records, income tax records, records concerning a grant from the Pollock-Krasner Foundation, estate records, card files, lists of art work, price lists, exhibition entry cards, receipts for the sale of art work, travel receipts, medical receipts, and consignment/sales records.

Notes and writings include three diaries, two travel journals, guest books, miscellaneous lists, schedules of classes for various organizations and art schools including the Ansel Adams Yosemite Workshop, typescripts of lecture notes, and miscellaneous notes. There are also scattered writings by Bothwell and others.

Seventeen sketchbooks, including several completed during Bothwell's travels, and one dated 1942 illustrated with daily drawings of her activities while preparing for World War II, are found within the papers. There are also miscellaneous drawings, collages, a serigraph It's Time for a Change, an etching by Martha Jackson, and a drawing by Charles Howard.

Three scrapbooks contain clippings, exhibition announcements and catalogs, programs, and photographs of art work. Scrapbook 3 contains materials concerning spiritualism and mysticism. Additional printed material consists of clippings, exhibition announcements and catalogs, press releases, brochures for art classes, the sale of art work, travel, and camera equipment, reproductions of art work, picture postcards, programs, books, and miscellaneous commercial business cards.

Photographs are of Bothwell, her mother and brother, her studio/residences, miscellaneous friends and colleagues including her former husband, sculptor Donal Hord, miscellaneous events, and art classes conducted by Bothwell. There are also photographs of art work by Bothwell and others, as well as numerous photographs and slides of travel various forms in nature that Bothwell would incorporate into her art work.
Arrangement:
The collection is arranged as 8 series:

Missing Title

Series 1: Biographical Material, 1939-2001 (Box 1, 11, 13, 15; 0.6 linear feet)

Series 2: Correspondence, 1942-2002 (Box 1-3, 13; 2.3 linear feet)

Series 3: Personal Business Records, 1925-2006 (Box 3-4; 0.7 linear feet)

Series 4: Notes and Writings, 1949-1998 (Box 4, 11, 14, 15; 0.8 linear feet.)

Series 5: Art Work, 1920-1994 (Box 4-5, 11, 13, 16, 17; 1.5 linear feet)

Series 6: Scrapbooks, 1926-1979 (Box 5, 11, 12; 0.5 linear feet)

Series 7: Printed Material, 1923-2000 (Box 5-7, 12, 13; 1.8 linear feet)

Series 8: Photographs, 1900-2001 (Box 7-9, 10; 2.4 linear feet, ER01-ER04; 1.72 GB)
Biographical Note:
Dorr Bothwell (1902-2000) worked primarily in California as a painter, printmaker, and art instructor.

Doris Bothwell was born on May 3, 1902 in San Francisco, and later changed her first name to Dorr in order to more easily enter the art business. Bothwell began her art studies in 1916 with her parents' friend Anna Valentien, a student of Rodin. Between 1921 and 1922, she studied at the California School of Fine Art, and continued her studies at the University of Oregon at Eugene. After attending the Rudolph Schaeffer School of Design in 1924, she established her own studio in San Francisco from 1924 to 1927. Also during this time Bothwell, with eight other artists opened the Modern Gallery on Montgomery Street, mounting her first solo exhibition there in 1927.

Between 1928 and 1929, Bothwell traveled to American Samoa, where she created paintings and drawings, and documented tapa (barkcloth) drawings for the Bishop Museum of Honolulu. She then spent a year of study in Europe, returning to San Diego, California in 1931 and marrying sculptor Donal Hord. Four years later, they divorced and she moved to Los Angeles where she worked for the pottery manufacturer Gladding McBean, joined the post-surrealist group around Lorser Feitelson and Helen Lundeberg and opened the Bothwell-Cooke Gallery.

Between 1936 and 1939, Bothwell worked in the mural division of the Federal Arts Project of Los Angeles, and learned the art of serigraph printing. She designed dioramas and mechanized exhibitions for the Los Angeles County Museum. In 1940 she also created murals in the Manning Coffee Restaurant in San Francisco.

After teaching color and design at the California School of Fine Art in San Francisco from 1944 to 1948, Bothwell was awarded the Abraham Rosenberg Traveling Scholarship that financed study in Paris from 1949 to the fall of 1951. In 1952 she taught textile design for mass production at the Parsons School of Design in New York City.

Returning to San Francisco, Bothwell taught again at the California School of Fine Art from 1953 to 1958, and at the San Francisco Art Institute from 1959 to 1960. From 1960 to 1961 she took a sabbatical in England and France, creating paintings for an exhibition. In 1962 she was asked to teach at the new Mendocino Art Center and she taught there until 1983. She was also asked by Ansel Adams to teach design and composition for photographers at his Yosemite Workshop summer sessions, which she did from 1964 to 1977.

From 1966 to 1967, Bothwell documented indigo dying techniques, strip weaving, and pottery in Western Nigeria and Tunisia. In 1968, she published her book, co-authored with Marlys Frey, NOTAN The Principle of Dark-Light Design. The book was reissued in 1991. Bothwell continued her travels from 1970 to 1971, when she studied 12th century enamels in England, France, and Holland, and conducted a symposium, "Notan Design," for the London Educational Authority. In 1974, she traveled to Bali, Java, and Sumatra, making a slide documentary on batik, woodcarving, and folk design.

In 1977 Bothwell moved to Joshua Tree, California, from Mendocino in Northern California, but moved back and forth between the two studio/residences until 1992 when she moved to her last residence on the desert at Apache Junction, Arizona. From 1979 to 1980, she taught composition at the Victor School of Photography in Colorado and a design course at the Women's Art Guild in Kauai, Hawaii. Following a tour of China with a watercolor artists' group in 1982, Bothwell conducted workshops at the Mendocino Art Center. In 1985, she traveled to Japan.

Dorr Bothwell died on September 24, 2000 in Fort Bragg, California.
Provenance:
The Dorr Bothwell papers were donated in 1978 by the artist, and in 2002, 2009, and 2012 by the Dorr Bothwell Trust.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Muralists -- California  Search this
Painters -- California  Search this
Art teachers -- California  Search this
Printmakers -- California  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women educators  Search this
Women printmakers  Search this
Artists' studios -- Photographs  Search this
Surrealism  Search this
World War, 1939-1945  Search this
Genre/Form:
Drawings
Sketchbooks
Photographs
Visitors' books
Interviews
Travel diaries
Scrapbooks
Collages
Sketches
Contracts
Awards
Diaries
Lecture notes
Citation:
Dorr Bothwell papers, 1900-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bothdorr
See more items in:
Dorr Bothwell papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bothdorr

Spindle

Culture/People:
probably Barí (Motilone) (attributed)  Search this
Previous owner:
David Sands Titus, III (D. S. Titus), Non-Indian, 1881-1949  Search this
Lillian Titus Allen (Lillian Olds Titus/Mrs. F. G. Allen), Non-Indian, 1884-1986  Search this
Seller:
Lillian Titus Allen (Lillian Olds Titus/Mrs. F. G. Allen), Non-Indian, 1884-1986  Search this
Object Name:
Spindle
Media/Materials:
Palm wood
Techniques:
Carved
Object Type:
Weaving tools/equipment
Place:
Venezuela
Catalog Number:
21/4385
Barcode:
214385.000
See related items:
Barí (Motilone)
Weaving tools/equipment
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws644d4ec56-1364-4742-acde-c3786a209193
EDAN-URL:
edanmdm:NMAI_228041
Online Media:

Spindle, spindle whorl, and fiber/yarn

Culture/People:
probably Barí (Motilone) (attributed)  Search this
Previous owner:
David Sands Titus, III (D. S. Titus), Non-Indian, 1881-1949  Search this
Lillian Titus Allen (Lillian Olds Titus/Mrs. F. G. Allen), Non-Indian, 1884-1986  Search this
Seller:
Lillian Titus Allen (Lillian Olds Titus/Mrs. F. G. Allen), Non-Indian, 1884-1986  Search this
Object Name:
Spindle, spindle whorl, and fiber/yarn
Media/Materials:
Wood, nut/nuts, cotton yarn
Techniques:
Carved
Object Type:
Weaving tools/equipment
Place:
Venezuela
Catalog Number:
21/4386
Barcode:
214386.000
See related items:
Barí (Motilone)
Weaving tools/equipment
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws62fa3e347-de85-4f4f-8a8d-e3fc2823248e
EDAN-URL:
edanmdm:NMAI_228042
Online Media:

Spindle whorl and spindle

Culture/People:
probably Barí (Motilone) (attributed)  Search this
Previous owner:
David Sands Titus, III (D. S. Titus), Non-Indian, 1881-1949  Search this
Lillian Titus Allen (Lillian Olds Titus/Mrs. F. G. Allen), Non-Indian, 1884-1986  Search this
Seller:
Lillian Titus Allen (Lillian Olds Titus/Mrs. F. G. Allen), Non-Indian, 1884-1986  Search this
Object Name:
Spindle whorl and spindle
Media/Materials:
Wood, turtle shell/carapace
Techniques:
Carved, perforated
Object Type:
Weaving tools/equipment
Place:
Venezuela
Catalog Number:
21/4384
Barcode:
214384.000
See related items:
Barí (Motilone)
Weaving tools/equipment
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6a37ffda9-5726-4a3c-ace3-94a25271e732
EDAN-URL:
edanmdm:NMAI_228040
Online Media:

Oral history interview with Mary Lee Hu, 2009 March 18-19

Interviewee:
Hu, Mary Lee, 1943-  Search this
Hu, Mary Lee, 1943-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Baldridge, Mark S.  Search this
Choo, Chunghi  Search this
Christensen, Hans  Search this
Dingeldein, Otto  Search this
Eikerman, Alma  Search this
Farafol, Daphne  Search this
Fenster, Fred  Search this
Fike, Phillip G.  Search this
Halper, Vicki  Search this
Ho, Ron  Search this
Kidman, Hero  Search this
Kington, L. Brent (Louis Brent)  Search this
Marshall, John  Search this
Matsukata, Miye  Search this
Matzdorf, Kurt  Search this
McMurray, James  Search this
Moty, Eleanor  Search this
Noffke, Gary  Search this
Pujol, Eleanor  Search this
Seppä, Heikki  Search this
Turner, Gary  Search this
Warashina, Patti  Search this
American Craft Council  Search this
Cleveland Institute of Art  Search this
Cranbrook Academy of Art  Search this
Lawrence Arts Center  Search this
Miami University (Oxford, Ohio)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale  Search this
University of Washington  Search this
Type:
Sound recordings
Interviews
Place:
Afghanistan -- Description and travel
Australia -- description and travel
China -- description and travel
Indonesia -- description and travel
Iran -- description and travel
Nepal -- description and travel
Ohio -- Description and travel
Papua New Guinea -- Description and travel
Tibet (China) -- Description and travel
Turkey -- description and travel
Topic:
Body adornment  Search this
Jewelry  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Study and teaching  Search this
Jewelry making -- Technique  Search this
Metal-workers -- Washington (State) -- Interviews  Search this
Women artists  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15659
(DSI-AAA_SIRISBib)282415
AAA_collcode_hu09
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_282415
Online Media:

Sampler

Medium:
Medium: silk embroidery on cotton foundation Technique: embroidered in buttonhole, cross, chain, satin, knot, hollie point, and running stitches on plain weave foundation with withdrawn element work and needle lace.
Dimensions:
H x W: 31.8 x 34.3 cm (12 1/2 x 13 1/2 in.)
Type:
embroidery & stitching
Sampler
Date:
1851
Credit Line:
Bequest of Gertrude M. Oppenheimer
Accession Number:
1981-28-191
Restrictions & Rights:
CC0
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Textiles Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4d9865bb1-b6ab-4157-9c82-e2e6de914594
EDAN-URL:
edanmdm:chndm_1981-28-191

Oral history interview with Mary Lee Hu

Interviewee:
Hu, Mary Lee, 1943-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Craft Council  Search this
Cleveland Institute of Art -- Students  Search this
Cranbrook Academy of Art -- Students  Search this
Lawrence Arts Center  Search this
Miami University (Oxford, Ohio) -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale -- Students  Search this
University of Washington -- Faculty  Search this
Baldridge, Mark S., 1946-  Search this
Choo, Chunghi  Search this
Christensen, Hans, 1924-1983  Search this
Dingeldein, Otto  Search this
Eikerman, Alma  Search this
Farafol, Daphne  Search this
Fenster, Fred, 1934-  Search this
Fike, Phillip G., 1927-1997  Search this
Halper, Vicki  Search this
Ho, Ron  Search this
Kidman, Hero  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Marshall, John, 1936-  Search this
Matsukata, Miye, 1922-1981  Search this
Matzdorf, Kurt  Search this
McMurray, James  Search this
Moty, Eleanor  Search this
Noffke, Gary  Search this
Pujol, Eleanor  Search this
Seppä, Heikki  Search this
Turner, Gary  Search this
Warashina, Patti, 1940-  Search this
Extent:
8 Items (Sound recording: 8 wav files (5 hr., 42 min.), digital)
163 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Afghanistan -- Description and Travel
Australia -- Description and Travel
China -- Description and Travel
Indonesia -- Description and Travel
Iran -- Description and Travel
Nepal -- Description and Travel
Ohio -- Description and Travel
Papua New Guinea -- Description and Travel
Tibet (China) -- Description and Travel
Turkey -- description and travel
Date:
2009 March 18-19
Scope and Contents:
An interview of Mary Lee Hu conducted 2009 March 18-19, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Hu's home and studio, in Seattle, Washington.
Hu speaks of growing up outside Cleveland, Ohio; her early interest in making objects; attending the Lawrence Art Center camp in Kansas at the age of 16 where she first experimented with metals; her like of working with tools in order to create something; taking metal smith classes at the Cleveland Institute of Art during high school; attending Miami University in Ohio for two years followed by two years an Cranbrook Academy of Art; working as a TA with L. Brent Kington at Southern Illinois University in Carbondale; her collaborative work in both textiles and metals while at Carbondale which lead to her first experimentation in weaving silver wire; creating a body of work for her Master's thesis in which all the pieces were woven wire; various works, their origins, when, where and why they were created, including her Neckpiece, Choker, Bracelet, Brooch and Ring series; her aesthetic interest in patterns, line and positive/negative space; a limited interest in and use of color in her work; the transition from silver to gold wire; a progressively larger interest in the history of jewelry and body adornment which eventually became a lecture at the University of Washington, where she taught for 26 years; numerous trips around the world to countries such as China, Tibet, Nepal, Afghanistan, Iran, Turkey, Australia, Papua New Guinea and Indonesia; a strong interest in ethnic and native jewelry/body adornment practices; the various purposes which jewelry can serve in society; her involvement with the Society of North American Goldsmiths and the American Craft Council; her technique based teaching practices; the role that modern technology plays in teaching, learning, and making jewelry; the lack of support and funds for metals programs in universities around the country; her library, which includes aver 2,000 books about the history of jewelry and body adornment; her collection of jewelry from around the world; her want to create beautiful and functional jewelry; the public and private aspects to jewelry and it's role in museums; current projects and the importance to maintain interest of metals in younger generations. Hu also recalls Gary Turner, Hans Christensen, Otto Dingeldein, Heikki Seppä, Hero Kielman, Phil Fike, Patti Warashina, Gary Noffke, Elliott Pujol, Chonghi Choo, Daphne Farafo, Vicki Halper, Ron Ho, Miye Matsukata, Alma Eikermann, Mark Baldridge, Kurt Matzdorf, Eleanor Moty, Fred Fenster, John Marshall, James McMurray, and others.
Biographical / Historical:
Mary Lee Hu (1943- ) is a metalsmith in Seattle, Washington. Smith was educated at Cranbrook Academy of Art and Southern Illinois University. She teaches at the University of Washington.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 5 hr., 43 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Body adornment  Search this
Jewelry  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Study and teaching  Search this
Jewelry making -- Technique  Search this
Metal-workers -- Washington (State) -- Interviews  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hu09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hu09

Twining Cedar (14 of 15): Weaving Designs - False Embroidery

Creator:
Smithsonian Arctic Studies Center Alaska  Search this
Type:
YouTube Videos
Uploaded:
2019-06-19T01:32:48.000Z
YouTube Category:
Education  Search this
Topic:
Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this
See more by:
Smithsonian Arctic Studies Center Alaska channel
Data Source:
Smithsonian Arctic Studies Center Alaska
YouTube Channel:
Smithsonian Arctic Studies Center Alaska channel
EDAN-URL:
edanmdm:yt_-GvkTZ17Toc

Twining Cedar (6 of 15): Harvesting and Preparing Maidenhair Fern

Creator:
Smithsonian Arctic Studies Center Alaska  Search this
Type:
YouTube Videos
Uploaded:
2019-06-18T00:20:39.000Z
YouTube Category:
Education  Search this
Topic:
Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this
See more by:
Smithsonian Arctic Studies Center Alaska channel
Data Source:
Smithsonian Arctic Studies Center Alaska
YouTube Channel:
Smithsonian Arctic Studies Center Alaska channel
EDAN-URL:
edanmdm:yt_0lkPhYnsaZ0

Twining Cedar (4 of 15): Harvesting Red Cedar Bark

Creator:
Smithsonian Arctic Studies Center Alaska  Search this
Type:
YouTube Videos
Uploaded:
2018-11-14T00:56:38.000Z
YouTube Category:
Education  Search this
Topic:
Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this
See more by:
Smithsonian Arctic Studies Center Alaska channel
Data Source:
Smithsonian Arctic Studies Center Alaska
YouTube Channel:
Smithsonian Arctic Studies Center Alaska channel
EDAN-URL:
edanmdm:yt_1HEiSVUph14

Twining Cedar (15 of 15): Ending - Weaving the Rim

Creator:
Smithsonian Arctic Studies Center Alaska  Search this
Type:
YouTube Videos
Uploaded:
2019-06-17T21:32:08.000Z
YouTube Category:
Education  Search this
Topic:
Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this
See more by:
Smithsonian Arctic Studies Center Alaska channel
Data Source:
Smithsonian Arctic Studies Center Alaska
YouTube Channel:
Smithsonian Arctic Studies Center Alaska channel
EDAN-URL:
edanmdm:yt_1ZVxfD34iPo

Twining Cedar (15 of 15): Ending - Weaving the Rim

Creator:
Smithsonian Arctic Studies Center Alaska  Search this
Type:
YouTube Videos
Uploaded:
2018-11-14T23:56:09.000Z
YouTube Category:
Education  Search this
Topic:
Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this
See more by:
Smithsonian Arctic Studies Center Alaska channel
Data Source:
Smithsonian Arctic Studies Center Alaska
YouTube Channel:
Smithsonian Arctic Studies Center Alaska channel
EDAN-URL:
edanmdm:yt_4Hd5LpMuHQo

Twining Cedar (5 of 15): Preparing Red Cedar Bark

Creator:
Smithsonian Arctic Studies Center Alaska  Search this
Type:
YouTube Videos
Uploaded:
2018-11-14T01:11:07.000Z
YouTube Category:
Education  Search this
Topic:
Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this
See more by:
Smithsonian Arctic Studies Center Alaska channel
Data Source:
Smithsonian Arctic Studies Center Alaska
YouTube Channel:
Smithsonian Arctic Studies Center Alaska channel
EDAN-URL:
edanmdm:yt_4oUxB2UJ2XM

Creating Quillwork 6 (of 8): Weaving

Creator:
Smithsonian Arctic Studies Center Alaska  Search this
Type:
YouTube Videos
Uploaded:
2018-10-17T22:44:58.000Z
YouTube Category:
Education  Search this
Topic:
Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this
See more by:
Smithsonian Arctic Studies Center Alaska channel
Data Source:
Smithsonian Arctic Studies Center Alaska
YouTube Channel:
Smithsonian Arctic Studies Center Alaska channel
EDAN-URL:
edanmdm:yt_D4XVSOQ5fII

Twining Cedar (12 of 15): Designs (Patterns)

Creator:
Smithsonian Arctic Studies Center Alaska  Search this
Type:
YouTube Videos
Uploaded:
2019-06-18T22:15:50.000Z
YouTube Category:
Education  Search this
Topic:
Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this
See more by:
Smithsonian Arctic Studies Center Alaska channel
Data Source:
Smithsonian Arctic Studies Center Alaska
YouTube Channel:
Smithsonian Arctic Studies Center Alaska channel
EDAN-URL:
edanmdm:yt_DMG5-MaSn3g

Twining Cedar (8 of 15): Weaving a Plaited Bottom

Creator:
Smithsonian Arctic Studies Center Alaska  Search this
Type:
YouTube Videos
Uploaded:
2019-06-18T01:07:59.000Z
YouTube Category:
Education  Search this
Topic:
Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this
See more by:
Smithsonian Arctic Studies Center Alaska channel
Data Source:
Smithsonian Arctic Studies Center Alaska
YouTube Channel:
Smithsonian Arctic Studies Center Alaska channel
EDAN-URL:
edanmdm:yt_DeoSL3K1wxk

Twining Cedar (11 of 15): Weaving the Sides

Creator:
Smithsonian Arctic Studies Center Alaska  Search this
Type:
YouTube Videos
Uploaded:
2018-11-14T19:39:46.000Z
YouTube Category:
Education  Search this
Topic:
Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this
See more by:
Smithsonian Arctic Studies Center Alaska channel
Data Source:
Smithsonian Arctic Studies Center Alaska
YouTube Channel:
Smithsonian Arctic Studies Center Alaska channel
EDAN-URL:
edanmdm:yt_FF8SYUX1ugA

Twining Cedar (12 of 15): Designs (Patterns)

Creator:
Smithsonian Arctic Studies Center Alaska  Search this
Type:
YouTube Videos
Uploaded:
2018-11-15T00:19:13.000Z
YouTube Category:
Education  Search this
Topic:
Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this
See more by:
Smithsonian Arctic Studies Center Alaska channel
Data Source:
Smithsonian Arctic Studies Center Alaska
YouTube Channel:
Smithsonian Arctic Studies Center Alaska channel
EDAN-URL:
edanmdm:yt_HHNBASzVo6o

Creating Quillwork 4 (of 8): Folding and Wrapping

Creator:
Smithsonian Arctic Studies Center Alaska  Search this
Type:
YouTube Videos
Uploaded:
2018-10-17T23:08:02.000Z
YouTube Category:
Education  Search this
Topic:
Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this
See more by:
Smithsonian Arctic Studies Center Alaska channel
Data Source:
Smithsonian Arctic Studies Center Alaska
YouTube Channel:
Smithsonian Arctic Studies Center Alaska channel
EDAN-URL:
edanmdm:yt_KSBxeXa9tEo

Twining Cedar (14 of 15): Weaving Designs - False Embroidery

Creator:
Smithsonian Arctic Studies Center Alaska  Search this
Type:
YouTube Videos
Uploaded:
2018-11-14T22:41:26.000Z
YouTube Category:
Education  Search this
Topic:
Arctic Studies;Alaska;Alaska Natives;Native Art;Indigenous Art  Search this
See more by:
Smithsonian Arctic Studies Center Alaska channel
Data Source:
Smithsonian Arctic Studies Center Alaska
YouTube Channel:
Smithsonian Arctic Studies Center Alaska channel
EDAN-URL:
edanmdm:yt_OgwlrqQ5Hf8

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